0:01:12 > 0:01:14Shh. Hey.
0:01:18 > 0:01:20Bathsheba Everdene.
0:01:21 > 0:01:22Bathsheba...
0:01:24 > 0:01:26The name has always sounded strange to me.
0:01:26 > 0:01:28I don't like to hear it said out loud.
0:01:30 > 0:01:32My parents died when I was very young
0:01:32 > 0:01:34so there's no-one to ask where it came from.
0:01:36 > 0:01:39I've grown accustomed to being on my own.
0:01:39 > 0:01:41Some say...too accustomed.
0:01:43 > 0:01:45Too independent.
0:02:24 > 0:02:25Ya!
0:03:00 > 0:03:02DOG BARKS
0:03:14 > 0:03:15Miss!
0:03:19 > 0:03:20Miss!
0:03:35 > 0:03:36My scarf.
0:03:37 > 0:03:38I lost it.
0:03:40 > 0:03:43- You must be Farmer Oak? - Gabriel, yes.
0:03:43 > 0:03:45My aunt's told me about you.
0:03:45 > 0:03:47I'm working on her farm for the winter.
0:03:50 > 0:03:51This is your land.
0:03:53 > 0:03:55I'm trespassing.
0:03:55 > 0:03:56You're welcome here.
0:04:09 > 0:04:13- Good afternoon, Farmer Oak. - Good afternoon, miss.
0:04:32 > 0:04:34HE WHISTLES, SHEEP BLEAT
0:04:42 > 0:04:44Come by, George.
0:04:44 > 0:04:46George, away! Enough, George!
0:04:47 > 0:04:49Enough!
0:04:49 > 0:04:52Stand. Stand.
0:04:52 > 0:04:55George, stand.
0:04:55 > 0:04:56Away!
0:04:56 > 0:04:58Away!
0:04:58 > 0:05:00George, away!
0:05:02 > 0:05:05He doesn't know when to stop, Young George.
0:05:05 > 0:05:08- What's this one called? - Old George.
0:05:08 > 0:05:10SHE LAUGHS
0:05:10 > 0:05:11Old George!
0:05:11 > 0:05:13So you find me amusing, do you?
0:05:18 > 0:05:19OLD GEORGE WHIMPERS
0:05:24 > 0:05:26HORSE WHINNIES
0:06:01 > 0:06:03Goodness, it's Mr Oak.
0:06:13 > 0:06:15..and after that she was going to be a governess.
0:06:15 > 0:06:19But she was far too wild. Always has been.
0:06:19 > 0:06:20Oh!
0:06:27 > 0:06:29Miss Bathsheba Everdene...
0:06:31 > 0:06:32..I've brought you a lamb.
0:06:33 > 0:06:35Oh!
0:06:36 > 0:06:38Thank you, Mr Oak.
0:06:38 > 0:06:41He's such a dear thing.
0:06:41 > 0:06:43He's come too soon and won't last the winter,
0:06:43 > 0:06:46so I thought you'd like to rear it instead.
0:06:46 > 0:06:48Thank you, that's very kind.
0:06:48 > 0:06:50I'll make some tea.
0:06:53 > 0:06:56- The lamb is not why I came. - Go on.
0:06:59 > 0:07:03Well, Miss Everdene, I wanted to ask...
0:07:03 > 0:07:04would you like to marry me?
0:07:07 > 0:07:09I've never asked anyone before.
0:07:11 > 0:07:13No.
0:07:13 > 0:07:14I should hope not.
0:07:16 > 0:07:18Well...
0:07:18 > 0:07:21Perhaps I... I should...
0:07:22 > 0:07:25- Perhaps I should leave.- Mr Oak, there are things to consider.
0:07:27 > 0:07:29Is someone waiting for you?
0:07:29 > 0:07:32No. But that doesn't mean I'll marry you.
0:07:33 > 0:07:34Good day to you, then.
0:07:43 > 0:07:45Mr Oak!
0:07:45 > 0:07:47Mr Oak!
0:07:47 > 0:07:48Wait!
0:07:51 > 0:07:54I didn't say I wouldn't marry you either.
0:07:56 > 0:07:58I haven't ever really thought about it.
0:07:58 > 0:08:00I have 100 acres and 200 sheep.
0:08:03 > 0:08:05If I pay off the money, the farm is ours.
0:08:07 > 0:08:09You could have a piano in a year or two.
0:08:09 > 0:08:13Flowers and birds and a frame for cucumbers.
0:08:13 > 0:08:14A baby or two.
0:08:14 > 0:08:15- Mr Oak...- Or more.
0:08:17 > 0:08:18I will always be there for you.
0:08:20 > 0:08:23Mr Oak, I don't want a husband.
0:08:23 > 0:08:25I'd hate to be some man's property.
0:08:26 > 0:08:28I shouldn't mind being a bride at a wedding
0:08:28 > 0:08:30if I could be one without getting a husband.
0:08:30 > 0:08:32That's stupid talk.
0:08:34 > 0:08:36You are better off than I, Mr Oak.
0:08:36 > 0:08:39I have an education and nothing more.
0:08:39 > 0:08:42- You could do much, much better than me.- That's not the reason.
0:08:47 > 0:08:49I'm too independent for you.
0:08:49 > 0:08:52If I ever were to marry, I'd want somebody to tame me
0:08:52 > 0:08:53and you'd never be able to do it.
0:08:55 > 0:08:57You'd grow to despise me.
0:09:00 > 0:09:01I would not.
0:09:03 > 0:09:05Ever.
0:09:09 > 0:09:10Goodbye, Miss Everdene.
0:09:37 > 0:09:39DOG WHIMPERS
0:09:43 > 0:09:45DOG WHINES
0:09:53 > 0:09:55DOG BARKS
0:09:59 > 0:10:01SHEEP BLEAT, DOG GROWLS
0:10:09 > 0:10:11- DOG BARKS - What is it, old boy?
0:10:13 > 0:10:14Stay here.
0:10:18 > 0:10:21Stay here, Old George. Stay here.
0:10:30 > 0:10:32George!
0:10:32 > 0:10:35DOG BARKS IN THE DISTANCE
0:10:44 > 0:10:45George!
0:10:52 > 0:10:54DISTANT BARKING
0:11:01 > 0:11:04SHEEP BLEAT
0:11:05 > 0:11:07DOG BARKS, GROWLS
0:11:11 > 0:11:14HE PANTS
0:11:17 > 0:11:18DOG BARKS
0:11:21 > 0:11:24BARKING CONTINUES
0:11:30 > 0:11:32No!
0:11:59 > 0:12:01HE SCREAMS
0:12:02 > 0:12:04HE SOBS
0:12:15 > 0:12:16GUNSHOT BLASTS
0:12:36 > 0:12:38It's all yours.
0:12:48 > 0:12:50We take no pleasure in this.
0:12:52 > 0:12:54We wish you well, Mr Oak.
0:13:09 > 0:13:10Bathsheba!
0:13:15 > 0:13:17What is it?
0:13:17 > 0:13:21My love! It's your poor uncle's will.
0:13:21 > 0:13:23What does it say?
0:13:24 > 0:13:26Read it.
0:13:27 > 0:13:28Read!
0:13:30 > 0:13:33He's left you everything. It's all yours!
0:13:35 > 0:13:36Oh!
0:13:36 > 0:13:39Oh, my goodness.
0:13:40 > 0:13:42Take care, you hear?
0:13:50 > 0:13:51Walk on.
0:13:56 > 0:13:58Bye!
0:14:17 > 0:14:20So who will join us, lads?
0:14:20 > 0:14:23Which one of you fine boys will put on the scarlet uniform
0:14:23 > 0:14:27and proudly serve his Queen and country?
0:14:27 > 0:14:30See the world.
0:14:30 > 0:14:33Form an orderly line, gentlemen, at the front.
0:14:33 > 0:14:35This gentleman in the straw hat, step forward, sir.
0:14:35 > 0:14:37That's my sweetheart, right there.
0:14:37 > 0:14:41You, sir, next to the pretty lady.
0:14:41 > 0:14:44There's a good strong figure of a man. Join us, sir.
0:14:44 > 0:14:47Go on. You'd make a fine soldier.
0:14:47 > 0:14:49Always room in the ranks for a gentleman of your calibre.
0:14:49 > 0:14:51It's a roof over your head. Food.
0:14:53 > 0:14:55Who wants a fine wage?
0:14:55 > 0:14:56Excuse me.
0:14:56 > 0:14:59You might try Weatherbury. If you're looking for work,
0:14:59 > 0:15:01there's a farm there, needs all the help they can get.
0:15:01 > 0:15:03Yes. The young lad, there.
0:15:03 > 0:15:05I will. Thank you.
0:15:05 > 0:15:06And your friend as well.
0:15:06 > 0:15:08You should have a cloak for a day like this.
0:15:09 > 0:15:11Francis will take care of me.
0:15:13 > 0:15:15We are to be married soon.
0:15:16 > 0:15:19- Goodbye. - Come on, a decent wage.
0:15:19 > 0:15:23Make your family proud. Food, shelter. Who will join us?
0:16:02 > 0:16:05DISTANT SHOUTING
0:16:14 > 0:16:17Go and wake up the other farms!
0:16:17 > 0:16:19- Get them down here! - We need more hands!
0:16:19 > 0:16:22We need more men now! Wake them up!
0:16:22 > 0:16:24Go and get the Smith brothers first.
0:16:24 > 0:16:27Protect yourself, the fire's spreading!
0:16:28 > 0:16:30Who's in charge here?
0:16:30 > 0:16:33- We're losing the ricks! - The rick is lost.
0:16:33 > 0:16:35We need to save the barn. Come on, help me!
0:16:35 > 0:16:40Come on, get some more water! Get some more water!
0:16:40 > 0:16:42We need to push this out. Come on!
0:16:42 > 0:16:44Heave!
0:16:45 > 0:16:47ALL: Heave!
0:16:47 > 0:16:50Heave!
0:16:50 > 0:16:52Come on, push!
0:17:00 > 0:17:02BANGING, POPPING
0:17:14 > 0:17:17Everybody out! Everybody out!
0:17:21 > 0:17:23Water! More over here!
0:17:24 > 0:17:26Get the sacks out, the roof's about to go!
0:17:42 > 0:17:44What's he doing up there?
0:17:44 > 0:17:46We lose the barn, we lose everything.
0:18:17 > 0:18:18GENERAL CHATTER
0:18:25 > 0:18:30Joseph, bring those brooms over and let's get this sorted out.
0:18:30 > 0:18:32Look sharp, men, the farmer's here.
0:18:46 > 0:18:48Mr Oak, is that you?
0:18:52 > 0:18:54Perhaps you want a shepherd, ma'am?
0:18:58 > 0:19:01I owe you an immense debt, Mr Oak.
0:19:01 > 0:19:04If I'd have lost all of this, I'd have lost my farm.
0:19:04 > 0:19:06- Your farm?- My inheritance.
0:19:06 > 0:19:09My home, too, for a while when my parents died.
0:19:11 > 0:19:13When my uncle passed away, he left it to me.
0:19:14 > 0:19:18Of course, it's a little ragged now,
0:19:18 > 0:19:20but this once used to be the finest farm for miles.
0:19:20 > 0:19:22And I intend to make it so again.
0:19:24 > 0:19:27Perhaps you find the idea preposterous.
0:19:27 > 0:19:28I no longer have that luxury.
0:19:30 > 0:19:33I'm truly sorry to hear of your loss, Mr Oak,
0:19:33 > 0:19:36but if our reversal of fortune causes you any embarrassment...
0:19:36 > 0:19:38Not at all, ma'am.
0:19:43 > 0:19:45Billy Smallbury? 9 and 8 pence.
0:19:47 > 0:19:49Joseph Poorgrass?
0:19:49 > 0:19:52- Go on, Joseph.- Go on, lad.
0:19:52 > 0:19:54(Hat off!)
0:19:55 > 0:19:58- And what do you do, Joseph? - I does general things.
0:19:58 > 0:20:01And in spring, I shoot the rooks and help at pig killing, sir.
0:20:01 > 0:20:02I mean, ma'am.
0:20:04 > 0:20:057 and 9 pence.
0:20:05 > 0:20:07And another 9 because I'm new.
0:20:07 > 0:20:09Thank you, ma'am.
0:20:13 > 0:20:14Now, Fanny Robbin?
0:20:17 > 0:20:20Where is Fanny Robbin?
0:20:20 > 0:20:21Where is she?
0:20:22 > 0:20:25She's run away, ma'am.
0:20:25 > 0:20:29- She's gone off with a soldier, ma'am.- Not a soldier, a sergeant.
0:20:33 > 0:20:34Bailiff Pennyways?
0:20:39 > 0:20:42Here is 10 shillings and a further 10.
0:20:42 > 0:20:43Why?
0:20:44 > 0:20:47This ends our association. You are dismissed.
0:20:47 > 0:20:49I beg your pardon, miss?
0:20:49 > 0:20:52When my uncle was alive, this was a fine, productive farm.
0:20:52 > 0:20:55Since his death, it has fallen into ruin.
0:20:55 > 0:20:58- I can only assume...- Now, see here, miss. You can't get rid of people...
0:20:58 > 0:21:00I have resolved to have no bailiff.
0:21:00 > 0:21:02- I've decided to manage everything. - You can't just...
0:21:02 > 0:21:04- If you'll listen to me for a moment. - You need...
0:21:04 > 0:21:07Mr Pennyways, a fire threatened to destroy the barn
0:21:07 > 0:21:08and you are nowhere to be found.
0:21:13 > 0:21:16I have no use for a man like you, Mr Pennyways.
0:21:16 > 0:21:18You are dismissed.
0:21:27 > 0:21:29Get out while you can, if I were you.
0:21:39 > 0:21:43Now, you've all met our new shepherd, Mr Oak.
0:21:43 > 0:21:45You understand your duties, Mr Oak?
0:21:46 > 0:21:48If I don't, I'll ask, ma'am.
0:21:53 > 0:21:57From now on, you have a mistress, not a master.
0:21:57 > 0:22:01I don't yet know my talents in farming, but I shall do my best.
0:22:01 > 0:22:04Don't suppose, because I'm a woman, I don't know the difference between
0:22:04 > 0:22:08bad goings-on and good. I shall be up before you're awake.
0:22:08 > 0:22:09I shall be a-field before you are up.
0:22:11 > 0:22:13It is my intention to astonish you all.
0:22:16 > 0:22:17Back to work, please.
0:22:36 > 0:22:38- Perhaps I should wait here?- No.
0:22:40 > 0:22:43Nonsense, Liddy. You're my companion.
0:22:43 > 0:22:45- All of these?- All of them.
0:22:47 > 0:22:50Head high, Liddy. If they stare, do not hesitate.
0:22:57 > 0:23:00Remember, we have as much right to be here as anyone.
0:23:03 > 0:23:05Good morning.
0:23:05 > 0:23:09CHATTER
0:23:11 > 0:23:14CHATTER DIES
0:23:21 > 0:23:24- Liddy, if you lay things out. - Yes, miss.
0:23:25 > 0:23:28Gentlemen, shall we get back to business?
0:23:38 > 0:23:42There you go, sir. If you feel it, you can feel the quality.
0:23:42 > 0:23:44- This is fine grain, miss.- Thank you.
0:23:46 > 0:23:48Perhaps we should leave, miss.
0:23:51 > 0:23:54- But none of it as good as this lot. - It's good stuff,
0:23:54 > 0:23:55I'll grant you that.
0:23:55 > 0:23:57- Well, it's up to you. - If you want to go elsewhere...
0:23:57 > 0:23:59Farmer Stone?
0:23:59 > 0:24:01It's Miss Everdene - Farmer Everdene's niece.
0:24:03 > 0:24:06He talked about you with such great admiration.
0:24:08 > 0:24:10Of course, you're welcome to try elsewhere,
0:24:10 > 0:24:13but I think you'll find the grain as good as it's ever been.
0:24:18 > 0:24:19- Mr Stone?- How much?
0:24:19 > 0:24:23- £5 a quarter.- £3, 10 shillings.
0:24:23 > 0:24:26It's the same grain, Mr Stone. You paid my uncle £5.
0:24:26 > 0:24:28£3, 10.
0:24:30 > 0:24:32This gentleman will pay me the proper price.
0:24:35 > 0:24:37Apparently not, no.
0:24:37 > 0:24:39- £4.- £4, 10.
0:24:39 > 0:24:41£4, 5.
0:24:42 > 0:24:44Perhaps I should move on.
0:24:44 > 0:24:48- Liddy.- Yes?- Would you help me with this gentleman?- Of course.
0:24:48 > 0:24:51Perhaps you'd like a sample?
0:24:51 > 0:24:53- How much?- £5 a quarter.
0:24:53 > 0:24:55Very well.
0:24:57 > 0:24:58£4, 10.
0:25:00 > 0:25:03APPLAUSE
0:25:09 > 0:25:12# Jerusalem the golden
0:25:12 > 0:25:18# With milk and honey blest
0:25:18 > 0:25:23# Beneath thy contemplation
0:25:23 > 0:25:28# Sink heart and voice oppressed... #
0:25:29 > 0:25:35He's rich, he's handsome. He sends the local girls mad.
0:25:35 > 0:25:38The Taylor sisters worked on him for two years.
0:25:38 > 0:25:40Jane Perkins spent £20 on new clothes
0:25:40 > 0:25:43and might as well have thrown the money out the window.
0:25:45 > 0:25:49It's said, when he was young, his sweetheart jilted him.
0:25:51 > 0:25:53People always say that.
0:25:53 > 0:25:57Women don't jilt men. Men jilt us.
0:25:57 > 0:25:59Did someone jilt you, miss?
0:25:59 > 0:26:01Certainly not.
0:26:04 > 0:26:08A man did ask to marry me once. Some time ago.
0:26:08 > 0:26:11But I was too restless to be tied down.
0:26:11 > 0:26:14What a luxury, to have a choice.
0:26:15 > 0:26:19"Kiss my foot, sir, my face is for mouths of consequence."
0:26:19 > 0:26:20It wasn't like that at all.
0:26:22 > 0:26:24Why?
0:26:24 > 0:26:26Did you love him?
0:26:26 > 0:26:29No, but I rather liked him.
0:26:29 > 0:26:31Anyway, it's impossible now.
0:26:38 > 0:26:39GUNSHOT
0:26:45 > 0:26:48- Mr Boldwood.- Don't shoot me, please.
0:26:48 > 0:26:50I had no intention of shooting you.
0:26:52 > 0:26:55It's Miss Everdene. Your neighbour.
0:26:56 > 0:26:58Farmer Everdene's niece.
0:27:01 > 0:27:04I'm managing the farm alone now. Perhaps you've heard?
0:27:04 > 0:27:06Yes, I'm sure you'll do very well.
0:27:08 > 0:27:09In the circumstances.
0:27:12 > 0:27:16Well...as you say, we're neighbours.
0:27:16 > 0:27:19HORSE GALLOPS
0:27:28 > 0:27:31Look what I've got here.
0:27:31 > 0:27:33- What is it?- Listen to this...
0:27:33 > 0:27:35"The rose is red, The violet blue,
0:27:35 > 0:27:37"Carnation's sweet, And so are you."
0:27:39 > 0:27:41It's a Valentine's card.
0:27:41 > 0:27:43I'm going to send it to Joseph Poorgrass,
0:27:43 > 0:27:46just to see the look of panic on his stupid face.
0:27:46 > 0:27:49Poor boy. It's a little bit far-fetched, isn't it?
0:27:49 > 0:27:52What about...Mr Oak, then?
0:27:52 > 0:27:54No. Not Mr Oak.
0:27:56 > 0:27:58Imagine if we sent it to Mr Boldwood.
0:27:59 > 0:28:02Ignoring you like that, all high and mighty.
0:28:02 > 0:28:03Mr Boldwood?
0:28:06 > 0:28:08- Perhaps not.- Why not?
0:28:08 > 0:28:11Cos I don't think he'll see the humour.
0:28:12 > 0:28:14Perhaps he wouldn't, perhaps it's too much.
0:28:14 > 0:28:18- Mr Boldwood.- You're right. Perhaps it is.
0:28:20 > 0:28:22- So we're going to toss for it. - Liddy!
0:28:22 > 0:28:23Come on.
0:28:26 > 0:28:30- Open...Joseph.- No, Jan Coggan.
0:28:30 > 0:28:33Open, Jan Coggan. Closed, Boldwood.
0:29:40 > 0:29:44- Sergeant Troy, 11 o'clock. - Yes, Sergeant Troy. And?
0:29:44 > 0:29:47- Miss Fanny Robbin. - Welcome. Step down the front.
0:30:20 > 0:30:23- WHISPERING:- Where is she? - I don't know.
0:30:23 > 0:30:25DOOR SLAMS SHUT
0:30:25 > 0:30:27(Here she comes.)
0:30:27 > 0:30:31HURRIED FOOTSTEPS
0:30:31 > 0:30:32Oh...
0:30:41 > 0:30:43Sorry I'm late, old boy.
0:30:44 > 0:30:46Not long now.
0:31:06 > 0:31:09Dearly beloved, we are gathered here in the sight...
0:31:14 > 0:31:16I can only wait a few more minutes.
0:31:16 > 0:31:17She'll be here.
0:31:43 > 0:31:46(What do you think is happening?)
0:31:46 > 0:31:48(I don't think she's coming, old boy.)
0:32:17 > 0:32:20Come on. Go on, off you go. That's it. Go on.
0:32:20 > 0:32:22- Morning, my love.- Come on.
0:32:22 > 0:32:24Jump in that!
0:32:26 > 0:32:27Bring them in, John.
0:32:32 > 0:32:34- Grab this one. - Miss Everdene's here now,
0:32:34 > 0:32:37so you better do your best work. I'm looking at you, Coggan.
0:32:37 > 0:32:40Yeah, you keep quiet, Liddy!
0:32:40 > 0:32:42MAN YELLS
0:32:47 > 0:32:48What you doing?!
0:32:51 > 0:32:53Perhaps you'd care to lend a hand?
0:32:54 > 0:32:56- You don't think I would? - No, you wouldn't.
0:32:58 > 0:32:59Come here.
0:33:03 > 0:33:05There, she's getting in!
0:33:05 > 0:33:07CHEERING AND APPLAUSE
0:33:07 > 0:33:09Well done, ma'am.
0:33:09 > 0:33:12- Coming your way. Coming your way. - Keep moving!
0:33:17 > 0:33:18I'll get it.
0:33:30 > 0:33:33Gangway through. Hey, Joseph. Joseph, look. Gangway.
0:33:44 > 0:33:47INDISTINCT CHATTER
0:33:55 > 0:33:58THEY LAUGH AND SHOUT
0:34:09 > 0:34:11Good morning, Mr Boldwood.
0:34:14 > 0:34:16Miss Everdene!
0:34:16 > 0:34:19Mr Boldwood wondered if he might have a word with you.
0:34:23 > 0:34:25Mr Boldwood.
0:34:25 > 0:34:26Of course.
0:34:27 > 0:34:32One thousand acres. A mix of arable and livestock.
0:34:32 > 0:34:34Adjacent to Everdene.
0:34:34 > 0:34:36An orchard. A glasshouse.
0:34:38 > 0:34:40I have some interesting pigs.
0:34:42 > 0:34:44Some other time, perhaps.
0:34:49 > 0:34:51Thank you.
0:35:01 > 0:35:03You have a very beautiful house.
0:35:09 > 0:35:10Mr Boldwood?
0:35:13 > 0:35:15Miss Everdene.
0:35:16 > 0:35:19I want...
0:35:19 > 0:35:21very much, more than anything...
0:35:23 > 0:35:25..to have you as my wife.
0:35:25 > 0:35:28Miss Everdene, marry me.
0:35:32 > 0:35:36I... I feel...
0:35:40 > 0:35:42Though I respect you very much...
0:35:45 > 0:35:47..I do not feel what would justify me...
0:35:51 > 0:35:52..in accepting your offer.
0:35:57 > 0:36:00I have known disappointments before...
0:36:02 > 0:36:05..but I would never have asked in this instance had I not been...
0:36:07 > 0:36:08..led to believe...
0:36:10 > 0:36:13Unless... Unless I am, er...mistaken.
0:36:15 > 0:36:16The Valentine.
0:36:18 > 0:36:20No, you're not mistaken, but I should never have sent it.
0:36:22 > 0:36:25Forgive me, it was thoughtless to disturb your peace of mind.
0:36:25 > 0:36:29- So you meant it as a joke? - No! No, not as a joke.
0:36:31 > 0:36:35Not exactly. It was...impetuous.
0:36:35 > 0:36:37I see.
0:36:37 > 0:36:39Perhaps you think I am too old.
0:36:39 > 0:36:42But I will care for you more than anyone your own age.
0:36:42 > 0:36:45- I'm sure you would... - I will protect you.
0:36:45 > 0:36:48You shall have dresses,
0:36:48 > 0:36:51a gig. A piano.
0:36:55 > 0:36:56I amuse you?
0:36:58 > 0:37:00No.
0:37:00 > 0:37:03It's only...
0:37:03 > 0:37:04I have a piano.
0:37:06 > 0:37:08And I have my own farm.
0:37:10 > 0:37:12And I have no need for a husband,
0:37:12 > 0:37:14no matter how honoured I am by the offer.
0:37:21 > 0:37:23I think I'd like to return home.
0:37:23 > 0:37:25Yes. I'll, er...
0:37:26 > 0:37:29I'll get someone to drive you.
0:37:29 > 0:37:32Mr Boldwood, I've made you miserable.
0:37:32 > 0:37:34- It was very wicked of me. - Will you reconsider?
0:37:37 > 0:37:39Let me think.
0:37:42 > 0:37:43Yes.
0:37:44 > 0:37:46Yes, I'll give you time.
0:37:47 > 0:37:49I will wait.
0:38:13 > 0:38:16You're working late, Mr Oak.
0:38:20 > 0:38:21Will you teach me?
0:38:23 > 0:38:24Here.
0:38:26 > 0:38:28Spin the wheel.
0:38:28 > 0:38:29Incline it, like that.
0:38:31 > 0:38:33And slide it gently. Spin the wheel.
0:38:35 > 0:38:37Bit faster.
0:38:37 > 0:38:40Like that. Very good.
0:38:40 > 0:38:42- Now, slide it.- I... It's...
0:38:44 > 0:38:46..getting stuck.
0:38:53 > 0:38:57I wanted to ask, did the men say anything today about Mr Boldwood?
0:38:57 > 0:39:00- They did.- What did they say?
0:39:00 > 0:39:03That you'd be married before the end of the year.
0:39:03 > 0:39:05Go on.
0:39:07 > 0:39:09Well, I'd like you to contradict it, to the men.
0:39:09 > 0:39:13- Well, Bathsheba... - Miss Everdene, please.
0:39:15 > 0:39:17If Mr Boldwood did really speak of marriage,
0:39:17 > 0:39:20I'm not going to tell stories, just to please you.
0:39:21 > 0:39:24I just said I wanted you to mention to the men
0:39:24 > 0:39:26that it might not be true I was going to marry him.
0:39:26 > 0:39:28I could say that, if you wish.
0:39:28 > 0:39:30But I could also give you an opinion on what you've done.
0:39:30 > 0:39:33I dare say, but I don't want your opinion, Mr Oak.
0:39:35 > 0:39:36I suppose not.
0:39:40 > 0:39:42HE SHARPENS A BLADE
0:39:48 > 0:39:51Well, what is your opinion?
0:39:51 > 0:39:52That you're greatly to blame
0:39:52 > 0:39:54for playing pranks on a man like Mr Boldwood.
0:39:56 > 0:40:00- Your actions were unworthy of you. - Unworthy?
0:40:01 > 0:40:04May I ask where my unworthiness lies?
0:40:04 > 0:40:09- In rejecting you, perhaps? - I've long given up thinking of that.
0:40:09 > 0:40:10Or wishing it, either.
0:40:13 > 0:40:14But I will say this.
0:40:14 > 0:40:17Leading on a man you don't care for is beneath you.
0:40:20 > 0:40:23I cannot allow a man to criticise my private conduct.
0:40:23 > 0:40:25You will please leave the farm at the end of the week.
0:40:33 > 0:40:35I'd prefer to go at once.
0:40:35 > 0:40:38Then, go. I never want to see your face again.
0:40:39 > 0:40:41Very well, Miss Everdene.
0:40:47 > 0:40:49DOOR SLAMS
0:41:17 > 0:41:19There we are. There.
0:41:23 > 0:41:25What's wrong with them?
0:41:25 > 0:41:26They broke fence and ate the young clover.
0:41:26 > 0:41:28Makes their stomachs swell.
0:41:30 > 0:41:33- What do we do now?- Nothing. The whole flock is blasted.
0:41:33 > 0:41:36- You mean they're all going to die? - Most probably.
0:41:36 > 0:41:39- Another one gone here, ma'am. - Only one way of saving them.
0:41:39 > 0:41:42You must pierce their side with a tool.
0:41:42 > 0:41:45A hollow tube. Prick her inside.
0:41:45 > 0:41:46Well, can you do it?
0:41:46 > 0:41:49- This one's still alive.- No.
0:41:49 > 0:41:52- Can I?- Oh, good Lord, no.
0:41:52 > 0:41:55One inch to the right or the left, and you kill the ewe for sure.
0:41:55 > 0:41:58Not even a shepherd can do it, as a rule.
0:41:59 > 0:42:01Well, who, then?
0:42:16 > 0:42:18Gabriel!
0:42:19 > 0:42:21Gabriel!
0:42:21 > 0:42:23Gabriel Oak, wait!
0:42:24 > 0:42:26Miss Everdene needs you.
0:42:31 > 0:42:34Why are you alone? Did you find him?
0:42:34 > 0:42:37Yes, miss.
0:42:37 > 0:42:40So what did he say?
0:42:40 > 0:42:42He said...
0:42:42 > 0:42:44Joseph?
0:42:45 > 0:42:47He said you're to go in person and request him civilly,
0:42:47 > 0:42:50in a proper manner.
0:42:50 > 0:42:53Where does he get his airs? I'll do no such thing.
0:42:53 > 0:42:58He said you'd say that. He said to reply, "Beggars can't be choosers."
0:43:03 > 0:43:05GALLOPING HOOVES
0:43:18 > 0:43:19Mr Oak.
0:43:22 > 0:43:24Gabriel.
0:43:25 > 0:43:27Gabriel.
0:43:29 > 0:43:31Please don't desert me, Gabriel.
0:43:33 > 0:43:34I need your help.
0:43:54 > 0:43:55Make room for me!
0:44:23 > 0:44:28- I want to see.- No, you don't, Liddy. Be quiet.- Find the spot...
0:44:30 > 0:44:31..between the ribs.
0:44:34 > 0:44:35- Oh, Lord!- No, no, no, no, no.
0:44:35 > 0:44:37Now...
0:44:37 > 0:44:39I can see his heart beating.
0:44:41 > 0:44:43AIR HISSES
0:44:44 > 0:44:46- Come on.- Come on, girl.
0:44:46 > 0:44:48- Come on.- She'll be all right. She'll be all right.
0:44:48 > 0:44:51- You all right? You all right, Pixie?- Yeah, come on.
0:44:51 > 0:44:54All right, Pixie! Pixie!
0:44:54 > 0:44:55THEY LAUGH
0:44:55 > 0:44:56Hey! Come here!
0:45:03 > 0:45:05Hey, hey, hey. Hey, hey, hey!
0:45:05 > 0:45:07MAN WHISTLES
0:45:25 > 0:45:29# Lay me low
0:45:29 > 0:45:32# Lay me low
0:45:32 > 0:45:35# Where no-one can see me
0:45:36 > 0:45:40# Where no-one can find me
0:45:40 > 0:45:45# Where no-one can hurt me. #
0:45:45 > 0:45:48THEY CHEER
0:45:54 > 0:45:55Get out.
0:45:55 > 0:45:57Please, quiet.
0:45:59 > 0:46:05# Oh, early one morning as I was a-walking
0:46:07 > 0:46:13# The fields and the meadows, they looked so green and gay
0:46:13 > 0:46:16# The birds sang so sweetly
0:46:16 > 0:46:19# So pleasant and so charming
0:46:19 > 0:46:23# So early in the morning, at the break of day... #
0:46:23 > 0:46:26Miss. Mr Boldwood is here.
0:46:26 > 0:46:30Thank you. Thank you, Jan. Jan, thank you.
0:46:30 > 0:46:32THEY APPLAUD
0:46:33 > 0:46:37Mr Boldwood. What a pleasant surprise. Will you join us?
0:46:37 > 0:46:41THEY TALK AMONGST THEMSELVES
0:46:52 > 0:46:54Nice to have you, sir.
0:46:57 > 0:47:00- A song, ma'am.- I have no voice.
0:47:00 > 0:47:02Sing for us, miss!
0:47:02 > 0:47:05Come on, ma'am, you've got a lovely voice.
0:47:05 > 0:47:06THEY CHEER
0:47:16 > 0:47:21# Come all you fair and tender girls
0:47:21 > 0:47:27# That flourish in your prime
0:47:27 > 0:47:33# Beware, beware, keep your garden fair
0:47:33 > 0:47:38# Let no man steal your thyme
0:47:38 > 0:47:43# Let no man steal your thyme
0:47:44 > 0:47:50# For when your thyme, it is past and gone
0:47:50 > 0:47:56# He'll care no more for you
0:47:56 > 0:48:02# And every place where your thyme was waste
0:48:02 > 0:48:06# Will all spread o'er with rue
0:48:07 > 0:48:12# Will all spread o'er with rue
0:48:13 > 0:48:19# The gardener's son was standing by
0:48:19 > 0:48:23# Three flowers he gave to me
0:48:25 > 0:48:30- TOGETHER:- # The pink, the blue and the violet true
0:48:30 > 0:48:35# And the red, red rosy tree
0:48:36 > 0:48:40# And the red, red rosy tree
0:48:42 > 0:48:48# But I refused the red rose bush
0:48:48 > 0:48:52# And gained the willow tree
0:48:53 > 0:48:58# That all the world may plainly see
0:48:59 > 0:49:04# How my love slighted me
0:49:05 > 0:49:11# How my love slighted me... #
0:49:15 > 0:49:18I thought we were rather good together.
0:49:18 > 0:49:21- So did I.- We would make a fine duo.
0:49:22 > 0:49:23I wanted to thank you
0:49:23 > 0:49:25for not approaching me on that subject again.
0:49:27 > 0:49:30Well, it has not been easy.
0:49:38 > 0:49:42Do you wish me to...accompany you back to the house?
0:49:43 > 0:49:45No, I like to walk around the farm every night
0:49:45 > 0:49:48to make sure all is safe.
0:49:48 > 0:49:51Then I...I can walk with you.
0:49:51 > 0:49:54I've done it many times alone.
0:49:54 > 0:49:57Goodnight, Mr Boldwood. You've been very kind.
0:49:57 > 0:49:59A pleasure to see you.
0:50:30 > 0:50:32SHE GASPS
0:50:32 > 0:50:36- Who are you? - I'm sorry. I seem to be lost.
0:50:36 > 0:50:39We're entangled. Are you hurt?
0:50:39 > 0:50:41- No.- I'm looking for Weatherbury.
0:50:41 > 0:50:44- I hope I didn't startle you. - We've got hitched together somehow.
0:50:44 > 0:50:46Here, allow me.
0:50:46 > 0:50:50No. No. Please, let me do it myself.
0:50:50 > 0:50:52If you lift your foot for a moment...
0:51:06 > 0:51:07Please don't stare.
0:51:07 > 0:51:10I don't think I've ever seen a face as beautiful as yours.
0:51:14 > 0:51:18You shouldn't be here. Please, let me have the lamp.
0:51:28 > 0:51:31- MAN:- A mighty impressive harvest this looks like!
0:51:42 > 0:51:44Miss...
0:51:44 > 0:51:46Look.
0:51:49 > 0:51:53- Who is he, Liddy? - Sergeant Francis Troy.
0:51:53 > 0:51:56Noble blood, full of promise. Very sharp and trim.
0:51:57 > 0:52:01Well-educated. There was good things expected of him.
0:52:01 > 0:52:03He threw it all in to be a soldier.
0:52:05 > 0:52:07Well, I won't have it.
0:52:07 > 0:52:10- What are you doing, miss? - I'm going to tell him to leave.
0:52:15 > 0:52:17Sergeant Troy, I must absolutely insist
0:52:17 > 0:52:19that you leave at this very moment.
0:52:19 > 0:52:22- I can't.- Will you follow me, please?
0:52:42 > 0:52:43What angers you, exactly?
0:52:45 > 0:52:47- Please... - What I said or the way I said it?
0:52:47 > 0:52:49You must know.
0:52:49 > 0:52:53There must be some man who tells you that you're beautiful.
0:52:53 > 0:52:56- Not to my face, not...- But there is someone who kisses you?
0:52:56 > 0:52:57I've never been kissed.
0:53:03 > 0:53:07Why couldn't you have just passed by and said nothing?
0:53:08 > 0:53:09Do you forgive me?
0:53:11 > 0:53:13- I do not.- Why?
0:53:13 > 0:53:16Because...the things you say...
0:53:16 > 0:53:17I said that you were beautiful.
0:53:22 > 0:53:24I wonder if you fight as well as you speak.
0:53:24 > 0:53:26Better.
0:53:31 > 0:53:33Meet me.
0:53:33 > 0:53:36Tomorrow.
0:53:36 > 0:53:38I can't.
0:53:38 > 0:53:40- You don't want to?- Yes, but...
0:53:40 > 0:53:42- Then you must.- I mustn't.
0:53:42 > 0:53:43(Nobody would know.)
0:53:46 > 0:53:49Please go now.
0:53:49 > 0:53:50Tomorrow.
0:53:50 > 0:53:53Eight o'clock.
0:53:53 > 0:53:55The hollow in the ferns.
0:54:04 > 0:54:05SHE SIGHS
0:55:50 > 0:55:51Do you trust me?
0:55:53 > 0:55:54I do.
0:56:00 > 0:56:03I give you my word, as a soldier, I will not harm you.
0:56:03 > 0:56:06The sword is blunt,
0:56:06 > 0:56:08but you must not flinch.
0:56:08 > 0:56:10I'll try not to.
0:56:55 > 0:56:56You cut my hair.
0:56:59 > 0:57:01This sword could skin you alive.
0:57:01 > 0:57:03- But you told me I was safe. - And you were.
0:57:05 > 0:57:06Entirely safe.
0:57:06 > 0:57:08I gave you my word.
0:57:11 > 0:57:12Now I will take this.
0:57:21 > 0:57:23SHE WHIMPERS
0:58:27 > 0:58:28Miss Everdene.
0:58:30 > 0:58:32Perhaps I could walk with you?
0:58:32 > 0:58:34I'm quite happy to walk by myself.
0:58:36 > 0:58:39You should have nothing to do with him.
0:58:39 > 0:58:41He's not good enough for you.
0:58:41 > 0:58:44He's a perfectly decent man.
0:58:44 > 0:58:48- That's not what I believe. - Why? What have you heard?
0:58:50 > 0:58:53You don't know him at all. It's all rumours.
0:58:53 > 0:58:56Prejudice, simply because he's a soldier.
0:58:56 > 0:58:57I like soldiers. But not this one.
0:58:57 > 0:59:01I believe him to have no conscience at all.
0:59:01 > 0:59:04Stay clear. Don't listen to him. Don't believe him.
0:59:05 > 0:59:08- Get rid of him. - And what is it to you?
0:59:11 > 0:59:14I'm not such a fool as to imagine I might stand a chance
0:59:14 > 0:59:16now that you are so above me.
0:59:16 > 0:59:20But don't suppose I'm content to stay a nobody all my life.
0:59:20 > 0:59:23One day, I will leave you. You can be sure of that.
0:59:23 > 0:59:25But for now, I care for you too much
0:59:25 > 0:59:27to see you go to ruin because of him.
0:59:29 > 0:59:31So if you don't mind, I'll...
0:59:34 > 0:59:35..I'll stay by your side.
0:59:38 > 0:59:40Good evening.
0:59:57 > 0:59:59"Mr Boldwood...
0:59:59 > 1:00:02"You have been a dear friend to me these past months.
1:00:02 > 1:00:05"And it is because I value our friendship so greatly
1:00:05 > 1:00:07"that I am writing.
1:00:07 > 1:00:10"I am honoured by your proposal
1:00:10 > 1:00:13"and have given it much thought,
1:00:13 > 1:00:15"but I must tell you that... to my own surprise,
1:00:15 > 1:00:19"I have undergone what can only be described as a change of heart
1:00:19 > 1:00:22"and I'm afraid I cannot accept your offer."
1:00:44 > 1:00:47I wasn't sure you'd be here.
1:00:47 > 1:00:49Where else would I be?
1:00:52 > 1:00:53You ready?
1:00:55 > 1:00:57Are you sure?
1:01:01 > 1:01:03How does this sound?
1:01:04 > 1:01:07Mrs Bathsheba Troy.
1:01:22 > 1:01:24(All right?)
1:02:17 > 1:02:19Walk on.
1:02:39 > 1:02:43DOG BARKS, WIND WHISTLES
1:02:56 > 1:02:58WIND PICKS UP SPEED
1:02:58 > 1:03:00DOOR SLAMS
1:03:03 > 1:03:04HORSES WHINNY
1:03:10 > 1:03:12THUNDER RUMBLES
1:03:18 > 1:03:21JIG PLAYS
1:04:02 > 1:04:06Gentlemen! Ladies and gentlemen.
1:04:07 > 1:04:12A short time ago, I had the privilege
1:04:12 > 1:04:18and the simple fortune of meeting this angel.
1:04:18 > 1:04:19Your mistress.
1:04:19 > 1:04:24And now I stand before you her husband,
1:04:24 > 1:04:26your master,
1:04:26 > 1:04:29and the proudest man you will ever see.
1:04:29 > 1:04:33So, please, charge your glasses
1:04:33 > 1:04:39and sing out to my most beautiful wife,
1:04:39 > 1:04:43Mrs Bathsheba Troy.
1:04:43 > 1:04:46THEY CHEER
1:04:48 > 1:04:51Miss Everdene, there's going to be a storm.
1:04:51 > 1:04:55Oak, you big lump. To me.
1:04:55 > 1:04:57There's going to be a storm.
1:04:57 > 1:05:00We need to protect the ricks or we'll lose the harvest.
1:05:00 > 1:05:03I need five to six men for an hour, no more.
1:05:03 > 1:05:04Frank, perhaps we ought to...
1:05:04 > 1:05:06No. Darling, it's our wedding celebration.
1:05:07 > 1:05:09It will not rain tonight.
1:05:09 > 1:05:12My wife forbids it.
1:05:12 > 1:05:15Now, if you'll excuse me.
1:05:15 > 1:05:16Friends!
1:05:17 > 1:05:19One more thing.
1:05:19 > 1:05:24I may no longer be Sergeant Troy,
1:05:24 > 1:05:29but I remain a soldier in this one respect!
1:05:29 > 1:05:33The finest bottles of French brandy,
1:05:33 > 1:05:37a triple-strength dose for every man.
1:05:37 > 1:05:39Cheers! To your health!
1:05:39 > 1:05:42JIG STARTS PLAYING
1:06:06 > 1:06:08THUNDER CLAPS
1:06:12 > 1:06:14CHEERING
1:06:17 > 1:06:21# Pretty Polly, Pretty Polly it's I've come a-wooin'
1:06:22 > 1:06:27# Pretty Polly, Pretty Polly it's I've come a-wooin'
1:06:28 > 1:06:31# She says creep and crawl through the window, then
1:06:31 > 1:06:32# And let's get doin'
1:06:32 > 1:06:38# And lay your leg over me, over me, do
1:06:38 > 1:06:43# Oh, me britches is tight and I cannot undo 'em
1:06:43 > 1:06:48# Oh, me britches is tight and I cannot undo 'em
1:06:48 > 1:06:52# There's a knife on the windowsill, love, take it to 'em
1:06:52 > 1:06:55# And lay your leg over me... #
1:06:56 > 1:06:59GABRIEL GASPS
1:07:07 > 1:07:08WIND BELLOWS
1:07:13 > 1:07:19# About 40 weeks after, the fine baby come bawling
1:07:19 > 1:07:23# Never regretted that creepin' and crawlin'
1:07:23 > 1:07:26# Lay your leg over me, over me... #
1:07:26 > 1:07:29THUNDER CLAPS
1:07:47 > 1:07:48WIND WHISTLES
1:07:56 > 1:07:59THUNDER
1:08:10 > 1:08:12THUNDER BELLOWS
1:08:12 > 1:08:13Gabriel!
1:08:16 > 1:08:18Gabriel!
1:08:19 > 1:08:22- What can I do? - It's too dangerous!
1:08:22 > 1:08:24I'm coming up!
1:08:34 > 1:08:36Hold it down.
1:08:36 > 1:08:38Still no rain.
1:08:38 > 1:08:40It'll come.
1:08:51 > 1:08:53THUNDER CLAPS, SHE SCREAMS
1:08:53 > 1:08:57Come on, hold me! Come here. Come here.
1:09:02 > 1:09:05Come here. Come on.
1:09:24 > 1:09:27Gabriel, I've been a fool.
1:09:27 > 1:09:30I've always had contempt for silly girls
1:09:30 > 1:09:34dazzled by flattery in a scarlet uniform and...
1:09:34 > 1:09:37and now I've done what I swore I would never do.
1:09:39 > 1:09:42But he told me about another woman,
1:09:42 > 1:09:44a woman more beautiful that he'd loved before,
1:09:44 > 1:09:46and I couldn't bear it.
1:09:48 > 1:09:51So somewhere between jealousy and distraction, I married him.
1:09:51 > 1:09:55I don't want an opinion on the subject, I just...
1:09:55 > 1:09:56In fact, I forbid it.
1:10:02 > 1:10:04Go to bed.
1:10:04 > 1:10:05I'll finish it on my own.
1:10:07 > 1:10:09Gabriel...
1:10:12 > 1:10:13Thank you.
1:10:38 > 1:10:40Sir?
1:10:43 > 1:10:45Mr Boldwood, sir!
1:10:45 > 1:10:49I wanted to ensure your mistress' crops were safe.
1:10:49 > 1:10:51Good work, Gabriel. She's lucky to have you.
1:10:52 > 1:10:54Wait a moment, sir.
1:11:02 > 1:11:04You seem unwell, sir.
1:11:04 > 1:11:05You should go home.
1:11:07 > 1:11:08Yes.
1:11:11 > 1:11:12Yes, I...I will.
1:11:18 > 1:11:19Oak...
1:11:21 > 1:11:26You know that things have not gone well with me, lately.
1:11:26 > 1:11:29I was going to get a little settled in life.
1:11:29 > 1:11:31But, er...
1:11:34 > 1:11:36..it was not to be.
1:11:38 > 1:11:41I dare say I'm something of a...
1:11:41 > 1:11:44..a joke about the parish.
1:11:44 > 1:11:48But I do want to make one thing clear.
1:11:48 > 1:11:50There was no jilting on her part.
1:11:52 > 1:11:54We were never engaged.
1:11:54 > 1:11:56No matter what people say.
1:11:58 > 1:12:00She promised me nothing.
1:12:05 > 1:12:08And yet,
1:12:08 > 1:12:09Gabriel...
1:12:12 > 1:12:15..I feel the most... the most terrible grief.
1:12:21 > 1:12:23Not a word to her.
1:12:24 > 1:12:26We understand each other, yes?
1:12:30 > 1:12:32Yes, sir.
1:13:20 > 1:13:22Damn and blast it!
1:13:25 > 1:13:26Sit.
1:13:26 > 1:13:28Stay. Now, turn around.
1:13:35 > 1:13:37- Can you spare a coin, please? - No, no.
1:13:41 > 1:13:43Hit him!
1:13:43 > 1:13:44Come on!
1:13:45 > 1:13:47Knock him out!
1:13:48 > 1:13:50Hit him!
1:13:54 > 1:13:57Pay up. Pay up, Mr Troy.
1:13:57 > 1:13:58Just take it.
1:14:04 > 1:14:08Sir, excuse me. Could you spare a coin, please?
1:14:08 > 1:14:09No.
1:14:11 > 1:14:12Fanny?
1:14:20 > 1:14:21Hello, Frank.
1:14:23 > 1:14:25Hello.
1:14:27 > 1:14:30- You're so pale.- Oh, Frank.
1:14:30 > 1:14:33Darling, your hands are shaking.
1:14:33 > 1:14:36I thought you said All Souls, not All Saints.
1:14:36 > 1:14:39I went to the wrong church.
1:14:39 > 1:14:42When I got there, you'd gone. And I don't blame you,
1:14:42 > 1:14:45but it's been very hard, Frank. I...
1:14:45 > 1:14:46Not now.
1:14:48 > 1:14:50My wife mustn't see you.
1:14:50 > 1:14:51Your wife?
1:15:02 > 1:15:04Mrs Troy is very beautiful.
1:15:04 > 1:15:06SHE CRIES
1:15:06 > 1:15:07No more than you.
1:15:10 > 1:15:14Frank, I must tell you, I'm carrying your child.
1:15:14 > 1:15:16What?
1:15:28 > 1:15:30What if I told you that I'd made a terrible mistake...
1:15:32 > 1:15:34..but that I will make amends?
1:15:35 > 1:15:39I swear, on my life, I will find a home for you and our baby.
1:15:39 > 1:15:43- You've sworn before, Frank. - No, this time...this time...
1:15:51 > 1:15:53Go to Budmouth. Stay at the Union.
1:15:53 > 1:15:57- The workhouse, Frank? - Tonight, just tonight. One night.
1:15:57 > 1:16:00And then meet me tomorrow at 10 o'clock on the bridge.
1:16:00 > 1:16:04I'll bring you all the money I have and I'll find a home for you.
1:16:04 > 1:16:07You'll be safe, my darling. And I promise you...
1:16:07 > 1:16:11I promise you, I will make amends.
1:16:16 > 1:16:18Get back in the carriage.
1:16:18 > 1:16:22- Do you know who that woman is? - I do.
1:16:22 > 1:16:25- Who is she?- She's nothing.
1:16:25 > 1:16:28Get back in the carriage.
1:16:28 > 1:16:29Frank...
1:16:34 > 1:16:37BIRDS TWITTER
1:16:59 > 1:17:02SHE PANTS
1:17:25 > 1:17:28SHE GASPS IN PAIN
1:17:36 > 1:17:38Could you let me have £20?
1:17:41 > 1:17:43What for?
1:17:43 > 1:17:44I need it.
1:17:46 > 1:17:49If you continue to gamble, we will lose the farm.
1:17:49 > 1:17:52- It's not for gambling. - What's it for?
1:17:52 > 1:17:54Why should it matter what it's for? It's my money.
1:17:54 > 1:17:57I work for it, don't I?
1:17:57 > 1:18:00No. You don't.
1:18:00 > 1:18:02Not proper farm work.
1:18:04 > 1:18:06Don't do something you'll regret.
1:18:08 > 1:18:11The money is required for farm expenses.
1:18:57 > 1:19:00No mistake, Mr Oak. This was Miss Robbin's last known abode.
1:19:00 > 1:19:03Fanny was my uncle's servant and we shall treat her with respect.
1:19:05 > 1:19:08Perhaps we should take her to the church, just for tonight.
1:19:08 > 1:19:10No, bring her inside, please.
1:19:30 > 1:19:32What did she die of, Liddy?
1:19:33 > 1:19:35I don't know, miss.
1:19:38 > 1:19:40There were rumours, but...
1:19:40 > 1:19:42Fanny had a sweetheart, didn't she?
1:19:42 > 1:19:44Yes, miss.
1:19:46 > 1:19:47A soldier.
1:19:51 > 1:19:53Please, come and sit upstairs with me.
1:20:11 > 1:20:14I seem to cry a great deal these days.
1:20:16 > 1:20:17I never used to cry at all.
1:20:28 > 1:20:29Goodnight, Liddy.
1:20:29 > 1:20:31Night, miss.
1:21:17 > 1:21:18SHE GASPS
1:21:25 > 1:21:27What?
1:21:27 > 1:21:29- Who is it?- I can't say...
1:21:29 > 1:21:31Stay, stay. Stay.
1:21:50 > 1:21:52Don't kiss them, Frank.
1:21:52 > 1:21:54I'm still your wife.
1:22:02 > 1:22:05This woman, dead as she is,
1:22:05 > 1:22:08is more to me than you ever were,
1:22:08 > 1:22:10or are, or can be.
1:22:13 > 1:22:14You are nothing to me now.
1:22:17 > 1:22:18Nothing.
1:24:04 > 1:24:07INDISTINCT CHATTER
1:24:22 > 1:24:23Mrs Troy?
1:24:27 > 1:24:29I'm afraid...
1:24:29 > 1:24:31I'm afraid your husband has drowned.
1:26:01 > 1:26:03- That's a great responsibility, sir. - Nonsense.
1:26:03 > 1:26:05No reason why a man of your ability
1:26:05 > 1:26:07shouldn't be able to superintend two farms.
1:26:07 > 1:26:10And why shouldn't there be stronger links between our establishments?
1:26:10 > 1:26:14Think of it. 2,000 acres under your sole charge.
1:26:14 > 1:26:15A share of my profits.
1:26:15 > 1:26:18- Miss Everdene needs me here. - And her farm will have priority.
1:26:18 > 1:26:21- I'd still need Miss Everdene's permission.- But, of course.
1:26:21 > 1:26:23Of course, I wouldn't dare do anything without her blessing.
1:26:23 > 1:26:26And if it'll help sway your decision...
1:26:30 > 1:26:33..there's an old comrade of yours here.
1:26:35 > 1:26:37- Georgie!- Had to go all the way to Norcombe Hill
1:26:37 > 1:26:38to find this old fella.
1:26:38 > 1:26:41- Are you pleased? - Yes, sir, very much.
1:26:41 > 1:26:45And I'll have your decision soon, yes?
1:26:45 > 1:26:46You will, sir.
1:26:46 > 1:26:48Hey, Georgie.
1:26:50 > 1:26:52Come on. Come on. Come on.
1:26:54 > 1:26:57DOG BARKS
1:27:02 > 1:27:03Come on! Come on!
1:27:05 > 1:27:08Gabriel, you're getting on in the world.
1:27:08 > 1:27:10Of course you must accept the offer.
1:27:10 > 1:27:12Only with your approval.
1:27:12 > 1:27:16If I lose the farm, there may be no future for any of us here.
1:27:16 > 1:27:18You know where my loyalty lies.
1:27:21 > 1:27:23You're a man of great talent.
1:27:23 > 1:27:25It's only natural that you should rise,
1:27:25 > 1:27:26I've no desire to hold you back.
1:27:38 > 1:27:39Thank you.
1:27:44 > 1:27:46Come on, Georgie. Come on.
1:27:50 > 1:27:55Forgive me. I understand there are debts.
1:27:56 > 1:27:58Your late husband.
1:27:58 > 1:28:01Perhaps... Perhaps we should change the subject.
1:28:01 > 1:28:03Perhaps I can help.
1:28:07 > 1:28:10Mr Boldwood, that's a very kind offer,
1:28:10 > 1:28:13but I would never dream of accepting any money.
1:28:17 > 1:28:18I am a middle-aged man...
1:28:20 > 1:28:23..willing to protect you for the rest of your life.
1:28:26 > 1:28:29You may run your farm, if you wish, without risk.
1:28:32 > 1:28:34I'll pay your...
1:28:34 > 1:28:36departed husband's debts
1:28:36 > 1:28:38and guarantee its financial stability.
1:28:40 > 1:28:41It can be your pastime.
1:28:44 > 1:28:47Of course, we'd...need to wait,
1:28:47 > 1:28:50for propriety's sake.
1:28:50 > 1:28:52But when you're ready,
1:28:52 > 1:28:53I'm offering you shelter.
1:28:55 > 1:28:57Comfort.
1:28:57 > 1:28:58A safe harbour.
1:29:02 > 1:29:03As my wife.
1:29:08 > 1:29:10You must at least admire my persistence.
1:29:13 > 1:29:14I do.
1:29:14 > 1:29:16- And like me?- Yes.
1:29:18 > 1:29:20And...respect me?
1:29:20 > 1:29:23- Yes. Very much. - Which is it? Like or respect?
1:29:28 > 1:29:30It is difficult for a woman to define her feelings
1:29:30 > 1:29:33in a language chiefly made by men to express theirs.
1:29:33 > 1:29:36If you worry about a lack of passion on your part,
1:29:36 > 1:29:37a lack of, er...
1:29:40 > 1:29:42..desire,
1:29:42 > 1:29:47if you worry about marrying me merely out of guilt...
1:29:48 > 1:29:49..and, er...
1:29:51 > 1:29:53..pity...
1:29:53 > 1:29:56and compromise, well...
1:29:56 > 1:29:57I don't mind.
1:30:01 > 1:30:04- When must you give your answer? - By Christmas.
1:30:07 > 1:30:08It's a terrible responsibility.
1:30:11 > 1:30:14I hold that man's future in my hands.
1:30:14 > 1:30:16His sanity, too, perhaps.
1:30:16 > 1:30:19- Could you care for him? - You may suppose love is wanting.
1:30:21 > 1:30:24But love's a worn-out, miserable thing for me now.
1:30:24 > 1:30:26Why are you asking me?
1:30:30 > 1:30:33I need someone who's objective.
1:30:33 > 1:30:34Indifferent.
1:30:36 > 1:30:39Then I'm afraid you're asking the wrong man.
1:30:56 > 1:30:58Good evening, Mr Oak.
1:30:59 > 1:31:01Good evening.
1:31:18 > 1:31:20That's it.
1:31:30 > 1:31:33# Rejoice
1:31:33 > 1:31:36# Rejoice
1:31:36 > 1:31:40# Emmanuel
1:31:40 > 1:31:42# Shall come to thee
1:31:42 > 1:31:48# O, Israel
1:31:50 > 1:31:55# O, come, Thou Rod of Jesse... #
1:31:55 > 1:31:57I appreciate you coming along, Oak.
1:31:58 > 1:32:00Yes, very good. Well done.
1:32:00 > 1:32:03- Just more...more things. - Yes, sir.
1:32:07 > 1:32:10So...what do you think?
1:32:10 > 1:32:13I'm not in the habit of organising parties.
1:32:13 > 1:32:16Perhaps we should make it an annual event.
1:32:16 > 1:32:17Every Christmas Eve.
1:32:17 > 1:32:20I've invited the whole village. Do you think they'll come?
1:32:20 > 1:32:22Do you think Miss Everdene will come?
1:32:22 > 1:32:23I'm sure she will.
1:32:25 > 1:32:26Yes.
1:32:26 > 1:32:29And you'll come too, I hope?
1:32:29 > 1:32:32I know Miss Everdene would like you to be here.
1:32:32 > 1:32:33Perhaps, for an hour or so.
1:32:38 > 1:32:41Look, I'm shaking. I'm so nervous.
1:32:42 > 1:32:45Gabriel, will you...?
1:32:45 > 1:32:47- As well as you can, please. - I'll try.
1:32:47 > 1:32:50Is there a knot that's particularly fashionable?
1:32:52 > 1:32:54You're asking the wrong man.
1:32:56 > 1:32:58What about women?
1:32:58 > 1:33:00Does a woman keep her promise?
1:33:01 > 1:33:03She has promised?
1:33:03 > 1:33:05An implied promise.
1:33:07 > 1:33:10- Once again, I'm... - Will she do what's right?
1:33:13 > 1:33:15If it's not inconvenient to her.
1:33:16 > 1:33:18Oak, you've become quite cynical lately.
1:33:19 > 1:33:21She never promised that first time.
1:33:21 > 1:33:24Therefore she has never broken her promise.
1:33:24 > 1:33:26She hasn't promised this time either.
1:33:27 > 1:33:30But she will.
1:33:30 > 1:33:32Tonight. I know she will.
1:33:34 > 1:33:36And when she does...
1:33:41 > 1:33:45I wanted to tell you in advance, Gabriel...
1:33:46 > 1:33:49..because I...I believe I know your secret.
1:33:52 > 1:33:54I've seen you together.
1:33:56 > 1:33:58The way you speak to her.
1:34:00 > 1:34:01And watch her.
1:34:02 > 1:34:03And look after her.
1:34:05 > 1:34:06And I know her...
1:34:08 > 1:34:11..profound affection for you.
1:34:12 > 1:34:15You've behaved like a man,
1:34:15 > 1:34:20and as the successful rival, successful through your kindness,
1:34:20 > 1:34:21I wish to tell you...
1:34:23 > 1:34:25..I am profoundly grateful.
1:34:30 > 1:34:31The cook would like a word, sir.
1:34:58 > 1:35:02INDISTINCT CHATTER
1:35:21 > 1:35:24MUSIC PLAYS
1:35:37 > 1:35:41- With me, Joseph. - No, please don't. Liddy, don't.
1:35:47 > 1:35:50MUSIC DROWNS CONVERSATION
1:36:04 > 1:36:05Would you excuse me?
1:36:11 > 1:36:13I've come to say goodnight.
1:36:13 > 1:36:17Go back and talk to the poor things. You've broken their hearts.
1:36:18 > 1:36:20I don't suit this kind of affair.
1:36:21 > 1:36:23No. Nor do I.
1:36:24 > 1:36:25I wish I could go too.
1:36:28 > 1:36:30MUSIC STOPS
1:36:30 > 1:36:31APPLAUSE
1:36:35 > 1:36:38- I must go.- Not before you've danced.
1:36:38 > 1:36:40Both of you. I insist.
1:36:44 > 1:36:45Mr Oak?
1:36:48 > 1:36:49Thank you.
1:36:51 > 1:36:53MUSIC STARTS UP
1:37:17 > 1:37:18Tell me what to do.
1:37:24 > 1:37:25Gabriel?
1:37:32 > 1:37:33Do what is right.
1:37:37 > 1:37:39Sorry, excuse me.
1:38:23 > 1:38:24Frank.
1:38:26 > 1:38:27Black suits you.
1:38:29 > 1:38:31Although a little premature.
1:38:36 > 1:38:39You're alive.
1:38:39 > 1:38:42And here I am. Pulled from the sea.
1:38:42 > 1:38:46Some fishermen found me and brought me to shore.
1:38:46 > 1:38:50Then I discovered I was dead and found I preferred it.
1:38:51 > 1:38:53For a while, anyway.
1:38:53 > 1:38:57- Why have you come back? - The strangest thing.
1:38:57 > 1:38:58I missed you.
1:39:00 > 1:39:03You don't seem very happy to see me.
1:39:03 > 1:39:05You said I was nothing to you.
1:39:05 > 1:39:07Did I?
1:39:09 > 1:39:11Well, then.
1:39:11 > 1:39:14Honesty at all times.
1:39:14 > 1:39:15I find myself in need of money.
1:39:17 > 1:39:20I gave up my profession for you, and it seems a little harsh
1:39:20 > 1:39:24that you have a farm and a house while I'm living off nothing.
1:39:24 > 1:39:27- There is no money. - Then, sell the farm.
1:39:38 > 1:39:39Come home.
1:39:44 > 1:39:45No.
1:39:47 > 1:39:51I said, come home.
1:39:53 > 1:39:55I'm your husband and you'll obey me!
1:39:55 > 1:39:56GUNSHOT
1:39:57 > 1:40:00SHE GASPS
1:40:05 > 1:40:07HE PANTS
1:40:11 > 1:40:13(Oh, my God...)
1:40:53 > 1:40:55DOOR CLANGS SHUT
1:41:38 > 1:41:39Let me see.
1:41:42 > 1:41:45If it's any consolation, his life will be spared.
1:41:47 > 1:41:49Crime of passion.
1:42:15 > 1:42:16Morning, Liddy.
1:42:18 > 1:42:22It's a fine harvest, ma'am. Best we've had in years.
1:42:22 > 1:42:23Will we have it all over before the dew?
1:42:23 > 1:42:26We will indeed, ma'am. Luck's been on our side.
1:42:32 > 1:42:34Come, Liddy, give me a hand.
1:42:41 > 1:42:42HE SHOUTS INSTRUCTIONS
1:43:00 > 1:43:01I'm sorry I startled you.
1:43:03 > 1:43:07I wanted to tidy up for them. I haven't been here for so long.
1:43:10 > 1:43:12Are you going in?
1:43:12 > 1:43:15Rehearsals. I sing bass in the choir.
1:43:15 > 1:43:16Yes, I've heard you.
1:43:18 > 1:43:20Then I apologise.
1:43:23 > 1:43:27I've been hoping to get a chance to talk to you.
1:43:27 > 1:43:30We've...we've not spoken as much as I'd have liked.
1:43:32 > 1:43:33No.
1:43:41 > 1:43:43I'm leaving England.
1:43:47 > 1:43:48Leaving?
1:43:50 > 1:43:51Going to America.
1:43:53 > 1:43:57There's a boat leaving Bristol in four days' time. I'll be on it.
1:43:57 > 1:44:00Now that the farm is secure.
1:44:00 > 1:44:03I understand I should give you notice.
1:44:05 > 1:44:07No.
1:44:07 > 1:44:08You must go when you want.
1:44:12 > 1:44:15I'll leave first thing tomorrow. No fuss.
1:44:17 > 1:44:19I think that's best.
1:45:02 > 1:45:04GEORGE WHIMPERS
1:45:09 > 1:45:10SHE SIGHS
1:45:15 > 1:45:16GEORGE YELPS
1:46:02 > 1:46:03Gabriel!
1:46:08 > 1:46:09Gabriel.
1:46:10 > 1:46:11Wait.
1:46:28 > 1:46:30You'll think I'm strange, but...
1:46:32 > 1:46:34..I've been worried. Have I offended you somehow?
1:46:34 > 1:46:36No, not at all.
1:46:37 > 1:46:39Is it money?
1:46:39 > 1:46:41I'll pay you whatever you want.
1:46:41 > 1:46:44I don't need money now.
1:46:44 > 1:46:45A formal partnership, then?
1:46:45 > 1:46:48Nor a partnership.
1:46:48 > 1:46:49The farm belongs to you alone.
1:46:49 > 1:46:52It's the finest farm for miles around.
1:46:52 > 1:46:54Then why else are you leaving?
1:46:54 > 1:46:56I said I'd leave you one day.
1:47:00 > 1:47:01Well, you must not go.
1:47:03 > 1:47:06- You forbid me? - Yes, if you like.
1:47:06 > 1:47:08I forbid you.
1:47:10 > 1:47:14It's time for you to fight your own battles.
1:47:14 > 1:47:15And win them, too.
1:47:18 > 1:47:20So we should say goodbye, then?
1:47:22 > 1:47:23I suppose so.
1:47:34 > 1:47:35Gabriel, wait.
1:47:39 > 1:47:41Thank you, Gabriel.
1:47:43 > 1:47:46You've believed in me and fought for me...
1:47:46 > 1:47:49and stood by my side when all the rest of the world is against me.
1:47:51 > 1:47:54And we've been through so much together.
1:47:58 > 1:48:00Wasn't I your first sweetheart?
1:48:03 > 1:48:04Weren't you mine?
1:48:10 > 1:48:13And now I'd have to go on without you.
1:48:17 > 1:48:19If I knew...
1:48:24 > 1:48:28If I knew that you would let me love you and marry you...
1:48:28 > 1:48:30But you will never know.
1:48:32 > 1:48:33Why not?
1:48:34 > 1:48:37Because you never ask!
1:48:37 > 1:48:39Would you say no again?
1:48:41 > 1:48:42I don't know.
1:48:44 > 1:48:46Probably.
1:48:46 > 1:48:48THEY LAUGH
1:48:52 > 1:48:53So why don't you?
1:48:56 > 1:48:57Ask me.
1:49:01 > 1:49:02Ask me.
1:49:07 > 1:49:09Ask me, Gabriel.
1:51:49 > 1:51:54# Come all you fair and tender girls
1:51:55 > 1:52:00# That flourish in your prime
1:52:01 > 1:52:03# Beware, beware
1:52:03 > 1:52:05# Keep your garden fair
1:52:06 > 1:52:11# Let no man steal your thyme
1:52:12 > 1:52:17# Let no man steal your thyme. #