0:00:03 > 0:00:07This film contains strong language
0:02:45 > 0:02:46SHOUTING
0:08:31 > 0:08:33MUSIC: Baby's Coming Back To Me by Jarvis Cocker
0:08:53 > 0:08:55MUSIC STOPS
0:10:01 > 0:10:04MUSIC: Famous Blue Raincoat by Leonard Cohen
0:12:23 > 0:12:25INTERCOM BUZZES
0:13:16 > 0:13:18SHE SIGHS
0:13:39 > 0:13:41SHE SHOUTS
0:16:14 > 0:16:17How was your flight?
0:16:25 > 0:16:27HE GROANS
0:16:27 > 0:16:30No. Oh, no!
0:16:34 > 0:16:36HE CALLS OUT
0:16:37 > 0:16:39I'll kill ya.
0:18:25 > 0:18:27HE CHUCKLES
0:18:47 > 0:18:50Oh, God.
0:18:50 > 0:18:52What a terrible dream.
0:18:52 > 0:18:55Kevin Spacey tried to kill me.
0:19:36 > 0:19:38SHE LAUGHS
0:19:49 > 0:19:50Good night.
0:19:53 > 0:19:55HE CHUCKLES
0:19:55 > 0:19:56I was joking, all right?
0:21:46 > 0:21:48INAUDIBLE
0:22:01 > 0:22:03Decide later, right?
0:22:05 > 0:22:07THEY LAUGH
0:22:31 > 0:22:33You just finalised the agreement for the factory...
0:22:53 > 0:22:55I have to get them to trust me.
0:22:55 > 0:22:58Ah! Champagne!
0:23:01 > 0:23:06It's fake! Like my whole life, huh? That's what it is, to be an actor.
0:23:06 > 0:23:09Listen, I'd like real champagne for the scene, if you don't mind.
0:23:09 > 0:23:14OK? I'm Barry Huggins and Barry needs real champagne for the scene.
0:23:14 > 0:23:15Understand?
0:23:15 > 0:23:17- Er, yes.- I'm serious. I'm very serious.
0:23:19 > 0:23:21HE LAUGHS
0:24:13 > 0:24:15I know. I have trouble with that word.
0:24:17 > 0:24:19No!
0:24:24 > 0:24:26I'm nervous. It's my first day. I'm sorry.
0:24:29 > 0:24:32We're doing it again, doing it again. I'm ready. Watch this. Watch.
0:26:45 > 0:26:47"Hello. Mr Huggins?"
0:26:47 > 0:26:49"Yes, that's me."
0:26:49 > 0:26:52"This is Stanley Kubrick.
0:26:53 > 0:26:55"How can I get you the script?"
0:26:55 > 0:26:58I said, "UPS it."
0:26:58 > 0:27:00"What if you're not home?"
0:27:00 > 0:27:02"If I'm not home, the guy will throw it over the gate."
0:27:04 > 0:27:06"That's unbelievable.
0:27:06 > 0:27:07"Mine doesn't."
0:27:07 > 0:27:10Anyway, I left for London. Just the travelling.
0:27:10 > 0:27:12I was supposed to shoot for one week, but they had told me,
0:27:12 > 0:27:15"Look, nobody shoots for one week with Kubrick."
0:27:17 > 0:27:20And do you know how long I wound up staying?
0:27:28 > 0:27:31I was in a hotel room, waiting.
0:27:31 > 0:27:33I even missed the birth of my son.
0:27:33 > 0:27:34Oh.
0:27:36 > 0:27:39But, you know, that's how our work is.
0:27:39 > 0:27:43Stanley was crazy about me.
0:27:43 > 0:27:45He was writing two more films,
0:27:45 > 0:27:47tailor-made just for me, like a suit.
0:27:48 > 0:27:52But, unfortunately, there was no time.
0:27:52 > 0:27:55HE SINGS
0:27:56 > 0:27:59HE JOINS IN
0:28:03 > 0:28:06SINGING CONTINUES
0:29:04 > 0:29:06Hey, Margherita!
0:29:16 > 0:29:20One of those gangster movies with soul.
0:29:22 > 0:29:23Like the old movies.
0:29:26 > 0:29:28Edward G Robinson.
0:29:28 > 0:29:30"All right, Frasier, this is it.
0:29:30 > 0:29:34"You double-crossed me, I took all that for you."
0:29:34 > 0:29:38And I play a guy who seems, on the surface, like a good guy.
0:29:52 > 0:29:54A long shot, like in Touch Of Evil.
0:29:57 > 0:30:00All the way around, and then it ends up...
0:30:05 > 0:30:08And you're the director. With your touch, your feminine touch.
0:30:14 > 0:30:17You can bring something to it, right?
0:30:17 > 0:30:20And then the story - it's one of those movies that you see the story
0:30:20 > 0:30:22from all these different points of view.
0:30:25 > 0:30:26And then, every time...
0:30:30 > 0:30:32The same story.
0:30:34 > 0:30:36Hey, my friend! What's your name?
0:30:36 > 0:30:38- Amedeo.- Amedeo, huh? My son's name is Amedeo.
0:30:45 > 0:30:46You've got a beautiful face, this guy.
0:30:50 > 0:30:52He could be the guy who's my cellmate.
0:30:52 > 0:30:53- Amedeo?- And we have this
0:30:53 > 0:30:56very ambiguous relationship, maybe sexual.
0:30:56 > 0:30:58You don't know. It's up to you. What's in between us?
0:31:01 > 0:31:03You decide!
0:31:09 > 0:31:11And then the men, look at the men, see?
0:31:11 > 0:31:14Free. He escapes.
0:31:39 > 0:31:41BUMP
0:34:27 > 0:34:29INAUDIBLE
0:35:39 > 0:35:41BEEPING
0:36:49 > 0:36:51SHE WHINES
0:38:27 > 0:38:29DOORBELL
0:38:32 > 0:38:35DOORBELL
0:39:47 > 0:39:49SHE SOBS
0:40:04 > 0:40:07DOOR CLOSES
0:45:04 > 0:45:06REPORTERS CLAMOUR
0:46:28 > 0:46:32I immediately fell in love with the character of the entrepreneur.
0:46:32 > 0:46:35After I read the script, I grabbed the telephone.
0:46:35 > 0:46:36"Hello?"
0:46:38 > 0:46:42"I am ready to get right on that first plane and come right over."
0:46:42 > 0:46:44Am I right?
0:47:22 > 0:47:23SHE KNOCKS
0:50:22 > 0:50:24I'm an outsider, yes.
0:50:36 > 0:50:39I don't have a choice. I got it.
0:50:45 > 0:50:47I don't have a choice.
0:54:07 > 0:54:08Workers, they yell at you.
0:54:29 > 0:54:31Next to the character.
0:54:53 > 0:54:56- In front of you, Barry. - Yeah, I'll do it again.
0:55:25 > 0:55:27What?
0:56:10 > 0:56:11THEY LAUGH
0:57:09 > 0:57:12I can't see. I can't really see very well.
0:57:12 > 0:57:16Shit. I can't see anything.
0:57:16 > 0:57:18Just make sure it's safe.
0:57:22 > 0:57:24What are you doing?
0:57:40 > 0:57:43I'm gonna fucking crash over here.
0:57:48 > 0:57:52Can't see a fucking thing. I can't see a fucking thing.
0:57:55 > 0:57:56HE MUTTERS
0:57:56 > 0:57:57HE SHOUTS
0:57:57 > 0:58:01Stop! Fucking stop!
0:58:05 > 0:58:08I can't see. That's right.
0:58:09 > 0:58:11Stop-a! Everything is a stop-a.
0:58:11 > 0:58:13Stop-a! Stop-a!
0:59:11 > 0:59:13INAUDIBLE
0:59:28 > 0:59:30MUSIC: Baby's Coming Back To Me by Jarvis Cocker
1:04:22 > 1:04:24THEY SAY GOODBYE
1:07:23 > 1:07:25HORN HONKS
1:07:29 > 1:07:31THEY CHATTER
1:07:36 > 1:07:38SILENCE
1:08:33 > 1:08:36HE HUMS
1:08:56 > 1:08:59Would you... Please, don't prompt in the middle of the scene.
1:08:59 > 1:09:02I have to do it myself, let me do it myself, I'm a big boy. All right?
1:09:21 > 1:09:24- Fuck! - Stop!- Sorry.
1:09:27 > 1:09:30Don't come near me with the comb, OK? I don't want the comb anymore.
1:09:30 > 1:09:32Do not touch my hair. Understand?
1:10:31 > 1:10:33Please!
1:10:46 > 1:10:48Don't worry, Barry.
1:10:50 > 1:10:51Hmm-ma!
1:11:01 > 1:11:02SHE SIGHS
1:11:14 > 1:11:16Argh! Fuck! Fuck!
1:11:16 > 1:11:18How the fuck can you say these things?
1:11:18 > 1:11:21You call this writing? You call it writing?
1:11:21 > 1:11:22This dialogue is shit!
1:11:25 > 1:11:30It's shit dialogue, it's a shit scene and it's a shit film.
1:11:48 > 1:11:51Hey, I've been acting for 30 years.
1:11:51 > 1:11:53105 movies, count 'em!
1:11:53 > 1:11:57And now an idiot like you tells me I know nothing?
1:11:57 > 1:12:00I worked with Stanley Kubrick!
1:12:08 > 1:12:11No, no, no. I wasn't an asshole. I wasn't available.
1:12:11 > 1:12:13This is the last film I'm making. I retire!
1:12:26 > 1:12:29Cinema is a shit job!
1:12:29 > 1:12:32Acting is a waste of time and a waste of a life!
1:12:32 > 1:12:38I want out of here, man. I wanna go back... Back to reality!
1:12:42 > 1:12:44Take me back to reality.
1:14:28 > 1:14:30SHE SOBS
1:15:43 > 1:15:45SHE SAYS GOODBYE
1:20:37 > 1:20:39DOORBELL
1:20:40 > 1:20:42KNOCKING
1:20:58 > 1:21:01Did you like it?
1:21:02 > 1:21:05Margherita, she's a good cook.
1:21:56 > 1:21:58HE LAUGHS
1:22:07 > 1:22:09Look.
1:22:09 > 1:22:11Barry...
1:22:11 > 1:22:15- Can I write something for you? - Sure.
1:24:47 > 1:24:50# Happy Birthday to you
1:24:50 > 1:24:55# Happy Birthday to you
1:24:55 > 1:24:59# Happy Birthday to Barry
1:24:59 > 1:25:02# Happy Birthday to you. #
1:25:02 > 1:25:05CHEERING
1:25:10 > 1:25:14MUSIC: Charisma by Isabella Colliva and Cinzia Donti
1:25:50 > 1:25:52CHEERING
1:26:25 > 1:26:28THEY CHANT: Barry, Barry!
1:29:14 > 1:29:16INAUDIBLE
1:30:20 > 1:30:22Mmm. Mmm-mmm.
1:31:22 > 1:31:24SHE READS IN LATIN
1:31:42 > 1:31:44- Perfect.- OK.
1:31:49 > 1:31:52SHE CALLS OUT
1:32:08 > 1:32:10CLAPPERBOARD CLAPS
1:32:10 > 1:32:12Margherita...
1:32:12 > 1:32:14INAUDIBLE
1:34:48 > 1:34:50PHONE RINGS
1:34:54 > 1:34:56GIOVANNI ANSWERS PHONE
1:35:12 > 1:35:13SHE SOBS
1:36:27 > 1:36:29SHE SOBS
1:36:37 > 1:36:39INTERCOM BUZZES
1:36:45 > 1:36:48SHE STUTTERS
1:36:53 > 1:36:55Giovanni?