0:01:18 > 0:01:23BROADCASTER: America On The March brings you a special event.
0:01:23 > 0:01:26'When war ended last year,
0:01:26 > 0:01:31'numberless plans were proposed for the advancement of peace and prosperity.
0:01:31 > 0:01:35'One has captured the imagination of the world.
0:01:35 > 0:01:42'Its popularity enhanced by the fact that it's presented in the form of a novel.
0:01:42 > 0:01:48'Here Is Tomorrow offers the daring concept that man can shape his own destiny.
0:01:48 > 0:01:53'Mark Winston, the hero, has become the centre of a storm of controversy
0:01:53 > 0:01:56'which could not be greater were he a leader of the people.
0:01:56 > 0:01:59'Here's fortunate publisher, Philip Jerome.
0:01:59 > 0:02:03Here Is Tomorrow has led the bestselling list for 16 consecutive weeks.
0:02:03 > 0:02:07It has been translated for worldwide distribution.
0:02:07 > 0:02:14'As with all bestsellers, Here Is Tomorrow goes to Hollywood to be produced by Henry Baldwin
0:02:14 > 0:02:22'with Cary Grant as Mark Winston and Lana Turner as the girl. Says producer Baldwin...'
0:02:23 > 0:02:28I am proud of bringing Here Is Tomorrow to the screen -
0:02:28 > 0:02:32the most important picture of my career.
0:02:32 > 0:02:37- Beautiful speech, Mr Baldwin. - Later, Charlie, later.
0:02:37 > 0:02:43'People in every walk of life have been influenced by it. From the highest...'
0:02:43 > 0:02:48For my money, this book offers the best answer yet to all our problems.
0:02:48 > 0:02:51'To the lowest...'
0:02:51 > 0:02:56I come to America 32 years ago. It's great country.
0:02:56 > 0:03:00Here Is Tomorrow will sure get us out of the hole.
0:03:00 > 0:03:05'Each one finds in it something for himself, or herself.'
0:03:05 > 0:03:12I didn't understand the deep things in the book but it's got a beautiful love story.
0:03:12 > 0:03:16Mark Winston's a wonderful guy. Not like my customers.
0:03:16 > 0:03:20'The younger generation too takes its place in the struggle.'
0:03:20 > 0:03:25Number 12 of the Chipmunk Patrol of Pennsylvania.
0:03:25 > 0:03:29- We're behind Here Is Tomorrow 100%. - YEAH!
0:03:29 > 0:03:32'And in the Senate of the United States.'
0:03:32 > 0:03:34Everyone should read this book.
0:03:34 > 0:03:40It is a blueprint for happiness - politically, socially and spiritually.
0:03:40 > 0:03:47It gives me great pride that it was a member of my own sex who pointed the way.
0:03:47 > 0:03:53Christopher Madden is a woman. A girl in shining armour. An American Joan of Arc.
0:03:53 > 0:03:58'Now the authoress, Miss Christopher Madden,
0:03:58 > 0:04:02'parrying questions from the press of the world
0:04:02 > 0:04:07'before her departure for Hollywood to adapt her book for the screen.'
0:04:07 > 0:04:11How does it feel to be called America's Joan of Arc?
0:04:11 > 0:04:14I only wrote a book. I didn't intend to head a movement!
0:04:14 > 0:04:17So did Harriet Beecher Stowe and look what happened.
0:04:17 > 0:04:21Did you model Mark Winston after an actual person?
0:04:21 > 0:04:28Any resemblance between Mark Winston and any living person is coincidental.
0:04:28 > 0:04:34But he's very real to me. I lived with him for two years as I wrote the book.
0:04:34 > 0:04:40I know everything about him - his tastes, habits, the books he reads, the music he likes.
0:04:40 > 0:04:43It's an experience I won't forget.
0:04:43 > 0:04:50'Whether Christopher Madden and Mark Winston will make history, only time can tell.
0:04:50 > 0:04:53'America On The March.'
0:04:55 > 0:05:01- You've done a wonderful job. - Thanks. This reel will be in every theatre.
0:05:01 > 0:05:06- Get Miss Madden in New York.- It's too late. It's four o'clock there.
0:05:06 > 0:05:09Did you send out the invitations?
0:05:09 > 0:05:13The mayor will speak at the station. The governor at dinner.
0:05:13 > 0:05:17- I want everyone there. - We've invited everybody.
0:05:17 > 0:05:24- Did you wire Miss Madden about Cary Grant? - She should be receiving it now.
0:05:24 > 0:05:28The whole office was upset. We didn't tell Mr Baldwin.
0:05:28 > 0:05:33It's an upper, but from Chicago you'll have a drawing room.
0:05:33 > 0:05:38- I like travelling on Pullmans. You meet the people.- Nothing but people.
0:05:38 > 0:05:43- Our man has the tickets for the drawing room. - Call if you need me.
0:05:43 > 0:05:48- I will.- Miss Madden!- Yes. - A telegram.
0:05:48 > 0:05:53- Here you are, son. - Thank you, sir. Thank you.
0:05:53 > 0:05:57- Anything else?- I'd like to ask a question.- What?
0:05:57 > 0:06:05It's about my girl. Since she read the book, she says all she feels for me is a glandular attraction.
0:06:05 > 0:06:07What is a glandular attraction?
0:06:07 > 0:06:14It's from Baldwin. "Cary Grant informs me he cannot be Mark Winston due to commitments.
0:06:14 > 0:06:21"This would have been a setback, but it came to me how wrong it would be to have a known actor.
0:06:21 > 0:06:26"It should be a new face. My staff are searching for the right man.
0:06:26 > 0:06:31"This will be a bigger search than for Scarlett O'Hara.
0:06:31 > 0:06:33"Don't worry, we have Lana Turner.
0:06:33 > 0:06:39- "Regards." - Lana Turner! Lana Turner! Oh, boy!
0:06:39 > 0:06:42And that is a glandular attraction.
0:06:42 > 0:06:49- I sold the story to Baldwin because he promised me Cary Grant. - All aboard.- Wait!
0:06:49 > 0:06:56I won't have an amateur! You call him up immediately and tell him I insist on Cary Grant.
0:06:56 > 0:06:59Call him and tell him. And be firm!
0:06:59 > 0:07:03- Take care. - Louis Burt will meet you.
0:07:03 > 0:07:06Never mind calling Baldwin. I will.
0:07:06 > 0:07:08- Goodbye!- Goodbye.
0:07:14 > 0:07:17Oh! Oh, I'm so sorry.
0:07:22 > 0:07:24Huh! An intellectual.
0:07:24 > 0:07:27- Here you are.- Thanks.
0:08:12 > 0:08:17- Ah!- Want it? It would make a lovely scarf.
0:08:17 > 0:08:19- No, thanks.- OK.
0:08:23 > 0:08:28- Nice day, isn't it?- Mm-hm. - Are you travelling by yourself?
0:08:29 > 0:08:32Yes, I'm travelling by myself.
0:08:32 > 0:08:39- Kind of lonesome, isn't it? - I haven't had a chance to find out. - Oh, it is. Take it from me.
0:08:39 > 0:08:44Oh, well, I always find something to do, if people let me.
0:08:44 > 0:08:46I can get so lonesome.
0:08:50 > 0:08:56Here. You take this and go back to your seat and read it, huh?
0:08:56 > 0:08:58Thanks, but I read awfully fast.
0:09:00 > 0:09:03WHISTLING
0:09:14 > 0:09:21- Rusty.- What?- You were right.- Yeah. You chase around and find what you want in your own back yard.
0:09:21 > 0:09:26Three times we walked through and we didn't see a thing.
0:09:26 > 0:09:30You said if we relaxed everything would be lovely.
0:09:30 > 0:09:35It's like that French story about kids who looked for a bluebird.
0:09:35 > 0:09:41- They chased around all night then, guess what?- What? - They found it in their back yard.
0:09:41 > 0:09:44- What happened then?- It flew away.
0:09:44 > 0:09:52- But this bluebird won't fly away. - That's right.- Are you gonna do something about it?- Sure.
0:09:53 > 0:09:55Hello.
0:10:08 > 0:10:11Hello.
0:10:11 > 0:10:12Hello.
0:10:12 > 0:10:16- You up there?- Uh-huh. - I'm down here.
0:10:16 > 0:10:20- Uh-huh.- He sleeps over there.
0:10:20 > 0:10:22Uh-huh.
0:10:22 > 0:10:24Oh!
0:10:26 > 0:10:29M-M-Maurice Medalinc is Belgian.
0:10:29 > 0:10:37- Do we know him?- Apparently.- Does he know us?- He's the author of The Bluebird. He got the Nobel Prize.
0:10:37 > 0:10:42- He deserved it.- Yes, well, he's Belgian, not French.
0:10:42 > 0:10:49- This girl is repeating herself. - It's nice the way things turn out. You sleep up there. Rusty down here.
0:10:49 > 0:10:56- I'm over there. Everything's chummy. - That's what I like about travelling. People are more relaxed.
0:10:56 > 0:10:59Rusty can relax anywhere.
0:10:59 > 0:11:00I know.
0:11:02 > 0:11:04Oh!
0:11:04 > 0:11:09No, I mean. He seems the sort of person who's naturally friendly.
0:11:09 > 0:11:13Oh, if everybody could be like that!
0:11:13 > 0:11:19If everyone in the whole world could get together with that relaxed spirit.
0:11:19 > 0:11:25If people could brush aside their differences and let down their back fences.
0:11:25 > 0:11:27Isn't it crowded in here?
0:11:27 > 0:11:29Oh!
0:11:29 > 0:11:32Oh, I guess I talk too much.
0:11:32 > 0:11:39No! But doesn't that yacking make you thirsty? Come to the club car for a drink.
0:11:39 > 0:11:45- Thanks, but I'll see you later. I've things to do.- Good deal. ..A beetle!
0:11:45 > 0:11:48SHE HUMS LOUDLY
0:11:53 > 0:11:55Yep. A beetle.
0:12:05 > 0:12:08"Dear Mr Baldwin,
0:12:08 > 0:12:15"After mature consideration, I subscribe to your plan of having unknown play Mark Winston.
0:12:15 > 0:12:23"But search is NOT necessary as I have met Mark Winston in the flesh.
0:12:23 > 0:12:27"It's incredible, but it's true.
0:12:27 > 0:12:35"I instinctively feel this dark-haired, deep-voiced marine flier is our man.
0:12:35 > 0:12:37"Stop.
0:12:37 > 0:12:40"I am thrilled. Stop.
0:12:40 > 0:12:43"How shall I proceed?
0:12:43 > 0:12:47"Regards. Madden."
0:13:00 > 0:13:07- Oh, porter. Porter, would you take care of this wire for me? - Yes, ma'am.- Thank you.
0:13:08 > 0:13:11HUMMING CONTINUES
0:13:15 > 0:13:19- Where ya goin'?- Hollywood.
0:13:19 > 0:13:25- Got a job?- Uh-huh.- You got a boyfriend in Hollywood?- Uh-uh.
0:13:25 > 0:13:32Well, whaddya wanna go to Hollywood for? It's full of dames. You wanna wait tables in San Diego.
0:13:32 > 0:13:39- 25 bucks a week, tips and two meals. The union takes care of you. - Are you a member?
0:13:39 > 0:13:46Yes. My guy's an organiser. If you're interested in a guy you've got to be sympathetic to his cause.
0:13:46 > 0:13:48That's where lots of girls lose out.
0:13:48 > 0:13:56- A relationship without mental accord is sterile.- You bet.
0:13:57 > 0:13:59Say that again.
0:13:59 > 0:14:05So many girls chose a man for the excitement or social security it gives them.
0:14:05 > 0:14:09According to Professor Metcalfe's book...
0:14:09 > 0:14:16Books are no good. If you give in to a fellow on the unimportant things you get what you want.
0:14:16 > 0:14:18Oh.
0:14:18 > 0:14:23Does it hurt me if I encourage his union work? Does it cost me? No.
0:14:23 > 0:14:29It makes him feel so good that when I say, why doesn't he take me to the Ritz roof,
0:14:29 > 0:14:34he says, it's full of reactionaries, but he takes me.
0:14:34 > 0:14:39- He doesn't like reactionaries? - No, so I agree with him.
0:14:39 > 0:14:42The Ritz roof is expensive
0:14:42 > 0:14:49but does a fella have respect for a girl satisfied with a cheap old bottle of wine and a hamburger?
0:14:49 > 0:14:56Is he gonna praise the girl who lets him burn cigarette holes in her sofa? No, he'll find a blonde.
0:14:56 > 0:14:59- And she's different?- You bet.
0:14:59 > 0:15:04- But what about the girl who let him burn the cigarette holes?- Oh.
0:15:04 > 0:15:12She's spending nickels calling him up. Does he say he likes someone better? He does not.
0:15:12 > 0:15:16He's saying he's too busy. He's saying he's doing overtime.
0:15:16 > 0:15:21He's also worried about his mother. If she calls, he gives her the KO.
0:15:21 > 0:15:26- You mean hits her? - No, the brushoff.
0:15:26 > 0:15:33That's when a fella tells a girl she's too good for him. She should find someone who appreciates her.
0:15:33 > 0:15:40Honey, when a girl gets that routine, she knows she's through. She's washed up completely.
0:15:40 > 0:15:43Well, I'm sorry for her.
0:15:43 > 0:15:50I am not! She's a dope. A girl has to look into the future. She's got to keep an eye on her pitching.
0:15:50 > 0:15:58Oh, brother, will Joe get sore when he gets a load of that! He'll start worrying about who bought it.
0:15:58 > 0:16:01An orchid gives a girl prestige.
0:16:01 > 0:16:05It cost five bucks and I'm not gonna waste it on GIs.
0:16:05 > 0:16:07HUMS AGAIN
0:16:22 > 0:16:28- A-ah!- You want it? I took it off a storm trooper. - Thank you, no.
0:16:28 > 0:16:35- Did I scare you?- That's all right. - Where are you going?- The club car. - Let me buy you a drink.- No, thanks.
0:16:35 > 0:16:40- Don't you like me?- I don't know you. - I don't know YOU but I like you.
0:16:40 > 0:16:46- How could you? - I don't know, but I do. - You don't. You're fooling yourself.
0:16:46 > 0:16:51- You're letting your natural impulses run away with you.- What?
0:16:51 > 0:16:57Just because you won the war your duties aren't over. They're beginning.
0:16:57 > 0:17:01You're coming back to build a better world, a healthier nation.
0:17:01 > 0:17:09A nation is only as strong as its single family unit. That's why you must be careful approaching a girl.
0:17:09 > 0:17:16You have to find out about her. Is she going to be a good friend besides a faithful wife and mother?
0:17:16 > 0:17:19Don't let passing impulses blind you.
0:17:19 > 0:17:22I wasn't thinking about marriage.
0:17:22 > 0:17:29But soon you will and I want you to remember every word I told you. The world's future depends on you.
0:17:41 > 0:17:46- Hello.- Hello.- Hello. Have a seat. - Thank you.
0:17:46 > 0:17:49- What'll you have?- Orange juice.
0:17:53 > 0:17:57- The beetle is at it.- Who? - The beetle.
0:17:57 > 0:18:04- What's a beetle?- Oh, they're very cute to look at but you've got to keep your eye on them.
0:18:04 > 0:18:11They make out they've no angles. Then they crawl in your hair. They give you mental fatigue.
0:18:11 > 0:18:17Then you can't take up Uncle's planes after the psychiatrist's injections.
0:18:17 > 0:18:19- So beetles are out?- No.
0:18:19 > 0:18:23- Two bourbons and an orange juice. - Yes, sir.
0:18:23 > 0:18:27- Oh, I'm sorry. - I beg your pardon, sir.
0:18:30 > 0:18:38- That book gets around.- Are you familiar with it?- We picked it up in a bed in Jacksonville.- Sickbay.
0:18:38 > 0:18:45The fella next to Rusty was giving that book a hard time. That's how we got these Jap medals.
0:18:45 > 0:18:48- Jap medals?- Would you like some?
0:18:48 > 0:18:55No, thanks. Would someone mind telling me what the book has to do with Jap medals?
0:18:55 > 0:19:00- I was reading Esquire and this Joe wanted to trade.- Rusty said no.
0:19:00 > 0:19:06- He said no?!- Rusty kept reading and the army got desperate.
0:19:06 > 0:19:081.35.
0:19:08 > 0:19:12We were at the point where the army got desperate.
0:19:12 > 0:19:19Then he offered an Afrika Korps helmet with a Rommel insignia, practically a collector's item.
0:19:19 > 0:19:24- Rusty couldn't resist that?- I had to save the book from the army.
0:19:24 > 0:19:31It might interest you. They're going to make a picture of the book with Cary Grant and Lana Turner.
0:19:31 > 0:19:37Cary Grant's gonna play the part of that pilot? He always seemed a sharp fellow.
0:19:37 > 0:19:40They're probably giving him a lot of bananas.
0:19:40 > 0:19:45- Grant already HAS a lot of bananas.- Why shouldn't he play it?
0:19:45 > 0:19:50- Why? Because it would make him look silly.- Silly?- Certainly.- But why?
0:19:50 > 0:19:55Because Lana Turner keeps chasing him and he keeps saying no.
0:19:55 > 0:20:01- To Lana Turner?- He does.- Was there something wrong with this pilot guy?
0:20:01 > 0:20:04He's busy fixing up the world for everybody.
0:20:04 > 0:20:07Can't he take care of Lana first?
0:20:07 > 0:20:13He'd like to, Dink, but this pilot is a progressive and Lana Turner is a reactionary.
0:20:13 > 0:20:16Exactly!
0:20:16 > 0:20:21But this reactionary's Lana Turner! What does it matter what she thinks?
0:20:21 > 0:20:28- That's what makes it so silly. - I just don't understand it. - Gentlemen, you've missed the point.
0:20:28 > 0:20:32The characters that Grant and Turner play are symbols.
0:20:32 > 0:20:39He of the future and she of the past. The clash between them is ideological.
0:20:39 > 0:20:43- Look. He's a man?- Well, yes. - She's a woman?- Yes.- That's all.
0:20:46 > 0:20:51I know what you're thinking. You're thinking I know nothing about men.
0:20:51 > 0:20:57Well, don't let that worry you. Neither did the character that wrote that book.
0:20:57 > 0:21:01What would you do if you were Mark Winston?
0:21:01 > 0:21:07I tell you what I'd do if I were Mark Winston, Miss... What IS your name?
0:21:07 > 0:21:10Er...Kit. Kitty...Klotsch.
0:21:13 > 0:21:15Klotsch?
0:21:15 > 0:21:17Is that, er, Polish?
0:21:17 > 0:21:19Lithuanian.
0:21:19 > 0:21:22Very old Lithuanian.
0:21:22 > 0:21:25Well...Miss Klotsch,
0:21:25 > 0:21:32if I were Mark Winston, I would behave like Lana Turner were a woman and argue after.
0:21:32 > 0:21:39But suppose you've just come back from the war and you're sick of it all. Tired!
0:21:39 > 0:21:43Honey... no pilot gets THAT tired.
0:21:59 > 0:22:01(Hello.)
0:22:01 > 0:22:04(Oh, hello.)
0:22:06 > 0:22:09- (Let me help you.)- Oh, thank you.
0:22:09 > 0:22:12I wonder where the ladder is.
0:22:12 > 0:22:15I, er...haven't seen it lately.
0:22:15 > 0:22:18I think I better call the porter.
0:22:18 > 0:22:22- I'll do that. - BUZZER
0:22:22 > 0:22:28- I guess he must be out somewhere. - It doesn't look much without you in it.
0:22:31 > 0:22:33- I'll give you a lift.- A lift?
0:22:33 > 0:22:36It's simple.
0:22:36 > 0:22:39- Oh. - It's the only way I can think of.
0:22:39 > 0:22:42Thank you. I'm sure I can manage.
0:22:42 > 0:22:45- Oh, goodnight.- Goodnight.
0:22:47 > 0:22:50- Night.- Oh, goodnight.
0:23:11 > 0:23:16- OW!- (Oh, I'm so sorry!) - That's all right. Go ahead.- Thanks.
0:23:23 > 0:23:26- How are you doing?- So far so good.
0:23:27 > 0:23:31What you need is six weeks' basic training.
0:23:31 > 0:23:33O-oh!
0:23:36 > 0:23:39Oh, I'm sorry.
0:23:39 > 0:23:41- I'll give you a hand.- Yeah.
0:23:44 > 0:23:51- Can you make it?- Yes, thank you. - Are you sure?- Yes. - Say, where are you going?
0:23:51 > 0:23:58- To my bed.- No, I mean where are you heading for?- California.- Well, good. We're going to San Diego.
0:23:58 > 0:24:04- Oh, that's fine.- You know what? You're much lighter than I thought.
0:24:04 > 0:24:09- You're much stronger than I thought. - I bet I could hold you for 20 minutes.
0:24:09 > 0:24:16- I'm sure you could but I want to go to bed. - Am I holding you up?- Yes. Please.
0:24:16 > 0:24:18Thank you. Thank you.
0:24:24 > 0:24:26- Goodnight.- Goodnight.
0:24:26 > 0:24:29OTHERS: Goodnight!
0:24:39 > 0:24:42Chicago. Chicago is next.
0:24:43 > 0:24:48The next stop is Chicago. Chicago.
0:24:48 > 0:24:50- Oh, for you, miss.- Thank you.
0:24:50 > 0:24:56- How much time have I got to make The Chief? - Just time enough.- Thank you.
0:24:56 > 0:24:59Next stop Chicago. Chicago.
0:25:03 > 0:25:10"Dear Miss Madden, I'm enthusiastic over the marine you feel could play Winston.
0:25:10 > 0:25:14"He sounds perfect. Bring him to Hollywood for a test.
0:25:14 > 0:25:18"Don't let him get away. Regards, Baldwin."
0:25:26 > 0:25:28Excuse me. I'm sorry.
0:25:28 > 0:25:31Pardon me.
0:25:31 > 0:25:34Excuse me.
0:25:34 > 0:25:41- Please, stay back.- Have you seen those marine fliers?- No, ma'am.- Are they in the club car?- It's closed.
0:25:41 > 0:25:48- If you see them, will you tell them I'm looking for them? - Yes, ma'am.- Thank you.- Chicago!
0:25:48 > 0:25:50Oh, my coat!
0:26:00 > 0:26:02- Rusty! Dink!- Miss Madden?
0:26:02 > 0:26:09- Yes.- I'm Burt, from Arrowhead Pictures. I have your drawing room on The Chief. My car's outside.
0:26:09 > 0:26:17- I have something important to do. - Can I help?- Could you put my things on The Chief and get my ticket?
0:26:17 > 0:26:25- I'll wait for you.- No. Just put my things on the train. You should be in bed with that cold.- Yes, miss.
0:26:44 > 0:26:50- Pardon me. Aren't you Christopher Madden? May I have your autograph? - Certainly.
0:26:50 > 0:26:54Would you mind putting "To Jack Benny"?
0:26:54 > 0:26:57Jack Ben...
0:26:57 > 0:26:59Thank you.
0:27:01 > 0:27:03Thank you very much.
0:27:12 > 0:27:17- I haven't seen them either.- They must be somewhere.- More than likely.
0:27:17 > 0:27:24- Where?- You're making a big mistake. You should know better than to give in to your passionate impulses.- Sh!
0:27:24 > 0:27:30You should find out if he's going to be a thoughtful husband. The future depends on you.
0:27:49 > 0:27:55- Hello!- Miss Klotsch!- Hello! - We're happy to see you. - Oh, thank you.
0:27:55 > 0:27:59- We'd like you to make a purchase for us.- Oh!
0:27:59 > 0:28:03- Would you buy us a bottle of Scotch? - Isn't that out of character?
0:28:03 > 0:28:11- We wanted something older than last week.- The sign says "One bottle of Scotch per customer. Sorry."
0:28:11 > 0:28:17- Sorry is right.- But our train? - We'll get a cab.- Get more than one, we'll get you a bus.
0:28:17 > 0:28:21- I'm afraid it's only gonna be one bottle.- Yeah.
0:28:21 > 0:28:24Miss Klotsch is an amateur.
0:28:24 > 0:28:30I gotta keep everybody happy, miss. Scotch is still scarce. Take it, or leave it.
0:28:39 > 0:28:44After what I've done for you the least you could do is give me three.
0:28:44 > 0:28:48- What have you done? - I wrote that book.
0:28:48 > 0:28:51You? Christopher Madden?
0:28:51 > 0:28:53Ah, you're kidding!
0:28:55 > 0:28:59I can prove it to you. Read your last line.
0:29:01 > 0:29:07"Mark Winston looked above him. The land seemed abandoned. Its usefulness ended."
0:29:07 > 0:29:15"But in this vast and empty land his eyes saw something else - a vision of construction,
0:29:15 > 0:29:21"a land that would turn into factories and communities. A frontier of new hopes
0:29:21 > 0:29:24"where men might use opportunities.
0:29:24 > 0:29:28"It was all there. Realisation for tomorrow."
0:29:28 > 0:29:33- Will three be enough?- That's fine. - Would you autograph my book?- Yes.
0:29:36 > 0:29:43- What's your name?- Timothy Helgalander. Oh, but write T Helgalander. I can't stand Timothy.
0:29:45 > 0:29:53- Planning to do some writing?- Some rewriting.- I'll put them in a bag. - No, thanks. I'm in a hurry. Bye.
0:29:53 > 0:29:57- Well, here you are.- What happened? - Nothing. I just smiled.
0:29:57 > 0:30:05- You don't have a three-quart smile. - What did you write?- I said I was Christopher Madden and I signed it.
0:30:05 > 0:30:08- He fell for it? - Hook, line and Scotch.
0:30:08 > 0:30:12- Oh, you promised me a bus! - The station.
0:30:27 > 0:30:33- Sunrise Limited.- Yes, sir.- Sunrise Limited?- Yeah. Section five. Car 62.
0:30:33 > 0:30:36- What's yours?- Mine?
0:30:36 > 0:30:43- Er...I think I'm in car 62 too. - Never mind. Put the bags on my seat. Where ARE your bags?
0:30:43 > 0:30:47- I sent them on. They're on the train.- Good.
0:30:49 > 0:30:56'The Chief, Kansas City, La Junta, Albuquerque, Los Angeles - leaving on track seven.'
0:30:57 > 0:31:01- What's the matter? - What's the matter?- Nothing.
0:31:05 > 0:31:08I wish we were on The Chief.
0:31:11 > 0:31:13I wish we were too.
0:31:13 > 0:31:16'Sunrise Limited - all aboard!'
0:31:16 > 0:31:18Your tickets, please.
0:31:23 > 0:31:26It's gonna be nice, the three of us.
0:31:26 > 0:31:32- It's getting to be a habit. - Some are healthy. - It's as if we know you.
0:31:32 > 0:31:36- That's what you told that beetle. - She said it.
0:31:36 > 0:31:39Then you should have taken her home.
0:31:39 > 0:31:46We were OK, except we mixed our drinks. It was lovely until we had vodka and wine.
0:31:46 > 0:31:51- We shouldn't be telling this girl sordid things.- Why not? Miss Klotsch is no beetle!
0:31:51 > 0:31:54Your tickets, please.
0:31:56 > 0:31:58Your ticket, please.
0:31:58 > 0:32:00Oh, yes!
0:32:04 > 0:32:06Oh!
0:32:06 > 0:32:10- Oh! I seem to have misplaced it. - Oh!
0:32:10 > 0:32:14Perhaps you have other identification, Miss, er...?
0:32:14 > 0:32:16Klotsch.
0:32:19 > 0:32:20Oh!
0:32:20 > 0:32:28Now, isn't that funny! I just don't seem to have a thing with me with my name on it.
0:32:28 > 0:32:30Where's your luggage?
0:32:31 > 0:32:33Well...
0:32:36 > 0:32:39Maybe it's on the wrong train.
0:32:39 > 0:32:41Very funny, Miss Klotsch.
0:32:41 > 0:32:48There's a serious penalty for riding trains without tickets and with servicemen.
0:32:48 > 0:32:54Yes, I know, but I really DID have it but something just happened.
0:32:54 > 0:32:55Something always happens.
0:32:55 > 0:32:59- I can vouch for her. - I can vouch for him.
0:32:59 > 0:33:02- And you can vouch for him?- Uh-huh.
0:33:02 > 0:33:06I should have you put off right here.
0:33:08 > 0:33:11I'd be glad to buy a compartment.
0:33:11 > 0:33:17- No compartments. - She'll have no place to sleep? - Up in the coach.
0:33:17 > 0:33:25- Remember, if there's any trouble, you'll go off the train. Is that clear?- Yes.
0:33:25 > 0:33:32- Come with me up to the coach, miss. - Well, goodbye. - You'll hear from us.
0:33:32 > 0:33:38Brandy, cigars, cigarettes. Brandy, cigars, cigarettes. Brandy, cigars...
0:33:38 > 0:33:41BABY CRIES
0:33:41 > 0:33:44Miss Klotsch? Miss Klotsch?
0:33:44 > 0:33:47- Miss Klotsch?- Yes?
0:33:47 > 0:33:52- The marine gentlemen are waiting for you for dinner.- Oh, thank you.
0:33:54 > 0:33:56Klotsch?
0:33:59 > 0:34:01One single? One single?
0:34:08 > 0:34:15- Good evening.- Good evening. - Good evening.- We are happy to have you with us.- You bet.
0:34:15 > 0:34:18Oh, thank you, gentlemen.
0:34:18 > 0:34:26- For me?- We thought it would look nice on you.- Thank you. This makes me feel very grand.- Freddie's right.
0:34:26 > 0:34:31- He says an orchid makes a woman feel good.- Is he the psychiatrist?
0:34:31 > 0:34:36- No, he's the barman in the club car. - Oh. You gentlemen certainly get around.
0:34:36 > 0:34:39Pst! Pst!
0:34:39 > 0:34:42Pst! Pst!
0:34:42 > 0:34:45CHIRRUPS LOUDLY
0:34:45 > 0:34:48- For two. - We only have a single.
0:34:48 > 0:34:53- Oh.- Give him a tip. Haven't you ever been around?
0:34:53 > 0:34:57Thank you, sir. Thank you.
0:34:57 > 0:35:00Oh, excuse me. I see some friends.
0:35:00 > 0:35:07- I'm simply starved. Trains make me hungry. I get an appetite from the darnedest things. Hello.- Hello.
0:35:07 > 0:35:12- I don't think I've met your friends. - I'm sorry. Captain Rusty...
0:35:12 > 0:35:15- Thomas.- I'm sure.
0:35:15 > 0:35:19- And Lieutenant Dink...- Watson. - Miss, er...?
0:35:19 > 0:35:25Consuela Callaghan. I come from a very old Spanish family. I see you took my advice.
0:35:25 > 0:35:28My orchid's on ice.
0:35:28 > 0:35:32So is your friend the, er, admiral.
0:35:35 > 0:35:37Oh, er, what are you drinking?
0:35:37 > 0:35:39Wine.
0:35:39 > 0:35:41Oh!
0:35:42 > 0:35:45Wine.
0:35:45 > 0:35:50- I haven't seen you. Do you have a compartment?- I'm in the coach.
0:35:50 > 0:35:56Oh, that's tough. I'm right next to your officer friends. I'm seven. Lucky seven, huh?
0:35:56 > 0:36:01- You're seven? - But we're still five.
0:36:06 > 0:36:09Oh, well, you're too young for me.
0:36:09 > 0:36:13- I have a two now. - Oh, fine, thanks.
0:36:13 > 0:36:19- They asked me to stay with them but I told them I was with you. - That's nice.
0:36:28 > 0:36:35- It never fails to surprise me that there are vast lands still uncultivated.- Not for long.
0:36:35 > 0:36:38With aeroplanes, people will spread.
0:36:38 > 0:36:41It'll be wonderful to be part of a new world.
0:36:41 > 0:36:44I don't think it'll change much.
0:36:44 > 0:36:46- Oh, but it must!- Why?
0:36:46 > 0:36:51For too long we've had that laissez faire attitude!
0:36:51 > 0:36:57We must educate ourselves to share the responsibilities of citizenship.
0:36:57 > 0:37:03I read that book too. It certainly made an impression on you but it's hooey!
0:37:03 > 0:37:11Fixing everybody up when they give a first squawk. Giving pointers on government between bottle feeds.
0:37:11 > 0:37:19- Teaching kids not to smack each other.- It's very easy to make fun of everything.- Listen, Miss Klotsch,
0:37:19 > 0:37:26have you ever heard of the fellas who first came over here? Do you know what they found?
0:37:26 > 0:37:30A howling wilderness with summers hot and winters freezing
0:37:30 > 0:37:34and unpleasant characters who painted their faces.
0:37:34 > 0:37:41Do you think these pioneers filled out form X6277 saying the Indians were unreasonable?
0:37:41 > 0:37:47Did they have insurance for their old age, for their crops, for their homes? No.
0:37:47 > 0:37:53They looked at the land, the forests and the rivers, their wives, kids and houses.
0:37:53 > 0:38:00- Then they looked up and said, "Thanks, God, we'll take it from here."- They were rugged.
0:38:00 > 0:38:06- They were men. - You and I are talking about two entirely different things.
0:38:06 > 0:38:11- Dink, do you know what?- What? - This girl is stubborn.
0:38:19 > 0:38:21BOOGIE-WOOGIE PLAYS
0:38:26 > 0:38:29SHE HUMS HAPPILY
0:38:35 > 0:38:39- Oh, it's lovely.- What's lovely?
0:38:39 > 0:38:41The Blue Danube.
0:38:41 > 0:38:44I love Strauss waltzes.
0:38:44 > 0:38:48How can you think about a waltz when they're playing a boogie?
0:38:48 > 0:38:52- It sounds to me like a waltz. - If she says so, it IS.
0:39:10 > 0:39:15- Take it easy, Miss Klotsch. - I love Strauss waltzes.
0:39:15 > 0:39:17That's my orchid!
0:39:17 > 0:39:22- Oh, no. No, it isn't. This is mine. - I would be a little more careful.
0:39:22 > 0:39:26You can get in trouble accusing innocent people.
0:39:26 > 0:39:32- Where did you get that orchid? - My friends gave it to me.
0:39:32 > 0:39:34Uh! Who? Who us?
0:39:34 > 0:39:42- We didn't give anybody any orchid. - No.- She got that from the president for heroic conduct.- That's right.
0:39:42 > 0:39:48It's not an orchid. It's a medal. It's the distinguished flying orchid.
0:39:48 > 0:39:51Aren't you going to do anything?
0:39:51 > 0:39:55I can't do anything. She got it from the president.
0:39:55 > 0:39:57Awwww!
0:40:00 > 0:40:04- Are you sure I got this from the president?- Not exactly.
0:40:04 > 0:40:12We couldn't let Freddie take the rap after giving it to us, even if we had to give him the Jap medals.
0:40:12 > 0:40:18- That's lovely.- This girl's saying silly things. She's in a tailspin.
0:40:18 > 0:40:20No, it's not a tailspin.
0:40:22 > 0:40:25- I know.- What do you know?
0:40:25 > 0:40:27I know about tailspins.
0:40:27 > 0:40:31I had four and a half hours once in a cub plane.
0:40:31 > 0:40:35And if you can fly a cub plane, you can fly anything.
0:40:35 > 0:40:43- You should have told us.- You didn't ask me.- I'm asking now. Do you know how you make a three-point landing?
0:40:43 > 0:40:48- Oh, sure.- This girl doesn't wanna fly. She has other things in mind.
0:40:48 > 0:40:52- Yes, I do.- What do you wanna do? - Fly.
0:40:54 > 0:40:59- All right, Dink, let's let her fly. A C47.- Isn't that a little big?
0:40:59 > 0:41:02- That's the problem. - I'll have a drink.
0:41:02 > 0:41:06- Not on the job.- Where's my plane? - That's easy.
0:41:06 > 0:41:10- Would you hold this?- Certainly. - Grab a table.
0:41:10 > 0:41:13- What are you doing? - Getting the plane out.
0:41:13 > 0:41:18- What?- Getting the plane out. ..Come on.
0:41:18 > 0:41:22- Oh, it's kinda high up there! - Sure, it's high. It's a plane.
0:41:22 > 0:41:26Gentlemen! Gentlemen! Gentlemen! Gentlemen!
0:41:26 > 0:41:29Be careful. You might get in trouble.
0:41:29 > 0:41:32- It's government business. - Oh, it's high.
0:41:32 > 0:41:37- What's that?- Compass, air-speed indicator, altometer.
0:41:37 > 0:41:42- She should be in a Hellcat.- Why? - Maybe she should.- She's ready to go.
0:41:42 > 0:41:46- Where's her copilot? - Buckling his belt.
0:41:46 > 0:41:51- Why?- Do you want him to fall out? - It depends. Is he interesting?
0:41:51 > 0:41:59- The man has 1,400 hours flying time and she wants to know that! - You're horsing around.- All right.
0:41:59 > 0:42:02- Our objective is 500 miles south. - I see it.
0:42:02 > 0:42:07- LAUGHTER - You cannot see it!
0:42:07 > 0:42:14- Sharpen this parachute.- I never use 'em.- What if you have to bail out? - I'll keep a stiff upper lip.
0:42:14 > 0:42:20- Take her up north-east to 7,000ft. - She hasn't got her wings yet.
0:42:20 > 0:42:25- And she's flying a C47?- What if the air inspector finds out?- He won't.
0:42:25 > 0:42:32- I'm in a draft. Let's meet the head winds.- Is the gyro-directional set? - Check the flaps.- What?
0:42:32 > 0:42:34Where?
0:42:34 > 0:42:41- Take this plane to its hangar. - Complain to administration. Have you got a pass?
0:42:41 > 0:42:45- You're obstructing a flight. - I am?
0:42:45 > 0:42:48Has she filed her flight plan?
0:42:48 > 0:42:54- I forgot!- We better get out of here. Clear on left?- Clear. Clear on right?- Clear.
0:42:54 > 0:42:57Clear the runway!
0:42:57 > 0:43:03- You're rolling down the runway at 60mph.- 70.- 80.- 90. - What am I waiting for?
0:43:03 > 0:43:08- Get off the ground! - Your landing gear!- Where is it?
0:43:08 > 0:43:10Left rudder!
0:43:12 > 0:43:15- Hit it! Hit it!- Hit it!
0:43:17 > 0:43:21- I hit it.- You crashed. - I crashed.
0:43:27 > 0:43:31I think the beetle's got an idea. Let's go!
0:43:34 > 0:43:39Here she is! Here she is! I know she's here. Where is she?
0:43:39 > 0:43:42Where is she?
0:43:42 > 0:43:44Come on.
0:43:49 > 0:43:54- (The coach'll be the first place they'll look.- I hear you.)
0:44:01 > 0:44:05- (A beetle and two bogeys approaching at 12 o'clock.- OK.)
0:44:10 > 0:44:13(Emergency landing. Our berth.)
0:44:13 > 0:44:16LAUGHTER
0:44:16 > 0:44:19- Shh!- Shh!
0:44:24 > 0:44:27Conductor, I think I can be of some help.
0:44:27 > 0:44:30OH! AH!
0:44:30 > 0:44:35- But that's their berth! - Come on, we'll find her.
0:44:35 > 0:44:39MUFFLED GIGGLES Shh!
0:44:43 > 0:44:46A-ha!
0:44:46 > 0:44:48Hm!
0:44:50 > 0:44:52Oh, my orchid!
0:44:52 > 0:44:55I'll have you thrown off the train!
0:45:18 > 0:45:21I don't see how they can do this!
0:45:21 > 0:45:26I'm an immoral character. Kicked off for conduct unbecoming to a lady,
0:45:26 > 0:45:30consorting in a vulgar way with the troops and stealing an orchid.
0:45:30 > 0:45:34You be careful going off alone.
0:45:34 > 0:45:37It isn't like you've us looking out for you.
0:45:37 > 0:45:42- I'll be all right. Will I hear from you?- Sure. You can write.
0:45:42 > 0:45:45- Where to? - The Ritz Hotel in San Diego.
0:45:45 > 0:45:50- Will you be in San Diego long? - You'll have to ask the Navy.
0:45:50 > 0:45:53Give my love to Dink.
0:45:53 > 0:45:57- And what about me?- Well, er, I'm awfully happy I met you and...
0:45:57 > 0:45:59- And what?- Look, your train!
0:45:59 > 0:46:04- I know.- Goodbye. - We never say goodbye.
0:46:13 > 0:46:17- Oh! You missed it! - Fancy meeting you in La Junta.
0:46:17 > 0:46:22- Dink!- It's La HUNTA, you dope! Come on.
0:46:22 > 0:46:25- What now? - We'll put you on the next train.
0:46:25 > 0:46:32- What about you? - We'll have to go and catch a plane. - We have a date.- A date?
0:46:32 > 0:46:37- Yeah, with a couple of swell... - Sisters of a friend.- That's right.
0:46:37 > 0:46:42- Friends of the family, you know. - Mm-hm. I'm afraid I do.
0:47:00 > 0:47:03- Thanks.- Thank you.- Thanks, pal.
0:47:03 > 0:47:05That's OK. Good luck.
0:47:15 > 0:47:20You two stay out here and I'll see what's up.
0:47:24 > 0:47:31- Is there a good chance of you getting on a plane?- Sometimes. Rusty and I play on luck.
0:47:33 > 0:47:39- What's the matter with you? Are you sore?- No. I'm not. - Don't take him seriously.
0:47:39 > 0:47:45He's kind-hearted. He can't pass a stray dog or cat without petting 'em.
0:47:45 > 0:47:50- Is that how he feels about me? - It's hard to tell with any woman.
0:47:50 > 0:47:55We expect a B32 from Kansas City within the hour.
0:47:55 > 0:48:00- Within the hour?- It goes straight to San Diego.- Straight to San Diego?
0:48:04 > 0:48:07Do you want me to put you down?
0:48:07 > 0:48:12I, er... I don't think so. You see, we're really not in such a hurry.
0:48:12 > 0:48:17- Thanks a lot, Lieutenant.- You're welcome, Captain. And good luck.
0:48:21 > 0:48:26- Sure beats everything. All flights are down.- What's the matter?
0:48:26 > 0:48:31- There's storms over the Rockies and flights are cancelled.- Too bad.
0:48:31 > 0:48:35- Well, what next?- Back to town.
0:48:41 > 0:48:44- It says "Bus stop".- Let's walk.
0:48:44 > 0:48:48- We've been sitting for days. - This girl has a mean streak.
0:48:48 > 0:48:51- Do you mean because she's glad we're stuck?- Guess what?- What?
0:48:51 > 0:48:53ALL: You're right! LAUGHTER
0:49:18 > 0:49:22- Oh!- How do you like that? Rain!
0:49:22 > 0:49:28- You said there was gonna be a storm.- What? - You said there was gonna be a storm.
0:49:28 > 0:49:34- Oh, yeah. It's good for the crops. - It's good for Elizabeth Arden.
0:49:34 > 0:49:35Why don't people drive their cars?
0:49:35 > 0:49:41Uncle Sam spends millions to build highways. People don't appreciate it.
0:49:47 > 0:49:52Why does this always have to happen to me? Oh, this is terrible.
0:49:52 > 0:49:58- Watch out! You'll get wet. - It's too much. I can't stand it.
0:49:58 > 0:50:01- Is something wrong? - I'm loaded with misery.
0:50:01 > 0:50:06- Well, unload it on us. - Oh, what's the use?
0:50:07 > 0:50:09Maybe you could help me push it.
0:50:09 > 0:50:14- We not only push troubles, we make 'em vanish.- This won't.
0:50:14 > 0:50:19I wish it would. It's down the road where I left it.
0:50:19 > 0:50:22- What did you leave?- The Isota.
0:50:22 > 0:50:30- What's that?- It's a car. Italian, I think.- You got a car down the road and we're sweating out a routine?
0:50:30 > 0:50:36- What are we waiting for? - It'll take more than good wishes to get it going.
0:50:36 > 0:50:42- We'll find out. - It started when that actor got a contract to go to Hollywood.
0:50:42 > 0:50:46The ham decided to ride there in style. He broke down at my door.
0:50:46 > 0:50:54My wife's hospitable. We took him in. It was nice to talk to someone from the east. I'm from New Jersey.
0:50:54 > 0:50:59We moved west because my wife wanted altitude. I hate it!
0:50:59 > 0:51:04Then that actor came into my life with his miserable Isota.
0:51:04 > 0:51:09He stayed a week and left by train but he sold me the car first.
0:51:09 > 0:51:16I bought it because my wife told me I should. She liked the upholstery! She didn't care about transmission.
0:51:16 > 0:51:23Every time something happens to this car it's expensive. It's raining and something's wrong again.
0:51:23 > 0:51:28I never want to see this car again. There it is, the ingrate!
0:51:32 > 0:51:37- Well, come on. I'll take a look at it. I'll try to start it.- Optimist!
0:51:37 > 0:51:40Get out of the rain.
0:51:46 > 0:51:48It sure is a beautiful job.
0:51:48 > 0:51:51- O-oh!- What's the matter?- I'm cold!
0:51:51 > 0:51:55I've a heater. It has everything except an engine.
0:51:55 > 0:51:57Are you three together?
0:51:57 > 0:51:59I guess so.
0:51:59 > 0:52:03Maybe you would like to buy a car together?
0:52:03 > 0:52:06- Without an engine? - We couldn't afford it.
0:52:06 > 0:52:11It isn't a question of affording it. Think of the pleasure it would give.
0:52:11 > 0:52:16- Pleasure?- And who's better entitled to pleasure than war heroes?
0:52:16 > 0:52:19We'd just go to a second-hand lot.
0:52:19 > 0:52:24What have they got? A bunch of lemons and wrecks.
0:52:24 > 0:52:30Even if they had a decent car, what do you get out of it? Anxiety! Headaches!
0:52:30 > 0:52:34EXHAUST FIRES NOISILY
0:52:38 > 0:52:43- Say, how much do you want for this car?- How much would you offer?
0:52:43 > 0:52:47- I have 300 in traveller's cheques. - That's good for me.
0:52:47 > 0:52:53- Why would you want this car?- I'm going to make a splash in Hollywood.
0:52:53 > 0:52:57I can assure you, it'll make a splash.
0:52:57 > 0:53:00EXHAUST FIRES
0:53:03 > 0:53:10But I can't let it go for 300. I spent that much on hotel bills waiting for parts to arrive.
0:53:10 > 0:53:14- You have a valuable item. - What item?
0:53:14 > 0:53:17A genuine collector's item.
0:53:17 > 0:53:20- The helmet? - A helmet? What's that to me?
0:53:20 > 0:53:23I was offered 150 for it.
0:53:23 > 0:53:26The longer I keep it the more valuable it is.
0:53:26 > 0:53:28It has the Rommel insignia.
0:53:28 > 0:53:36An antique? Could I perhaps see the item? I'm not saying I'll take it but I'd like to see it.
0:53:36 > 0:53:40- Dink, come 'ere.- Yeah?
0:53:40 > 0:53:45- What is it?- Give me that helmet. Well, what do you say?
0:53:45 > 0:53:49You can't buy a thing like that for 150 bananas.
0:53:49 > 0:53:51I'm not interested in money.
0:53:51 > 0:53:55A real souvenir from a real hero of the marines.
0:53:59 > 0:54:01I can't resist it.
0:54:01 > 0:54:04Friends, the car is yours.
0:54:13 > 0:54:15- You know what, boys? - BOTH: What?
0:54:15 > 0:54:18- We bought a car. - BOTH: You're right!
0:54:55 > 0:54:57It's really a nice car.
0:54:57 > 0:55:02- With ME driving. - It's better than the train.
0:55:02 > 0:55:05- Cosier.- I think so too.
0:55:06 > 0:55:09I want to make a phone call.
0:55:09 > 0:55:12- Do you want to call a friend?- Dink!
0:55:12 > 0:55:16I just don't want her talking to strangers.
0:55:23 > 0:55:26- Hello, folks!- Hello.- Gas?- Yeah.
0:55:26 > 0:55:29- Do you have a telephone?- Inside.
0:55:29 > 0:55:32HE WHISTLES
0:55:32 > 0:55:37- Can you reach it? - You're doggone right I can.
0:55:40 > 0:55:43PHONE RINGS
0:55:44 > 0:55:50Yes? Who? Christopher Madden? Sure, we'll accept the charges. Put her on.
0:55:50 > 0:55:56Hello, Miss Madden. Er, yes, er, just a moment. Mr Baldwin.
0:55:56 > 0:56:00Mr Baldwin, Miss Madden's on the phone.
0:56:00 > 0:56:03Miss Madden!
0:56:03 > 0:56:07- Miss Madden, where are you? - I'm in Rattan, New Mexico.
0:56:07 > 0:56:11- Where is Rattan, New Mexico? - In New Mexico.
0:56:11 > 0:56:16That's immpossible. We expect you here. I've arranged a big reception.
0:56:16 > 0:56:20You can't do this. How did this happen?
0:56:20 > 0:56:25- I missed The Chief so I took the Sunrise Limited to La Junta. - 'Why there?'
0:56:25 > 0:56:30- That's where I was taken off it. - What do you mean taken off?
0:56:30 > 0:56:34- They thought I was a beetle. - 'A what?'
0:56:34 > 0:56:38B, like in Boston, double E, T-L-E.
0:56:38 > 0:56:43- I'll tell you all about it when I see you.- 'That doesn't sound good.'
0:56:43 > 0:56:47Nobody knows who I am, not even the marines.
0:56:47 > 0:56:49How many have you got?
0:56:49 > 0:56:56Only two. Rusty Thomas. He's Mark Winston. And his pal, Dink. Dink's driving my car.
0:56:56 > 0:56:59Oh, yes, I bought an Isota.
0:56:59 > 0:57:02A what? How can I get in touch with you?
0:57:02 > 0:57:06You can't! Rusty musn't find out who I am.
0:57:06 > 0:57:12- Are you letting personal feelings run away with you?- Of course I am!
0:57:12 > 0:57:20Here Is Tomorrow is all my personal feelings bound together and he IS Mark Winston as I dreamed of him.
0:57:20 > 0:57:26We'll be there Friday or Saturday. I'll call when we get there. Bye!
0:57:26 > 0:57:29Miss Madden! Miss Madden! Miss Madden!
0:57:29 > 0:57:34- See if you can get her back. She's in Rattan, New Mexico.- Rattan.
0:57:34 > 0:57:39Look, Mr Baldwin. She made the front page. Next to Stalin!
0:57:39 > 0:57:46- To make the early editions I gave them the story early.- She won't be here.- What?- She missed The Chief.
0:57:46 > 0:57:54- She's in New Mexico. Call the mayor, call the governor, call everything off.- Yes, Mr Baldwin.
0:58:10 > 0:58:15- I hope Dink can fix it.- Oh, sure. Dink's a first-class mechanic.
0:58:15 > 0:58:18But it'll take a little time.
0:58:19 > 0:58:22How long do you think it'll take?
0:58:22 > 0:58:27Well, if he's half the man I think he is, it'll take him a couple of hours.
0:58:27 > 0:58:29Oh.
0:58:33 > 0:58:36What made you buy a car like that?
0:58:36 > 0:58:41Maybe I just wanted to show off that I could buy it.
0:58:41 > 0:58:48- You know what?- What?- I don't think that's why you bought it at all. - You don't?- No.
0:58:48 > 0:58:53- Do you want me to tell you why you bought it?- I don't think so.
0:58:53 > 0:58:55Maybe I won't like why I bought it.
0:58:55 > 0:58:58< HAMMERING
0:59:07 > 0:59:10- Hello.- How do you do?
0:59:15 > 0:59:19- Am I crowding you?- Yes. - Do you mind?- No.
0:59:22 > 0:59:25- Are you warm enough?- Yes.
0:59:27 > 0:59:30- Well, what's the joke?- Nothing.
0:59:30 > 0:59:35- Well, come on. Tell me. What made you laugh?- Just you and me.
0:59:35 > 0:59:38And what's so funny about us?
0:59:38 > 0:59:44I thought you were going to put your arms around me and you did.
0:59:44 > 0:59:49- I didn't exactly expect to surprise you.- I know.
0:59:53 > 0:59:56- I guess you have a pretty good idea what I'm gonna do now.- Uh-huh.
0:59:56 > 0:59:58- Any objections?- Uh-uh.
1:00:08 > 1:00:11- Did that mean anything to you?- Yes.
1:00:11 > 1:00:13- What?- Nice.
1:00:13 > 1:00:16Just nice?
1:00:16 > 1:00:20- Very nice. - You mean it could have been nicer?
1:00:20 > 1:00:23- Uh-huh.- How?
1:00:23 > 1:00:27Oh, if it had happened under different circumstances.
1:00:27 > 1:00:31You kissed me because we're out here in a hayfield,
1:00:31 > 1:00:37with the moon shining above and a lot of stars blinking at us.
1:00:39 > 1:00:44If we could know each other better. If we were sure of what's inside us.
1:00:44 > 1:00:47Our tastes, our objectives.
1:00:47 > 1:00:51- That couldn't have made it any better.- It would.- I can prove it.
1:01:00 > 1:01:02I told you I could prove it.
1:01:02 > 1:01:04Oh, you're unfair!
1:01:04 > 1:01:08Things like kisses shouldn't be discussed!
1:01:08 > 1:01:11You make them sound like laboratory tests.
1:01:11 > 1:01:18I? You're the one who wants to analyse everything. I'd be willing not to say another word.
1:01:18 > 1:01:23- That's all right with me. - You're a little crazy.
1:01:23 > 1:01:25Oh, no, please!
1:01:25 > 1:01:28Oh, why don't you stop thinking?
1:01:28 > 1:01:31- No, stop it!- Shh!
1:01:31 > 1:01:34Oh, no! There you see.
1:01:34 > 1:01:40It's just... It's not good enough to be carried away like this by an errant impulse.
1:01:40 > 1:01:47You know I like you. I'm fond of you. I'm very fond of you but I believe that...
1:01:47 > 1:01:55- "And can we be friends?" I wish I'd met you before you read that book! Finished?- All finished.
1:01:56 > 1:01:59- Come on.- Oh!
1:02:14 > 1:02:19- Aren't you tired? You've been driving almost ten hours.- No.
1:02:19 > 1:02:22- Well, I am.- Wanna stop?
1:02:23 > 1:02:29- No.- I think the Isota needs a little water. - We'll stop at the next ranch.
1:02:29 > 1:02:36- Oh, what's the matter with you? - Nothing.- Well, why sit there looking like...like...?- Like what?
1:02:36 > 1:02:40I don't know, but it's depressing.
1:02:40 > 1:02:43Well, nobody says you have to look.
1:02:43 > 1:02:46It's time to show off my tenor.
1:02:46 > 1:02:51Do you know It Must Be Jelly Cos Jam Don't Shake Like That? No?
1:02:51 > 1:02:54Do you know I'll Buy That Dream?
1:02:54 > 1:02:58# Imagine me with my head on your shoulder
1:02:58 > 1:03:02# And you with your lips growing bolder
1:03:02 > 1:03:05# A skyful of moon and an old mellow tune
1:03:05 > 1:03:08# I'll buy that dream. #
1:03:08 > 1:03:13- Why don't you shut up?- I'm just trying to be the life of the party.
1:03:37 > 1:03:39Un carro!
1:03:39 > 1:03:44ALL: Carro! Carro! Un carro!
1:03:44 > 1:03:47HUBBUB
1:03:47 > 1:03:53- Buenos dias, amigos! Buenos dias, amigos.- What's this about?
1:03:53 > 1:03:56They're telling us their names.
1:03:56 > 1:04:03We have nice names - Ramerios, Chucho, Espacion, Landrosa, Otelo.
1:04:03 > 1:04:05Rusty, Kit, Dink.
1:04:05 > 1:04:10Aviators? I too will be an aviator. Padrecito says, "No, too young."
1:04:10 > 1:04:13But I have constructed a plane.
1:04:13 > 1:04:20- That's a pretty good start. - Perhaps you'd like to look at it? - Sure.- Gracias.
1:04:20 > 1:04:25We are not long here. The president wished us to come from Mexico.
1:04:25 > 1:04:28We grow crops and raise sheep.
1:04:28 > 1:04:30- You? - I watch.
1:04:32 > 1:04:35Only Dolores, she doesn't like it.
1:04:35 > 1:04:39Not enough caballeros to take her out.
1:04:41 > 1:04:44ANGRY SHOUTS AMID HUBBUB
1:04:51 > 1:04:55Please, for me you will forgive their bad manners.
1:04:55 > 1:04:58You are Dolores, I presume?
1:05:03 > 1:05:09Senores, senorita, perhaps you will grace our poor and simple hacienda?
1:05:09 > 1:05:14We had a beautiful hacienda in Mexico. Many rooms, wine, and flowers.
1:05:14 > 1:05:17- Not so. - Callate!
1:05:17 > 1:05:19We are now prepared for dinner.
1:05:19 > 1:05:24The padrecito, he would be proud to have as his guests - officers.
1:05:24 > 1:05:27He's a patriotic man - padrecito.
1:05:27 > 1:05:32Thank you very much but I'm afraid we must be going.
1:05:32 > 1:05:37Oh, I'm sure we can spare the time as good-neighbour policy.
1:05:37 > 1:05:41Then come in, senores. What is ours is yours.
1:05:41 > 1:05:45- Si, si! - La casa. La casa.
1:05:49 > 1:05:51Yeah. I see, see, see!
1:05:51 > 1:05:58- It's a P38, as you will recognise. I made it back home. - It has good lines.
1:05:58 > 1:06:01- Gracias.- A high-class job. Muchas gracias.
1:06:01 > 1:06:04- And made in Mexico.- Si, si, si.
1:06:14 > 1:06:17Gracias a Dios.
1:06:17 > 1:06:22Todo poderoso por su infinita bondad al darnos el alimento del cada dia,
1:06:22 > 1:06:26ya si no estaremos eternamente. Amen.
1:06:26 > 1:06:29OK. Have not the bad manners to seat yourself before the guests!
1:06:29 > 1:06:32Please, sit down.
1:06:35 > 1:06:37Sientate!
1:06:37 > 1:06:42Are the hands of the little ones clean? Good.
1:06:42 > 1:06:47You will show our guests hospitality and manners befitting the Ortegas.
1:06:47 > 1:06:55Senores, senorita, it is only a humble meal we have to offer you but we are happy to have you here.
1:06:55 > 1:06:59- Thank you.- Thank you. - Arroz con pollo?
1:06:59 > 1:07:02Any time you say.
1:07:02 > 1:07:07- She means do you want chicken and rice?- Are you sure?
1:07:09 > 1:07:14The senorita looks a little pale. Our peppers will warm her blood.
1:07:14 > 1:07:17In a Mexican family she will grow fat.
1:07:17 > 1:07:22Don't let her worry you. Since we've known her, she's always been thin.
1:07:22 > 1:07:29Papa, you see our guests are fliers and they are big and strong. Perhaps you will let me become a flier?
1:07:29 > 1:07:36It is not in the spirit of hospitality to discuss private matters when guests are present.
1:07:46 > 1:07:50Please, senor, do not let me make you inconvenient.
1:07:50 > 1:07:52Not at all! There's plenty of room.
1:07:56 > 1:08:04You must pardon me, senorita, for the forwardness of my offsprings. They lack the hand of their mother.
1:08:04 > 1:08:08(Papa speaks much nicer about mama since she's gone.)
1:08:11 > 1:08:15# Negrito, por tu amor estoy loca
1:08:15 > 1:08:18# No puedo ya vivir con mi dolor
1:08:18 > 1:08:22# Tu eres tan prieto
1:08:22 > 1:08:25# Llore por tu amor
1:08:25 > 1:08:29# Negrito, te suplico no me deje
1:08:29 > 1:08:32- # Por que si tu murio, morire...- #
1:08:32 > 1:08:35SINGING CONTINUES
1:08:44 > 1:08:50You do not look happy. Is it because Dolores is making eyes at the senor?
1:08:50 > 1:08:54Of course not. The senor is only a friend of mine.
1:08:54 > 1:09:02Dolores says the senorita loves the aviator. The one with the blue eyes and dark hair pleasing to women.
1:09:02 > 1:09:06- Dolores assumes too much. - Dolores is 18.
1:09:06 > 1:09:11Dolores knows all about caballeros. She knew lots in Mexico.
1:09:11 > 1:09:13I'll bet.
1:09:13 > 1:09:20- Rusty said we have time for me to do these shirts.- Rusty has forgotten his date with San Diego.
1:09:20 > 1:09:28- We'll make it. - Senor, I'll take them.- When do you two gay caballeros plan on leaving?
1:09:28 > 1:09:31Dolores says we should wait till it cools off.
1:09:31 > 1:09:33That Dolores.
1:09:33 > 1:09:39- Besides, her girlfriend is coming over. - What does she figure for me to do?
1:09:39 > 1:09:44Rusty thought you needed a little siesta. You look awfully tired.
1:09:49 > 1:09:51Come, I give you my bed.
1:09:52 > 1:09:55SINGING BEGINS
1:10:30 > 1:10:35# Si a tu ventana llega una paloma... #
1:10:49 > 1:10:56- Senorita. That was a very short siesta. - It's a little warm, isn't it?
1:10:56 > 1:10:58- Sit down, please.- Thank you.
1:11:01 > 1:11:04You have very nice children, senor.
1:11:04 > 1:11:08I guess. Only for Dolores do I fear. She has too much rich blood.
1:11:08 > 1:11:11LAUGHTER
1:11:11 > 1:11:15She'll calm down when she's kept busy.
1:11:15 > 1:11:20I hope so. And you, what do you occupy yourself with?
1:11:20 > 1:11:24- I'm a writer.- Oh, an artiste! That is good.
1:11:24 > 1:11:29- And what does the senorita write? - I've written only one book.
1:11:29 > 1:11:32LAUGHTER
1:11:32 > 1:11:37It concerns a man who can't reconcile his ideals with the woman he loves.
1:11:37 > 1:11:44That is a study of importance. Has the senorita the experience for so deep a philosophy?
1:11:44 > 1:11:48Well, I've kept my eyes open and read a great deal.
1:11:48 > 1:11:55Pardon the observation but, to a man of my years, it would seem best to first live then write a book.
1:11:55 > 1:12:03- That just seems to be full of confusion.- But it is better to make confusion than to borrow, not live.
1:12:03 > 1:12:06Senor Ortega.
1:12:07 > 1:12:12- It's obvious you're a man of the world.- Oh, you flatter me, senorita.
1:12:12 > 1:12:15It's that I...
1:12:16 > 1:12:21- I seem to have the wrong idea about love.- Love!
1:12:21 > 1:12:27You see, I always thought that love, when it's real, should be gentle and considerate.
1:12:27 > 1:12:32- It should have a great deal of dignity.- Senorita, the reverse!
1:12:32 > 1:12:35It is brutal, selfish and turbulent.
1:12:35 > 1:12:41To be young again, to feel the primitive urge of conquest. Senorita,
1:12:41 > 1:12:46I can remember as yesterday a dancer, skin the colour of ripe corn,
1:12:46 > 1:12:48hair thick and black as the night.
1:12:48 > 1:12:51Constantly she put me to torment.
1:12:51 > 1:12:53She scorned me, hurt me,
1:12:53 > 1:12:58- humiliated me before my friends. She was wonderful!- Wonderful?
1:12:58 > 1:13:02THIS she gave me when I attempted to arouse her jealousy with another.
1:13:02 > 1:13:05She was a woman!
1:13:05 > 1:13:10- And that's what a man wants? - That's what a man remembers.
1:13:10 > 1:13:12LAUGHTER
1:13:16 > 1:13:21Senor Ortega, you've honoured me with your confidence.
1:13:21 > 1:13:24I feel I owe you the same sincerity.
1:13:24 > 1:13:28I notice the senorita appears disturbed.
1:13:28 > 1:13:32You're so kind and gracious. You've treated us with respect.
1:13:32 > 1:13:35Senor, we don't deserve it.
1:13:35 > 1:13:40You mustn't be too modest, senorita. It's admirable, but not practical.
1:13:43 > 1:13:48The aviator and I, we've been friends for years.
1:13:48 > 1:13:51- I knew that from the first minute. - You did?
1:13:51 > 1:13:58- I don't think you understand, senor. We should have been married long ago.- It's very wrong.
1:13:58 > 1:14:03But not you. LAUGHTER
1:14:03 > 1:14:07I love him but he treats me like a slave.
1:14:07 > 1:14:13He drinks, he stays out with women and when he comes home, he beats me.
1:14:13 > 1:14:17Love and violence walk hand in hand, senorita.
1:14:20 > 1:14:25- Well, all right, but that's not all. - I know.- No, you don't!
1:14:25 > 1:14:33- Those two men out there, they're not marine officers. They stole their uniforms.- Not officers?- No!
1:14:33 > 1:14:36HUBBUB OF SHOUTS
1:14:36 > 1:14:39Remember your children.
1:14:39 > 1:14:43- Out of my way, senorita.- No! No! No, don't!
1:14:43 > 1:14:46SCREAMING
1:14:50 > 1:14:52Oh, wait for me!
1:14:52 > 1:14:55HUBBUB
1:15:11 > 1:15:14SHOT FIRES
1:15:31 > 1:15:38- OK, Miss Klotsch, come clean.- I have nothing to say.- Come clean.- I didn't do anything.- For the last time.
1:15:38 > 1:15:43- You're wasting time, let's go. - That's what we'll do.
1:15:43 > 1:15:45- Come on, Dink.- What?
1:15:45 > 1:15:48What are you doing?
1:15:48 > 1:15:52- Goodbye, Miss Klotsch.- Goodbye. - Oh, no! Oh, Rusty!
1:15:52 > 1:15:55DINK! RUSTY!
1:15:55 > 1:15:58Now, don't!
1:15:58 > 1:16:00Oh, come on now, stop that!
1:16:00 > 1:16:03Come here!
1:16:03 > 1:16:04Rusty!
1:16:04 > 1:16:12All right, I confess. I told him you and I were an old story and should have been married long ago.
1:16:12 > 1:16:16I thought that would do the trick but it didn't.
1:16:16 > 1:16:23Then I embellished it a little. I told him you came home late at night and beat me.
1:16:23 > 1:16:29- That's when he took to the gun? - No, he said love and violence walked hand in hand.
1:16:29 > 1:16:36- What came next?- You won't like this. - Never mind.- You and Rusty are not in the marines.
1:16:36 > 1:16:43- What?- We aren't? - No, you stole those uniforms. That's when he got the gun.
1:16:43 > 1:16:48- What made you do a thing like that? - This girl should be locked up.
1:16:48 > 1:16:50- Rusty, you know what?- What?
1:16:50 > 1:16:58- The reason she said that was because she didn't want you to have anything to do with Dolores!- Really?
1:16:58 > 1:17:03I am about to give you a decoration I thought no girl would wear.
1:17:03 > 1:17:09- Do you, Kit, take this man to be the fella you're involved with?- Dink!
1:17:09 > 1:17:16Do you take this woman to be the beetle you're involved with? I pronounce you all involved.
1:17:16 > 1:17:19# Imagine me with my head on your shoulder
1:17:19 > 1:17:23# And you with your lips growing bolder
1:17:23 > 1:17:27# A skyful of moon and that old mellow tune
1:17:27 > 1:17:30# I'll buy that dream. #
1:17:39 > 1:17:46Some say there are more beautiful beetles in Albuquerque than anywhere in the US. It won't interest you.
1:17:46 > 1:17:50I'm interested in anything that interests you.
1:18:00 > 1:18:02Yes, sir?
1:18:02 > 1:18:06I guess it'll take 35 gallons or so.
1:18:06 > 1:18:09O-oh! A hotel!
1:18:09 > 1:18:13- Would you like to stop? - A bed would be wonderful.
1:18:13 > 1:18:16Let's see how much we got.
1:18:16 > 1:18:18Let's see, er... Four dollars,
1:18:18 > 1:18:23- 35 cents and six yen. - That's just enough to keep us going.
1:18:23 > 1:18:29- Where is it? - What are you looking for?- My bag! - Are you sure you didn't lose it?- Oh!
1:18:29 > 1:18:36- It's at the Ortegas.- That's fine. - I know where.- We can't go back. - My papers are in it.
1:18:36 > 1:18:43- You can face that gun, but not me. - Could I cash a cheque at the hotel? - If you're registered.
1:18:43 > 1:18:46Boys, you're my guests for the night!
1:18:55 > 1:18:58BELL RINGS
1:18:59 > 1:19:03- Good evening.- Yes? - Do you have three rooms?
1:19:03 > 1:19:07- I have three rooms with a bathroom on each floor.- Fine.
1:19:07 > 1:19:10- Three dollars a room. A dollar for a bath.- Fine.
1:19:10 > 1:19:13Would you sign the register, please?
1:19:13 > 1:19:18- You have some baggage?- In the car at the station. My friends are there.
1:19:18 > 1:19:23What is it? Bring the bags from the car.
1:19:23 > 1:19:28First, see if we have three rooms ready for Miss, er... Christopher Madden.
1:19:28 > 1:19:30Not THE Christopher Madden?
1:19:30 > 1:19:33HARRY! This is Christopher Madden!
1:19:33 > 1:19:39- Who's Christopher Madden?- The girl who wrote Here Is Tomorrow.
1:19:39 > 1:19:42Oh! Oh, THAT one!
1:19:43 > 1:19:46You didn't like it?
1:19:46 > 1:19:50I don't read. SHE didn't till she joined that club.
1:19:50 > 1:19:55Don't listen to him. I'm honoured and the girls will be thrilled.
1:19:55 > 1:19:59I'll have to ask you to keep my identity a secret.
1:19:59 > 1:20:03I'm travelling as Kit Klotsch. Not even my companions know.
1:20:03 > 1:20:07See? She's ashamed because of that book!
1:20:07 > 1:20:11Not exactly, but I have certain reasons.
1:20:11 > 1:20:13You're the first celebrity to stay.
1:20:13 > 1:20:20There's a legend that Buffalo Bill stayed, but he didn't register. I hope you'll be comfortable.
1:20:20 > 1:20:22Is there anything I could do?
1:20:22 > 1:20:27Yes, would you cash a 50 cheque for me?
1:20:27 > 1:20:32- Of course I will.- Have you a blank cheque?- Yes, right here.- Thanks.
1:20:37 > 1:20:41Christopher Madden. Isn't that wonderful!
1:20:41 > 1:20:44EXCITED CHATTER
1:20:49 > 1:20:54Don't cash it. In ten years her signature will be worth 50.
1:20:54 > 1:20:58I'll get her autograph. ALL: I want one too.
1:20:58 > 1:21:01I promised her not to tell anybody.
1:21:01 > 1:21:05But if you happen to be in the lobby and recognise her,
1:21:05 > 1:21:07well, that's different.
1:21:07 > 1:21:11- She might make a speech. - Maybe. Act casual.
1:21:11 > 1:21:15Sit down. Sit down.
1:21:15 > 1:21:18EXCITED CHATTER
1:21:19 > 1:21:22(Mr Gibbs.)
1:21:24 > 1:21:28- Hello, Mrs Randall. - Hello, Gibbs.
1:21:28 > 1:21:31I hear you're telling everybody Christopher Madden's staying.
1:21:31 > 1:21:34I don't know what you're talking about!
1:21:34 > 1:21:36Don't put it in your paper.
1:21:36 > 1:21:39I wouldn't, even if you said she was.
1:21:39 > 1:21:46Why wouldn't you? Don't you think our town should be proud of a visitor like Miss Madden?
1:21:46 > 1:21:51I wouldn't for the reason that she couldn't be in our town.
1:21:51 > 1:21:55I didn't say she was, but why couldn't she be?
1:21:55 > 1:22:00- I already put it in the paper that she arrived in Hollywood. - Why?
1:22:00 > 1:22:05News services send wires round the country, so I know.
1:22:05 > 1:22:12"Hollywood. Christopher Madden the author of Here Is Tomorrow arrived in Hollywood today.
1:22:12 > 1:22:18"Henry Baldwin who bought the picture rights gave a reception with Lana Turner."
1:22:18 > 1:22:21It can't be!
1:22:21 > 1:22:24- Really, Bertha, you're something of a fool.- I agree.
1:22:24 > 1:22:28- I cashed her cheque! - Whose cheque?
1:22:28 > 1:22:33- Miss Madden.- She's a fake! - What should I do?
1:22:33 > 1:22:38- I wouldn't do anything. I'd leave it to the police. - Yes, leave it to the police!
1:22:38 > 1:22:40I'll call 'em.
1:22:40 > 1:22:45Flash. Albuquerque, New Mexico. Police arrested a woman
1:22:45 > 1:22:49'who registered and cashed a cheque as Christopher Madden.
1:22:49 > 1:22:53'The real Miss Madden is in Hollywood.'
1:22:59 > 1:23:05Charlie. Christopher Madden's been arrested in Albuquerque. Get me a plane!
1:23:05 > 1:23:07I'll be ready in ten minutes.
1:23:14 > 1:23:17Beautiful morning, ain't it?
1:23:17 > 1:23:24Will you listen to me? Why can't I make a phone call, or send a wire?
1:23:24 > 1:23:28- Not till you're clear. - But it's all a mistake!
1:23:28 > 1:23:31My! That sounds familiar.
1:23:31 > 1:23:32O-oh!
1:23:32 > 1:23:37Look, won't someone believe me? I AM Christopher Madden!
1:23:37 > 1:23:42- You ARE?- Yes.- In that case you ain't got nothing to worry about.
1:23:42 > 1:23:46OK. SHE GROANS
1:23:51 > 1:23:57- Hiya, Pop.- Here's the receipt signed by the judge.- OK.
1:23:57 > 1:23:59Open up.
1:24:01 > 1:24:04Hi, Kit.
1:24:04 > 1:24:07Oh, Rusty! Rusty!
1:24:07 > 1:24:11- The marines have landed. - We paid the bond.
1:24:11 > 1:24:16- Sorry we took so long.- I've been so lonesome.- I know.- Come on. Let's go.
1:24:16 > 1:24:19Oh, wait a minute! My shoes!
1:24:21 > 1:24:26- Say, you shouldn't do things like this.- Chicago was a smart trick.
1:24:26 > 1:24:33Signing someone else's name to a cheque is an offence. We'll take the first bus west.
1:24:33 > 1:24:35I need a bath.
1:24:35 > 1:24:40- I'm all crumpled. Goodbye. - You'll get crumpled in a bus.
1:24:40 > 1:24:42How can I leave? I'm out on bail.
1:24:42 > 1:24:49- That's adding felony to felony. - If we stay we'll be doing a long stretch.- You're not involved!
1:24:49 > 1:24:57- Oh, yes, we are. How do you think we got the money for that bail? - How?- We sold the Isota to a woman.
1:24:57 > 1:25:04- She's planning some entertainment for us. We won't be around. - Because the pink slip isn't showing.
1:25:04 > 1:25:10- It's in your purse. The one you left.- When the lady finds out, she won't be sociable.
1:25:10 > 1:25:14SHRIEKS OF EXCITEMENT
1:25:16 > 1:25:17Smile!
1:25:17 > 1:25:22Forgive me, Miss Madden. It's all Charlie's fault.
1:25:22 > 1:25:25The club will send our formal apologies.
1:25:25 > 1:25:30- Is there anything you want to say? - Miss Madden has nothing to say!
1:25:30 > 1:25:35- Who are you?- My assistant. - Who's he?- He's my boss.
1:25:35 > 1:25:41- Oh, hello, Mr Baldwin!- Look what you've done! How could this happen?
1:25:41 > 1:25:47- All I did was tell them I was Christopher Madden. - She won't do it again.
1:25:47 > 1:25:52- It's publicity we don't want. - I didn't do it!
1:25:52 > 1:25:57She's sharing headlines with Stalin and she didn't do anything!
1:25:57 > 1:26:02- Are these people bothering you? - Is this the flier?- Yes, it is.
1:26:02 > 1:26:10- You told him about me?- I'd better introduce everybody. This is Henry Baldwin, Hollywood producer.
1:26:10 > 1:26:13Rusty Thomas and Dink Watson.
1:26:13 > 1:26:17We know who everybody is but you. Who are you?
1:26:19 > 1:26:21I'm Christopher Madden.
1:26:23 > 1:26:25He does look like Mark Winston.
1:26:25 > 1:26:29I see your point. We're gonna make a test with you.
1:26:29 > 1:26:35- Rusty, you know what?- What? - They're trying to make an actor out of you.
1:26:36 > 1:26:39An actor?
1:26:39 > 1:26:41Come on, Dink.
1:26:41 > 1:26:45- Do you like home-made jelly? - Rusty!
1:26:45 > 1:26:51- Rusty!- Miss Madden? - You can't leave me.- Who says? - Not after what's happened.
1:26:51 > 1:26:59- You've been lying to us, trailing us. I was beginning to believe you were on the level.- I was!
1:26:59 > 1:27:05- Get my wings back.- Why? - I don't want a woman who's telling the world what to do.
1:27:05 > 1:27:09I don't want one to tell ME what to do.
1:27:09 > 1:27:16I want a woman who needs me. I want a Miss Klotsch who's helpless and cute and... Forget it!
1:27:16 > 1:27:21- Let's join the marines! - How could you do a thing like that?
1:28:00 > 1:28:07Now, here she is - Hollywood reporter, Louella Parsons. What's the news tonight?
1:28:07 > 1:28:12To all of you from Hollywood. Here's our latest Hollywood feud.
1:28:12 > 1:28:17Christopher Madden is battling with producer Henry Baldwin
1:28:17 > 1:28:21over the script of her bestseller Here Is Tomorrow.
1:28:21 > 1:28:26She thinks she had a lot of nerve to tell the world how to cure itself.
1:28:26 > 1:28:32Only yesterday she admitted there are parts of her book she doesn't agree with.
1:28:32 > 1:28:40Henry would like to stick to the book but Kit wants to make changes. Here's more about Kit.
1:28:40 > 1:28:47'She's not one bit upset over her recent smear publicity. She still looks at handsome marines.
1:28:47 > 1:28:55'Kit sleeps in pyjama tops with all the windows open. She detests the cream puff school of fiction.
1:28:55 > 1:29:02'She loathes pink dresses and tuna fish but she's crazy about babies, Beethoven and bad men.
1:29:02 > 1:29:04'In all, she's a pretty swell gal.'
1:29:04 > 1:29:07SWITCHES OFF RADIO
1:29:07 > 1:29:10Boy, she is a swell gal, isn't she?
1:29:10 > 1:29:17- I said, she is a swell gal, isn't she?- Who?- Kit. You know who! Come on, Rusty, drop her a line.
1:29:17 > 1:29:21I don't belong to that cream puff school of fiction.
1:29:21 > 1:29:24Well, I do. Give me a little desk space.
1:29:29 > 1:29:34- How do you spell Kit? - With a J like in La Junta.
1:29:34 > 1:29:41"Dear Kit, I'm not very good at writing letters but Rusty won't write so we're stuck.
1:29:41 > 1:29:49"You're giving us a bad time with all those radio reports especially about pyjama tops and open windows.
1:29:49 > 1:29:51"You might catch cold.
1:29:51 > 1:29:58"Rusty could say this a lot better but what can I do if he doesn't feel like writing?
1:29:58 > 1:30:04"PS - Have you met Dolores Moran? She's the kind of girl I wouldn't mind calling long distance."
1:30:04 > 1:30:09"Dear Dink, I was surprised and very pleased to get your letter.
1:30:09 > 1:30:15"I'm sorry you don't like what they say about me. Surely Rusty doesn't care?
1:30:15 > 1:30:20"Remind him worrying about women will give him mental fatigue.
1:30:20 > 1:30:24"Hollywood is a lovely place to live in. Come and see me.
1:30:24 > 1:30:31"I'll arrange for you to see Dolores Moran. You have good taste. Will write soon. Love - Kit.
1:30:31 > 1:30:39"PS - I'm enclosing the pink slip on the Isota which Rusty can send to the lady in Albuquerque."
1:30:39 > 1:30:41It's from Kit.
1:30:41 > 1:30:43Yeah?
1:30:45 > 1:30:47Want to read it?
1:30:48 > 1:30:50No.
1:30:50 > 1:30:52OK.
1:30:53 > 1:30:56Well, I guess I'll take a shower.
1:31:13 > 1:31:15Well, here's a surprise.
1:31:15 > 1:31:23Last night, Kit Madden was with a well-known director who is rumoured engaged to one of our glamour girls.
1:31:23 > 1:31:28'I must say Kit looked lovely in black lace and a small feathered hat.
1:31:28 > 1:31:32'She dined at a cosy table for two at the La Rue.
1:31:32 > 1:31:39'And later, she was seen dancing with a handsome escort. That gal is certainly getting around.'
1:31:49 > 1:31:51That's Hollywood!
1:31:55 > 1:31:58I've a letter from Kit. Wanna read it?
1:32:01 > 1:32:05Well, I think I'll check up in the back.
1:32:20 > 1:32:27"Dear Dink, It was lovely hearing from you but what do you mean I'm running around with just anybody?
1:32:27 > 1:32:32"The French major was fascinating and 32. He speaks seven languages.
1:32:32 > 1:32:38"In three of them he asked me if I'd like to see his place in France.
1:32:38 > 1:32:45"The director only speaks English and says I'm the one thing saving him from being a misogynist -
1:32:45 > 1:32:53"a gentleman who doesn't like beetles. I don't see why Rusty should find it so hard to write.
1:32:53 > 1:32:59"PS - Come up. We could make a foursome with Dolores Moran and Cary Grant."
1:33:05 > 1:33:08- The boys will never believe this. - Oh, Dink!
1:33:16 > 1:33:23- It's amazing how these boys make themselves feel at home. - Come on, let's try it.
1:33:29 > 1:33:32Attaboy, Cary!
1:33:32 > 1:33:34Hm? Oh, attaboy, Lieutenant.
1:33:52 > 1:33:59"Dear Kit, I want to thank you for a wonderful time. I enjoyed your house, especially breakfast in bed.
1:33:59 > 1:34:04"I was telling Rusty how swell you are. I don't know why he got sore.
1:34:04 > 1:34:09"All I said was how beautiful you looked but he's been touchy lately.
1:34:09 > 1:34:17"Yeah, Rusty has changed. Maybe I should talk to the psychiatrist. What do you think? As ever, Dink."
1:34:17 > 1:34:22"PS - would you tell Dolores I'm not hard to get on with?"
1:34:22 > 1:34:26'Kit Madden is seen everywhere now with handsome Paul Gill,
1:34:26 > 1:34:30'selected to play the lead in Here Is Tomorrow.
1:34:30 > 1:34:35'Kit says he's the movie Mark Winston she's been dreaming about.
1:34:35 > 1:34:41'They seem to have a lot in common and there are rumours that Paul will soon be a Benedict.'
1:34:49 > 1:34:51- Hello, Kit.- Hello, Mr Baldwin.
1:34:51 > 1:34:58- You won't marry that actor? - Are you worried?- It would break my heart, but it's your hearse.
1:34:58 > 1:35:01It isn't going to be.
1:35:01 > 1:35:08Attagirl! You ever hear from that fella who'd look good in Technicolor?
1:35:08 > 1:35:10No. Why?
1:35:10 > 1:35:15He's the kind of character I'd like to know better.
1:35:16 > 1:35:21- So would I. I'm working on it. - I see.
1:35:21 > 1:35:26I met a girl on a train who told me something I hope I'll never forget.
1:35:26 > 1:35:34She said, "You've gotta keep a fella on his toes, keep him worried and upset, make him jealous."
1:35:34 > 1:35:42There's something in that. Well, so long. And thanks for not marrying that actor.
1:35:54 > 1:36:01"Kit Madden and Paul Gill. Kit Madden and Paul Gill." Getting to be like Abbott and Costello!
1:36:01 > 1:36:04Who knows? Maybe he's a good Joe.
1:36:04 > 1:36:07Sure he's a good Joe. At least he does something.
1:36:07 > 1:36:11He's not like you, growing sourer and sourer every day!
1:36:11 > 1:36:14What's it gonna be, boys?
1:36:18 > 1:36:23- It's you! How are you? How did you know I was working here?- We didn't.
1:36:23 > 1:36:30- How are you, Miss Calhoun? - It's Callaghan. It used to be Callaghan. I changed it to Sharp.
1:36:30 > 1:36:38- Consuela Sharp.- Why did you do that?- If Kit Klotsch can change her name to Madden, I can do it too!
1:36:38 > 1:36:44She changes her name, writes a book and ends up in every gossip column in the country!
1:36:44 > 1:36:52- Two ham and eggs, two coffees and toast.- This is my last day as a waitress.- Are you getting married?
1:36:52 > 1:36:54No, I'm gonna write a book, too.
1:36:59 > 1:37:02Have you heard from her lately?
1:37:02 > 1:37:06- Who?- "Who?" You know who Kit.
1:37:06 > 1:37:14- Sure. I got a letter this morning. Wanna hear it?- I know you're dying to read it. Go ahead.
1:37:14 > 1:37:22"Dear Dink, A number of very fine-looking beetles have applied for your next weekend, but I..."
1:37:22 > 1:37:25This is a little personal here.
1:37:25 > 1:37:32"..We can make it a foursome. I was very sorry to hear about Rusty. He really sounds quite dull now.
1:37:32 > 1:37:35"Encourage him to get out more.
1:37:35 > 1:37:42- "There must be some nice beetles in San Diego...- Any good books Rusty would like me to send him?"
1:37:42 > 1:37:47Dink, you'll write her a letter and write what I tell you to write.
1:37:47 > 1:37:53I can get all the nice girls I want and I know where to find them.
1:37:53 > 1:38:01- You know where to find 'em?- Yes. And I know she's doing this to make me jealous.- To make you jealous?
1:38:01 > 1:38:06- Know what I'll do about it? - Get jealous?- I am. Take a letter.
1:38:06 > 1:38:10"Dear Miss Madden..." Scratch out the "dear".
1:38:10 > 1:38:13"Miss Madden, I..."
1:38:13 > 1:38:17- Oh, I'll see you later, Dink. - Where are you going?
1:38:17 > 1:38:23I'm going to send her a wire to tell her what I think of her.
1:38:23 > 1:38:29- Really?- Really.- When you tell her what you think of her, maybe you'll need these.
1:38:29 > 1:38:34- What for?- You know how sometimes wings get lost.
1:38:47 > 1:38:50Shut up!
1:38:51 > 1:38:54PHONE RINGS
1:38:54 > 1:38:57I'll get it!
1:39:00 > 1:39:02Hello?
1:39:02 > 1:39:07- Western Union. I have a message for Christopher Madden.- 'This is she.'
1:39:07 > 1:39:13The message reads, "Nobody asked me, but I'll be there at 4 o'clock this afternoon. Rusty."
1:39:13 > 1:39:18- 'Have you got it?' - No, I haven't got it.
1:39:18 > 1:39:21- Say it again.- 'What?'
1:39:21 > 1:39:23- The name.- 'Rusty.
1:39:23 > 1:39:26'RUSTY.'
1:39:26 > 1:39:30Oh, thank you. Thank you so much.
1:39:30 > 1:39:33Alma! Alma!
1:39:33 > 1:39:38- Alma!- Yes, Miss Kate? - I have a guest coming at 4 o'clock.
1:39:38 > 1:39:43Get the guest room ready, fix some cocktails and help me get dressed.
1:39:45 > 1:39:52Information, please. Would you get me the phone number of the Sunset Florist on Sunset Boulevard?
1:39:52 > 1:39:58I know it's in the phone book, but I'm too excited... I'm too nervous.
1:39:58 > 1:40:00Thank you.
1:40:03 > 1:40:07Fairfield 820-4. Thank you very much.
1:40:16 > 1:40:188...
1:40:22 > 1:40:248...2...
1:40:24 > 1:40:270...4.
1:40:27 > 1:40:31Sunset Florist? Have you got any orchids?
1:40:31 > 1:40:36No, no, WHITE orchids. I've got to have a white orchid!
1:40:38 > 1:40:43Thank you. Yes Christopher Madden, 1734, Kingswood Drive.
1:40:44 > 1:40:481734. Thank you so much.
1:40:48 > 1:40:52Alma! Alma, would you get me my new black dress?
1:40:52 > 1:40:57- A white orchid!- There's nothing like orchids to give a girl prestige.
1:41:18 > 1:41:22Thanks, God. I'll take it from here.
1:41:22 > 1:41:25DOORBELL
1:41:31 > 1:41:34- Hello!- Hello, Miss Klotsch.
1:41:34 > 1:41:37I brought you back your wings.