Maps to the Stars

0:00:02 > 0:00:10This film contains prolonged violent scenes and very strong language and explicit sexual scenes

0:02:12 > 0:02:15I'm Agatha Weiss. I asked for a limousine.

0:02:15 > 0:02:16A stretch.

0:02:16 > 0:02:19Um. Yeah, there weren't any available.

0:02:24 > 0:02:26Can you find this place?

0:02:31 > 0:02:32Yeah.

0:02:32 > 0:02:34Ah...

0:02:34 > 0:02:36look, cash call. I'm going to have to collect up front.

0:02:36 > 0:02:38It's $45 an hour, two-hour minimum.

0:02:40 > 0:02:42Here's $200, OK?

0:02:45 > 0:02:47Can we get the star home map?

0:02:49 > 0:02:50Kind of a waste...

0:02:50 > 0:02:52unless you want to see where Ryan Seacrest used to live.

0:02:54 > 0:02:55Where did you come in from?

0:02:55 > 0:02:56Jupiter.

0:02:58 > 0:02:59Florida.

0:03:02 > 0:03:05What's happening in LA?

0:03:05 > 0:03:06Visiting family.

0:03:09 > 0:03:11Do you drive a lot of celebrities?

0:03:11 > 0:03:13I had Al Gore once.

0:03:13 > 0:03:17That was probably the heaviest, for me.

0:03:17 > 0:03:20I drove Tatum O'Neil when she had a reality show.

0:03:20 > 0:03:22Um...

0:03:22 > 0:03:23Chuck Lorre...

0:03:23 > 0:03:25he created Two And A Half Men.

0:03:26 > 0:03:29Get a lot of producers, directors.

0:03:29 > 0:03:31Eh... Juliette Lewis.

0:03:31 > 0:03:33She's a Scientologist.

0:03:33 > 0:03:35I was thinking about converting.

0:03:35 > 0:03:37Just as a career move.

0:03:37 > 0:03:39You're an actor?

0:03:40 > 0:03:42Actor, writer.

0:03:44 > 0:03:46I know Carrie Fisher.

0:03:46 > 0:03:47Oh, really?

0:03:47 > 0:03:49How's that?

0:03:49 > 0:03:51I met her on Twitter.

0:03:51 > 0:03:54Yeah, we became like really good friends.

0:03:54 > 0:03:56I'm helping her with a new novel she's writing.

0:03:57 > 0:04:00But it might be something she winds up doing as an HBO show.

0:04:04 > 0:04:06What's this place?

0:04:06 > 0:04:09I thought it might be on the star map.

0:04:09 > 0:04:11There used to be a big house here.

0:04:11 > 0:04:13Childhood home of Benjie Weiss.

0:04:16 > 0:04:18How did you know that?

0:04:18 > 0:04:20I used to baby-sit for him.

0:04:21 > 0:04:23I was the original Bad Baby-sitter.

0:04:26 > 0:04:28It's weird.

0:04:30 > 0:04:34My agent is trying to get me an audition for Baby-sitter 2.

0:04:35 > 0:04:37I mean it's a long shot, but uh...

0:04:37 > 0:04:38Jakob Leitner...

0:04:38 > 0:04:41he got it to me... he's a personal manager.

0:04:41 > 0:04:42He's a real heavyweight.

0:04:42 > 0:04:44We went to Beverly together.

0:04:45 > 0:04:47I've got my fingers crossed.

0:04:56 > 0:04:57Hi there.

0:04:59 > 0:05:01I didn't think you'd come.

0:05:01 > 0:05:02Why is that?

0:05:02 > 0:05:04You're so busy.

0:05:05 > 0:05:07Not for you.

0:05:07 > 0:05:09Hm.

0:05:09 > 0:05:10I, um...

0:05:10 > 0:05:13I... I liked Bad Baby-sitter. You were so funny.

0:05:15 > 0:05:16Yeah...uh...

0:05:16 > 0:05:19We did $780 million worldwide.

0:05:19 > 0:05:21People don't realise that.

0:05:23 > 0:05:25Don't you have an iPad?

0:05:25 > 0:05:27No.

0:05:27 > 0:05:29Arnold, can we get her an iPad?

0:05:29 > 0:05:30A Mini?

0:05:30 > 0:05:33Load it up. Watch shit in 3D.

0:05:33 > 0:05:35We got great satin crew jackets.

0:05:35 > 0:05:38"I was a Bad Baby-sitter" written in gold on the back.

0:05:38 > 0:05:39Get your swag on.

0:05:43 > 0:05:44So...

0:05:44 > 0:05:46How did you get AIDS, Cammy?

0:05:48 > 0:05:50Um...

0:05:50 > 0:05:52I don't have AIDS, it's...

0:05:52 > 0:05:54non-Hodgkin's lymphoma.

0:06:00 > 0:06:02You know what I'm going to do?

0:06:02 > 0:06:04I'm going to make a movie of your life.

0:06:04 > 0:06:07All right? Ryan Gosling will play me...

0:06:07 > 0:06:08and I'll play you.

0:06:08 > 0:06:10Be my date at the Oscars?

0:06:13 > 0:06:15Non-Hodgkin's? Sorry about that.

0:06:15 > 0:06:18What the fuck is non-Hodgkin's? I think it's a blood thing.

0:06:18 > 0:06:21I mean, "Non"... It either is or it isn't.

0:06:21 > 0:06:23Were you serious in there?

0:06:23 > 0:06:25Because we can definitely get this to Ryan.

0:06:25 > 0:06:27It's just the kind of stuff he likes to do. We can get it to Ryan?

0:06:27 > 0:06:31Yeah. You can barely get toilet paper to your ass!

0:06:32 > 0:06:35Make for an uplifting drama, wouldn't it?

0:06:35 > 0:06:36I mean, I even got a title -

0:06:36 > 0:06:38It's A Horrible Life.

0:06:38 > 0:06:41If you're not serious, Benjie, it's better not to promise. Hah!

0:06:41 > 0:06:44Arnold Kubler-Ross has spoken!

0:06:44 > 0:06:46Great rabbi of death and dying.

0:06:46 > 0:06:47Man of wisdom.

0:06:47 > 0:06:49Zen-fuckin'-archer!

0:06:49 > 0:06:51I got a new nickname for you -

0:06:51 > 0:06:53"Museum of Tolerance".

0:06:55 > 0:06:57Drop it, Benjie.

0:06:57 > 0:06:59Drop it?

0:06:59 > 0:07:01I have a better idea.

0:07:01 > 0:07:03Why don't you show me your cunt?!

0:07:03 > 0:07:04Huh?!

0:07:04 > 0:07:06I know you have one.

0:07:06 > 0:07:07Jew faggot!

0:07:16 > 0:07:17What are they offering?

0:07:17 > 0:07:18Five million.

0:07:18 > 0:07:20Ten points from cashbreak.

0:07:20 > 0:07:22What's Genie asking?

0:07:22 > 0:07:23Eight.

0:07:23 > 0:07:2620 from dollar one.

0:07:26 > 0:07:27What do you think?

0:07:29 > 0:07:30I think we have their balls...

0:07:32 > 0:07:34Cool.

0:07:34 > 0:07:36So, um... when's the audition?

0:07:36 > 0:07:39It's not an audition, Benjie. I told you that.

0:07:39 > 0:07:41Right, sorry.

0:07:41 > 0:07:43When's the urine test?

0:07:45 > 0:07:48The meeting is on Friday at ten.

0:07:49 > 0:07:52The studio just want to see that you're bright-eyed and bushy-tailed.

0:07:52 > 0:07:55But the deal's contingent on the meet?

0:07:55 > 0:07:57They just want to protect the franchise.

0:07:57 > 0:07:59I am the franchise.

0:07:59 > 0:08:01Goo goo g'joob, Goo goo g'joob.

0:08:01 > 0:08:03Stafford, are you going to eat?

0:08:03 > 0:08:06I was listening to a very interesting tape of the Dalai Lama on the way home.

0:08:06 > 0:08:08Say what you like about politics...

0:08:08 > 0:08:10the man is a pro.

0:08:10 > 0:08:11Free Tibet!

0:08:11 > 0:08:13Tibet is not free. Tibet is very expensive.

0:08:13 > 0:08:16I have the receipt from Amazon to prove it.

0:08:16 > 0:08:18Anyhow...Buddhists say a prayer at mealtime...

0:08:18 > 0:08:20Is Genie going to be there?

0:08:20 > 0:08:21She thinks it better not.

0:08:21 > 0:08:23I want her there.

0:08:23 > 0:08:25Pray...that those that eat

0:08:25 > 0:08:28the things that are eaten and the actual eating...

0:08:28 > 0:08:30be universally devoid of self. Don't you love it?

0:08:32 > 0:08:33I'm going to my room.

0:08:35 > 0:08:36Goo goo g'joob.

0:08:38 > 0:08:40Don't, Mama...

0:08:41 > 0:08:43Don't, Mama...

0:08:43 > 0:08:45Don't hurt me like that.

0:08:45 > 0:08:46Don't hurt me like that.

0:08:46 > 0:08:48Don't come into my room... at night.

0:08:48 > 0:08:51Don't... Don't come into my room.

0:08:51 > 0:08:53When I'm sleeping.

0:08:53 > 0:08:56Don't come into my room when I'm sleeping.

0:08:56 > 0:08:59I won't let you any more. I won't let you any more.

0:09:00 > 0:09:02You motherfucker.

0:09:02 > 0:09:04You mother...FUCKER!

0:09:04 > 0:09:06You...you hurt me.

0:09:06 > 0:09:07How?

0:09:09 > 0:09:11How did I hurt you? I was your little girl...

0:09:11 > 0:09:14I was your... I was your little girl.

0:09:14 > 0:09:16And...and you hurt me.

0:09:17 > 0:09:20Why did you do it, Mama?

0:09:20 > 0:09:21Because your parents hurt you?

0:09:21 > 0:09:23That's not good enough!

0:09:23 > 0:09:25THAT'S NOT GOOD ENOUGH!

0:09:25 > 0:09:27Come on, Havana, stop forgiving!

0:09:27 > 0:09:30I don't... I don't care what they did to you.

0:09:30 > 0:09:32I wish they'd...killed you.

0:09:32 > 0:09:34I... I'd kill you myself, Mama.

0:09:35 > 0:09:37How...how could you do that to a child?

0:09:40 > 0:09:43How could you do... what you did to me?

0:09:45 > 0:09:47I want to be free, Clarice.

0:09:48 > 0:09:50I want to be free.

0:09:50 > 0:09:52Clarice, Mama... Set me free.

0:09:52 > 0:09:54Mama, Mama...

0:09:54 > 0:09:56Set me free!

0:09:56 > 0:09:57I will be free.

0:09:57 > 0:10:00I will take back the years you stole.

0:10:00 > 0:10:02Please...

0:10:02 > 0:10:04Please...please...

0:10:04 > 0:10:06I'm going to press on a personal history point.

0:10:08 > 0:10:10Everything is stored in thighs. OK.

0:10:17 > 0:10:19Take back the years, Havana.

0:10:21 > 0:10:23Take back the years she stole from that little girl.

0:10:26 > 0:10:27Release.

0:10:29 > 0:10:31LAUGHTER

0:10:35 > 0:10:37ON FILM: Rebecca, we need to stop.

0:10:37 > 0:10:39You're a patient here.

0:10:39 > 0:10:40I want to help you, not make things worse...

0:10:40 > 0:10:43You don't think I set those fires, do you?

0:10:43 > 0:10:45I think that you didn't mean to.

0:10:45 > 0:10:47You need help, that's all.

0:10:47 > 0:10:49Don't you want to help me?

0:10:49 > 0:10:50Not like this...

0:11:02 > 0:11:05I think that we need to think about what we're doing...

0:11:08 > 0:11:12On all the flesh that says yes

0:11:12 > 0:11:16On the forehead of all my friends

0:11:16 > 0:11:17On every hand held out

0:11:20 > 0:11:21I write your name.

0:11:23 > 0:11:26Ms Havana? It's Ms Genie.

0:11:39 > 0:11:42How are you doing, baby? Eh, I'm OK.

0:11:42 > 0:11:45I really had a really heavy session with Stafford.

0:11:45 > 0:11:47That is so brave, what you do.

0:11:49 > 0:11:51Doesn't feel brave.

0:11:53 > 0:11:54I need a new chore whore.

0:11:54 > 0:11:56What d'ya...? What happened to Adagio?

0:11:56 > 0:11:58Ahh... I had to fire her.

0:11:58 > 0:12:00You're kidding! What happened?

0:12:00 > 0:12:01She was stealing.

0:12:01 > 0:12:03Adagio?!

0:12:03 > 0:12:05Oh, God, I don't believe it.

0:12:05 > 0:12:08Yeah, yeah. She took some money and a ring I got last year in Paris

0:12:08 > 0:12:09and some Vicodin.

0:12:09 > 0:12:11Oh, my God!

0:12:11 > 0:12:13What, then you caught her? Mm-hmm.

0:12:13 > 0:12:14So what, did you call the police?

0:12:14 > 0:12:17Yeah, I told her I would if she didn't go to rehab.

0:12:17 > 0:12:19I see, so she's there now, huh?

0:12:19 > 0:12:22Yeah, with the all the other dope-fiend personal assistants.

0:12:22 > 0:12:24They have their own wing.

0:12:24 > 0:12:27OK, well, listen... I'll call Carrie again.

0:12:27 > 0:12:31Oh...love her, I love Carrie but don't bother her with this shit!

0:12:31 > 0:12:33Oh...she'll think it's hilarious.

0:12:33 > 0:12:34I'm meeting her later at the JJ thing.

0:12:34 > 0:12:36She'll give me some names.

0:12:37 > 0:12:39So, um...

0:12:41 > 0:12:43What's going on with Stolen Waters?

0:12:43 > 0:12:46Well, I called Vita but, you know, they're all at Sundance.

0:12:46 > 0:12:48Yeah, everyone but me!

0:12:48 > 0:12:51I gave the best reading of my life, Genie!

0:12:51 > 0:12:54I went in there and I blew everyone away!

0:12:54 > 0:12:56I know, I know.

0:12:56 > 0:12:59I mean, you know, the only thing I can think of is that, uh...

0:12:59 > 0:13:03maybe they have some concerns about the perception of stunt casting.

0:13:04 > 0:13:06Everything is stunt casting.

0:13:06 > 0:13:08Havana...

0:13:08 > 0:13:10This is a movie and not a great one...

0:13:10 > 0:13:12that your mother made... 30 years ago!

0:13:12 > 0:13:14No, no. But it could be...it could be...

0:13:14 > 0:13:17Great! It's a... It's a re-imagining.

0:13:17 > 0:13:18It's a fucking art film!

0:13:18 > 0:13:20I mean, who do you think came up with the idea of

0:13:20 > 0:13:23my mother looking back on the making of Stolen Waters

0:13:23 > 0:13:25if she had lived? I did, I did!

0:13:25 > 0:13:28I mentioned it to Damien four years ago on Mystique.

0:13:28 > 0:13:30I know, I know. They should give me the part

0:13:30 > 0:13:33and...and a producer's credit, too. I mean this role was...

0:13:33 > 0:13:35made for best supporting. It's...

0:13:35 > 0:13:37It's... It's a fucking second chance.

0:13:37 > 0:13:39And it's...it's Damien Javitz.

0:13:39 > 0:13:42He totally resurrects actors.

0:13:42 > 0:13:43And I went in there and I killed it.

0:13:46 > 0:13:47Sterl still doing it?

0:13:48 > 0:13:50Yeah.

0:13:50 > 0:13:51Well, he owes me.

0:13:51 > 0:13:53I introduced him to Harvey and

0:13:53 > 0:13:56you know Harvey is producing and I mean, I already talked to Harvey and

0:13:56 > 0:13:59he's going to talk to Damien but, you know...

0:13:59 > 0:14:01Harvey is Harvey, but...

0:14:02 > 0:14:04Sterl can talk to Damien?

0:14:04 > 0:14:06You know we are doing everything we can but,

0:14:06 > 0:14:09you know, at the end of the day, it's an art film.

0:14:09 > 0:14:11I mean, it would be great if you got the job.

0:14:11 > 0:14:12But in case you're not aware

0:14:12 > 0:14:15your mother is a dead cult figure.

0:14:15 > 0:14:17And Damien Javitz

0:14:17 > 0:14:20ain't PT Anderson.

0:14:20 > 0:14:22I mean, they're so many movies out there! Yeah, where?!

0:14:22 > 0:14:24Big deal movies! Where?

0:14:24 > 0:14:25Where? Where, Genie?!

0:14:25 > 0:14:27Do you know what Jacob said to me the other day?

0:14:27 > 0:14:30He said that because I know so many celebrities

0:14:30 > 0:14:33I should consider becoming a manager!

0:14:33 > 0:14:35Do you know...? Do you know how it felt

0:14:35 > 0:14:36for me to hear that?!

0:14:36 > 0:14:39Look, everything I am doing,

0:14:39 > 0:14:41everything in my life

0:14:41 > 0:14:44and in my therapy is to get this part...

0:14:44 > 0:14:47Ow! What's wrong? What's wrong?

0:14:47 > 0:14:49Ow, cramps. Are you OK?

0:14:49 > 0:14:50No, I'm not OK!

0:14:53 > 0:14:54SHE COUGHS

0:15:02 > 0:15:03SHE SCREAMS

0:15:08 > 0:15:12Mother-daughter incest is so '80s overkill.

0:15:12 > 0:15:14Anne Sexton I am not.

0:15:14 > 0:15:16Oh, my God, oh, my God!

0:15:16 > 0:15:19The shock will wear off.

0:15:19 > 0:15:20What's the matter, Havana?

0:15:20 > 0:15:22Did you think it would be like the Sixth Sense

0:15:22 > 0:15:25with the dead clamouring to be heard?

0:15:25 > 0:15:28Do you know what the dead clamour for?

0:15:28 > 0:15:30You know what hell is?

0:15:30 > 0:15:32A world without narcotics!

0:15:34 > 0:15:36What's happening? What's happening?

0:15:36 > 0:15:38The worst pornographic cliche, Vana...

0:15:38 > 0:15:40this childhood rape fantasy. Get a life!

0:15:41 > 0:15:44Or, maybe you should get a death.

0:15:44 > 0:15:47Isn't it pathetic enough that you want to play me?

0:15:47 > 0:15:49You HATE me.

0:15:49 > 0:15:51But yet you're desperate to BE me?

0:15:54 > 0:15:57You want that role but you're not going to get it.

0:15:58 > 0:16:00You don't even have the chops!

0:16:00 > 0:16:03I did...and I was young and gorgeous.

0:16:03 > 0:16:07You?! With your shitty tits and that used-up old hole!?

0:16:07 > 0:16:09It STINKS worse than me!

0:16:09 > 0:16:12No! No...

0:16:31 > 0:16:32Who is it?

0:16:40 > 0:16:42It's non-Hodgkin's.

0:16:42 > 0:16:44What are you doing here?

0:16:47 > 0:16:50On my school notebooks

0:16:50 > 0:16:52On my desk and the trees

0:16:52 > 0:16:54On the sand and the snow

0:16:57 > 0:16:58I write your name.

0:17:00 > 0:17:02I'll... I'll make the movie.

0:17:02 > 0:17:06If that's why you're here. I don't know what Arnold told you...

0:17:06 > 0:17:09On all the flesh that says yes

0:17:09 > 0:17:13On the forehead of my friends On every hand held out

0:17:13 > 0:17:14I write your name.

0:17:20 > 0:17:22On my school notebook

0:17:22 > 0:17:25On my desk and on the trees

0:17:25 > 0:17:28On the sand and in the snow, I write your name.

0:17:28 > 0:17:30On all the flesh that says yes

0:17:30 > 0:17:32On the forehead of my friends

0:17:32 > 0:17:34On every hand held out

0:17:34 > 0:17:35I write your name

0:17:35 > 0:17:36Liberty.

0:17:54 > 0:17:57So, we're back to school with Bad Baby-sitters.

0:17:58 > 0:18:00Is this detention?

0:18:00 > 0:18:02No way, you're top of the class.

0:18:02 > 0:18:05We understand you had a rocky summer vacation.

0:18:05 > 0:18:06A productive one.

0:18:06 > 0:18:08Wasn't easy.

0:18:08 > 0:18:10For any of us.

0:18:10 > 0:18:11But he's learned a lot.

0:18:13 > 0:18:15Absolutely.

0:18:15 > 0:18:18Yeah, listen, I went through that whole drug thing myself.

0:18:18 > 0:18:20I mean...not at your age... like you,

0:18:20 > 0:18:23but, ah... Hey, shit happens.

0:18:23 > 0:18:24Right, it just, ah...

0:18:24 > 0:18:27happens a lot earlier than it used to.

0:18:27 > 0:18:29Benjie's done a lot of growing up.

0:18:29 > 0:18:32Yes, he has.

0:18:32 > 0:18:34Uh, on the last season of

0:18:34 > 0:18:38Praise The Lords I was making 300,000 a week.

0:18:38 > 0:18:39I was nine years old.

0:18:39 > 0:18:41How... How psychotic is that?

0:18:41 > 0:18:43Crazy money.

0:18:43 > 0:18:44For anyone.

0:18:44 > 0:18:46But worth every penny.

0:18:46 > 0:18:48You've got a tremendous fanbase out there.

0:18:48 > 0:18:50I just didn't have the skills.

0:18:50 > 0:18:53That kind of income would fuck up Mother Teresa.

0:18:53 > 0:18:54She's already fucked up...

0:18:54 > 0:18:57She's dead! That's how fucked up she is.

0:19:00 > 0:19:02We have a mandate.

0:19:02 > 0:19:05Cristina knows this and I, I know you do, too.

0:19:05 > 0:19:07We have to protect the franchise.

0:19:07 > 0:19:09Goo goo g'joob.

0:19:09 > 0:19:11Mmm... We kept things quiet last year.

0:19:11 > 0:19:14Arnold, your people were terrific.

0:19:14 > 0:19:15Nothing from the tabloids.

0:19:15 > 0:19:18Yeah, still, you know, adults in recovery can be a career boost,

0:19:18 > 0:19:20but to a child it's something else.

0:19:20 > 0:19:23I think we understand that, Chip.

0:19:23 > 0:19:25Though, ah, it didn't hurt Drew.

0:19:25 > 0:19:27Hm?

0:19:27 > 0:19:29Guys...

0:19:29 > 0:19:30We're on your side.

0:19:30 > 0:19:31Please understand that.

0:19:31 > 0:19:35I don't think we'd all be in this room if we didn't feel a certain level of trust.

0:19:39 > 0:19:42Do we have a budget yet? Ah, 58, but that's strictly in-house.

0:19:42 > 0:19:46And we lost Elle but, eh, she's not someone we were counting on.

0:19:46 > 0:19:49We're closing with Emma Watson for the young mom, so, uh...

0:19:49 > 0:19:51That should be fun.

0:19:53 > 0:19:56We need to know the circumstances of Benjie's rehab.

0:19:57 > 0:19:58Uh...Benjie...

0:19:58 > 0:20:00detoxed at a private home.

0:20:00 > 0:20:02The ranch of my husband's partner.

0:20:03 > 0:20:06Kick-ass mom you got there.

0:20:06 > 0:20:09Mmm. She knows how to hit without leaving marks on the body.

0:20:14 > 0:20:15HE RETCHES

0:20:28 > 0:20:29Fuck.

0:20:32 > 0:20:34I'll never be humiliated like...

0:20:34 > 0:20:36like that again.

0:20:36 > 0:20:38Never.

0:20:38 > 0:20:40It's over, baby.

0:20:40 > 0:20:41We have them.

0:20:43 > 0:20:45Did Damien say I was too old?

0:20:45 > 0:20:46Mm-mm.

0:20:46 > 0:20:49The casting people? Sarah Horowitz?

0:20:49 > 0:20:50Havana, come on.

0:20:50 > 0:20:52The part's just written younger.

0:20:52 > 0:20:56Sarah Horowitz cast me in my very first movie.

0:20:56 > 0:20:57Mm...

0:20:57 > 0:21:00Probably saw that thing I did on TNT for money.

0:21:00 > 0:21:02Yeah, well, don't do anything for money.

0:21:02 > 0:21:04Yeah, well, we all haven't been as smart as you.

0:21:06 > 0:21:09You going to support me on this, Sterl?

0:21:09 > 0:21:11Are you going to support me with Damien?

0:21:11 > 0:21:12Look, you know I will.

0:21:17 > 0:21:20I think he's taking a hard look at Azita Wachtel.

0:21:20 > 0:21:21Azita Wachtel?

0:21:21 > 0:21:24Well, she's nominated for an Oscar and she's Canadian.

0:21:24 > 0:21:26Canada is co-funding.

0:21:26 > 0:21:29Do you know what Azita Wachtel's story is? Do you know what she's known for?

0:21:29 > 0:21:32She used to let producers stick their cocks in her ass and pee.

0:21:32 > 0:21:34Good to know!

0:21:35 > 0:21:38Look, you have a relationship with Damien.

0:21:38 > 0:21:40Yeah, I have three calls in to him but he won't return.

0:21:40 > 0:21:43You gave a great reading.

0:21:43 > 0:21:44He tell you that?

0:21:44 > 0:21:46He said you were very strong.

0:21:46 > 0:21:48He did, he said that?

0:21:48 > 0:21:49Yes.

0:21:49 > 0:21:51Oh, my God!

0:21:51 > 0:21:53Oh, Sterl! I have to get this part!

0:21:53 > 0:21:55We'd be so great together!

0:21:55 > 0:21:57Why, I thought we already were?

0:21:59 > 0:22:02Diandra? Oh, my God! She's old!

0:22:02 > 0:22:04Hey, did you know she's like 23?

0:22:04 > 0:22:06IMDb says she's 16.

0:22:06 > 0:22:07How do you know she's 23?

0:22:07 > 0:22:09Her labia is pierced.

0:22:09 > 0:22:11You gotta be 23 to have your labia pierced?

0:22:11 > 0:22:15Now she's got a tramp stamp... OK, she's menopausal!

0:22:16 > 0:22:18Hey, nice girls, huh?

0:22:18 > 0:22:19Oh, my God. Rhett did you tell him?

0:22:19 > 0:22:21Oh, betcha you won't believe this.

0:22:21 > 0:22:23No, no, nah, it's too fucking weird.

0:22:23 > 0:22:25I'm not going to...no. Now I'm getting interested.

0:22:25 > 0:22:27OK, so there's this crazy girl, right?

0:22:27 > 0:22:31She's posted like 6,000 messages on my Facebook fan page in like two months.

0:22:31 > 0:22:32Sounds like marriage material.

0:22:32 > 0:22:34You should just fuck her, Rhett.

0:22:34 > 0:22:35Or eat her on her period.

0:22:35 > 0:22:38Come on, don't be vulgar. Yeah, Rhett won't even do that to me.

0:22:38 > 0:22:39Well, he can't...

0:22:39 > 0:22:41because you're menopausal!

0:22:41 > 0:22:42Oh! Shut up!

0:22:42 > 0:22:45Come on, we...

0:22:45 > 0:22:47Would you guys chill? Come on.

0:22:47 > 0:22:49All right, so, production company looks into it and

0:22:49 > 0:22:53finds out a teamster's been selling this chick my shit for like $3,000.

0:22:53 > 0:22:55Excuse me, your shit?

0:22:55 > 0:22:57Yeah, you heard it right, girl, my shit.

0:22:57 > 0:22:59He's got some expensive doody.

0:22:59 > 0:23:01It's got rice in it...from, uh...

0:23:01 > 0:23:03Nobu!

0:23:03 > 0:23:06Eww! Really, out of a honey wagon?

0:23:06 > 0:23:09No, like...um...when the guy comes in with the hose to...

0:23:09 > 0:23:10empty...you know...

0:23:10 > 0:23:12What is she doing with it?

0:23:12 > 0:23:14Stockpiling...for that rainy day.

0:23:14 > 0:23:16OK, like, where did she get the money?

0:23:16 > 0:23:17Sludge fund.

0:23:17 > 0:23:20Oh! Benjie you are so sick!

0:23:20 > 0:23:23There are some days, I actually, I ran specials when I had diarrhoea.

0:23:23 > 0:23:26Summer clearance. Everything must go!

0:23:26 > 0:23:28Oh, my God!

0:23:30 > 0:23:32Come...

0:23:32 > 0:23:33Who is that?

0:23:33 > 0:23:35Starla Gent, country singer.

0:23:35 > 0:23:37She won The Voice? Nah, she's runner-up.

0:23:37 > 0:23:39God, she is a wild woman.

0:23:39 > 0:23:41Uh, hell of an actress, as well.

0:23:41 > 0:23:43Didn't I tell you?

0:23:43 > 0:23:45Javitz cast her in the part you wanted.

0:23:45 > 0:23:46Shut up!

0:23:47 > 0:23:50Ah, I wonder if Blake Sheldon peed in that butt?

0:23:52 > 0:23:53Hey, you like Sam?

0:23:53 > 0:23:56Um. You could totally fuck her.

0:23:56 > 0:23:58She wants to be in your movie.

0:23:58 > 0:24:00I hear she gets great Oxy, too.

0:24:00 > 0:24:02I've almost got 90 days.

0:24:02 > 0:24:05Until what? Sobriety, dick-wad!

0:24:05 > 0:24:06Oh, my God!

0:24:06 > 0:24:08The human stench.

0:24:08 > 0:24:12Fat, anchor whore from TMZ was in the bathroom. We saw her ankles.

0:24:12 > 0:24:14What was her name again?

0:24:14 > 0:24:16It was like something Dead Farted.

0:24:17 > 0:24:20Hey, isn't that Sterl Carruth?

0:24:20 > 0:24:23Oh, yeah, with Havana Segrand.

0:24:23 > 0:24:24We have the same agent.

0:24:24 > 0:24:26How old is she?

0:24:26 > 0:24:28Totally menopausal.

0:24:28 > 0:24:30Oh, beyond! She's near death!

0:24:30 > 0:24:32She's like older than my grandmother.

0:24:32 > 0:24:35You know, she is a G-MILF. Grand-Mother I'd Like to Fuck.

0:24:37 > 0:24:38Are they fucking?

0:24:38 > 0:24:39Ah, she'd be like a mercy fuck.

0:24:39 > 0:24:43Like when orderlies rape old people in nursing homes?

0:24:43 > 0:24:45Hey, didn't her mom die in a fire?

0:24:45 > 0:24:47Yeah! Like Jack Cassidy.

0:24:47 > 0:24:49Who's that?

0:24:49 > 0:24:52The prototypical swinger. David Cassidy's father.

0:24:52 > 0:24:54Who's David Cassidy? Sean Cassidy's brother.

0:24:54 > 0:24:58You know, her mom was a really cool actress as well, um...

0:24:58 > 0:25:00Clarice Taggart?

0:25:00 > 0:25:02Yeah, um...

0:25:02 > 0:25:04A did a thing on her. She was really cool!

0:25:04 > 0:25:06She was young.

0:25:07 > 0:25:09PANTING AND MOANING

0:25:10 > 0:25:12PHONE VIBRATES

0:25:15 > 0:25:16Who is that?!

0:25:17 > 0:25:19Fuck.

0:25:27 > 0:25:28Hey, Damien, what's happening?

0:25:30 > 0:25:32Yeah, yeah, I could totally wear two earrings.

0:25:32 > 0:25:34I'd love that.

0:25:34 > 0:25:38Um, Maestro, I'm just, eh...

0:25:38 > 0:25:41I'm just here with the kids doing the whole bedtime story thing.

0:25:41 > 0:25:43Can I...can I call you back?

0:25:46 > 0:25:49Um, yeah, no, I'll, ah... Yeah, I'll call you right back first thing.

0:25:49 > 0:25:51Hey!

0:25:51 > 0:25:53Mention me...when you talk!

0:25:53 > 0:25:55You are so fucking crazed.

0:25:55 > 0:25:57Suck my dick and I'll put in a word.

0:26:08 > 0:26:11I loved you so much.

0:26:11 > 0:26:15You were such a beautiful little girl, but you lied.

0:26:15 > 0:26:19How could you grow up to be a monster who lies?

0:26:23 > 0:26:24Fuck.

0:26:34 > 0:26:35Hey!

0:26:40 > 0:26:41What's happening?

0:26:42 > 0:26:43I'm sorry, it's...

0:26:45 > 0:26:47I just got uncomfortable.

0:26:48 > 0:26:50I guess I'm a lousy dyke.

0:26:52 > 0:26:53Why don't you take a Klonopin?

0:27:06 > 0:27:07I know a man

0:27:07 > 0:27:10who lives under the sword of Damocles

0:27:10 > 0:27:11we call AIDS.

0:27:11 > 0:27:14"When my time comes," he told me,

0:27:14 > 0:27:16"I'll be ready.

0:27:16 > 0:27:18"My bags are packed

0:27:18 > 0:27:19"and at the door."

0:27:19 > 0:27:21I like that.

0:27:21 > 0:27:23I like that very much.

0:27:23 > 0:27:26There is a time in our lives and in our therapies

0:27:26 > 0:27:28when our eyes stray

0:27:28 > 0:27:30to the bags at the door.

0:27:30 > 0:27:32After we've wept.

0:27:32 > 0:27:36After we have suffered. After we've exhausted the fountain of memory

0:27:36 > 0:27:38and bloodied our hands

0:27:38 > 0:27:40on the walls of our parents' house.

0:27:40 > 0:27:42I thought that Gary Marshall was going to be there.

0:27:42 > 0:27:45And it was a meet. I didn't know I was going to have to read.

0:27:45 > 0:27:48And then they gave me the wrong drive-on and I had to walk like a mile.

0:27:48 > 0:27:50And I stank by the time I got there.

0:27:50 > 0:27:52And then the casting director, who I know,

0:27:52 > 0:27:53doesn't even acknowledge me.

0:27:53 > 0:27:57She just walks right by without saying a word and...

0:27:57 > 0:27:58and then she tells me

0:27:58 > 0:28:00she doesn't even know if Gary even knows I'm coming in.

0:28:00 > 0:28:02Now this is Gary Marshall, not Bertolucci.

0:28:02 > 0:28:05His movies don't make money any more and I know Gary.

0:28:05 > 0:28:07And then she says they want to put me on tape

0:28:07 > 0:28:09and I'm like, excuse me, but you need special make-up for that

0:28:09 > 0:28:12or you look green and she says well, you can either tape or not!

0:28:12 > 0:28:16Like it's all some pointless exercise, and I just can't take it any more, Jacob!

0:28:16 > 0:28:20I'm so tired and it's so pathetic!

0:28:20 > 0:28:22Is that Carrie?

0:28:22 > 0:28:24Later, Jacob. They're here.

0:28:24 > 0:28:26Hi, Carrie!

0:28:28 > 0:28:30BOTH: How are you?

0:28:30 > 0:28:34Oh, when I get in touch with myself I'll let you know.

0:28:34 > 0:28:36It's been insane.

0:28:36 > 0:28:37Did you wrap?

0:28:37 > 0:28:40Well, we go back to Prague tomorrow to do re-shoots.

0:28:40 > 0:28:41Are you doing the Javitz film?

0:28:41 > 0:28:43Oh, I hope so. Did you hear something?

0:28:43 > 0:28:46Well, Genie told me you were up for it.

0:28:46 > 0:28:50That would be so amazing for you to play your own mother.

0:28:50 > 0:28:53I mean... Every daughter should have that opportunity, right?

0:28:53 > 0:28:55Do you know Damien?

0:28:55 > 0:28:58Well, we just... had dinner once in Tangiers.

0:28:58 > 0:29:01Well, if you see him, tell him to hire me.

0:29:03 > 0:29:05Oh, Genie told me about Adagio.

0:29:05 > 0:29:07Eh, how long did she work for you?

0:29:07 > 0:29:08Three years.

0:29:08 > 0:29:11Are you still looking for a new assistant?

0:29:11 > 0:29:13Absolutely, you've become my employment agency.

0:29:13 > 0:29:14Would you do me a big favour?

0:29:14 > 0:29:16This is going to sound bizarre, but...

0:29:16 > 0:29:20Would you interview this girl that I met on the internet?

0:29:20 > 0:29:22I'm so nervous.

0:29:22 > 0:29:24Aw, it's OK.

0:29:24 > 0:29:25Would you like some tea?

0:29:25 > 0:29:27Oh, thank you, yes.

0:29:30 > 0:29:33Your house is so beautiful.

0:29:33 > 0:29:36The walls are so thick and those chimes.

0:29:36 > 0:29:40Oh, they're from a monastery in Dharamsala.

0:29:40 > 0:29:42I met the Dalai Lama.

0:29:42 > 0:29:44He's a very cool man.

0:29:44 > 0:29:47He laughs a lot and he's...

0:29:47 > 0:29:51actually just like someone you'd want to hang with, you know?

0:29:51 > 0:29:54But, you can't cos he's the Dalai Lama!

0:29:55 > 0:29:57Thank you for the tea.

0:29:57 > 0:30:00Maria is at the hospital.

0:30:00 > 0:30:01My housekeeper.

0:30:01 > 0:30:05One of her girls is sick. She's got like, you know, 40 kids.

0:30:05 > 0:30:07So...

0:30:07 > 0:30:09I guess you know why you're here.

0:30:09 > 0:30:11Mm, because of Carrie?

0:30:11 > 0:30:12How did you guys start e-mailing?

0:30:12 > 0:30:14Well, she wrote on Twitter that she was

0:30:14 > 0:30:16researching for a new novel she was writing.

0:30:16 > 0:30:18About a burn girl, so...

0:30:18 > 0:30:23I wrote to her and then I met her at a Star Wars convention in Florida.

0:30:23 > 0:30:25Was that weird for you? I mean...

0:30:25 > 0:30:29She's so amazing. You know, she's such a funny, amazing person.

0:30:29 > 0:30:33Plus we're both dual disorder, so we finish each other's sentences.

0:30:33 > 0:30:36So you came out here to see her?

0:30:36 > 0:30:38I just wanted to see Hollywood.

0:30:38 > 0:30:41But she did take me to breakfast at the Four Seasons.

0:30:41 > 0:30:43Zooey Deschanel was there.

0:30:43 > 0:30:45And Sally Draper, the little girl from Mad Men.

0:30:45 > 0:30:48It was pretty amazing.

0:30:48 > 0:30:49Do you have family?

0:30:49 > 0:30:51In Florida, that's where I'm from.

0:30:53 > 0:30:57Agatha, um...

0:30:57 > 0:30:58Can I ask about the burn?

0:31:02 > 0:31:03Ah...

0:31:03 > 0:31:06I was working in a planetarium after school...

0:31:06 > 0:31:07I was 12.

0:31:07 > 0:31:12There was an electrical fire and I ran into a store room.

0:31:12 > 0:31:14Like a jerk.

0:31:16 > 0:31:20Mm...um...well...

0:31:20 > 0:31:23This isn't a very glamorous job.

0:31:23 > 0:31:25I'm not used to glamour.

0:31:25 > 0:31:27Mm, you'd be like

0:31:27 > 0:31:28mostly running errands,

0:31:28 > 0:31:31going shopping and getting things fixed and...

0:31:31 > 0:31:35Ms Segrand, I would be the most loyal, most competent,

0:31:35 > 0:31:38most grateful personal assistant you've ever had.

0:31:38 > 0:31:40You don't have a car?

0:31:41 > 0:31:42But you drive?

0:31:42 > 0:31:45I have a valid Florida licence.

0:31:45 > 0:31:47Mm, we can rent you a car.

0:31:47 > 0:31:49I think maybe...

0:31:49 > 0:31:50Mustang, or something.

0:31:54 > 0:31:56Carrie's funny.

0:31:56 > 0:31:58She knew I should meet you.

0:32:01 > 0:32:02Do you know how my mother died?

0:32:04 > 0:32:05No.

0:32:06 > 0:32:08In a fire.

0:32:09 > 0:32:10Oh.

0:32:14 > 0:32:16Agatha.

0:32:22 > 0:32:24I think you're beautiful.

0:32:27 > 0:32:30And do you know who looks just like you?

0:32:30 > 0:32:31Inside?

0:32:34 > 0:32:35Havana Segrand.

0:32:41 > 0:32:43You've got a request. What is it?

0:32:43 > 0:32:46Hollywood tour. Cash call. Holly Crest Hotel.

0:33:06 > 0:33:07On my school notebook

0:33:07 > 0:33:09On my desk and on the trees

0:33:09 > 0:33:11On the sand and in the snow, I write your name.

0:33:12 > 0:33:14On all the flesh that says yes

0:33:14 > 0:33:16On the forehead of my friends

0:33:16 > 0:33:18On every hand held out

0:33:18 > 0:33:19I write your name

0:33:20 > 0:33:21Liberty.

0:33:25 > 0:33:28So you were in a fire, right?

0:33:28 > 0:33:30You know, I never really figured out what happened.

0:33:30 > 0:33:33I think, one night I got drunk and slept really hard on my face.

0:33:37 > 0:33:40So, now you hit Tinseltown, what are you going to do?

0:33:41 > 0:33:42Can't, ah...

0:33:42 > 0:33:44keep riding around in limos if you want to keep your money.

0:33:44 > 0:33:47Actually, I got a job.

0:33:47 > 0:33:48Oh, yeah, where?

0:33:48 > 0:33:50Do you know Havana Segrand?

0:33:50 > 0:33:51Sure. Know of.

0:33:51 > 0:33:54I'm her new personal assistant.

0:33:54 > 0:33:55That's the...

0:33:55 > 0:33:57Carrie Fisher connection?

0:33:57 > 0:33:58Actually it was.

0:33:59 > 0:34:02Havana is getting me a car.

0:34:06 > 0:34:08Hey, do you want to have dinner on the weekend?

0:34:11 > 0:34:12Um...

0:34:12 > 0:34:15Yeah, this weekend is not good for me, I have to, ah...

0:34:15 > 0:34:17I have to work on my script.

0:34:17 > 0:34:19I have a great idea for a movie.

0:34:19 > 0:34:21Maybe we could write it together?

0:34:21 > 0:34:23It's got an incest theme. I guess those are kind of overdone, huh?

0:34:23 > 0:34:25Sex abuse, the new religion.

0:34:25 > 0:34:28The truth is my parents are brother and sister!

0:34:28 > 0:34:30I never tell anyone that.

0:34:30 > 0:34:33But, I think it'd be cool. It's kind of been there, done that.

0:34:33 > 0:34:36I know that sounds jaded but I think it'd make a cool indie.

0:34:36 > 0:34:38You know, I want to act in it. And you could, too.

0:34:38 > 0:34:41Mm... I think it would be good if it wasn't pretentious,

0:34:41 > 0:34:44you know, if we got the whole mythological thing going on.

0:34:48 > 0:34:50Uh, look, Agatha...

0:34:53 > 0:34:56I think you're a little crazy.

0:34:56 > 0:34:58Well, so...

0:34:58 > 0:35:00I mean...

0:35:00 > 0:35:02What I'm saying is, um...

0:35:03 > 0:35:05I'm kind of, kind of involved with someone.

0:35:05 > 0:35:07And, uh...

0:35:07 > 0:35:09I mean...

0:35:09 > 0:35:10I hope everything works out for you.

0:35:14 > 0:35:17Look, I don't want to take your money.

0:35:24 > 0:35:26Fuck you.

0:35:45 > 0:35:46It was...

0:35:46 > 0:35:49like a dream but it seemed so fucking real.

0:35:51 > 0:35:52Go on.

0:35:54 > 0:35:56A girl... I, er...

0:35:56 > 0:35:58met her at the hospital.

0:35:58 > 0:36:01We sent her an iPad but they said she died.

0:36:04 > 0:36:05Then...

0:36:05 > 0:36:08she came into my room at the house.

0:36:08 > 0:36:10Scared the shit out of me.

0:36:12 > 0:36:14Maybe it was a dream.

0:36:15 > 0:36:17Am I going crazy?

0:36:18 > 0:36:19No.

0:36:21 > 0:36:22But, I...

0:36:22 > 0:36:26think it's probably time for you to start talking about certain things.

0:36:27 > 0:36:28My sister?

0:36:28 > 0:36:30Yes.

0:36:32 > 0:36:34She always, ah...

0:36:34 > 0:36:35wanted to...

0:36:35 > 0:36:36marry me.

0:36:36 > 0:36:38That's how we played.

0:36:38 > 0:36:40We did the ceremony.

0:36:42 > 0:36:43Isn't that strange?

0:36:45 > 0:36:47Think I'm crazy like her?

0:36:49 > 0:36:50No.

0:36:51 > 0:36:52But...

0:36:53 > 0:36:56..if we don't look at things they can make us crazy.

0:37:00 > 0:37:02Mom and Dad were...

0:37:02 > 0:37:03at some party...

0:37:03 > 0:37:06I was six or seven then.

0:37:08 > 0:37:09That night...

0:37:09 > 0:37:11the night it happened...

0:37:11 > 0:37:12we, uh...

0:37:12 > 0:37:15had the ceremony, the marriage thing.

0:37:15 > 0:37:16And uh...

0:37:17 > 0:37:19..she gave me pills...

0:37:19 > 0:37:21vitamins, she said...

0:37:24 > 0:37:29And, uh, I woke up in the hospital, they pumped my stomach, and...

0:37:29 > 0:37:30the firemen...

0:37:30 > 0:37:32carried me out there

0:37:32 > 0:37:33and I never saw her again.

0:37:38 > 0:37:40Have you asked your parents if they had... They...

0:37:40 > 0:37:42They don't talk about her.

0:37:42 > 0:37:43They won't.

0:37:45 > 0:37:47The girl at the hospital...

0:37:48 > 0:37:50..Harriet...what do I do?

0:37:52 > 0:37:54What do I do if she comes back?

0:37:56 > 0:37:57You call me.

0:38:00 > 0:38:01I'm afraid.

0:38:01 > 0:38:03Whenever I see her, it's so...

0:38:03 > 0:38:05real.

0:38:05 > 0:38:07I don't want to be hospitalised.

0:38:07 > 0:38:09My career is so fucked as it is.

0:38:09 > 0:38:11Textbook TSS, Havana.

0:38:11 > 0:38:13You saw heavy combat as a child.

0:38:13 > 0:38:14Could I be a multiple?

0:38:14 > 0:38:17I don't see that but if you are, we'll deal with it.

0:38:17 > 0:38:19Damn her!

0:38:19 > 0:38:20What does she want?

0:38:20 > 0:38:24When you came out of hiding and externalised your shame,

0:38:24 > 0:38:25Mother didn't like that.

0:38:25 > 0:38:28But what we can name, we can tame.

0:38:28 > 0:38:30She wants me to fail.

0:38:30 > 0:38:33But I won't. I won't.

0:38:33 > 0:38:36That's little Havana.

0:38:36 > 0:38:38Celebrate her.

0:38:38 > 0:38:41The Imago Deity, that's what Jung called it.

0:38:41 > 0:38:42We call it...

0:38:42 > 0:38:43the "magical child".

0:38:43 > 0:38:47And that child, will not fail.

0:38:47 > 0:38:48Lay down.

0:38:50 > 0:38:52I hired a girl.

0:38:52 > 0:38:54It's amazing.

0:38:54 > 0:38:56Why is it amazing?

0:38:56 > 0:38:58She's disfigured.

0:38:58 > 0:38:59She was...

0:38:59 > 0:39:01burned in a fire.

0:39:01 > 0:39:03On her face.

0:39:04 > 0:39:06Where is she from?

0:39:06 > 0:39:08Florida.

0:39:08 > 0:39:09It's amazing, she just...

0:39:09 > 0:39:11showed up on my doorstep.

0:39:12 > 0:39:14I get this sense that I'm...

0:39:14 > 0:39:16working through something by hiring her.

0:39:18 > 0:39:21People don't just enter our lives randomly, we call them.

0:39:23 > 0:39:25Two women linked by fire.

0:39:27 > 0:39:29I bet those visions go away.

0:39:29 > 0:39:31Oh... God!

0:39:31 > 0:39:33Do you think so?

0:39:33 > 0:39:35You're welcoming Mom into the house.

0:39:36 > 0:39:38You're saying, "Hey, Mom.

0:39:38 > 0:39:39"Come on in.

0:39:39 > 0:39:41"You don't scare me.

0:39:41 > 0:39:43"I'm empowered.

0:39:43 > 0:39:44"Soup's on.

0:39:44 > 0:39:46"This is my house, Ma.

0:39:46 > 0:39:49"I built it with my pain and my hope.

0:39:49 > 0:39:51"And you can't hurt me any more.

0:39:51 > 0:39:53"I'm a magical child, Ma.

0:39:53 > 0:39:55"So, come on in.

0:39:55 > 0:39:56"Mi casa

0:39:56 > 0:39:59"Es su casa."

0:39:59 > 0:40:00Deep breath now, Havana.

0:40:02 > 0:40:03Breathe.

0:40:27 > 0:40:29What if she comes to the house?

0:40:31 > 0:40:32She won't.

0:40:32 > 0:40:34Then what is she doing here?

0:40:35 > 0:40:37Maybe she's sightseeing.

0:40:38 > 0:40:40Why are you so cavalier about this?

0:40:42 > 0:40:45We've always handled things differently, you and I.

0:40:50 > 0:40:52You've got to get her fired.

0:40:52 > 0:40:54And then what?

0:40:55 > 0:40:58She's working for Havana. We know where she is.

0:41:00 > 0:41:01And that buys us time.

0:41:12 > 0:41:15What if she tries to get to Benjie?!

0:41:16 > 0:41:18I'm more concerned about the tabloids.

0:41:21 > 0:41:24I'm about to go on a book tour, for Christ's sakes!

0:41:30 > 0:41:31INDISTINCT VOICE

0:41:37 > 0:41:39On my school books

0:41:39 > 0:41:40On my desk

0:41:40 > 0:41:41And the trees

0:41:41 > 0:41:42On the sand and in the snow

0:41:42 > 0:41:44I write your name.

0:41:45 > 0:41:48On all the flesh that says yes

0:41:48 > 0:41:51On the forehead of my friends...

0:41:51 > 0:41:53KNOCK ON DOOR Son?

0:41:53 > 0:41:54One second!

0:41:56 > 0:41:57Come in.

0:42:01 > 0:42:03I saw your light.

0:42:04 > 0:42:05I couldn't sleep.

0:42:07 > 0:42:08Me neither.

0:42:10 > 0:42:12Were you reading?

0:42:12 > 0:42:13Just boning up on the script.

0:42:13 > 0:42:17That's hard to do without a partner.

0:42:17 > 0:42:19Mom usually reads with me, but, er...

0:42:19 > 0:42:23I like to know lines pretty well before we go over them.

0:42:23 > 0:42:25That's what makes you pro.

0:42:32 > 0:42:34Listen, there's something I wanted to talk to you about.

0:42:34 > 0:42:36I'm not taking anything.

0:42:36 > 0:42:38Not even Seroquel.

0:42:38 > 0:42:40I've got a really good sponsor.

0:42:40 > 0:42:43He's been clean and sober for 20 years.

0:42:43 > 0:42:45He's worked with Robert Downey Jr.

0:42:45 > 0:42:47Demi Levato. No.

0:42:53 > 0:42:54It's about your sister.

0:42:57 > 0:42:59I think she may be back.

0:43:00 > 0:43:02Here in Los Angeles.

0:43:04 > 0:43:07Did...did she call?

0:43:07 > 0:43:08She hasn't yet.

0:43:09 > 0:43:11I thought she was in prison somewhere.

0:43:11 > 0:43:13A hospital.

0:43:13 > 0:43:15Far away.

0:43:15 > 0:43:18But...now she's...

0:43:18 > 0:43:21Free, white and 18. The courts couldn't hold her.

0:43:21 > 0:43:24I'm in the process of acquiring a restraining order against her.

0:43:24 > 0:43:27And I'd like you to tell me if she... A restraining order?

0:43:29 > 0:43:32Too bad you couldn't have got one when she was born.

0:43:32 > 0:43:35You could've had a judge standing by in the delivery room.

0:43:35 > 0:43:36Maybe you tried that.

0:43:38 > 0:43:40We tried a lot of things, Benjie.

0:43:41 > 0:43:44Mostly we tried our best.

0:43:44 > 0:43:46That's in your book.

0:43:46 > 0:43:49That's a big thing in your book.

0:43:49 > 0:43:51Trying your best.

0:43:51 > 0:43:53It's supposed to give people major points.

0:43:56 > 0:43:58I don't know that girl any more, son...

0:44:00 > 0:44:03Not that I ever did.

0:44:03 > 0:44:04I don't know if she's dangerous.

0:44:06 > 0:44:08I knew this day was coming.

0:44:08 > 0:44:11I thought somehow she'd just stay put.

0:44:11 > 0:44:13That was stupid...of me.

0:44:15 > 0:44:16But I want you to tell me...

0:44:16 > 0:44:18if she tries to see you.

0:44:19 > 0:44:21I'll tell you if she pops up.

0:44:21 > 0:44:23You know, me and you like to share.

0:44:32 > 0:44:33Get some sleep, Son.

0:44:52 > 0:44:54By the power of a word

0:44:54 > 0:44:56I renew my life

0:44:56 > 0:44:59I was born to know you

0:44:59 > 0:45:00And to name you

0:45:00 > 0:45:02Liberty.

0:45:02 > 0:45:04Havana, sweetheart, I...

0:45:04 > 0:45:08I don't know if you've read the trades, but, um...

0:45:08 > 0:45:12They announced that Damien went with Azita.

0:45:12 > 0:45:16I mean, I can't say it's a complete surprise, but, uh...

0:45:16 > 0:45:19I'm very angry at the way it was handled.

0:45:19 > 0:45:22I mean it...it...it just makes me look foolish.

0:45:22 > 0:45:24But that's my problem, not yours.

0:45:24 > 0:45:27I'm so sorry, honey!

0:45:27 > 0:45:29I have calls in to Damien.

0:45:29 > 0:45:32And I hate to be leaving this on your phone, I...

0:45:32 > 0:45:35I...I just didn't want you to hear it from someone else.

0:45:35 > 0:45:37As you know, I mean,

0:45:37 > 0:45:40I strongly think there's no love lost on this project.

0:45:40 > 0:45:43Those were always my feelings.

0:45:43 > 0:45:47I know and I respect the reasons why it was so important to you, but...

0:45:47 > 0:45:51I think it's of equal importance we put this behind us.

0:45:51 > 0:45:54So...onward!

0:45:54 > 0:45:57I'm messengering six scripts

0:45:57 > 0:46:01to the house now! Lots of great stuff on the horizon.

0:46:01 > 0:46:03Call me as soon as you get this!

0:46:03 > 0:46:05I love you!

0:46:05 > 0:46:08And it's going to be a great year!

0:46:20 > 0:46:22SHE SCREAMS

0:46:39 > 0:46:41I made a hole in the wall.

0:46:41 > 0:46:42So, we'll be able to see everything.

0:46:42 > 0:46:45Everything? Or your money back.

0:46:45 > 0:46:48Oh, boy! I want to see her va-bina!

0:46:50 > 0:46:51And...CUT!

0:46:51 > 0:46:52BUZZER

0:46:52 > 0:46:54CHATTER AND LAUGHTER

0:47:03 > 0:47:05Mr Va-bina's getting all the laughs.

0:47:05 > 0:47:06He's only in four scenes.

0:47:06 > 0:47:08Yeah, and he's stealing every one of them.

0:47:08 > 0:47:10Piece of shit.

0:47:10 > 0:47:12Would you call Genie?

0:47:12 > 0:47:15Call Genie and tell her I want the little piece of shit flushed.

0:47:17 > 0:47:19And...what are you doing here?

0:47:20 > 0:47:21I, uh...

0:47:22 > 0:47:25I wanted to talk to you about something but, you know, it can wait.

0:47:25 > 0:47:28Not the studio's drug paranoia again?

0:47:28 > 0:47:31No, not the studio and their drug paranoia.

0:47:31 > 0:47:33KNOCK ON DOOR We're ready for you, Benjie!

0:47:34 > 0:47:35Fuck off!

0:47:37 > 0:47:38I need something to eat.

0:47:38 > 0:47:42My blood sugar drops every time I do a scene with Mr Piece of Shit Va-bina.

0:47:46 > 0:47:50Oh... Ma, can you put one of those breakfast burritos in the microwave?

0:47:50 > 0:47:52Two minutes is perfect.

0:48:03 > 0:48:04Hey.

0:48:06 > 0:48:07How you doing?

0:48:08 > 0:48:10I'm cool.

0:48:10 > 0:48:13Thought you'd be working on your script.

0:48:13 > 0:48:15I wish I was.

0:48:15 > 0:48:17Got to pay the bills.

0:48:17 > 0:48:18How's show business?

0:48:22 > 0:48:24It's all right.

0:48:24 > 0:48:27Got a call-back for Blue Matrix.

0:48:27 > 0:48:29You watch it?

0:48:29 > 0:48:31I'm not into space soaps.

0:48:33 > 0:48:35Well...

0:48:35 > 0:48:36it's got a kind of...

0:48:36 > 0:48:38Battlestar Galactica thing going on.

0:48:38 > 0:48:40Post 9/11.

0:48:40 > 0:48:43Can't believe I just spent $18,000 dollars.

0:48:43 > 0:48:46Let's go. Havana, this is Jerome.

0:48:46 > 0:48:47Hi.

0:48:47 > 0:48:48He's a chauffeur.

0:48:48 > 0:48:50Wonderful.

0:48:51 > 0:48:54Jerome just got an audition for Battlestar Galactica.

0:48:56 > 0:48:58It's actually Blue Matrix.

0:48:59 > 0:49:01I'm a big fan.

0:49:01 > 0:49:03Aw...thank you.

0:49:03 > 0:49:05Well, um...good luck.

0:49:08 > 0:49:11Havana! Oh, my God!

0:49:11 > 0:49:13Azita!

0:49:13 > 0:49:15Thanks.

0:49:15 > 0:49:17Oh...

0:49:17 > 0:49:20Mm...uh... Sydney just told me you were here.

0:49:20 > 0:49:22Uh... I was in the dressing room. I was going to call you.

0:49:22 > 0:49:23Congratulations.

0:49:23 > 0:49:25Thank you, thank you. I'm so excited.

0:49:25 > 0:49:28You are going to be so great.

0:49:28 > 0:49:29You think? And you're going to love working with Damien.

0:49:29 > 0:49:32Yeah, he's so great. Um...

0:49:32 > 0:49:34Havana!

0:49:34 > 0:49:35That makes me feel so good.

0:49:35 > 0:49:39Your mother was so special. It's going to be a challenge for me.

0:49:39 > 0:49:41I... I don't want to do impersonation.

0:49:41 > 0:49:43Do you know who's going to play my mother when she was young?

0:49:43 > 0:49:44Anne...

0:49:45 > 0:49:46..Hathaway.

0:49:48 > 0:49:50How's that going to work?

0:49:50 > 0:49:51Oh, oh, you'd love Anne.

0:49:51 > 0:49:53Do you know her? She...she's amazing.

0:49:53 > 0:49:56Aw...just...just make it your own.

0:49:56 > 0:49:59You know, for a heartbeat...

0:49:59 > 0:50:01I really wanted to do it. Isn't that insane?

0:50:01 > 0:50:02Well, you should have!

0:50:02 > 0:50:05But then I was like, work it out in therapy, bitch!

0:50:07 > 0:50:09Aw...

0:50:09 > 0:50:12He's so adorable!

0:50:12 > 0:50:13What's your name?

0:50:13 > 0:50:15Uh, this is Micah.

0:50:15 > 0:50:16Say hi to Havana.

0:50:16 > 0:50:20Hi, Micah. You are so sweet!

0:50:20 > 0:50:21My shy guy.

0:50:21 > 0:50:24Oh...what a heart-breaker. Yeah.

0:50:24 > 0:50:25Yeah...

0:50:25 > 0:50:27Well, great to see you.

0:50:27 > 0:50:29Yeah. You, too.

0:50:29 > 0:50:31Ciao. Ciao.

0:50:31 > 0:50:32Um, back in ten.

0:50:32 > 0:50:34OK...let's go, sweetie.

0:50:59 > 0:51:01Thank you, Luma.

0:51:02 > 0:51:04Can you let yourself out?

0:51:08 > 0:51:09DOOR CLOSES

0:51:16 > 0:51:18I like your new chore whore.

0:51:19 > 0:51:22Awful phrase, isn't it?

0:51:22 > 0:51:25You two have a lot in common.

0:51:25 > 0:51:28Like terrible men, for one.

0:51:28 > 0:51:29Hey, Ma...

0:51:29 > 0:51:31I'm empowered.

0:51:31 > 0:51:33Soup's on.

0:51:33 > 0:51:37I'm a magical child, Ma, so come on in.

0:51:37 > 0:51:38Mi casa es su casa.

0:51:38 > 0:51:40What do you want?

0:51:40 > 0:51:43This bravado of mine.

0:51:43 > 0:51:46It's asinine and I'm sorry.

0:51:46 > 0:51:48It's just...

0:51:48 > 0:51:49I'm nervous around you.

0:51:50 > 0:51:53It sounds comical but I'm not used to being around people.

0:51:53 > 0:51:55I'm not going to listen to this.

0:51:55 > 0:51:59Those incidents you keep sharing on the talk shows...

0:51:59 > 0:52:01they're false memories.

0:52:01 > 0:52:02Liar!

0:52:02 > 0:52:03From day one, liar!

0:52:03 > 0:52:06Your stepfather must have done those things to you.

0:52:06 > 0:52:07Why couldn't I see it?

0:52:08 > 0:52:12His first wife warned me that he was like that.

0:52:12 > 0:52:17You must have been so angry at me for not protecting you.

0:52:17 > 0:52:20Stay away from me. Stay...stay away.

0:52:24 > 0:52:27You blame yourself for the night I burned, don't you?

0:52:27 > 0:52:29"This is my house, Ma.

0:52:29 > 0:52:31"I built it.

0:52:31 > 0:52:34"My pain and my hope.

0:52:34 > 0:52:37"And you can't hurt me any more."

0:52:44 > 0:52:46"I'm sorry.

0:52:46 > 0:52:48"I just got uncomfortable.

0:52:50 > 0:52:52"I guess I'm a lousy dyke."

0:53:08 > 0:53:09Hi.

0:53:11 > 0:53:13Are you OK?

0:53:13 > 0:53:14I have the flu.

0:53:15 > 0:53:17I need cigarettes.

0:53:17 > 0:53:19American Spirit and...

0:53:20 > 0:53:23..I need you to pick up some prescriptions.

0:53:23 > 0:53:27Avian, Vicodin, Xanax, Zoloft

0:53:27 > 0:53:30and Astragalus and Goldenseal.

0:53:30 > 0:53:32And, um...

0:53:32 > 0:53:33Yogi-tea.

0:53:34 > 0:53:36Agatha...

0:53:36 > 0:53:38Do you know Stafford Weiss?

0:53:38 > 0:53:40The therapist?

0:53:40 > 0:53:41No.

0:53:41 > 0:53:43No...course you don't.

0:53:43 > 0:53:44Why should you?

0:53:44 > 0:53:47I'm getting information from a fucking dead person.

0:53:47 > 0:53:50Tampax... I need Tampax and, um...

0:53:50 > 0:53:51And...

0:53:51 > 0:53:54Kozy Shack? You know what Kozy Shack is?

0:53:54 > 0:53:56It comes in these big tubs, like...

0:53:56 > 0:53:58Tapioca...rice pudding...

0:53:59 > 0:54:01And truffles from Maison du Chocolat.

0:54:01 > 0:54:04You can...you can got those at, um...

0:54:04 > 0:54:05at Neiman's.

0:54:05 > 0:54:07And um...come out to the yard.

0:54:07 > 0:54:10Um... I need... I need to move some plants.

0:54:18 > 0:54:20They've been like this since the fucking earthquake.

0:54:20 > 0:54:23And I just... I want to move them over there.

0:54:23 > 0:54:24Don't worry about the tiles

0:54:24 > 0:54:27cos they are going to be redone so you can just drag 'em.

0:54:27 > 0:54:29They look so heavy.

0:54:29 > 0:54:31Don't make me into Mummy Dearest, OK?

0:54:31 > 0:54:32You're strong, you can do it.

0:54:32 > 0:54:34You're already wearing gloves, just...

0:54:34 > 0:54:35Just put your weight into it.

0:54:38 > 0:54:41No, swivel it. Like this...look, here. Swivel.

0:54:42 > 0:54:44Hello?!

0:54:46 > 0:54:47The door was open!

0:54:56 > 0:54:57What's happening?

0:54:57 > 0:55:00This hasn't hit the news yet.

0:55:00 > 0:55:02What?

0:55:02 > 0:55:04Azita Wachtel's little boy...

0:55:04 > 0:55:05died.

0:55:06 > 0:55:08No! I just saw them!

0:55:08 > 0:55:11Um...he was with his dad, in Ojai

0:55:11 > 0:55:12and he drowned. My God!

0:55:12 > 0:55:13Micah! How?!

0:55:13 > 0:55:16In the pool, I think... And she wasn't there?

0:55:16 > 0:55:18I don't know, I mean, nobody knows yet.

0:55:18 > 0:55:20Anything.

0:55:20 > 0:55:21But here's what's going on.

0:55:21 > 0:55:23And I know it's ghoulish...

0:55:23 > 0:55:26but I think we can get you to replace...

0:55:26 > 0:55:27But how?

0:55:27 > 0:55:29Well, Azita is in the hospital. You know.

0:55:29 > 0:55:31She totally lost it. They had to sedate her.

0:55:31 > 0:55:34Um...won't they just shoot around her for a few weeks?

0:55:34 > 0:55:35There's no way she's going back to work.

0:55:35 > 0:55:37Well, how much have they shot?

0:55:37 > 0:55:39Eh, just a few days.

0:55:39 > 0:55:40Casting people called me.

0:55:40 > 0:55:41Three times.

0:55:41 > 0:55:43Sarah Horowitz? She call back?

0:55:43 > 0:55:45Yeah...they want to make an offer.

0:55:46 > 0:55:49Did Damien call?

0:55:49 > 0:55:51No, but you know, he's probably consumed.

0:55:51 > 0:55:52Well, but, Havana...

0:55:52 > 0:55:56They are not going to make an offer without Damien's complete approval.

0:55:56 > 0:55:59No. Ah... Azita should just...do it. She should...she should work.

0:55:59 > 0:56:01She should go to the funeral and then go right back to work.

0:56:01 > 0:56:05Yeah, I know, it's beyond, but do you still want to do it?

0:56:05 > 0:56:08I need to talk to Damien. You will!

0:56:08 > 0:56:10But this just happened.

0:56:10 > 0:56:12I haven't been able to reach anyone.

0:56:13 > 0:56:17Don't come down from my quote, cos if they're really in trouble, we're in the catbird seat.

0:56:17 > 0:56:19Unless they're out to somebody else.

0:56:19 > 0:56:21I'll call you as soon as I hear.

0:56:23 > 0:56:26Should I send flowers?

0:56:26 > 0:56:28You're not supposed to know!

0:56:28 > 0:56:31And save the flowers for Damien, when we close!

0:56:32 > 0:56:33Ciao!

0:56:40 > 0:56:44# Na-na-na-na!

0:56:44 > 0:56:46# Hey-hey-hey!

0:56:46 > 0:56:47# Goodbye! Come on, sing it!

0:56:47 > 0:56:51# Na-na-na-na!

0:56:51 > 0:56:53# Hey-hey-hey!

0:56:53 > 0:56:55# Goodbye! #

0:56:55 > 0:56:56This is for little Micah!

0:56:56 > 0:56:58Little miracles! Who's Micah?

0:56:58 > 0:57:00Fire and water!

0:57:00 > 0:57:02We're fire and he's water!

0:57:02 > 0:57:04Say goodbye! Bye!

0:57:04 > 0:57:07# Na-na-na-na, goodbye, Micah! Na-na-na-na! #

0:57:07 > 0:57:10Fire and water, say it! Fire and water!

0:57:10 > 0:57:14# Hey-hey-hey, goodbye, woo-haa! #

0:57:23 > 0:57:25Excuse me?

0:57:25 > 0:57:28I'm looking for Jerome Fontana. He had a call-back?

0:57:28 > 0:57:29He's a Vorbalit?

0:57:31 > 0:57:32Try make-up.

0:57:38 > 0:57:40Hey!

0:57:44 > 0:57:46What are you doing here?

0:57:46 > 0:57:50Havana is having lunch at the commissary. Thought I'd see if I could find you.

0:57:52 > 0:57:55Is it supposed to be a burn?

0:57:55 > 0:57:57No, I don't think so. I think, uh...

0:57:57 > 0:57:58it's a birthmark or something.

0:58:02 > 0:58:03We're half an hour away.

0:58:03 > 0:58:06Go back to make-up and get some colour on that thing.

0:58:14 > 0:58:18They did have a cover...for the pool, but...

0:58:18 > 0:58:20The motor was in the shop for repair.

0:58:22 > 0:58:25He didn't swim?

0:58:25 > 0:58:27The father heard the phone...

0:58:27 > 0:58:30And he thought it was Azita so he went inside for like two seconds.

0:58:30 > 0:58:34That's always how it happens, I mean, uff, that's...

0:58:34 > 0:58:36Always how you hear it happens.

0:58:36 > 0:58:38Mm.

0:58:40 > 0:58:42Have you talked to Azita?

0:58:42 > 0:58:44Uh, yeah, I went to see her. She's home now.

0:58:45 > 0:58:48I told her you were playing the part.

0:58:48 > 0:58:50She was relieved.

0:58:50 > 0:58:52At least she seemed to be.

0:58:53 > 0:58:55I felt weird.

0:58:56 > 0:58:57Going there to tell her...

0:58:57 > 0:59:00that. But we had become close.

0:59:02 > 0:59:04Anyway, listen, I...I was...

0:59:04 > 0:59:06I was going to call you.

0:59:06 > 0:59:09To tell you about my decision to go...

0:59:09 > 0:59:11with Azita, but things went crazy.

0:59:11 > 0:59:13You know, it's cool, Damien.

0:59:13 > 0:59:15I'm...I'm totally fine.

0:59:15 > 0:59:17Yeah... I'm not.

0:59:17 > 0:59:18I don't like the way...

0:59:18 > 0:59:20that that was handled.

0:59:20 > 0:59:22I loved your read.

0:59:22 > 0:59:23You know that.

0:59:24 > 0:59:26I had some initial misgivings about

0:59:26 > 0:59:27the connection to your mother.

0:59:28 > 0:59:30But...

0:59:30 > 0:59:32the film...that I'm making,

0:59:32 > 0:59:34is very different from the original.

0:59:34 > 0:59:37In fact, in some ways it does not resemble it at all.

0:59:37 > 0:59:41Which I will probably be taken to task for...

0:59:41 > 0:59:44The script is amazing.

0:59:44 > 0:59:46Thank you.

0:59:47 > 0:59:49You know, I just want you to feel strong.

0:59:49 > 0:59:51Coming in like this.

0:59:52 > 0:59:55Things happen for a reason.

0:59:55 > 0:59:57I'm a big believer in that.

0:59:59 > 1:00:01So glad to have you on the show.

1:00:16 > 1:00:17Benjie?

1:00:17 > 1:00:20Hey, Victoria Lap in Star! Channel, are you ready for us now?

1:00:20 > 1:00:23No. Uh, we had a four o'clock interview with you.

1:00:23 > 1:00:26No. Didn't Genie tell you?

1:00:26 > 1:00:29No. Uh, uh, well, could we just have 15 minutes?

1:00:29 > 1:00:31No.

1:00:31 > 1:00:33OK, we've been waiting here for you.

1:00:33 > 1:00:37Why don't you talk to my co-star, Jim Carrey Jr?

1:00:37 > 1:00:38There he is.

1:00:38 > 1:00:42Hey! Mr Piece of Shit Va-bina! Want to be on TV?

1:00:43 > 1:00:44Sure.

1:00:44 > 1:00:46Get your jailbait ass over here.

1:00:52 > 1:00:54Hi, I'm Roy.

1:01:07 > 1:01:08DOOR CLATTERS

1:01:10 > 1:01:11LAUGHTER

1:01:14 > 1:01:15No, no!

1:01:20 > 1:01:21Hey, Benjie.

1:01:22 > 1:01:24FUCK! You! Get out!

1:01:24 > 1:01:27Hey, it's OK. I'm here to make amends.

1:01:27 > 1:01:28How did you get on the lot?

1:01:28 > 1:01:30I work for somebody who's doing a film here.

1:01:30 > 1:01:32Havana Segrand.

1:01:33 > 1:01:35You going to hurt me, Agatha?

1:01:35 > 1:01:37No...

1:01:37 > 1:01:40I'm not going to hurt you.

1:01:40 > 1:01:41You're my little brother.

1:01:41 > 1:01:43You try and hurt me I'll fucking kill you!

1:01:43 > 1:01:46Understood? Um-hm.

1:01:50 > 1:01:52You hungry?

1:01:52 > 1:01:53Want a breakfast burrito?

1:01:53 > 1:01:55No, I can't stay long.

1:01:57 > 1:01:59Havana Segrand, huh?

1:02:00 > 1:02:03Was that bullshit or are you serious? Um-hm.

1:02:07 > 1:02:09She's really good.

1:02:09 > 1:02:10We have the same agent.

1:02:12 > 1:02:14How did that happen, you working for Havana Segrand?

1:02:14 > 1:02:17Oh, it's...through friends.

1:02:17 > 1:02:19Carrie Fisher.

1:02:19 > 1:02:21You know, for...a disfigured schizophrenic,

1:02:21 > 1:02:23you got the town pretty wired.

1:02:26 > 1:02:28They know you're here, Agatha.

1:02:29 > 1:02:31How?

1:02:31 > 1:02:34Dad! He's all-fucking-seeing and knowing, if you don't remember.

1:02:34 > 1:02:36Watch your step, cos...

1:02:36 > 1:02:39the old man is getting a restraining order against you

1:02:39 > 1:02:43or some such shit. I prefer if you didn't tell them I stopped by.

1:02:48 > 1:02:50I'm not a big fan of closure, so...

1:02:50 > 1:02:54If you're looking for an epiphany that's going to help you go on with your life, then...

1:02:54 > 1:02:56I wrote to you...

1:02:56 > 1:02:57for years.

1:02:59 > 1:03:01To explain.

1:03:04 > 1:03:05KNOCK ON DOOR

1:03:07 > 1:03:09Benjie, it's Jeb Berg.

1:03:12 > 1:03:13I'm taking a nap, Jeb.

1:03:13 > 1:03:16There he is, hey, that's all right, listen...

1:03:16 > 1:03:18I've got my nieces here from Connecticut and they...

1:03:18 > 1:03:19Universal Studios.

1:03:19 > 1:03:21Put their asses on the tram, Jebbo.

1:03:26 > 1:03:28You're so mean.

1:03:28 > 1:03:31I fuck 'em when I can. Do you want a Cobalt?

1:03:31 > 1:03:33Nah, sugar makes me crazy.

1:03:35 > 1:03:36Very funny.

1:03:39 > 1:03:41So, uh, Mom and Dad...

1:03:41 > 1:03:43sent you to the snake pit?

1:03:43 > 1:03:44The courts did.

1:03:46 > 1:03:48Looking pretty good.

1:03:48 > 1:03:51I was in Sherman Oaks. On the burn ward.

1:03:51 > 1:03:53After my grafts they sent me to Florida.

1:03:53 > 1:03:54Land of Scarface.

1:03:54 > 1:03:56Tony Montana, I love it.

1:04:01 > 1:04:03Did you put that in?

1:04:03 > 1:04:05Um-hm.

1:04:05 > 1:04:06That's Havana's mom.

1:04:09 > 1:04:11Did you start the fire?

1:04:14 > 1:04:16This is hard.

1:04:16 > 1:04:18No shit. Did you?

1:04:21 > 1:04:24But I didn't want anything to happen to you.

1:04:24 > 1:04:26Do you know about them?

1:04:26 > 1:04:28About who we are. Did they tell you?

1:04:28 > 1:04:30Pills?

1:04:30 > 1:04:33Vitamins? Probably something for sleep.

1:04:33 > 1:04:38So you gave me pills and then you set the house on fire?

1:04:38 > 1:04:41Why am I having trouble with the "I didn't want anything to happen to you" part?

1:04:41 > 1:04:44I was seeing things! Like what?

1:04:44 > 1:04:45Children.

1:04:48 > 1:04:51What did you do...when you, uh...

1:04:51 > 1:04:52when you saw them?

1:04:54 > 1:04:55I would say...

1:04:55 > 1:04:59by this ring, you are consecrated to me.

1:04:59 > 1:05:02I remember that's...that's... that was the game we played.

1:05:02 > 1:05:04It always worked.

1:05:04 > 1:05:06As soon as I said it, they always went away.

1:05:10 > 1:05:13OK, uh... I think you have to go now.

1:05:16 > 1:05:18Benjie...

1:05:18 > 1:05:21There's this script.

1:05:21 > 1:05:24I can't explain, but you're part of this beautiful mythological script.

1:05:24 > 1:05:26Oh, my God.

1:05:26 > 1:05:30My long lost psychotron sister is pitching me a movie.

1:05:34 > 1:05:36Agatha, leave.

1:05:36 > 1:05:38And take the DVD with you.

1:05:41 > 1:05:44You don't have to worry about me starting any more fires.

1:05:46 > 1:05:48They blew my pilot light out.

1:05:51 > 1:05:54Work your programme, Milton.

1:05:54 > 1:05:56Don't argue in the bedroom. Bedroom...for sleeping,

1:05:56 > 1:05:58making love, not for fighting.

1:05:58 > 1:06:00You need to talk, go to a coffee shop.

1:06:00 > 1:06:02Thank you.

1:06:03 > 1:06:05Thanks. See you Tuesday.

1:06:05 > 1:06:07OK. Thanks.

1:06:07 > 1:06:08PHONE RINGS

1:06:14 > 1:06:15Yeah?

1:06:18 > 1:06:19Was she there now?

1:06:38 > 1:06:39Hello, Agatha.

1:06:42 > 1:06:44My books!

1:06:44 > 1:06:46You read any of them?

1:06:46 > 1:06:48Yes.

1:06:48 > 1:06:50Secrets Kill.

1:06:50 > 1:06:53A classic.

1:06:53 > 1:06:54How did you find me?

1:06:54 > 1:06:56Please, no film noir questions.

1:06:56 > 1:06:59Did Benjie... Did Benjie tell me you're here?

1:06:59 > 1:07:01How would he know that? Did you go see Benjie?

1:07:01 > 1:07:04No... Bad idea. Going to see Benjie.

1:07:04 > 1:07:06Reckless.

1:07:08 > 1:07:09The question remains.

1:07:11 > 1:07:12Why are you in LA?

1:07:14 > 1:07:17I'm in recovery.

1:07:17 > 1:07:19I wanted to make amends.

1:07:19 > 1:07:22No-one escapes the long arm of 12-step.

1:07:27 > 1:07:29Why didn't you ever come and see me?

1:07:29 > 1:07:32That's a victim question.

1:07:32 > 1:07:36That's an I Never Promised You A Rose Garden question.

1:07:36 > 1:07:38You know why.

1:07:38 > 1:07:41I don't believe in rewarding homicidal behaviour.

1:07:41 > 1:07:43I've changed.

1:07:44 > 1:07:48I wanted to tell you how... how sorry I am for what I did.

1:07:48 > 1:07:51I wanted to tell you and Mother. I sent letters.

1:07:51 > 1:07:54Apologies accepted.

1:07:54 > 1:07:55You need money?

1:07:57 > 1:07:59No, I have a job.

1:07:59 > 1:08:01I'm working for Havana Segrand.

1:08:01 > 1:08:03She asked if I knew you.

1:08:03 > 1:08:04Here.

1:08:04 > 1:08:05Here's $10,000 dollars.

1:08:05 > 1:08:08I want you to get on a plane, that would be a true amends.

1:08:08 > 1:08:09Our lives are rich and full.

1:08:09 > 1:08:12We made them from the ashes of what you left.

1:08:13 > 1:08:15Give Ms Segrand notice.

1:08:16 > 1:08:18Father...

1:08:20 > 1:08:21Please.

1:08:21 > 1:08:25Don't ever think about seeing Benjie again or Cristina,

1:08:25 > 1:08:26do you understand?

1:08:26 > 1:08:29You can't have actually believed

1:08:29 > 1:08:32I would let you come back and fuck up my world again?

1:08:32 > 1:08:34Take your skin cream...

1:08:34 > 1:08:38and your meds and your hefty bag luggage and set them at the door.

1:08:43 > 1:08:45And work your programme.

1:08:55 > 1:08:56All right.

1:08:56 > 1:08:59We're done, Benjie. I'll see you Friday.

1:08:59 > 1:09:01All right, thanks, Rusty.

1:09:16 > 1:09:18Hey!

1:09:18 > 1:09:19What are you doing in there?

1:09:23 > 1:09:25What the fuck are you doing in my pool?

1:09:25 > 1:09:26Who are you?

1:09:26 > 1:09:28Micah!

1:09:30 > 1:09:32It's the drowned boy.

1:09:33 > 1:09:36I don't want to see you.

1:09:36 > 1:09:38I didn't do anything to you.

1:09:39 > 1:09:43His father thinks he could have done something to save him.

1:09:43 > 1:09:45That's what father's always think.

1:09:45 > 1:09:47I'm not doing this.

1:09:48 > 1:09:51Go play with somebody else.

1:09:51 > 1:09:55I'm alive, asshole! I'm alive! And I'm not crazy!

1:10:09 > 1:10:11I know a man...

1:10:11 > 1:10:13who lives under the sword of Damocles

1:10:13 > 1:10:16we call AIDS.

1:10:16 > 1:10:18"When my time comes," he told me,

1:10:18 > 1:10:20"I'll be ready.

1:10:20 > 1:10:24"My bags are packed and at the door."

1:10:24 > 1:10:26I like that. I like that very m...

1:10:28 > 1:10:29SHE SOBS

1:10:52 > 1:10:54SOBBING CONTINUES

1:11:46 > 1:11:48Liberty.

1:11:53 > 1:11:55Say, "We have to stop."

1:11:57 > 1:11:58We have to stop.

1:11:58 > 1:12:00"You're a patient here. I want to help you."

1:12:03 > 1:12:05You're a patient here. I want to help you.

1:12:05 > 1:12:08"You don't think I set those fires, do you?"

1:12:08 > 1:12:12Say, "I think that you didn't mean to. You just need help, that's all."

1:12:12 > 1:12:15I think you didn't mean to. You just need help, that's all.

1:12:17 > 1:12:18Don't you want to help me?

1:12:23 > 1:12:25Leave my stockings.

1:12:25 > 1:12:26I have burns.

1:12:26 > 1:12:28My legs. My stomach. My back.

1:12:32 > 1:12:33OK.

1:12:40 > 1:12:42On my school notebook

1:12:42 > 1:12:44On my desk and on the trees

1:12:44 > 1:12:46In the sand and in the snow

1:12:46 > 1:12:47I write your name

1:12:47 > 1:12:49On all the flesh that says yes

1:12:49 > 1:12:50On the forehead of my friends

1:12:50 > 1:12:53On every hand held out I write your name.

1:13:25 > 1:13:28ON TV: Your mother, of course, was Clarice Taggart.

1:13:28 > 1:13:32The wonderful actress who died tragically in a fire in the mid '70s.

1:13:32 > 1:13:34Christmas '76.

1:13:34 > 1:13:37You've spoken of your mother's addictions.

1:13:37 > 1:13:40And recently revealed and, very bravely, I must say,

1:13:40 > 1:13:43that you yourself were physically abused.

1:13:43 > 1:13:45And sexually, yes.

1:13:45 > 1:13:49Which is far more uncommon, usually it's a male, the father, stepdad, what have you.

1:13:49 > 1:13:52And I want to talk about that, Havana, but first...

1:13:52 > 1:13:55There is a question that I've been dying to ask.

1:13:55 > 1:13:57What is it like

1:13:57 > 1:14:01starring in a remake of a movie, Stolen Waters, as you are now,

1:14:01 > 1:14:03and essentially

1:14:03 > 1:14:05playing your mother?

1:14:05 > 1:14:06Scary.

1:14:06 > 1:14:10I mean, we all hear that we become our mothers but

1:14:10 > 1:14:12this is a bit extreme.

1:14:12 > 1:14:14And she was even nominated?

1:14:14 > 1:14:16For an Academy Award, yes, which I believe she should have won.

1:14:16 > 1:14:18But she did get the Golden Globe.

1:14:18 > 1:14:23I suppose I feel about as comfortable as I, as I could.

1:14:23 > 1:14:25We're very lucky to have Damien Javitz directing...

1:14:25 > 1:14:28Agatha! Agatha, can you come up here?

1:14:28 > 1:14:32..Strange films. Honoured? Yes, but strange nonetheless.

1:14:35 > 1:14:37Don't be shy.

1:14:37 > 1:14:39I'm so backed up from the Vicodin.

1:14:39 > 1:14:42I need you to go back to Whole Foods and get me a laxative.

1:14:42 > 1:14:43I think it's called Quiet Moment.

1:14:43 > 1:14:45SHE PASSES WIND Oh...

1:14:45 > 1:14:48They should call it Un-Quiet Moment.

1:14:48 > 1:14:50Um, and I'm going to need you tonight.

1:14:50 > 1:14:54Maria can't work. One of her 1,000 kids has cholera or whatever.

1:14:54 > 1:14:56Oh, um...but what...what do I do?

1:14:56 > 1:14:59Um, kitchen stuff. Mostly.

1:14:59 > 1:15:03You know, easy. Refill drinks, maybe little serving.

1:15:03 > 1:15:05You'll have fun. Lots of interesting people.

1:15:05 > 1:15:07It'll be good for you.

1:15:07 > 1:15:08SHE PASSES WIND

1:15:08 > 1:15:10Fuck!

1:15:10 > 1:15:12I think I'm going to need an enema.

1:15:12 > 1:15:14Oh! Wait, wait.

1:15:14 > 1:15:15I wanted to ask you something.

1:15:17 > 1:15:19Do you see men?

1:15:19 > 1:15:21Sometimes.

1:15:21 > 1:15:23Are you seeing someone now?

1:15:27 > 1:15:29You are!

1:15:29 > 1:15:31Just dating a little.

1:15:31 > 1:15:33What does he do?

1:15:33 > 1:15:34He's an actor.

1:15:34 > 1:15:35Oh, God! They're the worst!

1:15:35 > 1:15:38You have to fight them for the mirror in the mornings.

1:15:38 > 1:15:40Well, in my case, that doesn't apply.

1:15:40 > 1:15:42He writes, too.

1:15:43 > 1:15:47No. You know, you're very attractive. Don't run yourself down.

1:15:47 > 1:15:49Do you do it with him?

1:15:49 > 1:15:53Havana! Eh, you can tell me!

1:15:53 > 1:15:55How much do you do?

1:15:55 > 1:15:57Almost everything.

1:15:57 > 1:15:58Do you come?

1:15:59 > 1:16:01There you go.

1:16:01 > 1:16:03Is he a waiter?

1:16:03 > 1:16:05No. He...you...uh, he drives a limousine.

1:16:05 > 1:16:07You met him outside of Valentino's.

1:16:07 > 1:16:08Oh, yeah!

1:16:08 > 1:16:10He's cute.

1:16:10 > 1:16:13Man! Limo-drivers are wolves!

1:16:13 > 1:16:15Um, OK.

1:16:15 > 1:16:17Um, I need

1:16:17 > 1:16:21yogurt and cigarettes and call the hot tub man because the water's cold.

1:16:21 > 1:16:24My God. Oh, my God! It stinks in here!

1:16:33 > 1:16:34Hey, sucker fish!

1:16:34 > 1:16:36Hey! You're out late for a school night.

1:16:36 > 1:16:38Two days off.

1:16:38 > 1:16:39Have a Shirley Temple.

1:16:39 > 1:16:41"Shirley" you jest.

1:16:41 > 1:16:43Don't call me Shirley.

1:16:43 > 1:16:46Oh, um, Benjie Weiss. Gretchen Voss.

1:16:48 > 1:16:50Hey, ah... I feel like getting in some shit tonight.

1:16:50 > 1:16:52You got any? What, the suits workin' you?

1:16:52 > 1:16:54Busting my expensive little hump, one day at a time.

1:16:57 > 1:16:59Where's...ah...Kayla?

1:16:59 > 1:17:00Naw, fuck her.

1:17:00 > 1:17:04I did! After the teamsters sold her my poop.

1:17:04 > 1:17:06She got it for a song.

1:17:06 > 1:17:09Well, you mean for a schlong.

1:17:09 > 1:17:10Oh, it's a long story.

1:17:10 > 1:17:12Long and coiled.

1:17:12 > 1:17:15What up with Sam?

1:17:15 > 1:17:17Well, let's find out.

1:17:17 > 1:17:19Shall we?

1:17:19 > 1:17:21She dug you, man.

1:17:21 > 1:17:22She dug you and you dissed her.

1:17:22 > 1:17:24I didn't diss her.

1:17:26 > 1:17:27Rhett, I know you're holdin', man.

1:17:27 > 1:17:30I'm not going to be the one to fuck up your sobriety, OK, Benjie?

1:17:32 > 1:17:36Are you doing the new Baby-sitter sequel?

1:17:36 > 1:17:37Yeah.

1:17:37 > 1:17:40They made me an offer my mother couldn't refuse.

1:17:40 > 1:17:41You made so much money.

1:17:41 > 1:17:43Yeah.

1:17:43 > 1:17:45Saw you in Thrill Kill. Cool.

1:17:45 > 1:17:49We tried to have fun with horror. The critics got it anyways.

1:17:49 > 1:17:50I, uh...

1:17:50 > 1:17:52Got a little GHB, if you want to get high?

1:17:52 > 1:17:54I think I love you.

1:17:55 > 1:17:57All right, Sam's on her way, Jose.

1:17:57 > 1:17:59Done deal.

1:18:00 > 1:18:01The Terminator.

1:18:03 > 1:18:04Cheers.

1:18:05 > 1:18:06Cheers.

1:18:11 > 1:18:13So, I got this off of eBay...

1:18:13 > 1:18:16and supposedly it was used at Columbine. Check it out.

1:18:20 > 1:18:23Hey! Hey! It's loaded, man! That's loaded.

1:18:23 > 1:18:25Then I'll empty it.

1:18:25 > 1:18:26OK, don't fuck around.

1:18:28 > 1:18:29Benjie!

1:18:31 > 1:18:32Oh, my God, that is so sick.

1:18:32 > 1:18:35Oh, God, if America only knew.

1:18:35 > 1:18:37Finish the joke, Rhett.

1:18:37 > 1:18:38About the hillbilly.

1:18:38 > 1:18:40Oh, my God! You've only been telling it for an hour.

1:18:40 > 1:18:44OK, so, OK, the hillbilly says to the yuppie...

1:18:44 > 1:18:45And what exactly is a yuppie?

1:18:45 > 1:18:47Are you serious?

1:18:47 > 1:18:49Oh, like, I know what it is.

1:18:49 > 1:18:51I just don't know what it stands for. OK.

1:18:51 > 1:18:53The hillbilly says to the yuppie, right?

1:18:53 > 1:18:55He says, "I know a place where we can go."

1:18:55 > 1:18:58Right? "Where they got dancing, they got farting

1:18:58 > 1:19:01"they got drinking and they got FUCKING, WOO!"

1:19:01 > 1:19:03Does this joke end in safe sex?

1:19:03 > 1:19:05Fuck safe sex! Let's bareback!

1:19:05 > 1:19:07All right, come on, give me that.

1:19:07 > 1:19:08Eh, I said...

1:19:08 > 1:19:10Does this joke end in safe sex?

1:19:10 > 1:19:12Oh, well...

1:19:12 > 1:19:13I hope not.

1:19:13 > 1:19:15I'm going to have to kill you.

1:19:16 > 1:19:17Come on, Benjie!

1:19:17 > 1:19:19This is getting old, all right? Yuppie says...

1:19:19 > 1:19:22"Great! Who else is going to be there?"

1:19:22 > 1:19:24And the hillbilly says...

1:19:24 > 1:19:25"Who else?

1:19:25 > 1:19:26"Just me...

1:19:26 > 1:19:27"and you."

1:19:31 > 1:19:32DOG PANTS

1:19:33 > 1:19:34DOG BARKS

1:19:35 > 1:19:36GUNSHOT

1:19:36 > 1:19:39You motherfucker! You idiot!

1:19:39 > 1:19:41Oh, God! Holy shit!

1:19:41 > 1:19:43That's so fucked! FUCK!

1:19:43 > 1:19:46Get out of here, Benjie! Rhett, man, I'm sorry! You saw... I...

1:19:46 > 1:19:48I had all the bullets out.

1:19:52 > 1:19:54You're fucking crazy. You killed my dog, asshole!

1:19:54 > 1:19:58You sick motherfucker! You killed my dog! GET OUT OF HERE!

1:20:05 > 1:20:07May I come in?

1:20:08 > 1:20:11I'm not sure that's a good idea. I won't stay long, Mom.

1:20:11 > 1:20:13I just wanted to make amends.

1:20:23 > 1:20:26I've seen this house in the magazines.

1:20:27 > 1:20:28In, ah...

1:20:28 > 1:20:32Architectural Digest and the profiles of Father.

1:20:35 > 1:20:37Makes me feel exposed, but...

1:20:40 > 1:20:43..Stafford likes things personalised.

1:20:43 > 1:20:46Show the world how and where we live.

1:20:54 > 1:20:56Can I...

1:20:56 > 1:20:58get you anything?

1:20:58 > 1:20:59Um, no, thank you.

1:21:08 > 1:21:10I supposedly quit.

1:21:12 > 1:21:15Actually, I thought you'd come here sooner, it...

1:21:15 > 1:21:17It's been seven years.

1:21:19 > 1:21:21Takes me that long to put on my make-up.

1:21:26 > 1:21:28Agatha, I... I didn't go to see you.

1:21:28 > 1:21:30I wouldn't have come to see me if I were you either.

1:21:33 > 1:21:34I was afraid.

1:21:36 > 1:21:38Cos of what you did.

1:21:38 > 1:21:40You don't have to explain.

1:21:40 > 1:21:43I've dreamt so much of that old house.

1:21:43 > 1:21:46It was the first place I visited when I got back here.

1:21:46 > 1:21:49It's so strange that nobody has built on it.

1:21:49 > 1:21:51Well, we still own the property.

1:21:51 > 1:21:55Since before I can remember, I've had the same dream.

1:21:55 > 1:21:57Benjie and me, getting married there.

1:21:57 > 1:21:59In a big white tent. It didn't make any sense.

1:21:59 > 1:22:02And then I found out about you and Dad.

1:22:02 > 1:22:04You were in Europe, I...

1:22:04 > 1:22:07found the key to the lock box, all the pictures.

1:22:09 > 1:22:11We didn't know we were brother and sister.

1:22:13 > 1:22:16We'd been separated since we were kids.

1:22:19 > 1:22:20It was a freak thing, we...

1:22:22 > 1:22:24..met on campus, in the desert...

1:22:26 > 1:22:28Agatha, we didn't know.

1:22:30 > 1:22:32We didn't know.

1:22:32 > 1:22:33DOOR OPENS

1:22:42 > 1:22:44What are you doing here?

1:22:44 > 1:22:45Stafford, it's all right.

1:22:47 > 1:22:49I told you to stay away from us.

1:22:51 > 1:22:52You didn't know.

1:22:54 > 1:22:55It was a freak thing.

1:22:56 > 1:22:59I found the diaries.

1:22:59 > 1:23:01Love is stronger than death.

1:23:08 > 1:23:10You crazy cunt! Stafford!

1:23:10 > 1:23:11Daddy, don't!

1:23:14 > 1:23:15Get off her!

1:23:25 > 1:23:26OK. OK.

1:23:26 > 1:23:28Got to go! Got to go! Don't take her!

1:23:28 > 1:23:30Got to go! Don't take her!

1:23:30 > 1:23:33Don't take her!

1:23:33 > 1:23:35Let me go!

1:23:59 > 1:24:01My ring.

1:24:02 > 1:24:04She took my wedding ring.

1:24:06 > 1:24:07My ring.

1:24:31 > 1:24:33Piss patrol!

1:24:33 > 1:24:34Caught in the act.

1:24:35 > 1:24:37You know...

1:24:37 > 1:24:40You're chewing some major scenery out there.

1:24:40 > 1:24:42What do you mean? You know what I mean.

1:24:43 > 1:24:46Va-bina head!

1:24:46 > 1:24:49Who's the star of the show?

1:24:49 > 1:24:50Huh?!

1:24:50 > 1:24:52Can you tell me that, Roy?

1:24:52 > 1:24:54Uh...you are?

1:24:55 > 1:24:58He's not your enemy.

1:24:59 > 1:25:00You!

1:25:02 > 1:25:04Love is stronger than death.

1:25:11 > 1:25:13You're...a bad baby-sitter, Benjamin!

1:25:13 > 1:25:14You die!

1:25:14 > 1:25:16DIE!

1:25:16 > 1:25:18You're a bad baby-sitter!

1:25:46 > 1:25:47Fuck.

1:25:49 > 1:25:50Fuck!

1:25:52 > 1:25:53Fuck!

1:25:58 > 1:26:00He may be groggy from the medication.

1:26:03 > 1:26:05Oh.

1:26:05 > 1:26:09Oh, my baby! My baby! My baby! My baby...

1:26:15 > 1:26:17I'm so sorry, Mom.

1:26:17 > 1:26:19Why?

1:26:19 > 1:26:22Benjie, why did you do it?

1:26:22 > 1:26:23He was just a little boy...

1:26:26 > 1:26:28I saw her again...

1:26:30 > 1:26:32Who, baby? Agatha?

1:26:32 > 1:26:34Did Agatha come to see you?

1:26:34 > 1:26:37The little girl. She tricked me.

1:26:37 > 1:26:39What little girl?

1:26:40 > 1:26:42From the hospital. The one that died.

1:26:42 > 1:26:45I keep seeing.

1:26:45 > 1:26:49Oh, my baby! My baby! My baby!

1:26:50 > 1:26:54Oh, my baby! My baby! My baby! My ba...

1:26:54 > 1:26:56We've got to get him home.

1:26:56 > 1:26:59I'd like to place him outside of California.

1:26:59 > 1:27:02We need Jonas to speak with the district attorney.

1:27:02 > 1:27:04He's only 13.

1:27:06 > 1:27:10We have to factor in the violence of the assault, Cristina.

1:27:10 > 1:27:14He didn't take a gun to a kid at school, Harriet! He hurt one boy. One boy!

1:27:14 > 1:27:17The state has become very tough on minors.

1:27:18 > 1:27:20They won't send him to jail?

1:27:22 > 1:27:23They won't send him to jail.

1:27:29 > 1:27:30The boy's going to be all right.

1:27:30 > 1:27:33Oh, thank God!

1:27:33 > 1:27:34They've shut down production.

1:27:36 > 1:27:37I don't know if they are going to recast.

1:27:40 > 1:27:43But it's such a small little part, what?

1:27:43 > 1:27:45BENJIE! They are talking about recasting BENJIE!

1:27:45 > 1:27:47My God. It's over!

1:27:47 > 1:27:48DONE!

1:27:50 > 1:27:52Now the whole world...

1:27:52 > 1:27:54will know.

1:27:58 > 1:28:02The world will know we have done crimes.

1:28:02 > 1:28:05Hope you don't mind that I requested you.

1:28:05 > 1:28:07No, I'm glad.

1:28:07 > 1:28:09SHE COUGHS

1:28:09 > 1:28:10God!

1:28:10 > 1:28:14I feel shitty. I think I've got bronchitis.

1:28:14 > 1:28:16Kind of makes your voice sound sexy.

1:28:16 > 1:28:18Thank you.

1:28:18 > 1:28:20So, how's the romance going?

1:28:21 > 1:28:24It's all right. It's pretty good.

1:28:26 > 1:28:29What's that all about for you?

1:28:29 > 1:28:31What do you mean? Um, you know...

1:28:31 > 1:28:34the burn thing?

1:28:34 > 1:28:36Was it creepy...

1:28:37 > 1:28:39..to fuck her?

1:28:42 > 1:28:44Uh, not really.

1:28:46 > 1:28:48Does she take her gloves off?

1:28:53 > 1:28:55Do your friends think it's weird?

1:28:57 > 1:28:58Have your friends even met her?

1:29:00 > 1:29:01I'm kind of trying to...

1:29:03 > 1:29:05..trying to write a script about it.

1:29:05 > 1:29:11Ah, research.

1:29:11 > 1:29:13Everything is research on some level.

1:29:15 > 1:29:16Mm.

1:29:19 > 1:29:23Would you fuck me if I asked you to? For research?

1:29:28 > 1:29:29I don't know.

1:29:31 > 1:29:33How would we do it?

1:29:35 > 1:29:36Can you see me?

1:29:38 > 1:29:40Look at what I'm doing.

1:29:42 > 1:29:44How would we fuck?

1:29:45 > 1:29:48From behind.

1:29:48 > 1:29:50We could if you want.

1:29:50 > 1:29:52I want.

1:29:52 > 1:29:54For a long time.

1:29:54 > 1:29:56Yeah?

1:29:57 > 1:30:00Am I better looking...than her?

1:30:05 > 1:30:07Yeah.

1:30:07 > 1:30:09And my skin...

1:30:09 > 1:30:11do I have better skin?

1:30:12 > 1:30:13Yeah.

1:30:14 > 1:30:16And my holes...

1:30:16 > 1:30:19are my holes better?

1:30:19 > 1:30:21You want to fuck my holes?

1:30:21 > 1:30:22Yeah.

1:30:57 > 1:30:58I gotta go.

1:31:02 > 1:31:05Do me a favour? Don't get out, just climb over.

1:31:28 > 1:31:30What happened to you?

1:31:31 > 1:31:33I took the bus.

1:31:33 > 1:31:36What's wrong with the car?

1:31:36 > 1:31:37It broke.

1:31:37 > 1:31:40What happened to you yesterday?

1:31:40 > 1:31:41I was sick.

1:31:41 > 1:31:43Yeah. I've been sick all week.

1:31:43 > 1:31:47I still manage to get up at five in the morning and work for 14 hours.

1:31:47 > 1:31:49What's wrong with you?

1:31:50 > 1:31:52I think I have the flu.

1:31:52 > 1:31:55You're acting really weird.

1:31:55 > 1:31:57You're dirty.

1:31:57 > 1:31:59I'm sorry.

1:31:59 > 1:32:02Was it too much trouble to just like text?

1:32:03 > 1:32:04I'm sorry.

1:32:04 > 1:32:06Stop saying that.

1:32:06 > 1:32:09Uh...you know.

1:32:09 > 1:32:10Maybe this isn't working out.

1:32:10 > 1:32:12Maybe you need to just go back to Florida.

1:32:12 > 1:32:13You know.

1:32:13 > 1:32:16Go back to Kansas, Dorothy. That's fine.

1:32:16 > 1:32:20But, I wish you wouldn't just sit there, like that, because it's creeping me out.

1:32:23 > 1:32:25You smell.

1:32:25 > 1:32:27You smell! You hear me?

1:32:27 > 1:32:30Go home and take a bath!

1:32:30 > 1:32:31I'm sorry.

1:32:32 > 1:32:34Oh, my God!

1:32:34 > 1:32:35You bled!

1:32:35 > 1:32:38Don't you...? Don't you use fucking Tampax?!

1:32:38 > 1:32:41Are you psychotic? I'm sorry.

1:32:41 > 1:32:44I don't... I don't believe this. My... My crazy assistant just...

1:32:44 > 1:32:47bled on my $12,000 dollar couch!

1:32:47 > 1:32:49I don't want you in my life!

1:32:49 > 1:32:51You sick fucking pig!

1:32:51 > 1:32:52I'm sorry, I'll pay for...

1:32:52 > 1:32:55Go to the kitchen and get Perrier and bleach.

1:32:55 > 1:32:57And google the best way to get rid of a stain.

1:32:57 > 1:32:59I... I pick you up off the street.

1:32:59 > 1:33:01I give you money so you could be late for work

1:33:01 > 1:33:04and have your period on my furniture!

1:33:04 > 1:33:07Do you...? Do you think that Carrie Fisher...?

1:33:07 > 1:33:10Do you...do you think Nicole Kidman and Halle Berry

1:33:10 > 1:33:12have scary little animals working for them?

1:33:12 > 1:33:14Scary, deformed...

1:33:56 > 1:33:57DOORBELL RINGS

1:34:08 > 1:34:10Hi, Agatha.

1:34:10 > 1:34:12Benjie.

1:34:12 > 1:34:13I went AWOL and...

1:34:13 > 1:34:16I told an orderly that if he let me leave slip out then...

1:34:16 > 1:34:20I'd give him $10,000 dollars.

1:34:20 > 1:34:22Douche-bag star-fucker.

1:34:28 > 1:34:30How did you find me?

1:34:30 > 1:34:31You said you worked for her.

1:34:33 > 1:34:36And I've been up here before, so...

1:34:38 > 1:34:40Where's Havana?

1:34:40 > 1:34:44She went to the Canyon Ranch. Damien gave her a couple of days off.

1:34:52 > 1:34:54I'm lost, Agatha.

1:34:56 > 1:34:59I couldn't go to Rhett's and I can't go home.

1:34:59 > 1:35:03Benjie, you have to listen to me, because there's nothing else.

1:35:03 > 1:35:05It's all ending now. Do you understand?

1:35:07 > 1:35:09This is Cristina's.

1:35:09 > 1:35:11You've got to get Daddy's, can you do that?

1:35:11 > 1:35:13Can you go to the house and get Daddy's ring?

1:35:16 > 1:35:19We're going to keep it quiet as long as we can.

1:35:19 > 1:35:21I don't want anything interfering with the book tour.

1:35:21 > 1:35:23Worse case...

1:35:23 > 1:35:25I go on Oprah again.

1:35:25 > 1:35:27'Fess up.

1:35:27 > 1:35:30Do the whole Lance Armstrong thing.

1:35:30 > 1:35:32That'll build us a fresh money stream.

1:35:34 > 1:35:39So, we kick it off Monday morning. With GMA, play it as it lays.

1:35:39 > 1:35:40Ciao.

1:36:09 > 1:36:13Cristina?

1:36:19 > 1:36:20Cristina?

1:36:31 > 1:36:32FLAMES ROAR

1:36:32 > 1:36:33SCREAMING

1:36:37 > 1:36:39Cristina!?

1:36:39 > 1:36:40Cristina!

1:37:19 > 1:37:20Dad?

1:37:22 > 1:37:23Dad?

1:38:22 > 1:38:24I haven't taken this many before.

1:38:32 > 1:38:34That was so brave of you.

1:38:35 > 1:38:37To go back there.

1:38:38 > 1:38:40I just slipped it off his finger.

1:38:42 > 1:38:44It was like he wanted me to have it.

1:39:28 > 1:39:29We should start.

1:39:31 > 1:39:34I had 13 summers.

1:39:34 > 1:39:36Not so bad.

1:39:36 > 1:39:38Hey, not so bad.

1:39:48 > 1:39:49By this ring...

1:39:49 > 1:39:50By this ring...

1:39:50 > 1:39:52You are consecrated to me.

1:39:52 > 1:39:54I am consecrated to you.

1:39:54 > 1:39:56As my husband.

1:39:56 > 1:39:57As your husband.

1:40:06 > 1:40:09By this ring... By this ring...

1:40:09 > 1:40:11You are consecrated to me as my wife.

1:40:11 > 1:40:13I am consecrated to you as your wife.

1:40:15 > 1:40:17Make me as a seal upon your heart.

1:40:19 > 1:40:20You may kiss the bride.

1:40:33 > 1:40:36On absence without desire

1:40:36 > 1:40:38On absence without desire

1:40:38 > 1:40:40On naked solitude

1:40:40 > 1:40:42On naked solitude

1:40:42 > 1:40:44On the stairs of death I write your name.

1:40:44 > 1:40:47On the stairs of death I write your name.

1:40:47 > 1:40:49On health that has returned

1:40:49 > 1:40:50On health that has returned

1:40:50 > 1:40:52On danger that has left

1:40:52 > 1:40:54On danger that has left

1:40:54 > 1:40:56On hope without memory

1:40:56 > 1:40:58I write your name

1:40:58 > 1:41:01On hope without memory I write your name

1:41:01 > 1:41:03And by the power of a word

1:41:03 > 1:41:05By the power of a word

1:41:05 > 1:41:06I renew my life

1:41:06 > 1:41:08I renew my life

1:41:08 > 1:41:11I was born to know you and to name you

1:41:11 > 1:41:14I was born to know you and to name you

1:41:14 > 1:41:16Liberty

1:41:16 > 1:41:17Liberty.

1:43:30 > 1:43:32Promise me that you'll come and find me.