:00:39. > :00:43.Welcome to the gardens of Buckingham Palace for a very
:00:43. > :00:53.special evening celebrating the 60th anniversary of Her Majesty the
:00:53. > :01:00.
:01:00. > :01:08.Queen's Coronation. We're about to enjoy highlights of
:01:08. > :01:14.a spectacular gala which includes special performances from:
:01:14. > :01:21.Katie Melua. Russell Watson. # Bring him home
:01:21. > :01:31.# Bring him home. The Feeling. # You got me so I can't sleep at me
:01:31. > :01:38.
:01:38. > :01:48.The English National Ballet. Eric Whitacre's Virtual Choir.
:01:48. > :02:04.
:02:04. > :02:14.Bourne's New Adventures. # We can be heroes #
:02:14. > :02:17.
:02:17. > :02:20.And Only Boys Aloud. # We could be heroes #
:02:20. > :02:22.Earlier, the Queen came out into the gardens to look around the
:02:22. > :02:25.Coronation Festival, a gathering of Royal Warrant Holders from across
:02:25. > :02:27.the UK who supply goods or services to the Royal Households. From
:02:27. > :02:30.traditional crafts people to multinationals, these are the
:02:30. > :02:34.people and companies who supply goods and services to the Royal
:02:34. > :02:38.households by Royal appointment. A sunny afternoon has now turned into
:02:38. > :02:42.a beautiful evening, and Gareth has made his way to the stage.
:02:42. > :02:45.audience are taking their seats and members of the National Youth
:02:45. > :02:49.Orchestra are tuning their instruments, ready to accompany
:02:49. > :02:53.many of tonight's performances. I had better get into position
:02:53. > :03:01.because the show is about to start. And just before it does start,
:03:01. > :03:05.tonight's guest of honour, Her Majesty, the Queen, is arriving
:03:05. > :03:09.along with Her Royal Highnesss, the Prince of Wales and the Duchess of
:03:09. > :03:14.Cornwall. They're now making their way to the Royal Box to enjoy the
:03:14. > :03:16.first of this evening's Gala along with other members of the Royal
:03:16. > :03:23.Family. APPLAUSE
:03:23. > :03:25.Your majesty, your Royal Highnesses, Lords, ladies and gentlemen, please
:03:25. > :03:35.welcome to the stage Dame Kiri Te Kanawa.
:03:35. > :03:35.
:03:35. > :04:57.Apology for the loss of subtitles for 81 seconds
:04:57. > :05:00.# Send her victorious Your majesty, your Royal Highnesses,
:05:00. > :05:06.Lords, ladies and gentlemen, good evening. Welcome to the gardens of
:05:06. > :05:09.Buckingham Palace for this very special Gala as part of the
:05:09. > :05:13.Coronation Festival, celebrating the 60th anniversary of the Queen's
:05:13. > :05:17.Coronation. The Royal Warrant Holders are here to celebrate their
:05:17. > :05:21.craft, innovation and excellence over the past 60 years, and tonight
:05:21. > :05:27.we will echo these themes through music, song and dance. Let's start
:05:27. > :05:32.where it all began. June the 2nd, 1953 - the Queen's Coronation in
:05:32. > :05:36.Westminster Abbey - it was a service that honoured an ancient
:05:36. > :05:41.tradition, but for the first time in history, the Coronation was
:05:41. > :05:45.broadcast live on television. More than 20 million people across the
:05:45. > :05:49.UK watched that day, as broadcasting history was made. The
:05:49. > :05:55.most solemn part of the service was the moment when the Queen was
:05:55. > :06:01.anointed with holy oil by the Archbishop of Canterbury, and the
:06:01. > :06:06.choir sang Zadok the Priest, the words of which have been sung at
:06:06. > :06:16.every Coronation since King Edgar's in 973.
:06:16. > :06:16.
:06:16. > :06:18.To perform Handel's Coronation anthem Zadok the Priest, the
:06:18. > :06:28.English National Ballet and the Bach Choir conducted by Anthony
:06:28. > :06:28.
:06:28. > :08:48.Apology for the loss of subtitles for 81 seconds
:08:48. > :08:58.# Rejoiced, rejoiced, rejoiced # Amen, amen, alleluia, alleluia
:08:58. > :09:21.
:09:21. > :09:29.# Alleluia, alleluia, alleluia # Alleluia, alleluia
:09:29. > :09:39.# Amen, amen, alleluia Alleluia, alleluia, amen
:09:39. > :09:40.
:09:40. > :09:42.# Long live the king
:09:42. > :09:44.# God save the king
:09:44. > :09:48.# Long live the king
:09:48. > :09:50.# May the king live
:09:50. > :09:52.# May the king live
:09:52. > :09:58.# Forever, forever, forever
:09:58. > :10:01.# Amen, amen, alleluia, alleluia Amen, amen, amen, amen
:10:01. > :10:08.Amen, amen, alleliua Amen, alleluia
:10:08. > :10:18.# Amen, amen, alleluia, alleluia. #
:10:18. > :10:28.# Amen, amen, alleluia, alleluia. #
:10:28. > :10:34.
:10:34. > :10:44.APPLAUSE AND CHEERING
:10:44. > :11:06.
:11:06. > :11:12.# 0, my love is like a red, red rose
:11:12. > :11:18.# That's newly sprung in June
:11:18. > :11:25.# 0, my love is like a melodie
:11:25. > :11:33.# That's sweetly play'd in tune
:11:33. > :11:37.# As fair thou art, my bonnie lad
:11:38. > :11:45.# So deep in love am I
:11:45. > :11:53.# And I will love thee still my dear
:11:53. > :12:03.# Till a' the seas gang dry
:12:03. > :12:04.
:12:04. > :12:07.# As fair art thou, my dear
:12:07. > :12:13.# So deep in love am I
:12:13. > :12:19.# And I will love thee still my dear
:12:19. > :12:29.# Till a' the seas gang dry
:12:29. > :12:30.
:12:30. > :12:38.# I will love thee still my dear
:12:38. > :12:43.# While the sands o' life shall run
:12:43. > :12:48.# Till the seas gang dry, my dear
:12:48. > :12:55.# And rocks melt with the sun
:12:55. > :13:01.# As fair art thou my bonny lad
:13:01. > :13:09.# So deep in love am I
:13:09. > :13:16.# I will come again, my love
:13:16. > :13:26.# Though it were ten thousand mile
:13:26. > :13:36.
:13:36. > :13:46.# I will come again. #
:13:46. > :13:53.
:13:53. > :14:03.APPLAUSE AND CHEERING
:14:03. > :14:11.
:14:11. > :14:11.That
:14:11. > :14:11.That was
:14:11. > :14:14.That was Laura
:14:14. > :14:19.That was Laura Wright, with the Bach Choir, performing A Red, Red
:14:19. > :14:23.Rose, from the poem by Robert Burns. Not long after the Coronation the
:14:23. > :14:26.Queen and the Duke of Edinburgh embarked on a six-month tour of the
:14:26. > :14:31.Commonwealth. Since then they have visited Commonwealth countries more
:14:31. > :14:35.than 200 times. At the start of the Queen's reign, there were just
:14:35. > :14:39.seven nations. Today there are 54 Commonwealth members, representing
:14:39. > :14:46.two billion people. The next piece has been specially
:14:46. > :14:51.created in tribute to this family tree, a big dance and Roman Flight
:14:51. > :15:01.commission - please welcome members of the East London Dance and the
:15:01. > :15:01.
:15:01. > :17:56.Apology for the loss of subtitles for 81 seconds
:17:56. > :18:00.Weren't they wonderful? Now, we have another special Coronation
:18:00. > :18:06.Festival Commission next in tribute to Her Majesty by Mike Batt, one of
:18:06. > :18:10.the UK's leading music composers. Tonight's world premier is titled I
:18:10. > :18:20.Will Be There and is conducted by Mike and sung by the wonderful
:18:20. > :18:20.
:18:20. > :19:58.Apology for the loss of subtitles for 81 seconds
:19:58. > :20:08.# To me, she is the one # She has a smile
:20:08. > :20:08.
:20:08. > :22:39.Apology for the loss of subtitles for 81 seconds
:22:39. > :22:42.# Though life is never easy I'm sure many of you have taken the
:22:42. > :22:46.opportunity this evening to explore the beautiful gardens here at
:22:46. > :22:50.Buckingham Palace, and you will, of course, have seen the displays of
:22:50. > :22:53.the Royal Warrant Holders, and they represent all kinds of British
:22:53. > :22:57.industries and pastimes from wallpaper and wellies, shortbread
:22:57. > :23:01.and smoked fish to cheese and chocolates, so if you're feeling a
:23:01. > :23:11.little bit peckish now, just have a look at what we've got on the menu
:23:11. > :23:33.
:23:33. > :23:43.# You can't imagine the rapture # Oh, I can cook, too
:23:43. > :23:49.
:23:49. > :23:59.# And I can cook, too # Oh, here's an hors d'ouvre
:23:59. > :24:16.
:24:16. > :24:26.# Don't tell me not to fly # Have a napkin, have a chopstick
:24:26. > :24:57.
:24:57. > :25:07.# Everybody give a cheer # I didn't do it
:25:07. > :25:07.
:25:07. > :25:10.What do you call this dish? Coronation chicken.
:25:10. > :25:12.Ladies and gentlemen, we have a winner!
:25:12. > :25:22.THEY CHEER
:25:22. > :25:25.
:25:25. > :25:28.# Baby, you're cookin' with gas
:25:28. > :25:29.# Oh, you're a gumdrop A sweet lollipop
:25:29. > :25:32.# A brook trout right out of the brook
:25:32. > :25:38.# And what's more, baby I can cook!
:25:39. > :25:42.# And what's more, baby I can cook!
:25:42. > :25:44.One more time!
:25:44. > :25:50.# And what's more, baby I can cook! #
:25:51. > :26:00.APPLAUSE AND CHEERING
:26:01. > :26:05.
:26:05. > :26:06.Now,
:26:06. > :26:06.Now, just
:26:06. > :26:10.Now, just think
:26:10. > :26:14.Now, just think how much Britain has changed since 1953. It was only
:26:14. > :26:19.a few years later that British style, fashion, film and music
:26:19. > :26:26.really took off - from Carnaby Street to Savile Row, pinewood to
:26:26. > :26:28.Abbey Road - the swinging '60s conjure up so many images which
:26:28. > :26:32.still resonate today. Matthew Bourne, with his extraordinary
:26:32. > :26:37.company, New Adventures, is one of our great cultural success stories.
:26:37. > :26:41.So with another special commission for this evening, please welcome to
:26:41. > :26:51.the stage, presented by Big Dance, New Adventures to take us on a
:26:51. > :26:51.
:26:51. > :29:12.Apology for the loss of subtitles for 81 seconds
:29:12. > :29:19.# I wasn't lookin' # I tried to hide
:29:19. > :29:26.# But like heaven above me The spy who loved me
:29:26. > :29:35.# Is keepin' all my secrets safe tonight
:29:35. > :29:40.# And nobody does it better
:29:40. > :29:49.# Though sometimes I wish someone could
:29:49. > :29:53.# Nobody does it quite the way you do
:29:53. > :30:03.# Why'd you have to be so good?
:30:03. > :30:04.
:30:04. > :30:08.# The way that you hold me Whenever you hold me
:30:08. > :30:14.# There's some kind of magic inside you
:30:14. > :30:21.# That keeps me from runnin' But just keep it comin'
:30:21. > :30:27.# How'd you learn to do the things you do?
:30:27. > :30:37.# Oh, and nobody does it better
:30:37. > :30:41.# Makes me feel sad for the rest
:30:41. > :30:50.# Nobody does it half as good as you
:30:50. > :31:00.# Baby, baby, you're the best
:31:00. > :31:01.
:31:01. > :31:09.# Baby, you're the best
:31:09. > :31:15.# Sleep in your bed
:31:15. > :31:25.# Ah, you're the best
:31:25. > :31:30.
:31:30. > :31:40.# Baby, you're the best. #
:31:40. > :31:52.
:31:52. > :32:02.APPLAUSE AND CHEERING
:32:02. > :32:12.
:32:12. > :32:12.The
:32:12. > :32:12.The audience
:32:12. > :32:15.The audience is
:32:15. > :32:20.The audience is taking a quick interval which gives me a chance to
:32:20. > :32:24.catch up with the man you're about the see lot more of, Russell Watson.
:32:24. > :32:27.Have you been anxious backstage? Anxious is the word of the day. I
:32:27. > :32:30.have been doing my warm-ups. This is by no means the only time you
:32:30. > :32:33.have performed at Buckingham Palace, is it? No, I have been here a
:32:34. > :32:39.couple of times in past years. I did something recently for the Duke
:32:39. > :32:42.when he turned 90, which is on the stairs where the stage is erected.
:32:42. > :32:48.I was nervous for that one because he stood with his arms folded for
:32:48. > :32:56.the whole performance, then when I finished he had - I had my
:32:56. > :33:02.microphone in my hand. He said, "What's that?" I said it was a
:33:02. > :33:05.microphone. He said I am you can hear your voice in space!" Maybe
:33:05. > :33:09.they will tonight as well. Thank you very much.
:33:09. > :33:15.I am here with Katherine Jenkins. It's a fantastic line-up so far.
:33:15. > :33:17.What have you enjoyed so far? all amazing. I think the National
:33:17. > :33:22.Youth Orchestra are sounding awesome. It's overwhelming. I think
:33:22. > :33:27.everybody is doing a great job. I am excited to be a part of it.
:33:28. > :33:31.have performed for the Queen many times and for Pope John Paul II and
:33:31. > :33:36.in Iraq and Afghanistan. What's been the highlight for you? I would
:33:36. > :33:40.say Iraq or Afghanistan in terms of it being a proud moment but I think
:33:40. > :33:44.every time you sing for her majesty, it's never something you get used
:33:44. > :33:48.to. I have been lucky enough to do it a few times, and I still get
:33:48. > :33:52.nervous even though I am never nervous. So it's a big deal. Still
:33:52. > :33:55.pinching yourself Still pinching myself. My family are here sitting
:33:55. > :34:00.in the garden. They can't believe they're at Buckingham Palace. It's
:34:00. > :34:06.wonderful to share this moment with them. I'll let you go and warm-up
:34:06. > :34:16.because part two is about to begin. Your Royal Highnesss, Lords, ladies
:34:16. > :34:52.
:34:52. > :35:02.and gentlemen, please welcome The # You got me so
:35:02. > :35:06.
:35:06. > :35:16.# You got me so I can't sleep # You got me so I don't know
:35:16. > :35:39.
:35:39. > :35:45.# You got me so I can't sleep # Ever since I was a young boy
:35:45. > :35:48.# But I ain't seen nothing like him In any amusement hall
:35:48. > :35:58.# That deaf dumb and blind kid Sure plays a mean pin ball!
:35:58. > :36:01.
:36:01. > :36:03.# He stands like a statue Becomes part of the machine
:36:03. > :36:07.# Feeling all the bumpers Always playing clean
:36:07. > :36:10.# He plays by intuition The digit counters fall
:36:10. > :36:20.# That deaf dumb and blind kid Sure plays a mean pin ball!
:36:20. > :36:22.
:36:22. > :36:25.# He's a pin ball wizard There has got to be a twist
:36:25. > :36:33.# A pin ball wizard S'got such a supple wrist
:36:33. > :36:38.# He's a pin ball wizard
:36:38. > :36:45.# A pin ball wizard
:36:45. > :36:49.# He's going
:36:49. > :36:56.# He's going far
:36:56. > :37:00.# Pressure pushing down on me
:37:00. > :37:04.# Pressing down on you no man ask for
:37:04. > :37:09.# Under pressure that brings a building down
:37:09. > :37:19.# Splits a family in two Puts people on streets
:37:19. > :37:19.
:37:19. > :37:22.# Ee yay oo
:37:22. > :37:23.
:37:23. > :37:27.# It's the terror of knowing What the world is about
:37:27. > :37:30.# Watching some good friends Screaming
:37:30. > :37:32.# "Let me out"
:37:32. > :37:37.# Well tomorrow gets me higher
:37:37. > :37:47.# Pressure on people People on streets
:37:47. > :37:53.
:37:53. > :37:55.# Chippin' around Kick my brains around the floor
:37:55. > :38:04.# These are the days it never rains but it pours
:38:04. > :38:06.# People on streets
:38:06. > :38:09.# De da de da
:38:09. > :38:11.# People on streets
:38:11. > :38:15.# People on streets
:38:15. > :38:17.# De da de da
:38:17. > :38:22.# It's the terror of knowing What the world is about
:38:22. > :38:25.# Watching some good friends Screaming
:38:25. > :38:29.# "Let me out"
:38:29. > :38:32.# Tomorrow gets me higher
:38:32. > :38:42.# Pressure on people Pressure on streets
:38:42. > :38:53.
:38:53. > :38:54.When I get rudely awakened by the dustmen
:38:55. > :38:55.# Parklife
:38:55. > :38:57.I put my trousers on Have a cup of tea
:38:57. > :38:59.And I think about leaving the house
:38:59. > :39:00.# Parklife
:39:00. > :39:03.I feed the pigeons I sometimes feed the sparrows too
:39:03. > :39:05.It gives me a sense of enormous wellbeing
:39:05. > :39:07.# Parklife
:39:07. > :39:09.And then I'm happy for the rest of the day
:39:09. > :39:10.Safe in the knowledge
:39:10. > :39:13.There will always be a bit of my heart devoted to it
:39:13. > :39:20.# All the people So many people
:39:20. > :39:23.# And they all go hand in hand
:39:23. > :39:26.# Hand in hand through their
:39:26. > :39:36.# Parklife
:39:36. > :39:45.
:39:45. > :39:45.Thank
:39:46. > :39:46.Thank you.
:39:46. > :39:50.Thank you. We
:39:50. > :40:00.Thank you. We have been The Feeling. See if you can count for us. One,
:40:00. > :40:06.
:40:06. > :40:10.# I was so near # Are you quite sure
:40:10. > :40:17.# Oh, I know you could use a friend but you don't seem to have the time
:40:17. > :40:26.# Oh and I, I wonder if you'll ever get to say what's on your mind
:40:26. > :40:30.# Oh, take a little time
:40:30. > :40:33.# C'mon, take a little time
:40:33. > :40:35.# I love it when you call
:40:35. > :40:37.# I love it when you call
:40:37. > :40:41.# I love it when you call But you never call at all
:40:41. > :40:45.# Say what's the complication? It's only conversation
:40:45. > :40:55.# And I love it when you call But you never call at all, oh
:40:55. > :41:08.
:41:08. > :41:18.APPLAUSE AND CHEERING
:41:18. > :41:20.
:41:20. > :41:21.Now,
:41:21. > :41:21.Now, 60
:41:21. > :41:25.Now, 60 years
:41:25. > :41:29.Now, 60 years and 12 Prime Ministers later, Britain has been
:41:29. > :41:35.through huge change since the Coronation, but there has been one
:41:35. > :41:39.constant, the Queen. Tonight, we are proud to present the premier of
:41:39. > :41:43.Tempus, a collaboration between the English National Ballet and the
:41:43. > :41:53.fashion designer Julien Macdonald, which reflects on constancy through
:41:53. > :41:53.
:41:53. > :44:48.Apology for the loss of subtitles for 81 seconds
:44:48. > :44:53.At the Coronation, television was of course still a novelty. People
:44:53. > :44:57.couldn't have imagined that there would be such a thing as the
:44:57. > :45:01.internet. Nowadays it's really hard to imagine life without it. The
:45:01. > :45:06.composer, Eric Whitacre, is a pioneer at the forefront of both
:45:06. > :45:12.technology and choral music. Eric has created a virtual choir using
:45:12. > :45:15.the internet and social media to. Tell you his fascinating story,
:45:15. > :45:25.please welcome the man I'd like to be when I grow up, Eric Whitacre.
:45:25. > :45:27.
:45:27. > :45:31.Thank you, and good evening. Four years ago, I uploaded this video.
:45:31. > :45:39.This is me conducting in complete silence, inviting singers from
:45:39. > :45:43.around the world to join me... woo! # To create the world's first
:45:43. > :45:53.virtual choir. These are people who have never met before coming
:45:53. > :45:56.
:45:56. > :46:03.together simply to sing with one And our project grew and grew. Last
:46:03. > :46:13.year we uploaded this video, Virtual Choir 3. Nearly 4,000
:46:13. > :46:14.
:46:14. > :46:20.We have been working very hard for the past eight months to present
:46:20. > :46:26.for you tonight Virtual Choir 4. This is the world premier, and I am
:46:26. > :46:36.pleased to be joined on stage by the Bach Choir, and 8,409 voices
:46:36. > :46:50.
:46:50. > :47:00.from 101 countries. This is Fly to # All she ever thinks about
:47:00. > :47:00.
:47:00. > :49:12.Apology for the loss of subtitles for 81 seconds
:49:12. > :49:22.# But she's forgotten # Memories of soaring through
:49:22. > :49:22.
:49:22. > :51:58.Apology for the loss of subtitles for 81 seconds
:51:58. > :52:02.# But she's forgotten Let's go now to an artist who has
:52:02. > :52:07.delighted audiences right across the UK and all over the world as
:52:07. > :52:13.well, dubbed "the people's tenor" and the Voice, he shot to stardom
:52:13. > :52:17.back in 1999. His first song tonight is Grenada, bringing a
:52:17. > :52:27.Spanish flavour to the gardens of Buckingham Palace. Please give a
:52:27. > :52:55.
:52:55. > :53:05.very warm welcome to Russell Watson. # Mi cantar se vuelve gitano cuando
:53:05. > :53:05.
:53:05. > :54:00.Apology for the loss of subtitles for 81 seconds
:54:00. > :54:10.# Granada tierra ensangrentada en # Mujer que conserva el embrujo
:54:10. > :54:11.
:54:12. > :54:21.# De sueno rebelde y gitana cubierta de flores
:54:22. > :54:23.
:54:23. > :54:33.# Y beso tu boca de grana jugosa manzana
:54:33. > :54:39.
:54:39. > :54:40.# Que me habla de amores
:54:40. > :54:50.# Granada manola cantada en coplas preciosas
:54:50. > :54:52.
:54:52. > :55:02.# No tengo otra cosa que darte que un ramo de rosas
:55:02. > :55:05.
:55:05. > :55:10.# De rosas de suave fragancia
:55:10. > :55:20.# Que le dieron marco a la Virgen Morena
:55:20. > :55:26.
:55:26. > :55:30.# Granada tu tierra esta llena de linda mujeres
:55:30. > :55:40.# De sangre y de sol
:55:40. > :55:56.
:55:56. > :56:02.# De rosas de suave fragancia
:56:02. > :56:09.# Que le dieron marco a la Virgen Morena
:56:09. > :56:17.# Granada tu tierra esta llena de linda mujeres
:56:17. > :56:27.# De sangre y de sol. #
:56:27. > :56:35.
:56:35. > :56:45.APPLAUSE AND CHEERING
:56:45. > :56:51.
:56:51. > :56:51.Do
:56:51. > :56:52.Do we
:56:52. > :56:56.Do we have
:56:56. > :56:58.Do we have any fans of Les Mis in this evening?
:56:58. > :57:04.APPLAUSE Well, I have an incredible surprise
:57:04. > :57:11.for you. In fact, when he agreed, I couldn't believe it myself. The
:57:11. > :57:21.writer of the world's most successful musical is here to join
:57:21. > :57:21.
:57:21. > :58:45.Apology for the loss of subtitles for 81 seconds
:58:45. > :58:55.I think it only apt that we do # He's like the son
:58:55. > :58:55.
:58:55. > :01:27.Apology for the loss of subtitles for 81 seconds
:01:27. > :01:30.From one of our nation's most popular artists to another - our
:01:30. > :01:35.next guest artist is an international star who has topped
:01:35. > :01:40.the classical charts and sold millions of albums worldwide - she
:01:40. > :01:44.has proved her versatility, as she's not only a singer, but also a
:01:44. > :01:47.very talented dancer. Tonight she's here to sing for us in tribute to
:01:47. > :01:57.this very special occasion. Would you please welcome the lovely
:01:57. > :02:07.
:02:07. > :02:17.Katherine Jenkins. # Mi guarderai e comprenderai senza
:02:17. > :02:17.
:02:17. > :03:51.Apology for the loss of subtitles for 81 seconds
:03:51. > :04:01.# E non mi stupiro' quando ti # Che il tuo posto e' tra le mie
:04:01. > :04:01.
:04:01. > :06:38.Apology for the loss of subtitles for 81 seconds
:06:38. > :06:48.It is such an honour to be here to sing for you this evening. I could
:06:48. > :06:52.
:06:52. > :07:02.stand here and sing for you this # Not for all the jewels
:07:02. > :07:27.
:07:27. > :07:37.# And done a thousand things My heart took flight
:07:37. > :07:37.
:07:37. > :08:37.Apology for the loss of subtitles for 81 seconds
:08:37. > :08:47.# And done a thousand things # Why all at once
:08:47. > :08:53.
:08:53. > :08:59.# I could have danced danced danced
:08:59. > :09:09.# All night
:09:09. > :09:19.
:09:19. > :09:26.APPLAUSE
:09:26. > :09:26.APPLAUSE It's
:09:26. > :09:26.It's almost
:09:26. > :09:26.It's almost time
:09:26. > :09:32.It's almost time to
:09:32. > :09:37.It's almost time to say good night. A huge thank you to all our
:09:37. > :09:39.performers this evening - our singers, dancers, musicians, and
:09:39. > :09:47.especially, of course, the National Youth Orchestra of Great Britain
:09:47. > :09:52.conducted by Anthony Inglis. APPLAUSE
:09:52. > :09:56.And final thanks, of course, to the Queen. Thank you for allowing us to
:09:56. > :10:00.be here in your gardens this evening, and congratulations on an
:10:00. > :10:10.extraordinary milestone which we all share with you in celebrating.
:10:10. > :10:12.
:10:13. > :10:19.And so to finish off this evening, here is a very special arrangement
:10:19. > :10:29.performed by Only Boys Aloud, conducted by Tim Rees Evans and
:10:29. > :10:29.
:10:29. > :11:49.Apology for the loss of subtitles for 81 seconds
:11:49. > :11:58.# From glen to glen # The summer's gone
:11:58. > :12:05.# Tis you, tis you must go and I must bide
:12:05. > :12:12.# But come ye back when summer's in the meadow
:12:12. > :12:20.# Or when the valley's hushed and white with snow
:12:20. > :12:30.# I'll be here in sunshine or in shadow
:12:30. > :12:31.
:12:31. > :12:33.# Oh, Danny boy
:12:33. > :12:36.
:12:36. > :12:43.# I love you
:12:43. > :12:46.# So ye'll take the high road and I'll take the low road
:12:46. > :12:50.# And I'll be in Scotland afore ye
:12:50. > :12:54.# But me and my true love will never meet again
:12:54. > :12:58.# On the bonnie, bonnie banks of Loch Lomond
:12:58. > :13:02.# So ye'll take the high road and I'll take the low road
:13:02. > :13:05.# And I'll be in Scotland afore ye
:13:05. > :13:10.# But me and my true love will never meet again
:13:10. > :13:20.# On the bonnie, bonnie banks of Loch Lomond
:13:20. > :13:24.
:13:24. > :13:29.# I don't know if you can see the changes that have come over me
:13:29. > :13:38.# In these last few days I've been afraid that I might drift away
:13:38. > :13:41.# So I've been telling old stories
:13:41. > :13:47.# Singing songs that make me think about where I came from
:13:48. > :13:57.# And that's the reason why I seem so far away today
:13:57. > :14:00.# Oh, let me tell you that I love you
:14:00. > :14:04.# That I think about you all the time
:14:04. > :14:12.# Caledonia you're calling me and now I'm going home
:14:12. > :14:15.# If I should become a stranger
:14:15. > :14:20.# You know it would make me more than sad
:14:20. > :14:27.# Caledonia's been everything I've ever had
:14:27. > :14:36.# Yes, Caledonia's been everything I've ever had
:14:36. > :14:39.# Do do do do do do do
:14:39. > :14:44.# Do do do do do do do
:14:44. > :14:47.# I won't be king
:14:47. > :14:55.# But you are our queen
:14:55. > :15:03.# And nothing will tear us away
:15:04. > :15:05.# We could be heroes
:15:05. > :15:11.# Just for one day
:15:11. > :15:15.# We could be heroes
:15:15. > :15:21.# We could be heroes
:15:21. > :15:22.# Just say yes
:15:22. > :15:28.# Just say there's nothing holding you back
:15:29. > :15:35.# It's not a test nor a trick of the mind
:15:35. > :15:37.# Only love
:15:37. > :15:38.# Just say
:15:38. > :15:48.# Say the word and learn to believe it
:15:48. > :15:49.# I vow to thee, my country
:15:49. > :15:53.# All earthly things above
:15:53. > :15:58.# Entire and whole and perfect
:15:58. > :16:06.# The service of my love
:16:06. > :16:10.# The love that asks no question
:16:10. > :16:15.# The love that stands the test
:16:15. > :16:21.# That lays upon the altar
:16:21. > :16:26.# The dearest and the best
:16:27. > :16:29.# The love that never falters
:16:29. > :16:35.# The love that never falters
:16:35. > :16:43.# The love that pays the price
:16:43. > :16:51.# The love that makes undaunted
:16:51. > :17:00.# The final sacrifice
:17:00. > :17:08.# The final sacrifice
:17:08. > :17:15.# And her ways are ways of gentleness
:17:16. > :17:22.# And all her paths are peace
:17:22. > :17:32.
:17:32. > :17:34.