:00:19. > :01:40.This programme contains strobe lighting effects.
:01:41. > :02:09.numbers are on the screen right lighting effects.
:02:10. > :03:13.# That you're joking with me? to me.
:03:14. > :03:18.# And you don't really see you and me.
:03:19. > :03:48.# And you don't really see you and me.
:03:49. > :04:04.# Know what you're doing, doing, to me.
:04:05. > :04:30.# Know what you're doing, doing, to me.
:04:31. > :04:43.So, Edinburgh, thank you for letting us come and play in your Castle for
:04:44. > :04:55.the night. We are very excited. This song is called Coming Home.
:04:56. > :04:58.# Do you wish you hadn't stayed all night?
:04:59. > :05:01.# Do you wish you hadn't gotten so high?
:05:02. > :05:09.# Oh no... # Gotta go...
:05:10. > :05:11.# Do you wish it wasn't half past gone?
:05:12. > :05:16.# Do you wish you didn't last that long?
:05:17. > :05:18.# Do you wish you hadn't come? # Oh no
:05:19. > :05:20.# Gotta go # Gotta run
:05:21. > :05:26.# May I remind you, # May I remind that you've got
:05:27. > :05:28.nowhere to go. # So I'm staying beside you.
:05:29. > :05:35.# I'm staying beside you 'til you find a way back home.
:05:36. > :05:46.# Light a fire # We're coming home
:05:47. > :06:05.# We'll write it down # We'll write it all down
:06:06. > :06:07.# And we're dancing on the finest line
:06:08. > :06:11.# Between the chance of the time of our lives
:06:12. > :06:22.# Wishing you were done, oh no, gotta run
:06:23. > :06:26.# May I remind you # May I remind that you've got no
:06:27. > :06:29.where to go # So I'm staying beside you
:06:30. > :06:36.# Staying beside you 'til you find a way back home
:06:37. > :06:48.# Light a fire # We're coming home
:06:49. > :06:58.# We'll write it down # We'll write it all down
:06:59. > :07:04.# Then it all comes flooding back to me
:07:05. > :07:30.# Like a forgotten melody from a dream
:07:31. > :07:38.# Light a fire # We're coming home
:07:39. > :07:50.# We'll write it down # We'll write it all down
:07:51. > :07:59.# Light a fire # We're coming home
:08:00. > :08:17.# We'll write it down # We'll write it all down
:08:18. > :08:25.Thank you! APPLAUSE AND CHEERING
:08:26. > :08:28.Good evening, ladies and gentlemen, please welcome your host, Miss Alex
:08:29. > :08:46.Jones. Thank you very much! Well, hello,
:08:47. > :08:52.good evening and welcome to Live at Edinburgh Castle. It's so great to
:08:53. > :08:55.be here. A huge thank you to the brilliant Kaiser Chiefs, weren't
:08:56. > :08:57.they fantastic? Brilliant. What better way to start the celebration
:08:58. > :09:00.they fantastic? Brilliant. What better way to start the here in
:09:01. > :09:04.Scotland, just a few days ahead of what promises to be a fantastic
:09:05. > :09:09.Commonwealth Games just over in Glasgow.
:09:10. > :09:14.Over the next two hours performing live we are joined by some of the
:09:15. > :09:23.biggest names in rock, pop, classical music and comedy, Bill
:09:24. > :09:33.Bailey, Alfie Boe, Culture Club, Paul Heaton and Jacqui Abbott, Ella
:09:34. > :09:41.Henderson, Jessie J, Katherine Jenkins, Fred McAlly, One Republic,
:09:42. > :09:46.Pumeza, Rizzle Kicks and Smokey Robinson. The list just goes on and
:09:47. > :09:52.on. Accompanying some of our artists will be Mike Stevens' band and the
:09:53. > :09:58.BBC Scottish Symphony Orchestra conducted this evening by Steve
:09:59. > :10:03.Sidwell. Well, we have been having a bit of
:10:04. > :10:07.fun with the weather in Edinburgh. Not so bad for some of you sitting
:10:08. > :10:11.at home, we hear. It has cleared up a bit but we have to say a big
:10:12. > :10:16.thanks to our lovely audience. They've sat here in their ponchos
:10:17. > :10:21.waiting for the show to start. Thank you so much.
:10:22. > :10:27.I tell you what, it will be, I promise, worth every single drop of
:10:28. > :10:31.rain. OK. We may be outside, but what better venue for tonight's show
:10:32. > :10:35.than the magnificent Edinburgh Castle. It's, believe it or not,
:10:36. > :10:41.right behind us, they tell me. There is a bit of mist! For over 1,000
:10:42. > :10:45.years it's clung to this rock giving shelter to Kings, protection to
:10:46. > :10:51.people, and inspiration to writers. You may notice more than a passing
:10:52. > :10:55.resemblance to the magical school of Hogwarts, for example. To this day,
:10:56. > :11:01.the Castle dominates the skyline and every summer plays host to the world
:11:02. > :11:05.famous Royal Edinburgh Military Tattoo. But tonight this stage will
:11:06. > :11:11.play host to talent of a different kind. We saw them open the show and
:11:12. > :11:17.I hope that the front man has got his breath back. Please welcome on
:11:18. > :11:21.stage Ricky Wilson. Here he is.
:11:22. > :11:26.Just one quick question, you look fantastic. Where is your kilt? I
:11:27. > :11:31.don't think I have earned a right to wear one yet. I will do one day. I
:11:32. > :11:34.think I have to earn it. I have seen my tartan, it's black and yellow, I
:11:35. > :11:42.like it. We were hoping to see your legs. A fantastic opening. Thank you
:11:43. > :11:47.so much. Saucy cow! It's BBC1, get off! All right, she's on stage
:11:48. > :11:53.already. She's had ten hit singles, two brilliant albums and a third on
:11:54. > :11:55.the way. She's sexy, sassy, show her some love, it's the unstoppable
:11:56. > :12:16.Jessie J! Come on, let's get warm! On your
:12:17. > :12:41.feet! # Seems
:12:42. > :12:44.like everybody's got a price. # We don't need your money, money,
:12:45. > :13:16.a good time. # We just wanna make
:13:17. > :13:19.the world dance. # And it wasn't low blows and video,
:13:20. > :13:43.video. # Can we all slow down
:13:44. > :13:53.and enjoy right now? # Guarantee we'll be
:13:54. > :13:56.feeling alright. # We don't need your money, money,
:13:57. > :14:11.money. # We just wanna make
:14:12. > :14:54.the world dance. Come on, you sing it to me. # Ain't
:14:55. > :15:01.about it... # Wanna make the... # We don't need your money.
:15:02. > :15:07.# I just wanna make Edinburgh Castle dance
:15:08. > :15:21.# I just wanna make the world dance # Ain't about the ch-ching
:15:22. > :15:24.# Ain't about the bl-bling # I just wantia make the world dance
:15:25. > :16:03.# Forget about the price tag. band, everybody. That was fun. Are
:16:04. > :16:08.you guys a little warmer now? I want to get one of those coats with
:16:09. > :16:16.hoods. This next song is called Keep Us Together. I want you to hug
:16:17. > :16:19.someone you'll of, and stay like that for this next song, please
:16:20. > :16:37.enjoy it. # I started feeling
:16:38. > :16:42.like everything's figured out. # Seems
:16:43. > :16:49.like everybody's got a price. # It ain?t easy trying to stay
:16:50. > :17:32.in love. # When it rains tell me we got
:17:33. > :17:36.enough # Said we got enough
:17:37. > :17:40.of our love to keep us together. # Arguments, back and forth,
:17:41. > :17:45.disagreements. # Can we make it up, make it right,
:17:46. > :17:49.can we fix this? # It ain?t always gonna be perfect,
:17:50. > :17:56.baby. # It?s unpredictable,
:17:57. > :18:07.but I feel so good about it. # Ain't nothing that we can
:18:08. > :18:12.promise. # Said we got enough
:18:13. > :19:06.of our love to keep us together. # When it rains tell me we got
:19:07. > :20:16.enough Thank you so much.
:20:17. > :20:23.Wasn't that fantastic? And I loved her gold shoes. And I think Todorov
:20:24. > :20:27.has done the job because the coats are coming off. We have got some
:20:28. > :20:32.great comedy coming up later, but for now, let's stick with the music
:20:33. > :20:40.and with an army of fans, including Stephen Fry, two best selling
:20:41. > :20:41.albums, please put your hands together for the brilliant Rizzle
:20:42. > :20:58.Kicks! # Do you remember back in school
:20:59. > :21:02.# When the boys and girls that could Yo, you might hear me make a racket
:21:03. > :21:11.like Wilson. Cause I love summer no Rachel
:21:12. > :21:12.Bilson. The winter will come,
:21:13. > :21:15.We just have parties inside it's still fun.
:21:16. > :21:16.(We're jammin') pump this (We're bangin').
:21:17. > :21:18.Change your boyfriend (let's 'av him).
:21:19. > :21:19.We're rowdy, girls make our judgement cloudy.
:21:20. > :21:21.But when the sun comes through we're still alcys.
:21:22. > :21:23.We don't wanna be lowsy, or shameless.
:21:24. > :21:25.But we're running round like we're brainless.
:21:26. > :21:27.Now I've got grass stains on my brand new white trainers.
:21:28. > :21:30.Ummmm... I know a few guys hate us. They're as compelling as neighbours
:21:31. > :21:31.so laters. It's blaters we've got our own
:21:32. > :21:34.style, you know now. So go wild and get hosed down, n-no
:21:35. > :23:09.no. Pardon me, just don't return that if
:23:10. > :23:13.I wasn't older, you wouldn't want to dance with me. I was top boy in the
:23:14. > :23:22.class, in my year. The headmaster, say yeah. I am looking at a bright
:23:23. > :24:33.blue sky. Standstill, standstill! Good evening, everybody! Might as
:24:34. > :24:39.well stick this back on, it is quite cold, isn't it? Thank you,
:24:40. > :24:42.everybody. This next song is our new single, it is called Tell Her. Hope
:24:43. > :24:57.you guys are having a good time! # Do you remember back in school
:24:58. > :25:00.# When the boys and girls that could # So they get their friends to do
:25:01. > :25:14.the do? # Cause I can't approach you,
:25:15. > :25:19.no not today # So I sit back in the corner
:25:20. > :25:27.Get my friends to say # Tell her I love her cause I'm
:25:28. > :25:31.feeling shy # Tell her I love her cause I'm not
:25:32. > :25:35.that guy # You've taken my fancy, you're
:25:36. > :25:39.catching my eye # You've taken my fancy tonight
:25:40. > :25:56.# Tell her I love her, # Tell her I love her (Ooo-oo-oo)
:25:57. > :26:08.# It seems I haven't got the tools, # Yeah
:26:09. > :26:12.To build my courage, baby ask you if you're cool
:26:13. > :26:18.# I've sink into to the wall # And I'm waiting for a chance, baby
:26:19. > :26:22.us to cross our paths # Cause I can't approach you, no not
:26:23. > :26:28.today # So I sit back in the corner
:26:29. > :26:38.# Get my friends to say # Tell her I love her cause I'm
:26:39. > :26:42.feeling shy # Tell her I love her cause I'm not
:26:43. > :26:46.that guy # You've taken my fancy, you're
:26:47. > :27:07.catching my eye # Tell her I love her (Ooo-oo-oo)
:27:08. > :27:37.# Tell her I love her cause I'm not that guy
:27:38. > :27:39.# You've taken my fancy, you're catching my eye
:27:40. > :28:06.# Tell her I love her (Ooo-oo-oo) # Tell her I love her (Ooo-oo-oo)
:28:07. > :28:21.Tell her I love her Thank you very much, everybody. Have
:28:22. > :28:33.fun! Thanks, guys, that was brilliant. It
:28:34. > :28:37.is brilliant to see everybody getting into the dancing, including
:28:38. > :28:44.our very own brass section and there they are. Now, there is a lot of
:28:45. > :28:48.focus of course on Scotland over the coming weeks. Not only do we have
:28:49. > :28:53.the Commonwealth Games to look forward to, but next month, every
:28:54. > :28:56.theatre, club, function room and phone box will be crammed full of
:28:57. > :29:01.comedians saying to packed audiences, as the city hosts the
:29:02. > :29:06.Edinburgh festival French of course. The line-up reads like a Who's Who
:29:07. > :29:10.of comedy, and our next guest has played there are so many times, it
:29:11. > :29:14.is like his second home. He is not just really funny, he is brilliantly
:29:15. > :29:27.clever, quick and musical as well. In fact, if I were to sum him up in
:29:28. > :29:28.one word, it would be. Beardy Ladies and gentlemen, please welcome the
:29:29. > :29:46.wild imagination of Bill Bailey. Hello! What a fantastic setting.
:29:47. > :29:50.Yes, it is true, I have played here many times in the festival. I
:29:51. > :29:55.remember one year, I came up here, I needed a pair of bongos, as you do.
:29:56. > :30:00.And I went to a drum shop and said, can I get a pair of bongos? And the
:30:01. > :30:05.guy said to me coming yes, I will have a look. He came back and said,
:30:06. > :30:11.I have got one pair left. Because right now it is the bongos season. I
:30:12. > :30:22.love the idea of bongos being in season!
:30:23. > :30:32.So I am a big fan of theme tunes, one of my favourites is Match of the
:30:33. > :30:35.Day, what a great theme... Hold on!
:30:36. > :30:40.It's fantastic, it's uplifting and great. A brilliant theme tune. But
:30:41. > :30:44.it's versatile. I like to play in different versions. I am a big fan
:30:45. > :31:40.of the lounge version. The thing is you can play it in
:31:41. > :31:43.different keys, as well. The major key. It's jolly and uplifting. In
:31:44. > :31:50.the minor key you get a different thing entirely. You get a soundtrack
:31:51. > :32:03.to like a pole ircartoon. -- to a Polish cartoon.
:32:04. > :32:10.# The tractor that would not start. # That's if you speed it up. If you
:32:11. > :32:14.slow it right down and change it into the minor key you get something
:32:15. > :32:51.totally different again. You get a Jewish folk song.
:32:52. > :33:00.Thank you, see you later, cheers! Brilliant. I am pleased to say we
:33:01. > :33:07.will be seeing a lot more of Bill later on in the show. Plus we have
:33:08. > :33:13.got performances from Smokey Robinson, Culture Club are back
:33:14. > :33:18.together right here on this stage. One Republic, Ella Henderson and Il
:33:19. > :33:22.Divo. And we will be meeting a local boy turned national hero. I don't
:33:23. > :33:26.want to give too much away but if I say it will be a good night from him
:33:27. > :33:32.that might give you a little clue. First, I am very excited to
:33:33. > :33:36.introduce this next lady. She's got style and sophistication by the
:33:37. > :33:45.bucketload and a voice to die for. Please give a stupendous welcome to
:33:46. > :33:50.the one, the only, Miss Paloma Faith.
:33:51. > :34:10.APPLAUSE AND CHEERING # I'd tell myself you don't mean
:34:11. > :34:18.a thing. # But what we got,
:34:19. > :34:21.got no hold on me. # But when you're not
:34:22. > :34:25.there I just crumble. # I tell myself I
:34:26. > :34:30.don't care that much. # But I feel
:34:31. > :34:34.like I die 'til I feel your touch. # Only love can hurt like this.
:34:35. > :34:57.only love can hurt like this. # Say I wouldn't care
:34:58. > :35:06.if you walked away. # When you come close
:35:07. > :35:13.I just tremble. # It's like a knife that
:35:14. > :35:23.cuts right through my soul. # Only love,
:35:24. > :35:30.only love can hurt like this. # Love is torture
:35:31. > :36:20.makes me more sure. # 'Cause only love can hurt
:36:21. > :37:40.like this. # And it must have been
:37:41. > :37:54.the deadly kiss.# APPLAUSE AND CHEERING
:37:55. > :37:58.Thank you so much. Welcome to the great British summer time! For those
:37:59. > :38:02.watching at home, it is basically just a grey cloud. Here's another
:38:03. > :38:20.song. Let's dance. # We're getting close,
:38:21. > :38:26.still goes on. # You changed
:38:27. > :38:50.and I need a little loving. # I can't keep giving all
:38:51. > :38:55.and get back nothing. # Come on, come on, boy,
:38:56. > :39:03.just shake me. # 'Cause I know, I do,
:39:04. > :39:11.too bad for you. # Don't know
:39:12. > :39:23.if you're coming or going. # You changed
:39:24. > :39:48.and I need a little loving. # I can't keep giving all
:39:49. > :39:52.and get back nothing. # Come on, come on, boy,
:39:53. > :40:01.just shake me. # 'Cause I know, I do,
:40:02. > :40:08.too bad for you. # Momma said there'll be days
:40:09. > :40:31.like this. # Now the whole knows I
:40:32. > :40:34.got trouble with my baby. # Come on, come on, boy,
:40:35. > :40:39.just shake me. # 'Cause I know, I do,
:40:40. > :41:19.too bad for you. APPLAUSE AND CHEERING
:41:20. > :41:26.Thank you. How good was that? Paloma is she
:41:27. > :41:31.good. All right, we have a wonderful surprise for you now. Please welcome
:41:32. > :41:42.on stage a local boy done good, it is, of course, Ronnie Corbett.
:41:43. > :42:06.APPLAUSE AND CHEERING # Travelling home on a through train
:42:07. > :42:10.to Edinburgh, cash in my pocket and plenty to spare
:42:11. > :42:14.# Wearing a school cap and travelling half fare,
:42:15. > :42:20.# I love my height, it suits me # In spite of those big lads all
:42:21. > :42:26.around, the ladies adore me, at least so I found
:42:27. > :42:33.# I have a sporran that's nearer the ground... That's how I am starting!
:42:34. > :42:38.APPLAUSE AND CHEERING Don't encourage me. No, it's
:42:39. > :42:46.fantastic. The weather's cleared up. It just looks lovely. Are you all
:42:47. > :42:53.right? Yes. Ladies and gentlemen, it's indeed - my wife and I
:42:54. > :42:58.travelled up yesterday on a train, senior citizens, old aged
:42:59. > :43:06.pensioners. Train fare, wait a minute, there is a routine here, I
:43:07. > :43:10.knew I would forget it. Anyway, the senior citizens special pension
:43:11. > :43:15.rates, at the end it all worked very well and we got our tickets and ?17.
:43:16. > :43:21.So, it gives me great well and we got our tickets and ?17.
:43:22. > :43:25.what I really come on here to do, to introduce to you my
:43:26. > :43:29.what I really come on here to do, to and favourite singers, they are,
:43:30. > :43:32.what I really come on here to do, to course, Alfie Boe and Katherine
:43:33. > :44:02.Jenkins. # Now my dream is slowly coming
:44:03. > :44:22.true. # The wind is a gentle breeze.
:44:23. > :44:25.# Me hablo de ti. # It was the first time that we met.
:44:26. > :44:53.# Barcelona. # Vive.
:44:54. > :46:00.into the room. # And shake the foundations
:46:01. > :46:05.from the skies. # Por ti sere gaviota
:46:06. > :47:46.de tu bella mar. Absolutely stunning, thank you so
:47:47. > :47:52.much. Brilliant. One minute we are having
:47:53. > :47:58.hip-hop, and then it turns into an opera. Isn't it great? What an
:47:59. > :48:01.incredible performance by two of the country's greatest voices. And a big
:48:02. > :48:11.thank you to the London Community Gospel Choir. Now, then, are we all
:48:12. > :48:16.warming up a bit? You at home, you are OK. You are nice and warm on the
:48:17. > :48:24.sofa, but we are in the open-air. But you are all right? Good. Ladies
:48:25. > :48:29.and gentlemen, right now, we have a fantastic two for one offer. Our
:48:30. > :48:37.next performers produced a string of hits as part of the hugely
:48:38. > :48:41.successful band Beautiful South. After ten years, they have got back
:48:42. > :48:43.together again to sing together, please welcome Paul Heaton and
:48:44. > :48:56.Jacqui Abbott! # Some girls lose their boys after
:48:57. > :48:58.years # Standing in line, it?s
:48:59. > :49:04.a question of time # Who?s gonna be the next broken
:49:05. > :49:06.heart # Heart
:49:07. > :49:08.belonged to a love so strong # I would love him ?til the day that
:49:09. > :49:10.I die the Lord above # I lost him to a DIY
:49:11. > :49:17.# She was so determined to take him right out of my hands # If you?re
:49:18. > :49:25.idle enough they can # Steal from the very first dance # She was young
:49:26. > :49:29.and pretty and young and pretty is better than I # But we gave them all
:49:30. > :49:33.our kisses # Now they found another Mrs ?cause we # Lost him to a DIY #
:49:34. > :49:38.Some women feel if you put her on a seal it # Will Keep your fella out
:49:39. > :49:46.of reach # But it ain?t no soul you can grab them from below # That?s a
:49:47. > :49:49.lesson every woman can teach # But my man was just the sort you could
:49:50. > :49:53.trust # You could look a fella right in the eye # If it wasn?t
:49:54. > :49:56.for deceiving but suddenly he was leaving ?cause we # Lost him to
:49:57. > :50:08.a DIY # She was so determined to take him right out of my hands # If
:50:09. > :50:12.you?re idle enough they can # Steal from the very first dance # She was
:50:13. > :50:17.young and pretty and # Young and pretty is better than I # But we
:50:18. > :50:20.gave them all our kisses now they # she?s wearing a dress # T ? H ? I ?
:50:21. > :50:26.E and F She got high heels and she again # H ? I ? S ? T ? O ? R ? Y #
:50:27. > :50:32.Come on folks, just an ordinary guy # She was so determined to take him
:50:33. > :50:59.right out of my hands # If you?re # If you are idle enough, they can
:51:00. > :51:01.steal from the very first dance. # Now they have found another misses
:51:02. > :51:15.because we lost him to a DIY. ! Thank you all of you for coming this
:51:16. > :51:16.evening, and the weather is finally brightening up. And thank you to the
:51:17. > :51:32.band as well. # I think I might be happy if I
:51:33. > :51:37.wasn't out with them. # And they're happy it's
:51:38. > :51:39.a lovely place to be. # Happy that the fire is real
:51:40. > :51:42.the barman is a she. # And
:51:43. > :51:52.if you don't win then you've lost. # 'Cause they speak
:51:53. > :51:57.a different language. # And it's never really
:51:58. > :51:58.happened to me. # 'Cause they speak
:51:59. > :52:02.a different language. # And it's never really
:52:03. > :52:04.happened to me. # It's another night out with
:52:05. > :52:10.the boss. # Following
:52:11. > :52:11.in footsteps overgrown with moss. # And they tell me that
:52:12. > :52:13.women grow on trees. # And if you catch them right
:52:14. > :52:17.they will land upon their knees. # And they love to buy you all
:52:18. > :52:22.a drink. # I think I might be happy if I
:52:23. > :52:57.wasn't out with them. # And they're happy it's
:52:58. > :53:03.a lovely place to be. # 'Cause they speak
:53:04. > :53:07.a different language. # And it's never really
:53:08. > :53:09.happened to me. # It's happy hour again and again
:53:10. > :53:53.and again Well, isn't it good to see that Paul
:53:54. > :53:59.has dressed for the weather? Practical. The atmosphere is
:54:00. > :54:07.fantastic year, I hope you enjoyed that. Nice to hear a familiar track.
:54:08. > :54:12.Moving on to a young woman who has won hearts and minds, and most
:54:13. > :54:17.crucially, votes. She graduated from the X Factor in 2012, and went on to
:54:18. > :54:22.top the charts with her very first number one single, Dosed. This is
:54:23. > :54:28.the sensational Ella Henderson! # Cos I need something
:54:29. > :54:36.that can wash off the pain # And at most
:54:37. > :54:40.I'm sleeping all these demons away # But your ghost, the ghost of you
:54:41. > :54:44.It keeps me awake # Yeah, they saw
:54:45. > :54:50.what's inside of you # Your cold heart
:54:51. > :55:05.makes my spirit shake # I had to go through hell
:55:06. > :55:11.to prove I'm not insane # Had to meet the devil
:55:12. > :55:18.just to know his name # Cos I need something
:55:19. > :55:30.that can wash off the pain # And at most I'm sleeping
:55:31. > :55:35.all these demons away # But your ghost, the ghost of you
:55:36. > :55:40.It keeps me awake # Cos I need something
:55:41. > :55:48.that can wash off the pain # And at most I'm sleeping
:55:49. > :55:54.all these demons away # But your ghost, the ghost of you
:55:55. > :56:01.It keeps me awake # I keep going to the river to pray
:56:02. > :56:23.and you're creeping in # Cos I need something
:56:24. > :56:28.that can wash off the pain # And at most I'm sleeping
:56:29. > :56:32.all these demons away # But your ghost, the ghost of you
:56:33. > :56:36.It keeps me awake # Cos I need something
:56:37. > :56:50.that can wash off the pain # But your ghost, the ghost of you
:56:51. > :56:56.It keeps me awake # Cos I need something
:56:57. > :57:29.that can wash off the pain # And at most I'm sleeping
:57:30. > :57:34.all these demons away # But your ghost, the ghost of you
:57:35. > :57:38.It keeps me awake # Cos I need something
:57:39. > :57:48.that can wash off the pain # And at most I'm sleeping
:57:49. > :57:52.all these demons away # But your ghost, the ghost of you
:57:53. > :58:12.It keeps me awake. # Thank you, Edinburgh. Are you having
:58:13. > :58:16.an amazing night tonight? It is such a pleasure and honour to be here,
:58:17. > :58:22.especially alongside such amazing acts. This next song is a personal
:58:23. > :58:24.song of mine and it is one of my favourite covers to perform, this is
:58:25. > :58:33.Believe. # You're gonna be the lonely one,
:58:34. > :59:08.oh oh # I really don't think
:59:09. > :59:27.you're strong enough, now # I really don't think
:59:28. > :59:45.you're strong enough, now # I don't need you any more.
:59:46. > :00:29.# I don't need you any more. # I really don't think
:00:30. > :01:35.you're strong enough, now That was such a stunning version of
:01:36. > :01:44.that song, even better than the original, maybe? For more home-grown
:01:45. > :01:52.talent. He is one of Scotland's favourite comedians, please welcome
:01:53. > :01:59.Fred MacAulay. Thank you, folks. This is incredible. What a gig! It's
:02:00. > :02:05.such a massive year for Scotland. As you all know, in Scotland we have
:02:06. > :02:11.that big day in September, when we are all going to get together and
:02:12. > :02:15.watch the Ryder Cup. Cannot wait! It's a great gig. I know the
:02:16. > :02:19.difference between good gigs and bad gigs, I have done tough gigs in my
:02:20. > :02:24.time, ladies and gentlemen. 2003 they asked me to go to Iraq to
:02:25. > :02:30.entertain the troops. That was a tough gig. Naively I assumed it
:02:31. > :02:38.would have been the allied troops. Tough one. Last gig I was at like
:02:39. > :02:43.this it was when Bob Geldof and Bono came to Murrayfield, do you remember
:02:44. > :02:49.that. Bob came out on to the stage with Bono, it was like Gandalf with
:02:50. > :02:55.a Hobbit. They came up to Scotland to make poverty history. Pretty much
:02:56. > :03:00.kicked off the financial crisis. Sadly, they made poverty popular for
:03:01. > :03:05.goodness sake. I was thinking about Bob's lyrics to the Band Aid song
:03:06. > :03:11.because a few years ago one January, 2011, I climbed Mount Kilimanjaro.
:03:12. > :03:16.Yeah, thank you very much. That was tough, as well. It's a long, slow
:03:17. > :03:24.plod and on the last day you climb up there and about teatime, you eat
:03:25. > :03:27.loads of pasta and stuff and try and have a kip and get up at night and
:03:28. > :03:33.put on all your clothes and try to climb up to the top of the mountain.
:03:34. > :03:39.It was minus 18C. And a blizzard came in at 4.00am and all I could
:03:40. > :03:48.think of were Bob's lyrics and there won't be snow in Africa this
:03:49. > :03:51.Christmas time. There will. You know the other lyrics to that song, it's
:03:52. > :03:56.Christmas time, no need to be afraid. It's Christmas time, we let
:03:57. > :04:06.in light and we banish shade. Do you think that's a good idea? For my
:04:07. > :04:12.Tanzanian friends, in the middle of summer, 54 Celsius. A temperature
:04:13. > :04:21.that we in Scotland know little of. Even in cookery. I am
:04:22. > :04:30.that we in Scotland know little of. too. Will we go and get some shade?
:04:31. > :04:35.We can't. Bob's banned it. The worst lyric of all are at the end when
:04:36. > :04:40.Bono himself sings, and tonight, thank God it's them, instead of you.
:04:41. > :04:46.Possibly the least Christian sentiment I have ever heard in my
:04:47. > :04:51.life. This is good for Scotland, we have the Commonwealth Games, so much
:04:52. > :04:57.going on. Ladies and gentlemen, since I am here I have to say,
:04:58. > :05:02.sadly, you no - he is no longer Wimbledon champion, but Andy Murray,
:05:03. > :05:13.a Wimbledon champion from Scotland, yeah, good on you, Andy. I saw him
:05:14. > :05:19.when he was - I saw him on TV going... I thought he had won. I
:05:20. > :05:22.heard one of our politicians saying Andy Murray winning Wimbledon,
:05:23. > :05:26.another example of Scotland punching above its weight. It's a shame that
:05:27. > :05:31.we measure our successes in terms of violence and obesity. Now we are
:05:32. > :05:35.going to have to crack on, on with the show. A band who have flown from
:05:36. > :05:43.America to be with us this evening. Five lads, one incredible sound.
:05:44. > :05:45.Give a mighty democratic Edinburgh welcome to the rebellious One
:05:46. > :06:00.Republic! # But, baby, I've been, I've been
:06:01. > :06:02.praying hard # I see this life like a
:06:03. > :06:29.swingin' vine # Everything that kills me makes me
:06:30. > :07:08.feel alive # Lately, I've been, I've been
:07:09. > :07:14.losing sleep # We'll be counting stars
:07:15. > :07:20.praying hard # Lately, I've been, I've been
:07:21. > :07:26.losing sleep # Dreaming about the things that we
:07:27. > :07:30.could be # But, baby, I've been, I've been
:07:31. > :07:34.praying hard # Yeah
:07:35. > :07:47.I feel this love # Young, but I'm not that bold
:07:48. > :08:02.I don't think the world is sold # I'm just doing what we're told
:08:03. > :08:07.I feel something so wrong # At doing the right thing
:08:08. > :08:13.I could lie, could lie, could lie # Everything that drowns me makes me
:08:14. > :08:18.want to fly # Lately, I've been, I've been
:08:19. > :08:22.losing sleep # Dreaming about the things that we
:08:23. > :08:25.could be # But, baby, I've been, I've been
:08:26. > :08:34.praying hard # Lately, I've been, I've been
:08:35. > :08:38.losing sleep # Dreaming about the things that we
:08:39. > :08:41.could be # But, baby, I've been, I've been
:08:42. > :08:45.praying hard # Said, no more counting dollars
:08:46. > :08:50.We'll be, we'll be, counting stars # Take that money
:08:51. > :08:59.Watch it burn # Take that money
:09:00. > :09:06.Watch it burn # Sink in the river
:09:07. > :09:23.The lessons I learned APPLAUSE AND CHEERING
:09:24. > :09:31.Thank you. This is the first time we have been here. We have to say it is
:09:32. > :09:37.absolutely everything we imagined and we wouldn't be any happier if it
:09:38. > :09:48.was sunny. We are glad we are in the clouds.
:09:49. > :09:58.This is our new single Love Runs Out.
:09:59. > :10:05.# I'll be the bright, in black that's makin' you run
:10:06. > :10:10.# And we'll feel all right
:10:11. > :10:14.# 'Cause we'll work it out, yeah We'll work it out
:10:15. > :10:17.# I'll be doin' this, if you had a doubt
:10:18. > :10:21.# 'Til the love runs out, 'til the love runs out
:10:22. > :10:30.# I'll be your fifty-thousand clapping like one
:10:31. > :10:32.# And I feel all right, and I feel all right
:10:33. > :10:35.# 'Cause I worked it out, yeah, I worked it out
:10:36. > :10:39.# I'll be doin' this, if you had a doubt
:10:40. > :10:45.# 'Til the love runs out, 'til the love runs out
:10:46. > :10:48.# I got my mind made up, man, I can't let go
:10:49. > :10:52.# I'm killing every second 'til it saves my soul
:10:53. > :10:56.# (Ooh) I'll be running. (Ooh) I'll be running
:10:57. > :10:59.# 'Til the love runs out, 'til the love runs out
:11:00. > :11:03.# And we'll start a fire, and we'll shut it down
:11:04. > :11:09.# 'Til the love runs out, 'til the love runs out
:11:10. > :11:12.# There's a maniac out in front of me
:11:13. > :11:17.# Got an angel on my shoulder, and Mestopheles
:11:18. > :11:20.# But Mama raised me good, Mama raised me right
:11:21. > :11:24.# Mama said, "Do what you want, say prayers at night"
:11:25. > :11:28.# And I?m saying them, 'cause I'm so devout
:11:29. > :11:32.# 'Til the love runs out, 'til the love runs out, yeah
:11:33. > :11:36.# I got my mind made up, man, I can't let go
:11:37. > :11:40.# I'm killing every second 'til it saves my soul
:11:41. > :11:44.# (Ooh) I'll be running. (Ooh) I'll be running
:11:45. > :11:48.# 'Til the love runs out, 'til the love runs out
:11:49. > :11:52.# And we'll start a fire, and we'll shut it down
:11:53. > :12:00.# 'Til the love runs out, 'til the love runs out
:12:01. > :12:13.# Oh, we all run for something Run for God, for fate
:12:14. > :12:32.# I'll be the bright, in black that's makin' you run
:12:33. > :12:35.# I got my mind made up, man, I can't let go
:12:36. > :12:38.# I'm killing every second 'til it saves my soul
:12:39. > :12:42.# (Ooh) I'll be running. (Ooh) I'll be running
:12:43. > :12:46.# 'Til the love runs out, 'til the love runs out
:12:47. > :12:50.# And we'll start a fire, and we'll shut it down
:12:51. > :12:54.# 'Til the love runs out, 'til the love runs out
:12:55. > :13:02.# I'll be the bright, in black that's makin' you run
:13:03. > :13:06.# And we'll feel all right, and we'll feel all right
:13:07. > :13:12.# Yes, we'll work it out
:13:13. > :13:16.# And we'll start a fire, and we'll shut it down
:13:17. > :13:18.# 'Til the love runs out, 'til the love runs out
:13:19. > :13:40.APPLAUSE AND CHEERING Thank you guys.
:13:41. > :13:47.Brilliant boys. One Republic everybody. And look who I found
:13:48. > :13:53.dancing to One Republic back stage, it's Boy George! Hello you. Nice to
:13:54. > :13:57.see you. Now, you did mention back in May that you were reforming. We
:13:58. > :14:02.are all thrilled. How are you feeling tonight back on stage for
:14:03. > :14:06.the first time in 15 years? Now we have a lovely audience, I am quite
:14:07. > :14:10.excited now. Can't wait to get on with it, you know. You are a man
:14:11. > :14:14.down, we have to mention. Yeah, Roy, unfortunately, is having an
:14:15. > :14:18.operation on his knee. So, I tried to get him to come, but he couldn't
:14:19. > :14:24.do it. We can do without him! I think I can speak on behalf of
:14:25. > :14:27.everybody here and at home when I say we really are looking forward to
:14:28. > :14:31.seeing you back on stage later on. Thank you. Absolutely. Boy George
:14:32. > :14:37.everyone. Fantastic.
:14:38. > :14:42.All right then. Let's bring on our next lot of superstars. They're the
:14:43. > :14:46.international group who tasted global success and bring harmony
:14:47. > :14:51.wherever they go. Please put your hands together as you are doing
:14:52. > :15:04.beautifully for the very handsome Il Divo.
:15:05. > :15:27.# Amazing grace, how sweet the sound That saved a wretch like me
:15:28. > :15:50.# It was grace that taught my heart to fear
:15:51. > :16:43.# Through many dangers, toils and snares
:16:44. > :16:53.# It's grace that brought me safe this far
:16:54. > :18:01.# When we've been here ten thousand years
:18:02. > :18:21.# We've no less days to sing God's praise
:18:22. > :19:19.Well, I do not know about you, but I am an emotional wreck. Brilliant,
:19:20. > :19:27.Boyce. Shame one of them turned up late! Not really. Thank you as well
:19:28. > :19:36.to pipe Major Alan Mowbray, from the Royal Scots Dragoon Guards, who are
:19:37. > :19:40.based here at Edinburgh Castle. And our lone piper will be back later on
:19:41. > :19:43.with a few friends. Now,, they say you cannot have too much of a good
:19:44. > :19:49.thing, and we wholeheartedly agree with them. So, we are giving you a
:19:50. > :19:54.second helping of the man with comic genius and lovely fluffy hair.
:19:55. > :20:01.Please welcome back the exceptional Bill Bailey!
:20:02. > :20:05.Hello! Right, I want to try something with all of you, I want to
:20:06. > :20:10.try to replicate the sound of the pipes we heard so magnificently. I
:20:11. > :20:16.want you to be the drone, but constant note, and then we will try
:20:17. > :20:23.and play a tune over the top. Here is your note, can you harm this for
:20:24. > :20:27.me...? That is it, give it some more... That is it, OK. Right, here
:20:28. > :21:34.we go. This is the BBC! Do not listen to
:21:35. > :21:43.the others! They are false profits! Only us, we are the true way!
:21:44. > :21:57.APPLAUSE Thank you, see you later. And there
:21:58. > :22:01.will be more of Bill Bailey later on. Now, although we are all having
:22:02. > :22:06.a ball here at Edinburgh Castle this evening, let's take a moment to
:22:07. > :22:12.remember a great man who sadly is no longer with us. Now, yesterday would
:22:13. > :22:17.have marked the 96th birthday of Mr Nelson Mandela, a man who brought
:22:18. > :22:25.peace, justice, equality and reconciliation to his country, and
:22:26. > :22:29.in doing so, inspired the world. To pay tribute to Nelson Mandela and
:22:30. > :22:33.his many heroic achievements, we are joined by a singer who grew up in
:22:34. > :22:39.the townships of South Africa and went on to win a scholarship at the
:22:40. > :22:43.Royal College Of Music in London. She has been hailed as one of
:22:44. > :22:50.opera's most exciting new voices. And tonight, performing Thula Baba
:22:51. > :23:00.and O Mio Babbino Caro, please welcome Pumeza.
:23:01. > :23:03.# Thula thul', thula baba, thula sana.
:23:04. > :23:20.# Thula thul', thula baba, thula sana.
:23:21. > :27:00.Wasn't that just incredible? And so atmospheric. But you don't care now,
:27:01. > :27:02.do you, because we have got Alfie Boe here. You cannot have a big
:27:03. > :27:05.concert, can you, Boe here. You cannot have a big
:27:06. > :27:12.Boe? I got changed to go home Boe here. You cannot have a big
:27:13. > :27:17.you called me back! I Barcelona was absolutely stunning,
:27:18. > :27:24.it was epic, were you happy with how it went? I was thrilled, I am glad
:27:25. > :27:29.everybody enjoyed it, and I must say , Edinburgh is the best city in the
:27:30. > :27:33.world. We have had a brilliant welcome here. We are here because
:27:34. > :27:38.the Commonwealth Games 1-0 next Wednesday, so what will you be
:27:39. > :27:46.watching? Are you a fan? Oh, my goodness, I will be watching the
:27:47. > :27:51.domino rally... Putting you on the spot. I continue, we do know you are
:27:52. > :27:57.domino rally... Putting you on the a rock fan. Who are you most looking
:27:58. > :28:04.forward to seeing? Culture Club of course, and the wonderful Smokey
:28:05. > :28:13.Robinson. That is going to be great. He is literally out the back
:28:14. > :28:16.this venue here, Alfie, it must help you with those high notes, it is a
:28:17. > :28:24.magnificent place to seeing, isn't it? It is beautiful, and the people
:28:25. > :28:27.make it even better. I will be doing it at the end of the year as well,
:28:28. > :28:38.it is going to be fun. Alfie Boe, everybody! I think they are nearly
:28:39. > :28:44.ready. A quick reminder that tonight's concept does contain
:28:45. > :28:48.flashing images, so please bear that in mind at home. The battlements of
:28:49. > :28:54.Edinburgh Castle have witnessed history being made. There have been
:28:55. > :29:00.wars, sieges, murders and revolutions. But all of that is
:29:01. > :29:05.nothing compared to what our next guests have been through. Please
:29:06. > :29:16.welcome Culture Club! # Precious kisses
:29:17. > :30:12.words that burn me. # Wrapped in sorrow,
:30:13. > :31:21.words are token. # You've been talking
:31:22. > :31:30.but believe me. # Everything's not what
:31:31. > :33:34.you see it's over again. APPLAUSE AND CHEERING
:33:35. > :33:38.Thank you very much. Hope you are going to come and see us when we
:33:39. > :33:47.play in December and I hope you have a lovely evening. Happy birthday to
:33:48. > :34:01.John's son Clyde who's 17 today. We are one big happy family. This is
:34:02. > :34:08.Karma Chameleon. # Desert loving
:34:09. > :34:10.in your eyes all the way. # If I listened to
:34:11. > :34:14.your lies would you say. # Karma karma karma
:34:15. > :34:39.karma karma chameleon. # Loving would be easy
:34:40. > :34:50.if your colors were like my dream. # Didn't hear
:34:51. > :35:02.your wicked words every day. # And you used to be so sweet I
:35:03. > :35:05.heard you say. # Karma karma karma
:35:06. > :35:37.karma karma chameleon. # Loving would be easy
:35:38. > :35:43.if your colors were like my dream. # Karma karma karma
:35:44. > :36:46.karma karma chameleon. # Loving would be easy
:36:47. > :36:52.if your colors were like my dream. # Karma karma karma
:36:53. > :37:21.karma karma chameleon. # Loving would be easy
:37:22. > :37:59.if your colors were like my dream. APPLAUSE AND CHEERING
:38:00. > :38:09.Absolutely phenomenal. So brilliant to have you back. Wasn't it good?
:38:10. > :38:14.Now then boys, come here. When we have recovered from that. Now, the
:38:15. > :38:20.reason I have got Il Divo back on stage is because a little bird has
:38:21. > :38:29.told us that it's actually your birthday today. Oh, yes. So,
:38:30. > :38:36.audience, sing along, please, if you will. They've sung to you.
:38:37. > :38:46.# Happy birthday # Happy birthday to you.
:38:47. > :38:54.Happy birthday indeed. # Happy birthday to you.
:38:55. > :38:59.this. Hang on. Thank you so much. I can't believe this. I have a cake
:39:00. > :39:12.for you. Thank you so wish. Three, two, one!
:39:13. > :39:18.Happy birthday to you. Thank you so much. It's not just your birthday,
:39:19. > :39:22.of course you boys are celebrating ten years together this year. Any
:39:23. > :39:27.plans specifically? Well, we are touring. We are about to actually
:39:28. > :39:31.come to Europe. This is how we are going to celebrate it because
:39:32. > :39:38.there's nothing better than celebrating with an audience. You
:39:39. > :39:42.are the best crowd here. And you have played all over the world in
:39:43. > :39:47.venues everywhere. How does Edinburgh Castle compare? We know
:39:48. > :39:50.the audience are fab. As a location, it's pretty special, isn't it? It's
:39:51. > :39:56.amazing. We played here before, when was it? A few years ago. 2006 we did
:39:57. > :40:01.a tour. It's unbelievable this environment. We are going to be soon
:40:02. > :40:07.again back in the UK, it's October, touring over here. We are going to
:40:08. > :40:14.be back very soon. Great. Boys, go and enjoy your cake. Happy birthday
:40:15. > :40:19.again. Il Divo everybody! APPLAUSE AND CHEERING
:40:20. > :40:23.Still to come we have Smokey Robinson. We are not finished yet.
:40:24. > :40:31.For the final time this evening it's time to welcome Bill Bailey. Bill,
:40:32. > :40:35.come and have a chat. They're not quite ready. We will put you on this
:40:36. > :40:44.side. There you are. Now, I think you are the favourite
:40:45. > :40:49.of the night so far. Oh. I love you too. What have you got planned for
:40:50. > :40:54.the final instalment? The final instalment I am going to be
:40:55. > :41:02.attempting to play popular songs on an instrument of my own devising.
:41:03. > :41:03.It's a tuned car horns. The thing is with Bill Bailey he can do
:41:04. > :41:08.everything. How many musical instruments can you actually play?
:41:09. > :41:16.342. Have you just plucked that figure? Yes. Mainly keyboards.
:41:17. > :41:21.Piano, horn, percussion, guitar. I will give it my best shot. We can't
:41:22. > :41:36.wait to hear the last instalment. Ladies and gentlemen, Bill Bailey!
:41:37. > :42:43.OK, a medley of popular songs. Take it away, Steve.
:42:44. > :43:01.APPLAUSE AND CHEERING Do you want one more? One more! All
:43:02. > :44:24.right then we will try. All right, the 1812 Overture.
:44:25. > :44:43.Fantastic. Now, that was the last appearance by Bill Bailey this
:44:44. > :44:47.evening, and a big thank you to him for being such an integral part of
:44:48. > :44:53.this concert. It was a spectacular finish, but we are having some
:44:54. > :44:57.complaints from the neighbours, so, if you are one of the families who
:44:58. > :45:08.have lost your garden wall, we are very, very sorry. Once again, ladies
:45:09. > :45:14.and gentlemen, Bill Bailey! So, the question is now, how do we top
:45:15. > :45:18.that? And the answer is, with our very special next guest. Ladies and
:45:19. > :45:22.gentlemen, we are in the presence of a living legend. He has been a
:45:23. > :45:30.musical superstar for more than 50 years. He has released 100 singles
:45:31. > :45:36.and recorded more than 4000 songs. The standout voice of Motown, a
:45:37. > :45:40.one-man hit machine whose sound is burnt into our memories. It gives me
:45:41. > :45:43.enormous pleasure to introduce the eternal genius of Mr Smokey
:45:44. > :46:28.Robinson. # It's only there trying to fool
:46:29. > :46:33.the public # But when it comes down to fooling
:46:34. > :46:35.you # Now, honey, that's quite a
:46:36. > :46:37.different subject # Really I'm sad, oh, sadder than
:46:38. > :46:41.sad # Now, there's some sad things known
:46:42. > :46:48.to man # But ain't too much sadder than
:46:49. > :46:51.the tears of a clown # Now, if I appear to
:46:52. > :47:08.be carefree # I try
:47:09. > :47:17.to cover this hurt with # A show
:47:18. > :47:20.of gladness # That I've been happy since you
:47:21. > :47:30.decided to go # Oh, I need you so, I'm hurt and I
:47:31. > :47:38.want you to know # Now, there's some sad things known
:47:39. > :47:46.to man # Now, if there's a smile upon my
:47:47. > :48:28.face # Really I'm sad, I'm hurting so
:48:29. > :49:53.bad. # Excuse me, is this supposed to be
:49:54. > :50:00.The Tracks Of My Tears?! Here comes Jessie J, and I love her so much!
:50:01. > :50:05.# Don't be confused, the way is clear.
:50:06. > :50:15.# And if you want it, you got it forever.
:50:16. > :50:34.# You're gonna fly away, glad you're going my way.
:50:35. > :50:40.# I love it when we're cruisin' together.
:50:41. > :50:53.# I love it when we're cruisin' together.
:50:54. > :51:13.# Everything's right, do what you must.
:51:14. > :51:19.# And inch by inch we get closer and closer.
:51:20. > :51:26.# To every little part of each other, oh baby yes.
:51:27. > :51:43.# You're gonna fly away, glad you're going my way.
:51:44. > :51:48.# I love it when we're cruisin' together.
:51:49. > :52:03.# I love it when we're cruisin' together.
:52:04. > :53:09.# And if you want it, you got it forever.
:53:10. > :53:20.# You're gonna fly away, glad you're going my way.
:53:21. > :53:26.# I love it when we're cruisin' together.
:53:27. > :53:40.# I love it when we're cruisin' together.
:53:41. > :53:50.# I love it when we're cruisin' together.
:53:51. > :54:17.# I love it when we're cruisin' together.
:54:18. > :54:45.# People say I'm the life of the party.
:54:46. > :54:58.# Although I might be laughing loud and hearty.
:54:59. > :55:17.# You'll see my smile looks out of place.
:55:18. > :55:22.# If you look closer, it's easy to trace.
:55:23. > :55:44.# Since you left me if you see me with another girl.
:55:45. > :55:56.# Although she may be cute, she's just a substitute.
:55:57. > :56:16.# You'll see my smile looks out of place.
:56:17. > :56:22.# Yeah, look a little bit closer and it's easy to trace.
:56:23. > :57:06.# Just a clown ooh yeah since you put me down.
:57:07. > :57:26.# You'll see my smile looks out of place.
:57:27. > :57:32.# Yeah just look closer, it's easy to trace.
:57:33. > :57:40.# The tracks of my tears baby, baby baby baby.
:57:41. > :57:52.# Yeah you'll see my smile looks out of place.
:57:53. > :57:58.# Look little bit closer, it's easy to trace.
:57:59. > :58:35.How good was that?! I think I will finally stop crying maybe at some
:58:36. > :58:43.point this evening. I just glanced over and saw how brilliant the
:58:44. > :58:46.castle looks as well. It is a perfect setting. Now, it has been a
:58:47. > :58:52.summer of sport here in Britain, hasn't it? First of all we had a
:58:53. > :58:55.tennis at Wimbledon. We have had the World Cup as well in Brazil
:58:56. > :58:56.tennis at Wimbledon. We have had the all enjoyed. But this summer, the
:58:57. > :59:00.spotlight is all enjoyed. But this summer, the
:59:01. > :59:05.Scotland. Now, Edinburgh, tonight, and from Wednesday, Alaska will play
:59:06. > :59:09.host to the 20th Commonwealth Games. The whole country is getting
:59:10. > :59:14.behind it, the excitement is mounting, and records will be made
:59:15. > :59:19.and broken. Preparations have been under way for five years. For the
:59:20. > :59:24.past ten months, Queen's Baton Relay has been crossing continents, making
:59:25. > :59:28.its way towards the very centre of the universe, right here in
:59:29. > :59:34.Scotland. Second only to Wales! In that time it has covered 70 nations
:59:35. > :59:40.and 120,000 miles, and the journey continues here tonight. Bringing the
:59:41. > :59:47.baton into the castle, we have two of Scotland's finest sports
:59:48. > :59:52.personalities, swimmer Greg or take and L col, accompanied by the Royal
:59:53. > :00:53.Scots Dragoon Guards. Thank you so much. And to take the
:00:54. > :01:00.baton on to Glasgow, please welcome back to the stage, Fred Mac Aulay.
:01:01. > :01:06.Thank you very much. Ronnie, would you do us the honour of passing the
:01:07. > :01:12.baton over to Fred, please. For this six yards. Yes, off you go. Well
:01:13. > :01:19.done. Thank you very much. Thank you.
:01:20. > :01:23.APPLAUSE AND CHEERING Thank you very much. Wow! A real
:01:24. > :01:28.honour to accept this on behalf of the people and city of Glasgow from
:01:29. > :01:33.you, Ronnie. I can promise you we are in for a terrific two weeks of
:01:34. > :01:37.sport and sportsmanship. The world will be watching. Scotland will
:01:38. > :01:40.deliver a fantastic show. Good luck to all the participants, especially
:01:41. > :01:45.the home nations. I know you will do us proud. From me, good night.
:01:46. > :01:52.Lovely. Off you go guys. Thank you so much.
:01:53. > :02:01.Ronnie, let's go over here. Let's hear it again for the Royal Scots
:02:02. > :02:21.Dragoon Guards. Fantastic. MUSIC: I'm Gonna Be (500 Miles)
:02:22. > :02:26.OK. Ronnie just stepped on my dress. We have had a little bit of a rip.
:02:27. > :02:30.Never mind. It's no exaggeration to say we have had a truly wonderful
:02:31. > :02:37.evening. I would like to say a very big thank you to all the performers
:02:38. > :02:42.here, not least, of course, our beloved Ronnie Corbett. Thank you so
:02:43. > :02:46.much. Also to all the people working back stage, to everyone in our
:02:47. > :02:53.audience tonight. You have been the best audience. And especially to all
:02:54. > :02:57.of you watching at home. Two years ago the country came together as
:02:58. > :03:02.never before to clap, cheer and compete in the 2012 Olympics. But
:03:03. > :03:09.now we are getting a second bite at the cherry as Glasgow hosts the 2014
:03:10. > :03:15.Commonwealth Games. They start this Wednesday. You can catch all the
:03:16. > :03:19.action right across the BBC. If the competitors get just a 10th of the
:03:20. > :03:24.welcome we have had tonight in Edinburgh, it's going to be a truly
:03:25. > :03:34.fantastic Games. To bring the evening to a rousing, pyrotechnics
:03:35. > :03:42.finish we have a man who knows how to write a crowd-pleaser. Please
:03:43. > :03:47.raise the Castle roof for the fantastic MrJohn Miles with his epic
:03:48. > :03:53.song Music. They're nearly ready. Here we go. Ronnie, we will fill.
:03:54. > :03:57.Right. A round of applause to everybody in the show this evening.
:03:58. > :04:00.They've been fantastic. What was your highlight, Ronnie? The whole
:04:01. > :04:09.evening has been fantastic. Hasn't it? It's been opera, hip hop. And
:04:10. > :04:13.your amazing performance, darling, holding it together. Thank you,
:04:14. > :04:19.Ronnie. I think they're ready. Again, please give a big welcome to
:04:20. > :04:25.MrJohn Miles with his epic song Music and it's good night from the
:04:26. > :04:49.both of us. Ronnie, say good night. Good night.
:04:50. > :04:54.# And it will be my last # Music of the future.
:04:55. > :05:10.# To live without my music would be impossible to do.
:05:11. > :06:50.# Cos in this world of troubles, my music pulls me through.
:06:51. > :06:58.# And it will be my last # Music of the future.
:06:59. > :09:58.# To live without my music would be impossible to do.
:09:59. > :10:16.# Cos in this world of troubles, my music pulls me through.