0:00:02 > 0:00:09This film contains very strong language
0:00:21 > 0:00:23STAMPING, CLAPPING
0:00:25 > 0:00:27DRUMSTICKS TAP A RAPID RHYTHM
0:00:27 > 0:00:30CROWD MURMURS, SCATTERED BOOING
0:00:30 > 0:00:33- PA:- 'Ladies and gentlemen, please remain patient.
0:00:33 > 0:00:35'We apologise for the continued delay
0:00:35 > 0:00:38'in this evening's performance by the Jimi Hendrix Experience.
0:00:38 > 0:00:40'We hope to bring you the show presently.'
0:00:40 > 0:00:42STOMPING AND CLAPPING CONTINUE
0:00:44 > 0:00:47'There's so much competition right now -
0:00:47 > 0:00:48'Cream, The Who...
0:00:48 > 0:00:50'No, no, no. No, no.
0:00:50 > 0:00:53'I wouldn't - I wouldn't say competition, no.
0:00:53 > 0:00:55'Well, do you think you're better than all of them?'
0:01:09 > 0:01:11# Got a good reason
0:01:13 > 0:01:14# Cos this is the season
0:01:14 > 0:01:16CHATTERING
0:01:16 > 0:01:18# To do that dance
0:01:20 > 0:01:22# To get that groove
0:01:24 > 0:01:25# I got that feel
0:01:26 > 0:01:28# To get that groove
0:01:30 > 0:01:32# I got that feel
0:01:34 > 0:01:35# To do that dance
0:01:36 > 0:01:39# Everybody
0:01:40 > 0:01:43# Everybody, ha... #
0:01:43 > 0:01:46Hey, sorry to bother you. Um, Linda Keith?
0:01:46 > 0:01:49You are Linda Keith. Fantastic!
0:01:49 > 0:01:51I was over there with my buddies. I knew it was you!
0:01:51 > 0:01:54Can I have your autograph, please? Can you make it out to Ted?
0:01:54 > 0:01:57Wouldn't you rather kiss?
0:01:57 > 0:01:58# They're doin' it on the beat... #
0:02:00 > 0:02:03Then you can tell your friends you've done the closest thing
0:02:03 > 0:02:06to sucking a Rolling Stone's cock.
0:02:06 > 0:02:08And that's what you really want, isn't it?
0:02:08 > 0:02:10# Oh, let's dance Ha
0:02:11 > 0:02:14# They're doin' it in the daytime
0:02:14 > 0:02:16# They're doin' it in the night-time
0:02:18 > 0:02:20# This is the night-time
0:02:24 > 0:02:25# Hey. #
0:02:33 > 0:02:35# You got it
0:02:41 > 0:02:42MUSIC ENDS
0:02:45 > 0:02:47SMATTERING OF APPLAUSE
0:02:47 > 0:02:49CHATTERING
0:02:55 > 0:02:56CHATTERING CONTINUES
0:03:00 > 0:03:02Mark, can we go over, um...
0:03:04 > 0:03:08- What do you say? - Well, I don't know.
0:03:08 > 0:03:10- Nice set. - Thank you.
0:03:10 > 0:03:13Listen, I'm here with a couple of my friends over at this table here...
0:03:13 > 0:03:16in case you want to come over, grab a few drinks or something.
0:03:16 > 0:03:18- WOMAN CHUCKLES MAN:- You got some lemons?
0:03:18 > 0:03:21- Oh, sweetheart, I forgot the lemons.- No lemons?
0:03:21 > 0:03:23Come on. You know you need lemons.
0:03:23 > 0:03:27Gin, gin, gin, gin. Can you pass me the gin out there, please?
0:03:27 > 0:03:29Not too much.
0:03:29 > 0:03:31- I won't put too much in. - DOOR OPENS AND CLOSES
0:03:38 > 0:03:40Howlin' Wolf?
0:03:40 > 0:03:43Robert Johnson?
0:03:43 > 0:03:45T-Bone Walker?
0:03:45 > 0:03:48It's a promotional copy. It's completely fresh.
0:03:48 > 0:03:50Whatever's cool.
0:03:50 > 0:03:52I trust you.
0:03:52 > 0:03:54Roberta.
0:03:57 > 0:03:59- Dylan, huh? - Yeah.
0:04:00 > 0:04:02- Well, I dig his hair. - CHUCKLES
0:04:11 > 0:04:14Jimmy?
0:04:14 > 0:04:16Do you want to try something?
0:04:22 > 0:04:24# Well, I see you got your
0:04:25 > 0:04:28# Brand-new leopard-skin pillbox hat
0:04:31 > 0:04:34# Yes, I see you got your
0:04:35 > 0:04:38# Brand-new leopard-skin pillbox hat... #
0:04:40 > 0:04:43One thing.
0:04:43 > 0:04:45First time, you don't look in the mirror.
0:04:47 > 0:04:48All right.
0:04:48 > 0:04:50# Under your brand-new leopard-skin pillbox hat
0:04:50 > 0:04:54# Well, you look so pretty in it
0:04:54 > 0:04:57# Honey, can I jump on it sometime?
0:05:00 > 0:05:03# Yes, I just want to see
0:05:03 > 0:05:06# If it's really that expensive kind
0:05:09 > 0:05:12# You know, it balances on your head
0:05:12 > 0:05:15# Just like a mattress balances on a bottle of... #
0:05:15 > 0:05:17SONG STOPS
0:05:23 > 0:05:26These guys are setting themselves on fire. You know?
0:05:26 > 0:05:29Taking a stand for what they believe in.
0:05:29 > 0:05:30Close your eyes for me.
0:05:30 > 0:05:33- Really? - Yeah. Yeah.
0:05:33 > 0:05:35- I really, really like it. - Yeah?
0:05:35 > 0:05:38Of course I do, because it's your real name.
0:05:38 > 0:05:42- Yeah.- You know, I think Jimmy James sounds very...
0:05:42 > 0:05:44- Well, that's just... - Singsongy.
0:05:44 > 0:05:46It's just for the act, you know.
0:05:46 > 0:05:48Why do you need an act?
0:05:48 > 0:05:50Well, I get on stage and I gotta perform.
0:05:50 > 0:05:53Yes, why can't you just... get on stage and perform?
0:05:53 > 0:05:55Why do you have to be a character?
0:05:55 > 0:05:58- Just a thing, you know. - It's not.
0:05:58 > 0:06:01It's not a thing. it's nothing. it's...
0:06:01 > 0:06:05it's you just sort of standing up there with processed hair...
0:06:05 > 0:06:08- and a leopard-print jacket. - I do think
0:06:08 > 0:06:10- maybe that could be you. - It's not leopard. it's cheetah.
0:06:10 > 0:06:12- Oh, really? - Yeah.
0:06:12 > 0:06:14You know, Cheetah Club, cheetah jacket.
0:06:14 > 0:06:16- Really? - Yeah.
0:06:16 > 0:06:18I didn't get that.
0:06:18 > 0:06:19Yeah.
0:06:19 > 0:06:21You know what Johnson said?
0:06:21 > 0:06:24You're going to have your cheetah jacket and you're going to be in hiding.
0:06:24 > 0:06:26MARK: He said the suicides were tragic and unnecessary.
0:06:26 > 0:06:29And I just really...I don't see the...
0:06:33 > 0:06:36Why not? Why not?
0:06:36 > 0:06:38Semi-literate kids are being...
0:06:38 > 0:06:42- I know where this goes.- Where does it go? What do you mean?
0:06:42 > 0:06:44Nowhere.
0:06:44 > 0:06:47You're so serious. We're just-just having a good time, you know.
0:06:49 > 0:06:51Do you think I'm wrong?
0:06:53 > 0:06:55We all have situations. Yeah.
0:06:55 > 0:06:58Do we?
0:06:58 > 0:06:59Yeah, we do.
0:06:59 > 0:07:02At least we have each other.
0:07:02 > 0:07:06MARK: Most of my friends have burned their cards.
0:07:06 > 0:07:09No, if you were done with...
0:07:09 > 0:07:12the sort of cheetah and leopard-print...
0:07:13 > 0:07:15..aspects of it all-
0:07:15 > 0:07:17- You mean, done with Curtis? - Yeah, I mean... Mm-hmm.
0:07:17 > 0:07:20I mean, why? Why would I want to...
0:07:20 > 0:07:22I think that the act at the moment is perfectly adequate.
0:07:22 > 0:07:27But I think that that's, um... the best thing that I can really say about it.
0:07:27 > 0:07:30You can't get down on a man's hustle. That's his thing.
0:07:30 > 0:07:32I'm not. I've got nothing against his hustle.
0:07:32 > 0:07:33But...
0:07:33 > 0:07:36how much hustle...
0:07:36 > 0:07:41does it take to get you and your cheetah jacket booked into an empty club?
0:07:41 > 0:07:43Well, that's how it is. Right?
0:07:43 > 0:07:46RECORD STARTS You got Curtis, and it's a gig for me.
0:07:46 > 0:07:48So I'm makin' the bread.
0:07:48 > 0:07:50We all have our own situations.
0:07:50 > 0:07:52Yeah, but if you were done with him?
0:07:53 > 0:07:55- Do we?- You're high.
0:07:55 > 0:07:58I'm-I'm asking you...
0:07:58 > 0:08:00if you were done with Curtis...
0:08:00 > 0:08:02what sort of music would you play?
0:08:02 > 0:08:04I don't know.
0:08:04 > 0:08:08It's like asking, if I had a spaceship would I go to Venus or Mars?
0:08:08 > 0:08:09No, it's not!
0:08:09 > 0:08:13I'm asking you, if you could play your music...
0:08:13 > 0:08:15how would you do it?
0:08:15 > 0:08:17If I could do things my way, like...
0:08:17 > 0:08:20# I didn't know where to find my baby... #
0:08:20 > 0:08:24I-I'd do that, you know. I'd just do something new.
0:08:24 > 0:08:27You know, do my own thing. You know?
0:08:27 > 0:08:29Yeah.
0:08:29 > 0:08:32# When the sun set this evenin'... #
0:08:32 > 0:08:35But I can't split Curtis now, so...
0:08:35 > 0:08:38# I was steppin' in the same old place... #
0:08:38 > 0:08:41It's his guitar, so I'll just...
0:08:41 > 0:08:43I don't even have a guitar. You know?
0:08:43 > 0:08:44BLUES ROCK PLAYS
0:09:01 > 0:09:03BLUES ROCK FADES
0:09:03 > 0:09:05MUSIC: Zadok The Priest by Handel
0:09:15 > 0:09:20# Zadok the priest
0:09:20 > 0:09:26# And Nathan the prophet... #
0:09:26 > 0:09:28MUSIC STOPS
0:09:30 > 0:09:32PIPES GROANING
0:09:32 > 0:09:34Jimmy.
0:09:34 > 0:09:35Jimmy!
0:09:35 > 0:09:38I want to go to the Village with you.
0:09:38 > 0:09:39There's nothing down there.
0:09:39 > 0:09:41Can I borrow me a couple of bucks?
0:09:41 > 0:09:43What?
0:09:43 > 0:09:45I'm not going to be able to play tonight, so I need to eat.
0:09:45 > 0:09:48You spent my last dollar buying that goddamn record.
0:09:48 > 0:09:51- It's Dylan. - It is my money.
0:09:51 > 0:09:54And you take it and you run around and do whatever with it?
0:09:55 > 0:09:58I'm not borrowing you anything.
0:09:58 > 0:10:00Are you listening?
0:10:00 > 0:10:03If you want something, you take me with you.
0:10:03 > 0:10:04There's nothing down there.
0:10:07 > 0:10:08Shit.
0:10:16 > 0:10:18Better bring me some food.
0:10:23 > 0:10:24Thank you.
0:10:24 > 0:10:28Don't come back with any more goddamn white boy albums.
0:10:28 > 0:10:30- Jimmy. - DOOR OPENS
0:10:30 > 0:10:31Jimmy! DOOR CLOSES
0:10:31 > 0:10:34GUITAR FEEDBACK
0:10:47 > 0:10:48BLUES ROCK GUITAR
0:11:44 > 0:11:46GUITAR FLOURISH
0:11:49 > 0:11:51MUSIC ENDS
0:11:51 > 0:11:53- And you weren't impressed at all? - He's nothing.
0:11:53 > 0:11:55You didn't see the way he plays?
0:11:55 > 0:11:58- No, he's less than that. He's rubbish.- Watch his hands.
0:11:58 > 0:11:59Christ.
0:11:59 > 0:12:01His hands...are amazing.
0:12:01 > 0:12:03He is an incredible guitar player.
0:12:03 > 0:12:05It's not like the world's short on guitar players.
0:12:05 > 0:12:08And what was he playing? A bloody hodgepodge full of nothing.
0:12:08 > 0:12:11I'd lose more money on him than I'd ever make.
0:12:11 > 0:12:15- He's brilliant.- Look, what am I to do? I'm your boyfriend's hire.
0:12:15 > 0:12:17When he comes off tour, shall I inform him...
0:12:17 > 0:12:19that you'd have me divide my time between him and your friend?
0:12:19 > 0:12:21HE CHUCKLES
0:12:21 > 0:12:24Linda, I understand more than you know.
0:12:24 > 0:12:26I'm sure I tire of being simply the Rolling Stones' manager
0:12:26 > 0:12:30as much as you do of being described as Keith Richards' girl,
0:12:30 > 0:12:32as though that were a job description.
0:12:32 > 0:12:35Identity is a wonderful thing.
0:12:35 > 0:12:37I encourage you to have one.
0:12:37 > 0:12:42But for God's sake, a little discretion wouldn't hurt either.
0:12:42 > 0:12:43HE SIGHS
0:12:43 > 0:12:45Come on.
0:12:45 > 0:12:47- Linda. - Have a good night.
0:12:47 > 0:12:48Oh, come on!
0:12:50 > 0:12:54Why should people bother? Why spend the night coming to see you play?
0:12:54 > 0:12:56Do you think that was entertaining?
0:12:56 > 0:12:59Do you think it's attractive to watch somebody picking at their face?
0:12:59 > 0:13:01My skin's all messed up.
0:13:01 > 0:13:03No-one is looking at your skin.
0:13:03 > 0:13:05You're standing up there, and you don't say anything.
0:13:05 > 0:13:09And on the occasion that you decide to talk, it's an inaudible mumble.
0:13:09 > 0:13:12- I'm not Keith, though. - I'm not asking you to be Keith.
0:13:14 > 0:13:17I'm asking you to go up there and take the stage
0:13:17 > 0:13:20like you actually wanted to amount to something.
0:13:20 > 0:13:22Yeah.
0:13:22 > 0:13:24OK. OK.
0:13:24 > 0:13:27You know, I've actually run out of people to come and see you play.
0:13:27 > 0:13:29Can you look at me when I'm talking to you?
0:13:29 > 0:13:30APPLAUSE
0:13:30 > 0:13:32'Please?'
0:13:37 > 0:13:40'I've-I've run out of people.'
0:13:40 > 0:13:42Th-Thank you, um...
0:13:42 > 0:13:45- Does that resonate with you on any level whatsoever?- Yeah, I hear you.
0:13:45 > 0:13:47- Really? I don't believe you. - I hear you!
0:13:47 > 0:13:49Hey, keep it down! We've still got a show going on.
0:13:49 > 0:13:52Thank you! Yes!
0:13:57 > 0:13:59MATCH STRIKES
0:14:07 > 0:14:09You know, I've never been to Harlem.
0:14:11 > 0:14:14I go around pitching rhythm and blues the whole time
0:14:14 > 0:14:16and I've never even been to Harlem.
0:14:16 > 0:14:19So you could invite me.
0:14:19 > 0:14:21You wouldn't like it.
0:14:21 > 0:14:24There's nothing... There's nothing up there for you.
0:14:26 > 0:14:28Running around New York.
0:14:29 > 0:14:32She's some kind of just...
0:14:34 > 0:14:37Everybody knows about it. Everybody.
0:14:37 > 0:14:39They all talk about the two of them.
0:14:39 > 0:14:42It's humiliating. Bloody humiliating.
0:14:42 > 0:14:46For you, it must be. And I regret that. I do.
0:14:46 > 0:14:49And he's a drug addict. Did you know that?
0:14:49 > 0:14:51He has her strung out all the time.
0:14:51 > 0:14:54Are you just...
0:14:54 > 0:14:57You're going to let her run around over in America, her and her...
0:14:57 > 0:14:59I'll check the diary, but they'll be free at some point.
0:14:59 > 0:15:01Chas.
0:15:01 > 0:15:05Chas, hi. I'm, um - I'm Linda Keith.
0:15:05 > 0:15:07I'm, uh, Keith Richard's girlfriend.
0:15:07 > 0:15:09- Oh! Hi. - Hi.
0:15:09 > 0:15:11- Keith's lass. - Yeah.
0:15:11 > 0:15:13- How are you doing? - Fine. You?
0:15:13 > 0:15:15I'm really good.
0:15:15 > 0:15:18I think it's pretty much it for me after this tour.
0:15:19 > 0:15:22Gone anyway. We've, uh, lost Alan.
0:15:22 > 0:15:24What, temporarily?
0:15:24 > 0:15:27No. He's, uh... He's got a fear of flying.
0:15:27 > 0:15:28Honestly?
0:15:28 > 0:15:31Now you're going to do the new record for us?
0:15:31 > 0:15:33- Yeah.- And it's called? - The House Of The Rising Sun.
0:15:33 > 0:15:35Right. Here we go then with... AUDIENCE SCREAMING
0:15:39 > 0:15:41No, it's-it's done.
0:15:41 > 0:15:44I can see the writing's on the wall.
0:15:44 > 0:15:47And that manager ripped us off something shameful to boot.
0:15:47 > 0:15:48Well, can't you sue him?
0:15:48 > 0:15:52Spending money to make money to...
0:15:52 > 0:15:54it's money I'll never see.
0:15:54 > 0:15:58No, it's... I'd rather manage a couple of acts of me own.
0:15:58 > 0:16:02Treat them proper, start stacking up the bills.
0:16:02 > 0:16:05How about you? You still modelling?
0:16:05 > 0:16:09Occasionally, yeah. Much to my father's consternation.
0:16:09 > 0:16:11Good little British girls don't model.
0:16:11 > 0:16:13I'm not really sure what we're supposed to do...
0:16:13 > 0:16:15but apparently modelling
0:16:15 > 0:16:17and shacking up with the Rolling Stones
0:16:17 > 0:16:19aren't among the options.
0:16:21 > 0:16:23Aye, well, things come.
0:16:24 > 0:16:26You know, they always do.
0:16:28 > 0:16:30Or so I've been told.
0:16:34 > 0:16:39Are you serious about giving up performing in order to manage?
0:16:42 > 0:16:44CHUCKLES
0:16:45 > 0:16:47Because I may have something for you.
0:16:49 > 0:16:52Do you think you might try putting something else into it?
0:16:52 > 0:16:55Cos you're going up on stage for a reason.
0:16:55 > 0:16:57I don't know. Maybe.
0:16:59 > 0:17:01Do you think you're going to sing?
0:17:01 > 0:17:03I think you'd have a lot more to offer if you were to sing.
0:17:03 > 0:17:06My voice is... Oh, it's terrible.
0:17:06 > 0:17:10But so's Dylan's. And he's doing all right, isn't he?
0:17:13 > 0:17:15Chas really, really likes the blues.
0:17:23 > 0:17:26So, if you had the mind to, you could play something...
0:17:26 > 0:17:30Bluesy? Yeah, I'll play - However you want me to play, I'll play it. Yeah.
0:17:32 > 0:17:34Do I sound like your mother?
0:17:40 > 0:17:42I wouldn't know.
0:17:47 > 0:17:49Your thing, Jimmy.
0:17:50 > 0:17:51Your way.
0:17:53 > 0:17:55'He's quite a quiet sort.
0:17:55 > 0:17:58'So if he doesn't say much to you afterwards, I wouldn't take it personally.
0:17:58 > 0:18:01- 'It's not really in his nature. - CHAS:- Sure.'
0:18:01 > 0:18:03He thinks he can't...
0:18:03 > 0:18:05Well, he doesn't like to - he doesn't like to sing.
0:18:05 > 0:18:08And he thinks that he has this sort of dodgy...
0:18:08 > 0:18:10dodgy voice.
0:18:10 > 0:18:14But I don't think it sounds funny at all, so...
0:18:14 > 0:18:16- I fancy another. Do you want another?- Um, absolutely.
0:18:16 > 0:18:18Yeah.
0:18:18 > 0:18:21Well, welcome everybody to the Cafe Wha.
0:18:21 > 0:18:23A real good show for you. A very good show.
0:18:23 > 0:18:26Your starter this afternoon...
0:18:26 > 0:18:28Mr Jimmy James and the Blue Flames.
0:18:28 > 0:18:31APPLAUSE
0:18:34 > 0:18:36FEEDBACK
0:18:45 > 0:18:47All right.
0:19:20 > 0:19:22CHEERING AND APPLAUSE
0:20:03 > 0:20:06MUSIC FADES
0:20:14 > 0:20:17Fuck.
0:20:18 > 0:20:20FINGERS SQUEAKING ACROSS FRETS
0:20:26 > 0:20:29So, you don't play in any of the R & B clubs in Harlem?
0:20:29 > 0:20:31No, man. Those cats are way too strict up there.
0:20:31 > 0:20:34They don't dig cats stretching the blues out up there.
0:20:34 > 0:20:37- I don't know what's going on with them.- Well, fuck them.
0:20:37 > 0:20:39Yeah, fuck them. You know, I like him.
0:20:39 > 0:20:41- You're fucking brilliant. - Thank you.
0:20:41 > 0:20:43Did Linda tell you what to play?
0:20:43 > 0:20:45No, she just said play.
0:20:45 > 0:20:48Look, I've heard pretty much everything there is to hear...
0:20:48 > 0:20:50and, uh, I've got to say
0:20:50 > 0:20:53you're taking it, you're tearing it apart in your hands, man.
0:20:53 > 0:20:56Jesus Christ. No-one's got you signed?
0:20:56 > 0:21:00- Jimmy, you're not really one for commitments, are you?- No.
0:21:00 > 0:21:02Has Linda told you that I'm looking to, uh...
0:21:02 > 0:21:04Says you're looking for people to work with.
0:21:04 > 0:21:06I want to manage, but I've never managed an act.
0:21:06 > 0:21:09- I've never been managed, so... - Well, that's even Stephen.
0:21:09 > 0:21:11OK.
0:21:11 > 0:21:14I'm off the tour in three months.
0:21:14 > 0:21:17I think it'd be a hell of a thing if you came over to London.
0:21:17 > 0:21:20London? There's so many great cats over there already playing, though.
0:21:20 > 0:21:23Well, they haven't got you. Eh? That's for damn sure.
0:21:23 > 0:21:27There'll be no stick-in-the-ass about this chord or that.
0:21:27 > 0:21:30They'll be mad for what you're doing over there. Eh?
0:21:30 > 0:21:33I mean, e-everybody there, everybody who's doing owt,
0:21:33 > 0:21:35they're all working off the blues structure.
0:21:35 > 0:21:38I don't want to get caught up in those kind of labels, though.
0:21:38 > 0:21:40I don't want it to be, "He's playing the blues..."
0:21:40 > 0:21:44or, "He's playing R & B or soul," all that kind of stuff, those cages, man.
0:21:44 > 0:21:47- I'm not saying it has to be... - It's not about style.
0:21:47 > 0:21:48You know, it's...
0:21:48 > 0:21:52I want my music to go inside the soul of a person.
0:21:52 > 0:21:54You know, for me it's colours.
0:21:54 > 0:21:57I want people to feel the music the same way I see it.
0:21:57 > 0:21:58It's just colours. That's it.
0:21:58 > 0:22:02The rest is just painted with a little science fiction here and there.
0:22:02 > 0:22:05I don't want to freak you out this early.
0:22:06 > 0:22:08I've gotta get you over to London.
0:22:10 > 0:22:13Have you ever met a real pimp?
0:22:13 > 0:22:16Yeah, man, the pimps wear these things out in the street.
0:22:17 > 0:22:19Yeah. They do.
0:22:19 > 0:22:21I'll wear a hat on stage.
0:22:21 > 0:22:24Oh, man, look at that pimp with that backwards guitar.
0:22:24 > 0:22:28Linda, guy looking for you. Says he's Keith.
0:22:28 > 0:22:30- Richards? - Alan.
0:22:30 > 0:22:33Oh, um, send him back, I suppose, yeah.
0:22:33 > 0:22:35Who's Alan?
0:22:35 > 0:22:37He's my father.
0:22:37 > 0:22:39- You're joking, right? - No.
0:22:41 > 0:22:44- You for real? - Yes.
0:22:44 > 0:22:45Oh, shit.
0:22:52 > 0:22:53Linda.
0:22:55 > 0:22:58You didn't want to ring or anything before you arrived?
0:22:59 > 0:23:01This is Mr Jimmy Hendrix.
0:23:01 > 0:23:04WOMAN SINGING ONSTAGE
0:23:04 > 0:23:06It's a pleasure.
0:23:09 > 0:23:11Collect your things.
0:23:12 > 0:23:14Let's go.
0:23:14 > 0:23:16Hey, man, come on.
0:23:16 > 0:23:19# We were all outside
0:23:19 > 0:23:24# Smoking... #
0:23:24 > 0:23:25LINDA AND ALAN ARGUING
0:23:25 > 0:23:28# You in the headlights
0:23:29 > 0:23:32# Yeah, in the headlights
0:23:34 > 0:23:36# Yeah, in the headlights... #
0:23:40 > 0:23:42KNOCKING
0:23:50 > 0:23:53Well, it's all taken care of.
0:23:53 > 0:23:56I can get you your working papers and some decent gigs.
0:23:56 > 0:24:00There won't be much money, not at first, but I'll take care of expenses.
0:24:02 > 0:24:04I don't know, man.
0:24:04 > 0:24:08- You were keen on coming to London before.- Yeah, but that was before.
0:24:08 > 0:24:11Aye, so, wh-what's changed?
0:24:13 > 0:24:17You don't have much to say for yourself, do you?
0:24:17 > 0:24:19Knowledge speaks.
0:24:19 > 0:24:20Wisdom listens.
0:24:26 > 0:24:28Do you know Eric Clapton?
0:24:28 > 0:24:32- What, have I heard of him? - No, do you know him?
0:24:32 > 0:24:33- Sure. - CHUCKLES
0:24:33 > 0:24:34Clapton's a mate.
0:24:34 > 0:24:37If I go to London, can you set me up with him?
0:24:38 > 0:24:40Him, Beck, Townshend.
0:24:40 > 0:24:41No, no, just Clapton.
0:24:42 > 0:24:44OK. Soon as we get you over.
0:24:44 > 0:24:46Have you got a passport?
0:24:46 > 0:24:48No, man.
0:24:48 > 0:24:50- Have you got a birth certificate? - No.
0:24:50 > 0:24:53Well, do you know how to get hold of a copy?
0:24:53 > 0:24:55Does your family have a copy?
0:24:55 > 0:24:57I'm not calling my pops. No, no. I'm not calling him.
0:24:57 > 0:24:59If we don't get the birth certificate
0:24:59 > 0:25:02we can't make the application for your passport.
0:25:02 > 0:25:05I don't know. I'm not calling him, though.
0:25:05 > 0:25:08MUSIC: Early Five Believers by Bob Dylan
0:25:08 > 0:25:11Aye, OK. I'll make some calls.
0:25:11 > 0:25:14Fucking families, eh?
0:25:14 > 0:25:18I bet you my pop wouldn't even recognise me if he saw me now.
0:25:18 > 0:25:20I haven't talked to him in so long.
0:25:22 > 0:25:25I don't even know if they know I'm alive or not.
0:25:30 > 0:25:32# Don't let me down... #
0:25:34 > 0:25:37AIRPLANES PASSING
0:25:39 > 0:25:41ACOUSTIC GUITAR
0:25:46 > 0:25:50# You ain't nothing but a hound dog
0:25:52 > 0:25:54# Barking up my tree
0:25:56 > 0:25:57# You ain't nothing but a hound dog
0:25:57 > 0:26:00If you're looking for trouble, then you've come to the right shop.
0:26:00 > 0:26:03# Barking up my tree
0:26:04 > 0:26:08# Well, you ain't never brought no rabbit back home
0:26:08 > 0:26:11# How in the hell you going to feed me?
0:26:13 > 0:26:16# Well, you said you was high class... #
0:26:19 > 0:26:22- Yeah.- How was the trip over?
0:26:24 > 0:26:25No.
0:26:25 > 0:26:29You know, I-I'm not ready, and I look a bit of a mess.
0:26:30 > 0:26:33Next time you're a mess it'll be...
0:26:33 > 0:26:35# Sleepin' in the morning
0:26:35 > 0:26:38SHE LAUGHS
0:26:38 > 0:26:40- How's he doing? - Life of the party.
0:26:48 > 0:26:50- # Yeah-eah-eah... # - Do you fancy meeting up tonight, then?
0:26:50 > 0:26:52# Whoo-ooh-ooh
0:26:52 > 0:26:54- # Yeah-eah-eah - About nine.
0:26:54 > 0:26:56At The Scotch.
0:26:56 > 0:26:59He hasn't got his work visa yet, so he can only play for about a minute.
0:26:59 > 0:27:03# Two old maids laid in bed
0:27:03 > 0:27:05# One looked at the other one and said... #
0:27:05 > 0:27:07ALL LAUGHING Shit, I forgot the words.
0:27:07 > 0:27:09Hey, Jimmy, let's get you back to the hotel.
0:27:09 > 0:27:11Wait. Kathy's got to meet him.
0:27:13 > 0:27:14SHE SIGHS
0:27:15 > 0:27:18Come on. Get up. Come on.
0:27:19 > 0:27:22You've got to see what Chas has brought round.
0:27:22 > 0:27:24- He looks like the Wild Man of Borneo.- Get me a drink.
0:27:24 > 0:27:27- Rita! - I want her to meet Jimmy!
0:27:27 > 0:27:29- Stop screaming. - Rita!
0:27:29 > 0:27:31We'll meet you at The Scotch!
0:27:31 > 0:27:35- No, it's an interesting...evening. - ELECTRIC GUITAR STRUMMING
0:27:35 > 0:27:37I'm just going to be one second.
0:27:40 > 0:27:42GUITAR CONTINUES
0:27:47 > 0:27:50Hi. Hi. How are you?
0:27:50 > 0:27:53Hey, Linda. What's going on?
0:27:53 > 0:27:55- You doing OK? - Yeah. Yeah. You all right?
0:27:55 > 0:27:57Yeah, yeah. So, you guys found it.
0:28:02 > 0:28:04Yeah, yeah.
0:28:16 > 0:28:20- Is he already here? - Yeah. Let's go inside.
0:28:20 > 0:28:22I'm very sober.
0:28:22 > 0:28:26- Won't get too drunk tonight, then. - Oh, I know.
0:28:29 > 0:28:32Oh, my God, that's the guy I was telling you about.
0:28:32 > 0:28:35- I like his hair. - He's wild.
0:28:35 > 0:28:37He does look wild, though.
0:28:37 > 0:28:41- Do you want a drink? - I'll have white wine.
0:29:06 > 0:29:08Two white wines, please.
0:29:13 > 0:29:15It's a good crowd tonight.
0:29:17 > 0:29:19What's his name again?
0:29:20 > 0:29:23APPLAUSE AND CHEERING
0:29:29 > 0:29:32I don't know whether I should try and get it all done this evening
0:29:32 > 0:29:35or whether I should get up early tomorrow.
0:29:35 > 0:29:37You should.
0:29:37 > 0:29:40I mean, don't procrastinate.
0:29:40 > 0:29:42I'm just going to pop to the loo.
0:29:45 > 0:29:47Have you got a light on you?
0:29:49 > 0:29:51Chas has probably got one.
0:29:51 > 0:29:54Let me go and find one from him and I'll be back in a minute.
0:29:54 > 0:29:57I'm sorry, darling. Excuse me.
0:29:59 > 0:30:01Light?
0:30:05 > 0:30:07- Do you know Jimmy? - Hiya. No.
0:30:07 > 0:30:09- This is Kathy. - Kathy. Nice to meet you.
0:30:09 > 0:30:13- Where are you from? - Well, I'm from Seattle originally.
0:30:13 > 0:30:15Seattle. Where's that, then?
0:30:15 > 0:30:17- You know California? - Yeah, I've heard of that place.
0:30:17 > 0:30:19Well, it's north of California.
0:30:19 > 0:30:21- I like your scarf. - Oh, thank you.
0:30:21 > 0:30:23- That's quite cool. - Thank you. Appreciate it.
0:30:23 > 0:30:25- Yeah, I like that. - Thank you.
0:30:25 > 0:30:28I like your shirt as well. Did you get those clothes from America?
0:30:28 > 0:30:30What's it like?
0:30:30 > 0:30:33Well, no. I've heard of it. Haven't been there.
0:30:33 > 0:30:35KATHY LAUGHING I like your laugh.
0:30:35 > 0:30:37Yeah, Seattle, Washington. That's where I'm from.
0:30:37 > 0:30:39Oh, Washington! Where the president lives.
0:30:39 > 0:30:42No. No, it's the other Wash... That's Washington DC.
0:30:42 > 0:30:45Do you mind asking that woman to move out of my seat?
0:30:45 > 0:30:47That's how we are. KATHY LAUGHING
0:30:47 > 0:30:49You're silly. I like that.
0:30:49 > 0:30:51I know. I like that about you too.
0:30:51 > 0:30:53I don't understand geography.
0:30:53 > 0:30:56- Can you ask her to move out my seat?- She's just having herself...
0:30:56 > 0:30:58I didn't ask you.
0:30:58 > 0:30:59Just being social, love.
0:30:59 > 0:31:03- Why don't you be social elsewhere? - Sod off, you posh cow!
0:31:03 > 0:31:05- Do you know her? - Yeah, she's a friend.
0:31:05 > 0:31:08Tell your fucking friend to fuck the fuck off!
0:31:08 > 0:31:09Whoa.
0:31:09 > 0:31:12Anyway, no, I haven't been.
0:31:12 > 0:31:14You have a beautiful, beautiful mouth.
0:31:14 > 0:31:17- Hey, can I tell you something? - Yeah, go on.
0:31:17 > 0:31:18INAUDIBLE
0:31:20 > 0:31:21LAUGHING
0:31:21 > 0:31:23Move out of my fucking seat!
0:31:23 > 0:31:25Fucking hell!
0:31:27 > 0:31:29- Can you just...- Can you just...
0:31:29 > 0:31:30ELECTRIC GUITAR FEEDBACK
0:31:41 > 0:31:44THUNDER RUMBLING
0:32:20 > 0:32:22RADIO SWITCHES ON
0:32:22 > 0:32:26- MAN ON RADIO:- '..from a point at sea to the circles of your mind,
0:32:26 > 0:32:29'a new force is at work for planetary transformation.
0:32:29 > 0:32:34'New radio for a new world, on 96.3 kilohertz medium wave,
0:32:34 > 0:32:37'Europe's voice of love and awareness is Radio Caroline.'
0:32:37 > 0:32:40MUSIC
0:32:45 > 0:32:49# You can catch it if you want a ride
0:32:49 > 0:32:51# Don't you worry
0:32:51 > 0:32:57# If it pass you by
0:33:02 > 0:33:05# You can catch it if you want a ride
0:33:05 > 0:33:07# Don't you worry
0:33:07 > 0:33:13# If it pass you by
0:33:18 > 0:33:22# Lord, you know the reason why
0:33:22 > 0:33:24# On this train
0:33:24 > 0:33:29# Till I die
0:33:34 > 0:33:36# The train I ride
0:33:36 > 0:33:38# Goes to God knows where
0:33:38 > 0:33:40# I don't know
0:33:40 > 0:33:44# And I don't care
0:33:44 > 0:33:46- SCREAMS - Jesus! Fuck!
0:33:47 > 0:33:49- Jesus Christ. - What are you...
0:33:49 > 0:33:51Linda, no!
0:33:51 > 0:33:53# The train I ride goes to God knows where... #
0:33:53 > 0:33:55What the fuck was that?
0:33:55 > 0:33:57It was my guitar.
0:33:57 > 0:33:58CHATTERING
0:33:58 > 0:34:00THUNDER RUMBLING
0:34:58 > 0:35:01I apologise for last night.
0:35:02 > 0:35:06I think I just let my emotions, um...
0:35:06 > 0:35:08get the better of me.
0:35:08 > 0:35:10That's cool. Yeah, no problem.
0:35:16 > 0:35:17You've had one day, Jimmy.
0:35:17 > 0:35:22You've had one day in London, and you've just made such a royal mess of things.
0:35:22 > 0:35:24Well, I-I didn't plan it.
0:35:25 > 0:35:27You know, I don't have experience.
0:35:27 > 0:35:30You're putting things out in some kind of order?
0:35:30 > 0:35:32I mean, you pulling me from a club, that wasn't a plan.
0:35:34 > 0:35:36There's no way I could have planned for that.
0:35:36 > 0:35:39It's just how it is. There's no accounting for people.
0:35:39 > 0:35:40I mean, sometimes they're...
0:35:40 > 0:35:43You know, they're just like, whoo, and everything's cool...
0:35:43 > 0:35:46and...sometimes they'd rather just get high
0:35:46 > 0:35:49than be a mother to their kid.
0:35:54 > 0:35:57Well, that was a very short travel...
0:35:59 > 0:36:00..from your mother leaving you
0:36:00 > 0:36:03to you fucking every girl that you see.
0:36:06 > 0:36:09Is that how you intend to hobble along?
0:36:09 > 0:36:11Is that going to be your crutch?
0:36:11 > 0:36:14I got no intentions. I see how intentions do people.
0:36:14 > 0:36:18They're like, I'm going to plan to do this and I'm planning to do that.
0:36:18 > 0:36:22And as soon as things don't work out, it fucks them all up.
0:36:22 > 0:36:24I'm not with that, man.
0:36:24 > 0:36:27I have my own thing, my own time, in its own space, and everything is beautiful.
0:36:27 > 0:36:29All this other stuff is just...
0:36:29 > 0:36:31Well, it's reality.
0:36:31 > 0:36:33But you can't change the world.
0:36:33 > 0:36:36If I could, only thing I'd probably do is just put...
0:36:36 > 0:36:39I'd like a little bit more colour on the streets.
0:36:39 > 0:36:42Other than that, man, just take shit how it comes.
0:36:42 > 0:36:44But your problem is that you're going to stumble
0:36:44 > 0:36:45around and you're going to think that
0:36:45 > 0:36:47that's enough...
0:36:47 > 0:36:51that genius is enough to win the day for you
0:36:51 > 0:36:54and that you're going to take things how they come.
0:36:54 > 0:36:56But this is what I'm trying to tell you, Jimmy.
0:36:56 > 0:36:59You can't leave it to other people to sort out your life.
0:36:59 > 0:37:01This is YOUR life.
0:37:01 > 0:37:03Please, will you just have at it.
0:37:03 > 0:37:05- You say... - I do, yes.
0:37:05 > 0:37:08I'm s-supposed to listen to you, huh?
0:37:08 > 0:37:11Listen to you tell me about being more myself?
0:37:11 > 0:37:12But what's the alternative?
0:37:12 > 0:37:15You don't listen to me, so you listen to everybody else?
0:37:15 > 0:37:17Why should I listen to you, though?
0:37:17 > 0:37:19Because I love you.
0:37:27 > 0:37:29When I saw you at the Cheetah Club
0:37:29 > 0:37:32there were about 20 people in a space for a thousand
0:37:32 > 0:37:36and those 20 people, they just...
0:37:37 > 0:37:39..they were chatting and they were drinking
0:37:39 > 0:37:42and they were completely ignoring what was happening on stage.
0:37:42 > 0:37:45And I wanted to turn to them all and I wanted to say,
0:37:45 > 0:37:48"Are all of you completely mad?
0:37:48 > 0:37:50"Can't you see him?
0:37:50 > 0:37:52"Can't you see what he can do?"
0:37:53 > 0:37:57I don't think any of this even means anything to you.
0:37:58 > 0:38:00You never listen to anything I said.
0:38:00 > 0:38:03You never have.
0:38:03 > 0:38:04I always do.
0:38:05 > 0:38:06Always.
0:38:12 > 0:38:14What? What?
0:38:15 > 0:38:17What?
0:38:17 > 0:38:21The first night that we spent together I said to you,
0:38:21 > 0:38:24"Whatever you do, don't look in the mirror."
0:38:24 > 0:38:26But you were giving me junk to get high on.
0:38:26 > 0:38:30Then you going to tell me don't look in the mirror, and when I do you freak all out.
0:38:30 > 0:38:33Man, I mean, that's... Come on. That's not fair.
0:38:33 > 0:38:36But every experience doesn't need to be a reckless one.
0:38:37 > 0:38:41And being on the bad end of a freak-out,
0:38:41 > 0:38:45that's not the way to discover that I speak the truth.
0:38:49 > 0:38:51What did you see when you looked in the mirror?
0:38:51 > 0:38:53Oh, man. Crazy shit.
0:38:53 > 0:38:55Like...
0:38:57 > 0:38:59I looked like Marilyn Monroe.
0:39:00 > 0:39:03Yeah.
0:39:10 > 0:39:12Mind the press, Jimmy.
0:39:15 > 0:39:18They can be absolutely voracious.
0:39:21 > 0:39:24It's best to curry a little favour with them.
0:39:24 > 0:39:27Do you know Keith Altham? He's a really clever one.
0:39:27 > 0:39:31Wouldn't do you any harm to stay close to him.
0:39:31 > 0:39:34Chas has probably already thought of that.
0:39:34 > 0:39:38He's so good, Chas. You know, you're in really good hands with him.
0:39:40 > 0:39:42Just make sure you listen to him.
0:40:23 > 0:40:25NO SOUND
0:40:34 > 0:40:36GUITAR PLAYS
0:40:38 > 0:40:40You want to hang out?
0:40:59 > 0:41:03AMPLIFIER HUMMING, FEEDBACK
0:41:03 > 0:41:06GUITAR CONTINUES
0:42:01 > 0:42:04LAUGHS
0:42:05 > 0:42:08Well, it's changing. it really is.
0:42:08 > 0:42:10There's definitely room to make moves.
0:42:12 > 0:42:15I mean, the Beatles, they're done touring, so that leaves this gap.
0:42:15 > 0:42:16Yeah.
0:42:16 > 0:42:18Then you've got the Kinks, the Small Faces.
0:42:18 > 0:42:22Everything's become more straight-edged rock and roll.
0:42:22 > 0:42:24Or harder-edged.
0:42:24 > 0:42:28I think people are more responsive to that right now.
0:42:28 > 0:42:30I mean, look at where the world is.
0:42:30 > 0:42:33The whole world's got an edge to it, hasn't it?
0:42:36 > 0:42:37Hasn't it?
0:42:38 > 0:42:41- I dig your hair. - I do hair.
0:42:41 > 0:42:42- Yeah?- Yeah.
0:42:42 > 0:42:45- I dig it a lot.- I know all about it. Yours is cool.
0:42:45 > 0:42:48Is it natural or a permanent? Be honest. Don't lie to me.
0:42:48 > 0:42:50No, it's God's own. Look.
0:42:50 > 0:42:53It's cool. it's like Dylan's. I dig it a lot. Really.
0:42:53 > 0:42:55Yeah? Cheers.
0:42:56 > 0:42:58The way the advertisement was worded...
0:42:58 > 0:43:01- Does this look like a crane to you?- No, baby.
0:43:01 > 0:43:03It doesn't have to be anything.
0:43:03 > 0:43:05It's beautiful the way it is.
0:43:05 > 0:43:10Th-The way it was worded, I thought I was auditioning for the Animals.
0:43:10 > 0:43:12Animals? Why would you think that?
0:43:12 > 0:43:14No, not the Animals.
0:43:14 > 0:43:17- I am an animal, but not the Animals.- He's an animal.
0:43:17 > 0:43:19Is-Is the pay OK?
0:43:19 > 0:43:21I'm skint.
0:43:21 > 0:43:23- Skint? What's skint? - It means broke.
0:43:23 > 0:43:24Oh, I dig that word.
0:43:24 > 0:43:27W-Well, no... The gig doesn't pay that much.
0:43:27 > 0:43:29We're skint too.
0:43:30 > 0:43:32Man, we're broke, but we're cool.
0:43:32 > 0:43:34Yeah, we have a right laugh.
0:43:34 > 0:43:37Might as well hang out with us and be broke and cool.
0:43:40 > 0:43:42Better than being just broke.
0:43:42 > 0:43:43- What do you think? - Yeah.
0:43:43 > 0:43:44WOMAN VOCALISING
0:43:44 > 0:43:47You're selfish. You didn't even bring me a smoke.
0:43:47 > 0:43:50Right. Here, I'll bring you a fucking smoke.
0:43:52 > 0:43:54PHONE RINGS
0:43:54 > 0:43:56INDISTINCT
0:43:56 > 0:43:58PHONE CONTINUES RINGING
0:44:08 > 0:44:10PHONE CONTINUES RINGING
0:44:10 > 0:44:11- 'Hello?' - H-H-Hello?
0:44:11 > 0:44:13- OPERATOR:- 'I have an international collect call
0:44:13 > 0:44:15'from Jimmy Hendrix to Mr Al Hendrix.
0:44:15 > 0:44:17- 'Mr Hendrix? - Uh, y-yeah.
0:44:17 > 0:44:21- 'Will you accept the charges? - Well, who is the call from?'
0:44:21 > 0:44:22Hey... Hey, Dad.
0:44:22 > 0:44:25- 'Will you accept the charges? - Uh, y-yeah.
0:44:25 > 0:44:27- 'Go ahead with the call.' - It's Jimmy.
0:44:27 > 0:44:31- 'Who?'- It's your boy Jimmy. Can you hear me?
0:44:31 > 0:44:34- 'Who?' - It's Jimmy. It's your boy Jimmy.
0:44:34 > 0:44:37Check this out. Guess where I am.
0:44:37 > 0:44:39Guess where I am.
0:44:40 > 0:44:42I'm in London.
0:44:42 > 0:44:44I'm in London, man!
0:44:45 > 0:44:47Hello?
0:44:47 > 0:44:49- 'Wh-Where?' - I'm in London, England.
0:44:49 > 0:44:52This cat, he pulled me out of a club where I was playing.
0:44:52 > 0:44:56- He's managing me now, and I got my own thing together.- 'And that's funny?'
0:44:56 > 0:44:58I'm making a record.
0:44:58 > 0:45:00- 'That's funny to you?' - JIMMY CHUCKLES
0:45:00 > 0:45:02No, I'm not trying to be funny.
0:45:02 > 0:45:05'Think I'm some kind of fool.'
0:45:05 > 0:45:07Y-You know what?
0:45:07 > 0:45:08B-Babe.
0:45:08 > 0:45:11Dad, someone wants to talk to you. Hold on for a second.
0:45:11 > 0:45:14Come on. Tell him. T-Talk to him. Talk to him.
0:45:15 > 0:45:17Hiya, Mr Hendrix. This is Kathy.
0:45:17 > 0:45:20- 'Ana' who is this now?' - Friend of Jimmy's.
0:45:20 > 0:45:24It's wondrous to finally speak with you. Jimmy's been going on about you.
0:45:24 > 0:45:28- 'Wh...'- He's over here doing some quite sensational things.
0:45:28 > 0:45:31He's got a manager now. He's starting a band.
0:45:31 > 0:45:34I've heard him play, by the way. You should be, um, quite proud.
0:45:34 > 0:45:36AL SCOFFS
0:45:37 > 0:45:39Quite proud.
0:45:39 > 0:45:41- 'Yeah. So he's in England?' - Yeah.
0:45:41 > 0:45:45'If he's in England, why the hell is he calling me collect?
0:45:45 > 0:45:47'I'm not paying for any goddamn collect call.
0:45:47 > 0:45:52'He wants to talk to me from England, you tell him to write me a goddamn letter.
0:45:52 > 0:45:54SCOFFS
0:45:54 > 0:45:58'Stupid boy must think I'm crazy or something.
0:45:58 > 0:45:59'Hello?'
0:46:00 > 0:46:02- Jim? - 'Hello?
0:46:02 > 0:46:04'There's nobody there. Hello?
0:46:06 > 0:46:08- 'Hello?' - Yeah.
0:46:08 > 0:46:11'Where in the hell did you get that kind of money?
0:46:11 > 0:46:14'If you're there, it's cos you stole a goddamn bank.'
0:46:14 > 0:46:16No. I didn't steal anything, man.
0:46:16 > 0:46:18I'm really doing something here.
0:46:18 > 0:46:21'Yeah.
0:46:21 > 0:46:23SCOFFS
0:46:23 > 0:46:24'You callin' me collect.'
0:46:24 > 0:46:27I gotta go. OK? I gotta go. All right?
0:46:27 > 0:46:29I-I'll talk to you later.
0:46:29 > 0:46:31'Mm-hmm.'
0:46:31 > 0:46:34- All right. - 'Yeah.'
0:46:51 > 0:46:54Right. All right, then, gentlemen.
0:46:56 > 0:46:58Let's take stock of the situation.
0:46:58 > 0:47:02So then it's this Redding fellow for bass guitarist, yeah?
0:47:02 > 0:47:04He's a good lad. He's good for it.
0:47:04 > 0:47:05Right. What about the drums?
0:47:05 > 0:47:09We are keeping the ensemble to a three-piece, are we not?
0:47:09 > 0:47:10Aye.
0:47:10 > 0:47:12We're still looking for drummers.
0:47:12 > 0:47:15Well, get to it. Squandering time.
0:47:15 > 0:47:17You squander time, you squander money.
0:47:17 > 0:47:20Uh, there's a-there's a couple of things we need to, uh...
0:47:20 > 0:47:22Jimi Hendrix and the Experience.
0:47:22 > 0:47:24Yeah. I like that. Quite like it.
0:47:24 > 0:47:26- Yeah? - And it's Jimi?
0:47:26 > 0:47:28- It's J-I-M-I. - Yeah, yeah. I like it that way.
0:47:28 > 0:47:32- Well, it was my pleasure to come up with the idea.- No, I thought...
0:47:32 > 0:47:33Your success will be thanks enough.
0:47:33 > 0:47:37We've got a couple of other things we need to discuss, actually.
0:47:38 > 0:47:39Do tell.
0:47:39 > 0:47:42Well, I've got some contracts out there.
0:47:42 > 0:47:44Stuff I signed when I was trying to make a break.
0:47:44 > 0:47:48We were listening to some old records, and Jimi reveals that he's...
0:47:48 > 0:47:50Just stuff that I was doing. I was just kicking around.
0:47:50 > 0:47:52- Nothing really serious. - Right.
0:47:52 > 0:47:54When you say some contracts...
0:47:54 > 0:47:59I did a recording with Curtis Knight, and I had to sign something.
0:47:59 > 0:48:02- It was just - I was doing background work.- A couple of contracts.
0:48:02 > 0:48:04Technically, he's still signed on with these blokes.
0:48:04 > 0:48:08And I got one with this cat - I was just doing session work.
0:48:08 > 0:48:10It's nothing you need to worry about.
0:48:10 > 0:48:13When you say this cat...
0:48:13 > 0:48:14who do you mean?
0:48:15 > 0:48:17Juggy Murray.
0:48:20 > 0:48:23- Juggy.- Yeah.
0:48:23 > 0:48:26Right.
0:48:26 > 0:48:27We find ourselves in a bit of a situation.
0:48:29 > 0:48:32And I suppose I'm off to America to handle it.
0:48:32 > 0:48:34- Handle - how are you going to... - The Jimi Hendrix Experience.
0:48:34 > 0:48:38Yeah, it's better like that. It's sharper, it's cleaner, it's faster.
0:48:38 > 0:48:40Says it all in a few words.
0:48:40 > 0:48:44You appreciate that, yeah, Jimi? The economy of vocabulary?
0:48:44 > 0:48:45Yeah, sure.
0:48:45 > 0:48:47When I return from America
0:48:47 > 0:48:50I may have a recording contract for you over there as well.
0:48:50 > 0:48:54So, uh, let's get on with putting the Experience together.
0:48:58 > 0:49:00DOOR OPENS
0:49:07 > 0:49:09CHATTERING
0:49:09 > 0:49:11BLUES ROCK PLAYS
0:49:18 > 0:49:21# Well, I had a little dog and his name was Bob... #
0:49:23 > 0:49:26- Hey.- Sorry, man.
0:49:26 > 0:49:30Hey. I-I-Is that... Is that him, man?
0:49:30 > 0:49:32There he is. God himself.
0:49:32 > 0:49:35I'll go and see if he's all right with a quick chat.
0:49:40 > 0:49:42Eric.
0:49:43 > 0:49:46How's it going? Listen...
0:49:46 > 0:49:51Look, there's Serena. Give a big smile and a wave.
0:49:51 > 0:49:53- Hi, love. - What are you doing?
0:49:53 > 0:49:56- She said you'd sleep with anything that plays a guitar.- Cheeky bitch!
0:49:56 > 0:49:58Keith Moon doesn't play guitar!
0:49:58 > 0:50:01Fuck if I'm waving at her. You fucking cheeky bitch! Got my eye on you!
0:50:01 > 0:50:04- Do you want to pop over before they start?- Yeah.
0:50:04 > 0:50:07And, hey, ask him if I can jam with them.
0:50:07 > 0:50:09Yeah, I want to play with them.
0:50:29 > 0:50:31INAUDIBLE CONVERSATION
0:50:47 > 0:50:48AMPLIFIER BUZZING
0:50:48 > 0:50:49Go on, get your guitar.
0:50:49 > 0:50:51BLUES TRACK FADES
0:50:54 > 0:51:02MUFFLED MUSIC
0:51:42 > 0:51:44Yeah!
0:52:01 > 0:52:03CHEERING
0:52:03 > 0:52:05MUSIC ENDS
0:52:08 > 0:52:09Go on. Yeah, go on.
0:52:09 > 0:52:12And, Jimi, he's doing this as a favour to a friend, OK?
0:52:12 > 0:52:14- Favour to a friend. - Yeah, OK.
0:52:15 > 0:52:17Thank you.
0:52:17 > 0:52:20Hey, man, really big, big fans of you guys, man.
0:52:20 > 0:52:22- Thank you. - Hey, really big fan.
0:52:29 > 0:52:31You can plug in over there.
0:52:31 > 0:52:32Oh, no, no. Here's fine.
0:52:34 > 0:52:35AMPLIFIER BUZZING
0:52:40 > 0:52:43I was just thinking, we could just jam a little bit, if that's good.
0:52:43 > 0:52:44Or do you know Killin' Floor?
0:52:46 > 0:52:47Mannish Boy?
0:52:47 > 0:52:50- You know Mannish Boy? - I don't much know those.
0:52:50 > 0:52:54Come on. You're a blues man. You've gotta know these songs. I'll teach you.
0:52:54 > 0:52:56DISSONANT CHORD, FEEDBACK
0:52:58 > 0:53:00We've a guest who's going to sit in with us...
0:53:00 > 0:53:03who brought himself all the way over from America.
0:53:05 > 0:53:07What's the name again, mate?
0:53:07 > 0:53:09Jimi Hendrix.
0:53:09 > 0:53:11Mr Jimi Hendrix.
0:53:12 > 0:53:16HEAVY BLUES ROCK
0:53:29 > 0:53:31BAND JOINS IN
0:53:45 > 0:53:47INAUDIBLE
0:53:59 > 0:54:01CHEERING
0:54:04 > 0:54:05Whoo!
0:54:16 > 0:54:18MUSIC CONTINUES
0:54:20 > 0:54:22Eric.
0:54:22 > 0:54:24Is he really that fucking good?
0:54:50 > 0:54:52MUSIC ENDS
0:54:52 > 0:54:55CHEERING AND APPLAUSE
0:55:03 > 0:55:04BRASS BAND PLAYS
0:55:17 > 0:55:19MUSIC CONTINUES
0:55:28 > 0:55:30I don't need any.
0:55:30 > 0:55:33Give me some.
0:56:01 > 0:56:04Now, ladies and gentlemen, your favourite, my favourite,
0:56:04 > 0:56:07the King of the Cockneys, Tommy Pudding!
0:56:07 > 0:56:09Nice big hand, ladies and gentlemen.
0:56:09 > 0:56:11CHEERING AND APPLAUSE
0:56:13 > 0:56:16PIANO PLAYS
0:56:21 > 0:56:25# Oh, slap a bit of treacle on your pudding, Mary Ann
0:56:25 > 0:56:28# Mary Ann, Mary Ann, Mary Ann
0:56:29 > 0:56:31# Oh, smother it, cover it...
0:56:31 > 0:56:32MUSIC FADES
0:56:32 > 0:56:35MUSIC: Itchycoo Park by Small Faces
0:56:36 > 0:56:39# Over Bridge of Sighs
0:56:39 > 0:56:43# To rest my eyes in shades of green
0:56:43 > 0:56:46# Under dreaming spires
0:56:46 > 0:56:49# To Itchycoo Park, that's where I've been
0:56:49 > 0:56:51# What did you do there?
0:56:51 > 0:56:54- # I got high - What did you feel there?... #
0:56:54 > 0:56:58Hey, Kathy. Hey, babe.
0:57:00 > 0:57:01Hmm.
0:57:01 > 0:57:03Wh-What do you think?
0:57:11 > 0:57:13Excuse me. it's stopped.
0:57:13 > 0:57:14What's that?
0:57:14 > 0:57:17It was working a moment ago and now it's stopped.
0:57:19 > 0:57:20Broken. Cheap little thing.
0:57:20 > 0:57:22- Can you fix it? - Yeah.
0:57:22 > 0:57:24Wouldn't be worth the money you'd spend to make it right.
0:57:26 > 0:57:29# Be nice and have fun in the sun
0:57:30 > 0:57:32# I'll tell you what I'll do
0:57:32 > 0:57:34# What will you do?
0:57:34 > 0:57:35# I'd like to go there now... #
0:57:35 > 0:57:37Don't you think it's groovy?
0:57:37 > 0:57:39- You look handsome. - Thank you. Should I get it?
0:57:39 > 0:57:41- Yeah. - Hey, how much does this run?
0:57:41 > 0:57:44ELECTRIC GUITAR PLAYS
0:57:54 > 0:57:56He's aggressive, I'll say that.
0:57:56 > 0:57:58- In a good way or a bad way? - He just...
0:57:58 > 0:58:00Did you see how he was giving Jimi the eye the whole time?
0:58:00 > 0:58:02He just is. He's aggressive.
0:58:02 > 0:58:05- What did you make of Aynsley? - Well, he's solid.
0:58:05 > 0:58:07- Well, I liked him too. - I didn't say I liked him.
0:58:07 > 0:58:09He's solid, but he follows a bit much.
0:58:09 > 0:58:11Look, Chas, I'm thankful for the gig
0:58:11 > 0:58:13but I'm still learning my way around the bass.
0:58:13 > 0:58:16Might be good to have someone who's a bit more up-front.
0:58:16 > 0:58:18Might be good to find someone who shows a bit of bloody respect.
0:58:18 > 0:58:20Oh, cos it's your band now, eh?
0:58:20 > 0:58:21It's called the Jimi Hendrix Experience
0:58:21 > 0:58:23not The Two Pillocks and a Bloke From America Experience.
0:58:23 > 0:58:25As long as we all know our place.
0:58:25 > 0:58:27I don't want to have a big freak-out about it.
0:58:27 > 0:58:31He's fierce, yeah. You can't knock a cat for being fierce.
0:58:31 > 0:58:32It's like Elvin Jones or something like that.
0:58:32 > 0:58:34Yeah, he's more jazz orientated.
0:58:34 > 0:58:36Yeah, so it won't be that same, you know, kind
0:58:36 > 0:58:38of rock thing everybody else is trying to do.
0:58:38 > 0:58:39Exactly.
0:58:39 > 0:58:42What were you saying about getting a bit more experience in the Experience?
0:58:42 > 0:58:44Mmm, he's right.
0:58:44 > 0:58:46I can say what I bloody well want, you know.
0:58:46 > 0:58:49OK. Look.
0:58:50 > 0:58:51Aynsley.
0:58:53 > 0:58:54Mitch.
0:59:26 > 0:59:28CHATTERING
0:59:28 > 0:59:29Yeah, a bit of Little Richard.
0:59:29 > 0:59:31- Yeah, it's kind of cute. - Thanks.
0:59:31 > 0:59:33Why do you call yourselves The Breakaways?
0:59:33 > 0:59:35This is the ultimate...
0:59:35 > 0:59:39Jimi Hendrix Experience singing experience.
0:59:39 > 0:59:40I think we should all sing in it.
0:59:40 > 0:59:42Kind of choral. Choral singing.
0:59:42 > 0:59:44We should have... Hey, Breakaways.
0:59:44 > 0:59:47We should have The Breakaways sing, like, the lead and then...
0:59:47 > 0:59:50- Not too very high. - Yeah.
0:59:50 > 0:59:52How high can we sing, Jimi?
0:59:52 > 0:59:54HIGH-PITCHED: # En-joy. #
0:59:55 > 0:59:57GIRLS GIGGLING
0:59:57 > 1:00:0040, 45, 50, OK.
1:00:00 > 1:00:02So, all-in-all that's 500.
1:00:02 > 1:00:04So it's... That's three hours, aye?
1:00:04 > 1:00:06- Two hours, Chas. - HE SCOFFS
1:00:06 > 1:00:09- Oh, come on, you're breaking me heart.- I'm doing you a favour.
1:00:09 > 1:00:11- Got the best equipment here. Best studio.- I can see that.
1:00:11 > 1:00:13Look - Three hours.
1:00:13 > 1:00:16- I'm going to be counting it, Chas, cos I know you.- You do know me.
1:00:16 > 1:00:18So you don't need to count it. That's 500.
1:00:18 > 1:00:20- He's not even tuned up yet. - I can see that!
1:00:20 > 1:00:22- You've not got anyone booked... - Two hours.
1:00:22 > 1:00:24If you're finished within two hours...
1:00:29 > 1:00:31Rolling.
1:00:31 > 1:00:33Can we turn the lights down a little bit?
1:00:33 > 1:00:35Can we?
1:00:35 > 1:00:37To create just a little mood, you know.
1:00:37 > 1:00:40What's my voice sound like in there, on the microphone?
1:00:40 > 1:00:43- We've gotta lay the track, Jimi, so...- All right, all right.
1:00:43 > 1:00:46Lights or not, however you need to get over yourself and sing...
1:00:46 > 1:00:50while I've still got the bus fare to get home, that'd be grand.
1:00:50 > 1:00:52All right, man, sorry.
1:00:52 > 1:00:55- OK, h-here we go.- No. Do you want to turn the lights down?
1:00:55 > 1:00:57Yeah, please. Yeah, I think it would help.
1:00:57 > 1:00:59- Thank you. - OK.
1:01:03 > 1:01:05CHUCKLES
1:01:06 > 1:01:09Rolling.
1:01:09 > 1:01:10STRUMMING GUITAR
1:01:10 > 1:01:13What are the bloody lights doing off?
1:01:13 > 1:01:14MEN GROANING CHUCKLING
1:01:14 > 1:01:17Jesus Christ Almighty! We're recording!
1:01:17 > 1:01:19Who records in the fucking dark? I didn't know.
1:01:19 > 1:01:22Oh, that's grand to know! So, you're not completely stupid!
1:01:22 > 1:01:24You're just plain ignorant!
1:01:24 > 1:01:26Now, would you bugger off out so we can stop
1:01:26 > 1:01:28wasting money and get something done...
1:01:28 > 1:01:30you clingy fucking bitch!
1:01:38 > 1:01:40STRUMMING GUITAR
1:01:40 > 1:01:41S-Sorry.
1:01:41 > 1:01:43All right.
1:01:43 > 1:01:45OK, here we go. This time no laughing, man.
1:01:47 > 1:01:49CLEARS THROAT
1:02:06 > 1:02:08CHATTERING
1:02:08 > 1:02:09Yeah, that was a nice one.
1:02:09 > 1:02:12- Nice job. That was great, ladies. - See you all later.
1:02:12 > 1:02:14I like what you did. That was out of sight.
1:02:18 > 1:02:19It was nice.
1:02:19 > 1:02:21Hey! Hey!
1:02:21 > 1:02:24You let him talk to me like that? Clingy bitch? You don't say a word?
1:02:24 > 1:02:27- W-What are you talking... - I'm your bloody girlfriend.
1:02:27 > 1:02:30- What was I supposed to do?- You're supposed to stick up for me.
1:02:30 > 1:02:32Well, fuck you! You ruined my take, woman. What are you...
1:02:32 > 1:02:34Fuck you! Fuck you!
1:02:36 > 1:02:38You fucking...
1:02:38 > 1:02:39You want to hit me?
1:02:39 > 1:02:43- For fuck's sake, get off her, man. - Get off her. Come on.
1:02:43 > 1:02:46It's all right. it's done, man. it's done.
1:02:46 > 1:02:49Bastard! Where were you?
1:02:49 > 1:02:51See? Sh-She's just crazy.
1:02:51 > 1:02:52- Where fucking were you? - She's crazy.
1:02:52 > 1:02:55No, let her play.
1:02:55 > 1:02:57Fuck you.
1:02:57 > 1:02:59CRYING CONTINUES
1:03:02 > 1:03:04Fucking crazy.
1:03:05 > 1:03:07Fuck is wrong with you?
1:03:13 > 1:03:15'People see the, uh...
1:03:15 > 1:03:17'the energy that you perform with on stage.
1:03:17 > 1:03:19'E-Energy. Is that what you call it? Energy?
1:03:19 > 1:03:22'But it looks exhausting.
1:03:22 > 1:03:24- 'Are you having fun? - Well, yeah, yeah.
1:03:24 > 1:03:27'It's work just like anything else...
1:03:27 > 1:03:30'you know, getting on stage every night-it is.
1:03:30 > 1:03:32'It takes a lot out of your energy. Is that what you call it?
1:03:32 > 1:03:37'But, I mean, if you-if you don't put your all into it, you know...
1:03:37 > 1:03:40'if you don't put your whole entire self into it, why do it?
1:03:40 > 1:03:42'You know?
1:03:42 > 1:03:44'You have your new album coming out, your first album.
1:03:44 > 1:03:47'Yeah. Yeah, everybody go buy it too.
1:03:48 > 1:03:51'There's so much competition right now.
1:03:51 > 1:03:52'Cream, The Who...
1:03:52 > 1:03:56'No, no, no. No, no. I wouldn't say competition, you know.
1:03:56 > 1:03:58'But the Beatles have a new record due.
1:03:58 > 1:04:00'It's meant to be amazing.
1:04:00 > 1:04:02'Uh, do you feel worried at all?'
1:04:04 > 1:04:06That's right. French fries, right? French fries and eggs?
1:04:06 > 1:04:09- Yeah, chips. - Why do you all drink so much tea?
1:04:09 > 1:04:10What's up with the tea thing, man?
1:04:10 > 1:04:12Tea. it's what we drink.
1:04:12 > 1:04:13It's because we were invading India.
1:04:13 > 1:04:16That's why you all stay up all the time. You never go to fucking sleep.
1:04:16 > 1:04:18There isn't... Tea doesn't make you stay awake.
1:04:18 > 1:04:22- Yes, it does. - Alcohol makes you stay awake. - No, alcohol makes you go to sleep.
1:04:22 > 1:04:25- It makes me go to sleep.- Doesn't take much for you to go to sleep.
1:04:25 > 1:04:27I have to drink alcohol when I take your cooking.
1:04:27 > 1:04:29Hey, horse.
1:04:29 > 1:04:32- What are you about?- What are we about? What do you mean?
1:04:32 > 1:04:33Nothing.
1:04:33 > 1:04:35Everything.
1:04:35 > 1:04:37Something.
1:04:37 > 1:04:40- Cheeky bastard. - Is he giving you trouble?
1:04:40 > 1:04:42No, he's not giving me trouble, as you can see.
1:04:42 > 1:04:44- Cheers, mate. - All right, thanks, mate.
1:04:44 > 1:04:46- You together? - Is that any of your business?
1:04:46 > 1:04:49- He your ooga-booga man? - Sod off, you gobshite.
1:04:49 > 1:04:52You talk like you're pissed. Are you drunk?
1:04:52 > 1:04:54You want a public morals charge?
1:04:54 > 1:04:56You in the military?
1:04:56 > 1:04:58Yeah. I'm a soldier.
1:04:58 > 1:05:00Which war?
1:05:00 > 1:05:02All of them.
1:05:02 > 1:05:05I'm in a constant, constant struggle against...
1:05:05 > 1:05:09the colour grey, fat mattresses, you know, small minds.
1:05:09 > 1:05:11I'm always losing that one, though.
1:05:11 > 1:05:15- Having a laugh?- Yeah. Yeah, we are. We're having a laugh.
1:05:15 > 1:05:17- Off the path, please, sir. - MAN: Sorry, sir.
1:05:18 > 1:05:20- My pa was in the military. - Yeah.
1:05:20 > 1:05:22God bl-God-God-God bless him.
1:05:22 > 1:05:24Died wearing that jacket.
1:05:25 > 1:05:28This one? Cos this is from the Veterinary Corps.
1:05:28 > 1:05:31Your pa died, like, handling donkeys and asses or something like that?
1:05:31 > 1:05:33- Don't you... - It's all right, mate.
1:05:33 > 1:05:35Don't do that, cos it ain't worth it, is he?
1:05:35 > 1:05:38You're a disgrace to every man who wore that uniform.
1:05:39 > 1:05:41Take it off.
1:05:41 > 1:05:43Take it off.
1:05:58 > 1:06:02Bop it. On your bike.
1:06:02 > 1:06:04Bike? We don't have no bike.
1:06:04 > 1:06:06Fucking...
1:06:06 > 1:06:08You shouldn't have given him your jacket.
1:06:08 > 1:06:10You shouldn't have given it to him.
1:06:11 > 1:06:15You don't know what it's like. You don't have to go through it.
1:06:16 > 1:06:18Don't even need to talk about it.
1:06:23 > 1:06:25It was a hell of a show...on paper.
1:06:25 > 1:06:28- Yeah? - McCartney phoned up himself.
1:06:28 > 1:06:30Says he's recommending you personally.
1:06:30 > 1:06:32There's only two acts representing the UK.
1:06:32 > 1:06:34- What's the other? - Well, The Who is the other.
1:06:34 > 1:06:36Of course, yeah. LAUGHING
1:06:36 > 1:06:38Monterey. I've never even been to Monterey.
1:06:38 > 1:06:40Is it warm?
1:06:40 > 1:06:42No, it's Northern California, but you don't have to worry about that.
1:06:42 > 1:06:44I think I'd better bring a proper coat.
1:06:44 > 1:06:47Do you think I'll need a new coat? We should get new coats.
1:06:47 > 1:06:48Hey, who-who else is playing?
1:06:48 > 1:06:52Uh, Otis Redding, he's on. The Mamas and the Papas.
1:06:52 > 1:06:54- John Phillips, it's his thing. - Yeah, yeah.
1:06:54 > 1:06:57Uh, The Who, like I said.
1:06:57 > 1:06:59Jefferson Airplane.
1:06:59 > 1:07:00And you.
1:07:03 > 1:07:07Jimi. Come on. Give us a smile, son, huh?
1:07:08 > 1:07:10- This is a good day. - Yeah.
1:07:10 > 1:07:13It's a hell of a day.
1:07:13 > 1:07:15- WOMAN:- You know, talk about the guitar and,
1:07:15 > 1:07:17I mean, it's about what you do on stage.
1:07:17 > 1:07:19I mean, you are just electric up there.
1:07:19 > 1:07:22I mean, we don't even care - it's what you do, essentially.
1:07:22 > 1:07:25You can feel this vibe. We all feel it.
1:07:25 > 1:07:29Can you feel it? I think we should just...
1:07:29 > 1:07:30LOUD CHATTERING
1:07:32 > 1:07:35It's the herald of a new age.
1:07:35 > 1:07:36TV ON
1:07:45 > 1:07:47SHE SIGHS
1:07:56 > 1:07:58Hey, hey, hey. Put that back. Come on now.
1:07:59 > 1:08:01What are you doing?
1:08:07 > 1:08:09What time is it?
1:08:09 > 1:08:13I don't know. Two o'clock, maybe.
1:08:13 > 1:08:14Two o'clock.
1:08:16 > 1:08:18The Salvation Army band's playing outside.
1:08:18 > 1:08:20Do you want to go and have a listen?
1:08:25 > 1:08:27I want to go out.
1:08:27 > 1:08:28Yeah, OK.
1:08:32 > 1:08:34I want to go out with you.
1:08:39 > 1:08:41It's two o'clock!
1:08:43 > 1:08:44I heard you the first time.
1:08:44 > 1:08:48It's two o'clock and you're just sitting there. You never want to go out.
1:08:48 > 1:08:50Woman, I gig every night.
1:08:50 > 1:08:51You play music. That's not socialising.
1:08:51 > 1:08:53Don't lay this shit on me now.
1:08:53 > 1:08:55I want to go out with people.
1:08:55 > 1:08:58W-Well, go... I don't want to go out with people.
1:08:58 > 1:09:01It just make me uptight. They're always just-just bullshitting.
1:09:01 > 1:09:03Everyone makes you uptight. They're not always bullshitting.
1:09:03 > 1:09:04But if they're not talking about Dylan or Howlin' Wolf,
1:09:04 > 1:09:06you don't want to hear what they say.
1:09:06 > 1:09:08There are more things to talk about, you know.
1:09:08 > 1:09:10Wh-Wh- OK, what?
1:09:10 > 1:09:12What do you want to talk about? Speak.
1:09:12 > 1:09:16- TV:- 'One way or the other, man. There was no middle of the road.'
1:09:19 > 1:09:21I've got friends.
1:09:21 > 1:09:23Who? Right.
1:09:23 > 1:09:25I've got people that I can hang out with.
1:09:27 > 1:09:30Fuck's sake. Fuck does he think he is?
1:09:31 > 1:09:33Ooh, Oh, my God. You're so fucking cool.
1:09:33 > 1:09:36You're not fucking cool. You're fucking boring is what you are.
1:09:36 > 1:09:37Uptight fucking bastard.
1:09:37 > 1:09:40Thinks the fucking sun shines out of his fucking ass.
1:09:40 > 1:09:42Who does he think I am, for fuck's sake, an old maid?
1:09:43 > 1:09:45Bastard.
1:09:45 > 1:09:47Fuck you.
1:09:47 > 1:09:49TV AUDIENCE LAUGHING
1:09:49 > 1:09:52Stay-at-home bloody girl.
1:09:52 > 1:09:53FOOTSTEPS STOMPING
1:09:59 > 1:10:02You know what? Get the fuck out of here.
1:10:02 > 1:10:04DOOR CLOSES
1:10:04 > 1:10:07I don't need this shit.
1:10:07 > 1:10:10TV: CHATTER AND LAUGHTER CONTINUES
1:10:50 > 1:10:52It's good? You like it?
1:10:52 > 1:10:54Yeah, I dig it. I-It's cool.
1:10:54 > 1:10:56What's it about?
1:10:56 > 1:10:58It's about this star child, this
1:10:58 > 1:11:00super-intelligent being out in the universe.
1:11:00 > 1:11:01Right. OK.
1:11:01 > 1:11:03And it's just out there, just waiting.
1:11:03 > 1:11:05Then one day it's going to come down from outer
1:11:05 > 1:11:07space and save us all from ourselves.
1:11:07 > 1:11:11You know, teach us, you know, not to hate, you know, and how to really, really love.
1:11:11 > 1:11:13Well, that's-that's heavy.
1:11:13 > 1:11:15- You know, it's for real. - Yeah?
1:11:15 > 1:11:18Yeah. There's all sorts of things out there we don't even know about.
1:11:18 > 1:11:21Like, other people in the solar system that have the same feelings that we do.
1:11:21 > 1:11:22OK.
1:11:22 > 1:11:25Without the bad feelings, you know.
1:11:25 > 1:11:28You know, like, our negative vibrations upset their way of living, for instance.
1:11:28 > 1:11:31- Yeah. - And they're a whole lot...
1:11:31 > 1:11:34Nothing but negativity bringing us down.
1:11:34 > 1:11:36But the solar system is going through this huge change.
1:11:36 > 1:11:39It's going to affect Earth in about 30 years, yeah.
1:11:39 > 1:11:41And our space brothers, they're going to come down...
1:11:41 > 1:11:44and they're going to show us the way.
1:11:44 > 1:11:46- The way? - Yeah.
1:11:46 > 1:11:47I dig that.
1:11:52 > 1:11:54- Oh, hey. - What are you doing?
1:11:54 > 1:11:56- We were just hanging out. - What have you done to him?
1:11:56 > 1:11:58Jimi, wake up! Open your eyes!
1:11:58 > 1:11:59- What have you given him? - Nothing.
1:11:59 > 1:12:01- Come on. Get up now. Wake up. - He's good.
1:12:01 > 1:12:04- We just smoked some weed. - You've got to get up now.
1:12:04 > 1:12:06Get out! You have to get up now. Come on.
1:12:06 > 1:12:09No, no. it's cool. We were just hanging out.
1:12:12 > 1:12:14I missed you.
1:12:14 > 1:12:16W-We were just talking.
1:12:16 > 1:12:20You know, he was going on about the star child and science fiction and all that.
1:12:20 > 1:12:22He just wanted me to stay with him until you got back.
1:12:22 > 1:12:24You want this?
1:12:24 > 1:12:26He just bought it.
1:12:27 > 1:12:29OK.
1:12:29 > 1:12:30I get it.
1:12:33 > 1:12:34You're all right. You can stay.
1:12:34 > 1:12:37- No, I'm going to... - No, you're all right.
1:12:39 > 1:12:40All right.
1:12:44 > 1:12:46I've seen him play. He's good.
1:12:46 > 1:12:50- He's great.- Yeah, he's going to be a rock star one day.
1:12:50 > 1:12:52He is a rock star. He already is one.
1:12:53 > 1:12:55All right.
1:12:55 > 1:12:58- Where's that accent from? - Milwaukee.
1:12:58 > 1:13:00- Don't know it. - There's nothing to know.
1:13:02 > 1:13:04- You been together long? - Since he arrived.
1:13:04 > 1:13:07- Since last September.- Really? That's a long time in groupie years.
1:13:07 > 1:13:09I'm not a groupie. I'm his girlfriend.
1:13:09 > 1:13:11All right, girlfriend. OK.
1:13:12 > 1:13:14What's your magic?
1:13:14 > 1:13:16I'm a bloody good time.
1:13:16 > 1:13:19We have a laugh. That's my magic.
1:13:19 > 1:13:22Should have seen what I got him away from. God.
1:13:22 > 1:13:25All fixed teeth and plummy talk.
1:13:25 > 1:13:27Boring.
1:13:27 > 1:13:30- Easy's always boring. - Hmm.
1:13:34 > 1:13:36You ever been with any rock 'n' rollers, then?
1:13:36 > 1:13:37Yeah, I been with plenty.
1:13:37 > 1:13:38What was the longest?
1:13:38 > 1:13:43Uh, one time I was with the same cat for, uh...
1:13:43 > 1:13:45five-and-a-half months.
1:13:45 > 1:13:48Five-and-one-half. Yeah.
1:13:48 > 1:13:50What happened?
1:13:50 > 1:13:54Oh, he met a better-looking girl. Wasn't no thing.
1:13:54 > 1:13:56Then I met a bigger rock star.
1:13:56 > 1:13:59It's all about the bigger, better deal.
1:13:59 > 1:14:00But you don't gotta worry about that.
1:14:00 > 1:14:02I'll never meet a bigger rock star?
1:14:02 > 1:14:05He'll never meet a finer-looking girl.
1:14:08 > 1:14:10We're not even on the damn charts, man.
1:14:10 > 1:14:14Top 100, and we don't even make any kind of ripple or nothing, man.
1:14:14 > 1:14:16People need to put a face to the music.
1:14:16 > 1:14:19You know, you need to get seen over there.
1:14:19 > 1:14:23What you said... You said if we wanted to win, we have to take London.
1:14:23 > 1:14:25You have. You have taken London.
1:14:25 > 1:14:27But we've got nowt if we don't take America.
1:14:27 > 1:14:29It's always something with you, man.
1:14:29 > 1:14:31You start with one thing and then it turns into some other bullshit.
1:14:31 > 1:14:34- What is that, man? - I'm not bullshitting you.
1:14:34 > 1:14:37Not with the record where it's at.
1:14:37 > 1:14:39Look, I've broke my back to get us this far.
1:14:39 > 1:14:42I've spent my every last pound to get us where we are.
1:14:42 > 1:14:45- So it's about you? - It's about the payoff.
1:14:45 > 1:14:47For me, aye. For you. For us.
1:14:47 > 1:14:49For the lads.
1:14:49 > 1:14:54100 songs, man. Not... Not one, man, like...
1:14:54 > 1:14:56Just hold it together until Monterey.
1:14:58 > 1:14:59OK?
1:15:01 > 1:15:04- OK? - Yeah, yeah, man, yeah.
1:15:17 > 1:15:19BOTH LAUGHING
1:15:21 > 1:15:22I like it, though. You know what?
1:15:22 > 1:15:25You sh... You should let it, like, like-like, grow huge.
1:15:25 > 1:15:27- Like an angel. - I'm going to grow it.
1:15:27 > 1:15:28I'm not going to cut it any more.
1:15:28 > 1:15:31Like when I had it before, I just put loads of pomade in.
1:15:31 > 1:15:35- Yeah. - You know, Flatten it down, but...
1:15:35 > 1:15:37It shapes your face up really nice.
1:15:37 > 1:15:40- We were going this way. - Oh, yeah, yeah.
1:15:40 > 1:15:42You know what I mean?
1:15:42 > 1:15:44When you started. Yeah?
1:15:55 > 1:15:58Brought somebody to see you.
1:15:59 > 1:16:01- As-salaam alaikum. - How you doing, man?
1:16:01 > 1:16:02Hey.
1:16:02 > 1:16:04Come in, come in.
1:16:04 > 1:16:07- TV:- 'The government of America has failed you!'
1:16:07 > 1:16:08You know Jimi, right?
1:16:08 > 1:16:10Jimi's going to be a rock star one day.
1:16:10 > 1:16:13Oh, no, he IS a rock star.
1:16:13 > 1:16:16That's what your girl would say, right?
1:16:16 > 1:16:20- Want to give Jimi some of that good weed you got.- Yeah.
1:16:20 > 1:16:22'There are Negroes now who preach to you...
1:16:22 > 1:16:26'that the way to freedom and equality is through nonviolence.'
1:16:26 > 1:16:28- Goddamn. - Yeah, we have a lot of guests.
1:16:28 > 1:16:30Where's your rolling paper at?
1:16:30 > 1:16:33- It's in the drawer where it always is.- All right.
1:16:33 > 1:16:35MAN CONTINUES SPEAKING
1:16:35 > 1:16:37Ah. Seen you play.
1:16:37 > 1:16:39Jimi Hendrix, yes. You hella good.
1:16:41 > 1:16:44So, how are you liking London?
1:16:44 > 1:16:47Uh, it's a good scene.
1:16:47 > 1:16:49Yeah, a good scene, yeah?
1:16:49 > 1:16:52So, um, where is this good scene?
1:16:52 > 1:16:53Been playing at The Scotch.
1:16:53 > 1:16:56Uh, I played down at The Bag Of Nails the other night, man.
1:16:56 > 1:16:57Some really cool people there.
1:16:57 > 1:16:59- Yeah?- Yeah.
1:16:59 > 1:17:02They relate to music differently here than they do in America.
1:17:02 > 1:17:06In America, it's still... Everything's all split up still, in America.
1:17:06 > 1:17:08You know, you have, like, one scene for this type of music...
1:17:08 > 1:17:10and a whole another scene for another type of music.
1:17:10 > 1:17:12And the moment you try to put it all together,
1:17:12 > 1:17:15you know, they get all uptight with you.
1:17:15 > 1:17:19Here they just...they give you more freedom to play...
1:17:19 > 1:17:21and I love that.
1:17:21 > 1:17:25You know, they let you do what you want to do any-any time you want to.
1:17:25 > 1:17:27- CHUCKLES - What? Let you?
1:17:27 > 1:17:29Yeah.
1:17:29 > 1:17:33I'm sorry, but you just said you had freedom to play.
1:17:33 > 1:17:35Well, if you have freedom, people don't let you do anything.
1:17:35 > 1:17:37You just do it.
1:17:41 > 1:17:43There's nothing in the drawer.
1:17:43 > 1:17:45It's in the bloody drawer, man. Look for it.
1:17:46 > 1:17:48But, you know, good on you...
1:17:48 > 1:17:50for coming over, enjoying yourself.
1:17:50 > 1:17:55On behalf of England... Well, on behalf of Black England, welcome.
1:17:55 > 1:17:57Thank you.
1:17:58 > 1:18:02I would think that maybe you hadn't had much chance to see Black England.
1:18:02 > 1:18:04You know, Brixton, Notting Hill.
1:18:04 > 1:18:07I don't break it down like Black England or White England.
1:18:08 > 1:18:11But it is like that.
1:18:11 > 1:18:12They break it down.
1:18:12 > 1:18:15Or maybe you haven't had your share of hassles over here.
1:18:17 > 1:18:20I read in the papers how they talk about your music.
1:18:20 > 1:18:22Wild and tribal and violent.
1:18:24 > 1:18:26Words, man. Just words.
1:18:26 > 1:18:29They're all just words. I don't get uptight about them words, you know.
1:18:29 > 1:18:33But they don't use those words when they're talking about Jeff Beck or Eric Clapton.
1:18:35 > 1:18:38You know, when they play the blues, it's acceptable.
1:18:38 > 1:18:40But when you play the blues...
1:18:40 > 1:18:43you're a violent, black abomination.
1:18:43 > 1:18:44Thank you.
1:18:46 > 1:18:49England is different to America.
1:18:49 > 1:18:52You know, our-our race issues are more...subtle.
1:18:54 > 1:18:56This new England was built on the Windrush.
1:18:56 > 1:18:59You heard of that? You know what it is?
1:18:59 > 1:19:01- Windrush? - I've never heard of that.
1:19:01 > 1:19:03After the war, right...
1:19:03 > 1:19:07uh, Caribbeans - well, West Indians got, um...
1:19:07 > 1:19:10they got lured to England, you know.
1:19:10 > 1:19:15Lots of signs all over the place advertising work and jobs.
1:19:15 > 1:19:17Come on, come over. Work hard for a better life.
1:19:17 > 1:19:19Yeah, possibilities.
1:19:19 > 1:19:22- Yeah, but there were no possibilities.- Hmm.
1:19:22 > 1:19:25No housing. No decent pay.
1:19:25 > 1:19:28- There's a class system here in England.- Notting Hill, man.
1:19:28 > 1:19:30- There was hard work.- Those Teddy Boys were fucking black people up.
1:19:30 > 1:19:31But there's no better life.
1:19:31 > 1:19:35But it's hard all over now for everybody. Right? You know.
1:19:35 > 1:19:38I mean, people are just people. You know, just like animals.
1:19:38 > 1:19:39Animals are going to be animals, right?
1:19:39 > 1:19:43Picking-Picking their noses, picking their asses, you know.
1:19:43 > 1:19:45Animals are animals. Yes, yes.
1:19:45 > 1:19:48To other animals you'll never be eaten.
1:19:48 > 1:19:50And, look, you know...
1:19:50 > 1:19:52I'm saying this brother to brother, all right?
1:19:52 > 1:19:55You'll never be nothing to them but a curiosity.
1:19:55 > 1:19:57And that's - that's the truth.
1:19:59 > 1:20:01They don't let you up on that stage. They want you up there.
1:20:01 > 1:20:03Their electric wog.
1:20:03 > 1:20:05Oh, that's cold, man.
1:20:05 > 1:20:07You're fooling around with all these white kids
1:20:07 > 1:20:09but it's black British who need someone to inspire them.
1:20:09 > 1:20:12- Inspire, man. - Why is that funny to you?
1:20:12 > 1:20:15- You're putting things on me I don't even want to be. - You could be a symbol.
1:20:15 > 1:20:18- I don't even understand. What are you talking about? - You could be a symbol.
1:20:18 > 1:20:20- I'm just playing my guitar. - Play music to your people.
1:20:20 > 1:20:22My people?
1:20:23 > 1:20:25They're all my people. What-What...
1:20:25 > 1:20:27Every last one of them, they're my people.
1:20:27 > 1:20:28SIGHS SHARPLY
1:20:28 > 1:20:31Jimi, the people you got around you now, they don't get it.
1:20:31 > 1:20:35If you are going up on that stage just so you can go up on that stage...
1:20:35 > 1:20:37you're wasting yourself.
1:20:37 > 1:20:40- Your music should be notes of protest.- Right the hell on, man.
1:20:40 > 1:20:44Protest is all over with. Everybody wants solutions now, you know.
1:20:44 > 1:20:47You're getting up on stage with your gyrating, your gimmicks... Is that your solution?
1:20:47 > 1:20:49I'm sick of everybody talking about these gimmicks, man.
1:20:49 > 1:20:53You know, the world is nothing but a great big, fat gimmick.
1:20:53 > 1:20:56Wars, you know, napalm bombs and all this kind of stuff.
1:20:56 > 1:21:01You know, you got people getting burnt up on television, right in front of our faces.
1:21:01 > 1:21:04You know, all this violence. And that's not my scene, man.
1:21:04 > 1:21:07So what is your scene? Laying back and doing nothing?
1:21:07 > 1:21:10And I should be like you? Do exactly what you're doing, huh?
1:21:10 > 1:21:12Talking shit and smoking weed, huh?
1:21:12 > 1:21:14Cos, yeah, the weed is good, man...
1:21:14 > 1:21:17but this shit that you're talking, man...
1:21:17 > 1:21:19You-You really want to change things?
1:21:19 > 1:21:23When the power of love takes over the love of power, that's when things will change.
1:21:31 > 1:21:32DISSONANT CHORD
1:21:37 > 1:21:39FEEDBACK
1:21:39 > 1:21:41CHATTERING AND MURMURING
1:21:41 > 1:21:42GUITAR CONTINUES
1:21:44 > 1:21:46Play something!
1:21:47 > 1:21:50- Play a fucking song! - Get off!
1:21:50 > 1:21:52Go on, then.
1:21:52 > 1:21:54Where's the fucking show?
1:21:54 > 1:21:56Paid a bloody pound for this shit!
1:21:56 > 1:21:58Just shut your bas...
1:21:58 > 1:22:03"Greeted by near silence, obsessive guitar-tuning and foul gestures,
1:22:03 > 1:22:05"fans may have wondered what they missed musically during the..."
1:22:05 > 1:22:07- Jimi. - I'm not in tune, man.
1:22:07 > 1:22:09- Just play something, man. - Man, fuck you.
1:22:09 > 1:22:12I'm going to get this guitar in tune if it takes me all fucking night.
1:22:12 > 1:22:15"Having listened to their first album, the answer is, little.
1:22:15 > 1:22:20"Jimi Hendrix is neither a notable songwriter, nor an accomplished vocalist.
1:22:20 > 1:22:22"He is sullen when not outright angry...
1:22:22 > 1:22:25"vague when not utterly arcane.
1:22:25 > 1:22:28"The rank quality of his songs, the puerile nature of the lyrics,
1:22:28 > 1:22:31"the sum total of the record is unrelentingly,
1:22:31 > 1:22:34"lyrically and inartistically primal."
1:22:35 > 1:22:38You'd just rather play any old kind of shit, huh?
1:22:39 > 1:22:41And you don't care what it sounds like.
1:22:41 > 1:22:42Well, leave then, man!
1:22:42 > 1:22:44That didn't take them very long, did it?
1:22:44 > 1:22:48Single didn't even chart in the States.
1:22:48 > 1:22:49You toss in a review like that...
1:22:49 > 1:22:51But they don't know anything.
1:22:51 > 1:22:53I can hear the clack already.
1:22:53 > 1:22:57People going on about whether he deserved the Monterey invitation.
1:22:57 > 1:22:59What the fuck are we here for?
1:22:59 > 1:23:01What-What-What do we do all this shit for?
1:23:01 > 1:23:03Mitch?
1:23:07 > 1:23:08Where's your old lady?
1:23:10 > 1:23:11I don't know.
1:23:12 > 1:23:14Girl runs around a lot.
1:23:14 > 1:23:19Ah, there's others. Whispering in his ear, filling him up.
1:23:19 > 1:23:21Ah, just ginning him up.
1:23:22 > 1:23:24It's disrespectful, you know.
1:23:26 > 1:23:27Running round on you like that.
1:23:27 > 1:23:30Jimi and the lads are supposed to be playing the Saville Theatre.
1:23:30 > 1:23:32Brian Epstein's chucking this big do
1:23:32 > 1:23:34to celebrate the new Beatles disc and the boys are going to be there.
1:23:34 > 1:23:37If Jimi has another performance like that last one...
1:23:38 > 1:23:41- SIGHS - ..we could lose Monterey.
1:23:41 > 1:23:43We'll be done before we're started.
1:23:47 > 1:23:50CHATTERING
1:23:57 > 1:23:58Where's your girlfriend?
1:23:58 > 1:24:00She's-She's at home tonight.
1:24:00 > 1:24:01She's not coming out?
1:24:08 > 1:24:11Hey! Hey!
1:24:11 > 1:24:12Come here.
1:24:13 > 1:24:15- C-Come on. Come here. - Go on. Go ahead.
1:24:15 > 1:24:17Come over here.
1:24:17 > 1:24:18OK, one minute.
1:24:20 > 1:24:22Sit down. Sit down with me some.
1:24:22 > 1:24:24Come on, sit down. Sit down.
1:24:24 > 1:24:26WOMAN LAUGHING
1:24:26 > 1:24:27# Gimme some lovin'
1:24:27 > 1:24:29# Gimme, gimme some lovin'
1:24:29 > 1:24:30# Gimme some lovin'
1:24:30 > 1:24:32# Gimme some lovin'
1:24:32 > 1:24:34# Gimme some lovin'
1:24:34 > 1:24:36# Every day... #
1:24:36 > 1:24:40Hey. You want to come grab a drink?
1:24:40 > 1:24:41Yeah.
1:24:41 > 1:24:43No, she's all right. She's fine.
1:24:46 > 1:24:49Yeah, I'm fine. I'll see you in a minute.
1:24:49 > 1:24:51All right.
1:24:54 > 1:24:58# Well, I feel so good, everything is getting higher
1:24:58 > 1:25:02# You better take it easy cos the place is on fire... #
1:25:02 > 1:25:06I'm just going to go and ring someone up, all right? I'll be back in a minute.
1:25:08 > 1:25:10# So glad we made it
1:25:11 > 1:25:13# So glad we made it
1:25:13 > 1:25:15# You got to
1:25:15 > 1:25:18- # Gimme some lovin' - Gimme some lovin'
1:25:18 > 1:25:19# Gimme some lovin'
1:25:19 > 1:25:21# Gimme some lovin'
1:25:21 > 1:25:22# Gimme some lovin'
1:25:22 > 1:25:24# Every day... #
1:25:27 > 1:25:29Hiya. it's me.
1:25:29 > 1:25:32You all right, darling? You going to come down?
1:25:32 > 1:25:34Yeah, place is all right. It's about half full.
1:25:34 > 1:25:36There'll be... There'll be more people down later...
1:25:41 > 1:25:45# Well, I feel so good, everything is getting higher
1:25:45 > 1:25:48# You better take it easy cos the place is on fire
1:25:48 > 1:25:51# Been a hard day, nothing went too good
1:25:51 > 1:25:54# Now I'm going to relax just like everybody should... #
1:25:54 > 1:25:56Hey, Jimi. Great show.
1:25:56 > 1:25:57- Oh, thank you, man. - Yeah, love your stuff, man.
1:25:57 > 1:25:59Wow, thank you. I really appreciate it. Thank you.
1:25:59 > 1:26:03WOMEN GIGGLING
1:26:03 > 1:26:05What is this, huh? What is this, huh?
1:26:05 > 1:26:07SCREAMING
1:26:07 > 1:26:09- Get off! - You disrespect me!
1:26:09 > 1:26:11You disrespect me? Huh?
1:26:11 > 1:26:14Who are you talking to, huh? Who you talkin' to, huh?
1:26:14 > 1:26:16- You disrespect me! - Keep him away!
1:26:16 > 1:26:17No, I'm all right. I'm all right.
1:26:17 > 1:26:20I'm OK. I'm OK.
1:26:20 > 1:26:22- I said get him away! - You disrespect me?
1:26:49 > 1:26:50- Are you going to be OK? - Yeah.
1:26:50 > 1:26:52- You going to be all right? - Yeah, thank you.
1:26:52 > 1:26:53OK.
1:27:47 > 1:27:49Cool?
1:27:49 > 1:27:52I'm supposed to take, um...
1:27:52 > 1:27:55I'm supposed to take these for the pain...
1:27:55 > 1:27:57and then, uh, these to help me sleep.
1:27:57 > 1:27:58Mmm, um, later, not now.
1:27:58 > 1:28:00I'm not-not supposed to sleep tonight.
1:28:03 > 1:28:05I wrote these for you.
1:28:19 > 1:28:21You write out lyrics you can't even read yourself
1:28:21 > 1:28:23and that's supposed to make everything all right?
1:28:41 > 1:28:44I never doubted you. That wasn't me, that was you.
1:28:44 > 1:28:47You were the one. That was your shite.
1:28:54 > 1:28:58You got no-one to blame but you.
1:28:58 > 1:29:00That's the bitch of it.
1:29:00 > 1:29:02When it comes down to things...
1:29:03 > 1:29:06- SIGHS - ..it's your own goddamn fault.
1:29:06 > 1:29:08You know, you think getting it on with a rock 'n' roller
1:29:08 > 1:29:11is going to be nothing but good times.
1:29:11 > 1:29:15They're the ones that make this shit real, but it never gets real for them.
1:29:17 > 1:29:20Their whole life - a big motherfuckin' blowjob.
1:29:22 > 1:29:25Can't keep thinking it's something that it's not.
1:29:25 > 1:29:26Him fucking around...
1:29:26 > 1:29:29and sooner or later he's going to fuck his way back to you.
1:29:31 > 1:29:34He ain't going to fuck his way back to you. He's just fucking WITH you.
1:29:37 > 1:29:40Why would you say that? Why would you say something like that?
1:29:40 > 1:29:43Cos I'm your sister.
1:29:43 > 1:29:46I'm not going to let you sit there and fall apart, thinking he loves you
1:29:46 > 1:29:49when he don't love anything but himself.
1:29:50 > 1:29:53You worn out, baby?
1:29:53 > 1:29:54You look worn out.
1:29:56 > 1:29:58Know what you need?
1:29:58 > 1:30:00Hold on.
1:30:00 > 1:30:03You have any, uh... Let me see right here.
1:30:04 > 1:30:05Yeah, you got some.
1:30:07 > 1:30:11You know what? You just need to take a couple of these, man.
1:30:11 > 1:30:13You know?
1:30:13 > 1:30:15Just take a couple of them.
1:30:15 > 1:30:17Help you sleep that shit right off.
1:30:18 > 1:30:20- Maybe take a few. - POURING DRINK
1:30:21 > 1:30:23- When I'm feeling all... - SHE INHALES
1:30:37 > 1:30:38GROANS
1:30:55 > 1:30:58SOBBING
1:31:23 > 1:31:26If you need anything, I'll just be outside.
1:31:57 > 1:32:00GUITAR CHORD, FEEDBACK
1:32:01 > 1:32:04PIANO AND STRINGS
1:32:04 > 1:32:05I...
1:32:07 > 1:32:09JIMI EXHALES
1:32:14 > 1:32:15CHATTERING
1:32:21 > 1:32:23Hey, lads, thanks for coming.
1:32:23 > 1:32:25What's happening?
1:32:31 > 1:32:33LAUGHING
1:32:57 > 1:32:59# All your love I miss lovin'
1:33:01 > 1:33:03# All your kiss I miss kissin'
1:33:04 > 1:33:06# All your love I miss lovin'
1:33:08 > 1:33:10# All your kiss I miss kissin'
1:33:11 > 1:33:14# Before I met you, baby
1:33:15 > 1:33:17# I didn't know what I was missing
1:33:19 > 1:33:21# All the love, pretty baby
1:33:22 > 1:33:25# I have in store for you
1:33:26 > 1:33:28# All the love, pretty baby
1:33:30 > 1:33:33# I have in store for you
1:33:33 > 1:33:36# The way I love you, baby
1:33:37 > 1:33:39# I know you love me too... #
1:33:57 > 1:33:59Sorry, man.
1:33:59 > 1:34:01Have a good show.
1:34:05 > 1:34:06Jimi.
1:34:08 > 1:34:10Have a fucking good show.
1:34:14 > 1:34:16MUSIC FADES
1:34:19 > 1:34:21Hey, put-put this on. We're going to open with that.
1:34:21 > 1:34:23The title track.
1:34:25 > 1:34:28If we put this in the key of E and go to town with it, man...
1:34:28 > 1:34:30It only came out two days ago. Half an hour
1:34:30 > 1:34:32before the show, you want us to learn a new song?
1:34:32 > 1:34:35- We're a band. Come on, man. - The Beatles are in the audience.
1:34:35 > 1:34:36It's a fucking insult.
1:34:36 > 1:34:38Only if we fuck it up.
1:34:38 > 1:34:40Come on. Let's have fun with living, man.
1:34:40 > 1:34:42- Oh, that's cool, man. - CHUCKLES
1:34:42 > 1:34:44All right, so, Mitch, you start it off
1:34:44 > 1:34:47- and you give us a little rhythm and then...- I'll give you four, yeah?
1:34:56 > 1:34:59AUDIENCE CLAPPING RHYTHMICALLY
1:35:01 > 1:35:03- You-You start it off with the beat, right.- Gimme four.
1:35:03 > 1:35:05- IMITATING BEAT - Let's keep it groovy.
1:35:05 > 1:35:06Yeah, I like that.
1:35:06 > 1:35:10And then I'm going to do a solo act after the first verse.
1:35:10 > 1:35:11OK, yeah. Just on the chorus.
1:35:11 > 1:35:13- PA:- 'We apologise for the delay
1:35:13 > 1:35:15'in this evening's performance by The Jimi Hendrix Experience.
1:35:15 > 1:35:18'We hope to bring you the show presently.'
1:35:19 > 1:35:20Hey, Jimi, listen.
1:35:20 > 1:35:23Mmm? Yeah. Yeah.
1:35:36 > 1:35:39MURMURING AND YELLING
1:35:45 > 1:35:47Hey, I like those pants, Noel.
1:35:48 > 1:35:50Beautiful, man. CHUCKLING
1:35:56 > 1:35:59- PA:- 'Ladies and gentlemen, honoured guests...
1:35:59 > 1:36:02'The Jimi Hendrix Experience.'
1:36:02 > 1:36:04APPLAUSE
1:36:05 > 1:36:09Hey, your ears. Watch out for your ears, man.
1:36:09 > 1:36:12Yeah, your ears. Watch out for your ears.
1:36:22 > 1:36:23Hey!
1:36:23 > 1:36:25# It was 20 years ago today
1:36:25 > 1:36:27# Sgt Pepper taught the band to play
1:36:27 > 1:36:29# They've been going in and out of style
1:36:29 > 1:36:32# But they're guaranteed to raise a smile
1:36:32 > 1:36:34# So may I introduce to you
1:36:34 > 1:36:37# The act you've known for all these years
1:36:37 > 1:36:40# Sgt Pepper's Lonely Hearts Club Band
1:36:40 > 1:36:42Whoo! Look out!
1:37:00 > 1:37:05# We're Sgt Pepper's Lonely Hearts Club Band
1:37:05 > 1:37:08# We hope you will enjoy the show
1:37:10 > 1:37:14# We're Sgt Pepper's Lonely Hearts Club Band
1:37:14 > 1:37:18# Sit back and let the evening go
1:37:18 > 1:37:19Yeah!
1:37:30 > 1:37:33APPLAUSE AND CHEERING
1:37:40 > 1:37:43# I don't really want to stop the show
1:37:43 > 1:37:45# But I thought you might like to know
1:37:45 > 1:37:47# That the singer's going to sing a song
1:37:47 > 1:37:50# And he wants you all to sing along
1:37:50 > 1:37:52# So let me introduce to you
1:37:52 > 1:37:55# The one and only Billy Shears
1:37:55 > 1:37:58# Sgt Pepper's Lonely Hearts Club Band
1:37:58 > 1:38:00Look out! Whoo!
1:38:04 > 1:38:05Yeah.
1:38:06 > 1:38:08Get into it, man!
1:38:14 > 1:38:16MUSIC ENDS
1:38:17 > 1:38:19AUDIENCE CHEERING
1:38:41 > 1:38:43Oh, yeah. Hey, Mitch, you see them up there?
1:38:54 > 1:38:55I'd like to go.
1:38:57 > 1:38:59Jimi?
1:38:59 > 1:39:00Yeah?
1:39:00 > 1:39:02I'd like to go with you.
1:39:02 > 1:39:04We've got touring right after, you know.
1:39:04 > 1:39:06If it works out, you know, we'll see.
1:39:11 > 1:39:13Well, just for the festival, then.
1:39:19 > 1:39:22I'll just go for the festival. Then I'll come straight home.
1:39:26 > 1:39:28You should rest.
1:39:28 > 1:39:30- No, I'm fine. - Rest.
1:39:30 > 1:39:33I'm good enough to sit and watch you.
1:39:33 > 1:39:36I've never been to San Francisco before.
1:39:36 > 1:39:38It's Monterey.
1:39:38 > 1:39:41There's nothing there for you. You wouldn't like it.
1:39:45 > 1:39:49You know, I'm going to go and then come right back. It's no big thing at all, OK?
1:39:52 > 1:39:54There were like rats and everything. Yeah.
1:39:54 > 1:39:57It was very... Didn't smell too good.
1:39:57 > 1:39:59Big, awful smell.
1:39:59 > 1:40:01# Run, run, get your gun
1:40:03 > 1:40:05# TomTom, na-na-na-na
1:40:05 > 1:40:07I-I think it's, um...
1:40:07 > 1:40:10it's really - it's really just finding bars now...
1:40:10 > 1:40:12that you can sort of switch off in.
1:40:12 > 1:40:16- There are not many around. - No, I guess everyone's...
1:40:16 > 1:40:21Everyone's so aware of, um...of it.
1:40:21 > 1:40:23Yeah.
1:40:23 > 1:40:24Absolutely.
1:40:25 > 1:40:29But, hey, I'm going to just grab something from my coat.
1:40:29 > 1:40:31Be back.
1:40:33 > 1:40:35Where did I put my...handbag?
1:40:35 > 1:40:36Over here.
1:40:36 > 1:40:39# TomTom, na-na-na-na
1:40:40 > 1:40:43# Bang, bang, you low-down thing
1:40:44 > 1:40:46# Tom Tom... #
1:40:47 > 1:40:49Are you nervous?
1:40:49 > 1:40:51No, of course not. GIGGLING
1:40:51 > 1:40:53Yeah.
1:40:54 > 1:40:56Are you excited?
1:40:56 > 1:40:57It's still crazy to me.
1:40:57 > 1:40:59All these acts are going to be on stage.
1:40:59 > 1:41:03I mean, Simon and Garfunkel, Otis Redding, Janis Joplin. Come on, man...
1:41:03 > 1:41:05- And you. - Yeah.
1:41:05 > 1:41:07Hey, can you believe that?
1:41:07 > 1:41:09Yes, I can.
1:41:11 > 1:41:13- You want to go? - To Monterey?
1:41:13 > 1:41:15Yeah, you should go.
1:41:15 > 1:41:17What would your girlfriend have to say about that?
1:41:18 > 1:41:20Or perhaps you wouldn't tell her.
1:41:22 > 1:41:24Perhaps we'd just secretly run off together.
1:41:27 > 1:41:29Did you hear Red House?
1:41:30 > 1:41:31Yeah.
1:41:31 > 1:41:34You know I wrote that for you, right? Could you tell?
1:41:39 > 1:41:42And Keith wrote Ruby Tuesday for me when we broke things off.
1:41:44 > 1:41:46Got all these men writing songs to me.
1:41:48 > 1:41:50Then I go home and I listen to them alone.
1:41:54 > 1:41:56What is it with you rock 'n' rollers?
1:41:56 > 1:41:58You can perform for a thousand people
1:41:58 > 1:42:00and you can't be honest with one.
1:42:02 > 1:42:04You can sing it all, you just...
1:42:06 > 1:42:08..can't say the words.
1:42:13 > 1:42:15Why do you want me to go with you?
1:42:20 > 1:42:23Doesn't really bring me any closer to packing my bags.
1:42:23 > 1:42:25Good times.
1:42:27 > 1:42:29We could have had good times here.
1:42:29 > 1:42:33No, it's... Here wasn't our thing.
1:42:34 > 1:42:36Here was just way too restricted, man.
1:42:36 > 1:42:38- It was too formal? - Yeah.
1:42:39 > 1:42:41So what would it be like there?
1:42:41 > 1:42:43- Just looser. - Looser?
1:42:45 > 1:42:47Like unsteady?
1:42:48 > 1:42:50You know, the minute things take off for you...
1:42:50 > 1:42:54I wonder if you're going to notice that I'm not around anymore.
1:42:54 > 1:42:55Yeah.
1:42:58 > 1:43:00Of course.
1:43:05 > 1:43:07Things you love, they stay with you.
1:43:08 > 1:43:10If you want them to or not.
1:43:16 > 1:43:18You have a very annoying way of being...
1:43:20 > 1:43:22..quite simply profound.
1:43:23 > 1:43:26# I gotta have your love every day
1:43:28 > 1:43:31# One that's real and will stay
1:43:31 > 1:43:34I don't think it would be a good idea
1:43:34 > 1:43:36for me to come to Monterey.
1:43:36 > 1:43:39# I can't seem to make you mine
1:43:57 > 1:44:00# Can't seem to make you mine
1:44:00 > 1:44:01# Oh
1:44:01 > 1:44:04# Can't seem to make you mine
1:44:04 > 1:44:05# Oh
1:44:05 > 1:44:08# Come back, baby, to me
1:44:08 > 1:44:10# Oh
1:44:10 > 1:44:12# End my misery
1:44:12 > 1:44:13# Oh
1:44:13 > 1:44:17# I give you love night and day
1:44:18 > 1:44:20# Never ever go away
1:44:22 > 1:44:25# Can't seem to make you mine... #
1:44:44 > 1:44:46SHE STRUMS GUITAR
1:44:56 > 1:45:00- PA:- 'BOAC is pleased to announce the early arrival of flight number 12.
1:45:00 > 1:45:03'The plane passengers can be met at gate number three.'
1:45:06 > 1:45:09They're going to love your accents. They're going to go crazy, like the girls...
1:45:09 > 1:45:10You're the one with the accent, Jimi.
1:45:12 > 1:45:14CHATTERING CONTINUES
1:45:15 > 1:45:17LAUGHTER
1:45:27 > 1:45:30'So, do you think you're better than all of them?
1:45:30 > 1:45:31'No, no.
1:45:31 > 1:45:35'It's not about being better, you know, or anything-anything like that.
1:45:35 > 1:45:37'You know, it's about being inspired.
1:45:37 > 1:45:40'And I'm inspired by everybody. I'm inspired by all kinds of people.
1:45:40 > 1:45:43'You know, it's art to me. You know, and with art,
1:45:43 > 1:45:45'it's just showing something that you've never seen before.
1:45:45 > 1:45:48'Or-Or even if it's something that you see every day...
1:45:48 > 1:45:50'just showing it in a new way, you know.
1:45:50 > 1:45:53'So I should-I should be able to take, like, any song and...
1:45:53 > 1:45:55'I should be able to take Auld Lang Syne
1:45:55 > 1:45:58'and do it in a new way you've never even heard it before.
1:45:58 > 1:45:59'You know what I mean? So...
1:45:59 > 1:46:04'it's all inspiration and inspiring other people.'
1:46:18 > 1:46:21Come on! Everybody sing along with me.
1:46:21 > 1:46:24# Wild thing
1:46:24 > 1:46:26Yeah!
1:46:26 > 1:46:29# You make my heart sing
1:46:31 > 1:46:32Oh, yeah, I see you.
1:46:32 > 1:46:36# You make everything groovy
1:46:39 > 1:46:41# Wild thing
1:46:46 > 1:46:50# Wild thing, I think you move me
1:46:52 > 1:46:56# But I want to know for sure
1:46:57 > 1:47:01# Come on, just... sock it' to me one time again.
1:47:04 > 1:47:07# You move me
1:47:07 > 1:47:08Look out!
1:47:08 > 1:47:10# Wild thing
1:47:10 > 1:47:12Yeah!
1:47:12 > 1:47:15# You make my heart sing
1:47:18 > 1:47:22# You make everything
1:47:22 > 1:47:23# Groovy
1:47:23 > 1:47:24Come on!
1:47:25 > 1:47:26# Wild thing
1:47:30 > 1:47:31Yeah, yeah!
1:47:31 > 1:47:32# Wild thing
1:47:35 > 1:47:38Yeah, yeah!
1:47:38 > 1:47:39# Wild thing
1:47:42 > 1:47:43# Wild thing
1:47:46 > 1:47:48# Wild thing. #