Episode 4

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:00:33. > :00:34.Hello and welcome to The Royal Horticultural Society's

:00:35. > :00:38.Chelsea Flower Show 2017, an event supported

:00:39. > :00:51.It's the opening day of the most celebrated flower show on Earth

:00:52. > :00:54.and the world's press has descended en masse to get a first

:00:55. > :00:56.look at what Chelsea has to offer this year.

:00:57. > :00:59.There's been a real sense of excitement in the air,

:01:00. > :01:01.as a host of VIPs and famous faces join the press pack

:01:02. > :01:07.to take in the very best plants and garden design.

:01:08. > :01:11.But you don't need a VIP pass to enjoy this year's offering,

:01:12. > :01:13.because we will be covering every inch

:01:14. > :01:18.here on the BBC, ensuring you don't miss a moment.

:01:19. > :01:21.Our team of garden design and plant experts will be your guides

:01:22. > :01:25.throughout the week sharing their specialist knowledge

:01:26. > :01:30.Coming up on tonight's programme, Joe

:01:31. > :01:33.and I give our first impressions of the large show gardens and we'll

:01:34. > :01:35.be meeting designer Tracy Foster as she takes on the challenge

:01:36. > :01:39.of bringing the rugged Yorkshire coastline to Chelsea.

:01:40. > :01:42.We'll be meeting the Great Pavilion exhibitor whose passion for Alliums

:01:43. > :01:45.helped establish them as a favourite in the British summer border.

:01:46. > :01:49.Joanna Lumley is here to share her passion

:01:50. > :01:51.for gardening and why, for her, the Chelsea Flower Show

:01:52. > :01:55.Adam Frost will be with us throughout the week,

:01:56. > :01:57.to show how you can use the best design ideas at Chelsea

:01:58. > :02:03.Tonight, it's all about maximising small spaces.

:02:04. > :02:05.And just hours ago, Her Majesty the Queen arrived

:02:06. > :02:08.for her annual visit to the show, and we'll be bringing

:02:09. > :02:16.As visitors arrive at the show, the first point of call is usually

:02:17. > :02:20.Monty and I were eager to do the same, so earlier we headed down

:02:21. > :02:35.There has always been something of the catwalk about the main show

:02:36. > :02:39.gardens here at Chelsea. They set the fashions from which we tend to

:02:40. > :02:45.follow. What you see here today will start popping up in gardens all over

:02:46. > :02:48.the country in the years to come. And there have been certain trends

:02:49. > :02:53.over the last few years which are starting to become repeated, and one

:02:54. > :02:59.of them is to take a landscape and conceptualise it, think of Dan

:03:00. > :03:03.Pearson or Andy Sturgeon's Gardens. And this year is no exception.

:03:04. > :03:08.Whether that means what we are seeing are true gardens or works of

:03:09. > :03:12.art or ideas, I don't think that matters. What matters is that you

:03:13. > :03:17.can find something in it that is meaningful to you, and that you

:03:18. > :03:22.enjoy it. And here we have Breaking Ground Garden and that follows that

:03:23. > :03:25.pattern. It is based upon the landscape around Wellington College

:03:26. > :03:31.in Berkshire, and it seem really is learning. I know that landscape, it

:03:32. > :03:34.is heathland, although most of our heathland has disappeared over the

:03:35. > :03:37.last 100 years, and at the back of the garden you can see a little

:03:38. > :03:42.re-creation of his lid with its typical flora, and that great,

:03:43. > :03:47.gritty, Sandy, acidic soil, I know because I went to school just down

:03:48. > :03:52.the road from there, and I can smell it. And these walls which I first

:03:53. > :03:58.thought was something to do with DNA or chemical structure, but they

:03:59. > :04:04.represent the walls of learning, they break down and start again, and

:04:05. > :04:10.that is how learning works. This wall has the aspirations of learning

:04:11. > :04:15.through pupils. And here the synapses connecting the planting in

:04:16. > :04:19.the pavement. It is flowing free and moving out, and the lines of colour

:04:20. > :04:25.weaving and trending towards the future where education is left

:04:26. > :04:28.behind, but never forgotten. We go back to that question, is it a

:04:29. > :04:33.garden? Does it relate to me at home? And I think the answer is

:04:34. > :04:37.absolutely yes, because there will be something here, something in all

:04:38. > :04:44.the gardens at Chelsea that you can find, you can use and make your own

:04:45. > :04:48.garden the better for it. From a damp northern European landscape to

:04:49. > :04:54.this scorched and arid Mediterranean. The idea here is a

:04:55. > :04:59.Maltese quarry that has been completely abandoned. So originally

:05:00. > :05:04.the ground level would be at the top of these wonderful towers here,

:05:05. > :05:08.these are just huge and imposing on the site, and the whole area around

:05:09. > :05:13.has been excavated out as the quarry has been developed. But over time,

:05:14. > :05:17.the quarry has been abandoned, and a couple have taken over the site and

:05:18. > :05:22.turned it into a garden, and it really is a functional garden. We

:05:23. > :05:27.have a seating area at the top with this wonderful pistachio holding the

:05:28. > :05:32.corner as you walk down to the sunken area, and I really like this

:05:33. > :05:36.garden because it is a landscape. It really conjures up the essence of a

:05:37. > :05:39.landscape, but it is also an incredibly contemporary garden at

:05:40. > :05:43.the same time, it has a very strong mood about it, and everything works

:05:44. > :05:48.with that theme which makes it so successful. The new owners have

:05:49. > :05:50.found these old pieces of stone on-site and they have rearranged

:05:51. > :05:55.them and used what they can enter this sort of chequerboard effect of

:05:56. > :06:02.stones, and I like the way that the boundary has got these saw marks cut

:06:03. > :06:05.in to add texture and backdrop to the whole garden, because the stone

:06:06. > :06:09.is continuous throughout the site and it gives that a real sense of

:06:10. > :06:13.harmony. The plants have got that sense that it has been abandoned,

:06:14. > :06:16.they have self seeded and dotted around, but there is a huge range of

:06:17. > :06:24.endemic lance at the same time, salsify over there, and Islay of the

:06:25. > :06:32.red Valeri and behind me. And this fantastic terrace and this water,

:06:33. > :06:38.the colour is perfect, the quality is so tempting. As the week goes on

:06:39. > :06:42.and the temperatures rise, I can see people diving in and enjoying this

:06:43. > :06:45.space. I will stick my neck out on this garden, I think James is

:06:46. > :06:51.heading for his fourth Chelsea gold medal. I have said it. Another show

:06:52. > :06:54.garden designer, Tracy Foster, was faced with the task of capturing the

:06:55. > :07:01.essence of Yorkshire's coastline. Sophie Raworth caught

:07:02. > :07:03.up with Tracy onsite during the hectic three-week build,

:07:04. > :07:12.to see if her months Your first time doing a show garden

:07:13. > :07:17.on Main Avenue. You'd think you'd keep it kind of simple. Not so per

:07:18. > :07:21.Tracy Foster, because she has decided to bring a slice of the

:07:22. > :07:24.Yorkshire coastline to central London, complete with cliffs and the

:07:25. > :07:35.sea. Tracy, it is certainly ambitious.

:07:36. > :07:38.Explain what you are doing. What is going on here is the front of the

:07:39. > :07:42.garden will be the water feature, and the water feature is all about

:07:43. > :07:45.the sea, so I couldn't really do a small water feature, it had to be

:07:46. > :07:50.quite big. How will you do that there? Yes, everybody keeps asking

:07:51. > :08:02.me that! Richard is constructing some sort of

:08:03. > :08:08.cliff like walls. They are beautiful behind us. Huge pieces of chalk that

:08:09. > :08:13.we got out of the quarry, and then we will just form the land, rolling

:08:14. > :08:17.right up to the level of the top of the cliffs, and then on the top,

:08:18. > :08:24.that is where there will be a ruin, and it puts a bit of mood in the

:08:25. > :08:27.garden as well. This isn't your first time at Chelsea, you have done

:08:28. > :08:32.an Artisan garden here, but the problems of the scale is a different

:08:33. > :08:36.kettle of fish. It has been a huge change having a massive team of

:08:37. > :08:39.people and lots of people responsible for different things,

:08:40. > :08:44.things I am not involved in at all. And you are standing here at the

:08:45. > :08:45.moment, itching to get in there. I'm dying to do something that might be

:08:46. > :08:56.useful to somebody! It is the nerve-racking bit, I can't

:08:57. > :09:03.stand it when people are touching the trees. Is it straight, Tracy?

:09:04. > :09:10.They are putting the steps in now. When the paths is structured in the

:09:11. > :09:16.shape of it, and even though bits have been built, it is just random.

:09:17. > :09:24.It isn't particularly stable. Now the sea bed is starting to be made

:09:25. > :09:32.up, it is miles better. It is pretty much completed now, the folly, so we

:09:33. > :09:36.have completed it with some mud and water in a bucket! Everything seems

:09:37. > :09:46.to be OK. I guess there is time for stuff to go wrong if it is going to.

:09:47. > :09:54.Have you not been sleeping much? I haven't been sleeping tremendously

:09:55. > :09:57.well, no. I think that is pretty standard. You are lucky to get five

:09:58. > :10:01.hours. But it is all coming together. Today is the big day,

:10:02. > :10:07.getting the turf in. You have just started that? Yes, it is quite easy

:10:08. > :10:12.to cut, it feels a bit like cheating, but I'm sure it's the

:10:13. > :10:20.right thing for a bank like that. And the sea does ebb and flow,

:10:21. > :10:23.doesn't it? Yes, it is really nice. It is an ambitious garden, isn't it?

:10:24. > :10:29.You are literally bringing a Yorkshire Cliffside to Chelsea. We

:10:30. > :10:33.knew it was an ambitious plan. I didn't want to play it safe. What's

:10:34. > :10:37.the point? I love this hedgerow along the side of the path, which

:10:38. > :10:42.looks more spectacular when the turf is not there. It is area and light,

:10:43. > :10:46.and I feel it is very believable. That is one good thing about doing a

:10:47. > :10:47.natural garden, if something goes over a bit, it looks more natural!

:10:48. > :11:02.It helps! I like your logic. Tracy, this is quite a build. You

:11:03. > :11:06.have really had to build up the site. Yes, we brought in a lot of

:11:07. > :11:10.soil and had to build some strong retaining walls. Because you have a

:11:11. > :11:16.neighbour next door. And we don't want it to fall on them! And how

:11:17. > :11:20.have you found the experience? I have enjoyed it, it is quite hectic

:11:21. > :11:25.and frantic on Main Avenue, a lot of coming and going, but on balance it

:11:26. > :11:30.has been good fun. And the thing that I think people are going to

:11:31. > :11:34.ask, is this a garden, or is it a landscape? What have you created

:11:35. > :11:37.here? It is a garden, not in the conventional sense of a garden you

:11:38. > :11:40.would have around the back of your town house where you would have a

:11:41. > :11:45.table and chairs and enjoy your barbecue. But it is a garden in the

:11:46. > :11:48.way that you might have a lake and a Himalayan planting or something like

:11:49. > :11:54.that, maybe as part of a larger garden. I'm sure it would be fun to

:11:55. > :11:57.own and sit in and enjoy. You are really tried to conjure up the

:11:58. > :12:02.Yorkshire landscape, that is what this is all about. It is here to

:12:03. > :12:04.give a message and to show people that there is something beautiful up

:12:05. > :12:09.there and it is worth going to have a look. And all of the plants and

:12:10. > :12:12.materials have been sourced locally? All the materials were sourced

:12:13. > :12:17.locally, right down to the pebbles and the sand. So where are these

:12:18. > :12:22.from? They are on loan from Flamborough Beach, they are going

:12:23. > :12:28.back. The plants would grow there, quite unique conditions, but they

:12:29. > :12:31.are not all grown there. And the hedgerow is stunning, it is

:12:32. > :12:35.beautiful. I love it, it is one of the first things to go in, all quite

:12:36. > :12:39.light and wispy, and the planting team did an amazing job on that. And

:12:40. > :12:43.you sourced the stone from the Abbey? The stone from the Abbey is

:12:44. > :12:47.the same sort of stone that would have been used for Whitby Abbey, but

:12:48. > :12:53.we didn't actually take Whitby Abbey apart! I'm glad to hear it! It is

:12:54. > :12:56.very authentic, I can hear the seagulls in the background, you have

:12:57. > :13:00.a soundscape going on, I can smell the salt coming off the seaweed

:13:01. > :13:06.here. That has been drying in my greenhouse for a few weeks. It is as

:13:07. > :13:09.if I am there, the visitors will love your garden. I hope so. Lovely

:13:10. > :13:14.to meet you, and thank you for bringing it here. Thank you.

:13:15. > :13:17.Today, the red carpet has been rolled out for Her Majesty

:13:18. > :13:21.In celebration of the Royal visit, Carol Klein went to discover

:13:22. > :13:28.the regal plants holding court in the Great Pavilion.

:13:29. > :13:36.The Great Pavilion has plenty of oil subjects, whether it is because of

:13:37. > :13:42.their name or their colour. But amongst this sea of contenders for

:13:43. > :13:51.the throne, some plants have a Majesty all of their own.

:13:52. > :13:57.Haq, the trumpet to announce the entrance of the Royal Courts. These

:13:58. > :14:03.wonderful plants with their saturated colours are really

:14:04. > :14:08.straightforward to grow. Keep them frost free Jorinde Muller into, and

:14:09. > :14:15.don't water them at all, and then come spring, they will burst into

:14:16. > :14:20.growth. -- keep them frost free during the winter. Then they will

:14:21. > :14:25.fill the whole place with their glorious music.

:14:26. > :14:34.In the Royal Courts, surely the plant that lends itself to the role

:14:35. > :14:40.of footman is the delphinium. Tall, stately, often in lines, they really

:14:41. > :14:48.form the basis of the brilliant border.

:14:49. > :15:01.Every court needs its royal jester to keep the aristocracy entertained

:15:02. > :15:08.and bring a touch of frivolity to the proceedings. These little jester

:15:09. > :15:11.hats bring that. They are such reliable plants and so easy to grow,

:15:12. > :15:17.and the perfect solution if you have got dry shade bringing their dancing

:15:18. > :15:23.flowers to really liven up the proceedings.

:15:24. > :15:34.This stand is fit for a King. In fact, it is full of King's. The

:15:35. > :15:39.National plan of South Africa. It makes constant attention and if you

:15:40. > :15:49.want to grow it in this country, grow it under glass wall move to

:15:50. > :15:55.Cornwall and the Scilly Isles! We're in a Royal presence. The Queen of

:15:56. > :16:05.hearts is in attendance presiding over this lovely stand. It takes

:16:06. > :16:11.centre stage and is often known as bleeding hearts with its beautiful

:16:12. > :16:18.elegant delightful flowers. During the summer, it dies down. And if it

:16:19. > :16:21.does not, of its own accord, take a tape from the Queen of hearts. Off

:16:22. > :16:23.its head! This year, the RHS have teamed up

:16:24. > :16:27.with BBC Radio 2 to celebrate the station's 50th birthday

:16:28. > :16:28.Chelsea-style. 'The Feel Good Gardens'

:16:29. > :16:32.are designed to be the ultimate spaces in which to relax

:16:33. > :16:35.and indulge your senses. There are five designs, each based

:16:36. > :16:44.around one of the five senses. This is the Texture Garden,

:16:45. > :16:59.with its designer, Matt Keitley. Hello. Everything relates to touch?

:17:00. > :17:04.Absolutely right. And this was difficult because you can see what

:17:05. > :17:09.you are doing with side and you can smell fragrance, how did you

:17:10. > :17:14.approach this? The big challenge is the public cannot move through the

:17:15. > :17:19.space. So trying to create something that your way they want to move into

:17:20. > :17:22.it and to walk through it and to get that tactile experience across

:17:23. > :17:28.without touching it and going through it. That is very tricky to

:17:29. > :17:33.do that, and it is very nice coming in here but it is a shame the public

:17:34. > :17:35.cannot. This is one of the best parts and using this level change

:17:36. > :17:38.hopefully makes the space better. In fact, you have won

:17:39. > :17:51.the People's Choice award twice But there are no medals awarded. No,

:17:52. > :17:56.that element of the page is off at the time constraints Andy King

:17:57. > :18:01.challenge. We had eight weeks to design and prepare and get ready and

:18:02. > :18:07.to build the garden. Was that a liberation or panic? More towards

:18:08. > :18:11.liberating. There is something lovely about spontaneous creativity.

:18:12. > :18:16.That initial reaction to a brief and often the first idea is the best.

:18:17. > :18:24.What the public cannot do that I can, that is quite dense and

:18:25. > :18:31.prickly, pine, against delivery and shiny Stones and I want to touch

:18:32. > :18:37.them. And you have progresses. -- and you have the grass. You have the

:18:38. > :18:46.juxtaposition. How do we do that without being scratched? You can

:18:47. > :18:49.achieve it. We could swap the pine that is the idea with Chelsea, to

:18:50. > :18:55.push the boundaries and do something different and hopefully we have

:18:56. > :19:00.achieved that. Do you think a valuable element of touching our

:19:01. > :19:04.gardens? Absolutely. For myself and you and like-minded people about the

:19:05. > :19:10.gardens, you move into a space and you want to interact and these five

:19:11. > :19:16.are good gardens take that element to the extreme. And I hope we have

:19:17. > :19:20.done it. -- these 520 macro. And you have.

:19:21. > :19:22.The Great Pavilion houses some of the nation's favourite

:19:23. > :19:29.plants and alliums are up there with the best of them.

:19:30. > :19:31.Peter Warmenhoven has been exhibiting in the Great Pavilion

:19:32. > :19:33.for the past 29 years and was instrumental

:19:34. > :19:37.in making the allium a border favourite, loved by millions.

:19:38. > :19:49.Look at the allium, it is a sure-fire, it stand straighter and

:19:50. > :19:59.amazing colours. Amazing hats. We are close to Amsterdam. We have

:20:00. > :20:07.grown since 1885, it is a family company and we have 55 varieties of

:20:08. > :20:11.bulbs. It is 15,000 square metres where the bulbs get planted and we

:20:12. > :20:18.have around 8,000 square metres in the greenhouse. We have more than a

:20:19. > :20:25.million bulbs outside, on the field. Our business is maybe -- mainly set

:20:26. > :20:28.up for bulb growing but you see they start to flower and there is a

:20:29. > :20:34.market for the flowers so we sell the flowers to the auction. It is

:20:35. > :20:42.hard to follow them, they go all over the world, every country. These

:20:43. > :20:53.are mature bulbs, big bulbs and most flowers. You see the thickness of

:20:54. > :20:56.the stem. Like a well-drained soil. They do not like heavy clay, that is

:20:57. > :21:01.all the bulbs, not just the alliums. You plant them in the autumn and

:21:02. > :21:11.they need a cold period to produce the flower. I started mainly with

:21:12. > :21:17.the amorous, in 1985, I started to grow allium as well. I got one

:21:18. > :21:25.variety, purple sensation. We came to Hampton Court and the people were

:21:26. > :21:32.really keen on alliums and intimate Craig Ewers, I sold all my bulbs

:21:33. > :21:38.abroad and I phoned my wife, can you get bulbs? It is really crazy. I

:21:39. > :21:44.have been showing intro -- in Chelsea, this is my 29th year. I had

:21:45. > :21:49.my biggest success in 2013 and we were best in show. That is for a

:21:50. > :21:54.Dutch company, which was really amazing. We still enjoy that moment.

:21:55. > :22:03.This is my last Chelsea, being in charge. I went to hand it over to my

:22:04. > :22:09.son. I have learned from my dad. So I am confident of doing what I am

:22:10. > :22:15.doing. Most of the ecosystems, not to be in charge any more, he has to

:22:16. > :22:18.make the decisions. -- it is nice to be an assistant. He has to think,

:22:19. > :22:26.this is the right driver for the show and just enjoy it. From here,

:22:27. > :22:30.they going to the nursery, let me prepare them and they go into cold

:22:31. > :22:38.storage for another week because we use them for Chelsea next week. As

:22:39. > :22:42.soon as we cut the flowers, they go straight into cold storage, the

:22:43. > :22:45.quicker the better. The flowers, they can be there the following day

:22:46. > :22:51.already at customs or at the florist. We know when to cut them,

:22:52. > :22:57.to store them until the end of July. We will not give away all our

:22:58. > :23:03.secrets. They flower about three, four weeks. This is really a long

:23:04. > :23:12.time for a flower. A Chudley is just ten days, a week. That is why they

:23:13. > :23:19.are maybe so popular. Hopefully, it is going to make Chelsea. Not sure

:23:20. > :23:25.at the moment, no. We need another couple more days to get bigger and

:23:26. > :23:31.then they need a couple of days to open. I'm not sure. But that is

:23:32. > :23:35.nature. There is nothing we can do. We have tried it in the greenhouse,

:23:36. > :23:47.we try everything, you know what you are doing on it, but I do not

:23:48. > :23:52.believe it is going to make it. I am pretty proud of him. How he runs

:23:53. > :23:57.everything and how he does everything. Yes, it is always to

:23:58. > :24:01.look at it and you can learn a lot from him. And of course, you want to

:24:02. > :24:08.do it your own way but still, you always look back. Finally, it is

:24:09. > :24:16.merely end. But I do not want to be number one any more. I have donated

:24:17. > :24:21.more than 35 years. We have lovely children and lovely grandchildren

:24:22. > :24:26.and a lovely wife and I want to do a lot of things as well. I say goodbye

:24:27. > :24:34.to what I ever did and I have a good feeling about it.

:24:35. > :24:45.The alliums make it to the show, who was right? So you are right. And

:24:46. > :24:49.Nacho? I was not sure because I thought it was not going to make it.

:24:50. > :24:54.With all my experience, I thought, it is not going to make it. Is this

:24:55. > :24:59.a significant moment in the nursery's history? This is the

:25:00. > :25:05.moment to step back and let him go on because he was right and I was

:25:06. > :25:10.wrong after 29 years. I thought I knew and I had the experience. You

:25:11. > :25:15.have passed on that knowledge and experience. It is a beautiful plant.

:25:16. > :25:20.It is quite unusual and quite delicate compared to the bigger

:25:21. > :25:28.flowering plants. It is unusual and it is tall with a funny flower. You

:25:29. > :25:31.can say that. We have two say beautiful and delicate, you can say

:25:32. > :25:38.it is a funny flower because you grow thousands. Allium seem to be at

:25:39. > :25:44.a pig, they are so popular, everyone grows them. Have they reached a

:25:45. > :25:49.peak, can they go anywhere? No, they can go further, developing new

:25:50. > :25:54.varieties. Yes, you are right, but it will go on. Absolutely. So you

:25:55. > :25:59.will take this further and you will return to Chelsea and I hope you

:26:00. > :26:05.will return to Chelsea every year. Are you going to let him in to help

:26:06. > :26:12.out? Yes, he is always welcome to help me out and help me with details

:26:13. > :26:18.if I need something, I can always go back to him and ask for help. He has

:26:19. > :26:24.a little bit of experience! This be your last major 29th year, you hope

:26:25. > :26:29.for a big medal? I hope for a gold medal, yes. Fingers crossed, you

:26:30. > :26:31.never know. Fingers crossed for you both and the nursery in the future,

:26:32. > :26:33.lovely to meet you. Bulbs like alliums play an essential

:26:34. > :26:35.role in our gardens. Many of the plants we love

:26:36. > :26:38.the most are in fact bulbs. Here in the Great Pavilion,

:26:39. > :26:40.exhibitors showcase some Frances Tophill has been on the hunt

:26:41. > :27:05.to discover the best of these buried Bulbs are a vital part of our

:27:06. > :27:09.gardens throughout the growing season and Great Pavilion, we are

:27:10. > :27:16.spoiled for choice. Daffodils always held beginning of spring.

:27:17. > :27:20.Understand, there are around 70 different varieties containing

:27:21. > :27:25.25,000 different types and they are not all yellow trumpets, you can get

:27:26. > :27:32.pink ones and multiheaded runs and even very scented ones. So there

:27:33. > :27:53.really is no excuse not to grow them. Daffodil is a classic bulb but

:27:54. > :27:56.a coroner stores the same nutrient. Glad you like a little more

:27:57. > :28:07.complicated and they need protection from the frost. Gladioli flower 100

:28:08. > :28:19.days after planting seeds should plant some every week. But you will

:28:20. > :28:23.agree, they are worth it. Lilies make a wonderful addition to your

:28:24. > :28:28.garden or as cut flowers in your home and look at the colours, so

:28:29. > :28:34.beautiful. And they could not be easier to grow. They need a

:28:35. > :28:39.well-drained soil and some sunshine. Do not plant them too closely on the

:28:40. > :28:44.ground containers and two times the depth of the board. Look at that

:28:45. > :28:55.beautiful double flower and amazing stem and that is what they are all

:28:56. > :28:59.about. Incredible! If you are a lover of bulbs, it is not too late

:29:00. > :29:04.to plant something that will flower this year. This is a great example

:29:05. > :29:09.and they grow anywhere that is sunny and sheltered with very good

:29:10. > :29:12.drainage. Plant blubs slightly higher than the style and you will

:29:13. > :29:19.have perfection throughout the autumn. -- higher than the soil.

:29:20. > :29:22.Still to come from The RHS Chelsea Flower Show, an event

:29:23. > :29:25.supported by M Investment: Monty will be in conversation with the

:29:26. > :29:27.Absolutely Fabulous Joanna Lumley, who will be revealing how

:29:28. > :29:32.she discovered her passion for gardening.

:29:33. > :29:35.We'll discover how one designer's trek through the Canadian wilderness

:29:36. > :29:37.inspired one of Main Avenue's most challenging designs.

:29:38. > :29:38.And we'll be bringing you exclusive coverage,

:29:39. > :29:47.as Her Majesty The Queen tours this year's show.

:29:48. > :29:50.Whilst the Main Avenue show gardens often garner

:29:51. > :29:58.the greatest attention, for me, the smaller gardens are...

:29:59. > :30:03.All of the different types are just as interesting, both in the way that

:30:04. > :30:10.they use their plants and in the details of design. And this is a

:30:11. > :30:12.great example. It is only a very small footprint, but it is a

:30:13. > :30:18.combination of architecture and garden that I love. Upstairs we have

:30:19. > :30:24.a high-rise garden and lowdown here, a shady garden, but the views have

:30:25. > :30:28.been framed, the materials thought about and it feels like a cohesive

:30:29. > :30:35.design, great example of what you can do in your own space. Here we

:30:36. > :30:40.have nice crisp box hedging and then this really lush shady environment.

:30:41. > :30:43.These plants don't get much sun or rain, they will all be irrigated,

:30:44. > :30:52.but we still have this wonderful textural foliage of plants like tree

:30:53. > :30:55.ferns and changes and I really like this rusty metal trellis work that

:30:56. > :31:00.ties in with the detail on the steps as well. It just shows you that you

:31:01. > :31:06.can grow plants in the city in an urban environment. Plants should

:31:07. > :31:09.always come first. They should, but the way they work with the design

:31:10. > :31:14.should be seamless, and it does work here. I think this is one of those

:31:15. > :31:18.gardens that gets better and better every time you look at it. These are

:31:19. > :31:33.not the only small gardens. There is also the Artisan category.

:31:34. > :31:39.Yesterday we made a mistake saying that Juliet Sargeant had won, but

:31:40. > :31:50.she and fact won a gold medal, and today she has been to take a look at

:31:51. > :31:53.the Artisan Gardens. These gardens are an opportunity for the designers

:31:54. > :31:57.to really celebrate traditional skills of fine craftsmanship and to

:31:58. > :32:04.enjoy working with these beautiful materials. This is the poetry lovers

:32:05. > :32:09.garden, and the designer, Fiona Cadwallader, has created a beautiful

:32:10. > :32:14.tranquil space. I can hear the trickle of the waterfall. She has

:32:15. > :32:18.been quite brave in using stainless steel against the dry stonewalling,

:32:19. > :32:24.but I think it does work, and it is a celebration of craftsmanship. And

:32:25. > :32:30.I love the way that Fiona has created a really delicate palate of

:32:31. > :32:34.planting. The tones of the flowers are very muted, very subtle, and

:32:35. > :32:38.there is a lightness and airiness about the atmosphere of this

:32:39. > :32:48.planting. But my favourite plant is this one, the fritellaria, usually

:32:49. > :32:52.we expect those to be bright yellow or red, but this one is a dusty

:32:53. > :33:01.purple which creates an accent for the planting, but isn't too in your

:33:02. > :33:04.face, it is really subtle. Another Artisan Gardens celebrates the

:33:05. > :33:09.heritage and habitat of the Norfolk Broads. It was designed by Gary

:33:10. > :33:14.Breeze. The first thing that struck me about this garden was the

:33:15. > :33:19.beautiful tones of the wood. What is the project were bad? It's sort of

:33:20. > :33:28.tells a story from the tree to the sea. We have an oak tree and then

:33:29. > :33:32.oaks that have been taken to smaller and smaller pieces of wood until we

:33:33. > :33:35.have a boat under construction. Everything is made of natural

:33:36. > :33:40.materials, then you put that in a natural environment and it comes

:33:41. > :33:44.together. And it really transports us to the Norfolk Broads. I can

:33:45. > :33:49.imagine myself there at this moment with the sunshine in and the birds

:33:50. > :33:54.singing, all we need now is for a frog to hop into the water. Are

:33:55. > :34:00.there any particularly rare plants? We have water soldiers that are

:34:01. > :34:04.essential to a local dragonfly, and milk parsley which is where

:34:05. > :34:07.swallowtail butterflies lay their eggs, and they lay them nowhere

:34:08. > :34:15.else, so it is a full ecosystem here.

:34:16. > :34:17.One of the great joys of Chelsea is that the gardens,

:34:18. > :34:19.whatever their size, are awash with fresh ideas

:34:20. > :34:21.and innovative designer tricks to be discovered.

:34:22. > :34:28.But just how achievable are these ideas to recreate at home?

:34:29. > :34:30.Throughout the week, multi-gold-medal-winning garden

:34:31. > :34:32.designer Adam Frost will be revealing that it really is possible

:34:33. > :34:35.to create a little bit of Chelsea magic in your own garden.

:34:36. > :34:49.And tonight, he's focusing on how to make the most of your space.

:34:50. > :34:56.Gardens seem to be shrinking by the day, but that doesn't mean you can't

:34:57. > :35:00.have a beautiful garden. I think there are a load of ideas out there

:35:01. > :35:13.to make a small space feel a whole lot bigger.

:35:14. > :35:21.This really is a small garden. It is five metres by seven metres, and

:35:22. > :35:25.there is so much going on. You might look at it and think, I couldn't do

:35:26. > :35:30.that, and I'm not sure I could do some of the detail in the garden,

:35:31. > :35:35.but there are so many ideas in here, it could really help you make your

:35:36. > :35:39.space feel much bigger. In smaller gardens, we tend to forget that

:35:40. > :35:43.actually you have more space around the garden than we have on the

:35:44. > :35:48.surface, and we accept that we have a fence or wall, but if you think

:35:49. > :35:51.about those boundaries, as part of the design process, you can make the

:35:52. > :36:00.space feel bigger. And here, the back wall is sort of water wall

:36:01. > :36:04.meets green wall. If you imagine the sort of office at home, by lifting

:36:05. > :36:10.this building up and carrying the garden on straight under, the

:36:11. > :36:14.proportions are beautiful. There is a lovely beach tree sitting outside

:36:15. > :36:18.of this landscape, so imagine having a tree in a neighbour's garden,

:36:19. > :36:23.maybe using that colour of that tree or the leaf of it to bring it into

:36:24. > :36:28.your garden, and start to lose your boundaries, which makes your garden

:36:29. > :36:42.feel bigger. I think it is absolutely exquisite.

:36:43. > :36:47.Ultimately, this is really a hole in the ground, just a few steps down,

:36:48. > :36:53.some nice seating surrounded by planting. All of a sudden it changes

:36:54. > :36:58.the atmosphere totally, I am engaged with the garden and it feels

:36:59. > :37:01.comfortable. My eye is at the same level as the moving grasses, the

:37:02. > :37:08.flowers look beautiful, it is a similar thing to do. You imagine the

:37:09. > :37:11.path closer to the house starts wide, and as it comes out into the

:37:12. > :37:16.garden it gets thinner which makes the back wall feel much further

:37:17. > :37:20.away. Sometimes actually just being brave enough to use a large area of

:37:21. > :37:25.water in a small space can work really well. It is reflective and

:37:26. > :37:27.bounces light around the garden. But on top of that, it gives the garden

:37:28. > :37:41.space to breathe. What I really love about this space

:37:42. > :37:44.is it is really simple. If you think about it in plan form, it is a

:37:45. > :37:48.series of rectangles, and these beautiful slabs and change of level

:37:49. > :37:56.slow your movement into the space, bringing you up onto this big slab

:37:57. > :37:59.that cantilevers out over the water, and the water pushes the planting

:38:00. > :38:02.away leaving you with the feeling that you have this really lovely

:38:03. > :38:08.usable space. However small your garden is, there really are some

:38:09. > :38:15.ideas out there that can make the space feel so much bigger.

:38:16. > :38:23.For all its internationalism, Chelsea is quintessentially a

:38:24. > :38:33.British affair, and always brings the most famous faces, especially on

:38:34. > :38:36.the first day. Amongst them is possibly the most famous and most

:38:37. > :38:43.British of all, Joanna Lumley. Do often? I am lucky enough to come

:38:44. > :38:47.most years, and most years on Monday, and the first year I came, I

:38:48. > :38:52.was 18 and I was staying with my in Earls Court, and it was Friday and

:38:53. > :38:59.they sold off the plants, and I bought a lily that high in a pot,

:39:00. > :39:06.and I didn't realise I had to get it back to Earls Court, I got a lift in

:39:07. > :39:11.an ice cream van, and the fair he exacted from me was the case. But

:39:12. > :39:15.was the sixties! And are you a keen gardener? You wouldn't be buying

:39:16. > :39:18.plants if you were not. I am, we have a long thin garden in

:39:19. > :39:21.Stockwell, the kind of people who sold us that has made a quarter of a

:39:22. > :39:26.century ago had divided into three rooms. In the first bit, people

:39:27. > :39:31.think gosh, you have a garden, then you have another bit with fish ponds

:39:32. > :39:37.on the pear tree, and then you go down to the end with a walnut tree.

:39:38. > :39:41.And I just adore it because we pick our own pairs, apples, plums, we

:39:42. > :39:47.have got walnuts, but we have never managed to get one because the

:39:48. > :39:51.squirrels get their first! Figs, lemons, about two kilos of lemons.

:39:52. > :39:54.And do you keep them outside all winter? I don't even put stuff

:39:55. > :39:59.around on. I couldn't do that at home. But this is London, the heat

:40:00. > :40:03.of London. It is divine, I love it. I should add that it is what I call

:40:04. > :40:11.a wild garden, which is how I love it. Maybe a little bit too wild! And

:40:12. > :40:15.abandoned garden! And do you love it because of the way look is all

:40:16. > :40:19.because of the wildlife it attracts, what is it? I am very keen on

:40:20. > :40:24.wildlife, butterflies and insects and bees. I adore the Foxes, I

:40:25. > :40:30.whistle them in for supper, I have something for them. Sadly some of

:40:31. > :40:34.them have Mainge now, and the anywhere to stop that is to feed

:40:35. > :40:37.them good dog food, which I do. We have squirrels, they are adorably

:40:38. > :40:45.funny to watch, acrobats, lots of birds. So those are all important

:40:46. > :40:49.for me, and the rain is all-important, we love the sweet

:40:50. > :40:53.rain. That thing about weather, it is such an integral part of

:40:54. > :40:59.gardening. Rather than seeing it as an enemy, it is what it is. We were

:41:00. > :41:02.chatting earlier about having a little bit more time and a little

:41:03. > :41:07.bit more age, and one of the things I have learned is to brace the

:41:08. > :41:11.weather, not to see it as an enemy. And not the kind of predict how it

:41:12. > :41:15.ought to be, take what comes, and bring with you something so that you

:41:16. > :41:19.are not angry at cross. If you are going to be frozen, take something

:41:20. > :41:25.in your bag to wrap around you or take off. So what do you take from

:41:26. > :41:29.Chelsea? I just adore it here. I feel that if you didn't have a faith

:41:30. > :41:33.and you came to Chelsea and looked at what's here, you would end up

:41:34. > :41:39.believing in a new god, which is nature, the oldest god of all. Thank

:41:40. > :41:41.you very much indeed. Thank you. We do worship nature, but we also

:41:42. > :41:45.worship you, Joanna, too! Creating a show garden at Chelsea

:41:46. > :41:48.is a monumental task, even But if your garden represents

:41:49. > :41:51.the vast boreal forests and freshwater lakes of Canada,

:41:52. > :41:54.and it's your first large show garden, it becomes

:41:55. > :41:58.a challenge of epic proportion. We joined designer Charlotte

:41:59. > :42:20.Harris on her journey The boreal wilderness is vast and

:42:21. > :42:24.magnificent, and it would be impossible to bring that to a

:42:25. > :42:32.Chelsea show garden, so I have tried to create a garden inspired by it

:42:33. > :42:35.and that evokes it. The boreal is the largest intact ecosystem on

:42:36. > :42:41.earth. It stretches across the northern hemisphere, with one third

:42:42. > :42:47.of it in Canada. It accounts for 25% as the world's wetlands, acting as a

:42:48. > :42:51.huge global long. Last September I was lucky enough to travel to Canada

:42:52. > :42:55.and I recorded the adventure on my camera. But landing in Toronto was

:42:56. > :42:58.just the first step. I had to take another two hour flight further on

:42:59. > :43:05.before catching a float plane to the far north of Ontario.

:43:06. > :43:13.Flying low over the boreal is a memory that will stay with me for

:43:14. > :43:21.ever and has made this Chelsea Jenny spectacular.

:43:22. > :43:28.So we arrived yesterday by float plane to Lake Whitewater to strikers

:43:29. > :43:33.point, and today we are going to take these boats right across to

:43:34. > :43:39.best island, where we will go on an exploration looking at native flora

:43:40. > :43:43.for the boreal region. The lakes and waterways are so vast, traffic by

:43:44. > :43:47.boat is the only way to go. And it was on the island that has started

:43:48. > :43:53.to draw inspiration for the native flora and geology. My guide, Evelyn,

:43:54. > :44:01.grew up in this region and knows from her elders how to identify

:44:02. > :44:07.plants as food and medicine. So we are in this quite vast expanse of

:44:08. > :44:09.what is called Labrador tea, and as you walk through it you can smell

:44:10. > :44:21.it. It is a lovely smell. So wherever possible, I have tried

:44:22. > :44:28.to find Canadian natives that suit that habitat, so I have managed to

:44:29. > :44:32.find some Labrador tea. There was one specialist supplier in Europe,

:44:33. > :44:37.and I managed to track it down. I came last week and it was looking a

:44:38. > :44:40.bit dry and scrappy, but in the last week, it has really pushed an

:44:41. > :44:47.encouragingly, and the nursery have assured me but that by the time we

:44:48. > :44:53.get a Chelsea, it will have more growth. And here are the

:44:54. > :45:08.gooseberries! Look at those. What do the berries taste like? Try them.

:45:09. > :45:15.That is lovely. UC? They are sharp! I just love them. Are delicious.

:45:16. > :45:25.Evelyn and I found the Laburnum in the forest in Canada, and I couldn't

:45:26. > :45:31.source that anywhere over the past few months, so instead what I have

:45:32. > :45:35.done is to select this meadowsweet. It has lobed leaves as well, and it

:45:36. > :45:43.has the similar feel to the berries we saw in the forest.

:45:44. > :45:50.This afternoon, we have been paddling down the river through the

:45:51. > :45:55.boreal and we have found a bank of Iris. This is a Chelsea store what

:45:56. > :45:59.because they look fantastic in May and I had not thought about using

:46:00. > :46:08.them in the garden but that has given me food for thought. The

:46:09. > :46:16.spades on them! They are just coming through. What a relief! Iris has

:46:17. > :46:20.made the list, looking fantastic. And more exciting, we're starting to

:46:21. > :46:29.see the little buds coming up so crossed fingers they would be

:46:30. > :46:33.perfect for flowering for Chelsea. A bit of a Chelsea confession, I was

:46:34. > :46:38.not going to use Jack Pines in the garden, I was going to use large

:46:39. > :46:44.because they are native to the boreal, but I fell in love on the

:46:45. > :46:49.expedition with their character, they look a bit like old men to me.

:46:50. > :46:53.-- they fell in love with their character. It has been a really

:46:54. > :47:02.amazing and nerve-racking and anxious experience. The journey has

:47:03. > :47:08.been incredible. I felt that now was the time for me to step up as the

:47:09. > :47:10.lead designer in my own right and to take on the challenge of a Chelsea

:47:11. > :47:21.garden. Amazing trip. What a way to do

:47:22. > :47:24.research for a Chelsea garden! Yes, to kick off your first Chelsea

:47:25. > :47:31.garden, there is no better way than to be dropped in by a plane and to

:47:32. > :47:35.travel by Canute and an incredible and Wales and epic landscape. So

:47:36. > :47:40.many different ideas that it is hard to distil into a Show Garden. Yes, I

:47:41. > :47:45.did not want to be a wee creation, and wanted it to inspired because

:47:46. > :47:51.you cannot recreate the stale -- the scale of the landscape. These are

:47:52. > :47:59.fabulous. Yes, they are so beautiful and tactile, that is granite from

:48:00. > :48:03.Wales. And the plant. A great and shady ground cover. Yes, lovely

:48:04. > :48:08.plant and I saw it with us going through it but we have not been able

:48:09. > :48:15.to find those. You have had to adapt. I cannot remember the name of

:48:16. > :48:23.this. Labrador. Fantastic and aromatic. You can make tea with it

:48:24. > :48:30.and you can use it as a pastor for a small cut. Very handy, just in case!

:48:31. > :48:35.If I cut myself! I like the scale and destruction. These pounds, the

:48:36. > :48:40.character they bring, and you must have book, they are going to bring

:48:41. > :48:44.character. They are magnificent and when I started thinking about the

:48:45. > :48:49.Show Garden, I burst was going to put too March because that is

:48:50. > :48:55.archetypal but after that journey, I kept seeing these magnificent pines

:48:56. > :48:59.and I thought they were the ones. I can see why and the water is

:49:00. > :49:06.perfectly clear, the clearest here. Out of any of the gardens. We can

:49:07. > :49:09.paddle later! It was important to get that right because I wanted this

:49:10. > :49:14.idea of the pristine nature of fresh water to the garden. You have helped

:49:15. > :49:18.on a lot of gardens and I have seen you at the show many times you have

:49:19. > :49:23.bitten the bullet and you are The Boss! Have has that been, you make

:49:24. > :49:30.the decisions? Fantastic, there have been moments of doubt and worry in

:49:31. > :49:34.the middle of the night at about four o'clock. And the difference is

:49:35. > :49:38.I have worked on planting and you take one specific area, but you are

:49:39. > :49:42.responsible now for getting it right. You have built up the

:49:43. > :49:46.experience and created this fantastic garden, it is great to see

:49:47. > :49:55.you at Chelsea and on Main Avenue. Well done. Thank you.

:49:56. > :49:57.The event has become a barometer for future trends

:49:58. > :49:59.and signposts what we can expect from our own gardens

:50:00. > :50:05.Every show is different, with trains and challenges.

:50:06. > :50:08.To discuss what this year's show can tell us about the future,

:50:09. > :50:11.I'm joined by the Director General of the RHS, Sue Biggs.

:50:12. > :50:20.Hello. It is very nice to be here at Chelsea. It is really exciting. This

:50:21. > :50:24.year has had its own challenges, how has it been? It has had a couple of

:50:25. > :50:31.challenges, the climate for the growers. Incredible testament to

:50:32. > :50:35.their professionalism that they can go to the warmth and the frost in

:50:36. > :50:39.May and the rain we had in the build-up and still the best Pavilion

:50:40. > :50:44.and some of the best gardens we have had. That has been one set of

:50:45. > :50:50.challenges and we did have less gardens, it in the Artisan and in

:50:51. > :50:55.the Fresh Garden categories and in the Show Gardens, it is funny, out

:50:56. > :51:01.of adversity we get inspiration and we have new gardens this year, the

:51:02. > :51:05.Feel Good gardens which Radio 2 has been involved in. So good. The

:51:06. > :51:11.quality this year is high. It is a good show. You cannot avoid the fact

:51:12. > :51:15.and newspapers have been writing about it and people have been

:51:16. > :51:19.phoning me asking if I would do interviews about it, which I have

:51:20. > :51:24.not, there are noticeably fewer big gardens, why is that? I personally

:51:25. > :51:29.think it was everything to do with what happened in the country. Our

:51:30. > :51:33.Flower Show is part of what is happening in the country and when

:51:34. > :51:38.our Show Garden applications go out, it was just when the Brexit vote

:51:39. > :51:44.happened. I think it is completely understandable the chief executives

:51:45. > :51:47.thinking of sponsoring it would have thought maybe it is not the year to

:51:48. > :51:53.do it. It is a sponsorship issue rather than the design is not

:51:54. > :51:56.wanting to do it? Absolutely, yes. Is it potentially good that it takes

:51:57. > :52:02.the pressure and attention away from the Show Gardens onto the Pavilion?

:52:03. > :52:10.It is no bad thing we have got a change of emphasis. We should be so

:52:11. > :52:15.proud of our nurseries. It is achingly beautiful. And the small

:52:16. > :52:20.jewels, the Artisan and the Fresh Gardens. I hope I have another

:52:21. > :52:27.chance to torture you again, there have been recent polls on gardening

:52:28. > :52:31.in the UK. -- I have a chance to chat with you again. Not

:52:32. > :52:36.encouraging, in what people do know what to do and they are anxious. How

:52:37. > :52:44.can Chelsea encourage people? It is encouraging. It is strange, only 3%

:52:45. > :52:48.of people in our survey thought they were expert gardeners, I am not an

:52:49. > :52:51.expert but I love gardening and it does not matter. The fact people say

:52:52. > :52:56.they want to know more about horticulture is very encouraging and

:52:57. > :53:00.you help at Gardeners' World and Chelsea Flower Show, on our website

:53:01. > :53:06.with videos. I think the fact we now know those many people like

:53:07. > :53:10.gardening and horticulture, we need to give them the tools and it does

:53:11. > :53:14.not matter if you are not an expert. If you plant a plant, you are a

:53:15. > :53:18.gardener. That is a good way to finish, thank you very much and I

:53:19. > :53:21.look forward to spending a week at Chelsea! Fantastic, thank you!

:53:22. > :53:24.As well as hosting a myriad of famous faces and VIPs,

:53:25. > :53:27.Monday is also the day we welcome the most important visitor of them

:53:28. > :53:30.Earlier, Sophie Raworth was with the Royal party,

:53:31. > :53:47.The Queen has come to Chelsea man than 50 times over the years and it

:53:48. > :53:55.is always a very big moment at this Flower Show. The Queen is now

:53:56. > :54:00.talking to somebody who has been here 53 years and he keeps a

:54:01. > :54:04.scrapbook at home of the Royal visits and indications and members

:54:05. > :54:09.of the Royal family he has met over the years. You have probably been

:54:10. > :54:16.here as many times the green! I did not like to that, probably! -- as

:54:17. > :54:22.many times as the Queen. This is an exhibit the Queen knows very well,

:54:23. > :54:28.Raymond and his stunning clematis. The Queen is always very interested

:54:29. > :54:32.in it and it is a great thrill. Ian Price is from Belfast and his garden

:54:33. > :54:39.is a representation of his struggle with depression and the Duchess of

:54:40. > :54:42.Cambridge is keen to see it. You were showing her around the garden,

:54:43. > :54:46.how did she find it? She said it did feel completely different from the

:54:47. > :54:51.outside looking in to when she went inside. She was excited to go inside

:54:52. > :54:57.the garden and experience that directly. That is what this garden

:54:58. > :55:05.is about, feeling. What a day for you! It has been fantastic. The Duke

:55:06. > :55:10.of Edinburgh is a regular at Chelsea and he has been so many times over

:55:11. > :55:13.the decades and now he has announced he will step down from his Royal

:55:14. > :55:21.duties after the summer, who knows whether he will return again!

:55:22. > :55:27.You had a Royal chat! It was amazing, I loved it. I'm the Queen

:55:28. > :55:33.was very interested. She said she had listened to you this morning. I

:55:34. > :55:36.said, really? Radio 2, because it was the Chelsea Flower Show. Well

:55:37. > :55:43.done with the garden. Thank you so much. Well, I will be listening to

:55:44. > :55:47.Miro, with the green. OK! -- tomorrow.

:55:48. > :55:56.Very nice to see the Queen and the Royal family and younger members.

:55:57. > :56:02.Anyone gardening Royal or not, is good news. Nobody will have known

:56:03. > :56:06.about the medals unless somebody has told the Queen, what you think we

:56:07. > :56:10.will see tomorrow, the gold medals? It tough this year with eight large

:56:11. > :56:18.show gardens and they will not be handing them out. Four gold medals,

:56:19. > :56:23.probably three. James Basson, Chris Beardshaw with a gold medal. And

:56:24. > :56:30.Darren Hawkes with Maggie's garden is probably a gold medal. And it

:56:31. > :56:33.would not surprise me if Breaking Ground got one, it is very

:56:34. > :56:39.impressive when you get on it. At the other end? Welcome to Yorkshire

:56:40. > :56:43.is tricky and it would work better as an Artisan Garden, it takes over

:56:44. > :56:49.a large space, it is a concept garden. Bronze and maybe Silver.

:56:50. > :56:53.That sounds mean. A number of gardens here, they are in the

:56:54. > :56:59.silver-gilt category and if there were more, ten, 15 gardens, they

:57:00. > :57:06.would not hold their own against more gold medals. Interesting to see

:57:07. > :57:17.if they get elevated. Best in Show? Quickly. Chris Beardshaw. James

:57:18. > :57:24.Basson. Good, we have a good script. We have questions. Nadia would like

:57:25. > :57:29.to know the strangest combination of colours that we have seen on the

:57:30. > :57:38.gardens this year. Easy, one shrieks out, it is wonderful blue and pink

:57:39. > :57:42.rhododendron and the two together, they are a horror story on the Silk

:57:43. > :57:50.Road garden! You are feeling mean! On a positive note, a blue jeans

:57:51. > :57:54.Orange and burgundy and blue and purple, Sarah Reagan showed you how

:57:55. > :57:59.to put that together with a lot of green to grow it together. David

:58:00. > :58:04.wants to know how designers are selected to create gardens at the

:58:05. > :58:08.show. Briefly, it is a long process and you know better than anybody.

:58:09. > :58:11.They have to have a good team and a sponsor and a good landscaping

:58:12. > :58:14.company and there is a strict adjudication process and you have to

:58:15. > :58:16.show you can deliver. You have shown that!

:58:17. > :58:19.It's been an exciting first day here at the Chelsea Flower Show,

:58:20. > :58:22.but I'm afraid that's all we have time for this evening.

:58:23. > :58:25.Join us back here on BBC2 tomorrow night at the same time,

:58:26. > :58:28.when we will be revealing who has won the most coveted prize of all -

:58:29. > :58:33.Nicki Chapman and James Wong will be back tomorrow at 3:45 on BBC 1

:58:34. > :58:38.to share the excitement of the medal announcements.