0:00:02 > 0:00:05Would you hand over your front door keys to complete strangers...
0:00:05 > 0:00:06I can't believe what we've done.
0:00:06 > 0:00:08Coo-ee!
0:00:08 > 0:00:10..in exchange for a massive makeover?
0:00:10 > 0:00:12Red sky at night.
0:00:12 > 0:00:14I'm not sure I would.
0:00:14 > 0:00:17Different people have different tastes.
0:00:17 > 0:00:22I'm Celia Sawyer and I've been interior designer for a decade.
0:00:22 > 0:00:24In this series, I'll be introducing families
0:00:24 > 0:00:26at the end of their decorating tether...
0:00:26 > 0:00:29We just can't move forward. Everybody's ideas are so different.
0:00:29 > 0:00:32..to interior designers who are desperate to help.
0:00:32 > 0:00:33Yes!
0:00:33 > 0:00:35The plug for the light.
0:00:35 > 0:00:38But these designers are not professionals.
0:00:38 > 0:00:40Let's just hope they like space films, eh?
0:00:40 > 0:00:42In fact, they're complete amateurs.
0:00:42 > 0:00:43They've wrecked that room.
0:00:43 > 0:00:45That is different.
0:00:45 > 0:00:47What have we done?
0:00:47 > 0:00:48They may have passion.
0:00:48 > 0:00:49I know about composition, dude.
0:00:49 > 0:00:51They might even have vision.
0:00:51 > 0:00:53I'd like to create a temple of hope.
0:00:53 > 0:00:56Lovely colours, lovely colours, lovely colours.
0:00:56 > 0:00:59But I'm giving them just five days to do the job.
0:00:59 > 0:01:01You beauty.
0:01:01 > 0:01:03My question is, will it be tears of joy...
0:01:03 > 0:01:05- Wow.- Wow, look at this.
0:01:05 > 0:01:07Couldn't have wished for anything better.
0:01:07 > 0:01:08..or just plain tears.
0:01:08 > 0:01:10I'm regretting it.
0:01:10 > 0:01:11He's going to hate it.
0:01:15 > 0:01:19Interior design is a difficult industry to crack.
0:01:19 > 0:01:24I launched my career through word of mouth after I restyled my own home.
0:01:24 > 0:01:26But the next step is a tricky one.
0:01:26 > 0:01:30You need to have the skills and vision people will pay money for.
0:01:30 > 0:01:33The biggest mistake interior designers can make
0:01:33 > 0:01:36is to actually just design a room that looks like their own home.
0:01:36 > 0:01:40You're working for a client and even though you have a style,
0:01:40 > 0:01:43you have to adapt it to your client's needs and taste.
0:01:44 > 0:01:45In this series,
0:01:45 > 0:01:49I'm introducing budding interior designers to my world.
0:01:49 > 0:01:53It's time for me to go international. Aim high!
0:01:53 > 0:01:55Each amateur has been chosen because their own homes
0:01:55 > 0:01:58reveal they have a unique creative vision.
0:01:58 > 0:02:00I finished designing my house,
0:02:00 > 0:02:02now I can't wait to get my hands on someone else's.
0:02:02 > 0:02:05Now I'm giving them the chance to show they can cut it
0:02:05 > 0:02:08by match-making them with families so stuck,
0:02:08 > 0:02:11they're prepared to take the chance on amateurs.
0:02:11 > 0:02:14It's a huge risk for everyone, because the novice designers
0:02:14 > 0:02:17won't meet the clients until the work is complete.
0:02:20 > 0:02:23This week, I'm heading to Staffordshire to meet two couples
0:02:23 > 0:02:28so embarrassed by their homes, they never invite guests round.
0:02:28 > 0:02:30My first stop is Tamworth.
0:02:30 > 0:02:33# I'm on fire... #
0:02:33 > 0:02:35Meet the Daleys.
0:02:35 > 0:02:37Fireman Steve, his wife, Zoe,
0:02:37 > 0:02:40and their 15-year-old daughter, Jess.
0:02:41 > 0:02:44It's fair to say they're not in love with their home.
0:02:44 > 0:02:46Living here, I would say, is dire,
0:02:46 > 0:02:48just because of the state of the house.
0:02:48 > 0:02:50It's just quite depressing, to be honest.
0:02:50 > 0:02:52We don't really involve anybody else in our lives.
0:02:52 > 0:02:54We kind of isolate ourselves quite a lot,
0:02:54 > 0:02:56because it's a horrible environment to live in.
0:02:56 > 0:02:58If I am in the house, I'm mostly in my room.
0:02:58 > 0:03:00I think I go downstairs to have dinner and that's about it.
0:03:00 > 0:03:04Normally, when everybody in a house is depressed by its state,
0:03:04 > 0:03:07something is done about it, but not in this one.
0:03:07 > 0:03:11It's been going on since they moved in 20 years ago.
0:03:11 > 0:03:13Every time we go shopping for things,
0:03:13 > 0:03:16I'll see something I like, she'll hate it.
0:03:16 > 0:03:19She'll see something she likes, I hate it.
0:03:19 > 0:03:22I've never seen such extreme stagnation
0:03:22 > 0:03:24caused by a difference in taste.
0:03:24 > 0:03:26Just a plain white would do me
0:03:26 > 0:03:28or something like that, you know, on the walls.
0:03:28 > 0:03:32Just very clean and not busy.
0:03:32 > 0:03:37I would choose cosy, warm, functional kind of cottagey style.
0:03:39 > 0:03:42Unfortunately it seems daughter Jess is the one caught
0:03:42 > 0:03:44in this taste-off crossfire.
0:03:44 > 0:03:48It's quite depressing to be in an environment like this.
0:03:48 > 0:03:50I feel sorry for Jessica really.
0:03:50 > 0:03:52She wants to spend a lot of time with her friends.
0:03:52 > 0:03:54They have a lot of sleepovers
0:03:54 > 0:03:56and Jess doesn't want people to come here.
0:03:56 > 0:03:58She's embarrassed by the house.
0:03:58 > 0:04:00I don't like bringing friends round
0:04:00 > 0:04:03because I feel like they'll judge us.
0:04:03 > 0:04:05I just don't want them to think different of us
0:04:05 > 0:04:07because of the house.
0:04:07 > 0:04:08Hello, babe.
0:04:08 > 0:04:11Jess' distress with the situation has now moved Steve and Zoe
0:04:11 > 0:04:13to try something drastic...
0:04:13 > 0:04:16putting their home in the hands of amateurs.
0:04:16 > 0:04:20It's incredibly risky, but when you're living in something like this,
0:04:20 > 0:04:22you've got to take a risk.
0:04:22 > 0:04:26The risk involved is that we won't be able to change it afterwards.
0:04:26 > 0:04:29So whatever they do, we're going to have to live with.
0:04:29 > 0:04:31I mean, if you look at it from the perspective,
0:04:31 > 0:04:34if you do really hate it, I'll probably love it.
0:04:34 > 0:04:35SHE LAUGHS
0:04:35 > 0:04:37That's true.
0:04:39 > 0:04:42'Sounds like this family are perfect candidates
0:04:42 > 0:04:45'for my extreme form of design intervention.
0:04:45 > 0:04:48'And as they won't meet the designers until the end of the process,
0:04:48 > 0:04:51'I'd better get in there and find out exactly what's needed.'
0:04:55 > 0:04:58- Hello!- Hi, Zoe.- Come on in. - Thank you.
0:04:58 > 0:05:00- Hello, Steve.- Hi, Celia.
0:05:00 > 0:05:02- Nice to meet you.- You, too.
0:05:04 > 0:05:07It's just like you've just moved in.
0:05:07 > 0:05:09Do you not use this room very much?
0:05:09 > 0:05:11This is where we spend most of our time.
0:05:11 > 0:05:14- It's...- Which is quite sad really.
0:05:14 > 0:05:16Crikey. OK, talk me through it, then. Come on, Zoe.
0:05:16 > 0:05:18If it was up to me, I'd have flagstone paving
0:05:18 > 0:05:22and, you know, exposed beams and things like that. But obviously...
0:05:22 > 0:05:24Oh, OK. So natural textures brought in.
0:05:24 > 0:05:26Absolutely. For me, definitely.
0:05:26 > 0:05:29Whereas Steve's quite happy to have a lazy boy-ish...white walls.
0:05:29 > 0:05:33Nice, flat, white wall, that would do for me.
0:05:33 > 0:05:35I think you'd better show me the rest of the house.
0:05:35 > 0:05:37Oh, OK.
0:05:38 > 0:05:40This is our bedroom.
0:05:43 > 0:05:46- The floor definitely hasn't been finished, has it?- No.
0:05:46 > 0:05:48What's the story behind that?
0:05:48 > 0:05:51I asked him to put a floor in but he wants sea grass carpet
0:05:51 > 0:05:53and I wanted flooring, so we have nothing.
0:05:53 > 0:05:56It's going to remain like this until we can agree upon
0:05:56 > 0:05:58what we do with it...
0:05:58 > 0:05:59which could be a long time.
0:05:59 > 0:06:03I am, for once, lost for words.
0:06:04 > 0:06:06Tell me about the wallpaper.
0:06:06 > 0:06:09I decorated the room about five or six years ago.
0:06:09 > 0:06:12I'd been asking Steve for ages to do it and he was like,
0:06:12 > 0:06:13"Yeah, yeah, whenever."
0:06:13 > 0:06:16And then he went away for a couple of days
0:06:16 > 0:06:19so I decided to take matters into my own hands.
0:06:19 > 0:06:21I did wonder what the hell had happened when I got back.
0:06:21 > 0:06:24Did you think she'd gone through the whole plasterboard
0:06:24 > 0:06:26and gone through to bare brick?
0:06:26 > 0:06:29So are all the rooms like this in the house?
0:06:29 > 0:06:31Cos I'm starting to think they are.
0:06:31 > 0:06:33Not quite all.
0:06:33 > 0:06:35They are. Well, are they not?
0:06:35 > 0:06:36Which ones are nice?
0:06:38 > 0:06:39Jess' is not too bad.
0:06:39 > 0:06:41Lead the way, come on.
0:06:43 > 0:06:44I'm dreading this.
0:06:46 > 0:06:50Jess' bedroom is not very feminine, is it?
0:06:51 > 0:06:55- No, she can't even get into her own wardrobe. So...- No, I can see that.
0:06:55 > 0:06:57She has to move the bed to get into the wardrobe.
0:06:57 > 0:07:00- Oh, my goodness. Where does she move the bed to?- Just over there.
0:07:00 > 0:07:03- What, to get dressed? - Yeah.- Yeah.
0:07:03 > 0:07:07I've definitely seen enough now. Come on, let's get on with it.
0:07:08 > 0:07:12'The amateur designers can't start soon enough for me.
0:07:12 > 0:07:15'This home needs some attention, and fast.'
0:07:15 > 0:07:17Feeling good?
0:07:17 > 0:07:18Quite nervous.
0:07:18 > 0:07:21You know, it's a big thing, leaving your house to somebody else.
0:07:21 > 0:07:24- Hand over your keys. Your car awaits.- Thank you.
0:07:24 > 0:07:27- And off you go.- Bye.- Bye-bye.
0:07:28 > 0:07:32It's not just about Zoe and Steve, this is about Jessica as well.
0:07:32 > 0:07:36The whole family are affected by the fact that they cannot agree
0:07:36 > 0:07:40and cannot get this place finished.
0:07:40 > 0:07:43The Daleys now have two nail-biting days before they return
0:07:43 > 0:07:46to give feedback on the first two rooms.
0:07:46 > 0:07:49Well, I wonder what that's going to look like when we get back.
0:07:49 > 0:07:51I just hope it's finished.
0:07:51 > 0:07:53Can't be any worse, can it?
0:07:53 > 0:07:55Oh, I don't know. Can it?
0:07:56 > 0:07:59In total, three rooms will be transformed
0:07:59 > 0:08:01in the Daley's run down home.
0:08:01 > 0:08:04I guess they should probably see who I'm sending in.
0:08:04 > 0:08:06OK, let's have a look.
0:08:06 > 0:08:10The first to arrive is a bright light from London's theatre world,
0:08:10 > 0:08:1432-year-old prop-maker and set designer, Anna.
0:08:14 > 0:08:17Hello, my name's Anna Bruder.
0:08:17 > 0:08:19My design style is very humorous and funny
0:08:19 > 0:08:23and it's like walking into a Paddington Bear illustrative world.
0:08:23 > 0:08:27My favourite design tool is my giant black marker
0:08:27 > 0:08:30with a three-centimetre nib.
0:08:30 > 0:08:32So if you need a window, draw one.
0:08:32 > 0:08:36If you haven't got a toaster, draw one with some toast.
0:08:36 > 0:08:40Zoe, Steve and Jess, you're definitely not going to get a bland,
0:08:40 > 0:08:43boring, unimaginative world from me.
0:08:43 > 0:08:48I've designed sets, pop-up shops and lots more, but never an interior,
0:08:48 > 0:08:50so you're going to be my first.
0:08:51 > 0:08:55Now, that has got me worried.
0:08:57 > 0:09:00Joining Anna to create something special is my next amateur.
0:09:02 > 0:09:06She's a 43-year-old writer living in East Sussex...Nadene.
0:09:06 > 0:09:08I'm half-Afghan, half-British.
0:09:08 > 0:09:12My Afghan heritage plays a really massive part in my creative design.
0:09:14 > 0:09:18My style is global, kitsch, industrial and sexy.
0:09:18 > 0:09:21But above all else, it's personal.
0:09:21 > 0:09:24I hate brand-new mass-produced furniture.
0:09:24 > 0:09:26Honestly, I would rather stick a red-hot poker in my eye
0:09:26 > 0:09:29than fill my house full of that stuff.
0:09:30 > 0:09:33I love art. I love texture. I love comfort.
0:09:33 > 0:09:36But above all, I love things that have got a history,
0:09:36 > 0:09:38things that tell a story.
0:09:38 > 0:09:40Your home needs a pretty drastic makeover.
0:09:40 > 0:09:43I'm not going to be holding back, what I'm going to be doing
0:09:43 > 0:09:46is giving you the confidence that you guys lack.
0:09:46 > 0:09:49I'm going to be giving you a home that says, "Wow."
0:09:49 > 0:09:51I love that.
0:09:51 > 0:09:54No. I don't want animal heads,
0:09:54 > 0:09:56even if they do have a miniature top hat.
0:09:58 > 0:10:01So we have a taste clash on our hands.
0:10:01 > 0:10:05Playfully original, versus gothically exotic.
0:10:05 > 0:10:06Should be fun.
0:10:08 > 0:10:12Both designers have been given a budget of £3,500
0:10:12 > 0:10:14and have seen floor plans of their room in advance.
0:10:16 > 0:10:18For Nadene, the master bedroom.
0:10:19 > 0:10:22For Anna, 15-year-old Jess' room.
0:10:22 > 0:10:26But this is the first time they've seen the actual spaces.
0:10:26 > 0:10:28Needs a bit of love.
0:10:29 > 0:10:30I think everything's got to go.
0:10:30 > 0:10:34It's kind of staggering that they haven't even got a carpet.
0:10:34 > 0:10:36Well, this room's quite masculine, I would say.
0:10:36 > 0:10:39I don't imagine her to be tomboy, because at the age of 15
0:10:39 > 0:10:41you're quite girlie. I can see some make-up bits.
0:10:41 > 0:10:43The wallpaper's interesting.
0:10:43 > 0:10:45- I think I've got my work cut out. - SHE LAUGHS
0:10:47 > 0:10:50The amateurs have had some information on the family
0:10:50 > 0:10:51and their design dilemmas.
0:10:51 > 0:10:56I need to make sure they really understand the brief.
0:10:56 > 0:10:58- Hello.- Hello, hi. - Hi, Anna. Meet Nadene.
0:10:58 > 0:11:00- Hello, how are you doing? - Good to meet you.
0:11:00 > 0:11:04So, Nadene, Zoe and Steve want a relaxing room,
0:11:04 > 0:11:06somewhere where they can spend a bit of time
0:11:06 > 0:11:08and not feel, sort of like it's not finished.
0:11:08 > 0:11:10They can't agree on anything.
0:11:10 > 0:11:15Anna, Jessica's bedroom, not really suitable now for a 15-year-old girl.
0:11:15 > 0:11:18We want this teenager to walk into this home
0:11:18 > 0:11:20and bring her friends and spend time in her room.
0:11:20 > 0:11:25OK, you've both got £3,500. Do a good job.
0:11:26 > 0:11:29After Nadene and Anna finish their individual rooms,
0:11:29 > 0:11:32I want them to collaborate on the living/dining room,
0:11:32 > 0:11:36which will be interesting, as they've got such different styles.
0:11:36 > 0:11:39But for now I reckon they've got enough to think about,
0:11:39 > 0:11:42concentrating on those bedrooms.
0:11:42 > 0:11:46What I've got here is a scale model of Jess' room.
0:11:46 > 0:11:49It's mainly a solely black and white bedroom,
0:11:49 > 0:11:50with dashes of colour,
0:11:50 > 0:11:54so it's kind of like walking into a cartoon world.
0:11:54 > 0:11:57Sometimes people get scared of small rooms and think you can't be too imaginative.
0:11:57 > 0:11:59'I think the opposite is true,
0:11:59 > 0:12:02'I think in small spaces you can absolutely let your imagination run riot.'
0:12:02 > 0:12:04And that's what I'm going to do.
0:12:04 > 0:12:07While Anna and Nadene begin their designs,
0:12:07 > 0:12:11I'm going to find out about the next couple in need of help.
0:12:11 > 0:12:13In Coventry,
0:12:13 > 0:12:16this three-bedroom house is the home of the Gill Machins...
0:12:16 > 0:12:18..Harjit and Ian.
0:12:19 > 0:12:22And once more, we have a couple whose different tastes
0:12:22 > 0:12:26have left them with a home they are embarrassed about.
0:12:26 > 0:12:29My culture is full of colour.
0:12:29 > 0:12:31My favourite colour is red.
0:12:31 > 0:12:34It always reminds me of my mum. She always wore red.
0:12:34 > 0:12:36But I love red and it looks good on me.
0:12:36 > 0:12:38HARJIT LAUGHS
0:12:38 > 0:12:39Anything does.
0:12:42 > 0:12:46My ideal colours would be very, very simple, earthy browns and greens.
0:12:46 > 0:12:50And being from Coventry, maybe a hint of sky blue.
0:12:50 > 0:12:52This design dilemma is a culture clash
0:12:52 > 0:12:55as much as it is a taste difference.
0:12:56 > 0:12:59Ian moved in with Harjit ten years ago,
0:12:59 > 0:13:01and slowly the house began to change.
0:13:01 > 0:13:04- Oh, yes.- Now it reflects more of Ian's neutral taste
0:13:04 > 0:13:07and less of Harjit's colourful tones.
0:13:07 > 0:13:12All my colourful cushions, rugs and things were put in the attic.
0:13:12 > 0:13:16To be perfectly honest, I didn't realise it was being toned down.
0:13:16 > 0:13:19It just sort of happened.
0:13:21 > 0:13:24Maybe Harjit was thinking too much of me.
0:13:24 > 0:13:28- Not enough of herself.- Yeah, I was looking after you.- Mm-hm.- Your taste.
0:13:28 > 0:13:31- And I forgot about my about me. - Mm-hm.
0:13:31 > 0:13:34So, come on, let's colour it up now!
0:13:34 > 0:13:37# Got to be, got to be myself... #
0:13:37 > 0:13:39I want to get back to...
0:13:39 > 0:13:42..me, my personality.
0:13:42 > 0:13:44We, we just need...
0:13:44 > 0:13:47..someone to help us get over this.
0:13:47 > 0:13:50It's starting to affect the relationship.
0:13:53 > 0:13:55'In an effort to marry their different tastes
0:13:55 > 0:13:58'and create a home they can both be proud of,
0:13:58 > 0:14:00'they've agreed to take a huge gamble.'
0:14:05 > 0:14:11- Hello.- Yeah, how are you? - Nice to meet you. - Hello, Celia, come on in.- Thank you.
0:14:11 > 0:14:13So, this is the kitchen.
0:14:13 > 0:14:15Ah-ha.
0:14:15 > 0:14:17Tell me how you feel about this room.
0:14:17 > 0:14:19I actually quite like the tiles.
0:14:19 > 0:14:22The colours represent me, these colours.
0:14:22 > 0:14:23What do you think about those, Ian?
0:14:23 > 0:14:27I think the whole kitchen's a bit of a disaster, it needs redoing.
0:14:27 > 0:14:30- Too much colour for you?- Yeah, yeah. - Oh, dear.
0:14:30 > 0:14:34So, Harjit, the kitchen is an important place for you, isn't it?
0:14:34 > 0:14:36It's just a cultural thing,
0:14:36 > 0:14:39that you're cooking all the time for your families.
0:14:39 > 0:14:42In fact, we haven't actually invited people for the last...
0:14:42 > 0:14:44- Quite a while.- ..quite a few years.
0:14:44 > 0:14:46Just the kitchen, or is it the whole house, then?
0:14:46 > 0:14:50- Everything, really.- You don't feel like entertaining any more?- No.
0:14:50 > 0:14:54- Ah, that's really sad. - It's like hard when people come into your house and you say,
0:14:54 > 0:14:57- "I'm ever so sorry, we're just in the middle of decorating."- Oh, dear.
0:14:57 > 0:15:02- Show me the rest of the house. - OK.- I'm intrigued.- This way.
0:15:02 > 0:15:04So, this is our bedroom.
0:15:06 > 0:15:08Oh, OK.
0:15:09 > 0:15:11Harjit, what should a bedroom mean to you?
0:15:11 > 0:15:16Somewhere I can come and meditate, relax.
0:15:16 > 0:15:19- And does it do that for you now? - No.- No?
0:15:19 > 0:15:22Ian, you're quite happy, with it like this, I presume, are you?
0:15:22 > 0:15:24I don't mind it. I like it, yeah.
0:15:24 > 0:15:27So, how much has this room changed since Ian's been here,
0:15:27 > 0:15:30- I guess I should ask. - It's completely changed.- Has it?
0:15:30 > 0:15:34I've had various shades of colour in this room over the years.
0:15:34 > 0:15:36We used to change them every year, basically.
0:15:36 > 0:15:41- I used to have red duvet covers. - I hate red.- Ian hates red, so..
0:15:41 > 0:15:44OK. Well, I think I've heard enough.
0:15:44 > 0:15:46- So, lead the way, please. - HARJIT LAUGHS
0:15:46 > 0:15:49'I think this is going to be very tough week
0:15:49 > 0:15:51'for the amateur designers.'
0:15:51 > 0:15:54There's Harjit, who loves her soulful,
0:15:54 > 0:15:57colourful home, going back to her roots,
0:15:57 > 0:16:00and then there's Ian, who likes this very simple,
0:16:00 > 0:16:02neutral, earthy colours.
0:16:02 > 0:16:07And I think, how are they going to get this balance together? It's going to be quite tricky.
0:16:07 > 0:16:09Got to hand over those keys now.
0:16:09 > 0:16:12- Are you sure you want to do this? - I don't know.- Off you go.
0:16:12 > 0:16:14- See you soon.- Bye-bye. Bye.
0:16:14 > 0:16:17'Harjit and Ian now face two anxiety-filled days
0:16:17 > 0:16:21'before coming back to pass judgment on the first two rooms.'
0:16:22 > 0:16:26But they still have no idea who I'm unleashing on their home.
0:16:26 > 0:16:28Bye-bye, house. SHE LAUGHS
0:16:30 > 0:16:31And this is where the fun begins.
0:16:31 > 0:16:37First in is a punk-inspired amateur designer from Bolton.
0:16:37 > 0:16:4035-year-old Graham.
0:16:40 > 0:16:41"I'm inspired by punk"
0:16:41 > 0:16:44because I've spent a career working in avant-garde fashion.
0:16:44 > 0:16:47MUSIC: Peaches by The Stranglers
0:16:47 > 0:16:50I used to work for a famous designer called Vivienne Westwood,
0:16:50 > 0:16:53and I don't like to do what everybody tells me to do.
0:16:53 > 0:16:58Some might say I'm arrogant, but I like to think that I'm confident.
0:16:59 > 0:17:02Dark colours are a signature of mine.
0:17:02 > 0:17:06I like to go from soft black, right down to light grey.
0:17:07 > 0:17:10I've never tried and tested this style in somebody else's home,
0:17:10 > 0:17:12so I'm really looking forward to
0:17:12 > 0:17:15plonking it down in somebody else's house.
0:17:15 > 0:17:18Ian and Harjit, I won't be holding back at all.
0:17:18 > 0:17:20So as long as you're open to the extreme change,
0:17:20 > 0:17:23I'm sure you're going to love it.
0:17:23 > 0:17:26- OK.- He's got a lot of grey, and I hate grey.
0:17:26 > 0:17:31I don't know, I like the background colours. That's, that's a given.
0:17:31 > 0:17:36- It was the fussiness in front of it...- Yeah.- ..that might upset me.
0:17:36 > 0:17:37- Yeah.- I don't know.
0:17:39 > 0:17:41To hopefully brighten things up a bit,
0:17:41 > 0:17:45I'm also sending in a 41-year-old florist from York.
0:17:45 > 0:17:46"Hi, I'm Lucy."
0:17:46 > 0:17:50My designer style is all about bringing the outdoors indoors.
0:17:50 > 0:17:51# Daydream
0:17:51 > 0:17:54# I fell asleep amid the flowers... #
0:17:54 > 0:17:56I grew up in a concrete jungle.
0:17:56 > 0:17:58There were no trees around.
0:17:58 > 0:18:02So now I surround myself with plants and greenery.
0:18:03 > 0:18:06My favourite colour, as you can probably guess, is green.
0:18:06 > 0:18:07It goes with everything,
0:18:07 > 0:18:10and if it doesn't, I MAKE it go with everything.
0:18:13 > 0:18:16Harjit, I know what it's like to not have colour around you
0:18:16 > 0:18:18when you desperately crave it.
0:18:18 > 0:18:22By the time I've finished with your house, it will be colourful.
0:18:22 > 0:18:27- See, I like the outdoors.- Hm. - So that would be perfect for me.
0:18:27 > 0:18:30I think both of them are bringing home to me,
0:18:30 > 0:18:32"Oh, God, what have we done?"
0:18:32 > 0:18:34An intriguing design taste-off, then.
0:18:34 > 0:18:3950 shades of grey versus the green goddess.
0:18:39 > 0:18:41For the first two days, the amateur designers
0:18:41 > 0:18:44will be working on their individual rooms.
0:18:44 > 0:18:47Graham's got £5,500 for the kitchen,
0:18:47 > 0:18:51and Lucy 3,000 for the bedroom.
0:18:51 > 0:18:52Wow.
0:18:52 > 0:18:55The tiles are completely dated and...
0:18:55 > 0:18:58..I don't think they're coming back into fashion any time soon.
0:18:58 > 0:19:01It's very plain. But there's nothing...
0:19:01 > 0:19:02..personal.
0:19:02 > 0:19:06The yellow blinds, definitely gone.
0:19:06 > 0:19:09I think anything you do with it is going to liven it up.
0:19:10 > 0:19:12Now they've seen what they're up against,
0:19:12 > 0:19:14I should make sure they understand the brief.
0:19:14 > 0:19:19- Hi, Lucy.- Hello, hi.- Meet Graham. - Hi, Graham.- Hi, nice to meet you. - Nice to meet you.
0:19:19 > 0:19:23Graham, the kitchen is a very important place for Harjit,
0:19:23 > 0:19:27from her cultural background she likes to cook and entertain.
0:19:27 > 0:19:30She likes quite strong, bright colours.
0:19:30 > 0:19:32Ian is completely the opposite.
0:19:32 > 0:19:36He likes quite plain and simple and earthy.
0:19:36 > 0:19:40And Lucy, Harjit wants this lovely spiritual, sort of surrounding,
0:19:40 > 0:19:44but also Ian would like a room that he can just go to sleep in.
0:19:44 > 0:19:48- Oh.- So, somehow or other, you're going to have to put those two elements together
0:19:48 > 0:19:50- and make it work for both of them. - Yeah.
0:19:50 > 0:19:52- Good luck.- Thank you.- OK.
0:19:54 > 0:19:58So what is the green goddess planning in the master bedroom?
0:20:00 > 0:20:01I'm going to transform it
0:20:01 > 0:20:05by making it a beautiful, peaceful sanctuary.
0:20:05 > 0:20:08Beautiful crystal chandeliers.
0:20:08 > 0:20:12Somewhere that is just a relaxing, gorgeous space.
0:20:12 > 0:20:15She sounds confident.
0:20:16 > 0:20:18But what about grey lover Graham?
0:20:21 > 0:20:24We're going to be getting rid of nearly everything.
0:20:24 > 0:20:27I'll be replacing ALL of the cabinets.
0:20:27 > 0:20:31The walls will be a backdrop of greys
0:20:31 > 0:20:35and accented with pots of bright, graphic colour.
0:20:35 > 0:20:39And the light fittings will become a feature within the room.
0:20:39 > 0:20:42As usual, I'm not leaving the designers
0:20:42 > 0:20:44completely on their own with the renovations.
0:20:44 > 0:20:46# Watch the hammer come down. #
0:20:46 > 0:20:49I'm giving Graham and Lucy builder Russell
0:20:49 > 0:20:51to help them achieve their grand designs.
0:20:53 > 0:20:55While at the other house,
0:20:55 > 0:20:59Nadene and Anna have builder Nathan, who's always brutally honest.
0:20:59 > 0:21:01His first job is to help Nadene.
0:21:01 > 0:21:04We're going to be putting some new wallpaper over it. Um...
0:21:04 > 0:21:08She's decided her priority is to remove that nasty grey wallpaper.
0:21:11 > 0:21:12And she's replacing it with...
0:21:14 > 0:21:17..MORE grey wallpaper.
0:21:17 > 0:21:20I think this wallpaper is going to make this room look amazing.
0:21:20 > 0:21:22I do hope you're right.
0:21:22 > 0:21:26It's hand-silkscreen printed and it's meant to look like, sort of "swagged" curtains,
0:21:26 > 0:21:30so it's going to look quite modern but at the same time quite romantic.
0:21:30 > 0:21:32And I think Zoe's going to love it.
0:21:32 > 0:21:34It's horrendous!
0:21:34 > 0:21:38It looks like an X-ray of a baggy bit of skin or something.
0:21:38 > 0:21:42Well, I guess there's still time to see the light and paint over it.
0:21:44 > 0:21:46In teenager Jess' bedroom,
0:21:46 > 0:21:50Anna is drawing on her artistic skills...and the walls.
0:21:50 > 0:21:52So, this is the plug.
0:21:52 > 0:21:54The plug for the light.
0:21:54 > 0:21:56It's got a lead like that.
0:21:56 > 0:21:59And then she's going to have her dressing room table.
0:21:59 > 0:22:02I'm a firm believer in challenging design,
0:22:02 > 0:22:06but this may be a challenge too far.
0:22:06 > 0:22:08This is really exciting because...
0:22:08 > 0:22:13you know, Jess has got to live in here, so that's a really cool thing.
0:22:13 > 0:22:15Yeah, but as 15 is a tricky age,
0:22:15 > 0:22:19maybe you shouldn't be using a permanent marker.
0:22:23 > 0:22:2520 miles away in Coventry
0:22:25 > 0:22:29there are signs that grey Graham is making a "grey-ve" error
0:22:29 > 0:22:30with his kitchen design.
0:22:30 > 0:22:34I'm just a bit worried about the whole functionality thing.
0:22:34 > 0:22:37He seems to have glazed over that a little bit.
0:22:37 > 0:22:39We've taken loads of wall units off the wall
0:22:39 > 0:22:42and we're replacing them with a couple of shelves.
0:22:42 > 0:22:46It already makes the space feel miles bigger.
0:22:46 > 0:22:48Well, it would do, wouldn't it?
0:22:48 > 0:22:51But good kitchen design is supposed to be functional.
0:22:51 > 0:22:56And Graham's not the only one "glossing" over the important things.
0:22:56 > 0:22:58I know Harjit loves bright colours.
0:22:58 > 0:23:00But I think in a bedroom,
0:23:00 > 0:23:02I think it has to be, kind of, more serene.
0:23:04 > 0:23:07Down the road at Harjit's daughter Kelly's house,
0:23:07 > 0:23:11the topic of which designer is doing what is in full swing.
0:23:11 > 0:23:14So what's your thoughts then on having a punk-style kitchen?
0:23:14 > 0:23:19I'm not quite sure how functionality and punk fit together.
0:23:19 > 0:23:21It could work with a bit of colour in it.
0:23:21 > 0:23:24But Graham is a bit dull.
0:23:24 > 0:23:26- Hm.- Er, I didn't like the grey at all.
0:23:28 > 0:23:30# My house, my house... #
0:23:30 > 0:23:33Grey is me on a happy, sun-shining day.
0:23:36 > 0:23:38- The bedroom could be interesting, then.- Yeah.
0:23:38 > 0:23:42I think my worst nightmare would be having wallpaper.
0:23:45 > 0:23:47I can't believe how good it looks.
0:23:49 > 0:23:52I think it works really well in here. I'm really pleased with it.
0:23:52 > 0:23:55You might be, but you're not the client.
0:24:01 > 0:24:04Back in Tamworth and it's nearly time for me to bring the Daleys back
0:24:04 > 0:24:06to inspect the first two rooms.
0:24:09 > 0:24:10With the walls all finished,
0:24:10 > 0:24:14it's time for Anna to brandish her black nib on everything else.
0:24:15 > 0:24:18So, the mannequin lamp is fun.
0:24:18 > 0:24:21Very unusual, it's quite an alternative
0:24:21 > 0:24:24type of lamp to have in your home.
0:24:24 > 0:24:27But I know she's going to like it.
0:24:27 > 0:24:29That's a brave claim when dealing with teenagers.
0:24:31 > 0:24:33To make matters worse,
0:24:33 > 0:24:36Nadene's boudoir bedroom is getting weirder and weirder.
0:24:36 > 0:24:40Here we go. If I drop this, it would be a disaster.
0:24:40 > 0:24:41I'm not convinced.
0:24:41 > 0:24:46- Mr Squirrel says no TV in the bedroom.- Does he?
0:24:46 > 0:24:48The dead squirrel in the bedroom is horrendous.
0:24:48 > 0:24:53It's like a devil squirrel, its eyes are red, it's poised to attack...
0:24:53 > 0:24:56..nobody's going to like that, I'm pretty sure.
0:24:56 > 0:24:58Nadene's design is so dramatic
0:24:58 > 0:25:01it's as if she's trying to steal the spotlight
0:25:01 > 0:25:02from set designer, Anna.
0:25:04 > 0:25:05Their styles are so far apart,
0:25:05 > 0:25:09I'm already worried about them collaborating on the living room.
0:25:10 > 0:25:11'Right, that's it.
0:25:11 > 0:25:14'Time for the designers to disappear.
0:25:14 > 0:25:17'I want to see what's been done before I show the Daleys.
0:25:17 > 0:25:19'First to the master bedroom.'
0:25:21 > 0:25:24At the beginning of the week this room was an unfinished job,
0:25:24 > 0:25:27with badly painted walls and bare floors.
0:25:28 > 0:25:31Now, with a budget of £3,500,
0:25:31 > 0:25:35Nadene's covered the walls in hand-printed drape wallpaper,
0:25:35 > 0:25:38and laid a textured, fitted carpet.
0:25:38 > 0:25:40She's installed a leather bed
0:25:40 > 0:25:45and finished her look with a fluffy-tailed piece of taxidermy.
0:25:47 > 0:25:51Oh, my goodness. It's very theatrical in here.
0:25:51 > 0:25:57I think the wallpaper shows up how irregular everything is in here.
0:25:57 > 0:25:59It shows the problems in the room.
0:25:59 > 0:26:02Well, I don't like any of it.
0:26:02 > 0:26:06I feel like it's a theatre set, it just feels very...
0:26:06 > 0:26:10..dramatic, but in not a very good way.
0:26:10 > 0:26:11Ooh.
0:26:11 > 0:26:15I'm not really sure it's right for a man who likes plain white
0:26:15 > 0:26:17and a lady who craves cosy cottage.
0:26:17 > 0:26:18Oh, dear.
0:26:20 > 0:26:25Before, teenager Jess' room was boyish and impractical.
0:26:27 > 0:26:29With a budget of £3,500,
0:26:29 > 0:26:34Anna has drawn on her artistic flair to create a complete one-off.
0:26:36 > 0:26:39She's covered the now-white walls, floor and furniture
0:26:39 > 0:26:43with her trademark black marker pen illustrations.
0:26:43 > 0:26:46She's installed a new wardrobe, pull out bed,
0:26:46 > 0:26:50and she's even given Jess her own telephone.
0:26:56 > 0:26:58- Wow, that is different. - SHE LAUGHS
0:27:00 > 0:27:01It's mad.
0:27:01 > 0:27:03It's completely mad.
0:27:04 > 0:27:08SHE INHALES AND EXHALES DEEPLY
0:27:08 > 0:27:11I would never do something this dramatic,
0:27:11 > 0:27:14and at 15...
0:27:14 > 0:27:17..is it really what you want?
0:27:19 > 0:27:22Anna, subtlety is not your thing, that's for sure.
0:27:24 > 0:27:27But it's the client's opinion that matters most.
0:27:27 > 0:27:30Although as Steve and Zoe haven't agreed for 20 years,
0:27:30 > 0:27:33if one hates it, the other's bound to love it.
0:27:33 > 0:27:36We can't lose. Or win.
0:27:36 > 0:27:41Knowing that we're about to see some of the designers' work,
0:27:41 > 0:27:43I'm extremely nervous.
0:27:43 > 0:27:45I feel a bit sick, actually.
0:27:45 > 0:27:47Jess will have to wait.
0:27:47 > 0:27:50I want to show Zoe and Steve their bedroom first.
0:27:54 > 0:27:55SHE LAUGHS
0:28:00 > 0:28:04It looks a lot bigger than it was.
0:28:04 > 0:28:05A lot bigger.
0:28:05 > 0:28:08- Actually, I think it looks smaller. - No, I don't at all.
0:28:08 > 0:28:11You don't look overly-excited.
0:28:11 > 0:28:14I don't particularly like the case,
0:28:14 > 0:28:18I really don't like the squirrel, I'm not a big fan of the pearls.
0:28:18 > 0:28:22I don't like the drawers, I don't like the mannequin,
0:28:22 > 0:28:27and I'm really, I'm very undecided about the curtain effect.
0:28:27 > 0:28:31But other than that, yeah, I like the bed and the carpet
0:28:31 > 0:28:32and the lamp.
0:28:32 > 0:28:35Oh, Steve, it's beautiful. I love it.
0:28:35 > 0:28:39It's much brighter, it's quite romantic,
0:28:39 > 0:28:41- but kitsch at the same time.- Mm.
0:28:41 > 0:28:44So, for me, I'm delighted. I really am.
0:28:44 > 0:28:47Neither of you could agree on anything anyway, could you?
0:28:47 > 0:28:51So I don't think there would ever have been a perfect solution in this room.
0:28:51 > 0:28:54So, shall we go and see what Jess' room is like now?
0:28:54 > 0:28:58- Shall we grab her and have a look? - Yeah.- Yeah. Really excited. - OK, Yeah.
0:28:58 > 0:29:01- After you.- Thank you.- Thank you.
0:29:02 > 0:29:04Oh, God.
0:29:04 > 0:29:07Oh... STEVE LAUGHS
0:29:17 > 0:29:18No.
0:29:18 > 0:29:21- I like it.- No, I hate it. - STEVE LAUGHS
0:29:21 > 0:29:24- I like it.- No!
0:29:25 > 0:29:27I think it's just...
0:29:27 > 0:29:30..more childish than I wanted it to be.
0:29:30 > 0:29:33A lot more childish than I wanted it to be.
0:29:33 > 0:29:35In all fairness.
0:29:35 > 0:29:39Nobody, none of your friends are going to have a room like this.
0:29:39 > 0:29:40None of them.
0:29:40 > 0:29:44- I think that might be why she doesn't like it. - THEY LAUGH
0:29:44 > 0:29:46It's not me.
0:29:46 > 0:29:48I really don't think this is me at all.
0:29:48 > 0:29:50- It's not, is it?- No.
0:29:50 > 0:29:52- What?- I don't like that you're you upset.
0:29:54 > 0:29:58OK, so not thumbs up on this one. Sadly.
0:29:59 > 0:30:01That is a shame.
0:30:01 > 0:30:03- SHE LAUGHS - Oh, dear.
0:30:03 > 0:30:06It's a real shame because Zoe and Steve had chosen to take the risk
0:30:06 > 0:30:09to hand their keys over to the amateur designers.
0:30:09 > 0:30:12It's sort of paid off for them, it's certainly paid off for Zoe so far,
0:30:12 > 0:30:14but it really hasn't paid off for Jess.
0:30:14 > 0:30:17So we need to rectify that.
0:30:17 > 0:30:23I really don't like my room. It's... It is too childish.
0:30:23 > 0:30:26It's not what I wanted at all.
0:30:26 > 0:30:28I feel awful for Jess.
0:30:28 > 0:30:30We just wanted her to have something for herself,
0:30:30 > 0:30:32and she really deserved to have that.
0:30:34 > 0:30:37'Well, that's a disappointing result for Jess,
0:30:37 > 0:30:39'but a surprisingly good one in the master bedroom.
0:30:41 > 0:30:43'I'd best feed back the feedback
0:30:43 > 0:30:45'before the designers start on the joint room.'
0:30:48 > 0:30:50Welcome back.
0:30:51 > 0:30:53- Nervous.- Are you?
0:30:55 > 0:30:57You don't look nervous.
0:30:57 > 0:31:00I'm just keeping quiet at the moment. Fingers crossed.
0:31:00 > 0:31:01Nadene.
0:31:05 > 0:31:08- Zoe loved it.- Yay!
0:31:08 > 0:31:12Steve, however, was a little bit 50-50.
0:31:12 > 0:31:16- He liked the bed.- Oh, good. - He liked the lamp in the corner.
0:31:16 > 0:31:19But he wasn't sure about the rest of it.
0:31:19 > 0:31:20Anna.
0:31:21 > 0:31:24A lot of drawing in your room.
0:31:24 > 0:31:27Well, for me the full effect is when everything is drawn,
0:31:27 > 0:31:29not just bits here and there.
0:31:31 > 0:31:33I've got some bad news.
0:31:33 > 0:31:35ANNA GROANS
0:31:35 > 0:31:39- Jess didn't like her room. - What, at all?
0:31:39 > 0:31:43She felt that it was very young for her.
0:31:43 > 0:31:45She didn't feel it was a room for her.
0:31:46 > 0:31:51- Fair enough.- So you're both going to do a joint room.
0:31:51 > 0:31:53We don't want to see two rooms.
0:31:53 > 0:31:57We want to see one room designed by both of you.
0:31:57 > 0:32:01Zoe particularly liked that sort of romantic kind of look
0:32:01 > 0:32:03that you gave her in the bedroom.
0:32:03 > 0:32:06Really work together on this so that they are really,
0:32:06 > 0:32:09- really pleased with the results. - OK, good.
0:32:13 > 0:32:17At the other house in Coventry, it's very nearly time for Ian and Harjit
0:32:17 > 0:32:22to return to see what amateurs Lucy and Graham have done to their house.
0:32:22 > 0:32:25This is a vintage Coventry City programme.
0:32:25 > 0:32:27Trying to appease him,
0:32:27 > 0:32:30trying to say, "Sorry, your bedroom is quite girlie now."
0:32:30 > 0:32:34I've tried to instil a bit of Harjit's cultural heritage,
0:32:34 > 0:32:38but I've also tried to maintain enough clean, masculine lines
0:32:38 > 0:32:40and colours that Ian won't feel out of place either.
0:32:41 > 0:32:43Now, this had better be good.
0:32:43 > 0:32:46I'm soon going to have to present these rooms to the clients.
0:32:51 > 0:32:54Before, the master bedroom was washed-out and plain.
0:32:54 > 0:32:58A world away from Harjit's dream meditation space.
0:32:58 > 0:33:04With £3,000, Lucy has transformed this room into a stylish sanctuary,
0:33:04 > 0:33:09with Asian-inspired furniture, crystal chandeliers,
0:33:09 > 0:33:11pale green wallpaper,
0:33:11 > 0:33:14and personal touches for Harjit and Ian.
0:33:27 > 0:33:30As far as Ian is concerned, it might be a bit feminine for him.
0:33:31 > 0:33:36Perhaps you could have brought in a little bit more...
0:33:36 > 0:33:37..of an Indian feel.
0:33:37 > 0:33:40Perhaps just even with dressing the bed.
0:33:40 > 0:33:42Because it was very important to Harjit to feel
0:33:42 > 0:33:45like she had her colour back in the room.
0:33:47 > 0:33:51I hope they haven't got it too... too you, not enough me.
0:33:51 > 0:33:55Well, it's good if it's all me. You know, it's all about me.
0:33:55 > 0:33:56Mm-hm. Always, dear.
0:33:58 > 0:34:03The old kitchen was outdated and ill-equipped for keen cook Harjit.
0:34:03 > 0:34:09With £5,500, Graham's transformed it into a contemporary space,
0:34:09 > 0:34:13with upcycled wooden worktops, patterned vinyl floor tiles,
0:34:13 > 0:34:18and very low-hanging pendant lights, all set against his trademark grey.
0:34:25 > 0:34:27Oh.
0:34:27 > 0:34:29Gosh, what interesting lights.
0:34:29 > 0:34:34Bit strange, especially in a kitchen of this size.
0:34:34 > 0:34:35Don't actually like them at all.
0:34:37 > 0:34:39It feels bigger when you first come in.
0:34:39 > 0:34:43But there's actually nowhere to store anything.
0:34:45 > 0:34:50I can't see Harjit and Ian in this kitchen at all.
0:34:50 > 0:34:53But we'll see. Perhaps they'll love it.
0:34:54 > 0:34:55(Please.)
0:34:57 > 0:34:59It's a critical moment.
0:34:59 > 0:35:03For Harjit and Ian, there's a lot more riding on this than just taste.
0:35:09 > 0:35:11Oh, right.
0:35:17 > 0:35:18What do you think?
0:35:20 > 0:35:22I like it with reservations.
0:35:23 > 0:35:27Frankly, not too sure about the bedside table.
0:35:27 > 0:35:29But I like the fact they've got Manny and Kelly on there.
0:35:31 > 0:35:33Oh, and a sky blue one for me.
0:35:35 > 0:35:36Right.
0:35:37 > 0:35:40- It's really nice. - You like it?
0:35:40 > 0:35:41I really like it, yeah.
0:35:41 > 0:35:43What about the colours?
0:35:43 > 0:35:45- I like it. I like the colours.- OK.
0:35:45 > 0:35:50- And I like these. - Chandeliers.- The lighting, yeah.
0:35:50 > 0:35:53Do you feel this is kind of a space that you could relax in?
0:35:53 > 0:35:54I can, yeah.
0:35:54 > 0:35:59It's kind of got a very relaxing feel.
0:35:59 > 0:36:01Ian, you wanted somewhere you could go to sleep.
0:36:01 > 0:36:04- Yes. Which we can do... - You think this will work?
0:36:04 > 0:36:06..if we lose the cushion.
0:36:06 > 0:36:07Oh, there's only one.
0:36:07 > 0:36:09Yeah, could have been worse.
0:36:09 > 0:36:11It's the perfect combination.
0:36:11 > 0:36:13We wouldn't have thought about it really.
0:36:13 > 0:36:15Well, I guess we should go
0:36:15 > 0:36:17and have a look at the other room now, shouldn't we?
0:36:19 > 0:36:21Next up, Graham's grey kitchen.
0:36:26 > 0:36:28- Oh!- Oh, my God!
0:36:33 > 0:36:35I'm not too sure about that.
0:36:37 > 0:36:38I don't know what to say.
0:36:41 > 0:36:45I actually like this. Yeah, I like the blocks of colour.
0:36:46 > 0:36:47No, actually, I like it.
0:36:47 > 0:36:53I didn't think I would like the grey and the white.
0:36:53 > 0:36:55- It makes the kitchen look really big.- Mm.
0:36:56 > 0:37:00You don't seem 100%, like you were in the bedroom.
0:37:00 > 0:37:03Yeah. I haven't got enough storage for all the spices and things.
0:37:03 > 0:37:06- I had one cupboard with all the spices in.- Yeah.
0:37:06 > 0:37:09And then had a cupboard with all my lovely dinner service,
0:37:09 > 0:37:12and I don't know where they'll go, because I've got quite a lot.
0:37:13 > 0:37:17You like most things in here, just the storage could be a slight issue.
0:37:17 > 0:37:18Yeah, it might be a bit of an issue.
0:37:18 > 0:37:21And you wouldn't be embarrassed inviting anyone in here.
0:37:21 > 0:37:23No. And I think that's perfect.
0:37:23 > 0:37:25You know, when I'm cooking, people can give me company.
0:37:25 > 0:37:28- They can sit here and chat to me. - Yeah. Absolutely.
0:37:29 > 0:37:32I'm going to have to call that a result.
0:37:32 > 0:37:33A bedroom that works for them both,
0:37:33 > 0:37:36and a kitchen they're not embarrassed about.
0:37:37 > 0:37:39Lucy and Graham need to hear this.
0:37:41 > 0:37:44- Welcome back.- Thank you.
0:37:45 > 0:37:48- How are you feeling? - Nervous.- Very nervous.
0:37:48 > 0:37:50- Are you?- Yes.
0:37:51 > 0:37:53- Lucy.- Yes.
0:37:55 > 0:37:56They loved the bedroom.
0:37:56 > 0:37:58Yes! Good.
0:37:58 > 0:38:01- Ian felt there was too many cushions on the bed. - THEY LAUGH
0:38:02 > 0:38:04I don't follow him on that one.
0:38:04 > 0:38:06But, yes, they did love it.
0:38:06 > 0:38:08Oh, thank God. Goodness.
0:38:10 > 0:38:11- Graham.- Yes.
0:38:13 > 0:38:15- They loved the kitchen as well. - Oh, my God!
0:38:17 > 0:38:18Well done!
0:38:18 > 0:38:21I think there is a reservation for the storage.
0:38:21 > 0:38:23There is a slight worry about that.
0:38:23 > 0:38:26But generally, it was a good response.
0:38:26 > 0:38:27- Brilliant.- Well done.
0:38:27 > 0:38:30So you can breathe a sigh of relief, both of you.
0:38:31 > 0:38:33So far, so good.
0:38:33 > 0:38:36But now Lucy and Graham need to prove to me
0:38:36 > 0:38:39that they can collaborate on a shared space -
0:38:39 > 0:38:41the living/dining room.
0:38:41 > 0:38:45Graham's quite strong and ambitious with his ideas,
0:38:45 > 0:38:47and I'm not sure how it's going to work with Lucy.
0:38:47 > 0:38:49Whether she's going to back down a bit,
0:38:49 > 0:38:51whether it's going to be equal pegging,
0:38:51 > 0:38:53very hard to tell at this stage.
0:38:53 > 0:38:55I hope they're going to work together as a team.
0:38:55 > 0:38:58That's the whole point, and I won't be very happy if they don't.
0:38:59 > 0:39:02I'm quite a big wallpaper fan, and I'm not sure that you are.
0:39:02 > 0:39:04- No.- I'm not a big grey fan.
0:39:06 > 0:39:11I'm really, really... I'll go as far to say that I detest wallpaper.
0:39:11 > 0:39:15I hate peeling wallpaper. I hate wallpaper with bumps underneath it.
0:39:15 > 0:39:17I hate old-fashioned wallpaper, I hate...
0:39:17 > 0:39:20We've got it, Graham. But has Lucy?
0:39:20 > 0:39:24But if it's done properly, I think gives such a good visual,
0:39:24 > 0:39:26whereas paint would be quite flat.
0:39:26 > 0:39:27It can be quite flat,
0:39:27 > 0:39:31but it's flat in the good sense that you can switch it up and change it
0:39:31 > 0:39:34from time to time, just with the things that you put on the wall.
0:39:34 > 0:39:35Once you get a large print on the wall,
0:39:35 > 0:39:38you're kind of married to that large print indefinitely.
0:39:38 > 0:39:41But if you love it, then it'll be all right.
0:39:44 > 0:39:46This could be more evenly matched than I first thought.
0:39:49 > 0:39:51The suggestion of a collaboration
0:39:51 > 0:39:54isn't going down well at the house in Tamworth, either.
0:39:55 > 0:39:59Jess cried when she saw Anna's room. She didn't like it.
0:39:59 > 0:40:02And I do really believe that my design for that room
0:40:02 > 0:40:04is much stronger and it's going to have much more punch.
0:40:04 > 0:40:07And I think Zoe and Steve are going to prefer it.
0:40:07 > 0:40:10OK, Nadene, it's "put your money where your mouth is" time.
0:40:10 > 0:40:14My idea for the room was a modern Moroccan fairground ride.
0:40:14 > 0:40:17I'm thinking a bit of 1970s Marrakech
0:40:17 > 0:40:20- with a little bit of we've run away with the circus.- OK.
0:40:20 > 0:40:24So this is a piece of original fairground.
0:40:24 > 0:40:28See that, already, just looks fantastic, in my view.
0:40:28 > 0:40:30I've got some coloured window film too.
0:40:30 > 0:40:35For me, playing around with external windows is a bit of a no-no.
0:40:35 > 0:40:37Because actually it can look quite naff.
0:40:37 > 0:40:40Says the lady who draws on furniture.
0:40:40 > 0:40:43The main look of mine, it's very white, it's very monochrome,
0:40:43 > 0:40:45kind of shabby chic. No?
0:40:45 > 0:40:48Those words, "shabby chic", I actually get a pain in my heart.
0:40:48 > 0:40:51- Right.- Do you want to show me what you've got?
0:40:51 > 0:40:53Oh, what is this?
0:40:53 > 0:40:57Oh. It's white, it's distressed, it is hideous.
0:40:57 > 0:40:58Anna, it's hideous.
0:40:58 > 0:41:01No, I think it's quite sweet. I like the lining inside.
0:41:01 > 0:41:04- I think...- Sweet? - And I like it.- I don't do sweet.
0:41:04 > 0:41:06You don't say?
0:41:06 > 0:41:09When I get bossy I turn into an Afghan grandma.
0:41:09 > 0:41:11I can feel that happening, I can feel Grandma rising.
0:41:11 > 0:41:14I think there might be tears before the end of the day.
0:41:14 > 0:41:16She just needs to take a step back,
0:41:16 > 0:41:18look at our situation together as a co-room.
0:41:18 > 0:41:21She just needs to remember that it's not just her room,
0:41:21 > 0:41:22it's my room as well.
0:41:22 > 0:41:25Actually it's Steve, Zoe and Jess's.
0:41:25 > 0:41:27So both of you had better get it right.
0:41:31 > 0:41:35At the other house, it's Lucy who's ahead on points.
0:41:35 > 0:41:38I love it. Apart from Russell's mucky finger marks on it.
0:41:40 > 0:41:42- Grr! - SHE LAUGHS
0:41:42 > 0:41:44You may love it, but the clients may not.
0:41:44 > 0:41:48Ian hates red and Harjit detests wallpaper.
0:41:48 > 0:41:50I chose red purely
0:41:50 > 0:41:54because it's... The brief says that Harjit's favourite colour is red.
0:41:54 > 0:41:56It's not my favourite colour.
0:41:56 > 0:41:58I don't think there's anything red in my house,
0:41:58 > 0:42:01or anywhere in my house.
0:42:01 > 0:42:04I can't help noticing she's wearing red.
0:42:04 > 0:42:07Graham may be on the ropes in this room design,
0:42:07 > 0:42:09but he is still putting up a fight.
0:42:09 > 0:42:13I have agreed to some of Lucy's wallpaper.
0:42:13 > 0:42:17But I'm not going to give up on the grey on the walls as well,
0:42:17 > 0:42:21because I think if we filled this room with too much white space
0:42:21 > 0:42:24and large patterns, I really don't think Ian's going to get it
0:42:24 > 0:42:25at all when he walks in.
0:42:26 > 0:42:29But I think it will be tipping more in my favour
0:42:29 > 0:42:30by the time we're finished.
0:42:31 > 0:42:34Round two. Time for Graham to pull some punches.
0:42:34 > 0:42:40I'd really like to see all of this kind of L-shape painted in the grey.
0:42:40 > 0:42:45OK. Well, if we mix it up and make it a lot paler,
0:42:45 > 0:42:47like dove grey, then...
0:42:47 > 0:42:48How about a pigeon?
0:42:53 > 0:42:55- Hate it.- Lighter?
0:42:55 > 0:42:58Hate it. It's just not going to go with the red.
0:42:58 > 0:43:01- It's getting better. - I'll add a tiny bit more.
0:43:06 > 0:43:07See, I'm not sure.
0:43:07 > 0:43:09I could live with the last one you did, perhaps.
0:43:09 > 0:43:12Do the grey wall, but I just want it known
0:43:12 > 0:43:16that I think it's an... ill-informed choice.
0:43:17 > 0:43:20- DING-DING - End of round two.
0:43:20 > 0:43:22Lucy, go back to your red corner.
0:43:22 > 0:43:24Graham, I think yours is the grey one.
0:43:24 > 0:43:28We've had a little drama today between the two designers.
0:43:28 > 0:43:29If they can't decide on paint colour,
0:43:29 > 0:43:32what's it going to be like when they come to dressing the room?
0:43:32 > 0:43:35I think there's going to be a bumpy road ahead.
0:43:36 > 0:43:38I think I should buy a steam roller,
0:43:38 > 0:43:40because there's a lot that needs smoothing out
0:43:40 > 0:43:42back in Tamworth as well.
0:43:42 > 0:43:44So this is the scaffold board cladding
0:43:44 > 0:43:47that we're going to use on the cabinet. And what do you think,
0:43:47 > 0:43:50- if we try and get that finish on the floor?- Well, I like this,
0:43:50 > 0:43:53but I actually would describe it as a bit like shabby chic.
0:43:53 > 0:43:55I think this is nicely distressed,
0:43:55 > 0:43:57the way that I like the shabby chic style.
0:43:57 > 0:44:01I really glad you agree. But it is not shabby chic.
0:44:01 > 0:44:03I concede it's distressed. Different word.
0:44:03 > 0:44:07However, it's very nice. And we both like it. So spot on.
0:44:07 > 0:44:11- Thumbs up.- And I concede it will work with your shabby chic cabinet.
0:44:11 > 0:44:13Very good, thank you very much.
0:44:13 > 0:44:16I don't know about chic, but that's about as shabby as it gets.
0:44:20 > 0:44:22Up the road at Steve's dad's house,
0:44:22 > 0:44:25they're filling him in on the goings on.
0:44:25 > 0:44:29Nadene has done the decoration scheme for our bedroom,
0:44:29 > 0:44:33which is a bit of turn-of-the-century Parisian brothel
0:44:33 > 0:44:34kind of a style.
0:44:34 > 0:44:38And Anna did Jess's bedroom...
0:44:38 > 0:44:43which is like a... a child's fridge magnet kind of a style.
0:44:45 > 0:44:49I'm actually nervous about what's going to happen in the main room.
0:44:49 > 0:44:54I just can't comprehend how the two styles will be put together.
0:44:54 > 0:44:58Your designers, are they first-timers?
0:44:58 > 0:45:00Yeah, they've only ever designed
0:45:00 > 0:45:02rooms in their own properties before.
0:45:02 > 0:45:06Anna's not an interior designer at all. She designs sets for theatre.
0:45:06 > 0:45:08She's never designed somebody's house.
0:45:08 > 0:45:11It's like going to a plumber for your toothache, isn't it?
0:45:11 > 0:45:12Yeah.
0:45:12 > 0:45:14Cheeky devil!
0:45:14 > 0:45:17A plumber for your toothache sounds far less painful.
0:45:17 > 0:45:19- MUSIC:- Good Vibrations by The Beach Boys
0:45:22 > 0:45:24When two designers work together in harmony,
0:45:24 > 0:45:27it really is a sight to behold.
0:45:27 > 0:45:29I'm pleased I'm getting more of my objects in now.
0:45:29 > 0:45:31Nadene's backing down a little bit.
0:45:31 > 0:45:34She's being more understanding that it's a joint room
0:45:34 > 0:45:37and we're trying to share and balance our props.
0:45:37 > 0:45:40That doesn't sound like the Nadene I know.
0:45:40 > 0:45:43- I'm getting quite frustrated with Anna at the moment.- That does.
0:45:43 > 0:45:46We've got a few hours left and I feel like she's just trying
0:45:46 > 0:45:50- to force her things into the room for the sake of it.- Here we go.
0:45:50 > 0:45:53And I think that is going to compromise the final design
0:45:53 > 0:45:56and I'm really not very happy about it.
0:45:56 > 0:45:59I'm a little bit worried because she's got a big smile on her face
0:45:59 > 0:46:02and a big pen in her hand, and it's starting to creep into this room.
0:46:02 > 0:46:04It didn't go down very well earlier in the week.
0:46:04 > 0:46:06Let's just hope she reels it in a little bit and give us
0:46:06 > 0:46:09something they're going to like this time.
0:46:10 > 0:46:11'Miracles can happen.
0:46:13 > 0:46:16'In Coventry, designers Lucy and Graham have both gone the distance,
0:46:16 > 0:46:19'and I'm about to judge their finished room
0:46:19 > 0:46:20'before the homeowners return.'
0:46:23 > 0:46:25There's been battles of wills going on in this house
0:46:25 > 0:46:28and I really do hope they've resolved this
0:46:28 > 0:46:29and come up with a great design,
0:46:29 > 0:46:32because the most important people here are Harjit and Ian,
0:46:32 > 0:46:35not their egos.
0:46:35 > 0:46:36At the beginning of the week,
0:46:36 > 0:46:40the living/dining room was filled with Ian's beiges and browns,
0:46:40 > 0:46:43with none of the vibrant colours or ornaments
0:46:43 > 0:46:44that mean so much to Harjit.
0:46:47 > 0:46:50Now the amateur designers have attempted to fuse
0:46:50 > 0:46:54Harjit's love of colour with Ian's preference for more muted tones.
0:46:55 > 0:46:57A storage wall provides a showcase
0:46:57 > 0:47:00for Harjit's collection of ornaments.
0:47:01 > 0:47:03And they've even added a bold patterned rug.
0:47:12 > 0:47:14It's quite a transformation.
0:47:15 > 0:47:17Is this one of Harjit's rugs?
0:47:17 > 0:47:19- Yeah.- Yes.
0:47:19 > 0:47:21That was a clever move, wasn't it?
0:47:23 > 0:47:27I believe I see the colour grey on the wall.
0:47:27 > 0:47:30Quite a watered-down version, though.
0:47:30 > 0:47:32It's called "compromise grey."
0:47:33 > 0:47:35I think it just got a little bit heated
0:47:35 > 0:47:39because we were so passionate about our vision.
0:47:39 > 0:47:42Graham basically said, "I'm having it or I'm stopping."
0:47:44 > 0:47:46Tools down, on strike.
0:47:46 > 0:47:49But I have an 11-year-old, so I know how to deal with it.
0:47:49 > 0:47:51HE LAUGHS
0:47:53 > 0:47:54Who chose the red?
0:47:54 > 0:47:56I did.
0:47:56 > 0:47:58Did you choose the stripes as well?
0:47:58 > 0:47:59I did, yeah.
0:47:59 > 0:48:02It's a gamble, but it's Harjit's favourite colour.
0:48:04 > 0:48:08I'm slightly concerned about Ian with the red. So much of it.
0:48:08 > 0:48:13Let's just hope Ian doesn't have a fit. Off you go.
0:48:13 > 0:48:14Thanks, Celia.
0:48:14 > 0:48:17'Hopefully, these designers have done enough
0:48:17 > 0:48:20'to fuse Ian and Harjit's cultural style differences.'
0:48:21 > 0:48:26My absolute nightmare would be too much colour in the room,
0:48:26 > 0:48:28too many ornaments.
0:48:29 > 0:48:31Too over-fussy.
0:48:31 > 0:48:36Hopefully we haven't got too much grey and there's no paper.
0:48:38 > 0:48:39Too late now.
0:48:39 > 0:48:41With the amateur designers hiding in the kitchen,
0:48:41 > 0:48:44Harjit and Ian have no idea they're listening in.
0:48:50 > 0:48:51Oh, wow!
0:48:51 > 0:48:52Erm...
0:48:57 > 0:48:59How different is this?
0:49:01 > 0:49:02Oh, my God, paper.
0:49:06 > 0:49:09I really like the African art, you know, the statues all there,
0:49:09 > 0:49:12because they were hidden away before, you couldn't see them.
0:49:12 > 0:49:15Yes, they were. And I'm not disappointed with that.
0:49:15 > 0:49:17That's very nice, yeah. Yeah.
0:49:17 > 0:49:19I'm still unsure about all of these cushions.
0:49:19 > 0:49:22Ian, you've got to get used to cushions.
0:49:22 > 0:49:24It's part of comfortable living.
0:49:24 > 0:49:26It looks lovely. If you take them all off,
0:49:26 > 0:49:29it's like having a glass of wine with no wine in it.
0:49:31 > 0:49:34You can drink straight out the bottle, though.
0:49:34 > 0:49:35Oh, that's dreadful.
0:49:35 > 0:49:38Ian, what do you think about the red wallpaper?
0:49:40 > 0:49:43I'm not over the moon about the wallpaper, to be fair.
0:49:43 > 0:49:45But I like the way it's all tied in...
0:49:45 > 0:49:47- Yeah.- ..throughout the whole downstairs.
0:49:47 > 0:49:49It's very cleverly done.
0:49:49 > 0:49:52It's... You haven't got the wallpaper all along the wall.
0:49:52 > 0:49:54So it's a thumbs up, then, is it?
0:49:54 > 0:49:57- It's... For me it's definitely a thumbs up.- Yeah. And me.
0:49:57 > 0:50:00Do you want to meet the designers? Because I think it's time you did.
0:50:00 > 0:50:02- Yes, please.- Yes, please.
0:50:03 > 0:50:05OK. Come on in then, guys.
0:50:05 > 0:50:07- Hello.- Hello.
0:50:09 > 0:50:10- Hello.- Hello there.
0:50:12 > 0:50:15Harjit and Ian have spent years disagreeing
0:50:15 > 0:50:19over what they want in their home, and now it's a happy ending.
0:50:19 > 0:50:20It's fantastic.
0:50:20 > 0:50:22- It's made the kitchen look wider. - I think so.
0:50:22 > 0:50:25Well, it's not wide, but it does make it look wider.
0:50:25 > 0:50:27Yeah, absolutely.
0:50:27 > 0:50:31It's really strengthened my resolve to want to carry this on
0:50:31 > 0:50:33and do something in the future.
0:50:33 > 0:50:35In fact, Ian and Harjit are going to have my number
0:50:35 > 0:50:38because they've got a hall and stairs to finish as well.
0:50:38 > 0:50:40And I love the bedroom.
0:50:40 > 0:50:41Oh, I'm glad. I'm glad.
0:50:41 > 0:50:43It's really very relaxing.
0:50:43 > 0:50:44- Good.- Calming.
0:50:44 > 0:50:47I can sit and do my yoga, meditation there, that sort of thing.
0:50:47 > 0:50:49That's what I wanted.
0:50:49 > 0:50:52I would love to do this every day of the week.
0:50:52 > 0:50:54I could do it every day of the week.
0:50:54 > 0:50:57It would be a dream for me to do it.
0:50:57 > 0:50:59And by myself.
0:51:00 > 0:51:03With no collaboration.
0:51:03 > 0:51:05- Thank you very much for transforming our home.- Yeah.
0:51:05 > 0:51:07You're very welcome.
0:51:07 > 0:51:11- It looks really fabulous. - You like it?- Yes.- I do, yeah.
0:51:11 > 0:51:15Such a relief. You've got no idea!
0:51:15 > 0:51:18Both designers worked hard, both compromised,
0:51:18 > 0:51:21so I think, because of the lack of storage in the kitchen,
0:51:21 > 0:51:25it has to be Lucy that impressed me the most this week.
0:51:25 > 0:51:27So I've got to ask you a key question here.
0:51:27 > 0:51:30You took a risk, you put your home in their hands.
0:51:30 > 0:51:31Was it worth it?
0:51:31 > 0:51:32Yes, definitely.
0:51:33 > 0:51:35That's a good result.
0:51:35 > 0:51:36We like that.
0:51:36 > 0:51:38I mean, it's opened my eyes to the fact
0:51:38 > 0:51:41that you can have colour in a room.
0:51:41 > 0:51:45But it's still nice and clean and liveable.
0:51:45 > 0:51:48We'll be having more social gatherings,
0:51:48 > 0:51:49all the family coming back in.
0:51:49 > 0:51:51Friends coming in.
0:51:51 > 0:51:54I won't have to make excuses this time.
0:51:59 > 0:52:01And, of course, it's not over yet.
0:52:01 > 0:52:05In Tamworth, the Daleys' home is still in the hands of amateurs.
0:52:07 > 0:52:10Nadene and Anna need to hurry up and finish,
0:52:10 > 0:52:13because I'm on my way and these two have got a lot to prove.
0:52:15 > 0:52:19We want this room, the joint room, to be a hub of the home,
0:52:19 > 0:52:21to be where everyone wants to hang out,
0:52:21 > 0:52:24to be where all three parties of that family are happy.
0:52:24 > 0:52:27No more Jess being embarrassed bringing her friends back.
0:52:27 > 0:52:28Let's hope this has worked.
0:52:35 > 0:52:38At the beginning of the week, the Daleys' living room
0:52:38 > 0:52:40was little more than a shell,
0:52:40 > 0:52:43with bare plaster walls and tired furniture.
0:52:44 > 0:52:47Nadene and Anna have reinvented it as a clean and bright,
0:52:47 > 0:52:51shabby chic space with a Moroccan fairground flavour.
0:52:52 > 0:52:53The walls have been painted white
0:52:53 > 0:52:57and decorated with Anna's framed illustrations.
0:52:57 > 0:53:01The dark brown sofas have been ditched in favour of light leather.
0:53:01 > 0:53:06And the television's been hidden inside a circus-themed storage unit.
0:53:26 > 0:53:29- So we've got a bit of shabby chic in here, haven't we?- No.
0:53:29 > 0:53:31I think a little bit's come in.
0:53:33 > 0:53:37And Anna, obviously I can see there's a little bit of squiggling
0:53:37 > 0:53:40going on around the room.
0:53:40 > 0:53:42And these art pieces, I presume are yours.
0:53:42 > 0:53:43Yeah, they're mine.
0:53:43 > 0:53:48So you feel, both of you girls, that it was 50-50 on the design, do you?
0:53:48 > 0:53:50I do. I do think so.
0:53:50 > 0:53:54Maybe I would say it's 60-40 now. But I'm happy with that.
0:53:54 > 0:53:57- But you've got the 60, I presume. - Yeah.
0:53:57 > 0:54:00You would have been happier then, if you'd got more?
0:54:00 > 0:54:02I would have been happy with 80-20, yeah.
0:54:02 > 0:54:06Well, all in all, I think it looks really much better in here.
0:54:06 > 0:54:08This area's well used.
0:54:08 > 0:54:09I quite like the art work.
0:54:09 > 0:54:12I think it shows a bit of personality from you, which is good.
0:54:13 > 0:54:17And generally it looks clean and airy and a nice room. So...
0:54:19 > 0:54:20Off you go.
0:54:20 > 0:54:21Thank you very much.
0:54:23 > 0:54:28Steve, Zoe and Jess were sick of living in an unfinished house.
0:54:28 > 0:54:31But so far only Zoe has been completely happy
0:54:31 > 0:54:33with the amateurs' work.
0:54:33 > 0:54:37It's now crucial that this last room is right for the whole family.
0:54:37 > 0:54:38It's us again!
0:54:49 > 0:54:52Love it. Absolutely love it.
0:54:52 > 0:54:53So do I.
0:54:53 > 0:54:55I like the boxy thing.
0:54:55 > 0:54:56Yeah.
0:54:56 > 0:54:59Oh, wow! I like him.
0:54:59 > 0:55:00No, I like what's been done there.
0:55:00 > 0:55:02- Yeah. I like that.- Yeah. - All of it.
0:55:02 > 0:55:05- I like how there's bits of, like, Anna in it.- Yeah.
0:55:05 > 0:55:06Like with the drawn flowers and stuff.
0:55:06 > 0:55:10- I love these. They're fantastic. - Yeah.
0:55:10 > 0:55:11Spot the family portrait.
0:55:11 > 0:55:14THEY LAUGH
0:55:14 > 0:55:16Oh, Steve. She got your hair perfect.
0:55:19 > 0:55:21There's nothing in here that I don't like.
0:55:21 > 0:55:23- Yeah. Same with me. - Absolutely nothing.
0:55:23 > 0:55:25So it's been quite a turnaround really, hasn't it?
0:55:25 > 0:55:28Because none of you could agree on what you wanted,
0:55:28 > 0:55:31- so nothing was ever done. And now you all like it.- Yeah.
0:55:31 > 0:55:34Which is quite a... It's a good result, isn't it?
0:55:34 > 0:55:35I think it's amazing.
0:55:35 > 0:55:37We've never had anything that we've agreed on.
0:55:37 > 0:55:39And Jess, you're smiling now.
0:55:41 > 0:55:43This is exactly what I wanted.
0:55:43 > 0:55:46Like, from a living room.
0:55:46 > 0:55:49With some things that I didn't expect, but I really, really like.
0:55:49 > 0:55:51- And would you bring your friends round now?- Definitely.
0:55:51 > 0:55:53Yeah, so you're not going to be embarrassed
0:55:53 > 0:55:56- bringing them in here, are you? - No. Obviously not.
0:55:56 > 0:55:59Well, would you like to meet the two designers
0:55:59 > 0:56:00that created this space for you?
0:56:00 > 0:56:03- Yes, please. - I think we should.
0:56:03 > 0:56:04Come on in, girls.
0:56:04 > 0:56:07- Hello.- Hello.- Hi.
0:56:08 > 0:56:11What a fabulous result. We've now got a happy family.
0:56:11 > 0:56:15They're all delighted and now they can enjoy it like a family should.
0:56:15 > 0:56:17Thank you so much. Seriously, thank you, it's amazing.
0:56:17 > 0:56:19You've made such a difference.
0:56:19 > 0:56:24To see the big beaming smile on Zoe's face, it just meant the world.
0:56:24 > 0:56:27I really want to be doing a lot more designing in future.
0:56:28 > 0:56:32- Jess, now you meet Anna. Anything to say to each other?- I'm so sorry.
0:56:32 > 0:56:35I'm really, really sorry that I didn't like it.
0:56:35 > 0:56:37It's just it wasn't to my taste.
0:56:37 > 0:56:41But saying that, your talent is so incredible.
0:56:41 > 0:56:44- Oh, thanks.- It really is fantastic. - Oh, thank you.
0:56:44 > 0:56:45'I really want to push my interior design
0:56:45 > 0:56:49'and develop possibly fabric design, curtains or wallpaper.'
0:56:49 > 0:56:52You know, just explore it a little bit more. So I'm excited.
0:56:54 > 0:56:56Nadene has definitely impressed me the most.
0:56:56 > 0:56:58She got the brief right to the T.
0:56:58 > 0:57:00So well done to her.
0:57:00 > 0:57:04You took a risk, you put your home in their hands.
0:57:04 > 0:57:05Was it worth it?
0:57:05 > 0:57:08- Yes.- 100%. - Absolutely.- Definitely.
0:57:10 > 0:57:14- Well done.- This room is one of the nicest I have ever, ever seen,
0:57:14 > 0:57:15ever in my life.
0:57:16 > 0:57:19Now we have somewhere we can be together.
0:57:19 > 0:57:20It's a place we can be proud of.
0:57:20 > 0:57:23Yeah, absolutely. No more isolation for the Daleys.