Episode 1

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:00:15. > :00:19.It is July. High summer and time for the Royal Horticultural Society

:00:19. > :00:23.Hampton Court Palace Flower Show. Now in its 22nd year. As well as

:00:23. > :00:28.all the incredible flowers that you could possibly grow, this year

:00:28. > :00:34.there is a real emphasis on edible plants and a celebration of the

:00:34. > :00:40.wildlife that we can bring in our gardens. It is not only the Hampton

:00:40. > :00:44.Show Gardens that are a feast for the eyes. There are some dazzling

:00:44. > :00:49.summer displays for the visitors to enjoy.

:00:49. > :00:52.Hampton Court is the largest Show. Tonight, Rachel, Joe and myself

:00:52. > :00:57.will be giving you a pre-view of the highlights. Coming up, Joe and

:00:57. > :01:03.I look at the medal contenders in the large show gardens. We shall be

:01:03. > :01:08.looking at the inspiration behind the gardens which is a category

:01:08. > :01:18.unique to Hampton Court. Rachel catches a glimpse of the new

:01:18. > :01:27.

:01:27. > :01:30.Hello. Welcome to the 2011 Royal Horticultural Society Hampton Court

:01:30. > :01:35.Palace Flower Show. It is set in the grounds of this fabulous palace

:01:35. > :01:39.surrounded by 750 acres of beautiful park. The show opens

:01:39. > :01:42.tomorrow and remains open until Sunday. The three of us had a

:01:42. > :01:47.chance to have a quick peek around and what struck me initially was

:01:47. > :01:54.the show gardens themselves are of high quality, the finish is good.

:01:54. > :01:59.They look really good. The con accept actual gardens which I am

:01:59. > :02:03.interested in. This is where art and gardening crosses over and

:02:03. > :02:07.there is nine this year and they look good.

:02:07. > :02:12.It is not just deseen, it is plants and I have been in the floral

:02:13. > :02:18.marquee. It is a sea of of blooms. It is a sight worth seeing.

:02:18. > :02:22.I'm sure there will be lots of gold medals inside the floral marquee.

:02:22. > :02:28.Outside last year only one of the maujor show gardens -- major show

:02:28. > :02:38.gardens was awarded gold. Joe and I have been around to see how the

:02:38. > :02:44.

:02:44. > :02:48.This garden is called the The Stockman's Retreat. It is by Chris

:02:48. > :02:52.beard shaw. As you walk past and look through, you gaze through a

:02:52. > :02:56.look through, you gaze through a perfect mixed border. All the

:02:56. > :03:00.levels vary, the colours harmonising and looking through it,

:03:00. > :03:04.you see this charming little little cottage. You need to come round to

:03:04. > :03:08.the side and have a look because there is a winding track. The thing

:03:08. > :03:12.you just glimpse as you are on a walk and what strikes me about it

:03:12. > :03:15.is the degree of skill and sophistication that goes into

:03:15. > :03:18.making show gardens now and particularly to make it look as

:03:18. > :03:23.though it is completely natural. There are weeds growing between the

:03:23. > :03:26.stones. The dry stone wall is tumbling down. There is an

:03:26. > :03:31.incredible skill in making it look as though nothing has happened.

:03:31. > :03:41.There is so much going on here if you just walk by, you will only get

:03:41. > :03:47.

:03:47. > :03:52.highlighting peace one day which is a charity that does international

:03:52. > :03:57.work about bringing harmony to the hole world. -- whole world. I love

:03:57. > :04:01.the way they have got the theme and run with it. In the planting it has

:04:01. > :04:06.been separated out by the steel circles and initially they are

:04:06. > :04:10.separate, but they start mingling together. The largest rounded

:04:10. > :04:20.border at the front incorporates the plants in the garden and shows

:04:20. > :04:21.

:04:21. > :04:29.the whole is greater than some of its past. These birch are wonderful.

:04:29. > :04:38.It is the perfect choice of plants creating a canopy. It is a

:04:39. > :04:45.fantastic effort from some first try to impress you with their

:04:45. > :04:50.beauty. And And others that have a powerful message. This garden does

:04:50. > :04:55.both. Its message is powerful and strong which is that we should grow

:04:55. > :05:00.more apples. But also it is beautiful. It really shows how the

:05:00. > :05:05.fruit and apple trees in particular can combine to make a lovely garden.

:05:05. > :05:11.I like the way that it flows from the edge where you have this mixed

:05:11. > :05:15.hedge and the long grass and the apple trees and then you move into

:05:15. > :05:21.the central area which is sophisticated. There is a lot going

:05:21. > :05:31.on. You never feel overwhelmed by the design or the message. It just

:05:31. > :05:41.

:05:41. > :05:44.has a strong Japanese theme. Low maintenance plants are used.

:05:44. > :05:48.Japanese gardens take their inspiration from the natural world

:05:48. > :05:52.beyond and they are recreated on a microscale. Here we have rocks and

:05:52. > :05:57.a path, but the gravel that has been used to fill the voids in

:05:57. > :06:01.between, but this is a resin bonded gravel. It let's the water through,

:06:01. > :06:06.but it stays in one shape so you can walk on it. At the back of the

:06:06. > :06:10.garden, we have Bruce's bauble with a cherry blossom motif. It is a

:06:10. > :06:15.garden pod really, but the idea is that we have got a world within a

:06:15. > :06:19.world. So here is a computer connected up to the internet and it

:06:19. > :06:24.will take you into cyberspace. Remember tonight's programme is

:06:24. > :06:26.just a sneak pre-view of what we are offering at this year's show.

:06:26. > :06:30.Because there will be two programmes on Thursday and Friday

:06:30. > :06:38.this week. In those, we will be taking a closer look at the gardens

:06:38. > :06:44.here, large, small, the conceptual and those dedicated to our greatest

:06:44. > :06:52.poets. In 2009 one designer got visitors here talking about her

:06:52. > :07:00.small sustainable garden entitled Oak Tree Lying In State. She is

:07:00. > :07:04.back with a strong environmental message. Fiona is working with the

:07:04. > :07:12.WWF. Together they aim to highlight the importance of water

:07:12. > :07:17.conservation and specifically our natural chalk streams which meant a

:07:17. > :07:20.trip for Fiona to the river in trip for Fiona to the river in

:07:20. > :07:23.Hampshire. Chalk streams are a habitat found

:07:23. > :07:28.in the south of England and cher characterised which very clear

:07:28. > :07:38.water. Water that's been filtered through aqua fers over a long

:07:38. > :07:44.

:07:44. > :07:48.period. When the water re-emerges, it is very clear, clean, pure and

:07:48. > :07:58.pure, but a lot of water is taken out to supply domestic housing and

:07:58. > :08:08.out to supply domestic housing and industry. There is not enough water

:08:08. > :08:09.

:08:09. > :08:14.in in aquifers for both. The habitat that we are creating at

:08:14. > :08:21.Hampton Court will evoke the spirit of English countryside. We are

:08:21. > :08:27.including an area of meadow and meadows are a thing that were part

:08:27. > :08:32.afchalk stream -- of a chalk stream habitat. This is a typical chalk

:08:32. > :08:40.stream meadow and what I'm really looking for that I can re-create in

:08:40. > :08:44.the show garden is the way that the plants sway and group together. So

:08:44. > :08:51.clearly here we have got a nice group of irises and then it moves

:08:51. > :08:59.into meadow sweet and much finer leaves of sedge and back into

:08:59. > :09:05.irises and it is feeling that texture and light and shade that I

:09:05. > :09:11.want to create in the garden. One of the characteristics of this part

:09:11. > :09:14.are the grasses. They are almost like big hair, quite fun. We were

:09:14. > :09:19.here a few weeks ago digging up some. It was a real mission to dig

:09:19. > :09:22.them. It took about seven people to dig up one. We have promised to

:09:22. > :09:32.replace them and they are growing on nicely so they will be in the

:09:32. > :09:32.

:09:32. > :09:38.show garden. In order to create a believable

:09:38. > :09:46.chalk stream feeling, the two elements that we need to be

:09:46. > :09:54.achieving are clarity of the water, and flow and within that these

:09:54. > :10:04.bright emerald green sculptural plants within the water.

:10:04. > :10:10.These water plants are just amazing. The water stalwart, the cushiony

:10:10. > :10:16.plates formed by them. The water parsnip is more on the bottom and

:10:16. > :10:20.the water crowfoot is long and willowy and me andering and waving

:10:20. > :10:26.through the water. It is just beautiful.

:10:26. > :10:33.I will be very happy if the garden, when it is finished, looks

:10:33. > :10:39.believable. Even if it has a few percent of the beauty and serenity

:10:39. > :10:49.and inspiration that one feels from going to a real chalk stream. I

:10:49. > :10:50.

:10:50. > :10:55.will feel as if I've really I must say Fiona, you have achieved

:10:55. > :10:59.a wonderful naturalistic garden. Are you pleased with it? I'm very

:10:59. > :11:02.pleased. Tell me about the metal spheres?

:11:02. > :11:06.are taking the spheres away from the stream and they are

:11:06. > :11:16.representing water droplets. So the way they come out of the

:11:16. > :11:23.stream, they are getting bigger and bigger and making the scale of the

:11:23. > :11:28.problem more evident. What about the scale? I have used

:11:28. > :11:30.the biggest grass I can find. You are attracting so much wildlife

:11:30. > :11:36.You are attracting so much wildlife into this garden.

:11:36. > :11:40.It is full, isn't it? It is lovely to see the bees and the crane flies

:11:40. > :11:45.and dragonflies. Let's go to the stream. You wanted

:11:46. > :11:52.it to be quite rapid, didn't you? We are now travelling at 15 litres

:11:52. > :11:54.a second. It makes you realise how much water there is in a real

:11:54. > :11:58.stream. I know you have won a gold medal

:11:58. > :12:07.before. Do you feel under pressure to achieve that with this garden?

:12:07. > :12:12.Yes. I know we are taking a risk because we are leaving much more

:12:13. > :12:15.decayed foliage in. I would rather do that and make it feel more

:12:15. > :12:20.naturalistic. Well, I think you have got the

:12:20. > :12:24.balance just about right. Rose you are from the WWF, how bad

:12:25. > :12:30.is the problem that we are trying to highlight? The chalk streams are

:12:30. > :12:33.a unique. There are only 200 in the a unique. There are only 200 in the

:12:33. > :12:38.whole world and most are in England. They are a key source of our water

:12:38. > :12:41.supply and what we are hoping this garden will do is inspire people to

:12:41. > :12:46.think about where water comes from and make that connection between

:12:46. > :12:49.the water that they use at home, in their gardens and the water in the

:12:49. > :12:52.natural environment at chalk stream. Gardeners will be torn because they

:12:53. > :12:57.want to help with conservation, but they need to water their gardens.

:12:57. > :13:01.So what can we do to help? Well, it is really important that gardeners

:13:01. > :13:05.use water wisely and make sure every drop counts. Simple things

:13:05. > :13:10.like making the most of rainwater and making sure they use the right

:13:10. > :13:14.amount of water on the right plants at the right times. Gardens are

:13:14. > :13:19.really special environments too. It is a really great way that people

:13:19. > :13:22.can enjoy nature in their back yard. I am so glad you said that. Best of

:13:22. > :13:28.luck with the garden. I think it is wonderful.

:13:28. > :13:33.One of the most interesting compeubts at the show -- exhibits

:13:33. > :13:37.is the Edible Garden. It is more than just one garden. You can argue

:13:37. > :13:41.it is more than edible plants. The it is more than edible plants. The

:13:41. > :13:46.scale is enormous. There are lots of different sections from a hop

:13:46. > :13:50.yard, an orchard and pond and I like the way connections are made

:13:51. > :13:57.beyond the growing plants. We have a cider press to take the fruits of

:13:57. > :14:01.the orchard. We see baskets made from willow that's grown. There is

:14:01. > :14:04.conventional gardening in it too. We have got flowers mingled in with

:14:04. > :14:09.vegetables, but at the same time it challenges our ideas of what is

:14:09. > :14:12.possible to grow in the garden. So a lavender field with olives.

:14:12. > :14:18.Perhaps this is what we could be doing in our gardens with climate

:14:18. > :14:22.change. The same with the vineyard. I particularly liked the way that

:14:22. > :14:27.it breaks the boundaries of what we might be doing in our back gardens

:14:27. > :14:30.and includes all kinds of aspects of British life. Really good and

:14:30. > :14:35.stimulating. Now, coming up on tonight's programme:

:14:35. > :14:45.Rachel is in the floral marquee checking out exciting new additions.

:14:45. > :14:47.

:14:47. > :14:56.My eye has been caught by this. We will meet one person who is

:14:56. > :14:59.making their first show garden despite wait waiting to give give

:14:59. > :15:09.birth to twins. If you have any comments, you can

:15:09. > :15:17.

:15:17. > :15:21.Hampton Court has the largest of the floral marquees, there are 9272

:15:21. > :15:25.exhibitors. Each showing their own form of seasonal colour, but for

:15:25. > :15:34.one, who is here at Hampton Court just for the second time, well,

:15:34. > :15:39.that colour has to come in the shape of hemara callis.

:15:39. > :15:44.I've always been keen on plants, since I was a child. I had an

:15:44. > :15:50.allotment with my grandfather. We would grow vegetables and exhibit

:15:50. > :15:54.at the local flower shows. We dug out pictures from the loft recently,

:15:54. > :15:58.they go back to those days. In my previous life I worked for a

:15:58. > :16:03.supermarket. I would travel the world looking after quality issues,

:16:03. > :16:07.flowers, looking at perhaps roses and carnations in Kenya. I envied

:16:07. > :16:12.the grocers that I would visit. I thought it was a wonderful way of

:16:12. > :16:16.life, having a nursery attached to where I live -- to where they lived

:16:17. > :16:21.and no commute. I really wanted to do that. This is the lifestyle I

:16:21. > :16:25.used to dream about. My family are involved. They work at the bottom

:16:25. > :16:35.of the garden. It's the dream lifestyle.

:16:35. > :16:35.

:16:35. > :16:39.I always liked hemma callis. I started out with orange, then

:16:39. > :16:43.yellow, then red. My mission really is to communicate

:16:43. > :16:48.to gardeners what wonderful flowers they are. There is a huge range of

:16:49. > :16:55.colours, size of flowers and extended flowering period. The main

:16:55. > :17:00.flowering start in -- starts in June and goes on into August. A lot

:17:00. > :17:05.of the new plants have a rebloom habit. It sends up another spike

:17:05. > :17:10.with further flowers and possibly beyond that. It could flower into

:17:10. > :17:14.the frost. The netting is an idea that I picked up from grocers I

:17:14. > :17:19.visited in Kenya. It provides a bit of protection from the wind, from

:17:19. > :17:23.the sun it keeps the plants cleaner. These flowers are really difficult

:17:23. > :17:26.to get just right for the show. It depends on the weather. If you move

:17:26. > :17:31.them, the floors are inclined to close, they don't look as good as

:17:31. > :17:35.they do at home it is a matter of growing numbers and selecting the

:17:35. > :17:41.correct plants on the day. This is a variety I'm hoping to have at

:17:42. > :17:45.Hampton Court, it is called Shadows of the Pyramids. It has a beautiful

:17:46. > :17:55.colour, a beautiful form. I think it is improved on the old-fashioned

:17:56. > :17:57.

:17:57. > :18:00.varieties. Hemmracallis are not affected by

:18:00. > :18:06.diseases. They are a member of the lily

:18:06. > :18:11.families, but without the problems. One of the recent pests that

:18:11. > :18:16.arrived in this country is Gordon Brownish. If you see bugs that are

:18:16. > :18:21.swollen, slap them off and put them in a bag and put them in the

:18:21. > :18:26.rubbish. Not on the come post heap. They will hatch out and come back

:18:26. > :18:31.against next year. Last year I displayed the flowers at Hampton

:18:31. > :18:35.Court for a silver guilt. The challenge this year is to go a bit

:18:35. > :18:42.better. I have a bigger site, I have more plants, I'll be trying

:18:42. > :18:47.that bit harder. Paul, lots of good colour, but

:18:47. > :18:51.these are such a tricky plant to show? They are great garden plants.

:18:51. > :18:58.If you start to move them, it could be difficult. You put them in a van

:18:58. > :19:02.to move them, they tend to sulk! Now, some see them as a traditional

:19:02. > :19:07.plant and don't know how to ease them in a contemporary setting or

:19:07. > :19:10.update them, what do you say to that? A lot of people know the old

:19:10. > :19:13.fashioned orange and yellow varieties, but there are many

:19:13. > :19:23.improvements that have become available. A lot of the new

:19:23. > :19:23.

:19:23. > :19:27.varieties such as the All American Chief or SaboyenneBur have a

:19:27. > :19:31.tremendous range of colours, beautiful eyes and edges. It really

:19:31. > :19:35.helps to get the gardener to understand the modern vierts.

:19:35. > :19:40.are some beauties. All American Chief. I like that.

:19:40. > :19:45.So this is more about showing your passion for the flower and getting

:19:45. > :19:50.people involved? It is, to bring to the gardener's attention the

:19:50. > :19:55.wonders of the flower today. Of course, these wonderful flowers

:19:55. > :20:00.are not the only midsummer bloom that flower at this time of year.

:20:00. > :20:10.Here, you are bowled over by the flowers at peak. Before the show

:20:10. > :20:13.

:20:13. > :20:17.opened Rachel had a good look impossible to miss. Look at these

:20:17. > :20:21.Dallas. Such a variety of shape and of course colour. They must be one

:20:21. > :20:27.of the star performers in the midand the late season garden. I

:20:28. > :20:32.grow them in a mixed border, but I have a small bed packed in my

:20:32. > :20:37.kitchen garden so many to cut for the house.

:20:38. > :20:45.I have found something a little different here on the Lockyear

:20:45. > :20:53.Stand. These are all spiky members of the

:20:53. > :20:59.salanium family. You can see the spiky stems coming around. The

:20:59. > :21:05.common name is purple Devil. That speaks volumes. This is from Africa,

:21:05. > :21:09.it is Snake Apple. Although they are from the same family as the

:21:09. > :21:14.potatoes and the tomatoes, I would not recommend eating these fruits,

:21:14. > :21:20.they are toxic. If you fancy having a go at these they grow well from

:21:20. > :21:25.seed. Put them on a pot and keep them in a patio. They then must be

:21:25. > :21:35.moved, they are not hardy. When you do move them, watch out for the

:21:35. > :21:35.

:21:35. > :21:42.spikes! Here there is a wonderful display of midand late season

:21:42. > :21:50.flowers like the value via. The akila, but my eye is caught by this

:21:50. > :21:55.inQana. It is a combination of apricot flowers and the fowlians --

:21:55. > :22:02.fowliage that is unusual. It does best in a warm shelter position. It

:22:02. > :22:10.likes a nice open, gritty soil. Harvest Garden Plants are showing

:22:10. > :22:16.this double echinacea. It is called Hot Papaya. Here there are two

:22:16. > :22:22.species of echinaceas. There is Para docks, it comes from

:22:22. > :22:30.Texas, it is long with a long tap root to search out the moisture,

:22:30. > :22:35.and this one is the purpurea. The root system there is more fibrous.

:22:35. > :22:42.This is what this one has inherited. This is the first with the orange

:22:42. > :22:48.colouring to have that character International Cricket Council.

:22:48. > :22:54.-- character cystic. It looks beautiful here against the

:22:54. > :22:58.dahlia. Hampton Court has become known for

:22:59. > :23:02.its conceptual gardens. These are the designs that challenge our

:23:02. > :23:06.traditional notion of a garden. There are nine this year. The most

:23:06. > :23:09.ever shown at Hampton Court. For one of the new designers it has not

:23:09. > :23:15.one of the new designers it has not been with out challenges.

:23:15. > :23:21.Anoushka Feiler found out days after the Hampton Court had

:23:21. > :23:27.accepted the design, that she was expecting twins. In Anoushka's case

:23:27. > :23:34.her dad was the first port of call. I chose to do the Concept Garden

:23:34. > :23:37.category. I think it is a very exciting area of garden design.

:23:37. > :23:41.MUSIC:: Skies skies -- Excuse Me While I Kiss The Sky.

:23:41. > :23:45.Excuse Me While I Kiss The Sky is a fantastic quote from Jimi Hendrix

:23:45. > :23:49.that encapsulate what I want the garden to feel like.

:23:49. > :23:55.What I wanted to create was a space that people come into that allows a

:23:55. > :23:59.sense of being able to see things from a different perspective.

:23:59. > :24:03.The concept design really allows you to make a statement beyond the

:24:03. > :24:09.norm. You can just go bonkers as you like.

:24:09. > :24:18.I think that is a really freeing prince yipl.

:24:18. > :24:24.The concept be -- principal. The -- principle.

:24:24. > :24:29.The concept is to have a mirror around the garden. The affect is to

:24:29. > :24:34.have that of a sky reflecting all the way around the boundary. I went

:24:34. > :24:39.to a set designer e, they came back with a fantastic quote of �25,000.

:24:39. > :24:44.Awhich point I thought I would not be able to do this. I thought I

:24:44. > :24:48.would give my old dad a call and see ewhat he thinks about this

:24:48. > :24:52.problem! Anoushka phoned mow one Sunday morning.

:24:52. > :24:56.I knew straight away what she was after, but I had to play hard to

:24:56. > :25:01.get. He is wonderfully talented with his

:25:01. > :25:06.hands. He loves working with wood and loves unique projects. I was

:25:06. > :25:12.hoping that I might persuade him. She seemed to think that I would

:25:12. > :25:16.not really want to be involved in it, but deep down I would have been

:25:16. > :25:23.desperately cross if I wasn't shal It was really about trying towork

:25:23. > :25:26.out what she wanted and to work out the best way that I could do it.

:25:26. > :25:30.I had two different areas for planting.

:25:30. > :25:36.The first area is the ground level planting.

:25:36. > :25:44.That is a sea of agapanthus. They have lovely blue heads.

:25:44. > :25:52.The other plants I'm using are the plants for the jupsierddown garden.

:25:53. > :25:58.The planting there d -- the upside down planting.

:25:58. > :26:04.It did prove a little tricky. I have chosen plants that are

:26:04. > :26:08.tolerant to part shade. I went for hostas and ferns. I love the

:26:08. > :26:14.fantastic colour variation in the greens and I wanted to create a

:26:14. > :26:19.large text tuerl ceiling which have hints of blue so I then picked on a

:26:19. > :26:29.few different varieties such as a Campanula to bring out the blue and

:26:29. > :26:35.tie it into the rest of the garden. I found out the same week that I

:26:35. > :26:41.was doing Hampton Court that I was also pregnant with twins, so I will

:26:41. > :26:49.be about four weeks off full term with the twins.

:26:49. > :26:53.Hopefully, even if I hang myself upside down, I will still be there!

:26:53. > :26:57.Well, you are here! All three of you at the show! Of course, you

:26:57. > :27:00.must have had a lot of help with the build? My friends and family

:27:01. > :27:05.have been hands on deck for the last two weeks. I couldn't have

:27:05. > :27:10.done it without them. What about the title of the garden?

:27:10. > :27:14.Excuse Me While I Kiss The Sky, it is a Jimi Hendrix quote. I used the

:27:14. > :27:18.metaphor the sky is the limit as inspiration for the garden. Every

:27:18. > :27:22.element is about seeing the sky and if you want to have a big idea you

:27:22. > :27:25.really have to reach for the sky and go for it.

:27:25. > :27:30.The idea of having plants hanging down, where did that come from?

:27:30. > :27:37.Well, I was on a trip to Venice. I went into a room and I was handed

:27:37. > :27:46.a mirror. When I looked into the mirror I saw this wonderful ceel of

:27:46. > :27:50.reconnaissance paintings, it was -- I saw this wonderful ceiling of

:27:50. > :27:56.renaissance paintings. I thought it was such a wonderful experience. I

:27:56. > :28:00.wanted to have it in my garden. I love the colour, the way it is

:28:00. > :28:05.reflected? When it is sunshine and cloud you get to see the movement

:28:05. > :28:08.right the way through the garden as you walk around it. That gives a

:28:08. > :28:11.lovely dynamism. So no view is ever the same.

:28:11. > :28:19.Well, Excuse Me While I Kiss The Sky is the idea, what a bufl garden.

:28:19. > :28:23.Congratulations. -- what a beautiful garden. I hope

:28:23. > :28:27.tonight's preview has whetted your appetite to come down here and see

:28:27. > :28:32.the show for yourself. We shall be here on Thursday and Friday. We

:28:32. > :28:37.will be joined by Alys Fowler, hunting out plant stories and

:28:37. > :28:43.talking to obsessive plant collectors. We have an interview