:00:05. > :00:13.In 1993 a knife cut through a family, separating father and son
:00:13. > :00:16.and mother and child. Following this tragedy was the open friction caused
:00:16. > :00:21.and mother and child. Following this by the no convictions in the
:00:21. > :00:25.subsequent trial. Stephen Lawrence was 18 at the time of the attack.
:00:25. > :00:28.His only crime was being black. Despite a statement from a friend
:00:28. > :00:31.who escaped the killers, witnesses described what they heard and seen,
:00:31. > :00:37.the police investigation was biassed and flawed so justice was not served
:00:37. > :00:39.for the murdered teen. But even though there was abuse from the
:00:39. > :00:43.sceptics, the Lawrence family though there was abuse from the
:00:43. > :00:47.refused to accept this. They challenged the superers, the
:00:47. > :00:52.detectives and the systems of law and order. No spin, just the pain of
:00:52. > :00:59.parents versus the court, the mac fer son report. Exposing the truth
:00:59. > :01:03.of institutional racism which many had not given a personal thought. We
:01:04. > :01:07.had no choice to work together for the simple fact we will share this
:01:07. > :01:12.world together. None of us are leaving. If you need something to
:01:12. > :01:19.believe in, let's have unity for Stephen.
:01:19. > :03:29.Welcome to Unity. A concert for Stephen Lawrence. This is Plan B.
:03:29. > :05:26.APPLAUSE Hello O 2. London, please give it up
:05:26. > :05:29.one more time for the amazing Plan B.
:05:29. > :05:35.Good evening and welcome to Unity, a concert for Stephen Lawrence. I'm
:05:35. > :05:40.Reggie Yates, how you doing? Hello, Reggie Yates. Hello, Nick Grimshaw.
:05:40. > :05:43.We are here with a bunch of friends to help commemorate 20 years of the
:05:43. > :05:48.Stephen Lawrence Trust. Tonight is not about the party, but all about
:05:48. > :05:51.the future, not about the past. Stephen's name represents positive
:05:51. > :05:55.steps forward against racism here in Britain and we are here to help
:05:55. > :05:57.raise awareness and celebrate the amazing work of the Stephen Lawrence
:05:57. > :06:03.Trust. Indeed. The world of UK music has
:06:03. > :06:07.united to create the amazing line-up we are bringing you. They are going
:06:07. > :06:11.to perform big hits and a few you won't be expecting that they picked
:06:11. > :06:19.specially for tonight. This line-up is good. Feel free to whoop the
:06:19. > :06:24.following names. Emili Sande. Tiny Tempah's in the place. Ellie
:06:24. > :06:27.Goulding is here. And Jessie J!
:06:27. > :06:31.Nice. Among in others. Not only that, a
:06:31. > :06:35.few surprises along the way and some very special guests too.
:06:35. > :06:44.Time for the next act. Make some noise, please, for Jordan and
:06:44. > :06:45.Harley, who you'll know as Rizzle Kicks.
:06:45. > :07:00.Make some noise! # I said I'm living in a
:07:00. > :07:07.# Lost generation # Living in a lost generation
:07:07. > :07:17.# Lost my heart # Found my soul
:07:17. > :07:22.# I'm living... # MUSIC: Rizzle Kicks - Lost
:07:22. > :07:43.Generation MUSIC: Rizzle Kicks - Lost
:07:43. > :08:48.Generation MUSIC: Rizzle Kicks
:08:48. > :09:27.- Lost Generation. of rain will affect southern
:09:28. > :10:29.England, OK, let's keep the music coming.
:10:29. > :10:35.Fresh from dominating the summer festivals. Three MOBO nominations in
:10:35. > :10:40.the bag and having just returned from Australia, they are not going
:10:40. > :10:46.to let the jetlag stop them. Please, London, make some noise for the
:10:46. > :11:51.mighty Rudimental. # If there is a future, we want it
:11:51. > :13:21.and flawed # If there is a future, we want it
:13:21. > :13:31.now. # If there is a future we want it
:13:31. > :14:20.now Can we slow this down?
:14:20. > :14:28.# If there is a future, we want it now
:14:28. > :14:33.# If there is a future, we want it now
:14:33. > :14:42.# If there is a future, we want it now
:14:42. > :14:54.# If there is a future, we want it now
:14:54. > :15:01.# To the rescue # To the rescue
:15:01. > :15:17.# Give it up for Rudimental, please.
:15:17. > :15:19.We have got some of the biggest names in music tonight and there is
:15:19. > :15:22.good reason why they have given up names in music tonight and there is
:15:22. > :15:27.their time for free. They are here to support the work done by the
:15:27. > :15:38.Stephen Lawrence Trust. You may not know what they do, but it is pretty
:15:38. > :15:42.amazing. Have a look. The Stephen Lawrence trust is all
:15:42. > :15:46.about legacy and it is about opportunity and transformation.
:15:46. > :15:50.The trust was started in memory of my son, after he died. Stephen
:15:50. > :15:52.always wanted to be an architect. The idea was to make sure we give
:15:52. > :15:54.always wanted to be an architect. other young peopling the same
:15:54. > :16:01.opportunity that Stephen was not able to have.
:16:01. > :16:07.And to make something positive and good out of his death.
:16:07. > :16:11.I work for the trust and it is about transforming the lives of young
:16:11. > :16:12.people. Particularly people from disadvantaged backgrounds and
:16:12. > :16:19.people. Particularly people from supporting them to get professions
:16:19. > :16:26.and to become the leaders of the future.
:16:26. > :16:30.Their growth is stunted by their social circumstance. The importance
:16:31. > :16:34.of Stephen Lawrence, one wants to breakthrough that and give everyone
:16:34. > :16:41.the chance to succeed. We want to do what we can to make
:16:41. > :16:45.what might seem the impossible, possible.
:16:45. > :16:52.I got a bursary from the Stephen Lawrence Trust to study at one of
:16:52. > :16:59.the most prestigious schools in the world which I couldn't have afforded
:16:59. > :17:01.if I didn't get a bursary. The legacy is about positivity and
:17:01. > :17:04.if I didn't get a bursary. The giving people the opportunities to
:17:04. > :17:13.fulfil their dreams and dreams that Stephen couldn't fulfil himself.
:17:13. > :17:20.The music concert is to help us achieve the positive things we want
:17:20. > :17:24.to do in Stephen's memory. Unity is what the concert is about and what
:17:24. > :17:28.we are trying to move forward with. Let's hear it one more time for the
:17:28. > :17:36.trust. CHEERING AND APPLAUSE
:17:36. > :17:45.The trust does an incredible job and the money raised goes to help enable
:17:45. > :17:49.them to do more like people like Stephanie. That's why all these
:17:49. > :17:53.artists are here this evening. Right, shall we have someone else on
:17:53. > :17:59.the stage? Someone that's better than me and Reggie Yeates. This guy
:17:59. > :18:08.hasn't played in the UK for over a year. He is fresh off the plane. I
:18:08. > :18:15.have missed his beautiful face. Please make some noise for Mr Ed
:18:15. > :18:22.Sheeran. Sepp
:18:23. > :18:26.# White lips, pail face, breathing in snow flakes
:18:26. > :18:30.# Burnt lungs, sour taste # Light's gone, day's end,
:18:30. > :18:34.# Burnt lungs, sour taste struggling to pay rent
:18:34. > :18:38.# Long night strange men # And they say, she's in the Class A
:18:38. > :18:43.team # Stuck in her day dream, been in
:18:43. > :18:47.way since 18 # But lately her face seems slowly
:18:47. > :18:51.sinking, wasting # Crime bling like pastries, they
:18:51. > :18:59.scream # The worst things in life come free
:18:59. > :19:05.to us # Cos we are just under the upper nd
:19:05. > :19:07.# And goes mad for a couple grammes # And she don't want to go outside
:19:07. > :19:10.tonight # And she don't want to go outside
:19:10. > :19:13.# And in a pipe she flies to the mother land
:19:13. > :19:17.# Or sells love to another man # It's too cold outside for angels
:19:17. > :19:25.to fly # Angels to fly
:19:25. > :19:27.# Ripped gloves, rain coat, tried trying to swim
:19:27. > :19:44.# Stay afloat # Dry house, wet clothes
:19:44. > :19:48.# Loose change, bank notes, weary-eyed, dry throat
:19:48. > :19:52.# Cool girl, no phone # And they say she's in the crass
:19:52. > :19:55.Team # Stuck in her day dream
:19:55. > :19:59.Team # Been this way since 18
:19:59. > :20:04.# But lately her face seems slowly sinking, wasting
:20:04. > :20:07.# Crumbling like pastries, they scream
:20:07. > :20:13.# The worst things in life come free to us
:20:13. > :20:16.% % cos we are just under the upper hand
:20:16. > :20:19.# And go mad for a couple grammes # But she don't want to go outside
:20:19. > :20:22.tonight # And in a pipe she flies to the
:20:23. > :20:28.mother land # Sells love to another man
:20:28. > :20:37.# It's too cold outside for angels to fly
:20:37. > :20:42.# An an angel will die # Covered in white.
:20:42. > :20:47.# Closed eyes and hoping for a better life
:20:47. > :20:55.# This time, we'll fade out night # Straight down the line
:20:55. > :21:18.# # And they say
:21:18. > :21:24.We welcome a singer who has been a long-term friend and supporter of
:21:24. > :21:27.the Stephen Lawrence Trust. She has an incredible voice. Please make
:21:27. > :21:57.some noise for Beverley Knight. # Come on, come on, come on, come
:21:57. > :22:08.on, # Didn't I make you feel
:22:08. > :22:14.# Like you were the only man # Didn't I give you everything that
:22:14. > :22:20.a woman possibly can? # Each time I tell myself
:22:20. > :22:25.# That I think I'm never giving up # I'm gonna show you London
:22:25. > :22:29.# That this woman can be tough # I want you to come on, come on,
:22:29. > :22:32.come on, come on # Let me hear you
:22:32. > :22:36.# Take it # Take another little piece of my
:22:36. > :22:40.heart now, baby # Break it
:22:40. > :22:44.# Break another little piece of my heart now, baby
:22:44. > :22:48.# Oh, have a # Have another little piece of my
:22:48. > :22:51.heart now, baby # Oh, Lord
:22:51. > :23:03.# You know you got it if it makes you feel good
:23:03. > :23:05.# Let me come talk to you # You're out
:23:05. > :23:11.# You're on the street # Looking good
:23:11. > :23:18.# Hell, you know it ain't right now # Never ever, ever, ever hurt me
:23:18. > :23:22.when I cry # Listen to me
:23:22. > :23:25.# Each time I tell myself # That I think I can't stand the
:23:25. > :23:32.pain # Lord when you hold me in your arms
:23:32. > :23:36.# I'm standing there again # I want you to come on, come on,
:23:36. > :23:40.come on, come on # Take it
:23:40. > :23:43.# Take another little piece of my heart
:23:43. > :23:49.# Do you hear me? ! # Break it
:23:49. > :23:51.# Break another little piece of my heart
:23:51. > :23:54.# Have a # Have another little piece of my
:23:54. > :24:09.heart now, baby # You know you've got it if it makes
:24:09. > :24:14.you feel good # Take a little piece of my heart
:24:14. > :24:17.# Take another little piece of my heart
:24:17. > :24:19.# Have another little piece of my heart
:24:19. > :24:21.# All together now # You know you got it, if it makes
:24:21. > :24:36.you feel good... # CHEERING AND APPLAUSE
:24:36. > :24:39.It is time to welcome one of our very special guests this evening.
:24:39. > :24:43.Someone who has been wracking up the golds this season. Please give it up
:24:43. > :24:50.for Tottenham and England striker and friend of the Trust, Jermain
:24:50. > :24:53.Defoe. I am delight to be here this evening
:24:53. > :25:01.to support Doreen Lawrence and the I am delight to be here this evening
:25:01. > :25:10.Stephen Foundation. Tonight I have been given a job. It is not about
:25:10. > :25:13.the money, it is not about the bling, bling, ladies and gents,
:25:13. > :25:30.Jessie J. CHEERING AND APPLAUSE
:25:30. > :26:00.# Amazing grace # How sweet the sound
:26:00. > :26:17.# That saved a wretch like me # I once was lost, but now I'm found
:26:17. > :27:13.# Was blind, but now I see # It is great
:27:14. > :27:39.# Have grace with me # Amazing grace
:27:39. > :27:58.# Light shining bright # We know
:27:58. > :28:25.# Amazing grace # How sweet the sound
:28:25. > :28:42.# # I was lost # Now I am found
:28:42. > :28:59.# I see, baby # Oh yeah
:28:59. > :29:28.# I was found # I was blind
:29:28. > :29:31.# But now, I can see # Thank you.
:29:31. > :29:36.CHEERING AND APPLAUSE Can we hear it one more time for the
:29:36. > :29:40.amazing Jessie J, please? CHEERING AND APPLAUSE
:29:40. > :29:42.As one superstar leaves the stage, here is another. He is a
:29:42. > :29:49.As one superstar leaves the stage, He is a singer and undoubtedly the
:29:49. > :29:55.best dressed man in the room bar Reggie Yeates. His earthquake would
:29:55. > :30:04.probably hit about a ten on the Richter scale. Can we make some
:30:04. > :30:17.noise for Labrinth? CHEERING AND APPLAUSE
:30:17. > :30:24.# Put your hands up in the air # Everybody put your hands up in the
:30:24. > :30:38.air # Put your hands up
:30:38. > :30:48.Let me see you go crazy # Let me see you go loopy
:30:48. > :30:56.# Listen, say oggy, oggy, oggy, oi, oi, oi
:30:56. > :31:01.# Ladies and gentlemen, this is something they call
:31:01. > :31:16.# The ground-breaker # So let me apologise to the people
:31:16. > :31:30.# Cos I make you have the earthquake # We'll be crashing it up
:31:30. > :31:37.# Earthquake # We'll be crashing it up
:31:37. > :31:47.# It's an earthquake # We can make an earthquake
:31:47. > :31:50.# Ladies and gentlemen, what you're about to witness
:31:50. > :31:55.# No illusion # And now we got the place burning
:31:55. > :32:01.from here to Buckingham Palace # Full moon
:32:01. > :32:06.# # Everybody rock
:32:06. > :32:08.# Bring the house down # We'll be crashing us up
:32:09. > :32:16.# Hey # We'll be crashing us up
:32:16. > :32:22.# It's an earthquake # Come on, it's an earthquake
:32:22. > :32:30.# I predict an earthquake # Throw bombs on it, just rain on it
:32:30. > :32:42.# We can make an earthquake
:32:42. > :32:46.# Hey # Yeah, yeah, no, no, no
:32:46. > :32:53.# I predict an earthquake # Cos we throw bombs on it, throw
:32:53. > :32:55.bombs on it, just smash on it # Yeah, yeah,
:32:55. > :33:01.bombs on it, just smash on it # No, no, no
:33:01. > :33:06.# We can make an earthquake # On a count of three I want to see
:33:06. > :33:12.you on your worst behaviour # Ready to go crazy?
:33:12. > :33:15.# One, two, three # Let me hear you say
:33:15. > :33:19.# Yeah # I predict an earthquake
:33:19. > :33:24.# Can't hear you say # I predict an earthquake
:33:24. > :33:34.I predict an earthquake # Throw bombs on it
:33:34. > :33:39.# Yeah # Now we can make an earthquake
:33:39. > :33:50.# I'm in hell # Make some noise... % %
:33:50. > :34:01.Give it up one more time for Labrinth. Stephen Lawrence grew up a
:34:01. > :34:05.stone's throw from where we are tonight and so did our next guest,
:34:05. > :34:14.stone's throw from where we are give it up for Tinie Tempah.
:34:14. > :34:22.# We make the women and the cars and the cards out
:34:22. > :34:25.# Let's have a toast, a celebration get a glass out
:34:26. > :34:28.# And we can do this until we pass out
:34:28. > :34:36.# Let it rain, let it pour away # We won't come down
:34:36. > :34:40.# Until we hit the ground and pass out
:34:40. > :34:44.# Yeah, I'm in charge now, I'm a star
:34:44. > :34:49.# I live a very wildlife style # Heidi and Audrina eat your heart
:34:49. > :34:53.out # I used to listen to you, don't
:34:53. > :35:01.wanna bring my arms house # I got so much clothes
:35:01. > :35:03.# I keep some in my aunt's house # Disturbing London baby, we about
:35:03. > :35:08.to branch out # Soon I'll be the king like prince
:35:08. > :35:12.Charles child # Yeah, yeah, the ain't nobody
:35:12. > :35:18.fresher # Semester to semester, raving with
:35:18. > :35:22.the fresher's--% we bring the stars out, we bring the women and the cars
:35:22. > :35:27.and the cards out # Let's have a celebration, bring a
:35:27. > :35:30.glass out # And we can do this until we pass
:35:30. > :35:31.out #
:35:31. > :35:36.Let it rain # Let it pour
:35:36. > :35:39.# We won't come down # Until we hit the ground
:35:40. > :35:45.# Hell yeah # Heliyes
:35:45. > :35:51.# Boom, boom, boom # Boom, boom, boom
:35:51. > :35:57.# Yeah they say hello and they say hola, never got to fly on a ncorde
:35:57. > :36:12.# Been to Southampton but never been to Scunthorpe,
:36:12. > :36:18.# Crazy with the chicks # I never ever walk her home
:36:19. > :36:23.# DL the freaking foundation, I'm the corner stone
:36:23. > :36:29.# I'm born famous, I sort of know # If your son doesn't, I bet your
:36:29. > :36:33.daughter knows # Check out my visual
:36:33. > :36:34.# Check out my audio # Extraordinary, you, hope you enjoy
:36:34. > :36:38.the show # Extraordinary, you, hope you enjoy
:36:38. > :36:41.# Yeah, yeah, we bring the stars out # We bring the women and the cars
:36:41. > :36:43.and the cards out # And we can do this until we pass
:36:43. > :36:48.out # Let it rain
:36:48. > :36:50.# Let it pour away # We won't come down
:36:50. > :37:09.# Until we pass out... # # Look at all the drama
:37:09. > :37:15.# We started # Now I'm here laying on my ck
:37:15. > :37:19.# Saying DJ, won't ya beginy one more track?
:37:19. > :37:23.# Let it rain, let it pour away # We won't come down
:37:23. > :37:25.# Until we hit the ground and pass out
:37:25. > :37:32.# Let it rain # Let it pour away
:37:32. > :37:36.# We won't come down # Until we hit the ground
:37:36. > :37:39.# And then we pass out # I say pass,
:37:39. > :37:50.# And then we pass out # You say out...
:37:50. > :38:08.# I say tiny, you say Tempah... # I love you, London, peace and love!
:38:08. > :38:12.Rest in peace, Stephen Lawrence. Our next guest collaborated with the
:38:12. > :38:26.Rizzle Kicks. Please make noise for Jamie Cullum.
:38:26. > :38:31.# It's getting late # Making my way over to my favourite
:38:31. > :38:37.place # Got to get my body moving
:38:37. > :38:41.# Shake the stress away # Wasn't looking for nobody when you
:38:41. > :38:45.looked my way # Possible candidateyeah
:38:45. > :38:49.# Who knew # That you'd be up in here looking
:38:49. > :38:52.like you do # You're making staying over here
:38:52. > :38:56.impossible # Baby, I must say your aura is
:38:56. > :39:03.incredible # If you don't have to go, don't
:39:03. > :39:08.# Do you know what you started? # I just came here to party
:39:08. > :39:13.# Now we are rocking on the dance floor, acting naughty
:39:13. > :39:18.# Your hands around my waist, just let the music play
:39:18. > :39:19.# We are hand in hand, chest to chest
:39:19. > :39:27.Now we are face to face # Cos I wanna take you away
:39:27. > :39:31.# Let's escape into the music, DJ, let it play
:39:31. > :39:36.# Like the way they do this # Keep on rocking to this
:39:36. > :39:40.# Please don't stop the music # Please don't stop the, please
:39:40. > :39:47.don't stop the music # I wanna take you away
:39:47. > :39:51.# Let's escape into the music # DJ let it play
:39:51. > :39:56.# Like the way you do this # Keep on rocking to it
:39:56. > :40:05.# Please don't stop the music Please don't stop the music...
:40:05. > :40:09.# I wanna take you away # Let's escape into the music
:40:09. > :40:14.# DJ, let it play # Like the way you do this
:40:14. > :40:19.# Please don't stop the music # Please don't stop the music
:40:20. > :40:23.# Please don't stop the, please don't stop the, please don't
:40:23. > :40:44.# Please don't stop the, please the music
:40:44. > :41:30.# I decided to give you all of me # Baby come closer
:41:30. > :41:33.# I decided to give you all of me # Here is Tinie
:41:33. > :41:41.# Sexy Senorita, I feel you aura # Here is Tinie
:41:41. > :41:43.# Jump out that motor # Here is Tinie
:41:43. > :41:45.# Get in my flying # Here is Tinie
:41:45. > :41:49.# I'll make you call me # Here is Tinie
:41:49. > :41:53.# Even # Here is Tinie
:41:53. > :41:57.# Baby # Here is Tinie
:41:57. > :42:02.# When I say # Here is Tinie
:42:02. > :42:08.# I'm young # Here is Tinie
:42:08. > :42:15.# I'm tongue-in-cheek, so # Here is Tinie
:42:15. > :42:16.me some tongue and drink slow and # Here is Tinie
:42:16. > :42:21.Go on like a Jezzy # Here is Tinie
:42:21. > :42:25.# Follow my lead, what you waiting for?
:42:25. > :42:28.# Follow my lead, what you waiting tonight is your
:42:28. > :42:34.# Follow my lead, what you waiting # Let me
:42:34. > :42:38.# Follow my lead, what you waiting # Everybody
:42:38. > :42:42.# Follow my lead, what you waiting One, two, one,
:42:42. > :42:47.# Follow my lead, what you waiting # RIP to the girl I you
:42:48. > :42:53.# Follow my lead, what you waiting # Her days are over,
:42:53. > :42:58.# Follow my lead, what you waiting # I-I'm ready for
:42:58. > :43:00.# Follow my lead, what you waiting # I decided to give you all
:43:00. > :43:05.# Follow my lead, what you waiting I I'm ready for ya
:43:05. > :43:07.# Follow my lead, what you waiting Nothing on, I strut
:43:07. > :43:10.# Follow my lead, what you waiting # I do it big, I shut it
:43:10. > :43:13.# Follow my lead, what you waiting # I wonder if you'll be able to
:43:13. > :43:18.handle me # Mental pictures, no cameras
:43:18. > :43:26.handle me # Oh, oh, I said, no cameras
:43:26. > :43:33.handle me # Let me see your hands in the air!
:43:33. > :43:41.handle me # RIP to the girl I you used to
:43:41. > :43:45.handle me # Baby,
:43:45. > :43:48.handle me # I decided to give you
:43:48. > :43:56.handle me # Baby come closer, baby come closer
:43:56. > :44:00.handle me # I I'm ready for you
:44:00. > :44:07.# I'm ready for ya # I I'm ready for you
:44:07. > :44:15.# I'm in control, but with you being # I I'm ready for you
:44:15. > :44:18.# You don't seem to understand # I I'm ready for you
:44:18. > :44:27.# I'm ready for ya # I I'm ready for you
:44:27. > :44:35.# One more time # London, sing it!
:44:35. > :44:43.# Let's go # RIP, to the girl you
:44:43. > :44:46.# Let's go # Her
:44:46. > :44:49.# Let's go # Baby, she's over
:44:49. > :44:54.# Ready for ya # I decided to give you all of
:44:54. > :44:56.# Ready for ya # Baby, come closer
:44:56. > :45:03.# Baby come closer # Baby, come closer
:45:03. > :45:05.# Oh, yeah, yeah, yeah, # Baby, come closer
:45:05. > :45:29.yeah... # Give it up for Rita Ora, come on.
:45:29. > :45:49.This next lady is about to hit stage. She had an incredible few
:45:49. > :46:00.years. with her brand-new single, Burn. She
:46:00. > :46:03.performed After the war we said we'd fight
:46:03. > :47:07.together # I guess we thought that's just
:47:07. > :47:09.what # I guess we thought that's just
:47:09. > :47:35.# As if we need its its colour
:47:35. > :47:39.# And now I know the truth # Now I know the
:47:39. > :47:42.# And now I know the truth # That anything can
:47:42. > :47:48.# Anything can happen # Anything can happen
:47:48. > :48:03.# Anything could happen # Anything could happen
:48:03. > :48:09.Oh, yeah # I'll give you everything
:48:09. > :48:14.Oh, yeah # I'll
:48:14. > :48:23.oh # But
:48:23. > :48:29.oh # I know it's gonna
:48:29. > :48:30.oh # I know it's
:48:31. > :48:32.oh # I know
:48:32. > :48:38.oh # I know it's gonna be
:48:38. > :48:40.oh # I know it's gonna
:48:40. > :49:14.oh # Oh yeah
:49:14. > :51:25.CHEERING AND APPLAUSE Thank you, Danny.
:51:25. > :51:30.I would like to take this Thank you, Danny.
:51:30. > :51:35.opportunity to thank you Thank you, Danny.
:51:35. > :51:43.support you have given Thank you, Danny.
:51:43. > :51:51.family over the last 20 years. The struggle has been hard and
:51:51. > :51:55.family over the last 20 years. you know, after nearly
:51:55. > :51:59.family over the last 20 years. 2012 we
:51:59. > :52:04.family over the last 20 years. the court when two
:52:04. > :52:13.family over the last 20 years. sentenced for Stephen's murder.
:52:13. > :52:20.The idea for the Unit Concert came about
:52:20. > :52:32.The idea for the Unit Concert came to be remembered
:52:32. > :52:43.The idea for the Unit Concert came He was well loved and had he been
:52:43. > :52:57.The idea for the Unit Concert came because he did not differentiate
:52:57. > :53:10.The idea for the Unit Concert came mission to transform the lives
:53:10. > :53:24.The idea for the Unit Concert came them to
:53:24. > :53:42.The idea for the Unit Concert came their time to
:53:42. > :53:55.The idea for the Unit Concert came Trust and I would like to finish
:53:55. > :54:10.The idea for the Unit Concert came very much.
:54:10. > :54:11.The idea for the Unit Concert came You have had
:54:11. > :54:17.The idea for the Unit Concert came CHEERING AND APPLAUSE
:54:17. > :54:54.# You won't find him trying to chase to
:54:54. > :55:00.# You won't find him trying to chase # For money, fame, for power out
:55:00. > :55:06.# You won't find him trying to chase # You won't ever find him where the
:55:06. > :55:08.# You won't find him trying to chase # You find him, you'll find him next
:55:08. > :55:12.# Next to me, oooh # Next to me, oooh
:55:12. > :55:18.Thank you so much for being here tonight and supporting such an
:55:18. > :55:23.incredible tonight and supporting such an
:55:23. > :55:29.You won't find him drinking at tonight and supporting such an
:55:29. > :55:37.# Rolling dice and staying out till tonight and supporting such an
:55:37. > :55:46.# You tonight and supporting such an
:55:46. > :55:53.chase the tonight and supporting such an
:55:53. > :56:00.# For money, fame or power out of grief
:56:00. > :56:07.# For money, fame or power out of # You won't ever find him where the
:56:07. > :56:07.# For money, fame or power out of next to
:56:07. > :56:10.# For money, fame or power out of # Next to me
:56:10. > :56:18.# For money, fame or power out of # You'll find him
:56:18. > :56:23.# For money, fame or power out of # When
:56:24. > :56:30.# For money, fame or power out of friends have
:56:30. > :56:38.# For money, fame or power out of And I can't seem to find
:56:38. > :56:47.# I know there's no need for me to pan
:56:47. > :57:00.# I know there's no need for me to # When the
:57:00. > :57:08.# I know there's no need for me to the tears from
:57:08. > :57:10.# I know there's no need for me to # I will find him, I'll find
:57:10. > :57:13.# Next to me # Ooh -hoo
:57:13. > :57:14.# Next to me # I'll find
:57:14. > :57:22.# Next to me # I'll find him next to
:57:22. > :57:30.# Next to me # When the end has come and
:57:30. > :57:39.# Next to me # When we spoilt
:57:39. > :57:43.# Next to me # When everyone has lost their heads
:57:43. > :57:46.# Next to me # Next to
:57:46. > :57:53.# Ooh-hoo # Next to me
:57:53. > :57:58.# You'll find him # You'll find him next to
:57:58. > :58:01.# You'll find him # Yeah, yeah, next to me
:58:02. > :58:02.# You'll find him # Ooh-hoo
:58:02. > :58:05.# You'll find him # Next to me
:58:05. > :58:09.# Ooh-hoo # Next to me
:58:09. > :58:13.# Ooh-hoo # You will find
:58:13. > :58:17.# Ooh-hoo # You'll find him next to
:58:18. > :58:19.# Ooh-hoo Next to me
:58:19. > :58:21.# Ooh-hoo Next to me
:58:21. > :58:24.# Next to me Next to me
:58:25. > :58:29.# Ooh-hoo Next to me
:58:29. > :58:31.# Next to me # Ooh-hoo
:58:31. > :58:39.# Next to me # You will find him, you'll find
:58:39. > :58:44.# Next to me next to me... #