0:00:11 > 0:00:13CHEERING AND APPLAUSE
0:03:12 > 0:03:14CHEERING AND APPLAUSE
0:05:34 > 0:05:37ERHU SQUEALS LIKE A WHINNYING HORSE
0:05:40 > 0:05:42CHEERING AND APPLAUSE
0:10:25 > 0:10:29CHEERING AND APPLAUSE
0:13:40 > 0:13:46APPLAUSE
0:13:51 > 0:13:55APPLAUSE CONTINUES
0:18:17 > 0:18:22APPLAUSE
0:18:23 > 0:18:26Tops. That was a nice one. That was a better one.
0:18:38 > 0:18:40This is Suher Pekinel.
0:18:40 > 0:18:43And there, a piano's length away, is Guher.
0:18:43 > 0:18:46Physically, they are uncannily alike.
0:18:46 > 0:18:48Pianistically, you certainly can't distinguish them
0:18:48 > 0:18:49at a single hearing.
0:18:51 > 0:18:54Their appeal springs from that uncanny rapport
0:18:54 > 0:18:56which belongs to identical twins.
0:18:56 > 0:18:58But how does it work in practice?
0:18:59 > 0:19:01You know, when you look to each other,
0:19:01 > 0:19:05the eye takes away a lot of concentration.
0:19:05 > 0:19:08And when we play like this, we don't have the eye contact,
0:19:08 > 0:19:12so the concentration is even more on the ear
0:19:12 > 0:19:14and I know how she will react and I feel it.
0:19:14 > 0:19:18It's only a feeling. I can't say anything more about it.
0:21:05 > 0:21:09So now, from Nashville, we welcome Bela Fleck and Abigail Washburn.
0:21:09 > 0:21:12CHEERING AND APPLAUSE
0:24:01 > 0:24:05CHEERING AND APPLAUSE
0:24:09 > 0:24:14THEY SING IN GERMAN
0:27:40 > 0:27:43CHEERING AND APPLAUSE
0:30:06 > 0:30:10CHEERING AND APPLAUSE
0:30:10 > 0:30:15Well, the next item Marisa Robles and I have played many time.
0:30:15 > 0:30:18It's a piece Mozart wrote - in spite of him hating the flute.
0:30:18 > 0:30:20He wrote it for a father and his daughter
0:30:20 > 0:30:22but, although you notice my grey hair,
0:30:22 > 0:30:25Marisa is not my daughter - she only looks like my daughter.
0:30:25 > 0:30:27We're going to play for you the last movement
0:30:27 > 0:30:29of Mozart's Concerto For Flute And Harp in C major.
0:34:58 > 0:35:03APPLAUSE
0:38:19 > 0:38:22CHEERING AND APPLAUSE
0:38:25 > 0:38:27Would you mind if I get a little...?
0:38:27 > 0:38:29LAUGHTER
0:38:29 > 0:38:31Half of this is mine and half of this is...
0:38:31 > 0:38:34LAUGHTER
0:38:34 > 0:38:37You're not playing with your uncle here. I mean, this is...
0:38:37 > 0:38:38OK.
0:38:38 > 0:38:41LAUGHTER
0:38:48 > 0:38:50LAUGHTER
0:39:01 > 0:39:04LAUGHTER
0:39:21 > 0:39:23LAUGHTER
0:39:38 > 0:39:39LAUGHTER
0:39:53 > 0:39:55LAUGHTER AND APPLAUSE
0:40:27 > 0:40:29LAUGHTER
0:40:35 > 0:40:37LAUGHTER
0:41:17 > 0:41:19Leave me alone!
0:41:24 > 0:41:27LAUGHTER AND APPLAUSE
0:41:38 > 0:41:41My first solo guest tonight has been acclaimed
0:41:41 > 0:41:44as the leading British baritone singing in opera today.
0:41:44 > 0:41:47He is, of course, Thomas Allen,
0:41:47 > 0:41:50who's going to join me now in a duet from Mozart's Magic Flute.
0:52:14 > 0:52:18CHEERING AND APPLAUSE
0:54:54 > 0:54:59APPLAUSE
0:56:39 > 0:56:42APPLAUSE
0:58:56 > 0:58:57APPLAUSE