:00:18. > :00:22.Yesterday we celebrated a medley of medals at the Royal Horticultural
:00:22. > :00:28.Society Chelsea Flower Show supported by M&G Investments. Now
:00:28. > :00:35.we are looking at the plants that love to bask in the heat of the day.
:00:35. > :00:38.Coming up: Italian-inspired designer Tom Hoblyn shows us round
:00:38. > :00:43.his Renaissance garden. Rachel De Thame in search of the
:00:43. > :00:47.Great Pavilion plants that conjure memories of our European holidays..
:00:47. > :00:51.If you have small children and you have these, I would wait a few
:00:52. > :00:56.years. And in praise of pelargoniums, Christine Walkden
:00:56. > :01:05.searches out the perfect patio plant. Easy to grow plants that
:01:05. > :01:12.will flower all summer. Good evening from the grounds of
:01:12. > :01:17.the Royal Hospital in London. Tonight we are delving deep to seek
:01:17. > :01:22.out Chelsea's true attraction, the plants. It is remarkable, many of
:01:22. > :01:28.the designs weren't able to use the plants that would be their first
:01:28. > :01:33.choice, the stalwarts, the iris, the peonies and poppies. These
:01:33. > :01:38.didn't come into flower, so the designers had to look outside their
:01:38. > :01:42.comfort zone and the show is better for it. How did it trouble you on
:01:42. > :01:47.your Furzey garden? By the time February came and the heat kicked
:01:47. > :01:50.in, we thought everything would be blowing, just gone, and then the
:01:50. > :01:56.leaden skies cooled everything down and the season's been perfect for
:01:56. > :02:01.me. A nightmare for everyone else but refer for rhododendrons.
:02:01. > :02:10.lucky choice. We always have Chelsea Plant of the Year. There
:02:10. > :02:13.are thousands of new plants, one plant, a perennial foxglove called
:02:13. > :02:18.digitalis illumination pink. Perennial foxgloves are useful in
:02:18. > :02:23.the garden and a good stalwart of Chelsea too. To use them amongst
:02:23. > :02:27.trees and ferns, they don't mind sitting in the sunshine. It's a go
:02:27. > :02:31.anywhere do anything plant, and the fact that it's a perennial and such
:02:31. > :02:37.a vivid colour means it is going to be a win erring. Perennials are big.
:02:37. > :02:46.Where once it used to be rhododendrons and hostas, some said
:02:46. > :02:51.it is not the royal horticultural society, but you do feel a gear
:02:51. > :02:56.change, perhaps back to drifts again? Maybe drifts but with
:02:56. > :03:05.structure. The danger is we are playing with soft mixes, if we had
:03:05. > :03:10.a bit of shrub structure we would get a different look. There's a
:03:10. > :03:16.distinct Mediterranean feel, with a plethora of plants more reminiscent
:03:16. > :03:22.of the south Italian coastline than windswept Britain. Tom Hoblyn has
:03:22. > :03:25.decided to have a garden inspired by the Villa d'Este in Tivoli. We
:03:25. > :03:35.caught up with him in the Royal Hospital grounds a couple of weeks
:03:35. > :03:39.
:03:39. > :03:43.ago to find out what prompted that The forecast was awful today. It
:03:43. > :03:48.was supposed to be loads of rain, but it hasn't been too bad. We are
:03:48. > :03:52.still on schedule. I got the inspiration for the garden from one
:03:52. > :03:58.of my most favourite places in the whole world, and that is Villa
:03:58. > :04:03.d'Este, near Rome. I've been going there for about 12
:04:03. > :04:09.years and for me it's one of the most exciting places that I have
:04:09. > :04:15.ever been to, because you've got the sort of decadence and
:04:15. > :04:21.flamboyance of a garden, fantastic water features. This whole idea of
:04:21. > :04:26.Renaissance at its very, very best. It was built at a time when the
:04:26. > :04:33.creators felt that they had perfected the symmetry, the
:04:33. > :04:38.proportion. They had mastered nature in the form of a garden. I
:04:38. > :04:43.borrowed the golden section rule, which is a way of dividing up a
:04:43. > :04:46.garden into proportions, based on the sum of the whole but these
:04:46. > :04:51.proportions are pleasing and harmonious and relate to each other,
:04:51. > :05:01.so you get a great sort of feeling of calm when you walk through the
:05:01. > :05:07.garden. When Villa d'Este was originally planted, obviously all
:05:07. > :05:11.the cypresses were in perfect lines, the Cork oaks were perfect. But if
:05:11. > :05:17.you go back now, everything is relaxed and saging a bit and very
:05:17. > :05:23.old. It has taken on a new beauty. So by using my fantastic cork oak,
:05:23. > :05:28.that is my sort of nod to what's going on at Villa d'Este today.
:05:28. > :05:37.It's relaxed with age and sort of I'm completely not into this whole
:05:37. > :05:41.symmetry idea. I'm just going to grow my own way. The higher
:05:41. > :05:47.Renaissance period was all about man's dire to control nature. And
:05:47. > :05:52.how they portray it at Villa d'Este is letting water into the garden in
:05:52. > :05:57.its raw wild form and slowly tame it by making it go through a series
:05:57. > :06:02.of town tains. That's exactly what I'm doing here. -- fountains.
:06:02. > :06:07.That's exactly what I'm doing here. The water comes down in tiers and
:06:07. > :06:12.goes through a series of fountains that are taming my water to arrive
:06:12. > :06:22.at my destination pool well and truly controlled. It is absolutely
:06:22. > :06:25.
:06:25. > :06:32.perfectly calm. I'm using a black base at -- basalt stone. It is a
:06:32. > :06:39.mirror to show off my cypresses. On one plane you've this calm and harm
:06:39. > :06:45.ny and simetsry, and on another plane you have the Italian cypresss
:06:45. > :06:50.to say we're in charge, thank you very much. I've had this desire to
:06:50. > :06:55.use Villa d'Este as a source of inspiration for such a long time
:06:55. > :07:01.now. When I was given the go-ahead to do a garden at Chelsea, I've had
:07:01. > :07:05.this really delightful year going to visit it again, reading about it,
:07:05. > :07:15.learning all about it, borrowing all their rules. It has been a
:07:15. > :07:17.
:07:17. > :07:22.really enjoyable process to finally get it down into a 22-metre garden.
:07:22. > :07:25.Tom, what's this fascination with the Villa d'Este? Well, you might
:07:25. > :07:30.think it is all about design and things, but I went there on my
:07:30. > :07:35.honeymoon and I was madly in love. I still am madly in love, and with
:07:35. > :07:41.the garden as well. You got that second bit in quickly. You've
:07:41. > :07:45.brought it here with much keener lines. There is much less rococo
:07:45. > :07:54.businessiness. I wanted to borrow some of their rules and apply them
:07:54. > :07:57.in a modern setting. I wanted to strip away the decadence and make a
:07:57. > :08:04.clean garden. The stepping stones are great. I've never walked on
:08:04. > :08:14.water before. It is not as deep as you think. That worried you then.
:08:14. > :08:18.It worried me! I used Italian basalt. I wanted it to be a giant
:08:18. > :08:23.reflective pool for my huge Italian cypresses. They thought that man
:08:23. > :08:26.could control nature, and nature is actually controlling man. You have
:08:26. > :08:35.these Dom innocent cypresses and they are reflecting on the water,
:08:35. > :08:38.You are in the garden Love this seat at the back with the water
:08:38. > :08:41.jets. They are absolutely even and over the top they are sideways. The
:08:41. > :08:46.proportions here are wonderful with with the two edges at the back, the
:08:46. > :08:52.yew at the top, then the fountains sideways and then the box. A
:08:52. > :08:55.wonderful line going on here. It was a pleasure to design. We
:08:55. > :09:01.borrowed the mathematical rules and applied it everywhere, even with
:09:01. > :09:04.the jointing and the positions of the fountains. You've got this
:09:04. > :09:08.tremendous harmonious proportion and a feeling of comfort in the
:09:08. > :09:14.garden. It is a comforting garden to go in. And then you have the
:09:14. > :09:18.contrast of a cork oak. Everybody has been trying to bring one to
:09:18. > :09:23.Chelsea. Andy Sturgeon tried and the trial didn't do well. But this
:09:23. > :09:27.is has made it. It is what we get our wine bottle corks from. I knew
:09:27. > :09:32.there was a challenge. I phoned Andy from Italy and said I'm
:09:32. > :09:37.thinking of using a cork oak, what do you think? He said, "Don't do
:09:37. > :09:42.it." I worked out how we could do it. Don't stress your oak. Make
:09:42. > :09:46.sure it travelled in absolute comfort all the way. So the oak
:09:46. > :09:51.tree turns left when it gets on to the plane. If you want to find out
:09:51. > :10:01.more about the rule of the golden section, Thomas has provided with
:10:01. > :10:04.
:10:04. > :10:09.us a masterclass on our red ret. -- on our Red Button. If you want to
:10:09. > :10:14.use an alternative, you could use a juniper skyrocket. They are
:10:14. > :10:20.difficult to grow unless you give them good drainage. Several ideas
:10:20. > :10:24.for you there. When we talk about the gardens of the Italian
:10:24. > :10:28.Renaissance we John injure you have an image of vast landscapes like
:10:28. > :10:38.Villa d'Este. But can you do this on a much smaller scale? Chris has
:10:38. > :10:38.
:10:38. > :10:45.found a garden in a shows yes, you can.
:10:45. > :10:48.The good news for gardeners is no matter what size your garden, the
:10:48. > :10:55.grandiose Italianate principles can be condensed into the smallest of
:10:55. > :11:01.spaces. The APCO Garden is proof of that. Look at the geometry. A
:11:01. > :11:06.series of formal lines. There is no room for whimsical meandering here.
:11:06. > :11:10.Each play as part as a solid jigsaw creating a bold structure. At the
:11:10. > :11:14.heart of which is a central axis, a line which slices through the
:11:14. > :11:18.design, at the end of which is a focal point, something to draw you
:11:18. > :11:25.into the scheme. In this case a water feature. It is absolutely key.
:11:25. > :11:28.But water is also used with reflections. An essential part of
:11:28. > :11:34.the Renaissance principle that these wonderful mirror-like pools
:11:34. > :11:44.link Heaven and Earth. That's that creates a real air of calm, cool,
:11:44. > :11:52.
:11:52. > :11:57.Despite its size, this garden mansion to feel much larger than it
:11:57. > :12:01.actually is. That's largely because there's a repeat of an Italian
:12:01. > :12:06.principle. That central axe sis dissected on the perpendicular.
:12:06. > :12:10.That's which encourages the eye to penetrate deep into both of those
:12:10. > :12:15.boundaries, creating that wonderful sense of space, so often we see the
:12:15. > :12:19.detail of small gardens right in the heart. It is that that reduces
:12:19. > :12:24.the size. Here it's the opposite, and it works perfectly.
:12:24. > :12:29.The elevation of these confers equally adds to that sense of space.
:12:29. > :12:35.And a wonderful horticultural game being played here. Instead of the
:12:35. > :12:41.Italian cypress, which are fickle beasts in the British climate, this
:12:42. > :12:44.thuja is pruned to look identical. But it is also then used in a more
:12:44. > :12:48.informal way, true to the Renaissance style, here as a screen
:12:49. > :12:54.mirroring the walls on either side. I think the most successful thing
:12:54. > :12:59.about this garden is the sense of elevation. In the Renaissance
:12:59. > :13:05.period they said everything you see is mine. It was a very empowering
:13:05. > :13:09.process. This raised steps and then quiet seating area certainly
:13:09. > :13:14.achieves that wonderful principle. This garden demonstrates perfectly
:13:14. > :13:17.that no matter in which century the design prison approximatelys
:13:17. > :13:26.evolved, they are still every bit as relevant in a contemporary
:13:26. > :13:31.design. -- design principles.
:13:31. > :13:35.It is more than the romance of the Renaissance wowing visitors to
:13:35. > :13:39.Chelsea Flower Show. In the Great Pavilion, memories of the
:13:39. > :13:48.Mediterranean abound, with a wonderful array of drought-tolerant
:13:48. > :13:52.planting schemes, as Rachel De Thame has been discovering.
:13:52. > :13:57.With the weather finally taking a turn for the better it is wonderful
:13:57. > :14:01.to see so many Mediterranean-style plants in the Great Pavilion. And
:14:01. > :14:11.many of us also face hosepipe ban this is summer, so these just could
:14:11. > :14:12.
:14:12. > :14:17.be the plants to go for. So what is it about these plants,
:14:17. > :14:22.what characteristics do they have that makes them drought tolerant?
:14:22. > :14:31.Various things. Silvery-flu leaves to re flect the life. Thick, waxy
:14:31. > :14:35.leaves to hold the moisture in. What should we be doing at home?
:14:35. > :14:39.Can everybody grow them or might you need to adapt your soil to help
:14:39. > :14:43.these plants grow in a heavy soil? You can grow them all over the
:14:43. > :14:48.place. If you are in a wetter area, you have to make sure the drainage
:14:48. > :14:57.is good, so if you get the heavy rain it doesn't stay on the plant,
:14:57. > :15:04.and drains away. Can you pick out a couple of favourites? The olive.
:15:04. > :15:08.Silvery blue leaves, fruit in a good season. Bay trees. They are
:15:08. > :15:11.not normally associated with the Mediterranean. They cope well with
:15:12. > :15:16.The great thing about Mediterranean plants is that they come in all
:15:16. > :15:23.shapes and sizes ranging from large olive trees right down to smaller
:15:23. > :15:28.plants, many of which we take for granted as culinary heshes. But
:15:28. > :15:33.they're beautiful plants. They merit space in the garden. We have
:15:33. > :15:36.merit space in the garden. We have oregano here. This is compact, neat
:15:36. > :15:39.growing. You just harvest the leaves from the top. If you want
:15:39. > :15:43.something different, this is the gold tipped version. You have that
:15:43. > :15:47.brightness just on the edge of the leaves. I'm a particular fan of
:15:47. > :15:53.thyme. We have a variety here, again just bog standard, common
:15:53. > :15:58.thyme. But it's lovely and so aromatic. We have the silver posey
:15:58. > :16:02.there, which has that brighter vairgaigs. One of the our
:16:02. > :16:06.favourites is lavender, not only for its fragrance, but the sheer
:16:06. > :16:11.beauty of its flowers and foliage. This is French lavender with tufts
:16:11. > :16:15.on top of each flower and slender leaves. Some plants that you would
:16:15. > :16:19.group together with Mediterranean plants actually hail from other
:16:19. > :16:22.countries, like this agarve from America. They're brilliant. They
:16:23. > :16:27.give you a strong architect ral shape. If you have small children
:16:27. > :16:35.and you like these, I would wait a few years, because these sharp
:16:35. > :16:39.spines with just at eye level. Perhaps better to go for
:16:39. > :16:45.sempervibum. Those thick leaves are almost like a water storage unit.
:16:45. > :16:49.That makes them so perfectly adapted to drought. I think whether
:16:49. > :16:56.you favour an olive or agarve with these Mediterranean-style plants
:16:56. > :16:59.there is something for everyone. At Chelsea we've celebrated the
:16:59. > :17:05.plants and gardens of the Mediterranean. Now it's time to
:17:05. > :17:09.visit within of its islands, Corsica. It's famed for its Maquis,
:17:09. > :17:14.an area scented scrub land that stretchs from the sea into the
:17:14. > :17:17.mountains. Designer Peter Dowle has captured its essence in the
:17:17. > :17:22.L'Occitane Garden this year by taking us from the sea down here
:17:22. > :17:27.with the rocks and the thrists, right up through that scrub land,
:17:27. > :17:31.loads of curry plant here, smelling beautifully. Peter, congratulations
:17:31. > :17:37.on your gold. Corsica is unique in its fragrance and aroma. It's
:17:37. > :17:45.wonderful. It's what they term the Maquis. It's the immortel which
:17:45. > :17:53.runs from sea level up to 400 metres. Lovely blend of aromatic
:17:53. > :17:58.plants. Which is why L' Occitane have chosen it. They do. The use it
:17:58. > :18:03.in one of their skin creams. It's the best country in the word. By
:18:03. > :18:07.bringing a spotlight onto Corsica it's an opportunity to show Chelsea
:18:07. > :18:11.the Corsican landscape in a unique way. It's been really fun. We've
:18:11. > :18:15.got six or seven plants that have never been seen at Chelsea, that
:18:15. > :18:25.have been prop gaited in course ka. We've had them grown on in Spain.
:18:25. > :18:40.
:18:40. > :18:49.Which are they. We have the which is richly scented. We have
:18:49. > :18:53.special type of santolina. The hellobores of course. I went to
:18:54. > :19:00.Corsica and at the side of the road there they were. I thought good
:19:00. > :19:06.Lord, yes, of course you're on Corsica. That lovely story we were
:19:06. > :19:11.reflecting yesterday that polian -- Napoleon born on Corsica, he said
:19:11. > :19:15.he could smell it before he saw it. You get the sweet smell. It's
:19:15. > :19:19.wonderful. Many congratulations on the gold. It's wonderful. The
:19:19. > :19:23.embossed with the Diamond Jubilee is so special. It is. And the gold
:19:24. > :19:29.card with that on it, special year, special garden. Thanks very much.
:19:29. > :19:33.One plant which is redolent of all parts of the Mediterranean is the
:19:33. > :19:39.bougainvillea. Sometimes tricky to grow in this country and not hardy.
:19:39. > :19:42.Andy Sturgeon has all the tips. Now these glamorous plants are
:19:42. > :19:46.actually from Brazil. They make superb house plants. They're not
:19:46. > :19:51.hardy. You can't keep them outside in the winter, though you can pot
:19:51. > :19:56.them out for a holiday in the summerment -- summer. They're easy
:19:56. > :20:02.to keep going. Unlike a lot of indoor plants, they don't like a
:20:02. > :20:06.sunny window sill because they get scorched, but bougainvillea thrive
:20:07. > :20:10.on that. And when the central heating comes on, they love that
:20:10. > :20:15.extra warmth. In terms of waterering, it's simple, about once
:20:15. > :20:19.a week, give them a good soak. Then let them dry out a bit between
:20:19. > :20:23.watering. If you're lazy and forgetful like me, it's ideal. For
:20:23. > :20:27.feeding, well you need to start off in about February, give them a good
:20:27. > :20:33.nitrogen feed. Then move on to potash. That will really make them
:20:33. > :20:38.colour up. What looks like a flower is actually a bract, it's a MoD
:20:38. > :20:47.fight leaf. The flowers are tiny and inside here. For prooning, --
:20:47. > :20:50.pruning, as these flowers and bracts start to fade, snip them off.
:20:50. > :20:53.Keep it compact and have it flowering almost all year. Very
:20:53. > :20:58.simple. If you want to pot them outside, can you keep them in
:20:58. > :21:01.hanging baskets like this. Hang them up outside, bring them in when
:21:01. > :21:06.the weather gets cold and they'll reward you very well. If you
:21:06. > :21:10.haven't got much space, why not try a bonsai. Can you buy a plant like
:21:10. > :21:14.this just as a very small plant, quite simply, then put it into a
:21:14. > :21:24.little pot, keep it trimmed like this and you end up with the
:21:24. > :21:24.
:21:24. > :21:27.perfect bond eye. It makes me really want to go on holiday.
:21:27. > :21:32.We can't talk about popular Mediterranean plants without
:21:32. > :21:35.looking at the ones that grace our patio pots, I'm talking about
:21:35. > :21:45.pelargoniums. They always put in an appearance at Chelsea. Christine
:21:45. > :21:47.
:21:47. > :21:50.Walkden has been to see what's on offer this year.
:21:50. > :21:56.Pelargoniums, almost parts of the British psyche. We see them
:21:56. > :22:06.festooned over the Mediterranean. But they're from South Africa, yet
:22:06. > :22:08.
:22:08. > :22:12.most people only grow one or two. There are hundreds of them!
:22:12. > :22:16.Pelargoniums, what are they? The true pelargonium is a tender
:22:16. > :22:23.perennial that will be wiped out by the first frost. We have several
:22:23. > :22:28.groups, the regals, scented, the very beautiful, Ivy-leafed
:22:28. > :22:31.geraniums, making fantastic plants for general use, cascading over
:22:31. > :22:41.walls, beautiful. They're easy to grow plants that will flower all
:22:41. > :22:45.
:22:45. > :22:50.summer. Tornado, one of the regal pelargoniums, the royalty of
:22:50. > :22:54.pelargoniums, considered as big, beautiful conservatory plants,
:22:54. > :23:04.excellent as a house plant. Of course, beautiful in a container on
:23:04. > :23:13.the patio. The scented pelargoniums grown for
:23:13. > :23:20.their aromatic leaves rather than their flowers, things like lady
:23:20. > :23:25.Muslimth, we've got lemon scented ones, but plant them where you
:23:25. > :23:34.brush by them to release at Roma. Otherwise they sit there looking
:23:34. > :23:41.pretty, but don't whiff. The Ivy-leaved per algone yums, so-
:23:41. > :23:45.called because the leaves look like Ivy. Cascading over hanging baskets,
:23:45. > :23:49.but like all pelargoniums keep them dead headed and fed with high
:23:49. > :23:54.potash. That way you'll keep them in flower for ages.
:23:54. > :24:00.For those of you who don't want the contemporary and the traditional,
:24:00. > :24:04.go for the razzmatazz of the pelargonium, the stelata group,
:24:04. > :24:10.modern, vigorous and very spiky. For those that wnt subtle ti and
:24:10. > :24:18.calm and the plants that -- that want subtle ti and calm, and the
:24:18. > :24:23.ones that set my heart on fire, are the true species pelargoniums.
:24:23. > :24:28.Here you are, you've got double the heart rate now. Your pelargoniums
:24:28. > :24:32.are mixed with fuchsias two, great garden stall warts. Don't they look
:24:33. > :24:36.so good together. Easy to grow plants, favourites by the general
:24:36. > :24:40.public and why not, because that festival of colour is absolutely
:24:40. > :24:44.magical. They both flower their socks off right the way through the
:24:44. > :24:50.year. You couldn't wish for an easier plant. I love the ones where
:24:50. > :24:54.you get two for the price of one, like Vancouver with the scarlet
:24:54. > :24:57.flowers and the leaves which are finely cut and have the crimson
:24:57. > :25:00.pattern in the middle. And blend so well with the foliage, with the
:25:00. > :25:05.colour and leaf that you can play against, yes. Where do you think
:25:05. > :25:11.people go wrong with them? I think overwatering. People forget these
:25:11. > :25:17.plants, we see them in the Med, but it's hotter. Africa, they're
:25:17. > :25:22.African hotties. Keep them on the dry side. If in doubt, let them dry
:25:23. > :25:27.out, then soak them. Yes, feed them, dead head them, don't overwater
:25:27. > :25:34.them. Earliest memories of them? earliest memory is as a show
:25:35. > :25:39.secretary at 13. You were an early developer! The horticultural
:25:39. > :25:44.society used to give every child a pelargonium. We had to bring them
:25:44. > :25:51.back in June and we had these vast show. I was the secretary. They
:25:51. > :25:57.used to put all the classes, the five to sevens, we all had it. Paul
:25:57. > :26:01.Crample was the one we had. The big scarlet one. Absolutely, that
:26:01. > :26:09.standard plant. When I went to work in parks at 15, we used to take
:26:09. > :26:13.15,000 cuttings of them every year. Names like Paul Cample, Caroline
:26:13. > :26:20.Schmit. I remember the names now. I used to have a black groove down
:26:20. > :26:25.the middle of my thumb from taking the cuttings. Every year it was
:26:25. > :26:32.between July and September. And a hole in the pauk where the trowel
:26:32. > :26:37.and been bedding them our out for weeks. We still love them. And why
:26:37. > :26:40.not. Christine is doing tours on the red button, Christine will tour
:26:40. > :26:45.you all over Chelsea. We are now going to the Mediterranean, even
:26:45. > :26:49.though it's getting warmer here. We're going to give our floral
:26:49. > :26:59.tribute to that lovely sunny part of the world.
:26:59. > :27:17.
:27:17. > :27:24.that I know # Where lovers enjoy peace of mind
:27:24. > :27:31.# Let us leave the confusion and all this illusion behind
:27:31. > :27:41.# Just like birds of a feather, a rainbow together we'll find
:27:41. > :27:48.
:27:48. > :27:54.# Volare, oohh # Y cantare, ooohhhh
:27:54. > :27:58.# No wonder my happy heart sings # Your love has given me wings #
:27:58. > :28:05.You've been paying very close attention to your screens all week
:28:05. > :28:10.and writing in with questions. I have one from Jill who is a self-
:28:10. > :28:15.confessed salvia enthusiast. She wants to know who wha is the salvia
:28:15. > :28:23.on Tom Hoblyn's garden? It's Madeleine.
:28:23. > :28:27.Madeleine. The geranium is Bill Wallis.
:28:27. > :28:32.Time to say goodbye to the magical Mediterranean here on BBC One.
:28:32. > :28:35.Chelsea's about to go wild in a one-our programme on BBC Two.