0:00:02 > 0:00:06# In the event of something happening to me
0:00:08 > 0:00:12# There is something I would like you all to see
0:00:13 > 0:00:19# It's just a photograph of someone that I knew
0:00:19 > 0:00:22# Have you seen my wife, Mr Jones?
0:00:24 > 0:00:29# Do you know what it's like on the outside?
0:00:29 > 0:00:36# Don't go talking too loud, you'll cause a landslide, Mr Jones
0:00:40 > 0:00:44# I keep straining my ears to hear a sound
0:00:45 > 0:00:50# Maybe someone is digging underground
0:00:51 > 0:00:56# Or have they given up and all gone home to bed?
0:00:56 > 0:01:00# Thinking those who once existed must be dead
0:01:01 > 0:01:05# Have you seen my wife, Mr Jones?
0:01:06 > 0:01:11# Do you know what it's like on the outside?
0:01:12 > 0:01:17# Don't go talking too loud, you'll cause a landslide
0:01:17 > 0:01:18# Mr Jones
0:01:22 > 0:01:27# In the event of something happening to me... #
0:01:28 > 0:01:31'I've been writing songs all my life with my brothers.
0:01:31 > 0:01:34'There is a kind of emotional development in a song
0:01:34 > 0:01:36'that you have to really concentrate on.
0:01:36 > 0:01:40'It's not just about the words, for instance.
0:01:40 > 0:01:43'It's about harmonics and the emotional feeling.
0:01:43 > 0:01:45'It is a sense of a song building and flowering
0:01:45 > 0:01:48'and having an emotional attachment to the listener.'
0:01:51 > 0:01:55# Don't go talking too loud, you'll cause a landslide... #
0:01:55 > 0:01:59We were very influenced by American music, living in Australia.
0:01:59 > 0:02:01You got more of it because there was more radio stations
0:02:01 > 0:02:04playing 24-hour pop music on the air, like they were in America.
0:02:04 > 0:02:09Our very early influences were actually in folk and R & B,
0:02:09 > 0:02:11because... Or soul, I should say.
0:02:11 > 0:02:15We arrived back in the UK in about February, 1967
0:02:15 > 0:02:18having worked our way over on a ship. That's how poor we were.
0:02:18 > 0:02:24It was a very exciting period, because the UK still ruled America
0:02:24 > 0:02:27in a way that it dictated the trends
0:02:27 > 0:02:30and everything was new and original. Nobody was copying each other.
0:02:30 > 0:02:35And it was just exciting to be a part of this whole boom
0:02:35 > 0:02:36that Britain was enjoying.
0:02:36 > 0:02:40I would like to say that I'm very glad that the group and myself
0:02:40 > 0:02:41came to England in February.
0:02:41 > 0:02:45I'd just like to give a pound to someone who can stand up and explain
0:02:45 > 0:02:48to me I Am The Walrus by the Beatles.
0:02:48 > 0:02:51Tonight, Massachusetts from The Bee Gees.
0:02:51 > 0:02:53APPLAUSE AND CHEERING
0:02:59 > 0:03:05# Feel I'm goin' back to Massachusetts
0:03:09 > 0:03:14# Something's telling me I must go home
0:03:16 > 0:03:24# And the lights all went down in Massachusetts
0:03:26 > 0:03:32# The day I left her standing on her own
0:03:36 > 0:03:42# Tried to hitch a ride to San Francisco
0:03:45 > 0:03:51# Got to do the things I wanna do
0:03:53 > 0:04:00# And the lights all went down in Massachusetts
0:04:02 > 0:04:09# They brought me back to see my way with you
0:04:13 > 0:04:18# Talk about my life in Massachusetts... #
0:04:18 > 0:04:22'We arrived from Australia, and there were thousands and thousands
0:04:22 > 0:04:24'and thousands of artists and groups
0:04:24 > 0:04:26'queuing up for discovery
0:04:26 > 0:04:30'and encouragement and support and wanting to do well.
0:04:30 > 0:04:32'But of course, we arrived with this blind belief that we were
0:04:32 > 0:04:34'going to cut through all that.
0:04:34 > 0:04:37'We were songwriters, and in those days
0:04:37 > 0:04:40'if you wrote your own songs, it was about merit.'
0:04:40 > 0:04:42# And Massachusetts
0:04:42 > 0:04:49# Is one place I have seen. #
0:04:50 > 0:04:54Welcome back to My World Of Music, and again, the Bee Gees.
0:04:54 > 0:04:57CHEERING AND APPLAUSE
0:05:05 > 0:05:09# The preacher talked with me and he smiled
0:05:10 > 0:05:16# Said come and walk with me Come and walk one more mile
0:05:16 > 0:05:20# Now for once in your life you're alone
0:05:21 > 0:05:24# But you ain't got a dime
0:05:24 > 0:05:27# There's no time for the phone
0:05:27 > 0:05:32# I just gotta get a message to you
0:05:32 > 0:05:35# Hold on
0:05:35 > 0:05:38# Hold on
0:05:38 > 0:05:42# One more hour and my life will be through
0:05:43 > 0:05:46# Hold on
0:05:46 > 0:05:48# Hold on... #
0:05:50 > 0:05:52'Harmonies, for us, were always a natural
0:05:52 > 0:05:54'cos we started harmonising as kids.
0:05:54 > 0:05:56'Cos we were three brothers, I think we had natural harmony,
0:05:56 > 0:06:00'and everything we sang in a certain way, we'd just fall into it.
0:06:00 > 0:06:02'We were never taught music
0:06:02 > 0:06:05'and we were never taught to read music,
0:06:05 > 0:06:09'and in a sense, still can't. And it's all in the head.
0:06:09 > 0:06:12'And the harmonising was just completely between the three of us,
0:06:12 > 0:06:15'and nobody really showed us how to do it.'
0:06:18 > 0:06:21# Well, I laughed but that didn't hurt
0:06:23 > 0:06:29# And it's only her love that keeps me wearing this dirt
0:06:29 > 0:06:33# Now I'm crying but deep down inside
0:06:34 > 0:06:37# Well, I did it to him
0:06:37 > 0:06:40# Now it's my turn to die
0:06:40 > 0:06:44# I just gotta get a message to you
0:06:45 > 0:06:48# Hold on
0:06:48 > 0:06:50# Hold on
0:06:50 > 0:06:53We'd met Robert Stigwood and Brian Epstein, the manager of the Beatles
0:06:53 > 0:06:56in a very short period of time as we were in the studio
0:06:56 > 0:06:58making our first record.
0:06:58 > 0:07:02For them, it was always the most important thing
0:07:02 > 0:07:05to keep your eye on success in America.
0:07:05 > 0:07:07As far as they were concerned, if you didn't have America,
0:07:07 > 0:07:11it didn't matter how much success you had in this country, it wasn't going to work.
0:07:11 > 0:07:15And so it was always essential that that was the ultimate goal.
0:07:25 > 0:07:30# Good morning Mister Sunshine
0:07:32 > 0:07:36# You brighten up my day
0:07:38 > 0:07:42# Come sit beside me
0:07:43 > 0:07:48# In your way
0:07:52 > 0:07:57# I see you every morning
0:07:58 > 0:08:03# Outside the restaurants
0:08:05 > 0:08:14# The music plays so nonchalant... #
0:08:16 > 0:08:20'We'd worked everywhere in the States and for months and months on end.
0:08:20 > 0:08:23'And we were staying in Holiday Inns'
0:08:23 > 0:08:25from Morehead, Kentucky to Chattanooga,
0:08:25 > 0:08:28the Deep South, so Deep South we ended up in Mexico.
0:08:28 > 0:08:31# Lonely days
0:08:31 > 0:08:33# Lonely nights
0:08:35 > 0:08:38# Where would I be without my woman?
0:08:39 > 0:08:42# Lonely days
0:08:42 > 0:08:44# Lonely nights
0:08:45 > 0:08:48# Where would I be without my woman?
0:08:50 > 0:08:52# Lonely days
0:08:52 > 0:08:54# Lonely nights
0:08:55 > 0:08:58# Where would I be without my woman?
0:09:00 > 0:09:02# Lonely days
0:09:02 > 0:09:04# Lonely nights
0:09:06 > 0:09:09# Where would I be without my woman...? #
0:09:09 > 0:09:11When you're starting out,
0:09:11 > 0:09:14even in this country, you're doing Nottingham Boathouse
0:09:14 > 0:09:17up to your hips and water and not being paid a penny, you know.
0:09:17 > 0:09:20You don't always start out where you want to be. It's where you end up.
0:09:20 > 0:09:22And you have to pay your dues.
0:09:23 > 0:09:27It wasn't all, you know, fantastic at the beginning,
0:09:27 > 0:09:30but you've got to start somewhere and you've got to get out there
0:09:30 > 0:09:31and do your bit.
0:09:31 > 0:09:34# It's just your jive talkin'
0:09:34 > 0:09:36# Tellin' me lies
0:09:36 > 0:09:38# Jive talkin'
0:09:38 > 0:09:40# You wear a disguise
0:09:40 > 0:09:43# Jive talkin'
0:09:43 > 0:09:45# So misunderstood, yeah
0:09:45 > 0:09:49# Jive talkin' You're really no good
0:09:50 > 0:09:54# Oh, my child You'll never know
0:09:54 > 0:09:57# Just what you mean to me
0:09:59 > 0:10:03# Oh, my child You got so much
0:10:03 > 0:10:08# You gonna take away my energy With all your
0:10:08 > 0:10:10# Jive talkin'
0:10:10 > 0:10:12# You tellin' me lies, yeah
0:10:12 > 0:10:16# Good lovin' still gets in my eyes
0:10:17 > 0:10:21# Nobody believe what you say
0:10:21 > 0:10:26# It's just your jive talkin' that gets in the way
0:10:26 > 0:10:29KEYBOARD SOLO
0:10:42 > 0:10:47# Oh, my love You're so good... #
0:10:48 > 0:10:52As composers, we always thought that, first and foremost,
0:10:52 > 0:10:54we must explore all kinds of music.
0:10:54 > 0:10:58Our love was always R & B, soul, erm...
0:10:58 > 0:10:59bass music.
0:10:59 > 0:11:02- # All your - Jive talkin'
0:11:02 > 0:11:04# You tellin' me lies, yeah
0:11:04 > 0:11:06# Jive talkin'
0:11:06 > 0:11:09# You wear a disguise
0:11:09 > 0:11:11# Jive talkin'
0:11:11 > 0:11:13# So misunderstood, yeah
0:11:13 > 0:11:16# Jive talkin'
0:11:16 > 0:11:17# You just ain't no good... #
0:11:17 > 0:11:21'It was the grooves that really got us, and we wanted to put melody
0:11:21 > 0:11:23'and harmonies into that groove,'
0:11:23 > 0:11:25because it's very playable.
0:11:25 > 0:11:28Even on British radio and American radio today,
0:11:28 > 0:11:33you can play one of our records next to a current record
0:11:33 > 0:11:36and it stands up because of the grooves.
0:11:36 > 0:11:41And I think that's because we always were influenced very early on
0:11:41 > 0:11:44in our compositions by black American music.
0:12:02 > 0:12:04# Listen to the ground
0:12:04 > 0:12:06# There is movement all around
0:12:06 > 0:12:08# There is somethin' goin' down
0:12:08 > 0:12:11# And I can feel it
0:12:11 > 0:12:13# On the waves of the air
0:12:13 > 0:12:15# There is dancin' out there
0:12:15 > 0:12:17# If there's somethin' we can share
0:12:17 > 0:12:18# We can steal it
0:12:19 > 0:12:22# And that sweet city woman
0:12:22 > 0:12:24# She moves through the light
0:12:24 > 0:12:29# Controlling my mind and my soul
0:12:29 > 0:12:31# When you reach out for me, yeah
0:12:31 > 0:12:32# And the feelin' is right
0:12:33 > 0:12:36# Night fever, night fever
0:12:36 > 0:12:38# We know how to do it
0:12:41 > 0:12:45# Gimme the night fever, night fever
0:12:45 > 0:12:48# We know how to show it
0:12:50 > 0:12:55# Here I am Prayin' for this moment to last
0:12:57 > 0:13:02# Livin' on the music so fine, Born on the wind
0:13:02 > 0:13:08# Makin' it mine
0:13:08 > 0:13:11# Night fever, night fever
0:13:11 > 0:13:13# We know how to do it
0:13:16 > 0:13:20# Gimme the night fever, night fever
0:13:20 > 0:13:23# We know how to show it... #
0:13:23 > 0:13:26'We knew nothing about the word disco.
0:13:26 > 0:13:28'Disco was not... Well, in Europe, disco was always short'
0:13:28 > 0:13:30for discotheque, it always had been.
0:13:30 > 0:13:34There was no music that we knew of that was called disco.
0:13:34 > 0:13:38And what we were doing in recording was R & B.
0:13:38 > 0:13:41Or blue-eyed souls, they would have called it.
0:13:41 > 0:13:44# I know your eyes in the morning sun
0:13:44 > 0:13:48# I feel you touch me in the pouring rain
0:13:49 > 0:13:54# And the moment that you wander far from me
0:13:54 > 0:13:57# I wanna feel you in my arms again
0:13:58 > 0:14:03# And you come to me on a summer breeze
0:14:03 > 0:14:07# Keep me warm in your love then you softly leave
0:14:07 > 0:14:10# And it's me you need to show
0:14:10 > 0:14:14# How deep your love
0:14:14 > 0:14:16# How deep is your love How deep is your love... #
0:14:16 > 0:14:20'We were actually writing our new studio album in a chateau,
0:14:20 > 0:14:24'in the Honky Chateau in France, and Robert Stigwood called'
0:14:24 > 0:14:29from Los Angeles and said, "We've got this very low-budget film
0:14:29 > 0:14:32"for Paramount, tribal rights of a Saturday night based on an article
0:14:32 > 0:14:36"in the New York Times by Nick Cohen. Have you got any new songs?"
0:14:36 > 0:14:39And we said, "We haven't got time to stop and write new songs.
0:14:39 > 0:14:42"We've got these songs written, Staying Alive, How Deep Is Your Love,
0:14:42 > 0:14:46"Night Fever, If I Can't Have You, More Than A Woman, blah-blah-blah,
0:14:46 > 0:14:47"Come over and have a listen."
0:14:47 > 0:14:51So Paramount and Robert Stigwood, a week later,
0:14:51 > 0:14:54came to the studio in France and they listened.
0:14:54 > 0:14:59"Mm, yeah, OK, yeah." And that was the last we heard.
0:15:10 > 0:15:12# Well, you can tell by the way I use my walk
0:15:12 > 0:15:15# I'm a woman's man no time to talk
0:15:15 > 0:15:17# Music loud and women warm
0:15:17 > 0:15:19# I've been kicked around since I was born
0:15:19 > 0:15:21# And now it's all right, it's OK
0:15:21 > 0:15:24# And you may look the other way
0:15:24 > 0:15:26# We can try to understand
0:15:26 > 0:15:28# The New York Times' effect on man
0:15:28 > 0:15:30# Whether you're a brother or whether you're a mother
0:15:30 > 0:15:33# You're stayin' alive, stayin' alive
0:15:33 > 0:15:35# Feel the city breakin' and everybody shakin'
0:15:35 > 0:15:37# Stayin' alive, stayin' alive
0:15:37 > 0:15:42# Ah, ha, ha, ha, stayin' alive stayin' alive
0:15:42 > 0:15:44# Ah, ha, ha, ha
0:15:44 > 0:15:52# Stayin' alive...#
0:15:54 > 0:15:59Nine months later, the film opened in Los Angeles and exploded.
0:15:59 > 0:16:02John Travolta in Saturday Night Fever.
0:16:11 > 0:16:13# Well, you can tell by the way I use my walk
0:16:13 > 0:16:16# I'm a woman's man no time to talk
0:16:16 > 0:16:18# Music loud and women warm
0:16:18 > 0:16:21# I've been kicked around since I was born
0:16:21 > 0:16:23# And now it's all right, that's OK
0:16:23 > 0:16:25# And you may look the other way...#
0:16:25 > 0:16:30I don't think anybody has any idea what it was like when Fever was out.
0:16:30 > 0:16:33You couldn't really control it. It was staggering.
0:16:33 > 0:16:35It was number one for six months on Billboard, the album,
0:16:35 > 0:16:38it was just incredible.
0:16:38 > 0:16:41Nothing like it had ever occurred before that.
0:16:41 > 0:16:43Nobody actually said this is going to be
0:16:43 > 0:16:46the biggest selling soundtrack album in history and it still is.
0:16:46 > 0:16:49Nobody said it was going to be, you know,
0:16:49 > 0:16:53it was going to sell 50 million albums, it's ridiculous.
0:16:53 > 0:16:56John Lennon said in a Playboy interview,
0:16:56 > 0:16:59a month before he died, in an exclusive interview,
0:16:59 > 0:17:03he said he wished he could have had a Saturday Night Fever in his career.
0:17:21 > 0:17:24# Baby, oh no
0:17:25 > 0:17:29# I've been stuck here I've been searchin' so long
0:17:31 > 0:17:33# Baby, don't go
0:17:35 > 0:17:39# Millions of people were wrong
0:17:40 > 0:17:43# In the dark of the cold light of day
0:17:44 > 0:17:46# I will still be here
0:17:49 > 0:17:52# If my heart and my soul had their way
0:17:52 > 0:17:56# You would still be here
0:17:59 > 0:18:02# Another lonely night in New York
0:18:02 > 0:18:07# And I'm just a soul in the heart of the city
0:18:07 > 0:18:10# Just another lonely night in New York...#
0:18:10 > 0:18:13CHEERING AND APPLAUSE
0:18:21 > 0:18:24# I'm in the middle of a chain reaction
0:18:24 > 0:18:28# You give me all the after midnight action
0:18:28 > 0:18:34# I wanna get you where I can let you make all that love to me... #
0:18:34 > 0:18:38British composers, and I think this is very special to British composers,
0:18:38 > 0:18:42are not afraid to go into no-go areas, particularly in America.
0:18:42 > 0:18:47Chain Reaction - Diana Ross, Barbra Streisand - Woman In Love...
0:18:47 > 0:18:49# I am a woman in love
0:18:49 > 0:18:55# And I'd do anything to get you into my world
0:18:55 > 0:18:59# And hold you within...#
0:18:59 > 0:19:04Emotion, which was recorded by Beyonce in this century.
0:19:04 > 0:19:08# In the words of a broken heart it's just emotions
0:19:08 > 0:19:10# Taking me over
0:19:10 > 0:19:13# Caught up in sorrow
0:19:13 > 0:19:16# Lost in this song
0:19:16 > 0:19:22# But if you don't come back come home to me, darling
0:19:22 > 0:19:25# Don't you know there's nobody left in this world
0:19:25 > 0:19:28To hold me tight... #
0:19:28 > 0:19:32Islands in the stream which I wrote for Dolly Parton and Kenny Rogers, it's a country song,
0:19:32 > 0:19:35but very few people, even in America can get into
0:19:35 > 0:19:40the Nashville Mafia which is where, if you want to write a country act,
0:19:40 > 0:19:42it's very hard. They have their own composers.
0:19:42 > 0:19:45# Islands in the stream
0:19:45 > 0:19:46# That is what we are
0:19:46 > 0:19:48# No one in between
0:19:48 > 0:19:50# How can we be wrong?
0:19:50 > 0:19:53# Sail away with me
0:19:53 > 0:19:55# To another world
0:19:55 > 0:19:59# And we rely on each other, ah-ah
0:19:59 > 0:20:04# From one lover to another, ah-ah...#
0:20:04 > 0:20:06We just happened by chance to write this song
0:20:06 > 0:20:09and record Dolly Parton and Kenny Rogers, and it's the most
0:20:09 > 0:20:13successful country song in America and the world right now.
0:20:13 > 0:20:15# Everything is nothing if you got no one
0:20:15 > 0:20:17# And you just walk in tonight...#
0:20:17 > 0:20:21Yet written by guys who weren't in Nashville.
0:20:21 > 0:20:25That's a rarity but we weren't afraid to go there, to go into that area.
0:20:26 > 0:20:28# Islands in the stream
0:20:28 > 0:20:30# That is what we are
0:20:30 > 0:20:32# No one in between
0:20:32 > 0:20:34# How can we be wrong?
0:20:34 > 0:20:36# Sail away with me
0:20:37 > 0:20:39# To another world
0:20:39 > 0:20:43# And we rely on each other, ah-ah
0:20:43 > 0:20:48# From one lover to another, ah-ah
0:20:49 > 0:20:51# Whoa, won't you sing?
0:20:51 > 0:20:55# Tell me, sail away, sail away with me...#
0:20:55 > 0:20:57Yay, Kenny!
0:20:57 > 0:21:00CHEERING AND APPLAUSE
0:21:10 > 0:21:14We welcome back one of the legendary pop groups of the '70s.
0:21:14 > 0:21:16I remember my granny dandling me on her knee...
0:21:16 > 0:21:18LAUGHTER
0:21:18 > 0:21:21..as she hummed early hits like Massachusetts, Words,
0:21:21 > 0:21:22Gotta Get A Message To You
0:21:22 > 0:21:27and who can forget Saturday Night Fever, Stayin' Alive, Jive Talkin'?
0:21:27 > 0:21:30They are back to win your hearts and your minds with a new single.
0:21:30 > 0:21:33You Win Again, ladies and gentlemen, welcome, the Bee Gees!
0:21:33 > 0:21:35APPLAUSE
0:21:46 > 0:21:47# I couldn't figure why
0:21:47 > 0:21:50# You couldn't give me what everybody needs
0:21:51 > 0:21:55# I shouldn't let you kick me when I'm down
0:21:55 > 0:21:57# My baby
0:21:58 > 0:22:00# I find out everybody knows that
0:22:00 > 0:22:02# You've been using me
0:22:03 > 0:22:05# I'm surprised you
0:22:05 > 0:22:09# Let me stay around you
0:22:09 > 0:22:13# One day I'm gonna lift the cover and look inside your heart
0:22:14 > 0:22:17# We gotta level before we go
0:22:17 > 0:22:19# And tear this love apart
0:22:19 > 0:22:22# There's no fight you can't fight
0:22:22 > 0:22:24# This battle of love with me
0:22:24 > 0:22:26# You win again
0:22:26 > 0:22:28# So little time
0:22:28 > 0:22:31# We do nothing but compete
0:22:31 > 0:22:33# There's no life on earth
0:22:33 > 0:22:36# No other could see me through
0:22:36 > 0:22:37# You win again
0:22:37 > 0:22:39# Some never try
0:22:39 > 0:22:43# But if anybody can, we can
0:22:44 > 0:22:47# And I'll be, I'll be
0:22:47 > 0:22:49# Following you
0:22:49 > 0:22:52# Oh, girl...#
0:22:52 > 0:22:55You'd just go from one project to the next. Some work better than others.
0:22:55 > 0:23:00You would never think about whether you were going to have success
0:23:00 > 0:23:02or more success.
0:23:02 > 0:23:06You just enjoy what you're doing and get on and it is your life.
0:23:06 > 0:23:08# Oh, girl I've known you very well
0:23:08 > 0:23:10# I've seen you growing everyday
0:23:10 > 0:23:12# I never really looked before
0:23:12 > 0:23:14# But now you take my breath away
0:23:14 > 0:23:17# Suddenly you're in my life
0:23:17 > 0:23:19# Part of everything I do
0:23:19 > 0:23:21# You got me working day and night
0:23:21 > 0:23:23# Just trying to keep a hold on you
0:23:24 > 0:23:27# Here in your arms I found my paradise
0:23:28 > 0:23:31# My only chance for happiness
0:23:32 > 0:23:36# And if I lose you now I think I would die
0:23:36 > 0:23:39# Oh say you'll always be my baby
0:23:39 > 0:23:41# We can make it shine
0:23:41 > 0:23:48# We can take forever just a minute at a time
0:23:48 > 0:23:50# More than a woman
0:23:52 > 0:23:55# More than a woman to me...#
0:23:55 > 0:23:57When you've got this huge catalogue,
0:23:57 > 0:24:01there are very few acts which have created these catalogues.
0:24:01 > 0:24:05You've got the Beatles, you've got Abba, Elton and so on.
0:24:05 > 0:24:12We've had, recorded, produced, are responsible for 22 US number ones.
0:24:12 > 0:24:14It's a record we are proud of.
0:24:16 > 0:24:18# More than a woman
0:24:21 > 0:24:24# More than a woman to me.
0:24:25 > 0:24:27# More than a woman...#
0:24:27 > 0:24:30We've become a part of music history when you can sit back and say,
0:24:30 > 0:24:32you know, we've got that.
0:24:32 > 0:24:34You can't take it away, it's there.
0:24:34 > 0:24:36# More than a woman.#
0:24:36 > 0:24:37CHEERING
0:24:37 > 0:24:44It's still on the radio today and that is what makes me proud,
0:24:45 > 0:24:50They are timeless and they last and they are still influencing people.
0:24:50 > 0:24:52CHEERING AND APPLAUSE
0:25:11 > 0:25:13# There's a light
0:25:14 > 0:25:17# A certain kind of light
0:25:18 > 0:25:21# That never shone on me
0:25:24 > 0:25:26# I want my life to be
0:25:28 > 0:25:29# Lived with you
0:25:30 > 0:25:32# Lived with you
0:25:34 > 0:25:36# There's a way
0:25:37 > 0:25:39# Everybody said
0:25:41 > 0:25:44# To do each and every little thing
0:25:47 > 0:25:50# But what does it bring
0:25:50 > 0:25:53# If I ain't got you
0:25:53 > 0:25:57# Ain't got you, baby
0:25:57 > 0:26:02# You don't know what it's like
0:26:02 > 0:26:06# Baby, you don't know what it's like
0:26:07 > 0:26:09# To love somebody
0:26:10 > 0:26:12# To love somebody
0:26:13 > 0:26:16# The way I love you
0:26:28 > 0:26:29# In my brain
0:26:32 > 0:26:34# I see your face again
0:26:35 > 0:26:38# I know my frame of mind
0:26:41 > 0:26:44# You ain't got to be so blind
0:26:45 > 0:26:50# And I'm blind, so so very blind
0:26:51 > 0:26:54# I'm a man
0:26:55 > 0:26:57# Can't you see what I am
0:26:58 > 0:27:02# I live and I breathe for you
0:27:04 > 0:27:08# But what good does it do
0:27:08 > 0:27:13# If I ain't got you, ain't got you
0:27:14 > 0:27:19# Baby, you don't know what it's like
0:27:20 > 0:27:24# Baby, you don't know what it's like
0:27:26 > 0:27:27# To love somebody
0:27:28 > 0:27:31# To love somebody
0:27:31 > 0:27:34# The way I love you
0:27:34 > 0:27:36# No doubt it's true
0:27:37 > 0:27:42# Baby, you don't know what it's like
0:27:43 > 0:27:47# Baby, you don't know what it's like
0:27:49 > 0:27:51# To love somebody
0:27:52 > 0:27:54# To love somebody
0:27:55 > 0:28:02# The way I love you...#
0:28:05 > 0:28:10CHEERING AND APPLAUSE
0:28:10 > 0:28:15Thank you! I love you!
0:28:24 > 0:28:26Subtitles by Red Bee Media Ltd