0:00:02 > 0:00:04One, two, a one, two, three, four...
0:00:12 > 0:00:14Ladies and gentlemen, from Bishopton, Scotland,
0:00:14 > 0:00:18one of the world's greatest pipers - Mr Fred Morrison.
0:00:18 > 0:00:19CHEERING AND APPLAUSE
0:01:13 > 0:01:16CHEERING
0:01:16 > 0:01:17Thank you.
0:01:21 > 0:01:25Over the last few years, while filming for the Santer series,
0:01:25 > 0:01:27I've been incredibly lucky to get to travel
0:01:27 > 0:01:30and meet up with some amazing musicians
0:01:30 > 0:01:32from Scotland, Canada and the United States
0:01:32 > 0:01:36as I traced the routes and the influence of Ulster-Scots music
0:01:36 > 0:01:39on both sides of the Atlantic.
0:01:39 > 0:01:40Now we've turned the tables a little bit
0:01:40 > 0:01:43and brought some of those guys and girls back here
0:01:43 > 0:01:44to this part of the world
0:01:44 > 0:01:47and mixed them up with some of our very best local talent.
0:01:47 > 0:01:50For the past couple of days, we've been rehearsing
0:01:50 > 0:01:53under the musical direction of Scottish piper Fred Morrison.
0:01:54 > 0:01:57The result - a show I know you're thoroughly going to enjoy.
0:01:59 > 0:02:02Welcome to the Carriage Rooms in Ballynahinch.
0:02:02 > 0:02:05Welcome to The Santer Session.
0:02:05 > 0:02:07CHEERING AND APPLAUSE
0:02:07 > 0:02:09BAGPIPE MUSIC
0:05:10 > 0:05:11CHEERING AND APPLAUSE
0:05:19 > 0:05:21Fred, it's fantastic to have you over here.
0:05:21 > 0:05:24A pleasure to be here, as ever.
0:05:24 > 0:05:27Now you've been our musical director over the rehearsals
0:05:27 > 0:05:29this last couple of days. How's it been for you?
0:05:29 > 0:05:32Well, when I came over here it was quite daunting
0:05:32 > 0:05:34because I was looking at the quality of players
0:05:34 > 0:05:36and the number of different genres of playing
0:05:36 > 0:05:38and I thought it might be like that.
0:05:38 > 0:05:40But strangely enough,
0:05:40 > 0:05:43since I've come here, everything's just been a pleasure.
0:05:45 > 0:05:47I'm not just saying that, you know, that's the truth.
0:05:47 > 0:05:50Since we walked in, we did the big "Train Journey North" set
0:05:50 > 0:05:55with the boys on the bass and keys.
0:05:55 > 0:05:57It was just incredible from the word go.
0:05:57 > 0:05:59All the sets have been like that
0:05:59 > 0:06:01with all the different styles as well.
0:06:01 > 0:06:03I mean, we've guests coming from all over the world
0:06:03 > 0:06:06but next up, we've a girl from Scotland,
0:06:06 > 0:06:08from your part of the world - Emily Smith.
0:06:08 > 0:06:10Yeah, it's fantastic to be working with Emily.
0:06:10 > 0:06:14She's a great...great ambassador for Scottish song, Burns music,
0:06:14 > 0:06:15that kind of thing.
0:06:15 > 0:06:16Two, three, four.
0:06:21 > 0:06:23# A sailor and his true love
0:06:23 > 0:06:26# Lay doon to mak' their moan
0:06:26 > 0:06:30# When in by came ane o' their ain countrymen
0:06:30 > 0:06:33# Sayin' rise up my bonny lassie
0:06:33 > 0:06:36# Mak' haste and come awa'
0:06:36 > 0:06:40# There's a vessel lyin' bound for Caledonia
0:06:41 > 0:06:46# Well, said the sailor, Are ye willing for tae pay
0:06:46 > 0:06:48# Five hundred guineas
0:06:48 > 0:06:51# Afore on board ye gae?
0:06:51 > 0:06:54# I'll pay them plack and farthing
0:06:54 > 0:06:56# Afore on board I go
0:06:56 > 0:07:00# If ye'll tak' me tae my bonny Caledonia
0:07:01 > 0:07:04# Well, said the sailor
0:07:04 > 0:07:06# Her money we will tak'
0:07:06 > 0:07:08# And when we're on the sea
0:07:08 > 0:07:11# We'll throw her over deck
0:07:11 > 0:07:13# Or sell her for a slave
0:07:13 > 0:07:16# Lang e'er she were awa'
0:07:16 > 0:07:20# And she'll never see her bonny Caledonia
0:07:22 > 0:07:26# Well, said the captain, Oh, that'll never do
0:07:26 > 0:07:29# For there are nae slaves
0:07:29 > 0:07:31# Sold intae oor country noo
0:07:31 > 0:07:34# They'd hang us ane and a'
0:07:34 > 0:07:36# They would hang us every man
0:07:36 > 0:07:40# If we sold her for a slave to Caledonia
0:07:42 > 0:07:47# Well, said the sailor, She's lying doon below
0:07:47 > 0:07:49# She's bound hand and foot
0:07:49 > 0:07:52# Ready overboard to throw
0:07:52 > 0:07:54# She's bound hand and foot
0:07:54 > 0:07:56# Ready overboard to throw
0:07:56 > 0:08:02# And she'll never see her bonny Caledonia
0:08:02 > 0:08:04# So the captain away
0:08:04 > 0:08:06# Tae the sailor he did go
0:08:07 > 0:08:09# He's ta'en him by the neck
0:08:09 > 0:08:11# And him overboard has thrown
0:08:11 > 0:08:14# Saying tak' this cup o' water
0:08:14 > 0:08:16# Though the liquor be but sma'
0:08:16 > 0:08:21# And drink your lassie's health tae Caledonia
0:08:32 > 0:08:36# They've sailed east and they've sailed west
0:08:36 > 0:08:39# Until they reached the land
0:08:39 > 0:08:41# That they a' loved the best
0:08:41 > 0:08:44# For the waves they did roar
0:08:44 > 0:08:46# And the seas they did beat
0:08:46 > 0:08:51# And they've all arrived safe to Caledonia
0:08:54 > 0:08:56# Well, they hadna been there
0:08:56 > 0:08:59# But three quarters o' a year
0:08:59 > 0:09:01# When in fine silks and satins
0:09:01 > 0:09:04# He's made her for to wear
0:09:04 > 0:09:06# When in fine silks and satins
0:09:06 > 0:09:09# He's made her for to go
0:09:09 > 0:09:14# Noo she's the captain's wife in Caledonia
0:09:14 > 0:09:18# Noo she's the captain's wife in Caledonia. #
0:09:41 > 0:09:43CHEERING AND APPLAUSE
0:09:50 > 0:09:53Now, the Cape Breton fiddle style has its origins
0:09:53 > 0:09:54in Scotland and in Ulster
0:09:54 > 0:09:58and we're really delighted to have two of the very best exponents
0:09:58 > 0:10:01of that music here at the sessions.
0:10:01 > 0:10:04So, the terrible twosome or the Beaton Sisters.
0:10:04 > 0:10:05You know I don't really mean that.
0:10:05 > 0:10:07I first met you a few years ago
0:10:07 > 0:10:10in your hometown in Mabou in Cape Breton in Nova Scotia
0:10:10 > 0:10:13standing down at the harbour on an old rickety bridge.
0:10:13 > 0:10:16But now we've got you up into Northern Ireland,
0:10:16 > 0:10:19up into my part of the world, you're bringing your music over here.
0:10:19 > 0:10:20It's been fantastic.
0:10:20 > 0:10:25We feel so welcome here and we've found it really inspiring.
0:10:25 > 0:10:28- Absolutely.- Hard not to smile here.
0:10:28 > 0:10:30Well, you've brought your style of music,
0:10:30 > 0:10:33especially your piano style, Margie.
0:10:33 > 0:10:36It's really different to the sort of stuff we're used to here.
0:10:36 > 0:10:38Right, the Cape Breton, I guess, style,
0:10:38 > 0:10:42or what's coming out of the east coast part of Canada
0:10:42 > 0:10:45as far as the traditional ways,
0:10:45 > 0:10:46is really exciting.
0:10:46 > 0:10:50It's really dynamic, rhythmic and syncopated
0:10:50 > 0:10:51and it brings out that...
0:10:51 > 0:10:55Really the rhythm and beauty of the tunes. So it's really fun.
0:10:55 > 0:10:57Ladies and gentlemen, moving to our second stage,
0:10:57 > 0:11:02from Nova Scotia, Canada, Dawn and Margie Beaton.
0:11:02 > 0:11:03CHEERING
0:11:07 > 0:11:08One, two, three, four.
0:14:12 > 0:14:14CHEERING
0:14:20 > 0:14:23Diana, there are people from all over the world here
0:14:23 > 0:14:26but we've also got a lot of really good local talent -
0:14:26 > 0:14:28yourself included.
0:14:28 > 0:14:29You're from Dunloy Accordion Band.
0:14:29 > 0:14:33Now, you're an accordion player, but that's not all you do.
0:14:33 > 0:14:35Well, I would sing and play the piano a lot as well.
0:14:35 > 0:14:38I teach round the schools, round the local area in Ballymoney
0:14:38 > 0:14:40and work as a peripatetic.
0:14:40 > 0:14:43Also finished my PhD this year - waiting on results of it,
0:14:43 > 0:14:46so quite a busy person, yes.
0:14:46 > 0:14:48And your PhD, was that in music?
0:14:48 > 0:14:50It was to do with marching band culture,
0:14:50 > 0:14:54so it was all linked with music and marching and whatnot, so it's good.
0:14:54 > 0:14:58And as you said, marching band culture, that's your background.
0:14:58 > 0:15:01But you're doing something very different here today.
0:15:01 > 0:15:03It wouldn't really even be seen as an Ulster-Scots song,
0:15:03 > 0:15:05it's a very contemporary song.
0:15:05 > 0:15:07Tell us a wee bit about it, how you came to do that.
0:15:07 > 0:15:10Well, within Dunloy Accordion Band there's the concert group,
0:15:10 > 0:15:14which is an 16, 17, 18-piece outfit that comes,
0:15:14 > 0:15:15that's derived from the band
0:15:15 > 0:15:18and we would do a lot of concerts in the off-season.
0:15:18 > 0:15:20Our music differs a lot from what we would do on the road,
0:15:20 > 0:15:22so we've got pop, we've got Ulster-Scots material,
0:15:22 > 0:15:25we've got hymns, we've got our traditional marches
0:15:25 > 0:15:26and marching band material as well.
0:15:26 > 0:15:28So this is how we've come about with Run.
0:15:28 > 0:15:30'It's really, really good and I love performing.
0:15:30 > 0:15:34'It's lovely to get the opportunity to do something different.'
0:15:44 > 0:15:50# I'll sing it one last time for you
0:15:51 > 0:15:57# Then we really have to go
0:15:57 > 0:16:03# You've been the only thing that's right
0:16:03 > 0:16:08# In all I've done
0:16:09 > 0:16:16# And I can barely look at you
0:16:16 > 0:16:22# But every single time I do
0:16:22 > 0:16:28# I know we'll make it anywhere
0:16:28 > 0:16:33# Away from here
0:16:37 > 0:16:40# Light up, light up
0:16:40 > 0:16:46# As if you have a choice
0:16:46 > 0:16:52# Even if you cannot hear my voice
0:16:52 > 0:16:59# I'll be right beside you, dear
0:17:02 > 0:17:05# Louder, louder
0:17:05 > 0:17:11# And we'll run for our lives
0:17:11 > 0:17:17# I can hardly speak, I understand
0:17:17 > 0:17:23# Why you can't raise your voice to say
0:17:25 > 0:17:31# To think I might not see those eyes
0:17:32 > 0:17:38# Makes it so hard not to cry
0:17:38 > 0:17:45# And as we say our long goodbyes
0:17:45 > 0:17:49# I nearly do
0:17:53 > 0:17:57# Light up, light up
0:17:57 > 0:18:02# As if you have a choice
0:18:02 > 0:18:08# Even if you cannot hear my voice
0:18:08 > 0:18:15# I'll be right beside you, dear
0:18:18 > 0:18:22# Louder, louder
0:18:22 > 0:18:27# And we'll run for our lives
0:18:27 > 0:18:33# I can hardly speak, I understand
0:18:33 > 0:18:39# Why you can't raise your voice to say
0:18:41 > 0:18:44# Ooh-ooh-ooh
0:18:44 > 0:18:47# Ooh-ooh-ooh-ooh-ooh
0:18:47 > 0:18:51# Ooh-ooh-ooh-ooh
0:18:51 > 0:18:54# Ooh-ooh-ooh-ooh-ooh
0:18:54 > 0:19:01# Ooh-ooh-ooh-ooh-ooh
0:19:01 > 0:19:06# Ooh-ooh-ooh
0:19:08 > 0:19:12# Light up, light up
0:19:12 > 0:19:17# As if you have a choice
0:19:17 > 0:19:23# Even if you cannot hear my voice
0:19:23 > 0:19:31# I'll be right beside you, dear
0:19:34 > 0:19:37# Louder, louder
0:19:37 > 0:19:42# And we'll run for our lives
0:19:42 > 0:19:48# I can hardly speak, I understand
0:19:48 > 0:19:55# Why you can't raise your voice to say
0:19:58 > 0:20:03# Oooh
0:20:05 > 0:20:10# Ooh-ooh-ooh
0:20:10 > 0:20:15# Ooh-ooh-ooh-ooh-ooh
0:20:17 > 0:20:22# Ooh-ooh. #
0:20:22 > 0:20:24CHEERING
0:20:30 > 0:20:33Lauren, the last time you and I were sitting on big stone thing like this
0:20:33 > 0:20:35having a wee chat was in your part of the world -
0:20:35 > 0:20:37in Londonderry in New Hampshire...
0:20:37 > 0:20:39- It was.- ..at the Ulster-Scots household, the Morrison household.
0:20:39 > 0:20:42We've managed to get you over here to my part of the world now.
0:20:42 > 0:20:44I know. I'm so grateful, thank you.
0:20:44 > 0:20:46I mean, musically, you've brought your fiddle style,
0:20:46 > 0:20:48this is something that you've brought over here now
0:20:48 > 0:20:51to play along with us, there's lots of different...
0:20:51 > 0:20:53- It has been really different. - ..genres of music.
0:20:53 > 0:20:54How do you find that?
0:20:54 > 0:20:57It's really exciting to play the same tunes
0:20:57 > 0:21:00that I'm normally playing in the States
0:21:00 > 0:21:02but with UK musicians
0:21:02 > 0:21:05and to hear the influence of the Ulster-Scots,
0:21:05 > 0:21:07which is definitely a huge part of my music
0:21:07 > 0:21:10even though I'm playing Appalachian music,
0:21:10 > 0:21:12it's definitely American,
0:21:12 > 0:21:15the influence of this kind of music is very evident.
0:21:19 > 0:21:22Ladies and gentlemen, one of our transatlantic visitors -
0:21:22 > 0:21:27an amazing fiddle player from Portland, Maine, Miss Lauren Rioux.
0:21:27 > 0:21:28CHEERING AND APPLAUSE
0:24:07 > 0:24:08CHEERING AND APPLAUSE
0:24:11 > 0:24:14And we've another good friend of both yours and mine.
0:24:14 > 0:24:17- A guy from Magherafelt here, Gino Lupari.- Gino, yeah.
0:24:17 > 0:24:19That's just a laugh in itself having Gino on board.
0:24:19 > 0:24:21Gino's absolutely fantastic.
0:24:21 > 0:24:24Not only an absolutely one-off musician
0:24:24 > 0:24:27but he's a great guy to have in a team like that,
0:24:27 > 0:24:29because he's got such a great energy.
0:24:29 > 0:24:33He's so encouraging, he passes the ball so well to everybody
0:24:33 > 0:24:36and just gives everybody such a great feeling.
0:24:36 > 0:24:38Of course, he's a very, very experienced musician, Gino,
0:24:38 > 0:24:41he's played with everybody. Gino's...
0:24:41 > 0:24:44He's just amazing to have around and a pleasure to be with.
0:27:52 > 0:27:54CHEERING AND APPLAUSE
0:27:58 > 0:28:01The next act appeared on the very first episode of Santer
0:28:01 > 0:28:04and have been great friends of the show ever since.
0:28:04 > 0:28:07They've been great friends of mine even longer -
0:28:07 > 0:28:09from County Down, Broken Strings.
0:28:15 > 0:28:18# Well, I lost all my money but a 2 bill
0:28:18 > 0:28:21# 2 bill, boys, 2 bill
0:28:21 > 0:28:25# I lost all my money but a 2 bill
0:28:25 > 0:28:28# And I'm on my long journey home
0:28:28 > 0:28:30# Well, the black smoke's a-rising, boys
0:28:30 > 0:28:32# Must be the train
0:28:32 > 0:28:35# Must be the train, boys, must be the train
0:28:35 > 0:28:37# Now black smoke's a-rising, boys
0:28:37 > 0:28:38# Must be the train
0:28:38 > 0:28:41# And I'm on my long journey home
0:28:41 > 0:28:45# Well, now I've lost all my money but a 2 bill
0:28:45 > 0:28:49# 2 bill, boys, 2 bill
0:28:49 > 0:28:52# I lost all my money but a 2 bill
0:28:52 > 0:28:55# And I'm on my long journey home. #
0:28:55 > 0:28:56Michael!
0:29:12 > 0:29:14# Well, I'm going down the road, boys
0:29:14 > 0:29:16# I paid my time
0:29:16 > 0:29:19# I've done the crime, boys, I paid my time
0:29:19 > 0:29:21# I'm going down the road, boys
0:29:21 > 0:29:22# I paid my time
0:29:22 > 0:29:25# And I'm on my long journey home
0:29:25 > 0:29:29# Well, I lost all my money but a 2 bill
0:29:29 > 0:29:32# 2 bill, boys, 2 dollar bill
0:29:32 > 0:29:36# I lost all my money but a 2 bill
0:29:36 > 0:29:38# And I'm on my long journey...#
0:31:04 > 0:31:06CHEERING AND APPLAUSE
0:31:13 > 0:31:15Ladies and gentlemen, back to the main stage.
0:31:15 > 0:31:17Three of the world champion pipe band -
0:31:17 > 0:31:19Field Marshal Montgomery.
0:31:19 > 0:31:21CHEERING AND APPLAUSE
0:34:23 > 0:34:25CHEERING AND APPLAUSE
0:34:38 > 0:34:46# Gae bring tae me a pint o' wine
0:34:46 > 0:34:52# And fill it in a silver tassie
0:34:54 > 0:35:01# That I may drink afore I go
0:35:02 > 0:35:09# A service tae my bonny lassie
0:35:10 > 0:35:17# The boat rocks at the Pier o' Leith
0:35:18 > 0:35:26# Fu' loud the wind blaws frae the ferry
0:35:27 > 0:35:35# The ship rides by the Berwick Law
0:35:35 > 0:35:43# And I maun leave my bonny Mary
0:35:51 > 0:35:57# Ooh-ooh-ooh
0:35:57 > 0:35:59# Ooh-ooh
0:36:00 > 0:36:07# The trumpets sound, the banners fly
0:36:08 > 0:36:16# The glittering spears, they are ranked ready
0:36:17 > 0:36:25# The shouts o' war are heard afar
0:36:25 > 0:36:32# And the battle closes deep and bloody
0:36:34 > 0:36:40- BOTH:- # It's not the roar o' sea or shore
0:36:41 > 0:36:50# Would mak' me langer wish to tarry
0:36:50 > 0:36:58# Nor shouts o' war that's heard afar
0:36:58 > 0:37:06# Oh, it's leaving thee, my bonny Mary
0:37:06 > 0:37:13# It's leaving thee
0:37:15 > 0:37:21# It's leaving thee
0:37:28 > 0:37:32# Ooh-ooh-ooh-ooh
0:37:32 > 0:37:36# Ooh-ooh-ooh-ooh
0:37:36 > 0:37:42# Ooh-ooh-ooh-ooh-ooh. #
0:37:44 > 0:37:46CHEERING AND APPLAUSE
0:37:52 > 0:37:56You two girls, not only are you, you know, keyboard players,
0:37:56 > 0:37:59fiddle players, you're step dancers as well.
0:37:59 > 0:38:02When we were in Cape Breton, you took us to one of your dances,
0:38:02 > 0:38:03to your final ceilidh of the year,
0:38:03 > 0:38:08but you're going to do a bit of that for us as well when you're here.
0:38:08 > 0:38:10Yeah, we'll give a few steps.
0:38:11 > 0:38:16Our close to the floor traditional style, we'll show off some of that.
0:38:16 > 0:38:18I've seen you girls do this before.
0:38:18 > 0:38:22It seems quite free form, or is it really organised?
0:38:22 > 0:38:24Do you just make it look really easy, is that what it is?
0:38:24 > 0:38:27- No, it's a good point. That's a good point.- Yeah.
0:38:27 > 0:38:29For ourselves, when we're doing something in a duo
0:38:29 > 0:38:31it will be very choreographed
0:38:31 > 0:38:33just because we have to know what's coming up next.
0:38:33 > 0:38:36But a lot of the time, it is very impromptu
0:38:36 > 0:38:38and you don't really know yourself what you're going to do
0:38:38 > 0:38:40when you get up there, you just really go for it.
0:38:40 > 0:38:42You're moved by the music
0:38:42 > 0:38:44and hopefully, the tunes kind of inspire that.
0:38:44 > 0:38:46CHEERING
0:38:46 > 0:38:47..three, four.
0:39:58 > 0:40:00CHEERING
0:40:29 > 0:40:31MUSIC STOPS
0:42:43 > 0:42:45CHEERING
0:42:48 > 0:42:50Richard, you're a flute player
0:42:50 > 0:42:52but you're not a traditional flute player.
0:42:52 > 0:42:56You come from a kind of slightly different musical background.
0:42:56 > 0:42:57Yeah, that's right.
0:42:57 > 0:42:59I started of playing in a flute band -
0:42:59 > 0:43:02Ballygowan Concert Flute Band, which I still play in now.
0:43:02 > 0:43:04Whenever we, kind of, thought about this type of a programme,
0:43:04 > 0:43:07one of the things we really wanted to do was get local players
0:43:07 > 0:43:12who maybe hadn't a platform like this to show their skills off.
0:43:12 > 0:43:14Well, I'll be honest with you,
0:43:14 > 0:43:16I have found it a tremendous experience
0:43:16 > 0:43:18and in some respects
0:43:18 > 0:43:21it might change how I'm making my music, in some respect.
0:43:21 > 0:43:25I want to sort of, maybe, let's say, branch out a wee bit more.
0:43:26 > 0:43:29Again, when I was asked to do this, it was this apprehension,
0:43:29 > 0:43:33this fear of, "Can I do this with these people?"
0:43:33 > 0:43:36You know, they've been doing this style of music for years.
0:43:36 > 0:43:38To be honest, after a couple of hours, I thought to myself,
0:43:38 > 0:43:40"Hey, I can do this regularly."
0:43:40 > 0:43:42- So you'll do it again? - I would do it again, you know.
0:43:42 > 0:43:44And I hope it wouldn't be too long.
0:43:44 > 0:43:47So this is an American song written by Doc Watson's family,
0:43:47 > 0:43:49inspired by Robert Burns'
0:43:49 > 0:43:51"My Love Is Like A Red, Red Rose."
0:43:51 > 0:43:53APPLAUSE
0:44:04 > 0:44:10# While roving on a winter's night
0:44:10 > 0:44:12# And drinking that good old wine
0:44:14 > 0:44:19# Thinking about that dear little girl
0:44:19 > 0:44:23# That stole this heart of mine
0:44:23 > 0:44:28# For she is like a bud of rose
0:44:28 > 0:44:32# That blooms in the month of June
0:44:32 > 0:44:37# She's like some music instrument
0:44:37 > 0:44:40# That's just been lately tuned
0:45:00 > 0:45:04# I have to take a foreign trip
0:45:06 > 0:45:08# To France or to Spain
0:45:09 > 0:45:14# But if I go 10,000 miles
0:45:14 > 0:45:19# I'm coming back again
0:45:19 > 0:45:24# So who's going to shoe your pretty little foot?
0:45:24 > 0:45:28# And who's going to glove your hands?
0:45:28 > 0:45:33# Who will kiss your ruby lips?
0:45:33 > 0:45:37# And who's going to be your man?
0:45:37 > 0:45:42# Well, Papa can shoe my pretty little foot
0:45:42 > 0:45:46# And Mama can glove my hands
0:45:46 > 0:45:51# And you can kiss my ruby lips
0:45:51 > 0:45:55# And you can be my man
0:46:32 > 0:46:37# And I'll love you till the seas run dry
0:46:37 > 0:46:40# And the rocks all melt in the sun
0:46:41 > 0:46:47# Although I can't be with you now
0:46:47 > 0:46:50# Some day we'll be as one
0:46:50 > 0:46:56# While roving on a winter's night
0:46:56 > 0:47:00# And drinking that good old wine
0:47:00 > 0:47:05# Thinking about that dear little girl
0:47:05 > 0:47:08# That stole this heart of mine
0:47:10 > 0:47:15# Thinking about that dear little girl
0:47:15 > 0:47:19# That stole this heart of mine. #
0:47:24 > 0:47:27CHEERING AND APPLAUSE
0:47:27 > 0:47:28Thank you.
0:47:31 > 0:47:33You're also singing along with Emily Smith
0:47:33 > 0:47:34for us later this evening.
0:47:34 > 0:47:35Oh, so lovely.
0:47:35 > 0:47:38She is a beautiful person and her voice is very evocative.
0:47:38 > 0:47:41It's been really wonderful to get to hear her material
0:47:41 > 0:47:43and be introduced to her.
0:47:43 > 0:47:46And throughout this whole programme, realising that even though
0:47:46 > 0:47:49I haven't really met anybody prior to... Only you before.
0:47:49 > 0:47:52- Weren't you so lucky? - I was very lucky.
0:47:52 > 0:47:55But to realise that we all know so many of the same people,
0:47:55 > 0:47:57we're just one degree apart -
0:47:57 > 0:47:59"Oh, you were playing with this person
0:47:59 > 0:48:01"and that person's my best friend.
0:48:01 > 0:48:03Or "We played together at this festival."
0:48:03 > 0:48:06It's really nice to see the world becoming smaller.
0:48:13 > 0:48:17# As I cam' o'er by Bonny Moor Hill
0:48:17 > 0:48:20# Every rose grows bonny in time
0:48:20 > 0:48:23# I met a wee lass and they ca'ed her Nell
0:48:23 > 0:48:28# Longing to be a sweet lover o' mine
0:48:28 > 0:48:31# It's questions three I'll ask o' thee
0:48:31 > 0:48:34# Every rose grows bonny in time
0:48:34 > 0:48:38# And it's questions three you'll do answer me
0:48:38 > 0:48:42# Before you are a sweet lover o' mine
0:48:58 > 0:49:01# You maun mak' me a cambric shirt
0:49:01 > 0:49:05- ALL:- # Every rose grows bonny in time
0:49:05 > 0:49:08# Withoot one stitch o' your needlework
0:49:08 > 0:49:11# Before you are a sweet lover o' mine
0:49:11 > 0:49:15# You maun wash it in yonder well
0:49:15 > 0:49:18# Every rose grows bonny in time
0:49:18 > 0:49:22# Where water ne'er ran and rain never fell
0:49:22 > 0:49:25# Before you are a sweet lover o' mine
0:49:25 > 0:49:28# Dry it oot o'er on yonder thorn
0:49:28 > 0:49:32# Every rose grows bonny in time
0:49:32 > 0:49:35# Where blossom ne'er bloomed since Adam was born
0:49:35 > 0:49:39# Before you are a sweet lover o' mine
0:49:39 > 0:49:43# You maun get me an acre of land
0:49:43 > 0:49:46# Every rose grows bonny in time
0:49:46 > 0:49:49# Atween the saut sea and sea water strand
0:49:49 > 0:49:53# Before you are a sweet lover o' mine
0:49:53 > 0:49:56# Plough it o'er with an auld ram's horn
0:49:56 > 0:50:00# Every rose grows bonny in time
0:50:00 > 0:50:03# Sow it o'er wi' one grain o' corn
0:50:03 > 0:50:06# Before you are a sweet lover o' mine
0:50:21 > 0:50:25# You maun sheer it wi' a sickle o' leather
0:50:25 > 0:50:28# Every rose grows bonny in time
0:50:28 > 0:50:31# And bind it up with a peacock's feather
0:50:31 > 0:50:35# Before you are a sweet lover o' mine
0:50:35 > 0:50:38# Stook it oot o'er on yonder sea
0:50:38 > 0:50:42# Every rose grows bonny in time
0:50:42 > 0:50:46# And bring the shell sheaf dry untae me
0:50:46 > 0:50:49# Before you are a sweet lover o' mine
0:51:16 > 0:51:19# It's when you've done and finished your work
0:51:19 > 0:51:22# Every rose grows bonny in time
0:51:22 > 0:51:26# You may call unto me for your cambric shirt
0:51:26 > 0:51:30# And you shall be a sweet lover o' mine. #
0:51:34 > 0:51:37CHEERING AND APPLAUSE
0:51:39 > 0:51:41You're a multi-instrumentalist yourself.
0:51:41 > 0:51:43I suppose, you started off on highland pipes,
0:51:43 > 0:51:46but you play lowland pipes, you play uilleann pipes,
0:51:46 > 0:51:49you play high whistles, low whistles - a whole load of stuff.
0:51:49 > 0:51:51You're a busy man.
0:51:51 > 0:51:55Yeah, and playing different kinds of pipes does lend it to this
0:51:55 > 0:51:57kind of thing, like, as I said earlier,
0:51:57 > 0:52:01I was brought up in the strict solo piping scene
0:52:01 > 0:52:05which, for all its plus points, to me, has some drawbacks
0:52:05 > 0:52:10as well in terms of versatility and freedom and that kind of thing.
0:52:10 > 0:52:14But when you're playing other pipes, it seems to give you that freedom
0:52:14 > 0:52:18to do what you want and lend yourself to other styles of playing.
0:52:18 > 0:52:21Of course, the lowland pipes being in the key of A helps a lot,
0:52:21 > 0:52:23everything's not in B-flat, E-flat.
0:52:23 > 0:52:26You're more versatile there for tune sets.
0:52:26 > 0:52:29CHEERING
0:52:34 > 0:52:36OK, let's hear rock.
0:55:23 > 0:55:25THEY LAUGH
0:55:54 > 0:55:56Ladies and gentlemen, thank you very much
0:55:56 > 0:55:58for coming to The Santer Sessions.
0:55:58 > 0:56:00From us all up here, it's good night,
0:56:00 > 0:56:02safe home and please give it up one more time
0:56:02 > 0:56:06for our fabulous musicians from both sides of the Atlantic.
0:56:06 > 0:56:07CHEERING
0:58:20 > 0:58:22CHEERING AND APPLAUSE
0:58:31 > 0:58:34Subtitles by Red Bee Media Ltd