:00:13. > :00:16.events, the World Cup, Vimblednn and the Tour de France.
:00:17. > :00:18.the Dour de Franbe. But it is also time to put the
:00:19. > :00:21.the Dour de Franbe. tennis racquet down and kicked off
:00:22. > :00:24.those football boots, because it is tennis racquet down and kicked off
:00:25. > :00:25.time for a small time to welcome tennis racquet down and kicked off
:00:26. > :00:27.world to Wales. tennis racquet down and kicked off
:00:28. > :00:28.Welcome to the Llangollen tennis racquet down and kicked off
:00:29. > :01:07.International Musical Eisteddfod! Whare are you
:01:08. > :01:18.Are qou excited? I Whare are you
:01:19. > :01:30.Are you excited? I heard you doing a call? Can you do it again?
:01:31. > :01:30.Are you excited? I heard you doing a Hate you
:01:31. > :01:34.Are you excited? I heard you doing a Have you ever heard of a four
:01:35. > :01:34.Are you excited? I heard you doing a Have you dver heard of ` four ,- a
:01:35. > :01:40.bloke called Max Boyce? ! Have you dver heard of ` four ,- a
:01:41. > :01:46.What are you enjoying? The Have you dver heard of ` four ,- a
:01:47. > :01:47.It rains here sometimes, but not Have you dver heard of ` four ,- a
:01:48. > :01:56.today. Thank you for coming. Have you dver heard of ` four ,- a
:01:57. > :02:00.How are you? Where are you from? Icaland.
:02:01. > :02:01.How are you? Where are you from? Iceland. What competition are xou
:02:02. > :02:07.competing in? Dance choir and folk Iceland. What competition are xou
:02:08. > :02:14.songs. Good luck and enjoy yourself. solgc. Good luck and enjoq yourself.
:02:15. > :02:17.Where are you from? We come from solgc. Good luck and enjoq yourself.
:02:18. > :02:21.Beijing. You've brought solgc. Good luck and enjoq yourself.
:02:22. > :02:21.Beijang. Xoe've brought the sun solgc. Good luck and enjoq yourself.
:02:22. > :02:21.Beijing. You've brought the sun with solgc. Good luck and enjoq yourself.
:02:22. > :02:27.you as well. solgc. Good luck and enjoq yourself.
:02:28. > :02:31.I pecognise solgc. Good luck and enjoq yourself.
:02:32. > :02:32.I recognise this. South Africa. Can solgc. Good luck and enjoq yourself.
:02:33. > :02:34.I join you? THEY SING.
:02:35. > :03:23.I joan you? You Every
:03:24. > :03:27.the main competition is happening, Every
:03:28. > :03:29.but at night there are gala concerts but at nighd thepe are fala concerts
:03:30. > :03:32.and events. Tonight they have even an` events. Tonight they `ave dven
:03:33. > :03:32.roped in thas an` events. Tonight they `ave dven
:03:33. > :03:38.roped in this man to take an` events. Tonight they `ave dven
:03:39. > :03:38.There is a real buzz backstage. Stap`en
:03:39. > :03:38.There is a real buzz backstage. Step`en Sondheim
:03:39. > :03:47.There is a real buzz backstage. Stephen Sondheim's Sweeney Todd. It
:03:48. > :03:51.is a critically acclaimed all Welsh Stephen Sondheim's Sweeney Todd. It
:03:52. > :03:51.cast, and me. Let us hope there are not
:03:52. > :03:52.cast, and me. Let us hope there are nop doo m`nq
:03:53. > :03:58.cast, and me. Let us hope there are not too many close shaves!
:03:59. > :03:59.cast, and me. Let us hope there are Printout of all takes the
:04:00. > :03:59.cast, and me. Let us hope there are Printout of all taces the tItle
:04:00. > :04:02.cast, and me. Let us hope there are Printout of all takes the title role
:04:03. > :04:06.cast, and me. Let us hope there are about the Demon ,- in the
:04:07. > :04:06.cast, and me. Let us hope there are about the Demon -- in the tail of
:04:07. > :04:06.tha about the Demon -- in the tail of
:04:07. > :04:09.the Demon Barber of Fleet Street. -- the Demon Barber of leet Street. --
:04:10. > :04:17.the story. the Demon Barber of leet Street. --
:04:18. > :04:19.How does it feel to be back in Wahec?
:04:20. > :04:20.How does it feel to be back in Wales? It feels fantastic to be back
:04:21. > :04:24.Wahec? It feels dantastic to bd back here. This is a piece where words
:04:25. > :04:26.Wahec? It feels dantastic to bd back and music go hand in hand. It
:04:27. > :04:28.Wahec? It feels dantastic to bd back an` music go hand an hand. It hs
:04:29. > :04:31.Wahec? It feels dantastic to bd back musical theatre. Sweeney Todd is a
:04:32. > :04:33.musical theatre. Sweeney Todd hs a character that can be portrayed
:04:34. > :04:34.musical theatre. Sweeney Todd hs a an o`eratic voice,
:04:35. > :04:34.musical theatre. Sweeney Todd hs a an operatic voice, but also a
:04:35. > :04:38.musical theatre voice. But it is a musical theatre toace. But it hs a
:04:39. > :04:42.kind of piece that people enjoy. musical theatre toace. But it hs a
:04:43. > :04:46.Although the story is a monstrosity, Defra, revenge. I was
:04:47. > :04:51.monsdrosity, efpa, revdnge. I was looking -- death, revenge. Stephen
:04:52. > :04:54.monsdrosity, efpa, revdnge. I was Sondheim does not even talk to
:04:55. > :05:01.anybody, he cannot look you in the eya.
:05:02. > :05:06.anybody, he cannot look you in the These are my friends. See how they'd
:05:07. > :05:08.anybody, he cannot look you in the listen. -- they listen. See this one
:05:09. > :05:10.anybody, he cannot look you in the smile, how he shines in
:05:11. > :05:10.anybody, he cannot look you in the smile, how `e shhnes in t`e
:05:11. > :05:12.anybody, he cannot look you in the smile, how he shines in the light.
:05:13. > :05:20.smile, how `e shhnes in t`e light. My fbiendr.
:05:21. > :05:22.smile, how `e shhnes in t`e light. You asked sat there like
:05:23. > :05:24.smile, how `e shhnes in t`e light. Ruling evdrqthing.
:05:25. > :05:29.smile, how `e shhnes in t`e light. Ruling everything. How are you
:05:30. > :05:31.smile, how `e shhnes in t`e light. feeling? Excited. It has been three
:05:32. > :05:34.yearc since I feeling? Excited. It has been three
:05:35. > :05:34.years since I approached them to yearc sinbe I approached them to
:05:35. > :05:38.come here. I cannot leave we are at coie here, A canlot leave we are at
:05:39. > :05:39.that point now where the final dress coie here, A canlot leave we are at
:05:40. > :05:44.is going on. It is an all Welsh cast coie here, A canlot leave we are at
:05:45. > :05:45.and an international festival, was coie here, A canlot leave we are at
:05:46. > :05:50.that a deliberate decision? Yes, coie here, A canlot leave we are at
:05:51. > :06:01.because if you cannot celebrate coie here, A canlot leave we are at
:06:02. > :06:01.Wales here, where can you? Stimulating,
:06:02. > :06:02.Wales here, where can you? Stimulatilg, isn't
:06:03. > :06:06.Wales here, where can you? Stimulating, isn't it? Soon you will
:06:07. > :06:14.Wales here, where can you? have to feed it once per week. This
:06:15. > :06:14.boy successfully auditioned for the rohe
:06:15. > :06:16.boy successfully auditioned for the role of Tobias.
:06:17. > :06:20.boy successfully auditioned for the You are brilliant. What kind of
:06:21. > :06:20.boy successfully auditioned for the expebience has
:06:21. > :06:23.boy successfully auditioned for the experience has this been for
:06:24. > :06:25.boy successfully auditioned for the expebience `as this been for ynu? It
:06:26. > :06:27.is the biggest thing I have ever done in my entire life. I cannot
:06:28. > :06:30.dole in mx entire life. I cannnt believe I am standing here! Two of
:06:31. > :06:34.believe I am staldang hdre! Two of the young successful audition is
:06:35. > :06:34.believe I am staldang hdre! Two of where Laupen, currently studying
:06:35. > :06:41.believe I am staldang hdre! Two of where Lauren, currently studying for
:06:42. > :06:48.a career in the performing arts. Kiss me...
:06:49. > :06:49.I hafe enhoqed watching however think comes together, professional
:06:50. > :06:54.production, recessional cast, and think comes together, professional
:06:55. > :06:55.geptang ilvolved think comes together, professional
:06:56. > :06:55.gettang involved with think comes together, professional
:06:56. > :07:02.getting involved with the buzz getting ilvolved wath the buzz of it
:07:03. > :07:05.all. -- ppofessional cart. With the price of meat what it is,
:07:06. > :07:14.all. -- ppofessional cart. when you've got it...
:07:15. > :07:15.all. -- ppofessional cart. The sexiest woman in show business!
:07:16. > :07:20.Tha cexiest womal an shnw business! What is it like backstage? It
:07:21. > :07:22.Tha cexiest womal an shnw business! huge. If you think about it for a
:07:23. > :07:24.huge. f xoe thilk about at for a second or two, I might not even
:07:25. > :07:28.second or tgo, I maght not even get on the stage! I have never done so
:07:29. > :07:29.second or tgo, I maght not even get and I'm before, but it needs
:07:30. > :07:33.respect. -- Stephen Sondheim. We and I'm before, but it needs
:07:34. > :07:36.have the best Sweeney Todd in have the `ect Sweeney Tndd in the
:07:37. > :07:37.world, he is like the Rock of world, he ic likd the Rncc of
:07:38. > :07:41.Gibraltar! Gi`raltar!
:07:42. > :07:49.The worst pies in Gi`raltar!
:07:50. > :07:53.Is that just disgusting? You Gi`raltar!
:07:54. > :07:53.Is t`at jusd disfusting> You h`ve to Is that just disgusting? You have to
:07:54. > :07:54.concede Is that just disgusting? You have to
:07:55. > :07:54.colcede it, Is that just disgusting? You have to
:07:55. > :07:57.concede it, it is nothing Is that just disgusting? You have to
:07:58. > :08:00.crusting, drink this, you Is that just disgusting? You have to
:08:01. > :08:00.crusding, dbink this, ynu will Is that just disgusting? You have to
:08:01. > :08:00.crqsding, dbink thas, ynu will need Is that just disgusting? You have to
:08:01. > :08:09.it. The worst pies in London... Is that just disgusting? You have to
:08:10. > :08:15.I know you like a pie! Yes, who ate all the pies? Look, the
:08:16. > :08:19.show is magnificent. The duet Yes, who ate all the pies? Look, the
:08:20. > :08:23.ends the first act Yes, who ate all the pies? Look, the
:08:24. > :08:24.Such clever words, and the structure Yes, who ate all the pies? Look, the
:08:25. > :08:29.of the duet. Always Yes, who ate all the pies? Look, the
:08:30. > :08:34.Stephen Sondheim says you should enhoy.
:08:35. > :08:35.Shepherd enhoy.
:08:36. > :08:35.Shapherd enhoy.
:08:36. > :08:36.Shepherd 's pie peppered with actual Shepherd pie peppered with `ctual
:08:37. > :08:45.Shepherd on top. A politician so Shepherd pie peppered with `ctual
:08:46. > :08:45.oily it is served with a doily. Pup
:08:46. > :08:46.oily it is served with a doily. Put it on
:08:47. > :08:49.oily it is served with a doily. Put at on a bomb,
:08:50. > :08:49.oily it is served with a doily. Put it on a bomb, you never know it
:08:50. > :08:52.Pup at on a bomb, qou ndver knnw it -- if it is going
:08:53. > :09:02.-- if it hs goinf to run... -- A-bomb.
:09:03. > :09:10.I will come again when you have You are my favourite anyway. Good
:09:11. > :09:21.luck. You are my favourite anyway. Good
:09:22. > :10:05.You like my plan? You understand? I have been practising how to
:10:06. > :10:05.welcome in check. This is the folk song
:10:06. > :10:06.welcome in check. This is the folk solg choir,
:10:07. > :10:07.welcome in check. This is the folk song choir, and they have just been
:10:08. > :10:12.welcome in check. This is the folk on stage. What are your impressions?
:10:13. > :10:13.It is beattiful. We on stage. What are your impressions?
:10:14. > :10:17.It is beautiful. We are looking It ic beattaful. We are lookinf
:10:18. > :10:19.forward to our trip. It ic beattaful. We are lookinf
:10:20. > :10:22.travelled a long way to be here. I It ic beattaful. We are lookinf
:10:23. > :10:22.would guess you get on well together?
:10:23. > :10:24.would guess you get on well togedher? Yes,
:10:25. > :10:24.would guess you get on well together? Yes, we are very good
:10:25. > :11:00.THEY SING. friends.
:11:01. > :11:06.Also competing for the very time, Heol-y-March Choir
:11:07. > :11:10.Also competing for the very available Glamorgan.
:11:11. > :11:15.-- the Vale of. -- the Vale of -- the Vale of. ,- the Vale of
:11:16. > :11:37.Glamorgan. This is p`rd of the children's
:11:38. > :11:39.song choir competition, but this group have slipped in a bit
:11:40. > :11:39.song choir competition, but this grou` havd clippdd in a bat of
:11:40. > :11:44.grou` havd slippdd in a bat of choreography as
:11:45. > :12:03.The International prize goes to Heol-y-Marc`
:12:04. > :12:05.The International prize goes to Heol-y-March Choir.
:12:06. > :12:06.Heol-y-Mapc` hoir. There are several children's choir
:12:07. > :12:07.competitions There are several children's choir
:12:08. > :12:08.competitionc here, There are several children's choir
:12:09. > :12:09.competitions here, and one overall There are several children's choir
:12:10. > :12:10.winner, There are several children's choir
:12:11. > :12:12.wilner, a There are several children's choir
:12:13. > :12:15.winner, a prize for the best of the best.
:12:16. > :12:15.Tha best.
:12:16. > :12:17.The overall winner, with the Tha overall winndr, with the hhghest
:12:18. > :12:19.mark overall, and taking Tha overall winndr, with the hhghest
:12:20. > :12:26.mapk overall, and takinf `ome this mark overall, and taking home this
:12:27. > :12:40.Wehl, this as thd Choib.
:12:41. > :12:45.Wehl, this as thd are made of. Could you possibly have
:12:46. > :12:46.Wehl, this as thd imagined this beyond your wildest
:12:47. > :12:49.imagined thas beyond your wilddst dreams? Know, when I woke up this
:12:50. > :12:53.morning I was very mopning I was vepy nervnus. So now
:12:54. > :12:58.you can say that Heol-y-March Choir mopning I was vepy nervnus. So now
:12:59. > :13:02.other children's Choir of the World! -- are the children's.
:13:03. > :13:03.A `ig -- are the children's.
:13:04. > :13:06.A big impression was made by this A big imppecsion was made by this
:13:07. > :13:08.rising star. She studied at the A big imppecsion was made by this
:13:09. > :13:11.Royal Academy of music in London Royal cademy of music hn Londnn
:13:12. > :13:12.after being encouraged to Royal cademy of music hn Londnn
:13:13. > :14:15.the accordion by her grandmother. this stands company.
:14:16. > :14:16.Colgbatulataons. How this stands company.
:14:17. > :14:22.Congratulations. How did it feel to this stands company.
:14:23. > :14:25.win? It is fery this stands company.
:14:26. > :14:27.win? It is very interesting for this stands company.
:14:28. > :14:29.How important is it for you this stands company.
:14:30. > :14:29.How amportant is it for you to bring How important is it for you to bring
:14:30. > :14:29.yoqr How important is it for you to bring
:14:30. > :14:29.your traditions to How important is it for you to bring
:14:30. > :14:30.your tradhtions to Llanfollen. How important is it for you to bring
:14:31. > :14:31.your traditions to Llangollen. We How important is it for you to bring
:14:32. > :14:34.show our National dance How important is it for you to bring
:14:35. > :14:37.show our Ladional dance and How important is it for you to bring
:14:38. > :14:41.costumes. And we also see costumes costemes. And we also sde costumes
:14:42. > :14:41.and dances from costemes. And we also sde costumes
:14:42. > :14:41.an` dances from nther costemes. And we also sde costumes
:14:42. > :14:42.and dances from other countries. It an` dances from nt`er countries. It
:14:43. > :14:44.is mq an` dances from nt`er countries. It
:14:45. > :14:45.is my first trip to Wales an` dances from nt`er countries. It
:14:46. > :14:45.is mq first trip to Wales but I like is mq first trip to ales but H like
:14:46. > :14:47.it very much. The people here are is mq first trip to ales but H like
:14:48. > :14:50.very kind and beautiful and is mq first trip to ales but H like
:14:51. > :14:55.friendly, actually. I love this city is mq first trip to ales but H like
:14:56. > :14:55.very much. Which countries have is mq first trip to ales but H like
:14:56. > :15:00.been to competing? We visited a lot is mq first trip to ales but H like
:15:01. > :15:01.of countries, France, Germany, Russaa,
:15:02. > :15:04.of countries, France, Germany, Russia, Morocco, C`ina,
:15:05. > :15:08.of countries, France, Germany, Russia, Morocco, China, Italy.
:15:09. > :15:10.of countries, France, Germany, Fantastic. And which is the best?
:15:11. > :16:10.Faltastic. And which is t`e best? Llangollen.
:16:11. > :16:12.It is a pretty safe bet Harlem born tenor Noah
:16:13. > :16:14.It is a pretty safe bet Haplem born tenop Noah Rtewart
:16:15. > :16:15.It is a pretty safe bet matched -- must be
:16:16. > :16:16.It is a pretty safe bet mapc`ed -- must be a
:16:17. > :16:16.It is a pretty safe bet matched -- must be a huge fan of
:16:17. > :16:20.Llangollen because he was here last matched -- must be a huge fan of
:16:21. > :16:23.year and he is back this year. What year and he is b`cc this qear. What
:16:24. > :16:24.do you especially live about year and he is b`cc this qear. What
:16:25. > :16:27.Llangollen? There is ending about Llangollel? There as ending abnut
:16:28. > :16:29.this place that is just magical. I this place dhat hs just magical. I
:16:30. > :16:31.said at last year. It feels like no this place dhat hs just magical. I
:16:32. > :16:31.time has this place dhat hs just magical. I
:16:32. > :16:32.tiie has passed this place dhat hs just magical. I
:16:33. > :16:35.time has passed since I was last year. There is a china appreciation
:16:36. > :16:38.for music. I have been travelling around the world the whole
:16:39. > :16:38.for music. I have been travelling around thd gorld t`e whnle year
:16:39. > :16:39.around the world the whole year and it is a highlight
:16:40. > :16:40.around the world the whole year and it ic a hig`light to
:16:41. > :16:40.around the world the whole year and it is a highlight to be
:16:41. > :16:44.around the world the whole year and Llangollen. I cannot wait. The first
:16:45. > :16:44.hahf of Llangollen. I cannot wait. The first
:16:45. > :16:47.half of the concerts Llangollen. I cannot wait. The first
:16:48. > :16:48.number of arias, some of Llangollen. I cannot wait. The first
:16:49. > :17:27.favourites. I am singing a Welsh song for the
:17:28. > :17:28.first time. It is my debut singing tha peace,
:17:29. > :17:31.first time. It is my debut singing the peace. My coach is backing the
:17:32. > :17:36.tha `eace, My coac` is backing the United States knew knew the tune. I
:17:37. > :17:40.did Lodi tune United States knew knew the tune. I
:17:41. > :17:46.di` Lodi tune and United States knew knew the tune. I
:17:47. > :17:46.did Lodi tune and I am so excited to Singh
:17:47. > :17:46.did Lodi tune and I am so excited to Silgh in Velsh
:17:47. > :18:32.did Lodi tune and I am so excited to Singh in Welsh in
:18:33. > :18:37.Bringing the flavour of America to Llangollen is this choir -- Central
:18:38. > :18:41.Amaraca. Llangollen is this choir -- Central
:18:42. > :18:44.America. You are from Costa Rica. America. Xoe are from Cnsta Rica.
:18:45. > :18:45.Are you hoping to make it further than your football team and
:18:46. > :19:39.Are you hoping to make it further to the final?
:19:40. > :19:42.Now, this is the undeb
:19:43. > :19:45.Now, this is the under a a local boy. Can you believe
:19:46. > :20:23.un`eb a a local `oq. Can qou bdlieve he is only
:20:24. > :20:31.17-year-old Annabelle has already won the Australian youth musician
:20:32. > :20:54.17-year-old Annabelle has already the
:20:55. > :21:34.Now it may look like a unit but it is not. It is a traditional
:21:35. > :22:05.Now it may look like a unit but it instbument from Bhana.
:22:06. > :22:10.An` dhe firct prize went to Annabelle from Australia. The
:22:11. > :22:15.An` dhe firct prize went to price to Alfred from Hong Kong. And
:22:16. > :22:15.An` dhe firct prize went to the third
:22:16. > :22:16.An` dhe firct prize went to tha dhird pbize,
:22:17. > :22:16.An` dhe firct prize went to the third prize, my personal
:22:17. > :22:19.An` dhe firct prize went to favourite, a lie as come from Wales.
:22:20. > :22:27.A break from the Eisteddfod now. We A break fpom the Easteddfod now. We
:22:28. > :22:27.have heard a lot about the difficult sipuation
:22:28. > :22:29.have heard a lot about the difficult situation in Ukraine. What we do
:22:30. > :22:31.have heard a lot about the difficult hear so much about is how everyone
:22:32. > :22:34.hear so mtc` about is hnw everyone tries to carry on regardless. BBC
:22:35. > :22:39.hear so mtc` about is hnw everyone news and sports presenter travelled
:22:40. > :22:39.hear so mtc` about is hnw everyone to Kaevs recently
:22:40. > :22:42.hear so mtc` about is hnw everyone to Kievs recently to meet a dance
:22:43. > :22:42.grou`, to Kievs recently to meet a dance
:22:43. > :22:43.group, as they prepared for their grou`, as they ppepared for thdir
:22:44. > :22:50.appearance at the International grou`, as they ppepared for thdir
:22:51. > :22:52.Eisteddfod. Ukraine, a land torn between those
:22:53. > :22:54.who looks towards Russia, the Ukraine, a land torn between those
:22:55. > :22:55.powebful `ig mother, Ukraine, a land torn between those
:22:56. > :22:57.powerful big mother, and those who Ukraine, a land torn between those
:22:58. > :22:59.lean to the West and to the Ukraine, a land torn between those
:23:00. > :23:05.Union. This is Kiev, the capital Ukraine, a land torn between those
:23:06. > :23:10.Ukraine. A capital of stark Ukraane. @ capital of stark
:23:11. > :23:10.contrasts, a country facing a uncertain future
:23:11. > :23:10.contrasts, a country facing a uncertain feture but
:23:11. > :23:11.contrasts, a country facing a uncertain future but a
:23:12. > :23:15.contrasts, a country facing a of hope. In the centre of Kiev, the
:23:16. > :23:16.scarc of of hope. In the centre of Kiev, the
:23:17. > :23:16.scars of the recent bloody protests ara
:23:17. > :23:20.scars of the recent bloody protests are clear to see. The backdrop to
:23:21. > :23:21.are clear to see, The b`ccdrop to the lives of this talented group of
:23:22. > :23:33.are clear to see, The b`ccdrop to dancers.
:23:34. > :23:42.These pupils attend dance centre. The school started in
:23:43. > :23:48.1976 but currently has over 600 dance centre. The school started in
:23:49. > :23:52.pupils. After school, pupils. Adter school, at weekends
:23:53. > :23:52.and during the holidays, the rehearsals are never-ending. But
:23:53. > :23:55.despate the hard rehearsals are never-ending. But
:23:56. > :23:56.despite the hard work, the love is claab to
:23:57. > :23:59.despite the hard work, the love is clear to see.
:24:00. > :24:32.TRANCL TINN2 Ukraine has been in the headlines
:24:33. > :24:35.recently with Ukraine has been in the headlines
:24:36. > :24:35.recently widh onfoing fig`ting in Ukraine has been in the headlines
:24:36. > :24:36.the east of Ukraine has been in the headlines
:24:37. > :24:38.tha east of the Ukraine has been in the headlines
:24:39. > :24:41.the east of the country. Between pro-Russian insurgents and the
:24:42. > :24:42.Ukraanian pro-Russian insurgents and the
:24:43. > :24:43.Ukrainian army. This pro-Russian response triggered by the uprisings
:24:44. > :24:49.response traggered by the uprisings in Kiev back in February.
:24:50. > :24:49.response traggered by the uprisings in Kiev b`ck in Debruary. These
:24:50. > :24:50.in Kiev back in February. These Ukraanianr
:24:51. > :24:52.in Kiev back in February. These Ukpainians in thdir tens
:24:53. > :24:53.Ukraanianr an thdir tenr of thousands protesting against
:24:54. > :24:58.thousands pbotesting ag`inst the decision of the president not to
:24:59. > :25:01.sign a deal with Europe. Mass decision of the president not to
:25:02. > :25:02.uprising in Independence Square upricing hn Independence Square led
:25:03. > :25:09.to at least 88 people being killed to ad leart 88 pdople bding killed
:25:10. > :25:13.in 48 hours. The president Fred from Kiev. The children live
:25:14. > :26:01.in 48 hours. The president Fred from shadow of this turmoil.
:26:02. > :26:01.I dance in the school with my friends, ly heart
:26:02. > :26:26.I dance in the school with my friends, my heart smiles.
:26:27. > :26:32.Back in the school and the from Wales needs a few pointers. The
:26:33. > :26:34.Back in the school and the challenge is set. The standard is
:26:35. > :26:37.Back in the school and the high. They are young and
:26:38. > :26:38.Back in the school and the professional, basically. My legs are
:26:39. > :26:38.geptang professional, basically. My legs are
:26:39. > :26:38.gettang older, professional, basically. My legs are
:26:39. > :26:39.getting older, so it is quite a professional, basically. My legs are
:26:40. > :26:41.daunting experience. But I may professional, basically. My legs are
:26:42. > :26:42.daunding dx`erience. But A may as professional, basically. My legs are
:26:43. > :27:00.well go for Yes, they make it sickeningly easy,
:27:01. > :27:01.don't Yes, they make it sickeningly easy,
:27:02. > :27:02.don'd they? But ht Yes, they make it sickeningly easy,
:27:03. > :27:03.don't they? But it does take a lot Yes, they make it sickeningly easy,
:27:04. > :27:25.of time and effort. Righd, so id was tame for me to
:27:26. > :27:39.the Ukrainians some Welsh That's how you do it! They have no
:27:40. > :27:45.hope. That was dmbarrarsang. But, thdy are
:27:46. > :28:15.half my age. I have had an incredible few
:28:16. > :28:22.here with my new friends. We I have had an incredible few
:28:23. > :28:24.tears of joy and sadness, tearc of hoq and sadnesr, but `fter
:28:25. > :28:28.such a warm welcome, by now I feel tearc of hoq and sadnesr, but `fter
:28:29. > :28:39.like a true Welsh And the
:28:40. > :28:43.here. A last-minute gridlock And the
:28:44. > :28:43.handshake before they And the
:28:44. > :28:47.handchake before t`ey take And the
:28:48. > :28:49.handshake before they take to the stage in the children's folk dance
:28:50. > :29:30.stage in the children's folk d`nce competition. -- last-minute
:29:31. > :29:36.Also compdtang wit` this group, with the beautiful parasols and Bamboo
:29:37. > :29:39.Also compdtang wit` this group, with sun hats. -- competing where this
:29:40. > :29:43.group. -- also competing where sun hats. -- competing where this
:29:44. > :30:00.group. Now, this school from Zimbabwe Rover
:30:01. > :30:04.-- were very popular with audiences Isn't that a wonderful wiggle?
:30:05. > :30:26.this week, Isn't that a wonderful wiggle?
:30:27. > :30:28.children from Zimbabwe. I am so glad children drom Zimbabwe. I am sn glad
:30:29. > :30:34.the sun is shining for you. It is, children drom Zimbabwe. I am sn glad
:30:35. > :30:34.and we are enjoying it. You were supprised
:30:35. > :30:36.and we are enjoying it. You were surprised to see it, weren't you? I
:30:37. > :30:39.surpbised to see it, weren't ynu? I was, but we have been told it rains
:30:40. > :30:44.surpbised to see it, weren't ynu? I quite a lot. What can we learn about
:30:45. > :30:52.quite a lot. hat can we learn about your part of the country when ve
:30:53. > :30:52.watch you? We are coming from an era whare
:30:53. > :30:53.watch you? We are coming from an era where we were quite traditional, and
:30:54. > :30:55.watch you? We are coming from an era the first and said it was basically
:30:56. > :30:58.tha first and sahd it was basically what was done to appease to the
:30:59. > :30:59.what was done to appeasd to thd ancestors for the rain to
:31:00. > :30:59.what was done to appeasd to thd ancectors for thd rain to fall.
:31:00. > :31:01.what was done to appeasd to thd ancestors for the rain to fall. So
:31:02. > :31:01.that the fods ancestors for the rain to fall. So
:31:02. > :31:03.that the gods would answer us and ancestors for the rain to fall. So
:31:04. > :31:17.bring rain for the harvest. And finally, we have seen these
:31:18. > :31:24.dancers earlier in the programme. And finally, we have seen these
:31:25. > :31:25.This dance is about a troublesome insects spoiling the harvest
:31:26. > :31:25.This dance is about a troublesome insects spoiling t`e harvest for tHe
:31:26. > :31:54.insects spoiling the harvest for the farmers! ,- insect.
:31:55. > :32:02.The winners of the children's folk dance group competition...
:32:03. > :32:05.The winners of the children's folk Congratulations to them.
:32:06. > :32:08.Ziibabwe Congratulations to them.
:32:09. > :32:09.Zimbabwe were awarded second prize, with third prize to the group from
:32:10. > :32:10.Ukraane. Ukpaine.
:32:11. > :32:13.But here at Ukpaine.
:32:14. > :32:14.Bup here `t the Ukpaine.
:32:15. > :32:14.But here at the Eisteddfods, it is Ukpaine.
:32:15. > :32:20.not all about the competing. Ukpaine.
:32:21. > :32:21.One of the evening performers is a Ukpaine.
:32:22. > :32:22.singer I have admired for a Ukpaine.
:32:23. > :32:26.of years. The story of Kara Emerald Ukpaine.
:32:27. > :32:29.is something of a fairy Ukpaine.
:32:30. > :32:29.is somethhng of a fairy tale. She is something of a fairy tale. She
:32:30. > :32:33.was turned down by all the record is something of a fairy tale. She
:32:34. > :32:44.labels, so she decided to release is something of a fairy tale. She
:32:45. > :32:46.her music on the Internet. From the beginning to the end, he
:32:47. > :33:00.her music on the Internet. was more than a friend to
:33:01. > :33:07.Twisding poend ol a carousel, beat is too mighty to
:33:08. > :33:09.Twisding poend ol a carousel, That man is like a flame, and
:33:10. > :33:13.Twisding poend ol a carousel, man plays me like a game,
:33:14. > :33:17.Twisding poend ol a carousel, sin is I can win, oh, I have got to
:33:18. > :33:21.sin is I ban win, oh, I have gnt to love that man.
:33:22. > :33:21.sin is I ban win, oh, I have gnt to My only sin
:33:22. > :33:21.sin is I ban win, oh, I have gnt to My only shn is I
:33:22. > :33:23.sin is I ban win, oh, I have gnt to My only sin is I cannot win,
:33:24. > :33:33.My only shn is I cannot wan, I want to
:33:34. > :33:37.Onhy kids allowed were performhng in the main pafiliol on Friday
:33:38. > :33:39.Onhy kids allowed were performhng in Although many of them are well
:33:40. > :33:40.Onhy kids allowed were performhng in travelled with recent trips to South
:33:41. > :33:41.Onhy kids allowed were performhng in Africa and Russia, this was their
:33:42. > :33:50.Africa and Bussia, this was thdir first trip here.
:33:51. > :33:55.This is how we got established, they This is how we gnt establashed, they
:33:56. > :34:00.established a pan Wales children's choir.
:34:01. > :34:01.choib. For the concert, t`e chnir
:34:02. > :34:02.choib. For the concert, the choir are
:34:03. > :34:02.performinf For the concert, the choir are
:34:03. > :34:05.performing to provide -- a piece to For the concert, the choir are
:34:06. > :34:06.celebrate 20 years since the end Back in Apral we got worse -- ve
:34:07. > :34:20.apartheid. Back in Apral we got worse -- ve
:34:21. > :34:23.to go to South Africa, it was Back in Apral we got worse -- ve
:34:24. > :34:27.amazing, once in a lifetime opportunity. The music we are
:34:28. > :34:30.amazing, once in a lifetime to be singing is the same
:34:31. > :34:31.amazing, once in a lifetime to be sinfing is t`e same that
:34:32. > :34:33.to be singing is the same that we sang in Cape Town. It was written
:34:34. > :34:34.especially for ur. sang in Cape Town. It was written
:34:35. > :34:36.especially for us. And it links to sang in Cape Town. It was written
:34:37. > :34:40.what Nelson Mandela said in some what Nelsnn Manddla said an some of
:34:41. > :34:46.his speeches. It ic three movements, H am singing
:34:47. > :34:58.solo the second one. Bravo, Jabk!
:34:59. > :35:13.-- in the second one. Bravo, Jabk!
:35:14. > :35:15.I know the kids, I know the I know thd kids, I know t`e
:35:16. > :35:18.orchestra. I know how good they are. I know thd kids, I know t`e
:35:19. > :35:21.It is going to be a dream I know thd kids, I know t`e
:35:22. > :35:22.There was a chance to get I know thd kids, I know t`e
:35:23. > :35:22.Thare was a chance to get rid I know thd kids, I know t`e
:35:23. > :35:26.There was a chance to get rid of nerves as they entertained a crowd
:35:27. > :35:26.in t`e nerves as they entertained a crowd
:35:27. > :35:44.in the field, with a song from And here they
:35:45. > :37:29.performing. Whatever the turmoil or political
:37:30. > :37:32.situation outside in the Whatever the turmoil or political
:37:33. > :37:35.world, this is what it is all Whatever the turmoil or political
:37:36. > :37:37.in the circle of friends, in the circle of friendr, the
:37:38. > :37:38.Ukrainians in the circle of friendr, the
:37:39. > :37:38.Ukraanianr and in the circle of friendr, the
:37:39. > :37:42.for each other. Friendship and young in the circle of friendr, the
:37:43. > :37:43.people are our future. @re in the circle of friendr, the
:37:44. > :37:45.people are our future. Are you ready in the circle of friendr, the
:37:46. > :37:48.for it, Terry? I am, and in a in the circle of friendr, the
:37:49. > :37:54.we shall see the true spirit, in the circle of friendr, the
:37:55. > :37:56.people united in music and dance. Firsd
:37:57. > :37:57.people united in music and dance. First it was the Ukrainians' turn to
:37:58. > :37:57.people united in music and dance. perform for the appreciative
:37:58. > :38:07.Russians. And then, the Russian choir sang for
:38:08. > :38:28.the Ukrainian dance group. The festival president was
:38:29. > :38:30.moted by The festival president was
:38:31. > :38:33.moved by the occasion. When I know moted by the occasaon. When I jnow
:38:34. > :38:37.that what matters is enabling young moted by the occasaon. When I jnow
:38:38. > :38:43.people to have good memories, moted by the occasaon. When I jnow
:38:44. > :38:44.childhood memories of worcing together and sharing together, that
:38:45. > :38:44.wihl together and sharing together, that
:38:45. > :38:48.will last a lifetime. And when I together and sharing together, that
:38:49. > :38:49.come here, dhat hnspires together and sharing together, that
:38:50. > :38:53.come here, that inspires me to say, coie here, dhat hnspires me to say,
:38:54. > :38:54.go on, keep hope alive. Don't be despondent and defeated by some of
:38:55. > :38:56.go on, keep hope alive. Don't be the problems in the world. They are
:38:57. > :38:58.enormous, but when I was in my the problems in the world. They are
:38:59. > :39:02.enormous, but whdn I war in my cell, the problems in the world. They are
:39:03. > :39:05.I used to have a dark cell with shqtders
:39:06. > :39:05.I used to have a dark cell with shutters across the window, and
:39:06. > :39:08.shutders `cboss the window, and in the morning I would see a little
:39:09. > :39:09.shutders `cboss the window, and in beam of light come into the
:39:10. > :39:09.shutders `cboss the window, and in beam of lig`t come into t`e room,
:39:10. > :39:09.beam of light come into the room, an`
:39:10. > :39:13.beam of light come into the room, and I always used to say to
:39:14. > :39:14.beam of light come into the room, light is stronger than darkness. And
:39:15. > :39:26.Here in the that is not a bad
:39:27. > :39:26.Here in the think we
:39:27. > :39:27.Here in the thinc we hafe got
:39:28. > :39:27.Here in the think we have got the best rugby
:39:28. > :39:32.team and the best male voice choirs. think we have got the best rugby
:39:33. > :39:32.But with these men think we have got the best rugby
:39:33. > :39:33.Bup gith these mdn from think we have got the best rugby
:39:34. > :39:33.But with these men from South Africa think we have got the best rugby
:39:34. > :39:35.like to differ on that? You are think we have got the best rugby
:39:36. > :39:39.wrong on the first one, so possibly wrong on the first one, so posribly
:39:40. > :39:40.also on the second one. Are you lookang
:39:41. > :39:41.also on the second one. Are you looking forward to competing here on
:39:42. > :39:44.lookang forgard to compdtang hdre on Saturday? Definitely.
:39:45. > :39:47.We have got the best rugby team by We have gnt the `est rufbq teal by
:39:48. > :39:48.tha gay. Webe the way. Were you expecting Welsh
:39:49. > :39:51.weather? It can get wet here the way. Were you expecting Welsh
:39:52. > :39:52.soiedimes, As that the way. Were you expecting Welsh
:39:53. > :40:00.sometimes. Is that while you soiedimes, As th`t while qou are
:40:01. > :40:00.wearing the boots. No, in South Africa
:40:01. > :40:00.wearing the boots. No, in South Afpica thdse
:40:01. > :40:03.wearing the boots. No, in South Africa these started in the mine, it
:40:04. > :40:05.was a way of communicating while you were workhng. Cal
:40:06. > :40:06.was a way of communicating while you were working. Can you show us a
:40:07. > :40:07.was a way of communicating while you liptle bit of
:40:08. > :40:23.was a way of communicating while you little bit of the dance?
:40:24. > :41:39.Missionaries who travels to north-east India
:41:40. > :41:39.Missionaries who travels to nort`-east Andia left
:41:40. > :41:40.Missionaries who travels to north-east India left a
:41:41. > :41:40.nopt`-east Andia left a clear, cultural
:41:41. > :41:40.nopt`-east Andia left a clear, cuhteral `nd hristian
:41:41. > :41:41.nopt`-east Andia left a clear, cultural and Christian legacy with
:41:42. > :41:55.nopt`-east Andia left a clear, this choir.
:41:56. > :42:48.And to this day, the choir are used to singing
:42:49. > :42:51.Sara is always telling me I have left feet, so I have come
:42:52. > :42:52.Sara is always telling me I have left feet, co I have come to
:42:53. > :42:52.Sara is always telling me I have left feet, so I have come to meet
:42:53. > :42:53.Sara is always telling me I have this group who ape going to
:42:54. > :42:54.Sara is always telling me I have this group who are going to give me
:42:55. > :42:55.a hecson. this group who are going to give me
:42:56. > :44:08.a lesson. Let's do it, alwaqs seem to ppoduce romething
:44:09. > :44:10.special. We are going to have alwaqs seem to ppoduce romething
:44:11. > :44:11.special. We are foang to have the spacaal. Ve are foang to `ave the
:44:12. > :44:12.world premiere of your latest world premiere od qour latest
:44:13. > :44:24.masterpiece. Tell me how qou gnt the world premiere od qour latest
:44:25. > :44:24.idea? I did this concert based on clascical
:44:25. > :44:25.idea? I did this concert based on classical ideas but whether vocal
:44:26. > :44:29.idea? I did this concert based on sound was ethnic. I also used
:44:30. > :44:33.idea? I did this concert based on ethnic language of my own.
:44:34. > :44:34.idea? I did this concert based on And in this glorious made up
:44:35. > :44:35.langeage, And in this glorious made up
:44:36. > :44:35.lalgeage, t`e wopds And in this glorious made up
:44:36. > :44:37.language, the words themselves form And in this glorious made up
:44:38. > :44:43.a kind of percussion, don't they? And in this glorious made up
:44:44. > :44:44.They do, because of things like siiulatinf
:44:45. > :44:44.They do, because of things like simulating Latin American
:44:45. > :44:44.instbuments with simulating Latin American
:44:45. > :45:12.instruments with the Each song, dhere is 12 nf them, each
:45:13. > :45:14.ona as Each song, dhere is 12 nf them, each
:45:15. > :45:18.one is named after a colour. Red is ona is naled after a colour. Rdd is
:45:19. > :45:21.like a fiery tangle. You ona is naled after a colour. Rdd is
:45:22. > :45:23.like a fierq tangle. You talked like a fierq tanfle. You talked
:45:24. > :45:28.about the different movements. You like a fierq tanfle. You talked
:45:29. > :45:31.have a special lady taking part tonight. Yes, the black song is very
:45:32. > :45:33.melancholic. We have tonight. Yes, the black song is very
:45:34. > :45:36.melancholic. e have a xoung tonight. Yes, the black song is very
:45:37. > :45:37.melancholic. We have a young lady tonight. Yes, the black song is very
:45:38. > :45:41.who her speciality is folk music. tonight. Yes, the black song is very
:45:42. > :45:44.She has a very evocative kind of tonight. Yes, the black song is very
:45:45. > :45:48.emotional voice tonight. Yes, the black song is very
:45:49. > :46:40.nonclassical. She is It is fascinating that you seem
:46:41. > :46:42.incorporate so many different It is fascinating that you seem
:46:43. > :46:45.elements into your composition, It is fascinating that you seem
:46:46. > :46:49.made up language, and yet there is It is fascinating that you seem
:46:50. > :46:49.something for everyone. It speaks to alh
:46:50. > :46:54.something for everyone. It speaks to all of us. I have always
:46:55. > :46:55.something for everyone. It speaks to categorising music, always since
:46:56. > :46:58.capegorishng mushc, always sinbe I was a child. I have always listen to
:46:59. > :47:00.was a child. h`ve always listen to different John Rose like jazz and
:47:01. > :47:01.was a child. h`ve always listen to all cinds of
:47:02. > :47:03.was a child. h`ve always listen to all kinds of things. I have always
:47:04. > :47:05.was a child. h`ve always listen to been open and I have used what I
:47:06. > :47:09.hate been been open and I have used what I
:47:10. > :47:58.have been able to. It is very different,
:47:59. > :48:03.The Llangollen Eisteddfod, like the musical equivalent of
:48:04. > :48:05.like the lucical equivalent of the football World Cup and no more so
:48:06. > :48:05.football Vobld Ctp and no more so than the dolk
:48:06. > :48:09.football Vobld Ctp and no more so than the folk song competition. Tell
:48:10. > :48:09.football Vobld Ctp and no more so me, are you excited for
:48:10. > :48:10.football Vobld Ctp and no more so me( are ynu excited for your
:48:11. > :48:10.football Vobld Ctp and no more so performance and the World
:48:11. > :48:10.football Vobld Ctp and no more so pepformance and the World Cup
:48:11. > :48:11.football Vobld Ctp and no more so performance and the World Cup on
:48:12. > :48:14.Sunday? We are very excited for our performance and the World Cup on
:48:15. > :48:16.performance today and for the whole performanbe todax and for the vhole
:48:17. > :48:18.festival. It is incredible. performanbe todax and for the vhole
:48:19. > :48:19.festaval. Id is hncredible. Thd festival. It is incredible. The
:48:20. > :48:20.meatang festival. It is incredible. The
:48:21. > :48:21.meating od cultupes and festival. It is incredible. The
:48:22. > :48:22.meeting of cultures and music from meeting od cultupes and music from
:48:23. > :48:26.all over the world. We `re meeting od cultupes and music from
:48:27. > :48:30.all over the world. We are very happy and proud of our music and to
:48:31. > :48:36.bring the public here in happy and proud of our music and to
:48:37. > :49:21.And on Sunday, of course, we will win. Really? Yes. Argentina!
:49:22. > :49:25.But it was not to be Argentina 's day in this competition. The
:49:26. > :50:03.But it was not to be Argentina 's went to Indonesia.
:50:04. > :50:06.The Llangollen stage has witnessed some memorable
:50:07. > :50:08.soie memopable mnments nver thd years, but how about this for the
:50:09. > :50:11.soie memopable mnments nver thd record books? You are
:50:12. > :50:11.soie memopable mnments nver thd record bookc? You are the most
:50:12. > :50:11.beautiful record bookc? You are the most
:50:12. > :50:15.beaudiful garl record bookc? You are the most
:50:16. > :50:15.beautiful girl in my life. And you ara
:50:16. > :50:18.beautiful girl in my life. And you are my best friend. And I have got a
:50:19. > :50:22.are my best frield. nd I have got a question.
:50:23. > :50:27.are my best frield. nd I have got a quesdion. Wall ynu
:50:28. > :50:30.are my best frield. nd I have got a question. Will you marry me? David
:50:31. > :50:32.are my best frield. nd I have got a Jackson proposing to a member of the
:50:33. > :50:36.are my best frield. nd I have got a team in front of a
:50:37. > :50:36.are my best frield. nd I have got a au`ience. And shd said
:50:37. > :50:39.are my best frield. nd I have got a audience. And she said yes, by
:50:40. > :50:44.are my best frield. nd I have got a way. And the judges said yes to the
:50:45. > :51:29.voice of the future. Part of the prizes to perform at
:51:30. > :51:31.next year 'c Eisteddfod. This Part of the prizes to perform at
:51:32. > :51:32.next year 's Eisteddfod. This year, Part of the prizes to perform at
:51:33. > :51:34.it was great to velcome back it was great to welcome back last
:51:35. > :51:38.year 's winner. Welcome back to it was great to welcome back last
:51:39. > :51:39.Llangollen. First time after winning it was great to welcome back last
:51:40. > :51:40.the voice of the it was great to welcome back last
:51:41. > :51:41.tha foice of the future it was great to welcome back last
:51:42. > :51:41.the voice of the future last year. it was great to welcome back last
:51:42. > :51:43.Yes, it is very nice it was great to welcome back last
:51:44. > :51:45.Yes, it is fery lice to be back. I it was great to welcome back last
:51:46. > :51:47.thought I had done my work on thought I had dole my worc on the
:51:48. > :51:49.night but this is the main event. It nighd but t`is is the m`in event. It
:51:50. > :51:56.is great to be back. Is it different is gbeat to be b`cc. Is it different
:51:57. > :51:59.singing as a competitor? I feel a lot more pressure. I am
:52:00. > :52:01.lop more pressure. I am lettinf other people down in a concert. In a
:52:02. > :52:01.lop more pressure. I am lettinf contest, it is
:52:02. > :52:01.lop more pressure. I am lettinf coltest, ht is all
:52:02. > :52:03.lop more pressure. I am lettinf contest, it is all about you.
:52:04. > :52:04.lop more pressure. I am lettinf coltest, ht is all about you. Xou
:52:05. > :52:08.lop more pressure. I am lettinf only have yourself to blame. But
:52:09. > :52:09.lop more pressure. I am lettinf feel as if I will
:52:10. > :52:09.lop more pressure. I am lettinf feal as id A will let
:52:10. > :52:10.lop more pressure. I am lettinf feel as if I will let people down if
:52:11. > :54:10.lop more pressure. I am lettinf I do not perform well tonight.
:54:11. > :54:40.And here we are backstage for the finale.
:54:41. > :54:41.Tha finale.
:54:42. > :54:42.The winners of the five choral finale.
:54:43. > :54:45.competitions, the youth, the mixed, competitionc, thd qouth, the mhxed,
:54:46. > :54:49.the male, female and the new open competitionc, thd qouth, the mhxed,
:54:50. > :54:49.category go on to competitionc, thd qouth, the mhxed,
:54:50. > :54:50.category fo on to compete competitionc, thd qouth, the mhxed,
:54:51. > :54:50.category go on to compete for the prestigious Pavarotti
:54:51. > :54:51.category go on to compete for the presdigious Pavarotti Trophy
:54:52. > :54:53.category go on to compete for the honour to call themselves while
:54:54. > :54:56.category go on to compete for the the world.
:54:57. > :55:01.category go on to compete for the -- will of the world.
:55:02. > :55:07.category go on to compete for the This was the winner of the youth
:55:08. > :55:13.category. If I had a criticism, they lacked
:55:14. > :55:35.fullness of their sound, but they made up for it in purity and pure
:55:36. > :55:40.Our next choir are a performing arts school in banger in North Wales. I
:55:41. > :55:44.school in banger in orth Wales. I think there is a real lesson here in
:55:45. > :55:50.school in banger in orth Wales. I choosing your programme wisely.
:55:51. > :55:52.A stand and sing choir? choosing your programme wisely.
:55:53. > :55:53.A stand ald sing c`oir? No, thdse choosing your programme wisely.
:55:54. > :55:55.guys are at their best when they guys are `t theip best vhen thdy are
:55:56. > :57:08.moving, performing Next choir onto the platform was the
:57:09. > :57:09.University choir from Birmingham. Thay
:57:10. > :57:10.University choir from Birmingham. They were set
:57:11. > :57:14.University choir from Birmingham. Thay were set up
:57:15. > :57:14.University choir from Birmingham. Sir Simon Rattle 's
:57:15. > :57:15.University choir from Birmingham. Sip Cimon Rattle 's assistant
:57:16. > :57:16.University choir from Birmingham. Sir Simon Rattle 's assistant at the
:57:17. > :57:17.Birmingham Philemon it. There is a Sir Simon Rattle 's assistant at the
:57:18. > :57:17.bip of This choir 's strength might also
:57:18. > :57:27.bit of quality there. This choir 's strength might also
:57:28. > :57:29.their weakness. At times, they theib weajness. @t times, they
:57:30. > :57:31.sounded like an opera chorus instead soqnded like an npera chorus instead
:57:32. > :57:36.of a choir. Will the judges like soqnded like an npera chorus instead
:57:37. > :57:37.that? We will have to wait and see. But there were some beautiful voices
:57:38. > :57:48.that? We will have to wait and see. in this choir.
:57:49. > :57:50.The last choir onto the stage tonight was the Bridgend male choir
:57:51. > :57:52.an` tonight was the Bridgend male choir
:57:53. > :57:55.and they came in force. All 70 of them. There were a few
:57:56. > :57:56.and they came in force. All 70 of and the languages were
:57:57. > :57:56.and they came in force. All 70 of and dhe languages were not perfect
:57:57. > :57:57.and the languages were not perfect bup
:57:58. > :58:00.and the languages were not perfect but they did slip that did sinf
:58:01. > :58:00.and the languages were not perfect but they did slip that did sing in
:58:01. > :58:01.and the languages were not perfect three different languages. I
:58:02. > :58:04.and the languages were not perfect challenge anyone not to melt when
:58:05. > :58:06.this choip challenge anyone not to melt when
:58:07. > :58:31.this choir and leash and sing from tha
:58:32. > :58:36.The winners of choir of the world 2014 is studio chorale from
:58:37. > :58:42.Argentina, 2014 is studio chorale from
:58:43. > :58:42.Argentina. Argentina take wire of tha
:58:43. > :58:45.Argentina. Argentina take wire of the gorld. And
:58:46. > :58:45.Argentina. Argentina take wire of the world. And who knows, if
:58:46. > :58:46.Argentina. Argentina take wire of the gorld. And who knows, if the
:58:47. > :58:47.Argentina. Argentina take wire of football team play well, maybe they
:58:48. > :58:47.can do the football team play well, maybe they
:58:48. > :58:49.can do thd double football team play well, maybe they
:58:50. > :58:50.can do the double tonight. Who knows. Anything
:58:51. > :58:51.can do the double tonight. Who knowc. Anyt`ing is
:58:52. > :58:52.can do the double tonight. Who knows. Anything is possible. But is
:58:53. > :58:54.it from this inspiring International knows. Anything is possible. But is
:58:55. > :58:55.Festival for another year. Until knows. Anything is possible. But is
:58:56. > :58:57.next time, from all of us here, add next time, from `ll of ts here, add
:58:58. > :59:06.Eos. 50 tonnes an hour, in slurry,
:59:07. > :59:14.underground.