0:00:02 > 0:00:05MUSIC: Theme from "On Her Majesty's Secret Service" by John Barry
0:01:25 > 0:01:27MUSIC: Theme from "Goldfinger" by John Barry
0:01:41 > 0:01:43CHEERING
0:02:07 > 0:02:09Thank you, Carl.
0:02:09 > 0:02:12Welcome to an evening
0:02:12 > 0:02:15where we hope to leave you shaken, but not stirred.
0:02:15 > 0:02:16LAUGHTER
0:02:16 > 0:02:20James Bond was conceived in 1953,
0:02:20 > 0:02:25at Ian Fleming's home Goldeneye, Jamaica.
0:02:25 > 0:02:29"I created Bond to take my mind off that appalling business
0:02:29 > 0:02:33"of getting married at the age of 43," explained Fleming.
0:02:35 > 0:02:38"It was rather a dramatic step for a confirmed bachelor,"
0:02:38 > 0:02:43"and I created Bond to insulate myself against the shock."
0:02:44 > 0:02:49Ex-British intelligence, expert bridge player,
0:02:49 > 0:02:52a compulsive womaniser -
0:02:52 > 0:02:55whether Bond was modelled on Fleming or the other way round was academic.
0:02:57 > 0:03:03Ambitions to turn Bond into a celluloid hero date back to 1954.
0:03:03 > 0:03:08But it didn't become a reality until 1961,
0:03:08 > 0:03:11when "Cubby" Broccoli and Harry Saltzman secured the rights
0:03:11 > 0:03:14to all James Bond books,
0:03:14 > 0:03:20with the exception of Casino Royale and Thunderball.
0:03:20 > 0:03:24These three gentlemen made unlikely bedfellows.
0:03:24 > 0:03:28Fleming, the disdainful old Etonian,
0:03:28 > 0:03:31Saltzman, the volatile American,
0:03:31 > 0:03:33and patient Cubby.
0:03:33 > 0:03:36But they all agreed one thing.
0:03:36 > 0:03:40James Bond could only be played by David Niven.
0:03:40 > 0:03:42Or Trevor Howard.
0:03:42 > 0:03:45Or Patrick McGoohan.
0:03:45 > 0:03:50Or James Fox, or Cary Grant, or Michael Redgrave.
0:03:50 > 0:03:52Or just possibly
0:03:52 > 0:03:58the ex-Mr Universe from Edinburgh - what was his name?
0:03:58 > 0:04:01Oh, yes. Sean Connery.
0:04:01 > 0:04:06Connery was a beautiful specimen of well-honed manhood.
0:04:06 > 0:04:09- I'll second that! - LAUGHTER
0:04:09 > 0:04:11One, two, three, four!
0:06:23 > 0:06:26APPLAUSE
0:06:36 > 0:06:37Dr No,
0:06:37 > 0:06:42with its mixture of gritty reality with blatant unreality,
0:06:42 > 0:06:45had set the tone for Bond films,
0:06:45 > 0:06:49and From Russia With Love was not to disappoint.
0:06:49 > 0:06:51The film was also given a helping hand
0:06:51 > 0:06:54when President Kennedy declared it
0:06:54 > 0:06:58to be one of his all-time favourite books.
0:06:58 > 0:07:02007 was now moving in exalted company.
0:07:11 > 0:07:15# From Russia with love
0:07:16 > 0:07:20# I fly to you
0:07:21 > 0:07:25# Much wiser since my
0:07:25 > 0:07:30# Goodbye to you
0:07:30 > 0:07:34# I've travelled the world
0:07:34 > 0:07:41# To learn, I must return
0:07:41 > 0:07:46# From Russia with love
0:07:47 > 0:07:53# I've seen places, faces
0:07:54 > 0:07:58# And smiled for a moment
0:07:58 > 0:08:01# But oh
0:08:01 > 0:08:04# You haunted me so
0:08:06 > 0:08:12# Still, my tongue-tied young pride
0:08:12 > 0:08:17# Would not let my love
0:08:17 > 0:08:20# For you show
0:08:20 > 0:08:25# In case you'd say no
0:08:26 > 0:08:31# To Russia I flew
0:08:31 > 0:08:36# But there and then
0:08:36 > 0:08:41# I suddenly knew
0:08:41 > 0:08:46# You'd care again
0:08:46 > 0:08:50# My running around
0:08:50 > 0:08:52# Is through
0:08:52 > 0:08:57# I fly to you
0:08:59 > 0:09:02# From Russia
0:09:02 > 0:09:08# With love! #
0:09:17 > 0:09:19APPLAUSE
0:09:29 > 0:09:34The next theme comes from a film that I'm all too familiar with.
0:09:34 > 0:09:40In fact, it is named after my former employer, Mr Auric Goldfinger.
0:09:41 > 0:09:43I was relieved to find that my character
0:09:43 > 0:09:46appeared in the latter part of the film,
0:09:46 > 0:09:50as Bond girls generally tend to expire
0:09:50 > 0:09:53if Bond takes a shine to them too early in the picture.
0:09:54 > 0:09:58Of course, the film was not without controversy,
0:09:58 > 0:10:00mostly centring around my name.
0:10:00 > 0:10:02LAUGHTER
0:10:03 > 0:10:05But what's wrong with Honor(?)
0:10:05 > 0:10:06LAUGHTER
0:10:07 > 0:10:12But seriously, ladies and gentlemen, for some reason the American censors
0:10:12 > 0:10:16thought there was something a little below the belt in the name Pussy.
0:10:18 > 0:10:21It was not until they'd seen a picture of the Duke of Edinburgh
0:10:21 > 0:10:25and my dear self together in a newspaper,
0:10:25 > 0:10:28with the caption "The Prince and the Pussy"...
0:10:28 > 0:10:29LAUGHTER
0:10:32 > 0:10:37..that they finally acquiesced to its US release. Thank you, Philip!
0:10:56 > 0:10:59# Goldfinger
0:11:01 > 0:11:03# He's the man
0:11:03 > 0:11:08# The man with the Midas touch
0:11:09 > 0:11:13# A spider's touch
0:11:14 > 0:11:18# Such a cold finger
0:11:21 > 0:11:27# Beckons you to enter his web of sin
0:11:28 > 0:11:32# But don't go in!
0:11:34 > 0:11:38# Golden words he will pour in your ear
0:11:38 > 0:11:43# But his lies can't disguise what you fear
0:11:43 > 0:11:46# For a golden girl
0:11:46 > 0:11:48# Knows when he's kissed her
0:11:49 > 0:11:56# It's the kiss of death, from Mr Goldfinger
0:11:58 > 0:12:05# Pretty girl, beware of this heart of gold
0:12:06 > 0:12:11# This heart is cold!
0:12:11 > 0:12:15# Golden words he will pour in your ear
0:12:16 > 0:12:20# But his lies can't disguise what you fear
0:12:20 > 0:12:26# For a golden girl knows when he's kissed her
0:12:26 > 0:12:33# It's the kiss of death, from Mr Goldfinger
0:12:36 > 0:12:42# Pretty girl, beware of this heart of gold
0:12:43 > 0:12:47# This heart is cold
0:12:48 > 0:12:52# He loves only gold
0:12:52 > 0:12:55# Only gold
0:12:56 > 0:13:01# He loves gold
0:13:01 > 0:13:05# He loves only gold
0:13:05 > 0:13:09# Only gold
0:13:09 > 0:13:11# He loves
0:13:11 > 0:13:20# Go-o-o-o-o-ld!
0:13:21 > 0:13:23APPLAUSE
0:13:36 > 0:13:40There was one Bond story that got away from Cubby Broccoli.
0:13:40 > 0:13:45The original Casino Royale, made in 1967.
0:13:45 > 0:13:49A whole year before the birth of Daniel Craig...
0:13:49 > 0:13:51LAUGHTER
0:13:51 > 0:13:55It was a typical '60s farrago. There was not one
0:13:55 > 0:13:58but many James Bonds in the film,
0:13:58 > 0:14:01including a Peter Sellers creation
0:14:01 > 0:14:05and a Jimmy Bond, played by a young Woody Allen.
0:14:05 > 0:14:08In a gamble that didn't really pay off,
0:14:08 > 0:14:12the one blue chip in Casino Royale
0:14:12 > 0:14:16was the elegant Burt Bacharach score,
0:14:16 > 0:14:20which included a real gem, The Look Of Love.
0:14:31 > 0:14:36# The look of love
0:14:36 > 0:14:41# Is in your eyes
0:14:41 > 0:14:44# A look
0:14:44 > 0:14:51# Your smile can't disguise
0:14:52 > 0:14:58# The look of love
0:15:00 > 0:15:04# Is saying so much more than
0:15:04 > 0:15:08# Just words could ever say
0:15:10 > 0:15:15# And what my heart has heard
0:15:15 > 0:15:19# It takes my breath away
0:15:19 > 0:15:22# I can hardly wait to hold you
0:15:22 > 0:15:27# Feel my arms around you
0:15:27 > 0:15:29# How long I have waited
0:15:29 > 0:15:36# Waited just to love you, now that I have found you
0:15:36 > 0:15:42# You've got that look of love
0:15:42 > 0:15:46# It's on your face
0:15:47 > 0:15:50# A look
0:15:50 > 0:15:56# That time can't erase
0:15:58 > 0:16:04# Be mine tonight
0:16:05 > 0:16:10# Let this be just the start of
0:16:10 > 0:16:13# So many nights like this
0:16:16 > 0:16:20# Let's take a lover's vow, and then
0:16:20 > 0:16:25# Seal it with a kiss
0:16:25 > 0:16:28# I can hardly wait to hold you
0:16:28 > 0:16:31# Feel my arms around you
0:16:31 > 0:16:35# How long I have waited
0:16:35 > 0:16:41# Waited just to love you, now that I have found you
0:16:42 > 0:16:46# Don't ever go
0:16:47 > 0:16:51# Don't ever go
0:16:53 > 0:17:00# I love you so. #
0:17:20 > 0:17:24Thunderball was intended to be the first Bond film.
0:17:24 > 0:17:29However, there were as many battles off screen as there were on it,
0:17:29 > 0:17:32as producers and co-collaborators
0:17:32 > 0:17:36fought over the rights in a rather ungentlemanly fashion.
0:17:37 > 0:17:42As they say in Hollywood - where there's a hit, there's a writ!
0:17:42 > 0:17:48But one thing no-one was arguing about was Bond's success.
0:17:57 > 0:18:04# He always ran while others walked
0:18:07 > 0:18:13# Died, while other men just talked
0:18:15 > 0:18:20# Died in a world that needs it all
0:18:24 > 0:18:30# So he strikes, like Thunderball
0:18:32 > 0:18:39# He knows the meaning of success
0:18:41 > 0:18:45# His needs are more
0:18:45 > 0:18:49# So he gives less
0:18:50 > 0:18:55# They call him the winner who takes it all
0:18:58 > 0:19:01# And he strikes
0:19:01 > 0:19:06# Like Thunderball
0:19:07 > 0:19:13# Any woman he wants, he will get
0:19:15 > 0:19:17# He will break
0:19:17 > 0:19:19# Any heart
0:19:19 > 0:19:24# Without regret
0:19:25 > 0:19:29# His days of asking
0:19:29 > 0:19:31# Are all gone
0:19:33 > 0:19:35# His fight
0:19:35 > 0:19:41# Goes on and on and on
0:19:42 > 0:19:44# But he thinks
0:19:44 > 0:19:47# That the fight is worth it all
0:19:50 > 0:19:52# So he strikes
0:19:52 > 0:20:07# Like Thunderball! #
0:20:27 > 0:20:32On Her Majesty's Secret Service was thought by many to be a forgettable film,
0:20:32 > 0:20:36with the unforgettable song All The Time In The World.
0:20:37 > 0:20:43John Barry took the title from the final page in Ian Fleming's novel.
0:20:43 > 0:20:48Louis Armstrong left his sick bed to record it.
0:20:48 > 0:20:50At the end of the session in New York,
0:20:50 > 0:20:56he grabbed John Barry's hand and grinned, "Thanks for the gig, man."
0:20:56 > 0:21:03Tragically, the world lost this jazz legend shortly afterwards.
0:21:12 > 0:21:19# We have all the time in the world
0:21:21 > 0:21:26# Time enough for life to unfold
0:21:26 > 0:21:31# All the precious things love has in store
0:21:32 > 0:21:39# We have all the love in the world
0:21:41 > 0:21:44# If that's all we have
0:21:44 > 0:21:50# You will find we need nothing more
0:21:51 > 0:21:56# Every step of the way
0:21:56 > 0:22:00# Will find us
0:22:00 > 0:22:05# With the cares of the world
0:22:05 > 0:22:11# Far behind us
0:22:11 > 0:22:13# We have all
0:22:13 > 0:22:18# The love in the world
0:22:18 > 0:22:21# Just for love
0:22:21 > 0:22:23# Nothing more
0:22:23 > 0:22:25# Nothing less
0:22:25 > 0:22:29# Only love... #
0:22:52 > 0:22:58# ..Every step of the way
0:22:58 > 0:23:01# Will find us
0:23:02 > 0:23:07# With the cares of the world
0:23:07 > 0:23:11# Far behind us
0:23:11 > 0:23:17# We have all the time
0:23:17 > 0:23:20# In the world
0:23:20 > 0:23:22# Just for love
0:23:22 > 0:23:25# Nothing more
0:23:25 > 0:23:27# Nothing less
0:23:27 > 0:23:32# Only love... #
0:23:52 > 0:23:59# ..Only love. #
0:23:59 > 0:24:03CHEERING AND APPLAUSE
0:24:15 > 0:24:20It had taken careful consideration, a large injection of cash
0:24:20 > 0:24:24and a new toupee for Connery...
0:24:24 > 0:24:25LAUGHTER
0:24:25 > 0:24:30..to reprise the role and return to avenge the evil Blofeld
0:24:30 > 0:24:33in Diamonds Are Forever.
0:24:33 > 0:24:38With all these in place, Sean gives a relaxed performance,
0:24:38 > 0:24:40possibly due to the fact that
0:24:40 > 0:24:45he was allowed extra time to play golf between scenes.
0:24:55 > 0:25:00# Diamonds are forever
0:25:00 > 0:25:05# They are all I need to please me
0:25:05 > 0:25:10# They can stimulate and tease me
0:25:10 > 0:25:14# They won't leave in the night
0:25:14 > 0:25:17# I don't fear that they might
0:25:17 > 0:25:20# Desert me
0:25:21 > 0:25:25# Diamonds are forever
0:25:25 > 0:25:29# Hold one up And then caress it
0:25:29 > 0:25:31# Touch it
0:25:31 > 0:25:34# Stroke it and undress it
0:25:34 > 0:25:37# I can see every part
0:25:37 > 0:25:41# Nothing hides in the heart
0:25:41 > 0:25:44# To hurt me
0:25:44 > 0:25:48# I don't need love
0:25:48 > 0:25:53# For what good will love do me?
0:25:53 > 0:25:58# Diamonds never lie to me
0:25:58 > 0:26:03# For when love's gone
0:26:03 > 0:26:08# They lustre on
0:26:10 > 0:26:13# Diamonds are forever
0:26:13 > 0:26:18# Sparkling round my little finger
0:26:18 > 0:26:22# Unlike men, the diamonds linger
0:26:22 > 0:26:25# Men are mere mortals
0:26:25 > 0:26:32# Who are not worth going to your grave for
0:26:32 > 0:26:35# I don't need love
0:26:35 > 0:26:40# For what good will love do me?
0:26:40 > 0:26:46# Diamonds never lie to me
0:26:46 > 0:26:51# For when love's gone
0:26:51 > 0:26:55# They lustre on
0:26:57 > 0:27:01# Diamonds are forever Forever, forever
0:27:01 > 0:27:06# Diamonds are forever Forever, forever
0:27:06 > 0:27:10# Forever
0:27:10 > 0:27:18# And ever! #
0:27:19 > 0:27:22CHEERING AND APPLAUSE
0:27:31 > 0:27:34Exit Sean Connery.
0:27:34 > 0:27:36Enter Roger Moore.
0:27:36 > 0:27:40Roger was the first English James Bond,
0:27:40 > 0:27:43adding a lighter touch and a cigar to 007.
0:27:44 > 0:27:48When asked if he'd like the role, Moore declared,
0:27:48 > 0:27:53"I'll kiss your backside in Macy's window for it."
0:27:53 > 0:27:55LAUGHTER
0:27:55 > 0:27:57- Broccoli declined. - LAUGHTER
0:27:59 > 0:28:00# You were young
0:28:00 > 0:28:03# And your heart
0:28:03 > 0:28:05# Was an open book
0:28:06 > 0:28:09# You used to say "Live and let live"
0:28:13 > 0:28:18# But if this ever changing world in which we live in
0:28:18 > 0:28:22# Makes you give in and cry
0:28:24 > 0:28:26# "Live and let die"
0:28:31 > 0:28:34# "Live and let die"
0:28:35 > 0:28:40# "Live and let die..." #
0:29:09 > 0:29:12# ..What does it matter to ya?
0:29:12 > 0:29:15# If you got a job to do You've got to do it well
0:29:17 > 0:29:25# You've got to give the other fella hell... #
0:29:43 > 0:29:48# ..You used to say "Live and let live"
0:29:51 > 0:29:55# But if this ever changing world in which we live in
0:29:55 > 0:30:00# Makes you give in and cry
0:30:02 > 0:30:04# "Live and let die"
0:30:09 > 0:30:12# "Live and let die"
0:30:12 > 0:30:18# "Live and let die"
0:30:19 > 0:30:21# "Live and let die"
0:30:25 > 0:30:29# "Live and let die"
0:30:31 > 0:30:37# "Die!" #
0:30:41 > 0:30:45CHEERING AND APPLAUSE
0:31:03 > 0:31:06Back to the set.
0:31:06 > 0:31:10Roger was wrestling with his director, Guy Hamilton,
0:31:10 > 0:31:15about, well, not wanting to wrestle with his co-star.
0:31:16 > 0:31:19There was a call for Bond to toughen up.
0:31:19 > 0:31:22But when they're as beautiful as Maud Adams,
0:31:22 > 0:31:26Roger thought it would be so much more fun
0:31:26 > 0:31:29to hold his interrogations between the sheets.
0:31:29 > 0:31:31LAUGHTER
0:31:31 > 0:31:34His Bond was a lover and a giggler,
0:31:34 > 0:31:38convinced the best way of smoking out information
0:31:38 > 0:31:40was with a post-coital cigarette.
0:32:00 > 0:32:03# He has a powerful weapon
0:32:03 > 0:32:07# He charges a million a shot
0:32:07 > 0:32:10# And assassin who's second to none
0:32:10 > 0:32:14# The man with the golden gun
0:32:16 > 0:32:19# Lurking in some darkened doorway
0:32:19 > 0:32:22# Or crouched on a rooftop somewhere
0:32:22 > 0:32:26# In the next room, or this very one
0:32:26 > 0:32:29# The man with the golden gun
0:32:31 > 0:32:34# Love is required whenever he's hired
0:32:34 > 0:32:37# It comes just before the kill
0:32:37 > 0:32:41# No-one can catch him No hit man can match him
0:32:41 > 0:32:44# For his million-dollar skill
0:32:44 > 0:32:47# One golden shot! And another poor victim
0:32:47 > 0:32:51# Has come to a glittering end
0:32:51 > 0:32:54# For a price, he'll erase anyone
0:32:54 > 0:32:58# The man with the golden gun
0:32:58 > 0:33:03# His eye may be
0:33:03 > 0:33:05# On you
0:33:05 > 0:33:07# Or me
0:33:09 > 0:33:13# Who will he bang?
0:33:15 > 0:33:19# We shall see!
0:33:20 > 0:33:23# Oh o-o-oh!
0:33:24 > 0:33:27# Love is required whenever he's hired
0:33:27 > 0:33:30# It comes just before the kill
0:33:30 > 0:33:34# No-one can catch him No hit man can match him
0:33:34 > 0:33:37# For his million-dollar skill
0:33:37 > 0:33:38# One golden shot!
0:33:38 > 0:33:40# And another poor victim
0:33:40 > 0:33:45# Has come to a glittering end
0:33:45 > 0:33:47# If you want to get rid of someone
0:33:47 > 0:33:50# The man with the golden gun
0:33:50 > 0:33:53# Will get it done!
0:33:53 > 0:33:56# He'll shoot everyone!
0:33:57 > 0:34:06# With his golden gun! #
0:34:08 > 0:34:13APPLAUSE
0:34:19 > 0:34:23In Roger's next outing - The Spy Who Loved Me -
0:34:23 > 0:34:25the Aston Martin has been part-exchanged for
0:34:25 > 0:34:30a Lotus with a sub-aquatic capability.
0:34:30 > 0:34:34The largest sound studio in the world, built at Pinewood,
0:34:34 > 0:34:40had to be flooded to contain three stolen nuclear submarines.
0:34:40 > 0:34:43As usual, the action is frantic,
0:34:43 > 0:34:46the special effects are outstanding
0:34:46 > 0:34:48and James gets the girl.
0:34:49 > 0:34:51Now, isn't that unusual?!
0:34:51 > 0:34:53LAUGHTER
0:35:01 > 0:35:06# Nobody does it better
0:35:08 > 0:35:13# Makes me feels sad for the rest
0:35:14 > 0:35:22# Nobody does it half as good as you
0:35:22 > 0:35:29# Baby, you're the best
0:35:29 > 0:35:32# I wasn't looking
0:35:32 > 0:35:35# But somehow you found me
0:35:35 > 0:35:41# I tried to hide from Your love light
0:35:42 > 0:35:45# But like heaven above me
0:35:45 > 0:35:48# The spy who loved me
0:35:48 > 0:35:55# Is keeping all my secrets safe tonight
0:35:56 > 0:36:02# And nobody does it better
0:36:03 > 0:36:08# Though sometimes I wish someone could
0:36:10 > 0:36:18# Nobody does it quite the way you do
0:36:18 > 0:36:23# Why d'you have to be so good?
0:36:23 > 0:36:27# The way that you hold me
0:36:27 > 0:36:30# Whenever you hold me
0:36:31 > 0:36:37# There's some kind of magic inside you
0:36:37 > 0:36:40# That keeps me from running
0:36:40 > 0:36:43# But just keep it coming
0:36:43 > 0:36:50# How'd you learn to do the things you do?
0:36:50 > 0:36:56# And nobody does it better
0:36:58 > 0:37:03# Makes me feel sad for the rest
0:37:04 > 0:37:12# Nobody does it half as good as you
0:37:12 > 0:37:16# Baby, baby
0:37:16 > 0:37:19# Darling, you're the best
0:37:22 > 0:37:26# Oh, baby, you're the best
0:37:28 > 0:37:32# Oh, darling, you're the best
0:37:35 > 0:37:39# Oh, baby, you're the best
0:37:42 > 0:37:44# Oh, woah, woah
0:37:44 > 0:37:49# Baby, you're the best
0:37:51 > 0:37:57# Angel, you're the best
0:37:57 > 0:38:03# Darling, you're the best
0:38:03 > 0:38:07# Baby
0:38:08 > 0:38:16# Oh, baby, you're the best! #
0:38:16 > 0:38:21APPLAUSE
0:38:32 > 0:38:34DROWNED OUT BY APPLAUSE
0:38:46 > 0:38:49RHYTHMIC DRUMBEAT
0:38:49 > 0:38:50AUDIENCE CLAPS IN TIME
0:39:07 > 0:39:09# Meeting you
0:39:09 > 0:39:13# With a view to a kill
0:39:14 > 0:39:20# Face to face in secret places Feel the chill
0:39:28 > 0:39:31# Nightfall covers me
0:39:31 > 0:39:35# But you know the plans I'm making
0:39:35 > 0:39:38# Still oversee
0:39:38 > 0:39:44# Could it be the whole world opening wide?
0:39:45 > 0:39:47# A scared "Why?"
0:39:47 > 0:39:51# A mystery gaping inside
0:39:52 > 0:39:54# A weekend's "Why?"
0:39:54 > 0:39:58# But can we dance into the fire?
0:39:58 > 0:40:03# The fatal kiss is all we need
0:40:03 > 0:40:06# Dance into the fire
0:40:06 > 0:40:11# With fatal sounds of broken dreams
0:40:11 > 0:40:13# Dance into the fire
0:40:13 > 0:40:17# That fatal kiss is all we need
0:40:17 > 0:40:22# Dance into the fire... #
0:40:31 > 0:40:37# ..A choice for you Is the view to a kill
0:40:37 > 0:40:45# Between the shades Assassination - feel the chill
0:40:51 > 0:40:55# First, the crystal tears
0:40:55 > 0:40:59# Fall as snowflakes on your body
0:40:59 > 0:41:02# First time in years
0:41:02 > 0:41:08# To feel on skin a lover's rosy stain
0:41:09 > 0:41:14# A chance to find A phoenix for the flame
0:41:16 > 0:41:18# A chance to die
0:41:19 > 0:41:23# But can we dance into the fire?
0:41:23 > 0:41:27# The fatal kiss is all we need
0:41:27 > 0:41:29# Dance into the fire
0:41:29 > 0:41:34# To fatal sounds of broken dreams
0:41:34 > 0:41:37# Dance into the fire
0:41:37 > 0:41:41# The fatal kiss is all we need
0:41:41 > 0:41:44# Dance into the fire
0:41:44 > 0:41:45# When all we see
0:41:45 > 0:41:59# Is the view to a kill... #
0:42:02 > 0:42:06CHEERING AND APPLAUSE
0:42:15 > 0:42:19The role of Bond was about to fall vacant.
0:42:19 > 0:42:22As much as Roger loved playing him,
0:42:22 > 0:42:24during the shooting of A View To A Kill,
0:42:24 > 0:42:28he realised he was considerably older than
0:42:28 > 0:42:30the mother of his co-star.
0:42:30 > 0:42:32LAUGHTER
0:42:32 > 0:42:34He quickly gave notice to retire from the role.
0:42:34 > 0:42:39Thankfully, he didn't have to rely on Hugo Drax
0:42:39 > 0:42:43from the space-age Moonraker to take care of him in his dotage.
0:43:08 > 0:43:12# Where are you?
0:43:13 > 0:43:17# Why do you hide?
0:43:19 > 0:43:28# Where is that moonlight trail That leads to your side?
0:43:28 > 0:43:35# Just like the Moonraker goes
0:43:35 > 0:43:41# In search of his dream of gold
0:43:41 > 0:43:45# I search for love
0:43:48 > 0:43:52# For someone to have and hold
0:43:52 > 0:43:58# I've seen your smile
0:43:58 > 0:44:04# In a thousand dreams
0:44:05 > 0:44:09# Felt your kiss
0:44:09 > 0:44:15# And it always seems
0:44:15 > 0:44:21# You love me
0:44:21 > 0:44:27# You...love
0:44:27 > 0:44:34# Me
0:44:39 > 0:44:44# Where are you?
0:44:44 > 0:44:49# When will we meet?
0:44:51 > 0:44:54# Take my unfinished life
0:44:54 > 0:44:59# And make it complete
0:44:59 > 0:45:06# Just like the Moonraker knows
0:45:08 > 0:45:13# His dream will come true some day
0:45:13 > 0:45:19# I know that you
0:45:19 > 0:45:23# Are only a kiss away
0:45:23 > 0:45:29# I've seen your smile
0:45:29 > 0:45:35# In a thousand dreams
0:45:36 > 0:45:40# Felt your touch
0:45:40 > 0:45:46# And it always seems
0:45:46 > 0:45:52# You love me
0:45:52 > 0:45:58# You love
0:45:58 > 0:46:11# Me. #
0:46:12 > 0:46:17APPLAUSE
0:46:25 > 0:46:29Before Roger's retirement took effect,
0:46:29 > 0:46:31he made For Your Eyes Only,
0:46:31 > 0:46:34which was regarded as his finest Bond film.
0:46:35 > 0:46:39By this stage, more than half the world's population
0:46:39 > 0:46:41had seen a James Bond film -
0:46:41 > 0:46:46making it the most lucrative series in screen history.
0:46:46 > 0:46:47A memorable quote
0:46:47 > 0:46:52is Bond entering a confessional booth for a meeting with Q.
0:46:52 > 0:46:58Bond confesses, "Forgive me, Father, for I have sinned."
0:46:59 > 0:47:04And Q replies, "That's putting it mildly, 007(!)"
0:47:22 > 0:47:26# For your eyes only
0:47:26 > 0:47:29# Can see me through the night
0:47:32 > 0:47:35# For your eyes only
0:47:35 > 0:47:38# I never need to hide
0:47:42 > 0:47:45# You can see so much in me
0:47:45 > 0:47:49# So much in me that's new
0:47:51 > 0:47:58# I never felt till I looked at you
0:47:58 > 0:48:02# For your eyes only
0:48:02 > 0:48:05# Only for you
0:48:05 > 0:48:08# You'll see what no-one else can see
0:48:08 > 0:48:14# Now I'm breaking free For your eyes only
0:48:14 > 0:48:16# Only for you
0:48:16 > 0:48:20# The love I know you need in me
0:48:20 > 0:48:23# The fantasy you freed in me
0:48:23 > 0:48:27# Only for you
0:48:27 > 0:48:32# Only for you
0:48:40 > 0:48:43# For your eyes only
0:48:43 > 0:48:47# The nights are never cold
0:48:49 > 0:48:53# You really know me
0:48:53 > 0:48:56# That's all I need to know
0:48:59 > 0:49:02# Maybe I'm an open book
0:49:02 > 0:49:08# Because I know you're mine
0:49:08 > 0:49:15# But you don't need to read between the lines
0:49:15 > 0:49:19# For your eyes only
0:49:19 > 0:49:22# Only for you
0:49:22 > 0:49:25# You'll see what no-one else can see
0:49:25 > 0:49:28# Now I'm breaking free
0:49:28 > 0:49:31# For your eyes only
0:49:31 > 0:49:33# Only for you
0:49:33 > 0:49:37# The passions that collide in me
0:49:37 > 0:49:40# The wild abandoned side of me
0:49:40 > 0:49:44# Only for you
0:49:44 > 0:49:55# For your eyes only. #
0:50:08 > 0:50:12APPLAUSE
0:50:22 > 0:50:261983 was the year of the battle of the Bonds.
0:50:26 > 0:50:30Roger was filming Octopussy.
0:50:30 > 0:50:33No controversy about the word this time round(!)
0:50:33 > 0:50:37And Sean, having said he would never play Bond again,
0:50:37 > 0:50:40was shooting Never Say Never Again.
0:50:41 > 0:50:44The screenplay was written by Porridge writers
0:50:44 > 0:50:47Dick Clement and Ian La Frenais,
0:50:47 > 0:50:53and featured such gems as Q's, "Good to see you, Mr Bond!
0:50:53 > 0:50:56"Things have been awfully dull around here.
0:50:56 > 0:50:58"Now that YOU'RE on this,
0:50:58 > 0:51:03"I hope we're going to have some gratuitous sex and violence."
0:51:03 > 0:51:04LAUGHTER
0:51:04 > 0:51:05# Never
0:51:05 > 0:51:08# Never say never again
0:51:08 > 0:51:12# Never, never say never again
0:51:29 > 0:51:33# You walk in a room
0:51:33 > 0:51:36# A woman can feel the heat
0:51:36 > 0:51:39# One look is a guarantee
0:51:39 > 0:51:43# Nights will be long and sweet
0:51:43 > 0:51:47# The message is clear
0:51:47 > 0:51:50# Like nothing I've ever known
0:51:50 > 0:51:53# But from all that I hear
0:51:53 > 0:51:57# Forget about long-range plans
0:51:57 > 0:52:00# Cos this man's got his own
0:52:00 > 0:52:04# To get mixed up with
0:52:04 > 0:52:09# A man who says never
0:52:09 > 0:52:13# May be big trouble
0:52:13 > 0:52:21# But then I just could be the woman to take you
0:52:23 > 0:52:27# And make you never say never again
0:52:27 > 0:52:31# Never, never say never again
0:52:31 > 0:52:34# Never, never say never again
0:52:34 > 0:52:38# Never, never say never again
0:52:38 > 0:52:41# Never, never say never again
0:52:41 > 0:52:45# You've got all the moves
0:52:45 > 0:52:48# But baby I've got them too
0:52:48 > 0:52:55# No matter your attitude or your mood I'll come through
0:52:55 > 0:52:59# The touch of your voice
0:52:59 > 0:53:02# The feel of your eyes on me
0:53:02 > 0:53:06# You give me no choice
0:53:06 > 0:53:08# I know that there's danger there
0:53:08 > 0:53:12# I don't care, let it be
0:53:12 > 0:53:20# To get it bad with a man who says never
0:53:21 > 0:53:27# May have no future but then
0:53:27 > 0:53:34# I just could be the woman to make you
0:53:34 > 0:53:36# And take you
0:53:36 > 0:53:40# Never say never again
0:53:40 > 0:53:42# I'll beg you
0:53:42 > 0:53:44# I'll get you
0:53:44 > 0:53:46# I'll make you
0:53:46 > 0:53:47# I'll take you
0:53:47 > 0:53:49# I'll reach you
0:53:49 > 0:53:54# I'll teach you. #
0:53:58 > 0:54:02APPLAUSE
0:54:08 > 0:54:13Now, Timothy Dalton took up the baton from Roger Moore
0:54:13 > 0:54:16in The Living Daylights.
0:54:16 > 0:54:19Back to cigarettes, back to the Aston Martin,
0:54:19 > 0:54:23out with the cigar and, strangely for Bond,
0:54:23 > 0:54:27far more chaste - that's spelt with a "T".
0:54:39 > 0:54:43# Hey driver, where we going?
0:54:43 > 0:54:47# I swear my nerves are showing
0:54:47 > 0:54:50# Set your hopes up way too high
0:54:50 > 0:54:56# The living's in the way we die
0:55:00 > 0:55:06# Comes the morning and the headlight fades away
0:55:08 > 0:55:13# 100,000 people I'm the one they frame
0:55:14 > 0:55:20# I've been waiting long for one of us to say
0:55:21 > 0:55:28# Save the darkness Let it never fade away
0:55:28 > 0:55:30# The living daylights
0:55:33 > 0:55:39# Hey, the living daylights
0:55:44 > 0:55:47# All right, hold on tight now
0:55:47 > 0:55:50# It's down, down to the wire
0:55:50 > 0:55:53# Get my hopes way too high
0:55:53 > 0:56:00# The living's in the way we die
0:56:04 > 0:56:10# Comes the morning and the headlight fades away
0:56:11 > 0:56:18# 100,000 people I'm the one they blame
0:56:18 > 0:56:25# I've been waiting long For one of us to say
0:56:25 > 0:56:32# Save the darkness Let it never fade away-y-y
0:56:32 > 0:56:34# The living daylights
0:56:36 > 0:56:43# Hey, the living daylights
0:56:43 > 0:56:50# Hey, the living daylights
0:57:18 > 0:57:25# Comes the morning and the daylight fades away
0:57:25 > 0:57:32# A hundred thousand people I'm the one they blame
0:57:32 > 0:57:34# The living daylights
0:57:36 > 0:57:44# Hey, the living daylights
0:57:46 > 0:57:49# The living daylights
0:57:49 > 0:57:53# The living daylights
0:57:53 > 0:57:59# The living daylights. #
0:58:03 > 0:58:06APPLAUSE
0:58:11 > 0:58:16Timothy Dalton's following film, A Licence to Kill,
0:58:16 > 0:58:20was originally called Licence Revoked.
0:58:20 > 0:58:22Rather apt as, for legal reasons,
0:58:22 > 0:58:26it was the last we would see of Bond for six years
0:58:26 > 0:58:31and Timothy Dalton was to relinquish his licence for good.
0:58:32 > 0:58:37Desmond "Q" Llewelyn plays his biggest ever role in a Bond film,
0:58:37 > 0:58:41as 007 resigns from MI6
0:58:41 > 0:58:44and is forced to become a rogue agent.
0:58:44 > 0:58:48Q surreptitiously arms his former colleague,
0:58:48 > 0:58:51flying in with more and more gadgets.
0:58:51 > 0:58:53How did he get them through customs?
0:58:53 > 0:58:55LAUGHTER
0:59:08 > 0:59:12# Ooh
0:59:12 > 0:59:15# Ooh-ooh-ooh hoo-hoo-hoo
0:59:18 > 0:59:22# Oh oh-whoa
0:59:24 > 0:59:31# Oh, I feel I've got to hold on to your love
0:59:31 > 0:59:32# Ooh
0:59:34 > 0:59:36# Hey baby
0:59:36 > 0:59:42# Thought you were the one who tried to run away
0:59:46 > 0:59:48# Oh, baby
0:59:48 > 0:59:56# Wasn't I the one who made you want to you stay?
0:59:57 > 1:00:03# Please don't bet that you'll ever escape me
1:00:03 > 1:00:06# Once I get my sights on you
1:00:06 > 1:00:10# Got a licence to kill
1:00:10 > 1:00:16# And you know I'm going straight for your heart
1:00:19 > 1:00:22# Got a licence to kill
1:00:22 > 1:00:29# Anyone who tries to tear us apart
1:00:32 > 1:00:38# Ooh licence to kill
1:00:41 > 1:00:45# Oh whoa-ho-oh-oh
1:00:47 > 1:00:50# Hey baby
1:00:50 > 1:00:56# I think you need a friend to stand up by your side
1:00:56 > 1:00:57# Yes you do now
1:01:00 > 1:01:02# Oh, baby
1:01:02 > 1:01:09# Now you can depend on me to make things right
1:01:11 > 1:01:16# Please don't bet that you'll ever escape me
1:01:17 > 1:01:20# Once I get my sights on you
1:01:20 > 1:01:24# Got a licence to kill
1:01:24 > 1:01:30# And you know I'm going straight for your heart
1:01:33 > 1:01:36# Got a licence to kill
1:01:36 > 1:01:42# Anyone who tries to tear us apart
1:01:45 > 1:01:48# I've got a licence to kill
1:01:48 > 1:01:55# And you know I'm going straight for your heart
1:01:56 > 1:01:57# Oh-oh yeah
1:01:57 > 1:02:08# Got a licence to kill anyone who tries to tear us apart
1:02:11 > 1:02:14# Say that somebody tries to make a move on you
1:02:17 > 1:02:21# In the blink of an eye I will be there too
1:02:23 > 1:02:29# You better know why I'm gonna make them pay
1:02:29 > 1:02:32# Until their dying day
1:02:32 > 1:02:34# Until their dying day
1:02:35 > 1:02:40# Until their dying day
1:02:40 > 1:02:44# Oh-ah-oh
1:02:44 > 1:02:53# Got a licence to kill and you know I'm going straight for your heart
1:02:56 > 1:03:05# Got a licence to kill anyone who tries to tear us apart
1:03:09 > 1:03:12# Got a licence to kill
1:03:12 > 1:03:19# And you know I'm going straight for your heart
1:03:21 > 1:03:31# Got a licence to kill anyone who tries to tear us apart
1:03:34 > 1:03:37# Ooh-ooh woo-woo-woo
1:03:37 > 1:03:43# Licence to kill
1:03:45 > 1:03:49# Oh you know I gotta hold on
1:03:49 > 1:03:53# I've got a licence to kill
1:03:58 > 1:04:01(# Kill, kill, kill, kill... #)
1:04:01 > 1:04:04APPLAUSE
1:04:15 > 1:04:21By mutual agreement, Dalton withdrew from the Bond role -
1:04:21 > 1:04:24Pierce Brosnan became Bond.
1:04:24 > 1:04:26In a revolutionary move,
1:04:26 > 1:04:31Judi Dench had become M, the head of the Secret Service
1:04:31 > 1:04:37and Samantha Bond was playing Moneypenny in a new look James Bond.
1:05:01 > 1:05:05# See reflections on the water
1:05:05 > 1:05:10# More than darkness in the depths
1:05:10 > 1:05:14# See him surface in every shadow
1:05:14 > 1:05:19# On the wind I feel his breath
1:05:19 > 1:05:24# Goldeneye I found his weakness
1:05:24 > 1:05:28# Goldeneye he'll do what I please
1:05:28 > 1:05:32# Goldeneye no time for weakness
1:05:32 > 1:05:37# But a bitter kiss will bring him to his knees
1:05:37 > 1:05:45# You'll never know how I watched you from the shadows as a child
1:05:47 > 1:05:56# You'll never know how it feels to be the one who's left behind
1:05:56 > 1:06:00# And you'll never know the days
1:06:00 > 1:06:06# The nights, the tears The tears I've cried
1:06:06 > 1:06:15# But now my time has come and time Time is not on your side
1:06:19 > 1:06:23# See him move through smoke and mirrors
1:06:23 > 1:06:28# Feel his presence in the crowd
1:06:28 > 1:06:32# Other girls they gather around him
1:06:32 > 1:06:37# If I had him I wouldn't let him out
1:06:37 > 1:06:41# Goldeneye not lace or leather
1:06:41 > 1:06:46# Golden chains take him to the spot
1:06:46 > 1:06:50# Goldeneye I'll show him forever
1:06:50 > 1:06:55# It'll take forever to see what I've got
1:06:55 > 1:07:03# You'll never know how I watched you from the shadows as a child
1:07:05 > 1:07:13# And you'll never know how it feels to be so close and be denied
1:07:14 > 1:07:17# It's a golden honey trap
1:07:17 > 1:07:22# I've got for you tonight
1:07:22 > 1:07:26# Revenge it's a kiss This time I won't miss
1:07:26 > 1:07:32# Now I've got you in my sight
1:07:35 > 1:07:39# With a Goldeneye
1:07:39 > 1:07:43# Golden, goldeneye
1:07:44 > 1:07:46# With a goldeneye
1:07:48 > 1:07:51# Goldeneye
1:07:52 > 1:07:56# With a goldeneye. #
1:07:56 > 1:07:58APPLAUSE
1:08:08 > 1:08:13Brosnan had revitalised the Bond franchise
1:08:13 > 1:08:18but a series of painful injuries had taken their toll on the star.
1:08:18 > 1:08:23Like Frank Spencer, he did all his own stunts -
1:08:23 > 1:08:26so did I in The Avengers, if your memory's long enough!
1:08:26 > 1:08:27LAUGHTER AND APPLAUSE
1:08:27 > 1:08:29So...
1:08:29 > 1:08:31CHEERING AND APPLAUSE
1:08:34 > 1:08:38So what would it take for him to continue reprising the role?
1:08:38 > 1:08:44Well, frankly, there are occasions where the world is not enough.
1:09:06 > 1:09:09# I know how to hurt
1:09:11 > 1:09:15# And I know how to heal
1:09:16 > 1:09:23# I know what to show and what to conceal
1:09:26 > 1:09:29# I know when to talk
1:09:30 > 1:09:34# And I know when to touch
1:09:36 > 1:09:43# No-one ever died from wanting too much
1:09:43 > 1:09:46# The world is not enough
1:09:48 > 1:09:53# But it is such a perfect place to start, my love
1:09:53 > 1:09:57# And if you're strong enough
1:09:57 > 1:10:04# Together we can take the world apart, my love
1:10:06 > 1:10:08# People like us
1:10:10 > 1:10:14# Know how to survive
1:10:15 > 1:10:18# There's no point in living
1:10:18 > 1:10:22# If you can't feel alive
1:10:25 > 1:10:29# We know when to kiss
1:10:30 > 1:10:34# And we know when to kill
1:10:35 > 1:10:37# If we can't have it all
1:10:37 > 1:10:42# Then nobody will
1:10:42 > 1:10:46# The world is not enough
1:10:47 > 1:10:53# But it is such a perfect place to start, my love
1:10:53 > 1:10:56# And if you're strong enough
1:10:56 > 1:11:03# Together we can take the world apart, my love
1:11:05 > 1:11:08# I feel safe
1:11:09 > 1:11:13# I feel scared
1:11:14 > 1:11:19# I feel ready
1:11:19 > 1:11:21# And yet unprepared
1:11:21 > 1:11:26# The world is not enough
1:11:26 > 1:11:32But it is such a perfect place to start, my love
1:11:32 > 1:11:35# And if you're strong enough
1:11:35 > 1:11:41# Together we can take the world apart, my love
1:11:41 > 1:11:46# The world is not enough
1:11:46 > 1:11:50# The world is not enough
1:11:50 > 1:11:56# No nowhere, not enough
1:11:56 > 1:12:03# The world is not enough. #
1:14:06 > 1:14:09APPLAUSE
1:14:11 > 1:14:16That song was Madonna's sterling contribution to 'Die Another Day'.
1:14:18 > 1:14:22Now came the time to redeem the one that got away. 'Casino Royale'.
1:14:23 > 1:14:26And the time to find a new Bond.
1:14:27 > 1:14:31But who could be next to play the tall, dark, handsome spy?
1:14:33 > 1:14:37From Connery to Moore, Lazenby to Dalton,
1:14:37 > 1:14:41from Pierce to piercing blue eyes.
1:14:41 > 1:14:44Daniel Craig took the crown.
1:14:44 > 1:14:49And for the first time in history, Bond is blonde.
1:14:49 > 1:14:52- LAUGHTER - But oh, so buffed!
1:14:52 > 1:14:54LAUGHTER
1:17:53 > 1:17:56APPLAUSE
1:18:11 > 1:18:19'Another Way To Die' opens the 2008 Bond film, 'Quantum of Solace'.
1:18:20 > 1:18:24And die it would have done if left to the reviewers.
1:18:24 > 1:18:29Universally slated by the press, and yet loved by the public,
1:18:29 > 1:18:34making this the biggest box-office hit of any Bond film in history.
1:18:35 > 1:18:38- Until now! - LAUGHTER
1:19:19 > 1:19:22# Another ringer With the slick trigger finger
1:19:22 > 1:19:24# For Her Majesty
1:19:26 > 1:19:29# Another one with the golden tongue
1:19:29 > 1:19:31# Poisoning your fantasy
1:19:32 > 1:19:36# Another bill from a killer Turned thriller
1:19:36 > 1:19:37# To a tragedy
1:19:37 > 1:19:41# A door left open A woman walking by
1:19:41 > 1:19:44# A drop in the water A look in your eye
1:19:44 > 1:19:48# A phone on the table A man on your side
1:19:48 > 1:19:50# Or someone that you think That you can trust
1:19:50 > 1:19:54# It's just another way to die
1:19:59 > 1:20:03# Mmm, mmm, mmm
1:20:05 > 1:20:10# Mmm, mmm, mmm
1:20:12 > 1:20:15# Another tricky little gun Giving solace to the one
1:20:15 > 1:20:19# That'll never see the sun shine
1:20:19 > 1:20:23# Another inch of your life Sacrificed for your brother
1:20:23 > 1:20:25# In the nick of time
1:20:25 > 1:20:28# Another dirty money Heaven sent honey
1:20:28 > 1:20:30# Turning on a dime
1:20:30 > 1:20:34# A door left open A woman walking by
1:20:34 > 1:20:37# A drop in the water A look in your eye
1:20:37 > 1:20:41# A phone on the table A man on your side
1:20:41 > 1:20:44# Or someone that you think That you can trust
1:20:44 > 1:20:48# It's just another way to die
1:20:50 > 1:20:53# You got to do or die
1:20:53 > 1:20:57# Just another way
1:21:00 > 1:21:02# Shoot 'em, bang, bang
1:21:02 > 1:21:04# Another way
1:21:04 > 1:21:06# Oh-oh-oh-oh-oh-oh-oh
1:21:06 > 1:21:09# Oh-oh-oh-oh-oh-oh
1:21:09 > 1:21:13# Oh-oh-oh-oh-oh-oh
1:21:13 > 1:21:19# Oh-oh-oh-oh-oh-oh
1:21:22 > 1:21:23# Oh
1:21:25 > 1:21:27# Oh
1:21:28 > 1:21:29# Oh
1:21:29 > 1:21:31# Oh-oh-oh-oh-oh
1:21:31 > 1:21:34# Another girl with her finger On the world
1:21:34 > 1:21:37# Singing to you What you want to hear
1:21:37 > 1:21:41# Another gun thrown down In surrender
1:21:41 > 1:21:42# Took away your fear
1:21:44 > 1:21:47# Another man there he stands Right behind you
1:21:47 > 1:21:49# Looking in the mirror
1:21:49 > 1:21:50# Yeah
1:21:50 > 1:21:53# A door left open A woman walking by
1:21:53 > 1:21:56# A drop in the water A look in your eye
1:21:56 > 1:22:00# A phone on the table A man on your side
1:22:00 > 1:22:03# Or someone that you think That you can trust
1:22:03 > 1:22:08# It's just another way to die
1:22:10 > 1:22:12# Is there another way
1:22:15 > 1:22:17# Shoot 'em up, bang, bang
1:22:17 > 1:22:19# Another way
1:22:19 > 1:22:21# Hey
1:22:23 > 1:22:25# Yeah
1:22:26 > 1:22:29# Hey
1:22:29 > 1:22:30# Oooh
1:22:30 > 1:22:34# Another way to die Another way to die
1:22:34 > 1:22:37# Another way Another way
1:22:37 > 1:22:38# Another way
1:22:38 > 1:22:40# Shoot 'em down, bang, bang
1:22:40 > 1:22:43# Another way to die Another way to die. #
1:22:45 > 1:22:47APPLAUSE
1:22:59 > 1:23:03Eagerly anticipating Daniel Craig's third Bond film,
1:23:03 > 1:23:06there seemed nowhere to go but up.
1:23:07 > 1:23:11The stars were signed, the sets were designed,
1:23:11 > 1:23:14but the MGM lion failed to roar.
1:23:14 > 1:23:18As bankruptcy approached as fast as a laser to the groin...
1:23:18 > 1:23:20LAUGHTER
1:23:20 > 1:23:23..would the Bond franchise live to die another day?
1:23:25 > 1:23:29To the rescue came Spyglass Entertainment
1:23:29 > 1:23:31and MGM was bailed out.
1:23:32 > 1:23:35And so James Bond survived his sky fall.
1:24:09 > 1:24:13# This is the end
1:24:15 > 1:24:20# Hold your breath and count to ten
1:24:22 > 1:24:27# Feel the earth move and then
1:24:29 > 1:24:37# Hear my heart burst again
1:24:37 > 1:24:40# For this is the end
1:24:42 > 1:24:47# I've drowned and dreamt this moment
1:24:49 > 1:24:55# So overdue I owe them
1:24:57 > 1:24:59# Swept away
1:24:59 > 1:25:05# I'm stolen
1:25:05 > 1:25:08# Let the sky fall
1:25:08 > 1:25:11# When it crumbles
1:25:11 > 1:25:14# We will stand tall
1:25:14 > 1:25:17# And face it all together
1:25:17 > 1:25:21# Let the sky fall
1:25:21 > 1:25:24# When it crumbles
1:25:24 > 1:25:27# We will stand tall
1:25:27 > 1:25:30# And face it all together
1:25:30 > 1:25:34# At skyfall
1:25:37 > 1:25:41# At skyfall
1:25:44 > 1:25:47# Skyfall is where it starts
1:25:50 > 1:25:55# A thousand miles and poles apart
1:25:56 > 1:26:00# Where worlds collide And days are dark
1:26:00 > 1:26:06# You may have my number, they may take my name
1:26:06 > 1:26:10# But they'll never have my heart
1:26:10 > 1:26:13# Let the sky fall
1:26:13 > 1:26:17# When it crumbles
1:26:17 > 1:26:20# We will stand tall
1:26:20 > 1:26:24# And face it all together
1:26:24 > 1:26:27# Let the sky fall
1:26:27 > 1:26:30# When it crumbles
1:26:30 > 1:26:33# We will stand tall
1:26:33 > 1:26:37# And face it all together
1:26:37 > 1:26:41# At skyfall
1:26:52 > 1:26:56# Let the sky fall
1:26:56 > 1:26:59# When it crumbles
1:26:59 > 1:27:01# We will stand tall
1:27:03 > 1:27:06# Where you go I go
1:27:06 > 1:27:09# What you see I see
1:27:09 > 1:27:13# I know I'd never be me
1:27:13 > 1:27:17# Without the security
1:27:17 > 1:27:20# Of your loving arms
1:27:20 > 1:27:23# Keeping me from harm
1:27:23 > 1:27:26# Put your hand in my hand
1:27:26 > 1:27:30# And we'll stand
1:27:30 > 1:27:33# Let the sky fall
1:27:33 > 1:27:35# When it crumbles
1:27:35 > 1:27:39# We will stand tall
1:27:39 > 1:27:42# And face it all together
1:27:42 > 1:27:46# Let the sky fall
1:27:46 > 1:27:49# When it crumbles
1:27:49 > 1:27:52# We will stand tall
1:27:52 > 1:27:54# And face it all together
1:27:54 > 1:27:57# At skyfall
1:27:57 > 1:28:00# Let the sky fall
1:28:03 > 1:28:08# We will stand tall
1:28:08 > 1:28:19# At skyfall
1:28:21 > 1:28:25# Oooh-oooh-oooh-oooh
1:28:25 > 1:28:32# Oooh-oooh-oooh-oooh
1:28:37 > 1:28:40APPLAUSE
1:29:09 > 1:29:11Subtitles by Red Bee Media Ltd