0:00:00 > 0:00:00- *
0:00:00 > 0:00:02- Happy birthday, Bryn Terfel.
0:00:02 > 0:00:04- 50? Incredible!
0:00:04 > 0:00:07- Enjoy your day. Many happy returns.
0:00:07 > 0:00:10- Happy birthday. - I wish you many more.
0:00:10 > 0:00:12- Happy birthday. Congratulations.
0:00:13 > 0:00:15- Have a great night. You deserve it.
0:00:15 > 0:00:17- All your friends honouring you.
0:00:17 > 0:00:19- Happy birthday.
0:00:19 > 0:00:23- On this special occasion, I'd like - to wish you a very happy birthday.
0:00:24 > 0:00:28- # Happy birthday to you
0:00:29 > 0:00:33- # Happy birthday to you
0:00:34 > 0:00:40- # Happy birthday, dear Bryn
0:00:40 > 0:00:52- # Happy birthday to you #
0:00:53 > 0:00:55- Subtitles
0:01:03 > 0:01:05- APPLAUSE AND CHEERS
0:01:24 > 0:01:31- # If ye would know how I take life - and play my part
0:01:32 > 0:01:39- # I from my father learnt - the earliest human art
0:01:41 > 0:01:46- # I learnt to make the fen - all fruitful meadow land
0:01:46 > 0:01:56- # And how to clothe with green - the barren waste of sand
0:01:57 > 0:02:04- # At evening I lie down - And awake with morning's light
0:02:04 > 0:02:09- # At evening I lie down - And awake with morning's light
0:02:09 > 0:02:13- # To follow the share - on hill brows all bare
0:02:14 > 0:02:18- # And bend to the ruddy plough
0:02:18 > 0:02:28- # Upon the mountain height #
0:02:29 > 0:02:31- APPLAUSE AND CHEERS
0:02:42 > 0:02:44- Take a seat.
0:02:44 > 0:02:46- Well, how are you?
0:02:46 > 0:02:47- I'm fine, thank you.
0:02:48 > 0:02:49- Did you get a shock?
0:02:50 > 0:02:51- Yes.
0:02:52 > 0:02:54- Your parents are here, - so watch what you say!
0:02:55 > 0:02:56- It's amazing.
0:02:57 > 0:03:00- The first thing a performer sees - is the audience...
0:03:00 > 0:03:02- ..if the lights are on them.
0:03:03 > 0:03:07- The lights are on them tonight - so you can see who's here.
0:03:07 > 0:03:11- We're here to celebrate - your special birthday, of course.
0:03:11 > 0:03:16- It gives us an opportunity to - celebrate your glittering career...
0:03:16 > 0:03:18- ..and pay tribute to you.
0:03:19 > 0:03:23- You started the evening - by performing Can Yr Arad Goch...
0:03:23 > 0:03:26- ..and that song - takes us back to the beginning.
0:03:26 > 0:03:31- Back to the time when you competed - in eisteddfodau across Wales.
0:03:33 > 0:03:37- If there's one song - a farmer's son's must sing...
0:03:37 > 0:03:38- ..that's the one.
0:03:42 > 0:03:44- My parents and my grandparents...
0:03:44 > 0:03:49- ..also gave me a list of songs which - I had to sing when I was very young.
0:03:50 > 0:03:52- Can Yr Arad Goch, by Idris Lewis...
0:03:52 > 0:03:58- ..is the song every baritone - should memorize as soon as he can.
0:03:59 > 0:04:01- What sort of childhood did you have?
0:04:01 > 0:04:03- Did your parents sing?
0:04:04 > 0:04:07- I know your brother - sang duets with you at one time.
0:04:07 > 0:04:10- Yes, I was the alto - to Ian's soprano!
0:04:10 > 0:04:12- We did quite well...
0:04:12 > 0:04:14- ..until he decided to stop singing.
0:04:18 > 0:04:21- My parents took us around - all the eisteddfodau.
0:04:21 > 0:04:25- We went on many long journeys, - especially to Cardiff.
0:04:25 > 0:04:29- We travelled a lot around - eisteddfodau and we enjoyed it.
0:04:30 > 0:04:32- It was part - of what you did as a family.
0:04:34 > 0:04:38- Yes, and we were never - put under pressure to do it.
0:04:38 > 0:04:42- There were - a few positive elements to winning!
0:04:42 > 0:04:45- There were cash prizes to be had - if I won!
0:04:47 > 0:04:48- You were sporty too.
0:04:48 > 0:04:51- You played football, - among other sports.
0:04:51 > 0:04:54- Did you spend your winnings - on football boots?
0:04:55 > 0:04:59- Yes. I had pretty smart boots - throughout my schooldays!
0:04:59 > 0:05:03- A few Manchester United shirts - reached my bedroom too.
0:05:03 > 0:05:05- AUDIENCE BOOS
0:05:07 > 0:05:09- You've started them off!
0:05:09 > 0:05:12- Envy. Pure envy.
0:05:14 > 0:05:19- You first won a competition - at the National Eisteddfod in 1978.
0:05:21 > 0:05:26- You were 12 years old, yet you won - the under-18 Cerdd Dant Solo.
0:05:26 > 0:05:29- And yes, we have a clip - of that winning performance.
0:05:40 > 0:05:43- # To protect his assets
0:05:43 > 0:05:47- # And his magical cloak
0:05:47 > 0:05:49- # That was my aim
0:05:50 > 0:05:53- # But he never returned
0:05:54 > 0:05:59- # So this poet marvelled no more - at this vivid bird
0:05:59 > 0:06:04- # Like the sun, - this flash of light #
0:06:05 > 0:06:07- APPLAUSE
0:06:12 > 0:06:13- I was 12 years old then?
0:06:13 > 0:06:15- I was 12 years old then?- - Yes.
0:06:15 > 0:06:18- That must have been - near the time when my voice broke.
0:06:19 > 0:06:23- I always struggled with that - last note but that was quite good!
0:06:25 > 0:06:27- We have a message for you...
0:06:27 > 0:06:31- ..from someone who was important - to you during that early period.
0:06:32 > 0:06:34- Your old cerdd dant coach.
0:06:35 > 0:06:37- Huge congratulations, Bryn...
0:06:37 > 0:06:40- ..on reaching a special milestone.
0:06:41 > 0:06:44- When I taught children - to sing cerdd dant...
0:06:45 > 0:06:48- ..phrasing and enunciation - were important.
0:06:50 > 0:06:53- That's always been - one of your strengths.
0:06:54 > 0:06:59- I hope you enjoy many more years - of singing at the top, Bryn.
0:07:00 > 0:07:02- I send you my very best wishes.
0:07:03 > 0:07:04- Happy birthday.
0:07:06 > 0:07:08- APPLAUSE
0:07:13 > 0:07:16- What did you learn - during that early period?
0:07:16 > 0:07:19- Selyf mentioned phrasing - and enunciation.
0:07:20 > 0:07:23- That's vital in cerdd dant singing.
0:07:24 > 0:07:28- Yes, that's one of the things - the adjudicators look out for.
0:07:28 > 0:07:32- The interpretation of the poetry - is also very important.
0:07:33 > 0:07:35- Without even realizing it...
0:07:35 > 0:07:39- ..I learned things which - I'd carry with me forever from him.
0:07:39 > 0:07:44- Things which certainly carried me - through my college years.
0:07:46 > 0:07:49- You competed in Urdd eisteddfodau - too, of course...
0:07:51 > 0:07:55- ..but it took you a while - to taste success there.
0:07:55 > 0:07:59- However, you won a hat-trick - in the 1983 Urdd Eisteddfod...
0:08:00 > 0:08:01- ..and again, in 1984.
0:08:01 > 0:08:07- You won the Solo For Boys, the Cerdd - Dant Solo and the Folk Song Solo.
0:08:07 > 0:08:12- Here's a clip of you performing - in the 1984 Mold Urdd Eisteddfod.
0:08:16 > 0:08:18- # No matter when harsh blows come
0:08:18 > 0:08:21- # No matter about my scars
0:08:22 > 0:08:25- # Simply give me the earth
0:08:25 > 0:08:28- # Give me means to travel
0:08:28 > 0:08:32- # Gold nor marriage do I seek
0:08:33 > 0:08:38- # I have no need for companions
0:08:38 > 0:08:44- # My passion lies in the path I take
0:08:45 > 0:08:52- # All I need - is the road beneath me #
0:09:00 > 0:09:03- Apparently, they called you - Bryn Triple Win!
0:09:04 > 0:09:06- BRYN LAUGHS
0:09:06 > 0:09:10- I won five times - the boys' choir - and the mixed choir too!
0:09:11 > 0:09:14- The Mold Eisteddfod - was an excellent one for me.
0:09:14 > 0:09:18- Actually, it did set off - an element of ringing bells.
0:09:19 > 0:09:24- It made me think about - what the next step should be.
0:09:25 > 0:09:29- Is that when you thought - you wanted to follow that path?
0:09:30 > 0:09:34- Yes, because people told me - they'd enjoyed my performances.
0:09:34 > 0:09:39- It was a natural thing to perform in - the Urdd Eisteddfod with my school.
0:09:41 > 0:09:45- Many of us enjoyed it, - including one man in the audience.
0:09:46 > 0:09:48- John Eifion.
0:09:48 > 0:09:51- We performed as a duet many times.
0:09:52 > 0:09:57- Another hat-trick came in 1987 at - the Porthmadog National Eisteddfod.
0:09:57 > 0:10:02- You won the Baritone Solo, The - Osbourne Roberts Memorial Prize...
0:10:02 > 0:10:07- ..and you were the joint winner - of the Towyn Roberts Scholarship.
0:10:07 > 0:10:11- Was that the pinnacle - of your eisteddfod career?
0:10:11 > 0:10:14- Porthmadog was totally different.
0:10:14 > 0:10:17- I was at the Guildhall - by that point.
0:10:18 > 0:10:22- I performed for the adjudicators - in The Blue Riband competition...
0:10:22 > 0:10:26- ..and in the Towyn Roberts - Scholarship competition.
0:10:26 > 0:10:30- Sir Geraint Evans - was one of the adjudicators...
0:10:31 > 0:10:34- ..and that was - a massive thing for me.
0:10:36 > 0:10:39- Was Sir Geraint Evans your hero?
0:10:39 > 0:10:41- Was Sir Geraint Evans your hero?- - Yes. He was a giant of a man.
0:10:41 > 0:10:44- When he walked into a room, - everyone noticed him.
0:10:45 > 0:10:49- His white hair was like - a horse's mane, blowing in the wind.
0:10:51 > 0:10:54- Let's see you - perform for Sir Geraint.
0:10:57 > 0:10:59- # Your land in the valley
0:11:02 > 0:11:06- # As sorrowful land as can be
0:11:06 > 0:11:10- # Each winter, the winds did moan
0:11:11 > 0:11:15- # A disconsolate wail - through the trees
0:11:15 > 0:11:19- # In Llanfihangel Bachellaeth
0:11:19 > 0:11:22- # You shall hear them no more
0:11:22 > 0:11:26- # No longer shall you hear - the bell toll
0:11:27 > 0:11:33- # Farewell, dear parishioners #
0:11:40 > 0:11:42- APPLAUSE
0:11:48 > 0:11:50- Sir Geraint was on the stage...
0:11:50 > 0:11:54- ..as you stood there with Rhian Owen - and Towyn Roberts.
0:11:55 > 0:12:00- You had some wonderful opportunities - when you competed in eisteddfodau.
0:12:00 > 0:12:01- Without a doubt.
0:12:02 > 0:12:06- I owe the Eisteddfod - a huge debt of gratitude.
0:12:08 > 0:12:13- It's incredible - that Towyn Roberts had such vision.
0:12:13 > 0:12:16- He awarded young performers - a grant...
0:12:16 > 0:12:21- ..during a period in their lives - where they really needed the money.
0:12:24 > 0:12:28- Some people from this early period - have sent greetings to you.
0:12:31 > 0:12:32- Happy birthday, Bryn.
0:12:33 > 0:12:36- You're not as old as me - but you're getting there!
0:12:36 > 0:12:39- On behalf - of the National Eisteddfod...
0:12:39 > 0:12:42- ..I'd like to wish you - a happy birthday.
0:12:42 > 0:12:47- We hope to see you on the - Eisteddfod stage in the near future.
0:12:47 > 0:12:52- Congratulations on your birthday - and on all your success.
0:12:53 > 0:12:53- .
0:12:58 > 0:12:58- Subtitles
0:12:58 > 0:13:00- Subtitles- - Subtitles
0:13:11 > 0:13:15- # I must go down to the seas again
0:13:15 > 0:13:19- # To the lonely sea and the sky
0:13:20 > 0:13:24- # And all I ask is a tall ship
0:13:24 > 0:13:27- # And a star to steer her by
0:13:28 > 0:13:33- # And the wheel's kick - and the wind's song
0:13:34 > 0:13:38- # And the white sail's shaking
0:13:39 > 0:13:46- # And the grey mist - on the sea's face
0:13:48 > 0:13:57- # And the grey dawn breaking
0:14:00 > 0:14:03- # I must go down to the seas again
0:14:03 > 0:14:06- # For the call of the running tide
0:14:07 > 0:14:10- # Is a wild call and a clear call
0:14:10 > 0:14:13- # That may not be denied
0:14:14 > 0:14:19- # And all I ask is a windy day
0:14:20 > 0:14:24- # With the white clouds flying
0:14:25 > 0:14:28- # And the flung spray
0:14:28 > 0:14:33- # And the blown spume
0:14:35 > 0:14:46- # And the seagulls crying
0:14:48 > 0:14:51- # I must go down to the seas again
0:14:51 > 0:14:54- # To the vagrant gypsy life
0:14:54 > 0:14:58- # To the gull's way - and the whale's way
0:14:58 > 0:15:01- # Where the wind's like - a whetted knife
0:15:02 > 0:15:07- # And all I ask is a merry yarn
0:15:08 > 0:15:13- # From a laughing fellow rover
0:15:15 > 0:15:18- # And quiet sleep
0:15:19 > 0:15:25- # And a sweet dream
0:15:27 > 0:15:39- # When the long trick's over #
0:15:46 > 0:15:48- APPLAUSE
0:15:57 > 0:16:01- You just sang the wonderful - Sea Fever by John Ireland.
0:16:01 > 0:16:05- That takes us back to the period - where you studied...
0:16:05 > 0:16:09- ..at The Guildhall - School Of Music And Drama, London.
0:16:09 > 0:16:13- Arthur Reckless was your first - singing teacher there.
0:16:14 > 0:16:17- My parents took me to London - to have an audition.
0:16:17 > 0:16:20- They were quite taken - with my voice...
0:16:21 > 0:16:27- ..and they liked my performance - and how comfortable I was on stage.
0:16:31 > 0:16:36- These selection panels look for - potential of a future career.
0:16:37 > 0:16:39- They have a crystal ball...
0:16:39 > 0:16:44- ..and they can see where - someone's talent will take them...
0:16:44 > 0:16:46- ..given good vocal coaching.
0:16:49 > 0:16:53- Your first singing teacher - is a vital element.
0:16:53 > 0:16:56- They chose Arthur Reckless - to be my teacher.
0:16:56 > 0:16:59- Whenever he performed in concerts...
0:16:59 > 0:17:04- ..he'd be listed in the programme - as A Reckless baritone.
0:17:07 > 0:17:11- There was nothing reckless - about Arthur, Emma.
0:17:11 > 0:17:14- During my first three years - with Arthur...
0:17:15 > 0:17:18- ..he didn't give me - any operatic arias to sing.
0:17:18 > 0:17:21- I started off - by signing Welsh songs to him...
0:17:22 > 0:17:25- ..so that he could see - how my voice worked.
0:17:26 > 0:17:28- He looked at my posture - and my breathing.
0:17:29 > 0:17:32- All the elements - involved in performing.
0:17:33 > 0:17:37- I had an advantage because I'd - sung in the Eisteddfod for years.
0:17:38 > 0:17:40- That meant - I could learn songs quickly.
0:17:41 > 0:17:44- I have a good ear - and I'm very grateful for that.
0:17:44 > 0:17:47- I won't sight-read a song - perfectly...
0:17:47 > 0:17:51- ..but after the third time, - it'll be in my memory.
0:17:51 > 0:17:52- What sort of student were you?
0:17:52 > 0:17:54- What sort of student were you?- - I was very good.
0:17:54 > 0:17:57- LAUGHTER
0:17:57 > 0:18:02- I may not have listened to what - I was told about my performance...
0:18:02 > 0:18:05- ..but I'd go away from the lesson...
0:18:05 > 0:18:08- ..and write the things he'd said - on my score.
0:18:08 > 0:18:10- I did my homework.
0:18:12 > 0:18:15- I was with Arthur Reckless - for three years.
0:18:15 > 0:18:20- He was 89 by the time I left him - and moved on to my next teacher.
0:18:21 > 0:18:26- I'm sure this next clip will bring - back some fond memories for you.
0:18:28 > 0:18:30- You've been here for a month.
0:18:31 > 0:18:32- Are you enjoying it?
0:18:32 > 0:18:34- Are you enjoying it?- - Yes.
0:18:34 > 0:18:37- The first week was hard - and I was homesick.
0:18:37 > 0:18:41- By the second week, I used - my big mouth to get to know people.
0:18:42 > 0:18:44- Let's try bree, bray, brae, bra.
0:18:46 > 0:18:49- # Bree-bray-bra, bree-bray-bra,
0:18:49 > 0:18:52- # Bree-bray-bra, bree-bray-bra... #
0:18:52 > 0:18:55- What does Mr Reckless, your teacher, - have to say to you?
0:18:57 > 0:19:01- He tells me I'm a baby - and that my voice is like gold...
0:19:01 > 0:19:03- ..and I must look after it.
0:19:03 > 0:19:05- What do you hope to do next?
0:19:05 > 0:19:08- I'd love to make a living - out of signing.
0:19:10 > 0:19:12- APPLAUSE
0:19:16 > 0:19:21- You may have been homesick, but you - threw yourself into London life.
0:19:21 > 0:19:25- You went to recitals and concerts...
0:19:26 > 0:19:30- ..and you saw - your first opera - Othello.
0:19:30 > 0:19:35- Radio Cymru asked me to go and see - a performance of Othello by Verdi...
0:19:35 > 0:19:38- ..at the Opera House in London.
0:19:40 > 0:19:44- I had to do my homework before I - went but they gave me a free ticket.
0:19:47 > 0:19:52- Students were given free tickets - to various performances...
0:19:52 > 0:19:56- ..but this performance - featured Placido Domingo...
0:19:57 > 0:20:01- ..and it was impossible for students - to get hold of a ticket.
0:20:03 > 0:20:07- I had a ticket and it was right - in the middle of the opera house.
0:20:07 > 0:20:13- I was thrilled and it certainly - flicked a switch in my head...
0:20:14 > 0:20:19- ..and I moved on from Arthur - Reckless to Rudolf Piernay.
0:20:19 > 0:20:23- He was a totally different teacher - from Arthur.
0:20:23 > 0:20:28- Rudolf gave me five songs a week - to learn by the following week.
0:20:28 > 0:20:31- If I hadn't learned them, - he'd send me home.
0:20:32 > 0:20:35- He'd say, - "You can go back to your farm."
0:20:36 > 0:20:37- LAUGHTER
0:20:37 > 0:20:39- "Go back to your sheep."
0:20:39 > 0:20:41- He could be quite nasty...
0:20:42 > 0:20:44- ..but it spurred me on.
0:20:44 > 0:20:49- He prepared you for all the - competitions which students enter.
0:20:51 > 0:20:55- It took some time - for you to taste success in them.
0:20:55 > 0:20:57- Did you doubt yourself?
0:20:58 > 0:21:01- Did you think - you'd done the wrong thing?
0:21:03 > 0:21:05- I was on a four-year course...
0:21:05 > 0:21:09- ..with an option of an additional, - two year operatic course.
0:21:10 > 0:21:15- During those first four years, - I entered countless competitions...
0:21:15 > 0:21:17- ..and won not a single one of them.
0:21:19 > 0:21:22- During my first years - at the Guildhall...
0:21:23 > 0:21:27- ..my voice perhaps hadn't reached - the expected standard.
0:21:27 > 0:21:30- That was something - which I had to face...
0:21:30 > 0:21:34- ..and perhaps - work just a little bit harder.
0:21:35 > 0:21:37- You did work hard.
0:21:37 > 0:21:42- You won the Kathleen Ferrier in 1988 - and the Gold Medal in 1989...
0:21:42 > 0:21:46- ..which was also won by Sir Geraint - Evans and Arthur Reckless.
0:21:47 > 0:21:51- Is that when you realized - you really may have what it takes?
0:21:51 > 0:21:54- Is that - when doors started to open for you?
0:21:55 > 0:21:58- Well, winning the Gold Medal - was a huge target for me.
0:22:03 > 0:22:08- You're correct in saying I also won - the Kathleen Ferrier Memorial Award.
0:22:10 > 0:22:13- Winning it - brought me out of the wilderness.
0:22:13 > 0:22:15- It came with a 5,000 prize.
0:22:15 > 0:22:17- I was a young student...
0:22:17 > 0:22:21- ..and I needed that money - to go towards paying my fees.
0:22:21 > 0:22:24- The fees for the opera course.
0:22:25 > 0:22:27- Let's move on to 1989.
0:22:27 > 0:22:28- You're 23 years old...
0:22:29 > 0:22:34- ..and you've entered the Cardiff - Singer Of The World Competition.
0:22:34 > 0:22:37- That shone - the international spotlight on you.
0:22:38 > 0:22:41- It was a pretty big spotlight, - wasn't it?
0:22:41 > 0:22:47- Yes, especially in the fact that - Wales expected the Welsh entrant...
0:22:47 > 0:22:49- ..to win the competition.
0:22:50 > 0:22:53- That was true - from the very beginning.
0:22:53 > 0:22:55- I came very close.
0:22:55 > 0:22:59- It was clear from - Dmitri's performances that week...
0:22:59 > 0:23:04- ..that I had my work cut out for me - if I was to reach his standard.
0:23:04 > 0:23:08- When I woke up - on the morning of the final...
0:23:08 > 0:23:10- ..I couldn't sing a note.
0:23:12 > 0:23:14- I'd lost my voice completely.
0:23:14 > 0:23:18- Mercifully, - within two or three hours...
0:23:18 > 0:23:21- ..and thanks to the rehearsal - at St David's Hall...
0:23:22 > 0:23:23- ..my voice came back.
0:23:24 > 0:23:27- Let's enjoy part of your performance - that night.
0:23:28 > 0:23:31- It's an aria from - Der Fliegende Hollander by Wagner.
0:23:35 > 0:23:43- # Ihr Welten, endet euren Lauf!
0:23:45 > 0:23:49- # Ew'ge Vertichtung
0:23:49 > 0:23:56- # Nimm mich auf! #
0:24:15 > 0:24:17- APPLAUSE AND CHEERS
0:24:24 > 0:24:25- Oh, that poor boy!
0:24:26 > 0:24:28- You were good.
0:24:28 > 0:24:30- What an aria - to sing in a competition!
0:24:31 > 0:24:32- It opens the opera.
0:24:35 > 0:24:41- My one regret is that I didn't sing - a Welsh song during the competition.
0:24:41 > 0:24:43- Schumann songs were chosen.
0:24:45 > 0:24:46- You won the Lieder Prize.
0:24:47 > 0:24:50- Lieder is the name - for a type of German songs.
0:24:52 > 0:24:55- What's so special - about that style of singing?
0:24:55 > 0:24:57- It's a style of performing...
0:24:57 > 0:25:03- ..where you sing on stage with - one other person - your accompanist.
0:25:05 > 0:25:09- Students should learn - as many Lieder songs as possible...
0:25:09 > 0:25:11- ..during their time at college.
0:25:12 > 0:25:13- During that time...
0:25:13 > 0:25:17- ..I learned Schwanengesang - by Schubert...
0:25:17 > 0:25:19- ..which is a collection of 17 songs.
0:25:20 > 0:25:25- I also learned Die Schone Magelone, - which is a 24-song collection.
0:25:26 > 0:25:30- It teaches you to learn quickly, - which helps you in the future.
0:25:32 > 0:25:36- This is a clip of you performing - a song from Schwanendesang.
0:25:36 > 0:25:41- It was filmed in Kremunster Abbey, - Austria, in the early 1990s.
0:25:43 > 0:25:45- # Rauschender Strom
0:25:45 > 0:25:47- # Brausender Wald
0:25:47 > 0:25:49- # Starrender Fels
0:25:50 > 0:25:51- # Mein Aufenhalt
0:25:52 > 0:25:54- # Rauschender Strom
0:25:54 > 0:25:56- # Brausender Wald
0:25:56 > 0:26:01- # Starrender Fels
0:26:02 > 0:26:04- # Rauschender Strom
0:26:06 > 0:26:09- # Brausender Wald
0:26:11 > 0:26:14- # Mein Aufenthalt #
0:26:23 > 0:26:24- .
0:26:29 > 0:26:29- Subtitles
0:26:29 > 0:26:31- Subtitles- - Subtitles
0:26:37 > 0:26:42- Mozart's operas played a big part - in your development as a singer.
0:26:42 > 0:26:46- We're about to see you as Figaro - in The Marriage Of Figaro...
0:26:47 > 0:26:51- ..at The Metropolitan Opera House, - New York, in 1998.
0:27:24 > 0:27:26- APPLAUSE
0:27:30 > 0:27:33- I'm sure - it's every singer's ambition...
0:27:33 > 0:27:37- ..to sing Figaro - at the Metropolitan Opera House.
0:27:37 > 0:27:39- You first did it in 1994.
0:27:41 > 0:27:46- Why are Mozart operas so important, - especially to a budding singer?
0:27:47 > 0:27:52- Luckily for me, Sir Geraint Evans, - Stuart Burrows and Margaret Price...
0:27:53 > 0:27:57- ..had paved the way - for British singers to go abroad.
0:28:00 > 0:28:04- Whenever I perform in New York, - Milan, Paris or Munich...
0:28:05 > 0:28:09- ..there's huge pressure on my - shoulders on the opening nights.
0:28:11 > 0:28:14- I remember - one opening night in New York...
0:28:14 > 0:28:18- ..I tripped over a piece - of Susanna's clothing.
0:28:18 > 0:28:20- It happened during the final act.
0:28:21 > 0:28:22- I just went!
0:28:23 > 0:28:28- I fell and hit my nose on a piece - of the set within that scene.
0:28:30 > 0:28:35- You've got to get up, - dust yourself off and carry on.
0:28:36 > 0:28:39- It did you no harm, - judging by these quotes.
0:28:39 > 0:28:43- These are from the reviews you had - following that debut.
0:28:44 > 0:28:45- Are you ready for these?
0:28:45 > 0:28:47- Are you ready for these?- - Yes.
0:28:47 > 0:28:49- "Bryn had New York at his feet."
0:28:49 > 0:28:53- "He left New York audiences - crying for more."
0:28:53 > 0:28:56- "Bryn Terfel, voice of the century."
0:28:56 > 0:28:58- This is my favourite.
0:28:58 > 0:29:01- "He is a sexy, singing bear."
0:29:02 > 0:29:04- LAUGHTER
0:29:07 > 0:29:10- I've read - far worse things than that!
0:29:12 > 0:29:16- You retired from the role of Figaro - in 2007. Why?
0:29:16 > 0:29:22- The time comes in every career - to move on from singing Mozart.
0:29:22 > 0:29:24- Youngsters - take over those roles...
0:29:25 > 0:29:28- ..and you must dive into - a totally different lake...
0:29:29 > 0:29:33- ..and cross the bridge to sing - the work of different composers.
0:29:34 > 0:29:38- People such as Wagner, Strauss, - Rossini and Donizetti.
0:29:39 > 0:29:43- You invited a young baritone - to perform for us tonight.
0:29:43 > 0:29:47- Here to sing Non Piu Andrai - from The Marriage Of Figaro...
0:29:47 > 0:29:50- ..please welcome Emyr Wyn Jones.
0:29:51 > 0:29:53- APPLAUSE
0:30:05 > 0:30:08- # Frolic no more, lustful butterfly
0:30:08 > 0:30:11- # Day and night flitting to and fro
0:30:12 > 0:30:15- # Disturbing ladies in their sleep
0:30:15 > 0:30:18- # Little Narcissus, Adonis of love!
0:30:29 > 0:30:33- # No longer will you have - these beautiful feathers
0:30:34 > 0:30:38- # Or that light, romantic cap
0:30:38 > 0:30:42- # That hair, - that glowing countenance
0:30:42 > 0:30:45- # That rosy, womanly complexion!
0:30:48 > 0:30:52- # No longer - will you have the feathers
0:30:52 > 0:30:55- # That hat, that hair
0:30:55 > 0:30:59- # That glowing countenance!
0:31:22 > 0:31:25- # Among soldiers, by Jove!
0:31:25 > 0:31:28- # A big moustache, a little kit
0:31:28 > 0:31:32- # Rifle on your shoulder, - sabre on your flank
0:31:32 > 0:31:35- # Standing up straight, hard faced
0:31:35 > 0:31:38- # A big helmet or a big turban
0:31:39 > 0:31:42- # Plenty of honour, little pay
0:31:49 > 0:31:52- # Instead of dancing the fandango
0:31:53 > 0:31:56- # A march through the mud
0:31:57 > 0:31:59- # Over mountains, through valleys
0:32:00 > 0:32:02- # With snow and sun beating down
0:32:03 > 0:32:04- # To the beat of the bugle
0:32:04 > 0:32:06- # Of bombs, of cannons
0:32:06 > 0:32:10- # Whose thunderous report - makes your ears ring
0:32:51 > 0:32:55- # Cherubino, on to victory
0:32:55 > 0:32:57- # To glory in battle! #
0:33:17 > 0:33:19- APPLAUSE AND CHEERS
0:33:37 > 0:33:41- Between your time performing Figaro - in Santa Fe and the Met...
0:33:43 > 0:33:47- ..your international - breakthrough came in Salzburg...
0:33:47 > 0:33:50- ..when you sang - in Strauss's Salome.
0:33:51 > 0:33:54- This is a clip of you - as John The Baptist.
0:33:57 > 0:34:00- # When he comes to you
0:34:01 > 0:34:06- # As he comes to all who call him
0:34:07 > 0:34:15- # Bow down before him
0:34:16 > 0:34:31- # And ask - for forgiveness of your sins #
0:34:54 > 0:34:58- What impact did that performance - have on your career?
0:34:58 > 0:35:02- I sang in The Magic Flute opera - in Brussels...
0:35:02 > 0:35:05- ..and I had a part - called The Speaker.
0:35:05 > 0:35:08- It's only two pages - in the whole opera.
0:35:08 > 0:35:10- It's a small part.
0:35:12 > 0:35:16- Gerard Mortier, the opera company - leader in Brussels...
0:35:16 > 0:35:21- ..somehow or other really liked - my two-page performance...
0:35:21 > 0:35:24- ..and he was moving on - from Brussels to Salzburg.
0:35:25 > 0:35:27- Every career - needs a bit of luck too.
0:35:28 > 0:35:33- He asked me to sing the part - of John The Baptist in Salome...
0:35:34 > 0:35:40- ..with Catherine Malfitano, - Christoph von Dohnanyi...
0:35:40 > 0:35:42- ..and staged by Luc Bondy.
0:35:44 > 0:35:48- Sir Geraint Evans, Stuart Burrows - and Margaret Price...
0:35:48 > 0:35:52- ..had sung in Salzburg many times - during the summer.
0:35:52 > 0:35:54- You have to work - during the summer...
0:35:55 > 0:35:58- ..because that's the crucial time - of the year...
0:35:58 > 0:36:02- ..when people are free - to come and see the performances.
0:36:03 > 0:36:07- The summer is important - for the opera houses...
0:36:07 > 0:36:10- ..in North America, - South America and Europe.
0:36:11 > 0:36:13- I'm sorry to say this...
0:36:13 > 0:36:17- ..but they really - do put us on a plate.
0:36:19 > 0:36:24- The first opera I sang there was - Die Frau Ohne Schatten by Strauss.
0:36:25 > 0:36:29- Sir Georg Solti was the person - who gave that role to me.
0:36:30 > 0:36:35- Didn't Sir Geraint introduce you - to Solti in the first place?
0:36:35 > 0:36:38- Yes. He made a phone call - to Sir Georg.
0:36:38 > 0:36:42- Three days later, I was in - Swiss Cottage with Bryan Davies.
0:36:42 > 0:36:47- Bryan, the accompanist, clutched - his carrier bag and his cigarettes!
0:36:48 > 0:36:53- I'd never seen Bryan smoke so much - as he did before he went in!
0:36:55 > 0:36:57- That first contact was vital, Emma.
0:36:57 > 0:37:01- Singing John The Baptist in Salzburg - was incredible.
0:37:03 > 0:37:05- What did you learn from Solti?
0:37:07 > 0:37:11- He's the person - who told me to work harder...
0:37:12 > 0:37:14- ..and to listen more.
0:37:16 > 0:37:21- If you didn't listen to Sir Georg, - he'd tend to send you packing.
0:37:21 > 0:37:24- If you were sent packing, - you were unemployed.
0:37:24 > 0:37:26- That man could open doors, Emma.
0:37:27 > 0:37:31- If you sang a part like the gardener - in The Marriage Of Figaro..
0:37:31 > 0:37:37- ..people realized this young voice - was being used by Sir Georg Solti.
0:37:39 > 0:37:41- We have more greetings for you now.
0:37:42 > 0:37:46- Some from people you know well - and some from your colleagues.
0:37:47 > 0:37:48- Happy birthday, mate.
0:37:49 > 0:37:51- See you soon.
0:37:52 > 0:37:53- Have a great night.
0:37:53 > 0:37:55- Happy birthday.
0:37:57 > 0:37:59- You deserve every success.
0:38:00 > 0:38:02- What a career you're having!
0:38:02 > 0:38:06- You seem to be surmounting - every obstacle in your path.
0:38:07 > 0:38:11- It's larger than life, what you're - doing, so many happy returns.
0:38:11 > 0:38:14- Happy birthday, dear Bryn. Cheers!
0:38:16 > 0:38:18- By the way, this grappa is good.
0:38:19 > 0:38:24- I'll have some waiting for you - the next time I see you in Penarth.
0:38:25 > 0:38:26- Cheers!
0:38:27 > 0:38:27- .
0:38:32 > 0:38:32- Subtitles
0:38:32 > 0:38:34- Subtitles- - Subtitles
0:38:39 > 0:38:43- In the late 1990s, - you moved on to play Falstaff...
0:38:44 > 0:38:45- ..in the opera by Verdi.
0:38:46 > 0:38:49- You decided to perform it - for the first time...
0:38:49 > 0:38:52- ..on the other side of the world, - in Australia.
0:38:53 > 0:38:54- Why?
0:38:54 > 0:38:56- That was the first offer!
0:38:57 > 0:38:58- That's fair enough.
0:38:59 > 0:39:04- My agent has been with me, holding - my hand, since the very beginning.
0:39:06 > 0:39:08- Doreen O'Neill from Harlequin.
0:39:08 > 0:39:11- We've been on an incredible journey.
0:39:12 > 0:39:16- When the offer came - to go to Australia to do Falstaff...
0:39:16 > 0:39:22- ..once again, the person who walks - beside me, Sir Geraint Evans...
0:39:25 > 0:39:28- ..was iconic - performing the role of Falstaff.
0:39:30 > 0:39:33- There was a favourable offer - from Australia...
0:39:33 > 0:39:36- ..to spend two months there, - in Sydney...
0:39:37 > 0:39:40- ..living in a house on Coogee Beach, - right by the sea.
0:39:41 > 0:39:44- It was still hard work - mind you, Emma!
0:39:44 > 0:39:46- I had to learn a new role...
0:39:46 > 0:39:49- ..so I spent six months - preparing for it.
0:39:50 > 0:39:54- Six months later, I got on - that plane to head to Sydney.
0:39:57 > 0:40:01- It was a good production - and my fellow singers were fun.
0:40:02 > 0:40:04- We've all remained friends - since then.
0:40:06 > 0:40:09- It was the perfect choice - to perform Falstaff.
0:40:10 > 0:40:12- Falstaff is an old man.
0:40:12 > 0:40:16- You were young when you started - to perform the part.
0:40:16 > 0:40:19- Sir Geraint was older - when he took it on.
0:40:19 > 0:40:22- I'm glad I performed it - from a vocal point of view.
0:40:24 > 0:40:27- I think my performance - is now more rounded...
0:40:27 > 0:40:32- ..in terms of characterization and - the fact I know the opera so well.
0:40:32 > 0:40:37- Every time you return to an opera, - you discover something new.
0:40:37 > 0:40:42- You've said you want to be in the - Guinness Book Of World Records...
0:40:42 > 0:40:47- ..for the most performances - as Falstaff over a ten year period.
0:40:47 > 0:40:50- How many opera houses - are there left?
0:40:50 > 0:40:53- I've just done six performances - in Zurich.
0:40:54 > 0:40:58- I have ten performances in Paris - coming up in the next few years.
0:40:58 > 0:41:00- They're still building up...
0:41:01 > 0:41:05- ..and I hope I do make it - into that prestigious book.
0:41:08 > 0:41:13- That book arrived at Nantcyll Uchaf - on many a Christmas Day.
0:41:13 > 0:41:18- My brother and I spent hours - leafing through its pages.
0:41:19 > 0:41:24- You performed Falstaff at the - Wales Millennium Centre in 2008...
0:41:24 > 0:41:26- ..with Welsh National Opera.
0:41:26 > 0:41:30- We can watch part - of your performance right now.
0:41:33 > 0:41:35- # Furfanti
0:41:35 > 0:41:39- # Ho atteso troppo, - E vi discaccio
0:41:39 > 0:41:42- # Ola! Lesti! Lesti!
0:41:42 > 0:41:44- # Al galoppo! Al galoppo!
0:41:45 > 0:41:48- # Il capestro assai bene vi sta
0:41:48 > 0:41:51- # Lesti! Lesti! Lesti! - Al galoppo! Al galoppo!
0:41:51 > 0:41:55- # Via! Via! Via di qua! Via di qua!
0:41:55 > 0:41:58- # Via di qua! Via di qua! #
0:42:22 > 0:42:26- Let's move on to the pinnacle - of your career, so far...
0:42:26 > 0:42:29- ..and the epic operas of Wagner.
0:42:29 > 0:42:33- In them you play Wotan, - the king of the gods...
0:42:33 > 0:42:35- ..in Wagner's Ring Cycle of operas.
0:42:36 > 0:42:40- When you play Wotan, you're on stage - for four hours or more.
0:42:40 > 0:42:45- How do you prepare yourself - vocally, mentally and physically?
0:42:48 > 0:42:52- I remember - driving from Gwynedd to London...
0:42:52 > 0:42:56- ..and I put the middle opera, - Die Walkure, on in the car.
0:42:56 > 0:43:00- It was a five and a half - or six hour drive to London...
0:43:00 > 0:43:03- ..and the opera - still hadn't finished!
0:43:04 > 0:43:07- That was a little bit - of an eye-opener for me.
0:43:09 > 0:43:11- To be honest with you, Emma...
0:43:11 > 0:43:16- ..I tend to leave things to - the last minute when I learn operas.
0:43:16 > 0:43:19- I like to leave one act unlearnt...
0:43:19 > 0:43:24- ..as I approach the weeks leading up - to the first day of rehearsals.
0:43:24 > 0:43:28- That puts me under a bit of pressure - to get things done...
0:43:28 > 0:43:30- ..and to finish the job.
0:43:31 > 0:43:35- Wagner's work is a different animal - from any other opera.
0:43:37 > 0:43:40- What makes Wagner's work - so challenging?
0:43:40 > 0:43:45- One of Wagner's operas will leave - my memory in a matter of months...
0:43:45 > 0:43:48- ..if I don't keep on top of it.
0:43:48 > 0:43:51- I go home, lock the door - and go back to the books.
0:43:51 > 0:43:57- Wagner's work is something - a singer must work on constantly.
0:43:57 > 0:44:01- The opening night of Die Walkure - at the Royal Opera House...
0:44:02 > 0:44:03- ..was unforgettable!
0:44:03 > 0:44:06- Wotan lifts a flame with his hand.
0:44:07 > 0:44:11- I had a section which was connected - to a gas canister.
0:44:11 > 0:44:15- The igniter was in my right hand - and the gas was in my left hand.
0:44:15 > 0:44:18- Once the flame was lit, - I'd lift it high.
0:44:18 > 0:44:22- There are strict safety regulations - around fire.
0:44:22 > 0:44:26- There were six firemen - on each side of the stage...
0:44:26 > 0:44:28- ..in case things went wrong.
0:44:28 > 0:44:32- Well, things did go wrong and the - flame shot up 12 feet in the air!
0:44:33 > 0:44:35- I could do nothing about it.
0:44:37 > 0:44:39- The flame was burning my hand.
0:44:41 > 0:44:45- Towards the end of that scene, which - comes at the end of the opera...
0:44:46 > 0:44:48- ..I had to hit one high note.
0:44:51 > 0:44:56- I used one of the consonants - to extinguish the flame.
0:44:58 > 0:45:03- I walked off stage - with tears cascading down my cheeks.
0:45:04 > 0:45:09- The first person I saw - was Huw Edwards, the journalist.
0:45:11 > 0:45:15- I went straight up to Huw - and put my head on his shoulder.
0:45:15 > 0:45:19- People assumed I was upset - because I'd been burnt...
0:45:19 > 0:45:23- ..but it was the wave of emotion - of coming to the end of the term...
0:45:24 > 0:45:28- ..of learning the three operas - which make up The Ring Cycle.
0:45:28 > 0:45:32- All that emotion had reached - its climax and I had to come down.
0:45:34 > 0:45:37- You've performed Wagner - many times...
0:45:37 > 0:45:40- ..at the Royal Opera House, - Covent Garden...
0:45:40 > 0:45:44- ..under its Music Director, - Antonio Pappano.
0:45:44 > 0:45:47- We have a message for you - from the maestro himself.
0:45:48 > 0:45:50- Dear Bryn...
0:45:50 > 0:45:55- ..happy birthday from myself and - all of us at the Royal Opera House.
0:45:55 > 0:46:00- Long may you continue to share your - unique talent, your generosity...
0:46:00 > 0:46:02- ..and your spirit.
0:46:02 > 0:46:04- HE PLAYS 'HAPPY BIRTHDAY'
0:46:07 > 0:46:09- APPLAUSE
0:46:13 > 0:46:18- Next, you'll sing an aria - from the opera Das Rheingold.
0:46:20 > 0:46:24- Yes, this aria - comes at the end of Das Rheingold.
0:46:24 > 0:46:28- The bridge has been built - and the clouds have been cleared.
0:46:28 > 0:46:30- The lights are ready...
0:46:30 > 0:46:35- ..for the family to cross to their - new castle for the first time.
0:46:35 > 0:46:37- The stage is ready for you.
0:46:38 > 0:46:40- APPLAUSE
0:47:09 > 0:47:12- # The sun's eye
0:47:12 > 0:47:18- # Sheds its evening beams
0:47:18 > 0:47:24- # In its glorious gleam
0:47:25 > 0:47:31- # The castle shines in splendour
0:47:37 > 0:47:42- # In the radiance of the morning
0:47:42 > 0:47:47- # It glittered proudly
0:47:47 > 0:47:53- # But stood before me tenantless
0:47:53 > 0:48:03- # Grand and inviting
0:48:07 > 0:48:14- # From morn to eve
0:48:14 > 0:48:21- # In care and anxiety
0:48:21 > 0:48:32- # Not lightly was it won!
0:48:37 > 0:48:45- # Night draws on
0:48:45 > 0:48:51- # From its envy
0:48:51 > 0:48:59- # It now offers shelter
0:49:08 > 0:49:15- # Thus I salute the fortress
0:49:15 > 0:49:23- # Safe from terror and dread
0:49:33 > 0:49:37- # Wife, follow me
0:49:38 > 0:49:46- # And dwell with me in Valhalla! #
0:50:22 > 0:50:24- APPLAUSE
0:50:31 > 0:50:31- .
0:50:36 > 0:50:36- Subtitles
0:50:36 > 0:50:38- Subtitles- - Subtitles
0:50:41 > 0:50:42- Hello, Bryn.
0:50:42 > 0:50:44- I take this opportunity...
0:50:44 > 0:50:46- ..to celebrate with you...
0:50:47 > 0:50:48- ..your round birthday.
0:50:50 > 0:50:55- As you know, for me it has been - always a wonderful situation...
0:50:55 > 0:50:57- ..a wonderful moment...
0:50:57 > 0:51:01- ..when I had the possibility - to share the stage with you.
0:51:01 > 0:51:04- I always admire - your incredible talent...
0:51:05 > 0:51:08- ..and your - extremely beautiful voice.
0:51:09 > 0:51:11- You are a real giant.
0:51:19 > 0:51:21- Wherever you may be in the world...
0:51:21 > 0:51:25- ..you always talk of your love - for Wales and your home.
0:51:26 > 0:51:30- Back in the year 2000, - you founded The Faenol Festival.
0:51:30 > 0:51:33- What did it mean to you - to achieve that?
0:51:34 > 0:51:38- We had incredible nights - with the artists chosen by me.
0:51:38 > 0:51:42- I'd already performed elsewhere - with most of them...
0:51:42 > 0:51:45- ..but some of the young singers - are now soaring.
0:51:46 > 0:51:48- They were great nights.
0:51:48 > 0:51:51- Let's move on to Stephen Sondheim.
0:51:51 > 0:51:55- You performed the role - of the villainous Sweeney Todd...
0:51:55 > 0:51:57- ..in New York last year.
0:51:57 > 0:52:02- You appeared opposite Emma Thompson, - who played Mrs Lovett...
0:52:02 > 0:52:05- ..the woman - who prepares those pies...
0:52:05 > 0:52:08- ..from the bodies - of Sweeney's victims.
0:52:10 > 0:52:14- What sort of experience - was working with Emma?
0:52:15 > 0:52:19- The first hurdle - was getting the dates in New York...
0:52:19 > 0:52:23- ..with the - New York Philharmonic orchestra.
0:52:23 > 0:52:27- The next problem - was casting their Mrs Lovett.
0:52:27 > 0:52:30- There were six names - on the shortlist...
0:52:30 > 0:52:33- ..none of whom were free, - which was unfortunate.
0:52:34 > 0:52:37- Someone came up with the idea - of asking Emma Thompson.
0:52:38 > 0:52:40- They phoned her mother...
0:52:41 > 0:52:46- ..and she passed on the message to - Emma, telling her she should do it.
0:52:47 > 0:52:50- We're about to see - part of your performance...
0:52:50 > 0:52:53- ..at the Lincoln Center, New York.
0:52:54 > 0:52:55- Here we are.
0:52:55 > 0:52:58- Hot from the oven.
0:52:59 > 0:53:00- What is that?
0:53:02 > 0:53:03- # It's priest
0:53:03 > 0:53:05- # Have a little priest
0:53:05 > 0:53:06- # Is it really good?
0:53:07 > 0:53:09- # Sir, it's too good, at least
0:53:09 > 0:53:13- # Then again, they don't commit - sins of the flesh
0:53:13 > 0:53:15- # So it's pretty fresh
0:53:17 > 0:53:19- # Awful lot of fat
0:53:19 > 0:53:20- # Only where it sat
0:53:21 > 0:53:24- # Haven't you got poet - or something like that?
0:53:25 > 0:53:30- # No, y'see the trouble with poet is - 'Ow do you know it's deceased?
0:53:30 > 0:53:32- # Try the priest #
0:53:32 > 0:53:34- Do you mind?
0:53:35 > 0:53:39- Mm! Heavenly.
0:53:40 > 0:53:42- APPLAUSE
0:53:48 > 0:53:53- We have a special birthday greeting - for you from your Mrs Lovett.
0:53:55 > 0:53:57- 50 years old, Bryn Terfel!
0:54:00 > 0:54:04- How wonderful! Happy birthday - - penblwydd hapus even.
0:54:04 > 0:54:08- I've opened a packet of Love Hearts - especially for you.
0:54:08 > 0:54:09- Keep cool.
0:54:12 > 0:54:13- My doll.
0:54:14 > 0:54:15- Big doll!
0:54:17 > 0:54:19- It's true.
0:54:19 > 0:54:21- And, finally, play time!
0:54:21 > 0:54:23- Have a wonderful birthday...
0:54:24 > 0:54:25- ..or else!
0:54:27 > 0:54:30- APPLAUSE
0:54:35 > 0:54:36- Let's move on.
0:54:37 > 0:54:41- After you appeared as Sweeney Todd - at The London Coliseum...
0:54:41 > 0:54:44- ..you then took a role - in another musical.
0:54:44 > 0:54:48- This time, you worked - with Grange Park Opera...
0:54:48 > 0:54:51- ..and the musical - was Fiddler On The Roof.
0:54:51 > 0:54:54- Playing Tevye - was a dream come true for you.
0:54:55 > 0:54:58- Yes, the film was shown - on TV every Christmas...
0:54:59 > 0:55:01- ..and I've seen it several times.
0:55:03 > 0:55:07- I was in awe of Topol's performance.
0:55:08 > 0:55:13- I'm always on the lookout for - something new and interesting to do.
0:55:13 > 0:55:16- Fiddler On The Roof was just that.
0:55:16 > 0:55:21- Only 15% of the show is sung - and the rest involves dialogue.
0:55:24 > 0:55:27- I was incredibly nervous - on my first day.
0:55:28 > 0:55:32- Somehow or other, the opening scenes - fell into place.
0:55:35 > 0:55:37- We had eight weeks of rehearsals...
0:55:37 > 0:55:42- ..and it turned out to be one of - the most amazing stage shows...
0:55:42 > 0:55:45- ..it's been my privilege - to be part of...
0:55:45 > 0:55:49- ..culminating in a performance - at The Proms in London.
0:55:49 > 0:55:54- We're lucky because you're about to - perform If I Were A Rich Man for us.
0:55:55 > 0:55:58- And so, Reb Tevye, - the stage is yours.
0:56:15 > 0:56:17- YIDDISH CHANT
0:56:35 > 0:56:37- Sometimes, I think...
0:56:40 > 0:56:44- ..when it's quiet up there, - you say to yourself...
0:56:45 > 0:56:49- .."Let's say what kind of mischief - can I play on my friend, Tevye!"
0:56:53 > 0:56:59- Dear God, - you made many, many poor people.
0:57:01 > 0:57:03- Of course...
0:57:04 > 0:57:07- ..I realize - it's no shame to be poor.
0:57:10 > 0:57:13- But it's no great honour either.
0:57:16 > 0:57:19- So what would have been - so terrible...
0:57:22 > 0:57:24- ..if I had a small fortune?
0:57:27 > 0:57:29- # If I were a rich man
0:57:29 > 0:57:33- # Daidle deedle daidle - diggub diggub deedle daidle dum
0:57:33 > 0:57:36- # All day long I'd biddy biddy bum
0:57:36 > 0:57:39- # If I were a wealthy man
0:57:40 > 0:57:42- # Wouldn't have to work hard
0:57:42 > 0:57:46- # Daidle deedle daidle - diggub diggub deedle daidle dum
0:57:47 > 0:57:50- # If I were a biddy, biddy rich
0:57:50 > 0:57:53- # Digguh, digguh, deedle, daidle man
0:57:55 > 0:58:02- # I'd build a big tall house - with rooms by the dozen
0:58:02 > 0:58:05- # Right in the middle of the town
0:58:05 > 0:58:10- # A fine tin roof - with real wooden floors below
0:58:11 > 0:58:14- # There would be one long staircase - just going up
0:58:15 > 0:58:17- # And one even longer coming down
0:58:18 > 0:58:24- # And one more leading nowhere - just for show
0:58:26 > 0:58:33- # I'd fill my yard - with chicks and turkeys and geese
0:58:34 > 0:58:36- # And ducks - for the town to see and hear
0:58:37 > 0:58:41- # Squawking - just as noisily as they can
0:58:42 > 0:58:46- # And each loud quack and cluck - and gobble and honk
0:58:46 > 0:58:48- # Will land - like a trumpet on the ear
0:58:49 > 0:58:54- # As if to say - here lives a wealthy man
0:58:57 > 0:59:03- # I see my wife, my Golde
0:59:04 > 0:59:07- # Looking like a rich man's wife, - with a proper double chin
0:59:08 > 0:59:12- # Supervising meals - to her heart's delight
0:59:14 > 0:59:17- # I see her putting on airs - and strutting like a peacock
0:59:18 > 0:59:20- # Oy! What a happy mood she's in
0:59:21 > 0:59:25- # Screaming at the servants - day and night #
0:59:25 > 0:59:27- SPEAKS YIDDISH
0:59:36 > 0:59:44- # If I were rich, - I'd have the time that I lack
0:59:44 > 0:59:47- # To sit in the synagogue and pray
0:59:48 > 0:59:52- # And maybe have a seat - by the eastern wall
0:59:53 > 0:59:58- # And I'd discuss the Holy books - with the learned men
0:59:58 > 1:00:01- # Seven hours every day
1:00:02 > 1:00:09- # This would be - the sweetest thing of all
1:00:18 > 1:00:20- # If I were a rich man
1:00:21 > 1:00:24- # Daidle deedle daidle - diggub diggub deedle daidle dum
1:00:25 > 1:00:28- # All day long I'd biddy biddy bum
1:00:29 > 1:00:31- # If I were a wealthy man
1:00:31 > 1:00:34- # Wouldn't have to work hard
1:00:34 > 1:00:37- # Daidle deedle daidle - diggub diggub deedle daidle dum
1:00:38 > 1:00:42- # Lord, who made - the lion and the lamb
1:00:43 > 1:00:48- # You decreed I should be what I am
1:00:48 > 1:00:55- # Would it spoil - some vast, eternal plan
1:00:56 > 1:01:12- # If I were a wealthy man? #
1:01:13 > 1:01:15- APPLAUSE AND CHEERS
1:01:19 > 1:01:19- .
1:01:24 > 1:01:24- Subtitles
1:01:24 > 1:01:26- Subtitles- - Subtitles
1:01:29 > 1:01:31- Well, Dad, your big day - is nearly here.
1:01:31 > 1:01:34- You're nearly 50 - and nearly an old man!
1:01:35 > 1:01:39- The whole family's here - to wish you a happy birthday.
1:01:40 > 1:01:43- We hope you enjoy - all the celebrations.
1:01:43 > 1:01:47- The whole family would like to - wish you a very happy birthday.
1:01:57 > 1:02:02- You recently realized an ambition - of taking a piano up Snowdon.
1:02:06 > 1:02:09- Here you are, - performing on the mountain.
1:02:09 > 1:02:13- # I can see the quiet churchyard
1:02:13 > 1:02:16- # Down below
1:02:17 > 1:02:23- # Where the mountain breezes - wander to and fro
1:02:25 > 1:02:30- # And when God my soul will keep
1:02:31 > 1:02:37- # It is there I want to sleep
1:02:38 > 1:02:41- # With those dear old folks
1:02:42 > 1:02:51- # That loved me long ago #
1:03:01 > 1:03:02- APPLAUSE
1:03:08 > 1:03:13- It was some achievement getting you - up there, never mind the piano!
1:03:13 > 1:03:16- You hadn't walked up Snowdon before, - had you?
1:03:16 > 1:03:20- No, and I didn't walk up - that day either!
1:03:22 > 1:03:24- We caught the train up there.
1:03:25 > 1:03:28- As you saw there, - it was very cloudy at first...
1:03:28 > 1:03:30- ..but it cleared by the end.
1:03:31 > 1:03:35- It's the highest Annette Bryn Parry - and I have ever been!
1:03:37 > 1:03:40- That programme - won a BAFTA Cymru award.
1:03:40 > 1:03:45- You've won an endless list of awards - during your career...
1:03:45 > 1:03:49- ..including four Grammys - and four Classical BRIT Awards.
1:03:49 > 1:03:52- Which one sticks in your mind?
1:03:53 > 1:03:58- Well, the medal I received from the - Queen was hugely important to me.
1:04:02 > 1:04:04- I was the second recipient...
1:04:04 > 1:04:07- ..Sir Charles Mackerras - being the first.
1:04:07 > 1:04:11- Sir Charles was a very important - conductor in my career...
1:04:12 > 1:04:14- ..and for Welsh National Opera.
1:04:14 > 1:04:16- That's a treasured memory.
1:04:16 > 1:04:20- Is that type of recognition - important to you?
1:04:21 > 1:04:25- Yes, it comes with being successful - not only in my career...
1:04:26 > 1:04:30- ..but also in my efforts - to put something back...
1:04:31 > 1:04:34- ..through working - with various charities.
1:04:34 > 1:04:38- I hope to have more time - for my charity work in the future.
1:04:39 > 1:04:42- You're an ambassador - for several charities.
1:04:42 > 1:04:47- These are messages from - representatives of some of those.
1:04:50 > 1:04:53- On behalf of Wales Air Ambulance...
1:04:53 > 1:04:55- ..thank you for everything.
1:04:55 > 1:04:57- Happy birthday.
1:04:57 > 1:04:59- As our president...
1:04:59 > 1:05:03- ..you've allowed us to get the - message across to many more people.
1:05:03 > 1:05:07- Messages about what we do, how we - help people in housing need...
1:05:08 > 1:05:10- ..and how we might end homelessness.
1:05:10 > 1:05:14- Thank you for everything you've done - for us at Ty Gobaith.
1:05:17 > 1:05:21- On behalf of the children, - the families and the staff...
1:05:21 > 1:05:24- ..at Ty Gobaith and Hope House...
1:05:24 > 1:05:25- ..happy birthday.
1:05:34 > 1:05:37- What about the future? What's next?
1:05:37 > 1:05:40- Well, Emyr who sang - Non Piu Andrai...
1:05:40 > 1:05:44- ..is nearing the end of his time - as a student...
1:05:44 > 1:05:48- ..here at the Welsh College - Of Music And Drama, Cardiff.
1:05:50 > 1:05:52- All this lies ahead of him.
1:05:52 > 1:05:56- I can look back at my career, - on a night like this...
1:05:56 > 1:05:59- ..and I'm amazed - at all that's happened.
1:05:59 > 1:06:02- It feels like - it's happened so quickly.
1:06:03 > 1:06:07- Supporting young performers is - something that's important to you.
1:06:07 > 1:06:10- You understand the need for support.
1:06:10 > 1:06:14- Yes, and I set up a scholarship - through the Urdd...
1:06:14 > 1:06:17- ..and it's still in place today.
1:06:19 > 1:06:23- Some amazing young artists - came out of that process.
1:06:24 > 1:06:27- I've established - the Bryn Terfel Foundation.
1:06:27 > 1:06:31- I raise money through my work - and through my concerts...
1:06:32 > 1:06:33- ..for the foundation.
1:06:35 > 1:06:40- I hope to allocate the money raised - to students whilst they're studying.
1:06:40 > 1:06:44- Youngsters these days - leave college with huge debts...
1:06:44 > 1:06:49- ..and they then perhaps - join an opera house chorus.
1:06:49 > 1:06:54- It may have been the case that, had - they given it another two years...
1:06:54 > 1:06:58- ..they'd go straight into - getting minor roles in operas.
1:06:59 > 1:07:01- That was certainly the case for me.
1:07:01 > 1:07:05- After I competed - in the Singer Of The World...
1:07:05 > 1:07:08- ..I sang minor roles - in different opera houses.
1:07:09 > 1:07:13- But that armed me for the future - and it was a great education...
1:07:14 > 1:07:17- ..in a profession - which is extremely hard.
1:07:17 > 1:07:21- Bryn, we're nearing the end - of the evening.
1:07:21 > 1:07:25- It's been an honour to talk to you - and look back at your career.
1:07:26 > 1:07:28- If you could go back - to the beginning...
1:07:29 > 1:07:34- ..what career advice would you offer - the young Bryn Terfel from Pantglas?
1:07:35 > 1:07:40- My advice would be take your time - and enjoy what you're doing.
1:07:40 > 1:07:43- You may not win competitions - but carry on.
1:07:43 > 1:07:46- If at first you don't succeed, - try, try again.
1:07:47 > 1:07:49- That's certainly very true.
1:07:49 > 1:07:51- I kept on trying for years.
1:07:52 > 1:07:57- But, through hard work and having - a great team of people around me...
1:07:57 > 1:08:00- ..people I've chosen carefully...
1:08:00 > 1:08:02- ..things worked out for me.
1:08:03 > 1:08:07- Bryn, you're a king among men - and you're the king of the stars.
1:08:07 > 1:08:11- The young singers who make up COR - will join you on stage...
1:08:11 > 1:08:14- ..to sing - our final song for tonight.
1:08:14 > 1:08:17- Once again, - thank you for your company.
1:08:17 > 1:08:21- On behalf of this audience - and our viewers at home...
1:08:21 > 1:08:24- ..I'd like to wish you - a very happy birthday.
1:08:25 > 1:08:27- Thank you.
1:08:27 > 1:08:29- APPLAUSE
1:08:57 > 1:09:01- # Just eleven years old
1:09:01 > 1:09:05- # Staring into the skies in wonder
1:09:05 > 1:09:08- # Just eleven years old
1:09:08 > 1:09:12- # And so humble in stature
1:09:13 > 1:09:16- # Just a little, small child
1:09:17 > 1:09:20- # A tiny young sapling
1:09:20 > 1:09:23- # That stood on tiptoe
1:09:24 > 1:09:29- # To the stars feebly reaching
1:09:30 > 1:09:34- # When I heard that the moonlight
1:09:35 > 1:09:38- # My name had been calling
1:09:39 > 1:09:43- # Should you care to listen
1:09:44 > 1:09:50- # You'll hear the singing
1:09:55 > 1:09:59- # King of the stars
1:09:59 > 1:10:02- # There's a song that need singing
1:10:03 > 1:10:06- # Reach ever upwards
1:10:06 > 1:10:09- # Reach for the stars
1:10:10 > 1:10:13- # King of the stars
1:10:13 > 1:10:16- # One small flame can kindle
1:10:17 > 1:10:21- # A thousand bright candles
1:10:21 > 1:10:26- # King of the stars
1:10:37 > 1:10:41- # Just a few years ahead
1:10:41 > 1:10:44- # Still I'm searching - the skies in wonder
1:10:44 > 1:10:47- # Just a few years ahead
1:10:47 > 1:10:50- # But now growing in stature
1:10:51 > 1:10:54- # There's a party for the planets
1:10:54 > 1:10:57- # And a host of dancing stars
1:10:58 > 1:11:01- # While the moon sings a solo
1:11:02 > 1:11:06- # To the music of Mars
1:11:07 > 1:11:11- # Singing
1:11:12 > 1:11:15- # King of the stars
1:11:15 > 1:11:18- # There's a song that need singing
1:11:19 > 1:11:22- # Reach ever upwards
1:11:22 > 1:11:25- # Reach for the stars
1:11:25 > 1:11:28- # King of the stars
1:11:28 > 1:11:31- # One small flame can kindle
1:11:31 > 1:11:35- # A thousand bright candles
1:11:35 > 1:11:39- # King of the stars
1:11:40 > 1:11:47- # And here I remain - Still looking to the skies in wonder
1:11:47 > 1:11:53- # And here I remain - Experienced and so sure
1:11:54 > 1:11:57- # Yet, despite all that I've seen
1:11:58 > 1:12:00- # In life's hectic race
1:12:01 > 1:12:03- # The chorus of stars
1:12:04 > 1:12:10- # In the vastness of space
1:12:12 > 1:12:16- # I hear the moonlight
1:12:17 > 1:12:20- # My name it's still calling
1:12:21 > 1:12:25- # Should you care to listen
1:12:26 > 1:12:30- # You'll hear it singing
1:12:37 > 1:12:39- # King of the stars
1:12:40 > 1:12:43- # There's a song that need singing
1:12:43 > 1:12:46- # Reach ever upwards
1:12:46 > 1:12:49- # Reach for the stars
1:12:49 > 1:12:52- # King of the stars
1:12:52 > 1:12:55- # One small flame can kindle
1:12:55 > 1:12:58- # A thousand bright candles
1:12:59 > 1:13:03- # King of the stars
1:13:03 > 1:13:06- # There's a song that need singing
1:13:07 > 1:13:09- # Reach ever upwards
1:13:10 > 1:13:13- # Reach for the stars
1:13:14 > 1:13:15- # King of the stars
1:13:16 > 1:13:19- # One small flame can kindle
1:13:19 > 1:13:25- # A thousand bright candles
1:13:27 > 1:13:35- # King of the stars
1:13:35 > 1:13:45- # King of the stars #
1:13:47 > 1:13:49- APPLAUSE AND CHEERS
1:14:26 > 1:14:28- S4C subtitles by Eirlys A Jones
1:14:28 > 1:14:29- .