0:01:00 > 0:01:02BUZZING
0:01:02 > 0:01:05You shouldn't do that.
0:01:05 > 0:01:06Tap the glass.
0:01:08 > 0:01:10How did you know I was going to?
0:01:12 > 0:01:15You must forgive my son. He loves bees.
0:01:15 > 0:01:17It isn't a bee, it's a wasp.
0:01:20 > 0:01:23Different thing entirely.
0:01:57 > 0:01:59Is that him?
0:03:02 > 0:03:04Ah... Prodigal returns.
0:03:15 > 0:03:17Outside, Roger. You know you're not allowed.
0:03:20 > 0:03:21Like having a Welsh pony.
0:03:25 > 0:03:27Will you be going up to your study?
0:03:27 > 0:03:29No, not as yet.
0:03:42 > 0:03:44BEES BUZZ
0:03:55 > 0:03:58LOUD BUZZING
0:04:01 > 0:04:03Ah, yes... Home again.
0:04:05 > 0:04:07Home again.
0:04:14 > 0:04:16Mrs Munro.
0:04:19 > 0:04:23It would appear we've had a decrease in population.
0:04:24 > 0:04:26Did Mr Healy not come by
0:04:26 > 0:04:30to take care of the apiary whilst I was gone?
0:04:30 > 0:04:32Yes, but he won't be able to do it next time.
0:04:32 > 0:04:34Did Mr Healy say that?
0:04:34 > 0:04:36No, his daughter did.
0:04:36 > 0:04:38She's taken him to live with her.
0:04:38 > 0:04:39Too feeble, she said.
0:04:39 > 0:04:41Is he too feeble?
0:04:41 > 0:04:44- Seemed spry enough. Chattier, maybe. - With you?
0:04:44 > 0:04:46With himself.
0:04:47 > 0:04:49I'll want the key to the study.
0:04:58 > 0:05:00- Is that lunch?- Mm.
0:06:19 > 0:06:22'Watson had married and I was alone.
0:06:22 > 0:06:25'In fact, it was on the very day he left Baker Street
0:06:25 > 0:06:29'that the case which was to be my last began to unfold.
0:06:34 > 0:06:36'It was almost 30 years ago.
0:06:36 > 0:06:37'The Great War had ended,
0:06:37 > 0:06:40'and the tourists had come back to Baker Street
0:06:40 > 0:06:42'to catch a glimpse of the real Sherlock Holmes.
0:06:44 > 0:06:48'Thankfully, in his stories, Watson had always published a false address
0:06:48 > 0:06:50'for our actual quarters.'
0:06:50 > 0:06:52So, you found the right address.
0:07:11 > 0:07:13Why did you do it?
0:07:13 > 0:07:15Sir?
0:07:15 > 0:07:17Break into my study?
0:07:17 > 0:07:19My study is my sanctum sanctorum.
0:07:20 > 0:07:21Private place.
0:07:24 > 0:07:26Before you went to Japan,
0:07:26 > 0:07:29I saw you writing that story.
0:07:29 > 0:07:31I didn't know YOU wrote stories.
0:07:31 > 0:07:34No, Dr Watson. Yes, he was the writer.
0:07:34 > 0:07:36Well, so I borrowed Mum's key and went into your study.
0:07:36 > 0:07:38And there it was.
0:07:38 > 0:07:39And how much did you read?
0:07:39 > 0:07:41Just to where you stopped.
0:07:41 > 0:07:42It was a good part, too.
0:07:42 > 0:07:45A man comes to Baker Street, and you say, "You've come about your wife?"
0:07:45 > 0:07:47How could you tell?
0:07:47 > 0:07:48Did you do the thing?
0:07:48 > 0:07:50What thing would that be?
0:07:50 > 0:07:54"The cane shows the marks of a dog's teeth.
0:07:54 > 0:07:56"The wood is from an island southwest of Madeira."
0:07:56 > 0:07:58That thing.
0:07:58 > 0:08:02And how would you tell that a man's visit was about his wife?
0:08:02 > 0:08:04He wears a wedding ring?
0:08:04 > 0:08:07Well, the clues are all on that page.
0:08:08 > 0:08:10This sentence...to be exact.
0:08:12 > 0:08:14"One day, into the room, came a young man
0:08:14 > 0:08:16"in newly pressed, albeit inexpensive, clothes."
0:08:16 > 0:08:18His clothes are freshly pressed.
0:08:18 > 0:08:19He's a young man, though.
0:08:19 > 0:08:22Not expensive clothes...
0:08:22 > 0:08:24Then his wife must press them.
0:08:24 > 0:08:27Men don't have the talent, and he can't afford a servant to do so.
0:08:27 > 0:08:28Very good.
0:08:28 > 0:08:30That's how you knew it was about the wife?
0:08:30 > 0:08:31Well, no.
0:08:31 > 0:08:34When you're a detective and a man comes to visit you,
0:08:34 > 0:08:37it's usually about his wife.
0:08:39 > 0:08:41So why did you stop where you did?
0:09:04 > 0:09:07Did you get the things from the chemist?
0:09:07 > 0:09:09On order. Said it would be a few days.
0:09:09 > 0:09:11We'll hold them to that.
0:09:11 > 0:09:13Otherwise triumphant, were you?
0:09:13 > 0:09:15It was like VE Day.
0:09:15 > 0:09:18Oh. Doctor's here.
0:09:24 > 0:09:26Did you catch cold in Japan?
0:09:26 > 0:09:28Does it sound it?
0:09:28 > 0:09:31Thought you might be coming off the tail end of something.
0:09:32 > 0:09:33Lost some weight, as well.
0:09:35 > 0:09:37Did you find what you were looking for,
0:09:37 > 0:09:39the mysterious ashy prick?
0:09:39 > 0:09:41Prickly ash...!
0:09:41 > 0:09:43Oh, yes, sorry.
0:09:43 > 0:09:46It was the reason the fellow invited you to Japan, wasn't it?
0:09:46 > 0:09:48Dig up a pile of the stuff, smuggle it home?
0:09:48 > 0:09:51It can't interfere with anything you've prescribed.
0:09:51 > 0:09:53And, surely, it can't do me ill.
0:09:53 > 0:09:55In and of itself, no.
0:09:55 > 0:09:58Oh, you mean there might be side effects?
0:09:58 > 0:09:59Perhaps.
0:09:59 > 0:10:00Such as?
0:10:00 > 0:10:01Hope.
0:10:09 > 0:10:14What was the name of the fellow who invited you to Japan?
0:10:16 > 0:10:18You just spent a week with the man.
0:10:18 > 0:10:21Corresponded with him for months.
0:10:21 > 0:10:23Do you recall his name?
0:10:26 > 0:10:30There's a flat adjacent to my surgery that's gone to let...
0:10:30 > 0:10:31No.
0:10:31 > 0:10:34What happens when you don't recall where the telephone is,
0:10:34 > 0:10:36or you forget to turn off the gas?
0:10:36 > 0:10:38You can't live alone.
0:10:38 > 0:10:40I don't live alone. I have the housekeeper.
0:10:43 > 0:10:45Take this diary.
0:10:46 > 0:10:52Each day you don't recall a name or place, make a mark
0:10:52 > 0:10:55on the page for that day's date.
0:10:55 > 0:10:57And if I forget to make the mark?
0:11:18 > 0:11:21HOLMES GROANS SOFTLY
0:11:22 > 0:11:24No, no, no...
0:11:24 > 0:11:26It's the royal jelly.
0:11:26 > 0:11:28Yes, well, we're not using it any more.
0:11:30 > 0:11:32Instead, we're going to use this.
0:11:32 > 0:11:33It's called prickly ash.
0:11:33 > 0:11:35Is it food?
0:11:35 > 0:11:37Mm.
0:11:37 > 0:11:39Looks like it came out of the down spout!
0:11:39 > 0:11:41It came from Japan.
0:11:42 > 0:11:44That makes all the difference.
0:11:44 > 0:11:47You add it in as you would the royal jelly in the tea or the coffee.
0:11:49 > 0:11:52And you should try cooking with it to enhance...
0:11:53 > 0:11:55..your specialities.
0:12:38 > 0:12:40TRAIN WHISTLE BLOWS
0:12:51 > 0:12:52Mr Holmes!
0:12:54 > 0:12:55Mr Holmes!
0:12:59 > 0:13:01Tamiki Umezaki.
0:13:02 > 0:13:03Welcome to Japan.
0:13:06 > 0:13:10I am so honoured you have accepted my invitation.
0:13:10 > 0:13:12We spend tonight at my house.
0:13:12 > 0:13:14Tomorrow we begin our search.
0:13:47 > 0:13:49I have owned your book for 20 years.
0:13:49 > 0:13:53I purchased my copy when it first appeared in print.
0:13:55 > 0:13:58I hope you'll do me the honour of a personal inscription.
0:13:58 > 0:14:00Oh, yes.
0:14:00 > 0:14:01Of course.
0:14:04 > 0:14:06Erm...
0:14:08 > 0:14:13Mr Umezaki, how close to the city does the prickly ash grow?
0:14:14 > 0:14:16It is found mostly near the sea.
0:14:16 > 0:14:18And how far shall we have to go?
0:14:18 > 0:14:21Where I am thinking is two days' journey by train.
0:14:24 > 0:14:26You are very eager?
0:14:26 > 0:14:29I'm in the middle of a project that I'm keen to finish,
0:14:29 > 0:14:32and my wits must be at their sharpest.
0:14:32 > 0:14:35I want to be able to benefit from the effects as soon as possible.
0:14:36 > 0:14:38It's that urgent?
0:14:38 > 0:14:39I fear so.
0:14:40 > 0:14:43You are very great detective.
0:14:45 > 0:14:47Thank you very much.
0:14:48 > 0:14:50SHE SPEAKS JAPANESE
0:14:53 > 0:14:57My mother, she wonders if you have brought your famous hat.
0:14:57 > 0:14:59Oh, the deerstalker.
0:15:01 > 0:15:04That was an embellishment of the illustrator.
0:15:06 > 0:15:07I've never worn one.
0:15:07 > 0:15:09And the pipe?
0:15:09 > 0:15:11I prefer a cigar.
0:15:11 > 0:15:14I told Watson, if I ever write a story myself
0:15:14 > 0:15:16it will be to correct the myriad misconceptions
0:15:16 > 0:15:19created by his imaginative licence.
0:15:19 > 0:15:21Did you write such a story?
0:15:24 > 0:15:25But I'm trying to do so now.
0:15:45 > 0:15:49I must finish with you before I die.
0:15:59 > 0:16:01"So, you've come about your wife?"
0:16:06 > 0:16:08"You've come about your wife."
0:16:24 > 0:16:26Roger?
0:16:27 > 0:16:28Here.
0:16:30 > 0:16:32I'll see you after lunch.
0:16:32 > 0:16:34I'm going to need some help with the bees.
0:16:45 > 0:16:47So you found the right address.
0:16:48 > 0:16:50A friendly porter at 221B.
0:16:51 > 0:16:54It's just a minor fiction to mislead the curious.
0:16:56 > 0:16:58Most of them seem to be American.
0:16:59 > 0:17:01Have a seat, Mr Kelmot.
0:17:06 > 0:17:07So...
0:17:07 > 0:17:10you've come about your wife?
0:17:10 > 0:17:11How did you know?
0:17:11 > 0:17:14Doesn't matter. Tell me what you have to say.
0:17:14 > 0:17:16My wife is named Ann.
0:17:17 > 0:17:19Her mother died in childbirth.
0:17:20 > 0:17:24Her father was a colonel, killed in that business at Waziristan.
0:17:24 > 0:17:26We wanted very much to have children.
0:17:29 > 0:17:31She lost our first child in her third month.
0:17:33 > 0:17:34Our second in her fourth.
0:17:37 > 0:17:40We were told it was too dangerous to try again.
0:17:40 > 0:17:42Ann was distraught.
0:17:49 > 0:17:50It was as though each of them lost
0:17:50 > 0:17:52had been a real child, as opposed to...
0:17:55 > 0:17:57Thank you.
0:18:00 > 0:18:02For a time, she even insisted I have a pair of headstones carved
0:18:02 > 0:18:06and placed in our cemetery plot, as if their bodies were buried beneath.
0:18:06 > 0:18:10She was in desperate need of something to soothe this dangerous melancholy.
0:18:10 > 0:18:12She likes music, so I suggested a glass harmonica.
0:18:12 > 0:18:15- The armonica? - My father's most prized possession.
0:18:15 > 0:18:18He played it constantly to the day he died.
0:18:18 > 0:18:22I had it brought to the house and arranged a month's worth of lessons.
0:18:22 > 0:18:24One hour per week.
0:18:24 > 0:18:27Soon, Ann asked me if she could increase the lessons
0:18:27 > 0:18:28to twice a week.
0:18:28 > 0:18:30Then three times. Then every day.
0:18:31 > 0:18:34So, she took up the avocation you hoped she would.
0:18:34 > 0:18:37Why are you here, Mr Kelmot?
0:18:37 > 0:18:40Mr Holmes, my Ann has changed.
0:18:41 > 0:18:45And it isn't just the lessons or her obsession with the instrument.
0:18:45 > 0:18:50'One day, I was outside the room when suddenly her playing stopped.
0:18:52 > 0:18:55'And I heard her saying, quite clearly...'
0:18:55 > 0:18:57Grace.
0:18:57 > 0:18:58James.
0:19:00 > 0:19:03Those were to be the names of your children.
0:19:03 > 0:19:04When I confronted Ann, she denied it.
0:19:04 > 0:19:06So I forbade her playing the armonica
0:19:06 > 0:19:08and I forbade her taking the lessons.
0:19:08 > 0:19:10The woman who teaches them, Madame Schirmer,
0:19:10 > 0:19:12is a person of dangerous beliefs.
0:19:12 > 0:19:14The dangerous beliefs of a music teacher...
0:19:14 > 0:19:16She's put a spell on Ann!
0:19:16 > 0:19:19Preying upon her weak frame of mind, for what reason I cannot say!
0:19:19 > 0:19:22Have you proof of this?
0:19:22 > 0:19:25Following my instructions that she stop seeing Madame Schirmer,
0:19:25 > 0:19:28I received in the post three receipts from the woman.
0:19:30 > 0:19:33Each for the payment of one armonica lesson.
0:19:33 > 0:19:35Again Ann denied it.
0:19:35 > 0:19:37Consequently, my wife is no longer permitted
0:19:37 > 0:19:40to withdraw money from the bank.
0:19:40 > 0:19:42Then, yesterday, I followed Ann
0:19:42 > 0:19:44to the place where the woman gives her lessons.
0:19:44 > 0:19:47Even on the pavement below I could hear her playing.
0:19:47 > 0:19:49Naturally I went inside, but...
0:19:49 > 0:19:53the Schirmer woman said, "Your wife is not here."
0:19:53 > 0:19:55Last night I questioned Ann.
0:19:55 > 0:19:58And she said she hadn't been to Madame Schirmer's rooms.
0:19:58 > 0:20:00Not for weeks.
0:20:03 > 0:20:05Do you have a portrait of your wife?
0:20:15 > 0:20:19- I shall take your case, if you answer just one last question. - Certainly.
0:20:19 > 0:20:22What perfume does your wife wear?
0:20:23 > 0:20:25Roger?
0:20:26 > 0:20:29It's late. Lights out, like it's the Blitz.
0:20:36 > 0:20:37Look at you.
0:20:40 > 0:20:42Do you remember your dad?
0:20:44 > 0:20:47I remember him holding my hand and taking me to the sea.
0:20:48 > 0:20:51You're not remembering - that's the picture.
0:20:54 > 0:20:56What about the invisible stories?
0:20:56 > 0:20:59Some nights, at bedtime, your dad would make up stories.
0:21:00 > 0:21:03He'd say, "Give me three things."
0:21:03 > 0:21:07And you'd say, "A ball, a cat and Roger."
0:21:08 > 0:21:12So then he'd make up some tale
0:21:12 > 0:21:16about a ball that had a pet cat named Roger.
0:21:16 > 0:21:18Always "a something, a something and Roger."
0:21:23 > 0:21:26You don't remember any of the invisible stories?
0:21:29 > 0:21:30Do you?
0:21:33 > 0:21:35I was never any good at stories.
0:21:42 > 0:21:44Sleep well.
0:21:48 > 0:21:51The first thing to know is there's no danger.
0:21:51 > 0:21:54Bees aren't interested in harming you.
0:21:54 > 0:21:56Their only concern is self-preservation.
0:21:56 > 0:22:00- From people? - They're much too clever for people.
0:22:00 > 0:22:04Their enemies are weather, disease and predators.
0:22:04 > 0:22:07The wasp is their particular antagonist.
0:22:07 > 0:22:12Did you know that one wasp can kill 40 honeybees in under a minute?
0:22:12 > 0:22:16- In consequence, we do not like wasps.- Yes, sir.
0:22:16 > 0:22:17We do not like wasps.
0:22:18 > 0:22:20The queen runs the colony.
0:22:22 > 0:22:25The drones service the queen.
0:22:25 > 0:22:26Hands up.
0:22:28 > 0:22:31Workers do the work. As it should be.
0:22:42 > 0:22:46Of concern is the latest decrease in the bee population.
0:22:46 > 0:22:51We've identified the problem, now we must solve it.
0:22:51 > 0:22:53Right, here you are, off you go.
0:22:53 > 0:22:55Have you ever been bitten by a bee?
0:22:57 > 0:23:00Stung. Bees don't have teeth. Yes, I have.
0:23:00 > 0:23:01Not often, though?
0:23:01 > 0:23:067,816 times. I keep a record.
0:23:12 > 0:23:14Not entirely dreadful.
0:23:16 > 0:23:17Have you ever been bit?
0:23:20 > 0:23:23No, I have never been bit.
0:23:25 > 0:23:28Well, people work with bees all the time, don't they?
0:23:38 > 0:23:40What is royal jelly?
0:23:40 > 0:23:43It's a special secretion of the worker bees.
0:23:43 > 0:23:45And it's royal because...?
0:23:45 > 0:23:47It feeds the queen?
0:23:47 > 0:23:48Bravo.
0:23:48 > 0:23:53It was the jelly's curative powers that prompted my monograph,
0:23:53 > 0:23:57The Value Of Royal Jelly With Further Comments
0:23:57 > 0:24:00On The Potential Health Benefits Of Prickly Ash.
0:24:00 > 0:24:02What's that?
0:24:02 > 0:24:08Prickly ash, or in Japanese, "hire sansho", is the common word
0:24:08 > 0:24:10for Zanthoxylum piperitum,
0:24:10 > 0:24:14it's used to treat various degenerative diseases -
0:24:14 > 0:24:19anaemia, circulatory conditions, arthritis and...
0:24:21 > 0:24:23..what's it called?
0:24:23 > 0:24:25Oh, senility.
0:24:26 > 0:24:29That was a witticism.
0:24:33 > 0:24:35The newest research suggests
0:24:35 > 0:24:39that prickly ash has far more promise than royal jelly.
0:24:39 > 0:24:42Henceforth, prickly ash is all we shall use.
0:24:42 > 0:24:45- Have you written more about the man and his wife?- All in good time.
0:24:45 > 0:24:47Is it real?
0:24:47 > 0:24:50Of course. Fiction is worthless.
0:24:50 > 0:24:53The place you stopped. Why'd you want to know the wife's perfume?
0:24:56 > 0:24:58'Cameo Rose, is it?'
0:24:58 > 0:25:00Yes.
0:25:09 > 0:25:11Always leaves a trace.
0:25:51 > 0:25:54HUSHED VOICES
0:26:01 > 0:26:03DOOR OPENS
0:26:03 > 0:26:05DOOR CLOSES
0:26:30 > 0:26:32- MAN:- Madame Schirmer. - KNOCKING
0:26:32 > 0:26:34Madame Schirmer! This is Thomas Kelmot! Let me in!
0:26:34 > 0:26:36- URGENT KNOCKING - Madame Schirmer!
0:26:38 > 0:26:39Herr Kelmot, I did warn!
0:26:39 > 0:26:43You come, I call the Metropolitan Police!
0:26:43 > 0:26:46Madame, my friend's emotional state is such that,
0:26:46 > 0:26:49if denied entry, he might not be able to restrain his passions.
0:26:49 > 0:26:52Allow us both in, and I will take full responsibility.
0:26:52 > 0:26:53Thank you so much.
0:26:53 > 0:26:56- Who is this? - This gentleman is a detective.
0:26:56 > 0:27:00- Ja? His badge, please? - His name is Mr Sherlock Holmes.
0:27:00 > 0:27:04You don't mind if I close this, do you? Brr! Such a draught.
0:27:04 > 0:27:05No.
0:27:06 > 0:27:09I have seen Sherlock Holmes in the magazines.
0:27:09 > 0:27:11With the hat and the pipe.
0:27:11 > 0:27:12It was never this person!
0:27:12 > 0:27:14Madame Schirmer, I saw Ann enter this place,
0:27:14 > 0:27:18- I demand you produce her! - Your wife is not here.
0:27:18 > 0:27:21- You said that last time! - You question my truth?
0:27:23 > 0:27:25RATTLING
0:27:25 > 0:27:26Oswald, my dear,
0:27:26 > 0:27:29it is a wish to know if you are this man's wife.
0:27:29 > 0:27:30No.
0:27:30 > 0:27:33You could be in disguise.
0:27:33 > 0:27:35- I don't think so.- Voila!
0:27:39 > 0:27:43It is, I believe what the English call, a water closet.
0:27:43 > 0:27:45She was here!
0:27:45 > 0:27:46I saw her!
0:27:46 > 0:27:49Mr Kelmot, if you insist on following your wife
0:27:49 > 0:27:52when you have employed me to do the same,
0:27:52 > 0:27:55one or the other of us will find himself made redundant.
0:28:03 > 0:28:05- He IS distraught. - He is a fool.
0:28:09 > 0:28:13The armonica used to be thought of as an instrument of the black arts.
0:28:15 > 0:28:17Said to be used to call for the dead.
0:28:20 > 0:28:23Something to do with the nature of the glasses.
0:28:23 > 0:28:26- HE PLINKS GLASSES - You don't believe that, surely!
0:28:26 > 0:28:29What I believe plays no part in the matter.
0:28:29 > 0:28:31When was Mrs Kelmot last here?
0:28:31 > 0:28:33Weeks now.
0:28:33 > 0:28:37Then the receipts you posted to her address are for Oswald's lessons.
0:28:39 > 0:28:41Mrs Kelmot is paying for them.
0:28:42 > 0:28:45Frau Kelmot is passionate,
0:28:45 > 0:28:46but an amateur.
0:28:46 > 0:28:49She knew it was Oswald who has the gift.
0:28:50 > 0:28:52You knew she was not here.
0:28:52 > 0:28:54Of course. Oswald doesn't wear her scent.
0:28:56 > 0:28:59You are still not Sherlock Holmes!
0:29:15 > 0:29:17How considerate.
0:29:18 > 0:29:19You waited for me.
0:29:43 > 0:29:45What are you doing?
0:29:45 > 0:29:48- Trying to see if I can tell where I've been.- Don't you know?
0:29:48 > 0:29:52Mr Holmes can tell things like that just from looking at a person.
0:29:52 > 0:29:54BELL RINGS
0:29:54 > 0:29:56- Where are you off to? - See to the bees!
0:29:56 > 0:29:57You'll eat your breakfast first!
0:30:05 > 0:30:07Got a letter from your aunt the other day.
0:30:07 > 0:30:10She says there's a couple in Portsmouth opening a hotel there.
0:30:10 > 0:30:11Need a housekeeper.
0:30:11 > 0:30:13Why would WE want to live in Portsmouth?
0:30:13 > 0:30:15Can't stay here for ever.
0:30:15 > 0:30:17- Why not?- Because we can't. - What's in Portsmouth?
0:30:17 > 0:30:20- This couple are opening a hotel there.- You said that.
0:30:20 > 0:30:23You'll leave the table when you're finished and not before.
0:30:23 > 0:30:24I'm not finished.
0:30:30 > 0:30:34You don't eat that Japanese muck!
0:30:34 > 0:30:35It's hire sansho.
0:30:40 > 0:30:43I know you like working with the hive.
0:30:43 > 0:30:46- It's an apiary.- And I know you like being given the responsibility,
0:30:46 > 0:30:48- but I shouldn't get too close. - Bees don't bite.
0:30:48 > 0:30:49I don't mean the bees.
0:30:51 > 0:30:52Mr Holmes won't be here for ever.
0:30:54 > 0:30:58Your aunt says this hotel might even take you on.
0:30:58 > 0:31:01- They got porters and... - HAVE porters.
0:31:03 > 0:31:04Finished.
0:31:12 > 0:31:13HE SPITS
0:31:16 > 0:31:20Chemist delivered your things. Shall I have Roger open the crate?
0:31:20 > 0:31:23No, no. I'll see to it when I'm done here.
0:31:23 > 0:31:25Yes, sir.
0:31:28 > 0:31:29Sir.
0:31:31 > 0:31:35I know Roger's been a help to you. He's a good boy.
0:31:35 > 0:31:37He's always been clever.
0:31:37 > 0:31:39His dad and I weren't the sort to know the things
0:31:39 > 0:31:41a boy like Roger takes interest in.
0:31:41 > 0:31:45Exceptional children are often the product of unremarkable parents.
0:31:49 > 0:31:51I've got a sister, she lives in Portsmouth.
0:31:52 > 0:31:55A couple of her acquaintance are opening a private hotel there,
0:31:55 > 0:31:59- say they're willing to take Roger and me on.- You have a sister?
0:32:01 > 0:32:02Never would have thought it...
0:32:04 > 0:32:06Is this a matter of wages?
0:32:06 > 0:32:07No.
0:32:15 > 0:32:18I shall take this under advisement.
0:32:26 > 0:32:28HE GROANS
0:32:47 > 0:32:49TRAIN WHISTLE BLOWS
0:32:49 > 0:32:51INDISTINCT TANNOY ANNOUNCMENTS IN JAPANESE
0:32:51 > 0:32:53My mother was sad to see you leave.
0:32:53 > 0:32:56I'm rather sorry now I didn't bring the deerstalker.
0:32:56 > 0:33:00- You said you never wore one. - Yes, but it would've pleased her.
0:33:00 > 0:33:02She wanted the fictional. You are the real.
0:33:03 > 0:33:05Oh, I'm not sure that's true.
0:33:05 > 0:33:07I think I WAS real once.
0:33:07 > 0:33:10Until John made me into a fiction.
0:33:10 > 0:33:11After that, I had little choice.
0:33:11 > 0:33:16I played the part as he'd fashioned it, or become its contradiction.
0:33:17 > 0:33:19I'm actually quite fond of a pipe,
0:33:19 > 0:33:21but to smoke it, especially in public,
0:33:21 > 0:33:24after it became so well-known a prop...
0:33:26 > 0:33:27..seemed vulgar.
0:33:27 > 0:33:30So, Dr Watson's imagination changed you?
0:33:30 > 0:33:33I've never had much use for imagination.
0:33:33 > 0:33:35I prefer facts.
0:33:58 > 0:34:01My father would bring me here as a child.
0:34:02 > 0:34:04It was designed as a miniature.
0:34:04 > 0:34:06We walk as giants.
0:34:10 > 0:34:14The stones represent the lives of those he has lost.
0:34:29 > 0:34:31Sherlock-san!
0:34:38 > 0:34:40Hire sansho?
0:34:40 > 0:34:41Prickly ash!
0:34:51 > 0:34:52HE SNORES
0:34:52 > 0:34:55HE SIGHS
0:35:06 > 0:35:08DOOR OPENS
0:35:09 > 0:35:11- Mr Holmes!- Hm?
0:35:11 > 0:35:13Too late to check on the bees?
0:35:13 > 0:35:15Not in the least.
0:35:17 > 0:35:19Bee check!
0:35:27 > 0:35:31BEES BUZZ
0:35:32 > 0:35:34- They're quiet.- Yes.
0:35:36 > 0:35:38What happens when the bees die?
0:35:38 > 0:35:42HE CHUCKLES Is this a metaphysical question?
0:35:42 > 0:35:43I mean, do you mourn them?
0:35:44 > 0:35:48Oh, I can't say I've ever mourned the dead, bees or otherwise.
0:35:48 > 0:35:50I concentrate on circumstances.
0:35:50 > 0:35:52How did it die? Who was responsible?
0:35:52 > 0:35:55Death, grieving,
0:35:55 > 0:35:58mourning, they're all commonplace.
0:35:58 > 0:35:59Logic is rare. And so...
0:36:02 > 0:36:04..I dwell on logic.
0:36:07 > 0:36:09Well, thank you, kind sir.
0:36:10 > 0:36:13- Night, bees.- Sweet dreams, bees.
0:36:17 > 0:36:22- Now, what do you say we go for a dip tomorrow?- In the sea?- Yeah.
0:36:22 > 0:36:24- It'll be brisk.- Good for the blood.
0:36:25 > 0:36:27- All right, then. - HOLMES LAUGHS
0:36:28 > 0:36:32What sort of books do you like?
0:36:32 > 0:36:35Apart from Dr Watson's stories,
0:36:35 > 0:36:39- and books about bees.- Well, those are all the books I have.
0:36:39 > 0:36:43Well, there's a perfectly good library right here inside.
0:36:43 > 0:36:45You can take any book you like.
0:36:47 > 0:36:50SHEEP BLEAT
0:37:04 > 0:37:06Mr Holmes?
0:37:06 > 0:37:08Are we going for our swim?
0:37:14 > 0:37:16I've already seen to the apiary.
0:37:18 > 0:37:20Are you all right?
0:37:21 > 0:37:23I'm perfectly...
0:37:23 > 0:37:24I'm quite...
0:37:25 > 0:37:26Perfectly fine.
0:37:33 > 0:37:35All right...Roger.
0:37:39 > 0:37:41You go along. I'll catch you up.
0:37:44 > 0:37:46HE SIGHS
0:37:53 > 0:37:57Roger! Come along, or we'll lose the day!
0:37:57 > 0:37:59HE PANTS
0:38:21 > 0:38:26- The photograph is her, isn't it? The woman in the story.- Yes.
0:38:27 > 0:38:29Is she why you're writing it?
0:38:29 > 0:38:34I wouldn't say I was writing it, it's more I'm trying to remember it.
0:38:35 > 0:38:37Thank you.
0:38:37 > 0:38:41A few months ago, my brother Mycroft died.
0:38:42 > 0:38:45'His club, the Diogenes,
0:38:45 > 0:38:49'asked that I go up to London to retrieve his things.
0:38:54 > 0:38:57'I was given a small chest.
0:38:57 > 0:38:59'Containing the Watson stories.
0:38:59 > 0:39:02'None of which I'd ever actually read.
0:39:04 > 0:39:07'They were as John always described them.
0:39:07 > 0:39:11'Penny dreadfuls with an elevated prose style.
0:39:11 > 0:39:14'But one of the titles piqued my interest.
0:39:14 > 0:39:18'The story was familiar, but its ending felt very, very wrong.
0:39:20 > 0:39:24'I had not seen any of the cinematic depictions.
0:39:24 > 0:39:28'But, by a fortunate chance, an opportunity soon arose.
0:39:28 > 0:39:31'Strange to see a semblance of one's self 40 feet high.'
0:39:31 > 0:39:34I fear for my Ann's sanity.
0:39:34 > 0:39:36Fear for her sanity?
0:39:37 > 0:39:39Dear man, you should fear for your life.
0:39:40 > 0:39:41Whatever do you mean?
0:39:43 > 0:39:46Murder, Mr Kelmot.
0:39:46 > 0:39:47Murder!
0:39:47 > 0:39:50'And played as a character out of pantomime.'
0:39:50 > 0:39:51Poisoned?
0:39:51 > 0:39:53With what means, have I?
0:39:53 > 0:39:56Your armonica, Madame Schirmer.
0:39:56 > 0:39:57SHE SCOFFS
0:39:57 > 0:39:58Preposterous!
0:39:58 > 0:40:01Or rather, the glasses.
0:40:01 > 0:40:04It is the lead in the crystal that creates the unique tone,
0:40:04 > 0:40:06absorbed into the blood through the skin,
0:40:06 > 0:40:09small exposure can produce confusion, hallucinations.
0:40:09 > 0:40:15But constant, obsessive contact can end in insanity...
0:40:15 > 0:40:16and death.
0:40:16 > 0:40:19'Every plot twist came with the twirl of a moustache
0:40:19 > 0:40:21'and ended in an exclamation mark.'
0:40:23 > 0:40:25Our would-be murderer is ingenious.
0:40:25 > 0:40:28Surely you're not referring to...?
0:40:28 > 0:40:29I'm afraid, Mrs Kelmot,
0:40:29 > 0:40:32you'll have to find yourself a new music teacher.
0:40:54 > 0:40:56Absolute rubbish!
0:40:56 > 0:41:00What possible motive could that German woman have had to kill Ann?
0:41:03 > 0:41:07'That night I searched for something to jog my memory of the actual case.
0:41:10 > 0:41:11'And there it was.
0:41:13 > 0:41:14'A picture.'
0:41:16 > 0:41:17You know, a few years ago,
0:41:17 > 0:41:21I could've told you everything about the woman in that photograph.
0:41:21 > 0:41:24Certainly, I'd recall what had become of her,
0:41:24 > 0:41:26whether she was victim or culprit.
0:41:26 > 0:41:27But that night...
0:41:30 > 0:41:32..I couldn't remember any of it.
0:41:33 > 0:41:36All I knew for certain was that the case was my last.
0:41:36 > 0:41:38And it was why I left the profession,
0:41:38 > 0:41:41came down here, retired to my bees.
0:41:43 > 0:41:48So, I decided to write the story down on paper.
0:41:48 > 0:41:50As it was,
0:41:50 > 0:41:52not as John made it.
0:41:53 > 0:41:55Get it right before I die.
0:41:55 > 0:41:57You're not going to die.
0:41:57 > 0:41:59Roger...! HE LAUGHS
0:41:59 > 0:42:01..I'm 93!
0:42:01 > 0:42:04I had a great uncle who lived to be 102.
0:42:04 > 0:42:06Well, then, that seals my fate.
0:42:06 > 0:42:10What are the odds that you would know two men who would live that long?
0:42:10 > 0:42:13Well, I didn't actually KNOW him...
0:42:15 > 0:42:17HE CHUCKLES
0:42:22 > 0:42:23I'll see to the bees.
0:42:29 > 0:42:30Ow! Mr Holmes!
0:42:30 > 0:42:32Mr Holmes!
0:42:34 > 0:42:36Agh, I've been stung!
0:42:36 > 0:42:41Unlike the wasp, the bee always leaves its sting.
0:42:41 > 0:42:44I must've done something stupid.
0:42:44 > 0:42:48Oh, no. Sometimes... there's no reason at all.
0:42:48 > 0:42:50There you go.
0:42:50 > 0:42:51Salt water.
0:42:51 > 0:42:52You drink that.
0:42:52 > 0:42:57Or onion juice to prevent serious consequences.
0:42:57 > 0:43:01And...no need to tell your mother about all this,
0:43:01 > 0:43:03we don't want to worry her, do we?
0:43:03 > 0:43:05You going to go back to the story?
0:43:06 > 0:43:08Is that the price for your silence?
0:43:08 > 0:43:09Tight lips.
0:43:20 > 0:43:23OWL HOOTS
0:43:27 > 0:43:29HE SIGHS
0:43:33 > 0:43:36HE TAPS PEN
0:43:43 > 0:43:45Mmm...
0:43:59 > 0:44:01'How considerate.'
0:44:01 > 0:44:03You waited for me.
0:44:24 > 0:44:26Good afternoon.
0:44:27 > 0:44:30- Sir?- Tea for one in the window. - Certainly, sir. Mind the step.
0:44:44 > 0:44:47- Ill, you say? - It took all the strength he had
0:44:47 > 0:44:49just to write out the cheque.
0:44:49 > 0:44:51HE CLEARS THROAT
0:45:10 > 0:45:12- There you are, sir.- Thank you.
0:45:12 > 0:45:15Well, here we are.
0:45:16 > 0:45:19Have you used this before?
0:45:19 > 0:45:21- No, I haven't. - It is highly poisonous.
0:45:21 > 0:45:24A drop will more than suffice.
0:45:24 > 0:45:25Thank you.
0:45:43 > 0:45:45It's just...Thomas is in such a state.
0:45:45 > 0:45:47He insisted I made certain.
0:45:47 > 0:45:50Reassure Mr Kelmot that the particulars of the will
0:45:50 > 0:45:53have not changed since he dictated them.
0:45:53 > 0:45:57Your possessions are bequeathed to him, as his are to you.
0:46:12 > 0:46:13- Excuse me.- Yes, miss?
0:46:13 > 0:46:15Is the 8:10 the fast service?
0:46:15 > 0:46:18The 8:10's a slow one, makes local stops.
0:46:18 > 0:46:20And the 9:05?
0:46:20 > 0:46:22That's the fast train, goes right on through.
0:46:22 > 0:46:24- All aboard!- Thank you.
0:46:24 > 0:46:25All aboard!
0:47:31 > 0:47:32BEE BUZZES
0:47:37 > 0:47:39Honeybees are attracted to you.
0:47:41 > 0:47:43It's the scent.
0:47:43 > 0:47:44Cameo Rose.
0:47:44 > 0:47:46Oh!
0:47:46 > 0:47:47(She thinks you're a flower.)
0:47:49 > 0:47:51Must confuse the little thing no end.
0:47:53 > 0:47:54May I?
0:47:55 > 0:47:56Oh.
0:47:58 > 0:48:00Very kind.
0:48:02 > 0:48:04Ah, the iris.
0:48:04 > 0:48:05Amazing resilience.
0:48:05 > 0:48:09Enough light and they will grow in the most uninhabitable regions.
0:48:09 > 0:48:12Desert, cold, rock.
0:48:12 > 0:48:13Why do you suppose it is that something
0:48:13 > 0:48:16as small and insignificant as the iris
0:48:16 > 0:48:18should be so much stronger than we are?
0:48:18 > 0:48:22Perhaps they're less affected by what goes on around them.
0:48:25 > 0:48:27Are you a botanist?
0:48:27 > 0:48:28Amateur only.
0:48:29 > 0:48:32I am, by disposition, a hobbyist.
0:48:32 > 0:48:33In fact,
0:48:33 > 0:48:34if I may,
0:48:34 > 0:48:37there is one particular hobby of mine
0:48:37 > 0:48:38that might amuse you.
0:48:41 > 0:48:42I can see the future.
0:48:46 > 0:48:47Shall I read your palm?
0:48:49 > 0:48:51I promise I'll find nothing dreadful.
0:48:57 > 0:48:59What about our friend?
0:49:09 > 0:49:11- BEE BUZZES - Oh.
0:49:16 > 0:49:18HOLMES LAUGHS
0:49:23 > 0:49:26HE MURMURS
0:49:31 > 0:49:32Your parents are gone.
0:49:34 > 0:49:36Your mother long ago,
0:49:36 > 0:49:38your father more recently.
0:49:38 > 0:49:41You had love in your heart for someone...
0:49:42 > 0:49:44No,
0:49:44 > 0:49:46for more than one person,
0:49:46 > 0:49:48but they have left you,
0:49:48 > 0:49:50and your love for them
0:49:50 > 0:49:53has nowhere to go.
0:49:53 > 0:49:55You are in pain,
0:49:55 > 0:49:59but you must not allow your pain to guide your actions.
0:49:59 > 0:50:00Where that leads...
0:50:01 > 0:50:03..the lines are not so distinct.
0:50:03 > 0:50:05Why?
0:50:05 > 0:50:06I beg your pardon?
0:50:06 > 0:50:07You can see so much...
0:50:09 > 0:50:11..why can't you see what happens next?
0:50:11 > 0:50:13The lines.
0:50:13 > 0:50:15Yes, you said.
0:50:19 > 0:50:22Play your parlour tricks elsewhere, Mr Holmes.
0:50:28 > 0:50:29Wait.
0:50:31 > 0:50:32Wait.
0:50:38 > 0:50:39I can't...
0:50:43 > 0:50:45I can't remember.
0:51:35 > 0:51:38Mum! Mum!
0:51:59 > 0:52:01Was it the smoke knocked him out?
0:52:01 > 0:52:02Could have done.
0:52:02 > 0:52:05Most likely, he stood up too quickly and lost consciousness.
0:52:05 > 0:52:07It isn't the first time.
0:52:07 > 0:52:10The last housekeeper didn't know what to do.
0:52:14 > 0:52:17He must have decided to take it subcutaneously.
0:52:55 > 0:52:57Now we can't leave.
0:52:57 > 0:52:58No.
0:52:58 > 0:53:00Made sure of that, didn't he?
0:53:06 > 0:53:07BELL RINGS
0:53:15 > 0:53:17Where's the hire sansho?
0:53:18 > 0:53:20The prickly ash.
0:53:20 > 0:53:22If it's not there, I'm sure I don't know.
0:53:22 > 0:53:24Did you throw it out?
0:53:24 > 0:53:26Why would I do that?
0:53:26 > 0:53:27For spite and malice.
0:53:30 > 0:53:32Where d'you get words like that?
0:53:32 > 0:53:34The dictionary.
0:53:34 > 0:53:36Like as not, he took the muck himself.
0:53:36 > 0:53:38Got burnt up with the rest of it.
0:53:38 > 0:53:39Those can go in the fire.
0:53:39 > 0:53:42Did Mr Holmes say you were to do this?
0:53:42 > 0:53:44He always disposes of that sort.
0:53:44 > 0:53:46How do you know what sort these are?
0:53:46 > 0:53:47You want to know who writes him?
0:53:47 > 0:53:50Pensioners who think they've solved Jack the Ripper.
0:53:50 > 0:53:51Widows who've lost their cats
0:53:51 > 0:53:54and just know he's the only man on earth who can find them.
0:53:54 > 0:53:56He's the last resort for every lunatic out there!
0:53:56 > 0:53:58- It's not your decision!- It is...
0:53:58 > 0:54:01if I'm to be a full-bore medical staff at cook's wages!
0:54:01 > 0:54:02He's an invalid.
0:54:02 > 0:54:04Needs a nurse, not a housekeeper.
0:54:04 > 0:54:06All he did was took a fall.
0:54:06 > 0:54:08Your grandad was hale and hearty 60 summers,
0:54:08 > 0:54:11then he took a fall. It was three weeks to the day he died.
0:54:11 > 0:54:13Should be in hospital. That or one of them places.
0:54:13 > 0:54:15He'll get better!
0:54:15 > 0:54:16And the day he does...
0:54:16 > 0:54:18is the day we go. Is that clear?
0:54:36 > 0:54:38HE CLEARS HIS THROAT
0:54:42 > 0:54:44Got a letter from Japan.
0:54:44 > 0:54:46It's from Mr Umezaki.
0:54:48 > 0:54:50- Have you read it?- No.
0:54:50 > 0:54:51Wanted to.
0:54:51 > 0:54:54Sin of desire. You're a Catholic!
0:54:56 > 0:54:57HOLMES GRUNTS
0:55:02 > 0:55:03HE GROANS
0:55:06 > 0:55:08Mum says you throw out most of the letters you get.
0:55:08 > 0:55:10And why do you think that is?
0:55:10 > 0:55:12The people who write want you to solve things.
0:55:12 > 0:55:14If you read their letters, you'd want to help.
0:55:14 > 0:55:17Oh, no, you give me too much credit.
0:55:17 > 0:55:21It's just that if I were to read them I'd feel obliged to respond.
0:55:22 > 0:55:26Perhaps Mr Umezaki's asking you to go back to Japan.
0:55:26 > 0:55:27Oh...
0:55:28 > 0:55:30I'll never go back to Japan.
0:55:30 > 0:55:32- Why not?- Long journey, old man!
0:55:34 > 0:55:35You made it before.
0:55:35 > 0:55:37That was before.
0:55:40 > 0:55:42Maybe you could get more prickly ash.
0:55:42 > 0:55:46The prickly ash hasn't made a bit of difference to my memory,
0:55:46 > 0:55:49any more than the royal jelly did.
0:55:49 > 0:55:50Yes...
0:55:51 > 0:55:54The only inspiration for any sort of recollection has been you.
0:55:58 > 0:55:59Go on. You open it.
0:55:59 > 0:56:02He's writing to say his mother is dead.
0:56:07 > 0:56:08How could you tell?
0:56:08 > 0:56:11Mr Umezaki swore that he would never contact me again.
0:56:12 > 0:56:14The only thing that would make him change his mind
0:56:14 > 0:56:17would be a deathbed instruction from his mother.
0:56:17 > 0:56:21A good son always does what his mother asks.
0:56:25 > 0:56:26Mr Holmes!
0:56:27 > 0:56:29You are not to be out of bed.
0:56:30 > 0:56:33Mrs Munro, I have counted the steps
0:56:33 > 0:56:36from the bed to the window, from the window to the lavatory.
0:56:36 > 0:56:39You're not to do anything on your own! You're to ring.
0:56:40 > 0:56:42I thought it was an imposition.
0:56:42 > 0:56:44It'll be an imposition if you lose your bearings
0:56:44 > 0:56:46and end up on the floor for me to collect!
0:56:46 > 0:56:49I hadn't realised that this had become an industrial dispute.
0:57:11 > 0:57:14FAINT JAPANESE PIPE MUSIC PLAYS
0:57:20 > 0:57:22I've been trying to calculate the likelihood
0:57:22 > 0:57:24that we should find hire sansho
0:57:24 > 0:57:27in a place so utterly devoid of life.
0:57:27 > 0:57:29Perhaps it is life re-asserting itself.
0:57:34 > 0:57:35Hire sansho.
0:57:44 > 0:57:46How does it taste?
0:57:48 > 0:57:50T'isn't for the taste we sought it.
0:57:50 > 0:57:52UMEZAKI CHUCKLES
0:57:55 > 0:57:57HOLMES COUGHS LOUDLY
0:57:57 > 0:57:59UMEZAKI COUGHS LOUDLY
0:58:03 > 0:58:07Ah, now, before we leave, there's something that I mustn't forget.
0:58:09 > 0:58:12I've signed it, as you requested.
0:58:12 > 0:58:13Ohh!
0:58:14 > 0:58:15Not certain you can...
0:58:16 > 0:58:18..read my scrawl.
0:58:19 > 0:58:24"To Mr Umezaki, who has not owned this book for long..."
0:58:25 > 0:58:28You haven't had this book for 20 years. It came from a library.
0:58:29 > 0:58:32The glue mark shows where you removed the card jacket.
0:58:32 > 0:58:35You know nothing about bees or royal jelly...
0:58:35 > 0:58:37or prickly ash!
0:58:38 > 0:58:39Enough to bring you here.
0:58:41 > 0:58:44During our correspondence over the last few months,
0:58:44 > 0:58:46was my name not familiar to you?
0:58:46 > 0:58:47No.
0:58:47 > 0:58:49My father's then?
0:58:49 > 0:58:51Masuo Umezaki?
0:58:51 > 0:58:52I never knew your father.
0:58:52 > 0:58:54He was a diplomat in London.
0:58:54 > 0:58:55Years ago.
0:58:56 > 0:58:58He loved all things English.
0:58:59 > 0:59:02The first gift he gave to me was a cricket bat.
0:59:04 > 0:59:05The second was this.
0:59:07 > 0:59:09In English, so as to...
0:59:09 > 0:59:11assist my education.
0:59:24 > 0:59:29"After consulting with the very great detective Sherlock Holmes,
0:59:29 > 0:59:32"I realised it's in the best interest of us all
0:59:32 > 0:59:35"that I remain in England indefinitely.
0:59:35 > 0:59:40"You will see from this book that he is a very wise and intelligent man,
0:59:40 > 0:59:43"and that his say in this matter should not be taken lightly."
0:59:44 > 0:59:46We never heard from him again.
0:59:46 > 0:59:47I'm sorry.
0:59:47 > 0:59:49My mother is dying.
0:59:49 > 0:59:52She grew old without a husband,
0:59:52 > 0:59:53all because of you.
0:59:56 > 0:59:58HOLMES SIGHS
1:00:00 > 1:00:02I understand.
1:00:02 > 1:00:04The last time you heard from your father
1:00:04 > 1:00:06was the first time you heard about me.
1:00:07 > 1:00:11Masuo vanished from your life and I arrived...
1:00:12 > 1:00:14..in the form of a book.
1:00:14 > 1:00:15One replaced the other, as it were.
1:00:17 > 1:00:20I suggest you and your mother take whatever time you have
1:00:20 > 1:00:22to come to terms with the facts of the case.
1:00:22 > 1:00:26A man abandoned his family, and wrote his son a story.
1:00:27 > 1:00:29He wouldn't be the first to cloak his cowardice
1:00:29 > 1:00:31in a flag of sacrifice.
1:00:35 > 1:00:36I'm sorry...
1:00:39 > 1:00:41..but I never knew your father.
1:00:48 > 1:00:50I shall not bother you any longer with my questions.
1:00:51 > 1:00:54But if the prickly ash succeeds,
1:00:54 > 1:00:55you will let me know?
1:01:05 > 1:01:06Hmm!
1:01:20 > 1:01:21HE WHEEZES
1:01:23 > 1:01:25HE GROANS GLASS SHATTERS
1:01:25 > 1:01:26Aah!
1:01:29 > 1:01:30FEEBLY: Help!
1:01:32 > 1:01:33(Help...)
1:01:39 > 1:01:40HE GRUNTS
1:01:40 > 1:01:42Oh, thank you.
1:01:42 > 1:01:46I look like I've been attacked by the hound of the Baskervilles.
1:01:48 > 1:01:50Can't let Mum see you wearing that top.
1:01:51 > 1:01:53- It's evidence.- Yes.
1:01:54 > 1:01:55What of?
1:01:55 > 1:01:56A murder!
1:01:59 > 1:02:00Ooh.
1:02:00 > 1:02:02I've something for you.
1:02:09 > 1:02:11Apis cerana Japonica.
1:02:13 > 1:02:14They have bees in Japan?
1:02:14 > 1:02:17Yes, just like our bees, only Japanese.
1:02:19 > 1:02:20No, it's for you, it's a gift.
1:02:21 > 1:02:23Oh!
1:02:23 > 1:02:25- Thank you. - Arigato, they say in Japan.
1:02:30 > 1:02:32Something the matter?
1:02:35 > 1:02:37We lost another dozen bees today.
1:02:37 > 1:02:38A dozen?
1:02:38 > 1:02:40What do you think it is?
1:02:40 > 1:02:41An outbreak of mortality.
1:02:42 > 1:02:46Could be a disease we've not seen before, or...
1:02:46 > 1:02:48a sudden mutation.
1:02:48 > 1:02:51You bring up some corpses and we'll examine them.
1:02:51 > 1:02:53Yes, sir!
1:02:53 > 1:02:56And my glass. Study. Should be in one of the drawers.
1:03:39 > 1:03:40Roger?
1:03:53 > 1:03:55Roger?
1:04:04 > 1:04:05Mr Holmes feels better today.
1:04:06 > 1:04:08That so?
1:04:08 > 1:04:09HOLMES MUMBLES ASSENT
1:04:09 > 1:04:11Mr Holmes feels so much better,
1:04:11 > 1:04:13we're about to start an investigation.
1:04:15 > 1:04:16Of what?
1:04:16 > 1:04:18The crimewave that has done away with
1:04:18 > 1:04:21a number of our apiary's most prominent residents.
1:04:22 > 1:04:24Well...!
1:04:24 > 1:04:26If you need suspects, you know where to find me.
1:04:26 > 1:04:28Mum, wait.
1:04:28 > 1:04:31I bet if we asked, Mr Holmes would, erm...
1:04:31 > 1:04:32do his thing.
1:04:33 > 1:04:35The thing he does when he tells people who they are
1:04:35 > 1:04:37and where they've been, just from looking.
1:04:39 > 1:04:40Do Mum for her.
1:04:40 > 1:04:43I'm sure your mother doesn't need to be told where she's been.
1:04:44 > 1:04:46Stop bothering Mr Holmes with any foolishness.
1:04:46 > 1:04:47It's not foolishness!
1:04:47 > 1:04:49Here.
1:04:49 > 1:04:53You come and stand in front of Mr Holmes, just like that.
1:04:53 > 1:04:55And he'll tell you where you've been.
1:04:57 > 1:04:58Do it.
1:05:00 > 1:05:02You want her to turn in a circle?
1:05:02 > 1:05:04No, that won't be necessary.
1:05:04 > 1:05:05Turn in a circle.
1:05:28 > 1:05:30You've been away most of the day.
1:05:30 > 1:05:34The soot on your dress attests that you went by train to Portsmouth...
1:05:34 > 1:05:37as all other nearby rail lines that might accommodate
1:05:37 > 1:05:41a return trip of this length are under repair or...
1:05:41 > 1:05:43beyond it.
1:05:43 > 1:05:45In Portsmouth, you met the couple who run the hotel.
1:05:46 > 1:05:48Your hair and nails are evidence
1:05:48 > 1:05:50that you wished to make a favourable impression.
1:05:50 > 1:05:53They made you an offer, you accepted.
1:05:53 > 1:05:55You declined tea, and did not see the sister,
1:05:55 > 1:05:57for whom you have no particular fondness,
1:05:57 > 1:06:02using my indisposition as an excuse to hurry back.
1:06:03 > 1:06:05Wasn't an excuse.
1:06:05 > 1:06:06You accepted?
1:06:09 > 1:06:10Start a week Monday.
1:06:11 > 1:06:13Both of us?
1:06:13 > 1:06:14We're both going!
1:06:14 > 1:06:15She wants me to be a boot black!
1:06:15 > 1:06:16Roger!
1:06:16 > 1:06:19She wants me to do what she does!
1:06:19 > 1:06:20There is no shame in what I do!
1:06:20 > 1:06:22You complain enough about it!
1:06:22 > 1:06:23Always going on about how hard things are,
1:06:23 > 1:06:25and how you wish you had it better.
1:06:25 > 1:06:27- She can barely read! - SHE GASPS
1:06:36 > 1:06:37Go after her.
1:06:37 > 1:06:41Apologise for saying things that were meant to hurt.
1:06:41 > 1:06:43You were cruel!
1:06:43 > 1:06:45If you don't apologise,
1:06:45 > 1:06:47you will regret it.
1:06:47 > 1:06:48People always say that.
1:06:48 > 1:06:49Because it's true.
1:06:49 > 1:06:51Moi je regrette tellement...
1:06:51 > 1:06:53YOU regret?
1:06:53 > 1:06:55So much!
1:07:16 > 1:07:18Your dad hated what he did for a living.
1:07:18 > 1:07:22Mechanic in a garage, like his dad before him.
1:07:22 > 1:07:24When he got called up, he said to me,
1:07:24 > 1:07:28"My love, I'll not spend this war underneath the oil pan of some toff's Jeep.
1:07:28 > 1:07:30"I'm going to put in for the RAF."
1:07:32 > 1:07:33So he did.
1:07:34 > 1:07:35He trained...
1:07:37 > 1:07:38..scored high marks.
1:07:38 > 1:07:41Got assigned to a Bristol Blenheim, Mark IV.
1:07:42 > 1:07:43Blown out of the sky...
1:07:45 > 1:07:46..first time up.
1:07:48 > 1:07:51All his mates who worked the motor pool
1:07:51 > 1:07:52came home without a scratch.
1:07:54 > 1:07:56I shouldn't have said what I said.
1:07:58 > 1:07:59Lesson there, then.
1:08:01 > 1:08:02Don't say everything you think.
1:08:17 > 1:08:18Look.
1:08:25 > 1:08:26Where did you find that?
1:08:26 > 1:08:28In your desk.
1:08:29 > 1:08:31Couldn't have.
1:08:31 > 1:08:32The one in the corner.
1:08:32 > 1:08:34Didn't know it was a desk, until I opened it.
1:08:34 > 1:08:37That's not my desk, it's John's.
1:08:37 > 1:08:40He left it at Baker Street when he went off to be married.
1:08:41 > 1:08:43Yes, and there's a secret compartment
1:08:43 > 1:08:46containing the very glove you've been writing about!
1:08:47 > 1:08:49I know you say Dr Watson didn't always get things right,
1:08:49 > 1:08:52- but in the story...- I am not working on that story any more.
1:08:52 > 1:08:53Yes, but in Watson's story,
1:08:53 > 1:08:54he does have the armonica in it.
1:08:54 > 1:08:56And the German lady, and that glove.
1:08:56 > 1:08:58So maybe he did get things right.
1:08:58 > 1:09:00HE SNORTS Erm, that's not possible.
1:09:00 > 1:09:01John had gone from Baker Street by then.
1:09:01 > 1:09:03Well, then why was it in there?!
1:09:03 > 1:09:04I don't know!
1:09:04 > 1:09:07And if I ever did know, I don't remember.
1:09:07 > 1:09:08If you can't remember,
1:09:08 > 1:09:11why couldn't the case have been a success like Dr Watson wrote it?
1:09:11 > 1:09:13Because it was my last case,
1:09:13 > 1:09:15and if I'd brought it to a successful conclusion,
1:09:15 > 1:09:16I wouldn't have left the profession
1:09:16 > 1:09:21and spent 35 years here in this place away from the world!
1:09:22 > 1:09:24HE SNIFFS
1:09:26 > 1:09:30I chose exile for my punishment, but what was it for?
1:09:30 > 1:09:32I must have done something terribly wrong.
1:09:34 > 1:09:36And I've no evidence of what it was.
1:09:36 > 1:09:37Only pain.
1:09:38 > 1:09:40Guilt.
1:09:40 > 1:09:42Useless, worthless feelings.
1:09:43 > 1:09:47I wish to God I'd never even taken Umezaki's case.
1:09:48 > 1:09:50Kelmot's.
1:09:50 > 1:09:51What?
1:09:52 > 1:09:53Kelmot's case.
1:09:53 > 1:09:55You said Umezaki.
1:09:58 > 1:10:00Roger?
1:10:01 > 1:10:02Tea's ready.
1:10:08 > 1:10:10Oh.
1:10:10 > 1:10:11Best clear this up.
1:10:14 > 1:10:16HOLMES GROANS FEEBLY
1:10:24 > 1:10:25Mr Holmes?
1:10:26 > 1:10:28Would you like your tea now?
1:10:36 > 1:10:37Mr Holmes?
1:10:42 > 1:10:43If you die...
1:10:44 > 1:10:45..what'll happen to the bees?
1:10:49 > 1:10:50I haven't a clue.
1:10:55 > 1:10:57One can't solve everything.
1:11:01 > 1:11:02OWLS HOOT
1:11:06 > 1:11:09'..said to be used to call for the dead.
1:11:18 > 1:11:20'Death, mourning, grief...
1:11:26 > 1:11:28'..they're all commonplace.
1:11:38 > 1:11:40'Logic is rare.'
1:11:42 > 1:11:44The dead are not so very far away.
1:11:46 > 1:11:48They're just on the other side of the wall.
1:11:53 > 1:11:56Now, whenever did you say that?
1:11:57 > 1:12:00HE GROANS
1:12:07 > 1:12:10Ply your parlour tricks elsewhere, Mr Holmes.
1:12:11 > 1:12:13My husband could never succeed at deception,
1:12:13 > 1:12:15so long as I do his laundry.
1:12:15 > 1:12:17I don't know much about your profession,
1:12:17 > 1:12:21but I doubt predicting the future of women you are engaged to follow is common practice.
1:12:21 > 1:12:24It was intended only as a means to achieve a desired result.
1:12:24 > 1:12:25That being what?
1:12:25 > 1:12:27To delay your actions,
1:12:27 > 1:12:30to keep you from this appointment you seem so eager to make.
1:12:33 > 1:12:34Even before I glimpsed you today,
1:12:34 > 1:12:38I'd gleaned some of the passionate feelings you have for your husband.
1:12:38 > 1:12:40The man who took away the music you loved,
1:12:40 > 1:12:43denied you the pleasures of your lessons,
1:12:43 > 1:12:45even refused to mark a child's grave.
1:12:45 > 1:12:48All these predicted your antipathy.
1:12:48 > 1:12:49And then...
1:12:49 > 1:12:51I witnessed your actions.
1:12:51 > 1:12:52Forging his signature.
1:12:53 > 1:12:55Drawing down his accounts.
1:12:55 > 1:12:56Purchasing poison.
1:12:56 > 1:12:58Consulting his will.
1:12:58 > 1:13:01Planning an escape with a mystery man who was paid a handsome fee.
1:13:02 > 1:13:04And all for my benefit.
1:13:04 > 1:13:06A convincing set of circumstances,
1:13:06 > 1:13:08signalling your intention to murder...
1:13:09 > 1:13:10..your husband.
1:13:14 > 1:13:15But for two errors.
1:13:19 > 1:13:23You must place blame on your husband for the first.
1:13:23 > 1:13:27If Mr Kelmot hadn't blundered into Madame Schirmer's atelier,
1:13:27 > 1:13:29'and so taken me from my course...
1:13:30 > 1:13:32'..you wouldn't have had to loiter on the street
1:13:32 > 1:13:34'for such a suspiciously long period of time.
1:13:34 > 1:13:37'But you had no choice, so loiter you did.'
1:13:39 > 1:13:42I would also make the observation that there is nothing about you
1:13:42 > 1:13:45that signifies the type of woman who enjoys window shopping,
1:13:45 > 1:13:47especially the window of a taxidermist.
1:13:49 > 1:13:50Was that the second error?
1:13:50 > 1:13:53No, merely confirmation of the first.
1:13:53 > 1:13:54The second was unavoidable,
1:13:54 > 1:13:56and all the more damning.
1:13:56 > 1:13:58The man at the station.
1:13:58 > 1:14:02Everything about him, his clothes, the patches on his trousers,
1:14:02 > 1:14:03his hands...
1:14:03 > 1:14:06scarred and burned with acid,
1:14:06 > 1:14:07announce his profession.
1:14:07 > 1:14:09Stonemason.
1:14:13 > 1:14:15Money must have been a dire necessity...
1:14:17 > 1:14:20..else you would never forge your husband's signature.
1:14:21 > 1:14:23The money was to pay for the headstones
1:14:23 > 1:14:25that your husband would not allow.
1:14:25 > 1:14:26For Grace. For James.
1:14:28 > 1:14:29For you.
1:14:33 > 1:14:37Was arranging things to make it look as if Mr Kelmot
1:14:37 > 1:14:39was the intended victim
1:14:39 > 1:14:41simply to keep me off the trail?
1:14:43 > 1:14:45When I found the card...
1:14:46 > 1:14:47..I was furious...
1:14:49 > 1:14:51..that Thomas should know me so little
1:14:51 > 1:14:54that he had need to employ a detective to uncover the truth.
1:14:55 > 1:14:57Then it struck me.
1:14:58 > 1:15:01If anyone could understand,
1:15:01 > 1:15:02it would be you.
1:15:05 > 1:15:08Thomas thinks I'm mad, because I speak to my children.
1:15:09 > 1:15:10He doesn't understand.
1:15:12 > 1:15:15The dead are not so very far away.
1:15:18 > 1:15:19They're just...
1:15:20 > 1:15:22..on the other side of the wall.
1:15:25 > 1:15:29- It's us, on this side, who are, all of us so...- Alone?
1:15:34 > 1:15:35I have been alone...
1:15:38 > 1:15:39..all my life.
1:15:41 > 1:15:44But with the compensations of the intellect.
1:15:44 > 1:15:45And is that enough?
1:15:46 > 1:15:47It can be.
1:15:50 > 1:15:53If one is so fortunate as to find a place in the world...
1:15:56 > 1:15:59..and another soul with whom one's loneliness can reside.
1:16:01 > 1:16:02Do you know a place...
1:16:04 > 1:16:06..where two such souls might reside?
1:16:16 > 1:16:19'It was an offer unlike any I had ever received.
1:16:20 > 1:16:23'She wanted to share her solitude with me.
1:16:25 > 1:16:29'It was only later that I realised how fateful my decision would be.'
1:16:35 > 1:16:37You have a husband who loves you.
1:16:41 > 1:16:43Go home to him.
1:16:51 > 1:16:53SHE SIGHS
1:17:18 > 1:17:19Mr Holmes.
1:17:20 > 1:17:21You have my thanks.
1:17:23 > 1:17:24What more, madam, could I do?
1:17:47 > 1:17:49'She had poured out the contents of the bottle.
1:17:49 > 1:17:51'And with no malice aforethought,
1:17:51 > 1:17:54'poisoned the innocent witness.
1:17:57 > 1:17:59'If it had been one of John's stories,
1:17:59 > 1:18:01'he would have called it a foreshadowing.'
1:18:10 > 1:18:12TRAIN CHUGS
1:18:12 > 1:18:13WHISTLE BLASTS REPEATEDLY
1:18:21 > 1:18:24'Our time together was fleeting.
1:18:25 > 1:18:26'Less than an hour, really.
1:18:33 > 1:18:36'Yet her death made me see that human nature was a mystery
1:18:36 > 1:18:39'that logic alone could not illuminate.
1:18:49 > 1:18:52'I had successfully deduced the facts of her case.
1:18:52 > 1:18:54'But I had failed to grasp their meaning.
1:18:56 > 1:18:59'Never had I felt such an incomprehensible emptiness
1:18:59 > 1:19:01'within myself.
1:19:03 > 1:19:06'Only then did I begin to understand
1:19:06 > 1:19:09'how utterly alone I was in the world.
1:19:15 > 1:19:17'Mrs Hudson wrote to Watson.
1:19:17 > 1:19:19'He came at once.
1:19:19 > 1:19:23'He stayed with me, in our old rooms, for a month...
1:19:23 > 1:19:24'or more.
1:19:33 > 1:19:36'I told him about the case, everything, in great detail.
1:19:41 > 1:19:43'He brought me back from the brink.
1:19:44 > 1:19:47'And then Watson wrote the story.
1:19:47 > 1:19:49'He made me the hero.
1:19:49 > 1:19:51'It was his way of bestowing a kindness.
1:19:53 > 1:19:57'He knew no other manner in which to write the character he had created.
1:19:59 > 1:20:03'After all those years, John didn't know me at all.
1:20:03 > 1:20:06'Why he took the glove, I can only surmise.
1:20:06 > 1:20:10'Was it to prevent it becoming too powerful a reminder,
1:20:10 > 1:20:14'to keep it from being a well of sadness to which I might return?
1:20:14 > 1:20:18'But he could not bring himself to destroy it either.
1:20:18 > 1:20:20'After that, John and I were estranged.
1:20:22 > 1:20:24'Three years later, he too was gone,
1:20:24 > 1:20:26'without us ever having said goodbye.
1:20:42 > 1:20:47'And thus concludes the true story of a woman who died before her time
1:20:47 > 1:20:52'and a man who, until recently, was certain he had outlived his.'
1:21:01 > 1:21:02Roger with the bees?
1:21:02 > 1:21:04Like as not.
1:21:04 > 1:21:06Must tell him something important.
1:21:06 > 1:21:09You continue with whatever it was you were doing.
1:21:12 > 1:21:15You might ask him where the watering can's got to!
1:21:44 > 1:21:46BUZZING
1:22:07 > 1:22:12- Ambulance. Yes, this is Hedley House.- 'Hedley?'- Yes, quickly.
1:22:12 > 1:22:14And bring some supplies of adrenaline.
1:22:14 > 1:22:17- 'Hedley House...' - That's right, Hedley!
1:22:21 > 1:22:23FOOTSTEPS RECEDE DOOR BANGS
1:22:46 > 1:22:48Roger!
1:22:48 > 1:22:50Roger?
1:22:52 > 1:22:53Oh, no, no, no, no!
1:22:55 > 1:22:56Roger! Rog...!
1:23:19 > 1:23:20Mr Holmes?
1:23:22 > 1:23:24It's Inspector Gilbert!
1:23:27 > 1:23:29Mr Holmes?
1:23:31 > 1:23:33Yes, Inspector?
1:23:35 > 1:23:37They're giving the boy injections of adrenaline, as you said to,
1:23:37 > 1:23:41but...he's not looking good.
1:23:41 > 1:23:43He was fleeing his attackers.
1:23:45 > 1:23:47His footprints.
1:23:48 > 1:23:52Their pattern shows that his flight was disoriented.
1:23:52 > 1:23:54The swarm must have followed him in their attack.
1:23:54 > 1:23:57Before he lost consciousness, his skin would've flushed,
1:23:57 > 1:24:00accompanied by burning pain...
1:24:01 > 1:24:05..a drop in blood pressure, weakness.
1:24:05 > 1:24:07His throat and mouth would be swollen
1:24:07 > 1:24:09which explains why he didn't call for help.
1:24:11 > 1:24:13Then a drop in heart rate...
1:24:14 > 1:24:16..inability to breathe...
1:24:18 > 1:24:20..shock.
1:24:20 > 1:24:22Did you know he was allergic to bees?
1:24:29 > 1:24:31I was certain he wasn't.
1:25:48 > 1:25:50BUZZING
1:25:51 > 1:25:54No, no! You mustn't do that!
1:25:56 > 1:25:58My son...won't wake.
1:26:00 > 1:26:02He may never wake.
1:26:04 > 1:26:06They sent me away until morning.
1:26:06 > 1:26:09You didn't even have the decency to tell me what had happened to him!
1:26:11 > 1:26:13I didn't think it would make a difference.
1:26:13 > 1:26:14I'm his mother!
1:26:14 > 1:26:16I'm his mother...
1:26:18 > 1:26:20..and you stole him from me!
1:26:20 > 1:26:23He's all I had and I've lost him now!
1:26:25 > 1:26:27Why wasn't it you they did it to?
1:26:27 > 1:26:29It should've been you!
1:26:29 > 1:26:31The bees were not to blame!
1:26:31 > 1:26:32They're all you care about!
1:26:32 > 1:26:34No, I care about Roger!
1:26:34 > 1:26:36I care about him very mu...!
1:26:49 > 1:26:51The bees didn't do this.
1:26:53 > 1:26:55The bees were not to blame!
1:27:04 > 1:27:06It was the wasps.
1:27:06 > 1:27:09Roger was trying to find out what was killing the bees.
1:27:09 > 1:27:11And he did. He found the wasps' nest.
1:27:11 > 1:27:14He had to stop them wiping out the bees
1:27:14 > 1:27:16and so he did the worst possible thing.
1:27:16 > 1:27:20He was trying to drown them with water from his can.
1:27:20 > 1:27:22How do you know it was them?
1:27:22 > 1:27:25Bees leave their stings. Wasps don't.
1:27:25 > 1:27:27There were no stings left on Roger's face.
1:27:27 > 1:27:30When they attacked, he dropped the watering can
1:27:30 > 1:27:33and ran to protect the bees. There are his footprints.
1:27:33 > 1:27:35From the apiary to the nest and back.
1:27:35 > 1:27:37He was trying to save the bees.
1:28:21 > 1:28:23There was a woman, once...
1:28:24 > 1:28:26..I knew her less than a day,
1:28:26 > 1:28:28a quarter of an hour's conversation.
1:28:30 > 1:28:32She needed my help.
1:28:33 > 1:28:37She needed so desperately to be understood by someone.
1:28:37 > 1:28:39Me.
1:28:40 > 1:28:43So I laid out the particulars of her case as I saw them,
1:28:43 > 1:28:45to her satisfaction, I thought.
1:28:47 > 1:28:48I watched her walk away...
1:28:50 > 1:28:52..and, within hours, she had ended her life.
1:28:55 > 1:28:58By identifying the cause of her despair with such clarity,
1:28:58 > 1:29:01I'd given her carte blanche to do just as she intended.
1:29:03 > 1:29:06I should've done whatever it took to save her.
1:29:08 > 1:29:10Lie to her, make up a story...
1:29:12 > 1:29:13..take her by the hand,
1:29:13 > 1:29:16hold her as she wept, and said,
1:29:16 > 1:29:21"Come live with me. Let us be alone together."
1:29:26 > 1:29:28But I was fearful.
1:29:32 > 1:29:33Selfish.
1:29:37 > 1:29:42She is the reason I came here, to my bees,
1:29:42 > 1:29:45so that I couldn't harm anyone ever again.
1:29:49 > 1:29:51I'm leaving you the house.
1:29:53 > 1:29:54You and Roger.
1:29:56 > 1:30:01House, grounds, apiary, everything within and without.
1:30:01 > 1:30:04And as I shall not change my mind on this point,
1:30:04 > 1:30:05you will see, I trust,
1:30:05 > 1:30:08that it will be greatly less complicated for all concerned
1:30:08 > 1:30:15if the two of you don't go off to somewhere like...Portsmouth.
1:30:18 > 1:30:20Mrs Munro?
1:30:21 > 1:30:22Roger is awake.
1:31:03 > 1:31:05'Dear Mr Umezaki.
1:31:07 > 1:31:10'I write to tell you that I have, at last,
1:31:10 > 1:31:12'recalled my meeting with your father.
1:31:14 > 1:31:18'A woman had died because I had failed to solve her case.
1:31:19 > 1:31:23'Guilt and recrimination having taken their toll on me,
1:31:23 > 1:31:26'my powers were far from at their best
1:31:26 > 1:31:28'when I received an urgent message
1:31:28 > 1:31:32'summoning me to the Diogenes Club to meet with my brother Mycroft.'
1:31:35 > 1:31:37This gentleman has made an offer of service.
1:31:37 > 1:31:39He wishes to work for the Crown.
1:31:42 > 1:31:47I'm here to be tested, Mr Holmes. I very much want to be of use.
1:31:47 > 1:31:50- Do you think that I am suited? - I'm sure, sir.
1:31:51 > 1:31:53Good. There is one minor issue.
1:31:53 > 1:31:56Mr Umezaki has a wife and child in Japan.
1:31:56 > 1:31:59He wonders what would be the best course.
1:32:07 > 1:32:12Write a letter saying you plan to stay on in England,
1:32:12 > 1:32:15could be a long while till your return.
1:32:17 > 1:32:21'Your father went on to serve the British Empire for many years
1:32:21 > 1:32:25'in absolute secrecy and with the greatest distinction...
1:32:37 > 1:32:44'..from the Malay Straits to the Arabian Sea.
1:32:48 > 1:32:50'He was a man of courage, heart and dignity,
1:32:50 > 1:32:56'of whom a beloved wife and cherished son may be deservedly proud.
1:32:57 > 1:33:00'Sherlock Holmes.'
1:33:20 > 1:33:21My friend John.
1:33:31 > 1:33:33My brother Mycroft.
1:33:34 > 1:33:36Mrs Hudson.
1:33:37 > 1:33:38Masuo Umezaki.
1:33:40 > 1:33:42Maya Umezaki.
1:33:48 > 1:33:50Ann.
1:33:53 > 1:33:55Who's that one for?
1:33:56 > 1:33:58Me. You.
1:34:00 > 1:34:02Not yet for a while, surely.
1:34:04 > 1:34:06Did you finish what you had to do?
1:34:06 > 1:34:08Yes, I did.
1:34:08 > 1:34:11My first foray into the world of fiction.
1:34:11 > 1:34:15One shouldn't leave this life without a sense of completion.
1:34:20 > 1:34:22You can use this in one of your stories.
1:34:27 > 1:34:30A glass. A bee. And Roger.
1:34:33 > 1:34:34Show me how to knock them out.
1:34:44 > 1:34:46The queen runs the colony.
1:34:46 > 1:34:49The drones service the queen.
1:34:49 > 1:34:51The workers do the work.
1:34:51 > 1:34:52Isn't it true!