0:03:34 > 0:03:36GUNSHOTS
0:03:48 > 0:03:49GUNSHOT
0:03:52 > 0:03:54GUNSHOT
0:04:21 > 0:04:24Ionian column, 5th century BC,
0:04:24 > 0:04:26is it not?
0:04:28 > 0:04:31No, it is 3rd century BC, Doric.
0:04:31 > 0:04:33You're a few centuries off.
0:06:22 > 0:06:24Leutenant Braun,
0:06:24 > 0:06:27one never kills a cook,
0:06:27 > 0:06:31especially an Italian cook.
0:06:32 > 0:06:35We will spare Signor Rotelli
0:06:35 > 0:06:39and hang this man in his place.
0:08:54 > 0:08:56Attention!
0:09:13 > 0:09:15Professor Blake,
0:09:15 > 0:09:19what is this incessant compulsion to escape?
0:09:19 > 0:09:23It's a habit I picked up during World War I.
0:09:23 > 0:09:25Where would you be
0:09:25 > 0:09:29if the Fuhrer's antiquarian reclamation unit
0:09:29 > 0:09:32had not rescued you from various internment camps?
0:09:32 > 0:09:36I certainly would not be looting Greece.
0:09:38 > 0:09:41Sergeant Johnson, where would you be
0:09:41 > 0:09:44if your skills of climbing and rigging
0:09:44 > 0:09:49had not enticed me into plucking you from your prison camp?
0:09:49 > 0:09:52Rotelli, if you weren't a cook...
0:09:52 > 0:09:54I'm not a cook.
0:09:54 > 0:09:56That is true.
0:09:56 > 0:10:00I'm a racing driver. Sometimes I sing.
0:10:00 > 0:10:02Your defection to the Allies
0:10:02 > 0:10:06must have been taken as a mixed blessing.
0:10:06 > 0:10:09There are three dead archaeologists here
0:10:09 > 0:10:11who cannot be replaced.
0:10:11 > 0:10:14That didn't deter Sergeant Mann from shooting.
0:10:14 > 0:10:16In the interest of harmony...
0:10:16 > 0:10:19Harmony ain't what's about to happen.
0:10:22 > 0:10:24Major Hecht, I am pleased
0:10:24 > 0:10:27that you are conducting their trial.
0:10:27 > 0:10:29Have you determined their punishment?
0:10:29 > 0:10:31I was about to.
0:10:31 > 0:10:34Oh, please proceed.
0:10:34 > 0:10:36As I was saying,
0:10:36 > 0:10:38to prevent further disruptions,
0:10:38 > 0:10:41you will immediately be confined
0:10:41 > 0:10:43to your sleeping quarters.
0:10:43 > 0:10:46This camp exists for one purpose -
0:10:46 > 0:10:48to exhume priceless archaeological relics.
0:10:48 > 0:10:51No-one shall interfere!
0:10:51 > 0:10:54I suggest you confine them in here.
0:10:58 > 0:11:00Remove the grating.
0:11:00 > 0:11:02Open it!
0:11:07 > 0:11:09Jump in, men.
0:11:18 > 0:11:21The SS will play no favourites.
0:11:21 > 0:11:24Put the dead men in with them.
0:11:29 > 0:11:31Shall I give the order?
0:11:31 > 0:11:33Let me remind you
0:11:33 > 0:11:38that in this camp, I am in command.
0:11:40 > 0:11:42You're quite right.
0:11:42 > 0:11:44I have exceeded my authority.
0:12:09 > 0:12:11Have they located the transmitter?
0:12:11 > 0:12:17No, sir. The Greeks never transmit long enough.
0:12:47 > 0:12:49Please come here.
0:12:49 > 0:12:52Please come this way.
0:13:05 > 0:13:07Don't do that.
0:13:13 > 0:13:15You don't even care.
0:13:15 > 0:13:18Your resistance heroes turned five girls into whores
0:13:18 > 0:13:22to spy on the Germans for you.
0:13:28 > 0:13:32We have a date for an Allied naval invasion.
0:13:32 > 0:13:35Who's invading us this time?
0:13:35 > 0:13:37The British. The Americans.
0:13:37 > 0:13:42The Germans are neater from a madam's viewpoint.
0:13:44 > 0:13:49They just hang old men in the village square.
0:13:50 > 0:13:54The resistance has a specific target now.
0:14:04 > 0:14:07All right.
0:14:07 > 0:14:10Yes, the submarine refuelling depot.
0:14:10 > 0:14:13Where did you get real coffee?
0:14:13 > 0:14:15Leutenant Braun.
0:14:21 > 0:14:23How did you get it?
0:14:43 > 0:14:45Follow me.
0:14:48 > 0:14:50Heil Hitler.
0:14:50 > 0:14:51Atchoo!
0:14:51 > 0:14:52Gesundheit!
0:14:52 > 0:14:55I hope it's not catching.
0:14:58 > 0:15:01Oops. Charlie!
0:15:01 > 0:15:02Mamma Mia!
0:15:05 > 0:15:07Hey!
0:15:07 > 0:15:10What are they doing down there?
0:15:10 > 0:15:12They're prisoners who tried to escape.
0:15:12 > 0:15:15They said this was a country club!
0:15:28 > 0:15:30JAZZ MUSIC PLAYS
0:15:36 > 0:15:38KNOCK ON DOOR
0:15:38 > 0:15:39Enter.
0:15:42 > 0:15:43Ah, the Americans.
0:15:43 > 0:15:45Charlie Dane. Dottie Delmar.
0:15:45 > 0:15:48Major Otto Hecht.
0:15:48 > 0:15:51Great likeness!
0:15:51 > 0:15:53Louis Armstrong!
0:15:53 > 0:15:55Are you a jazz lover?
0:15:55 > 0:15:57Sure. Fancy-looking junk!
0:15:59 > 0:16:02It is a 5th century Aegean vase.
0:16:02 > 0:16:05I thought it was 4th century.
0:16:09 > 0:16:11You were shot down?
0:16:11 > 0:16:15On our way to do a USO show.
0:16:15 > 0:16:18I see you are a swimmer.
0:16:18 > 0:16:19Do you swim underwater?
0:16:19 > 0:16:22What do you mean?
0:16:22 > 0:16:24We are exploring the coastline
0:16:24 > 0:16:26for ancient art treasures.
0:16:26 > 0:16:28I'm your man, Major.
0:16:30 > 0:16:31Aptly put.
0:16:31 > 0:16:34And you, Mr Dane?
0:16:35 > 0:16:37What is your speciality?
0:16:39 > 0:16:41I'm a stand-up comic.
0:16:43 > 0:16:47I'm afraid there's no place here for a comedian.
0:16:47 > 0:16:49But you need a swimmer?
0:16:49 > 0:16:53Even if Miss Delmar were not a swimmer,
0:16:53 > 0:16:56she would not be useless.
0:16:56 > 0:16:58Well, thank you, Major.
0:16:58 > 0:17:00Major Volkmann
0:17:00 > 0:17:03will be wishing to interrogate you.
0:17:03 > 0:17:05Is he another jazz lover?
0:17:05 > 0:17:08He is a major in the SS.
0:17:10 > 0:17:11Oy.
0:17:11 > 0:17:14I could catalogue your art collection,
0:17:14 > 0:17:17write little biographies of jazz immortals.
0:17:17 > 0:17:19I do mending, washing.
0:17:19 > 0:17:22Let's see how things work out.
0:17:22 > 0:17:24I could teach dancing.
0:17:24 > 0:17:27And Gershwin, an American in Paris...
0:17:27 > 0:17:29Gershwin has been forbidden.
0:17:29 > 0:17:32And not a moment too soon.
0:17:32 > 0:17:35- Sergeant!- Herr Major!
0:17:35 > 0:17:38What took him so long?
0:17:38 > 0:17:41Take Mr Dane to barracks seven.
0:17:41 > 0:17:48Escort Miss Delmar to the guest quarters next to the Carpenters'.
0:17:48 > 0:17:54- I hope you won't mind the banging. - She never has!
0:17:59 > 0:18:01Charlie...
0:18:06 > 0:18:10This Kraut could have a good thing going.
0:18:10 > 0:18:12Not everyone's as crooked as you.
0:18:12 > 0:18:14You want to bet?
0:18:16 > 0:18:18You will stay here.
0:18:18 > 0:18:22I'll take care of the tip, sweetie.
0:18:22 > 0:18:25I'll meet you in the bar.
0:19:00 > 0:19:02KNOCK ON DOOR
0:19:04 > 0:19:05Who is it?
0:19:05 > 0:19:07It's me.
0:19:07 > 0:19:10The kite is up.
0:19:12 > 0:19:16Braun's trying to locate the radio.
0:19:16 > 0:19:19He'll never find it the way he's been looking.
0:19:19 > 0:19:22You can change all that.
0:19:22 > 0:19:25That's a commitment I will not make.
0:19:25 > 0:19:29Then stop complaining. Climb back to your monastery.
0:19:29 > 0:19:31I intend to.
0:19:31 > 0:19:35Is that part of your plan?
0:19:39 > 0:19:43You forget I said that.
0:20:25 > 0:20:27KNOCK ON DOOR
0:20:27 > 0:20:29Who is it?
0:20:29 > 0:20:31Otto Hecht.
0:20:31 > 0:20:33Do I know you?
0:20:33 > 0:20:35I am the Kommandant.
0:20:35 > 0:20:37Sorry.
0:20:37 > 0:20:40I have a tough time with names,
0:20:40 > 0:20:43but I never forget a face.
0:20:44 > 0:20:47Well, my dear Miss Delmar,
0:20:47 > 0:20:51I see you adapt quickly to new situations.
0:20:51 > 0:20:53Everything in its proper place.
0:20:53 > 0:20:57I always like to make things homey.
0:20:57 > 0:20:59We travel a lot.
0:20:59 > 0:21:00We?
0:21:00 > 0:21:02You and Charlie?
0:21:02 > 0:21:05No, no. "We" in show business.
0:21:05 > 0:21:09Charlie and I met on this aquacade gig.
0:21:09 > 0:21:11Aquacade?
0:21:11 > 0:21:15That is an American word I am not knowing.
0:21:15 > 0:21:18It's like a wet Busby Berkely routine.
0:21:18 > 0:21:21It gives the farmers a chance
0:21:21 > 0:21:23to see a lot of floating boobs.
0:21:23 > 0:21:24Boobs?
0:21:27 > 0:21:30Would you like to sit down?
0:21:30 > 0:21:33Thank you.
0:21:33 > 0:21:36Oh, no, no. Go ahead.
0:21:36 > 0:21:39Why don't we drink to something?
0:21:39 > 0:21:41All right.
0:21:41 > 0:21:43Like...
0:21:44 > 0:21:47Like peace for the world.
0:21:47 > 0:21:48Oh.
0:21:50 > 0:21:52- Prosit!- Sure.
0:21:52 > 0:21:55What's going to happen to us?
0:21:58 > 0:22:00To you, nothing.
0:22:00 > 0:22:04I'm not so sure about your Jewish friend.
0:22:04 > 0:22:06You know he's Jewish?
0:22:06 > 0:22:09In the Third Reich,
0:22:09 > 0:22:11they assume everyone is Jewish
0:22:11 > 0:22:13unless proven otherwise.
0:22:13 > 0:22:17You have nice thighs.
0:22:18 > 0:22:20Thanks.
0:22:22 > 0:22:24I would like to...
0:22:26 > 0:22:28So what's stopping you?
0:22:30 > 0:22:33I anticipate that you might.
0:22:34 > 0:22:39I may look dumb, but I'm not stupid.
0:22:48 > 0:22:51Is something wrong?
0:22:51 > 0:22:53You are not responding.
0:22:53 > 0:22:56You said you wanted to.
0:22:56 > 0:22:58I didn't say I did.
0:22:58 > 0:23:02I do think that under the circumstances
0:23:02 > 0:23:06you might cultivate a little warmth.
0:23:06 > 0:23:08Goodnight.
0:23:08 > 0:23:13Aren't you going to take your wine back?
0:23:13 > 0:23:17That would not be the act of a gentleman.
0:23:17 > 0:23:19And blackmail is?
0:23:21 > 0:23:23Only if it succeeds.
0:23:23 > 0:23:25Goodnight.
0:23:43 > 0:23:45Where's the tunnel, Professor?
0:23:45 > 0:23:48Somebody's always digging a tunnel.
0:23:48 > 0:23:50Not here.
0:23:50 > 0:23:52That's a relief.
0:23:52 > 0:23:55I could sit out the war here.
0:23:55 > 0:23:58Our Austrian Kommandant feels the same way.
0:23:58 > 0:24:00What is it?
0:24:00 > 0:24:02That's about 200 BC.
0:24:02 > 0:24:06It's a miniature of some household god.
0:24:06 > 0:24:08How do you know?
0:24:08 > 0:24:12I come from a long line of archaeologists.
0:24:12 > 0:24:16When the sun never set on the empire,
0:24:16 > 0:24:19we looted treasure from Egypt and Persia.
0:24:19 > 0:24:21Isn't that Hecht's racket?
0:24:21 > 0:24:23He used to be
0:24:23 > 0:24:26a dishonest art dealer in Vienna.
0:24:26 > 0:24:29The ordinary archaeological finds go to Berlin.
0:24:29 > 0:24:31Anything of real value
0:24:31 > 0:24:33is shipped to his sister.
0:24:33 > 0:24:36What else?
0:24:36 > 0:24:40You found one like this yesterday.
0:24:40 > 0:24:43They made them in sets of two -
0:24:43 > 0:24:45husband and wife.
0:24:46 > 0:24:50How come everything is under the camp?
0:24:50 > 0:24:54All this was one beautiful temple of Neptune.
0:24:54 > 0:24:59What happens if we run out of things to dig up?
0:24:59 > 0:25:01We won't.
0:25:01 > 0:25:03We take precautions.
0:25:03 > 0:25:06Nat, put him back to bed.
0:25:06 > 0:25:09Now you see him. Now you don't.
0:25:09 > 0:25:12Where's the real heavy stuff?
0:25:12 > 0:25:14Dane! Major Hecht.
0:25:14 > 0:25:15Komm!
0:25:15 > 0:25:19If he could only stand up by himself
0:25:19 > 0:25:21without having to rely on me.
0:25:30 > 0:25:32Are you still here?
0:25:32 > 0:25:35It's not a bad life.
0:25:35 > 0:25:37Got a match?
0:25:43 > 0:25:45Hi, Fraulein!
0:25:45 > 0:25:47Give 'em hell!
0:25:49 > 0:25:53- A beautiful woman! Your mother?- My wife.
0:25:53 > 0:25:58There's a dainty quality about her, Sergeant!
0:26:02 > 0:26:04Charlie.
0:26:07 > 0:26:08Nice view.
0:26:11 > 0:26:14Have you ever been to Hollywood?
0:26:14 > 0:26:16I played there.
0:26:16 > 0:26:19Do you know Ann Sheridan?
0:26:19 > 0:26:22Do I know Ann Sheridan?
0:26:22 > 0:26:23No.
0:26:25 > 0:26:29Miss Sheridan is what they call the "oomph girl".
0:26:29 > 0:26:32All the time.
0:26:32 > 0:26:34What is oomph?
0:26:34 > 0:26:40Oomph is the icing on the strudel, Major.
0:26:43 > 0:26:47That is what I would like to discuss.
0:26:47 > 0:26:51Your status here does not permit you
0:26:51 > 0:26:54connubial privileges with Miss Delmar.
0:26:54 > 0:26:55So far.
0:26:55 > 0:26:58Consider it a closed door.
0:26:59 > 0:27:02However, there is no reason
0:27:02 > 0:27:04that we all must suffer.
0:27:04 > 0:27:07Certainly not.
0:27:07 > 0:27:09Idle machinery rusts.
0:27:09 > 0:27:11Precisely.
0:27:11 > 0:27:15Given the uncertainty of your position here...
0:27:15 > 0:27:18You might need a social director.
0:27:18 > 0:27:21I'll put on shows Saturday night.
0:27:21 > 0:27:24I do a fabulous Jolson routine.
0:27:24 > 0:27:28You have my permission.
0:27:28 > 0:27:32You'll have the grooviest camp in the mountains.
0:27:32 > 0:27:35Back to the question of oomph.
0:27:35 > 0:27:38I thought that was going fine.
0:27:38 > 0:27:41On the surface, yes, but...
0:27:41 > 0:27:42Uh-uh.
0:27:43 > 0:27:47It's hard for some ladies to fake it.
0:27:47 > 0:27:51Well, she could look upon it as...
0:27:51 > 0:27:53theatre.
0:27:54 > 0:27:56I don't know, Major.
0:27:56 > 0:28:00A jazz lover like you stooping to this!
0:28:00 > 0:28:03The spoils of war, my friend.
0:28:33 > 0:28:36Have the girls heard anything about those two Americans?
0:28:36 > 0:28:38No. Why?
0:28:38 > 0:28:41They may have been planted by the Germans.
0:28:41 > 0:28:45I'm waiting to hear from Allied intelligence.
0:28:45 > 0:28:47We may have to kill them.
0:28:47 > 0:28:48KNOCK ON DOOR
0:28:48 > 0:28:49Yes?
0:28:49 > 0:28:51It's Zoe.
0:28:51 > 0:28:57If it's a man from the prison camp, you take him.
0:28:57 > 0:28:58It's Braun.
0:28:58 > 0:29:00With or without his truck?
0:29:00 > 0:29:01With.
0:29:01 > 0:29:05Don't be jealous. He's with his truck.
0:29:05 > 0:29:10It's the truck that upsets me.
0:29:23 > 0:29:27Hecht's got his girl. He doesn't seem to mind.
0:29:27 > 0:29:29He minds.
0:29:29 > 0:29:33I don't trust him.
0:29:33 > 0:29:37Telling bad jokes doesn't make a man a collaborator.
0:29:38 > 0:29:42Dottie can sing Lilli Marlene for the men.
0:29:42 > 0:29:44You got it! So how's business?
0:29:44 > 0:29:46Berlin is satisfied.
0:29:46 > 0:29:48Are you?
0:29:48 > 0:29:51We're finding things of historical interest.
0:29:51 > 0:29:53You wouldn't be here
0:29:53 > 0:29:55if that's all there was to find.
0:29:55 > 0:29:57Is that a complement?
0:29:57 > 0:30:01Bubele, from me, that's a complement.
0:30:01 > 0:30:04The real treasures are up there
0:30:04 > 0:30:07in a monastery on Mount Athena.
0:30:07 > 0:30:09Triptychs, icons -
0:30:09 > 0:30:11jewelled, carved in gold.
0:30:11 > 0:30:13Byzantine masterpieces.
0:30:13 > 0:30:16And, of course, there are the plates.
0:30:16 > 0:30:18What plates?
0:30:19 > 0:30:21Gold plates.
0:30:22 > 0:30:24Two-headed eagles
0:30:24 > 0:30:29commissioned by Constantine VI in 790 AD.
0:30:29 > 0:30:31Worth how much?
0:30:31 > 0:30:3210 million.
0:30:32 > 0:30:34Marks?
0:30:34 > 0:30:35Swiss francs.
0:30:35 > 0:30:37That's two million bucks.
0:30:37 > 0:30:41Ja, and when we win this war,
0:30:41 > 0:30:44I will liberate those treasures.
0:30:44 > 0:30:46You won't win this war.
0:30:46 > 0:30:49Well, then I am quite sure
0:30:49 > 0:30:53that you will liberate them.
0:30:54 > 0:30:57I enjoy your company, Bubele.
0:30:57 > 0:30:59I love you, too, Otto.
0:30:59 > 0:31:03Thanks for the airing and the smoke.
0:31:05 > 0:31:06Is that you, Otto?
0:31:06 > 0:31:08Who else?
0:32:04 > 0:32:06You!
0:32:08 > 0:32:10Out.
0:32:15 > 0:32:17Slowly.
0:32:19 > 0:32:22Sergeant, I'm taking this Greek in
0:32:22 > 0:32:24for a curfew violation.
0:32:24 > 0:32:26You'll drive.
0:32:27 > 0:32:29Get in the car.
0:32:29 > 0:32:30I was just...
0:32:30 > 0:32:32Get in the car!
0:33:04 > 0:33:06Die Bremse ist kaputt!
0:33:06 > 0:33:09Ich kann den Wagen nicht halten!
0:33:12 > 0:33:15Ich kann den Wagen nicht halten!
0:33:35 > 0:33:37# She will leave you and then
0:33:37 > 0:33:39# Come back again
0:33:39 > 0:33:42# A pretty girl... #
0:33:42 > 0:33:44Oy gevalt.
0:33:44 > 0:33:48Ever make it with a German girl?
0:33:48 > 0:33:49Not yet.
0:33:49 > 0:33:51Don't.
0:33:51 > 0:33:52Charlie?
0:33:56 > 0:33:59- No?- You're in the club.
0:33:59 > 0:34:00Smashing!
0:34:00 > 0:34:04I'm a singles man on the courts.
0:34:04 > 0:34:06Don't you ever give up?
0:34:06 > 0:34:07What shall I do?
0:34:07 > 0:34:08Kill.
0:34:13 > 0:34:16So there will be a tunnel.
0:34:16 > 0:34:18No, Charlie.
0:34:18 > 0:34:20We're breaking in, not out.
0:34:20 > 0:34:22I don't get it.
0:34:22 > 0:34:24We're taking over the camp,
0:34:24 > 0:34:26not leaving it.
0:34:26 > 0:34:28Whose idea is that?
0:34:28 > 0:34:30The Greek resistance.
0:34:30 > 0:34:33What will we do with this camp?
0:34:33 > 0:34:35They'll let us know.
0:34:35 > 0:34:37Now here's the camp.
0:34:37 > 0:34:38Your job...
0:34:38 > 0:34:41I think I'll resign from this club.
0:34:53 > 0:34:55You don't want to do that.
0:35:32 > 0:35:35Wait a minute, Otto.
0:35:35 > 0:35:36Charlie.
0:35:36 > 0:35:38Sorry.
0:35:38 > 0:35:42You win a few. You lose a few.
0:35:42 > 0:35:43You're travelling first class.
0:35:43 > 0:35:46It's not a tragic figure.
0:35:46 > 0:35:47I make do.
0:35:47 > 0:35:49You should understand that.
0:35:49 > 0:35:51Dig, dig, dig.
0:35:51 > 0:35:54I'm not attacking you, honey.
0:35:54 > 0:35:55We're partners.
0:35:55 > 0:35:57Partner, we're joining the army.
0:35:57 > 0:35:59Is our army here?
0:35:59 > 0:36:01No, their army's here.
0:36:01 > 0:36:04We're taking over the camp.
0:36:04 > 0:36:06What will they be doing?
0:36:06 > 0:36:08Watching you strip.
0:36:08 > 0:36:10We're putting on a show.
0:36:10 > 0:36:13I have to undress for Germans?
0:36:13 > 0:36:16Today Otto. Tomorrow the world.
0:36:16 > 0:36:18Ha, ha.
0:36:18 > 0:36:20Does anyone have to get hurt?
0:36:20 > 0:36:22Probably. What's the difference?
0:36:22 > 0:36:25Otto's been very good to us.
0:36:25 > 0:36:27Maybe you should tell him.
0:36:27 > 0:36:30Give him a little advance notice.
0:36:30 > 0:36:34You wouldn't be here if it weren't for him.
0:36:34 > 0:36:36I'll keep it in mind.
0:36:36 > 0:36:39What will you guys do afterward?
0:36:39 > 0:36:41Climb up to that monastery
0:36:41 > 0:36:43to do some select looting
0:36:43 > 0:36:46before your friend gets everything.
0:36:46 > 0:36:48That's my baby.
0:36:48 > 0:36:50Hey, Charlie,
0:36:50 > 0:36:54you want to kiss and make up?
0:36:54 > 0:36:55How about just kiss?
0:36:55 > 0:37:00You don't have to play tough guy with me.
0:37:02 > 0:37:05Charlie, can you make it?
0:37:05 > 0:37:08For two million bucks in gold plates,
0:37:08 > 0:37:13I'd climb the Empire State Building.
0:37:28 > 0:37:31Why didn't you help Leutenant Braun?
0:37:31 > 0:37:34I was afraid.
0:37:34 > 0:37:38Has a woman ever been executed here?
0:37:38 > 0:37:39No, sir.
0:37:39 > 0:37:42This one will be the first.
0:37:42 > 0:37:44She's only a prostitute.
0:37:44 > 0:37:48It may not be too upsetting to the locals.
0:37:48 > 0:37:52A housewife would be too upsetting.
0:37:52 > 0:37:56- When do you want it done? - Immediately.
0:37:56 > 0:37:58And put this on the loudspeakers.
0:37:58 > 0:38:00If Leutnant Braun's murderer
0:38:00 > 0:38:03does not surrender within 48 hours,
0:38:03 > 0:38:0710 more citizens of Kariai will die.
0:38:07 > 0:38:08GUNSHOTS
0:38:08 > 0:38:10LOUDSPEAKER: 'Achtung!
0:38:10 > 0:38:12'Wenn der Morder von Leutnant Braun
0:38:12 > 0:38:15'sich nicht innerhalb 48 stunden freiwillig stellt,
0:38:15 > 0:38:20'werden 10 weitere Einwohner von Kariai erschossen.'
0:39:01 > 0:39:04You didn't have to kill Braun!
0:39:04 > 0:39:06Beat it.
0:39:06 > 0:39:08I'll be the judge of that.
0:39:08 > 0:39:11I was paying him off.
0:39:11 > 0:39:14He was satisfied with it!
0:39:14 > 0:39:17We couldn't rely on that indefinitely.
0:39:17 > 0:39:19Are the two Americans next?
0:39:19 > 0:39:23No. They've been cleared.
0:39:23 > 0:39:24How merciful!
0:39:24 > 0:39:26Do your superiors know
0:39:26 > 0:39:29your personal reason for killing Braun?
0:39:29 > 0:39:33What kind of man do you think I am?
0:39:33 > 0:39:35We find out now.
0:39:35 > 0:39:38Will you let them shoot 10 more
0:39:38 > 0:39:40to save yourself?
0:39:40 > 0:39:42No-one will be killed.
0:39:42 > 0:39:44I don't believe you.
0:39:44 > 0:39:47You'll see. There's a plan.
0:39:47 > 0:39:51Will you give yourself up if it fails?
0:39:56 > 0:39:57No.
0:39:59 > 0:40:01You're a pig!
0:40:05 > 0:40:07Zoe's death will be avenged.
0:40:07 > 0:40:10I hope so. Because if I must,
0:40:10 > 0:40:14I'll turn you over to Volkmann myself.
0:40:20 > 0:40:22Exquisite.
0:40:22 > 0:40:25Absolutely exquisite.
0:40:25 > 0:40:27Thank you, Professor.
0:40:27 > 0:40:31It explains the time line of this dig.
0:40:31 > 0:40:3490% of the other finds
0:40:34 > 0:40:36come from the Christian era.
0:40:36 > 0:40:39We have run into the antique collection
0:40:39 > 0:40:41of a first-century Greek.
0:40:41 > 0:40:442,000 years ago, some rich merchant
0:40:44 > 0:40:47saw 200 BC as ancient times.
0:40:49 > 0:40:52Thank you, Professor.
0:40:52 > 0:40:53Goodnight, Major.
0:40:53 > 0:40:58You are free to drop in whenever you want.
0:40:58 > 0:40:59Thank you.
0:41:23 > 0:41:25Pick them up.
0:41:29 > 0:41:30What's that?
0:41:30 > 0:41:32A present for the Krauts.
0:41:32 > 0:41:34What's it for?
0:41:34 > 0:41:36An herb called Socrates' revenge.
0:42:14 > 0:42:18- LOUDSPEAKER:- 'Now, direct from a one-night engagement at La Scala,
0:42:18 > 0:42:22'the greatest Italian voice since Mussolini,
0:42:22 > 0:42:27'our own Bruno Rotelli!'
0:42:28 > 0:42:30# Recitar
0:42:30 > 0:42:37# Mentre preso dal delirio
0:42:37 > 0:42:41# Non so piu quel che dico
0:42:41 > 0:42:45# E quel che faccio
0:42:45 > 0:42:46# Eppur e d'uopo
0:42:46 > 0:42:48# Sforzati
0:42:48 > 0:42:50# Bah
0:42:50 > 0:42:54# Se tu forse un uom?
0:42:54 > 0:42:56# Ha ha!
0:42:58 > 0:43:06# Tu se' pagliaccio
0:43:08 > 0:43:13# Vesti la giubba
0:43:13 > 0:43:18# E la faccia infarina
0:43:18 > 0:43:22# La gente paga
0:43:22 > 0:43:25# E rider vuole qua... #
0:43:56 > 0:44:00This one looks rare, doesn't it?
0:44:00 > 0:44:02It looks like early Harrods.
0:44:21 > 0:44:25He stepped in front of the bus.
0:44:25 > 0:44:27HE SPEAKS GREEK
0:44:37 > 0:44:38Get the gate.
0:44:48 > 0:44:51OPERA CONTINUES
0:46:16 > 0:46:18They loved it!
0:46:22 > 0:46:24BOOING
0:46:26 > 0:46:28Relax, Fritz.
0:46:44 > 0:46:49# Da da da da da. #
0:46:59 > 0:47:01Watch the ball.
0:47:01 > 0:47:03Put it in this hand.
0:47:05 > 0:47:07The ball is gone.
0:47:10 > 0:47:13So she says to the bartender,
0:47:13 > 0:47:15"The first two guys were OK,
0:47:15 > 0:47:19"but the one in the fur coat was rough."
0:47:24 > 0:47:26She thought the bear
0:47:26 > 0:47:27was another guy wearing a fur coat.
0:47:29 > 0:47:30Ha, ha.
0:47:38 > 0:47:41Now the lady we've been waiting for,
0:47:41 > 0:47:43America's answer to Lilli Marlene.
0:47:43 > 0:47:50'The star of stage, screen, radio, industrial shows.
0:47:50 > 0:47:53'Direct from the Radio City Music Hall,
0:47:53 > 0:47:55'the Roxy Theatre...'
0:48:01 > 0:48:02..The lovely,
0:48:02 > 0:48:05the fabulous, the fantastically terrific
0:48:05 > 0:48:09Miss Dottie Delmar!
0:48:22 > 0:48:25# My mama done told me
0:48:25 > 0:48:27# When I was in pigtails
0:48:27 > 0:48:30# My mama done told me
0:48:31 > 0:48:34# Hon
0:48:34 > 0:48:37# A man's gonna sweet-talk
0:48:37 > 0:48:39# And give you the big eye
0:48:41 > 0:48:45# But when the sweet talking's done
0:48:45 > 0:48:49# A man is a two-faced
0:48:49 > 0:48:52# A worrisome thing who'll leave you to sing
0:48:52 > 0:48:55# The blues
0:48:55 > 0:48:57# In the night... #
0:49:01 > 0:49:04Come on, boys. Get your hands out of your pockets!
0:49:04 > 0:49:07# My mama done told me
0:49:07 > 0:49:11# Hear that lonesome whistle
0:49:11 > 0:49:13# Heading 'cross the tracks... #
0:49:13 > 0:49:17Give the lady some encouragement!
0:49:17 > 0:49:19# My mama done told me
0:49:19 > 0:49:22# A-whooo-eee a-whooo-eee
0:49:22 > 0:49:26# A-whooo-eee a-whooo-eee
0:49:26 > 0:49:30# I'm echoin' back the blues
0:49:30 > 0:49:33# In the night
0:49:33 > 0:49:36# A-whooo-eee a-whooo-eee... #
0:49:36 > 0:49:38Let's hear it, guys!
0:49:41 > 0:49:44# A-whooo-eee a-whooo-eee
0:49:46 > 0:49:49# A-whooo-eee a-whooo-eee
0:49:49 > 0:49:53# A-whooo-eee a-whooo-eee... #
0:49:55 > 0:49:57Sergeant, sit down!
0:49:59 > 0:50:01You'll go to the Russian front.
0:50:04 > 0:50:05Meine Hose!
0:50:09 > 0:50:11You want more?
0:50:50 > 0:50:51Catch!
0:51:13 > 0:51:16I hope they don't kill us!
0:51:29 > 0:51:31Thank you.
0:51:31 > 0:51:33We appreciate your cooperation.
0:51:33 > 0:51:36Now let's bring on Sergeant Mann.
0:51:36 > 0:51:39Let's hear it for Sergeant Mann.
0:51:39 > 0:51:41Sergeant! Sergeant!
0:51:41 > 0:51:43You are one cool cat.
0:51:43 > 0:51:49Can I correctly assume that there is no way on earth...
0:51:49 > 0:51:52..that, with a simple wave,
0:51:52 > 0:51:54I can remove your automatic
0:51:54 > 0:51:56from your holster?
0:51:56 > 0:51:59- Am I correct?- There's no way.
0:51:59 > 0:52:01Shoo-bop, she-boo.
0:52:01 > 0:52:03And I'll be damned.
0:52:03 > 0:52:04Bravo!
0:52:04 > 0:52:07# That old black magic has me in its spell... #
0:52:07 > 0:52:09Hands on your heads!
0:52:09 > 0:52:11Order them to surrender.
0:52:19 > 0:52:20Surrender your weapons.
0:52:24 > 0:52:28I hope you know what you're doing.
0:52:31 > 0:52:32All of you.
0:52:41 > 0:52:43Those weapons flew
0:52:43 > 0:52:45at the supersonic speed
0:52:45 > 0:52:47of 3,300 kilometres per hour
0:52:47 > 0:52:53and had a range of 200km.
0:52:54 > 0:52:58You can see from these Allied pictures
0:52:58 > 0:53:02their devastating effect on the city of London.
0:53:02 > 0:53:04Yes, that's enough.
0:53:04 > 0:53:06Pull the curtains.
0:53:13 > 0:53:15Our new weapon has greater significance.
0:53:15 > 0:53:20When directed at Allied ships, it could achieve in moments
0:53:20 > 0:53:22what conventional coastal artillery
0:53:22 > 0:53:24couldn't achieve in days.
0:53:24 > 0:53:28That is all, gentlemen, unless there are any questions.
0:53:28 > 0:53:31Have some more tea.
0:53:45 > 0:53:47Why bother with Hecht?
0:53:47 > 0:53:49He has invaded my country.
0:53:49 > 0:53:52What's with this woman?
0:53:52 > 0:53:56We need Hecht so Volkmann doesn't find out
0:53:56 > 0:53:57what's happened here.
0:53:57 > 0:53:59Maybe I can persuade him.
0:53:59 > 0:54:01You have my permission.
0:54:01 > 0:54:03I didn't do this fighting
0:54:03 > 0:54:07to change from Krauts to Greeks.
0:54:07 > 0:54:09How long before Volkmann
0:54:09 > 0:54:11finds out what's happened,
0:54:11 > 0:54:12even with Hecht?
0:54:12 > 0:54:14We have other plans.
0:54:14 > 0:54:17- So do I.- What?
0:54:17 > 0:54:20I want to climb up to that monastery
0:54:20 > 0:54:22on Mount Athena.
0:54:26 > 0:54:29- Why?- I'm an art lover.
0:54:29 > 0:54:31Charlie, there are priorities.
0:54:31 > 0:54:33You don't suppose we can climb
0:54:33 > 0:54:36up to that monastery
0:54:36 > 0:54:39without Volkmann's troops noticing us.
0:54:39 > 0:54:41We? You, too?
0:54:41 > 0:54:43You're an art lover?
0:54:46 > 0:54:50I want a word with Major Hecht.
0:54:56 > 0:54:58That was well done.
0:54:58 > 0:54:59Thank you.
0:54:59 > 0:55:02We need Volkmann to continue thinking
0:55:02 > 0:55:05everything is in order here.
0:55:05 > 0:55:10So we want you to tell him that it is.
0:55:10 > 0:55:12You're assuming that because a man
0:55:12 > 0:55:16steals from his country, he'll also betray it.
0:55:16 > 0:55:18Not quite.
0:55:18 > 0:55:21Then let me ask you something else.
0:55:21 > 0:55:23How would you feel
0:55:23 > 0:55:27if the shoe was on the other foot?
0:55:27 > 0:55:29Fortunately, it's not.
0:55:29 > 0:55:32I'll make it easy for you.
0:55:32 > 0:55:37If you don't help us, Zeno will kill you.
0:55:38 > 0:55:40You're allied with him.
0:55:40 > 0:55:42Will you share that responsibility?
0:55:42 > 0:55:44With difficulty.
0:55:44 > 0:55:47And there's no other alternative?
0:56:04 > 0:56:06What happened?
0:56:06 > 0:56:10Nothing yet. He's making up his mind.
0:56:10 > 0:56:13HE SPEAKS GREEK
0:56:25 > 0:56:29Thank you. It would have been a waste.
0:56:40 > 0:56:42You all know Otto.
0:56:42 > 0:56:44He's a good kid.
0:56:44 > 0:56:46Not that good.
0:56:49 > 0:56:51What must I do?
0:56:51 > 0:56:54In 18 hours, Volkmann intends to shoot 10 people.
0:56:54 > 0:56:58That won't happen, and the Germans will be stopped.
0:56:58 > 0:57:00Just like that?
0:57:00 > 0:57:04I've discussed my plan with the Professor.
0:57:04 > 0:57:06He agrees it's feasible.
0:57:06 > 0:57:08We can go to the monastery?
0:57:08 > 0:57:10You have a one-track mind.
0:57:10 > 0:57:12We're to take the village
0:57:12 > 0:57:14and the refuelling depot,
0:57:14 > 0:57:17so the German submarines can't function
0:57:17 > 0:57:19against the Allied invasion fleet.
0:57:19 > 0:57:22After that, I don't care what you do -
0:57:22 > 0:57:25except - and listen very carefully, gentlemen -
0:57:25 > 0:57:30the treasures of Athena belong to the Greek people.
0:57:30 > 0:57:32Begin by infiltrating the village brothel.
0:57:38 > 0:57:40Surely you don't want
0:57:40 > 0:57:43your so-called soldiers expiring of priapism.
0:57:43 > 0:57:44Permission granted.
0:57:46 > 0:57:48Done.
0:57:48 > 0:57:51Now it's up to you.
0:57:54 > 0:57:56Imagine that Austrian antique dealer
0:57:56 > 0:57:59visiting a whorehouse before breakfast.
0:58:13 > 0:58:17ROMANTIC MUSIC ON GRAMOPHONE
0:58:53 > 0:58:55Leutenant, have the men dismount.
0:59:04 > 0:59:06Absteigen!
0:59:06 > 0:59:08Absteigen!
0:59:12 > 0:59:14Herr Major?
0:59:14 > 0:59:15Ja.
0:59:15 > 0:59:17There are executions today.
0:59:17 > 0:59:21Major Volkmann asked that your men be present.
0:59:22 > 0:59:26Please inform Herr Major we shall be delighted
0:59:26 > 0:59:30to lend our presence to the occasion.
0:59:38 > 0:59:40Marsch!
1:00:06 > 1:00:10Hey! So long as we're here...
1:00:10 > 1:00:14Go down stairs. Take the prisoners down.
1:01:03 > 1:01:06ORDERS SHOUTED IN GERMAN
1:01:10 > 1:01:12They'll attack the depot soon.
1:01:12 > 1:01:14Take up your positions.
1:01:23 > 1:01:25Remember - short bursts, Charlie.
1:01:25 > 1:01:29Not rat-tat-tat-tat like in the gangster movies.
1:01:29 > 1:01:31The barrel heats up.
1:01:31 > 1:01:33Rat-tat-tat.
1:02:03 > 1:02:05What's he saying?
1:02:05 > 1:02:08That he likes motza ball soup!
1:02:26 > 1:02:29HE SHOUTS ORDERS IN GERMAN
1:02:59 > 1:03:01'Eagle Four, this is Swordfish.
1:03:01 > 1:03:03'Position X-ray 42 yellow grid.
1:03:03 > 1:03:05'Will give you ETA later.'
1:03:05 > 1:03:10Eagle Four to Swordfish. Channel nets will be open.
1:03:16 > 1:03:19Ihre Papiere, bitte.
1:03:28 > 1:03:31- Alert the frogmen.- Yes, sir.
1:04:08 > 1:04:10SIREN WAILS
1:04:57 > 1:04:59Is it safe?
1:05:11 > 1:05:16There's nobody there so we should be OK until the next submarine appears.
1:06:23 > 1:06:27- Herr Hecht's too close. - That's his problem.
1:06:41 > 1:06:43Take over.
1:07:25 > 1:07:27Gewehr ab!
1:07:28 > 1:07:30Ahh!
1:07:59 > 1:08:00Oh, Christ.
1:08:02 > 1:08:04Rat-tat-tat. Rat-tat-tat.
1:09:45 > 1:09:46Get him!
1:13:06 > 1:13:09- WHISPERS:- # Hey, my name is Alice and my husband's name is Al
1:13:09 > 1:13:11- # We come from Alabama...- # CRASHING
1:14:13 > 1:14:17I assume everything went well in the village.
1:14:18 > 1:14:20For your country or mine?
1:14:20 > 1:14:22For mine.
1:14:22 > 1:14:25There's no such thing as country, Major.
1:14:25 > 1:14:28There are rivers, mountains and people. Country is an abstraction.
1:14:28 > 1:14:32You don't really believe that.
1:14:32 > 1:14:34No.
1:14:34 > 1:14:35Thank you for trying.
1:14:35 > 1:14:38You seem to be in good shape.
1:14:38 > 1:14:40I'm not sure.
1:14:40 > 1:14:43Here's today's log. What does this mean?
1:14:43 > 1:14:46There's a U-boat out there somewhere
1:14:46 > 1:14:48coming in for refuelling.
1:15:15 > 1:15:17What's in here?
1:15:17 > 1:15:19The key to the monastery.
1:15:19 > 1:15:21MORSE CODE BLEEPS
1:15:27 > 1:15:29What does it say?
1:15:35 > 1:15:37"Athena, goddess of war,
1:15:37 > 1:15:41"wisdom, and music."
1:15:41 > 1:15:43A very confused goddess.
1:15:43 > 1:15:46What does it mean?
1:15:56 > 1:16:01Looks like... Looks like it's pretty good here, huh?
1:16:01 > 1:16:05Not a bad show. Element of total surprise, what.
1:16:05 > 1:16:07Dig him.
1:16:07 > 1:16:10So, when do we hit the monastery?
1:16:10 > 1:16:13There's a problem. Volkmann may have radioed for help.
1:16:13 > 1:16:14Where to?
1:16:14 > 1:16:16"Where" is the problem.
1:16:16 > 1:16:19That's why Zeno is dragging his heels.
1:16:19 > 1:16:23The Allied invasion here has been advanced 30 days.
1:16:23 > 1:16:27That's a week from today. And I'm to act immediately.
1:16:30 > 1:16:32Charlie, Rotelli, up here!
1:16:32 > 1:16:36What does our Greek mother want now?
1:16:36 > 1:16:38Coming, mother!
1:16:40 > 1:16:42I've got good news.
1:16:42 > 1:16:44Volkmann didn't transmit anything,
1:16:44 > 1:16:47or if he did, nobody was listening.
1:16:47 > 1:16:49How do you know?
1:16:49 > 1:16:51How do I know?
1:16:52 > 1:16:55This is how I know.
1:16:55 > 1:16:59Allied intelligence in Turkey monitors this area.
1:16:59 > 1:17:02We hang out here until the invasion?
1:17:02 > 1:17:05We could have lots of time
1:17:05 > 1:17:08to climb to the monastery.
1:17:08 > 1:17:10You change your mind fast, Zeno.
1:17:10 > 1:17:15You said the treasures of Athena belong to the Greek people.
1:17:15 > 1:17:17- They do.- Right.
1:17:17 > 1:17:19The first troops that land here,
1:17:19 > 1:17:23regardless of national origin, will steal everything.
1:17:23 > 1:17:27- It might as well be us.- Agreed?
1:17:27 > 1:17:30The monks will be conned by someone.
1:17:30 > 1:17:32Rotelli?
1:17:32 > 1:17:34I agree with both.
1:17:36 > 1:17:41We'll have to climb up carrying heavy weapons and explosives.
1:17:41 > 1:17:43For a bunch of monks?
1:17:45 > 1:17:49They may have buried the treasure and sealed it.
1:17:49 > 1:17:53I understand dynamite, but why the fancy hardware?
1:17:53 > 1:17:56There's still a war going on, Charlie.
1:17:56 > 1:17:58You know something?
1:17:58 > 1:18:00I don't trust you.
1:18:00 > 1:18:04But I'm more greedy than I am cautious.
1:18:04 > 1:18:06When do we start?
1:18:06 > 1:18:07Right now.
1:19:40 > 1:19:42What have you got?
1:19:42 > 1:19:44Submarine surfacing. Zone three.
1:19:46 > 1:19:50'Eagle four, this is Swordfish. ETA 13.30. Over.'
1:19:50 > 1:19:54Tell him we have a fuel leak.
1:19:54 > 1:19:55He won't believe it.
1:19:55 > 1:19:57Tell him!
1:19:57 > 1:19:59'Eagle four, this is Swordfish.'
1:20:03 > 1:20:06Swordfish, Swordfish, Eagle four.
1:20:08 > 1:20:11I can't believe people do this for fun!
1:20:12 > 1:20:15'Will proceed to Eagle six as alternate.
1:20:15 > 1:20:16'Over and out.'
1:20:16 > 1:20:19How will I immobilise this place?
1:20:19 > 1:20:21There are some things
1:20:21 > 1:20:25you have to find out for yourself.
1:20:25 > 1:20:27We have some limpet mines.
1:20:27 > 1:20:29Dottie...
1:20:29 > 1:20:34Five...six... Can you get down about 18 feet without equipment?
1:20:35 > 1:20:37Well, I guess so.
1:20:37 > 1:20:39Anything for the war effort.
1:20:41 > 1:20:42First open the valves.
1:20:42 > 1:20:46I hope there are no underwater surprises.
1:20:49 > 1:20:51What's that?
1:20:51 > 1:20:53It looks like transmitting equipment.
1:20:54 > 1:20:57For a bunch of monks?
1:20:57 > 1:21:00What do they do with it?
1:21:00 > 1:21:02Maybe they got a talk show.
1:21:02 > 1:21:04"Morning folks, this is Brother Zotos."
1:21:04 > 1:21:08Those Germans must have an installation here.
1:21:08 > 1:21:12Well, at least try to sound surprised.
1:21:12 > 1:21:13Are you saying...?
1:21:13 > 1:21:16You took us up here
1:21:16 > 1:21:18for reasons other than what we're looking for.
1:21:18 > 1:21:20Right.
1:21:20 > 1:21:21So am I.
1:21:21 > 1:21:24They have a communications centre there.
1:21:24 > 1:21:27Before they radio for help,
1:21:27 > 1:21:29we have to knock it out.
1:21:29 > 1:21:32How many men are in there?
1:21:32 > 1:21:35There can't be too many.
1:21:35 > 1:21:39I suppose you worked out some sort of plan.
1:21:39 > 1:21:42We should throw you down the mountain.
1:21:42 > 1:21:44You wouldn't get the plates.
1:21:44 > 1:21:47If something happens to me,
1:21:47 > 1:21:4920 years from now,
1:21:49 > 1:21:50when Germans sell Volkswagen everywhere,
1:21:50 > 1:21:53I will be angry.
1:22:09 > 1:22:12PHONE RINGS
1:22:16 > 1:22:18It can't be for us.
1:22:18 > 1:22:20Maybe it's your agent.
1:22:20 > 1:22:22- Really?- No.
1:22:27 > 1:22:30Jawohl. Ja, alles normal hier.
1:22:30 > 1:22:32Ja, geht in ordnung.
1:22:32 > 1:22:33Ja, gut.
1:27:45 > 1:27:46Jump!
1:28:04 > 1:28:09Nice of them to make it easy to climb down.
1:28:13 > 1:28:15Touch it only with your boots.
1:28:15 > 1:28:17Now.
1:32:13 > 1:32:15My silencer doesn't fit.
1:32:31 > 1:32:34Is this your idea of not many?
1:32:34 > 1:32:37There's a whole army down there!
1:32:37 > 1:32:39Take off the lid.
1:32:39 > 1:32:42Hexaclyde II? Sounds like a stain remover.
1:32:42 > 1:32:46When they wake up, there'll be new management.
1:33:00 > 1:33:02Hold your breath.
1:33:20 > 1:33:22Naturlich.
1:33:26 > 1:33:28Danke schon.
1:33:30 > 1:33:32The radio is dead.
1:33:53 > 1:33:55This is Athena. Come in.
1:33:55 > 1:33:57Call the Crete air base.
1:34:08 > 1:34:09Crete, come in.
1:34:15 > 1:34:17What's next?
1:34:17 > 1:34:19There are not too many now.
1:34:26 > 1:34:27I can't raise Crete.
1:34:31 > 1:34:32Ela!
1:34:35 > 1:34:36Let's go.
1:34:36 > 1:34:38For the treasure?
1:34:38 > 1:34:39Yes.
1:34:52 > 1:34:54Check the antenna.
1:35:01 > 1:35:03Halt!
1:35:18 > 1:35:20Oh, thank you!
1:35:22 > 1:35:24Put the garrison on alert.
1:35:24 > 1:35:27Supervise the manning of all stations.
1:35:27 > 1:35:29Sir.
1:36:35 > 1:36:38Are we getting close to the treasure yet?
1:36:43 > 1:36:46Schroeder speaking, sir.
1:36:46 > 1:36:48Phase one.
1:36:48 > 1:36:52SIREN WAILS
1:37:31 > 1:37:35Is that where they keep the treasure?
1:37:35 > 1:37:38You lied to us!
1:37:46 > 1:37:49Zeno, what's going on?
1:37:58 > 1:38:00They could work the music hall.
1:38:00 > 1:38:02Charlie, shut up!
1:38:09 > 1:38:11You lied to us!
1:38:11 > 1:38:12Liar!
1:38:49 > 1:38:52Now you know what you're really doing here.
1:38:52 > 1:38:56You'll be a hero, Charlie. Big decorations.
1:38:56 > 1:38:59We'll stop the invasion fleet from being destroyed.
1:38:59 > 1:39:01So the invasion is on.
1:39:04 > 1:39:06In a few days.
1:39:06 > 1:39:08I don't get it.
1:39:08 > 1:39:11What are they doing now?
1:39:11 > 1:39:15Don't worry about your share of the loot.
1:39:15 > 1:39:16Zeno can be trusted.
1:39:16 > 1:39:20I'm worrying about what else he has got them into.
1:39:20 > 1:39:23Nothing they can't get out of.
1:39:23 > 1:39:28SIREN WAILS
1:40:11 > 1:40:15Let's stop that thing and get out of here.
1:40:15 > 1:40:18If you hit that liquid oxygen,
1:40:18 > 1:40:21you'll blow us all back to the village.
1:40:21 > 1:40:23Sorry.
1:40:30 > 1:40:34The opening in the wall, the cross -
1:40:34 > 1:40:36that's the missile room.
1:40:36 > 1:40:38Throw this in.
1:41:04 > 1:41:07If I get clear, follow me.
1:41:11 > 1:41:12Come on.
1:41:48 > 1:41:49Holy cow.
1:42:54 > 1:42:57Where's the gold plates?
1:42:57 > 1:42:59- Can't you ever stop?- Never.
1:42:59 > 1:43:03Mind if we liberated a few monks first?
1:43:03 > 1:43:06Find them, will you, Nat?
1:43:10 > 1:43:12Nat, find the monks.
1:43:12 > 1:43:16You're an equal partner with Otto and the professor.
1:43:24 > 1:43:26Where is the treasure?
1:43:26 > 1:43:28Where are the gold plates?
1:43:28 > 1:43:32At the end of the tunnel to the right.
1:43:44 > 1:43:45Move, move, quick.
1:43:59 > 1:44:00Ela!
1:44:36 > 1:44:38Someone's been here.
1:45:21 > 1:45:25This place is ready to self-destruct.
1:45:26 > 1:45:28Did you hear that?
1:45:28 > 1:45:30Charlie, we got to go.
1:45:30 > 1:45:34The place is going to blow up!
1:45:34 > 1:45:36Leave me alone!
1:46:13 > 1:46:14Charlie!
1:46:57 > 1:46:58Good timing.
1:47:07 > 1:47:08Heil Hitler.
1:47:17 > 1:47:20Now you can leave the brothel business.
1:47:20 > 1:47:23With the Germans gone, you'll have to.
1:47:23 > 1:47:27Greeks - they don't pay.
1:47:28 > 1:47:31They don't have to.
1:47:33 > 1:47:36I hope your treasure survived
1:47:36 > 1:47:39the destruction of the monastery.
1:47:39 > 1:47:44They are hidden in the house of pleasure.
1:47:44 > 1:47:46In the...
1:47:46 > 1:47:52You don't have to actually say where the plates are.
1:47:52 > 1:47:55All we want is to copy them.
1:48:43 > 1:48:45If I'm getting close,
1:48:45 > 1:48:48say, "You're getting hotter."
1:49:01 > 1:49:03May I see them?
1:49:03 > 1:49:05I intend you to.
1:49:11 > 1:49:14I'll be your representative in New York.
1:49:14 > 1:49:18I will be your representative in Rome.
1:49:18 > 1:49:20None of this will be possible.
1:49:35 > 1:49:37Opa!
1:49:41 > 1:49:42Opa!
1:50:04 > 1:50:06Otto, take me inside.
1:50:06 > 1:50:08I've always wanted to see
1:50:08 > 1:50:10where people go when they...
1:50:10 > 1:50:13How typical of nice girls.
1:50:16 > 1:50:18Charlie!
1:50:19 > 1:50:24We've been looking for you. We've got to celebrate.
1:50:24 > 1:50:25What's to celebrate?
1:50:25 > 1:50:28We haven't found any treasure,
1:50:28 > 1:50:30and I'm losing my partner.
1:50:30 > 1:50:32Charlie, you're gaining one.
1:50:32 > 1:50:35You're going to join my act?
1:50:35 > 1:50:39I hope that you both will join mine.
1:50:39 > 1:50:41Please, let me explain.
1:50:41 > 1:50:45Switzerland ain't just cuckoo clocks and watches.
1:50:45 > 1:50:48I have there treasures from all over Europe.
1:50:48 > 1:50:51We will make flawless copies
1:50:51 > 1:50:54which you will sell in America.
1:50:54 > 1:50:56Even to the Greeks.
1:50:56 > 1:51:00I can start a mail-order business,
1:51:00 > 1:51:01sell to museums.
1:51:01 > 1:51:04You won't be selling to museums.
1:51:04 > 1:51:07Let's stick to my area.
1:51:07 > 1:51:09After all, being an antiquarian...
1:51:09 > 1:51:12You can handle all the museums.
1:51:12 > 1:51:15We should incorporate. Give us a name.
1:51:15 > 1:51:17Golden Oldies.
1:51:17 > 1:51:19What a team!
1:51:44 > 1:51:47This building was the headquarters
1:51:47 > 1:51:49of the Greek resistance.
1:51:49 > 1:51:52Now a museum, it houses treasures,
1:51:52 > 1:51:55including the famous plates from Mount Athena.
1:51:55 > 1:51:57# I've been living like Caesar
1:51:57 > 1:51:59# For long enough to know
1:51:59 > 1:52:01# Cos bein' a hero
1:52:01 > 1:52:03# Don't make your dollars grow
1:52:03 > 1:52:07# So I'm only after something I deserve
1:52:08 > 1:52:13# And I want to place an order on the future in reserve
1:52:13 > 1:52:15# Got a feeling to guide me
1:52:15 > 1:52:16# And I've only just begun
1:52:16 > 1:52:19# Had a notion inside me
1:52:19 > 1:52:21# That the best is yet to come
1:52:21 > 1:52:25# And it keeps me reaching out for something more
1:52:25 > 1:52:27# Cos I never had the chance
1:52:27 > 1:52:30# To think it out this way before
1:52:30 > 1:52:32# Keep tomorrow for me
1:52:32 > 1:52:34# Don't let anyone use it
1:52:34 > 1:52:36# Keep tomorrow for me
1:52:36 > 1:52:39# Now I've come this far don't want to lose it
1:52:39 > 1:52:41# Keep tomorrow for me
1:52:41 > 1:52:43# Don't let anyone use it
1:52:43 > 1:52:45# Keep tomorrow for me. #