0:00:07 > 0:00:10CAR HORN BEEPS All right.
0:00:10 > 0:00:12Sorry for bringing down the neighbourhood.
0:00:14 > 0:00:15We go this way, Adam.
0:00:15 > 0:00:17Oh, yeah.
0:00:17 > 0:00:18Tradesman's entrance.
0:00:18 > 0:00:20LAUGHTER
0:00:20 > 0:00:22And I get to play the gaffer.
0:00:22 > 0:00:23Yeah, right.
0:00:28 > 0:00:30# Hey...
0:00:30 > 0:00:33# Beautiful day...
0:00:33 > 0:00:35# Hey...
0:00:43 > 0:00:45APPLAUSE
0:01:04 > 0:01:07SONG: Beautiful Day
0:01:11 > 0:01:17# The heart is a bloom shoots up through stony ground
0:01:17 > 0:01:24# But there's no room no space to rent in this town
0:01:24 > 0:01:30# You're out of luck and the reason that you had to care
0:01:30 > 0:01:38# The traffic is stuck and you're not moving anywhere
0:01:38 > 0:01:45# You thought you'd found a friend to take you out of this place
0:01:45 > 0:01:52# Someone you could lend a hand in return for grace
0:01:52 > 0:01:58# It's a beautiful day the sky falls
0:01:58 > 0:02:05# And you feel like beautiful day
0:02:05 > 0:02:06# Oh
0:02:06 > 0:02:13# You're on the road but you've got no destination
0:02:13 > 0:02:20# You're in the mud in the maze of imagination
0:02:20 > 0:02:28# You love this town even if that doesn't ring true
0:02:28 > 0:02:34# You've been all over and it's been all over you
0:02:34 > 0:02:38# It's a beautiful day
0:02:38 > 0:02:41# Don't let it get away
0:02:41 > 0:02:46# Beautiful day
0:02:49 > 0:02:56# Touch me now take me to that other place
0:02:56 > 0:03:03# Teach me I know I'm not a hopeless case
0:03:10 > 0:03:16# There's a starman waiting in the sky
0:03:18 > 0:03:24# He'd like to come and meet us but he thinks he'd blow our minds
0:03:24 > 0:03:30# There's a starman waiting in the sky
0:03:32 > 0:03:37# He told us not to blow it cos he thinks it's all worthwhile
0:03:39 > 0:03:42# See the world in green and blue
0:03:42 > 0:03:46# See China right in front of you
0:03:46 > 0:03:50# See the canyons broken by cloud
0:03:50 > 0:03:53# See the tuna fleets clearing the sea out
0:03:53 > 0:03:57# See the Bedouin fires at night
0:03:57 > 0:04:00# See the oil fields at first light
0:04:00 > 0:04:04# See the bird with a leaf in her mouth
0:04:04 > 0:04:11# After the flood all the colours came out
0:04:11 > 0:04:17# Day, day
0:04:17 > 0:04:20# Day, day
0:04:20 > 0:04:24# It was a beautiful day
0:04:24 > 0:04:27# Don't let it get away
0:04:27 > 0:04:32# A beautiful day
0:04:35 > 0:04:42# Touch me now take me to that other place
0:04:42 > 0:04:49# Reach me, I know I'm not a hopeless case
0:04:49 > 0:04:53# What you don't have you don't need it now
0:04:53 > 0:04:56# What you don't know you can feel it somehow
0:04:56 > 0:04:59# What you don't have you don't need it now
0:04:59 > 0:05:03# You don't need it now
0:05:03 > 0:05:05# Beautiful day
0:05:10 > 0:05:12# Beautiful. #
0:05:22 > 0:05:24Abbey Road.
0:05:27 > 0:05:30APPLAUSE
0:05:43 > 0:05:45The brilliant U2, everybody.
0:06:00 > 0:06:04Now, these four unassuming Irish boys were school-friends who
0:06:04 > 0:06:08embarked on a musical journey that's taken them to the very top of rock.
0:06:08 > 0:06:10I first met them about...
0:06:10 > 0:06:12Should I say, even? 20 years ago?
0:06:12 > 0:06:15- No!- It was that long. It was that long ago.
0:06:15 > 0:06:17And we've been friends ever since,
0:06:17 > 0:06:21so, I'm very pleased to say welcome to U2 At The BBC.
0:06:21 > 0:06:24CHEERING
0:06:25 > 0:06:30You guys are famous for pioneering some of the biggest shows in rock.
0:06:30 > 0:06:33You're used to performing in front of 70,000 people, I think.
0:06:33 > 0:06:36Tonight, though, you're going to squeeze that performance
0:06:36 > 0:06:39into the tiny Abbey Road Studios
0:06:39 > 0:06:42which I'm imagining is actually going to be fairly difficult.
0:06:42 > 0:06:44Or do you enjoy it?
0:06:44 > 0:06:48Well, first of all, I am actually more nervous about this
0:06:48 > 0:06:52- than getting on stage in front of 70,000 people.- Why?
0:06:52 > 0:06:56Because that 70,000-people stadium experience is something we have done
0:06:56 > 0:07:00since we were in our 20s - we have never done this before.
0:07:00 > 0:07:04We've never played our songs to a tiny little crowd
0:07:04 > 0:07:06in a setting like this.
0:07:06 > 0:07:08So, actually, got a few jitters about it.
0:07:08 > 0:07:10So why did you choose Abbey Road?
0:07:10 > 0:07:12What was it about Abbey Road that made you...?
0:07:12 > 0:07:14Well, it's a legendary place.
0:07:14 > 0:07:18It's one of the best studios in the world,
0:07:18 > 0:07:20and I guess The Beatles anointed it that way.
0:07:20 > 0:07:23You do feel like you should take your shoes off or something.
0:07:23 > 0:07:26Or do a few kind of, yeah, prayer bows or something.
0:07:26 > 0:07:29We got to know Macca a little bit
0:07:29 > 0:07:34and actually we met him in our Mecca here.
0:07:34 > 0:07:36I can't remember what album it was,
0:07:36 > 0:07:39but he came down and took us
0:07:39 > 0:07:42through what it was like and he reminded us that when they came,
0:07:42 > 0:07:46when The Beatles come to Abbey Road they'd to come in the tradesman's entrance.
0:07:46 > 0:07:49- No, they didn't. - Yes, because musicians were...
0:07:49 > 0:07:51They weren't scientists and they weren't...
0:07:51 > 0:07:54They were of a different caste system.
0:07:54 > 0:07:57And of course the whole thing about The Beatles was they broke through
0:07:57 > 0:07:59that and became these great producers
0:07:59 > 0:08:02as well as great songwriters and great players.
0:08:02 > 0:08:04So that all happened in here.
0:08:04 > 0:08:07You could say that this is the Big Bang of pop music,
0:08:07 > 0:08:09this... This room.
0:08:09 > 0:08:13Is that why Adam and Larry and myself went in the other entrance?
0:08:13 > 0:08:16- LAUGHTER - Is that what that is all about?
0:08:16 > 0:08:18Larry, how on earth did you choose the songs
0:08:18 > 0:08:20that you are going to perform tonight?
0:08:20 > 0:08:2214 albums to choose from, so how did you decide?
0:08:22 > 0:08:27Kind of left it to the scientist in our band, The Edge.
0:08:27 > 0:08:29It was really about...
0:08:29 > 0:08:33The choice of songs was about what would make sense for U2
0:08:33 > 0:08:34plus an orchestra.
0:08:34 > 0:08:38It is a long way from punk rock as well, it has to be said.
0:08:38 > 0:08:43And there was a sense of, "Is this too much?
0:08:43 > 0:08:45"Are we being self-indulgent here?"
0:08:45 > 0:08:48We've a choir, we've a 38-piece orchestra,
0:08:48 > 0:08:51and we felt kind of naughty
0:08:51 > 0:08:54because we have had big arrangements on A song
0:08:54 > 0:09:00but the idea of doing an entire night with those kinds of arrangements,
0:09:00 > 0:09:05it felt a little self-indulgent but we delighted in that self-indulgence.
0:09:05 > 0:09:08I was going to say, just enjoy it. We're all going to enjoy it tonight.
0:09:08 > 0:09:09Let's have a treat right now.
0:09:09 > 0:09:11What song are you going to give us next?
0:09:11 > 0:09:13Lights Of Home.
0:09:13 > 0:09:15- Watch out for this one. - It's going to be good?
0:09:15 > 0:09:18It's one of the most extraordinary things
0:09:18 > 0:09:21we have ever had the good fortune of being a part of.
0:09:21 > 0:09:24- I'm ready. Are you ready? - CHEERING
0:09:24 > 0:09:26OK, you guys go and get ready, off you go.
0:09:26 > 0:09:29CHEERING
0:09:29 > 0:09:31Next up we have a very special performance,
0:09:31 > 0:09:33it's an exclusive from U2's brand-new album -
0:09:33 > 0:09:36this is the brilliant Lights Of Home.
0:09:38 > 0:09:40It feels really good.
0:09:40 > 0:09:41This is...
0:09:41 > 0:09:43Thank you. This is a moment...
0:09:45 > 0:09:48These songs you're about to hear are very personal.
0:09:48 > 0:09:54They are sort of letters, a lot of them, to family, friends, to places.
0:09:55 > 0:10:00And to our audience, to you.
0:10:00 > 0:10:01This is Lights Of Home.
0:10:02 > 0:10:05APPLAUSE
0:10:07 > 0:10:11SONG: Lights Of Home
0:10:19 > 0:10:22# I shouldn't be here cos I should be dead
0:10:22 > 0:10:26# I can see the lights in front me
0:10:26 > 0:10:29# I believe my best days are ahead
0:10:29 > 0:10:32# I can see the lights in front of me
0:10:32 > 0:10:35# Oh, Jesus, if I'm still your friend
0:10:35 > 0:10:39# What the hell, what the hell you got for me?
0:10:39 > 0:10:42# I've got to get out from under my bed
0:10:42 > 0:10:46# To see again the lights in front of me
0:10:46 > 0:10:50# Hey, I've been waiting to get home a long time
0:10:52 > 0:10:56# Hey, now
0:10:56 > 0:10:59# Do you know my name?
0:10:59 > 0:11:03# Hey, now
0:11:03 > 0:11:05# Or where I'm going?
0:11:05 > 0:11:09# If I can't get an answer
0:11:09 > 0:11:12# In your eyes I'll see it
0:11:12 > 0:11:15# The lights of home
0:11:15 > 0:11:18# The lights of home
0:11:25 > 0:11:28# I was born from a screaming sound
0:11:28 > 0:11:31# I could see the lights in front of me
0:11:31 > 0:11:35# I thought my head was harder than ground
0:11:35 > 0:11:38# I could see the lights in front of me
0:11:38 > 0:11:41# One more push and I'll be born again
0:11:41 > 0:11:44# One more road you can't travel with a friend
0:11:44 > 0:11:48# Saw a statue of a gold guitar
0:11:48 > 0:11:51# Bright lights right in front of me
0:11:51 > 0:11:56# Hey, I've been waiting to get home a long time
0:11:58 > 0:12:02# Hey, now
0:12:02 > 0:12:04# Do you know my name?
0:12:04 > 0:12:08# Hey, now
0:12:08 > 0:12:11# Or where I'm going?
0:12:11 > 0:12:15# If I can't get an answer
0:12:15 > 0:12:18# In your eyes I see it
0:12:18 > 0:12:21# The lights of home
0:12:21 > 0:12:25# The lights of home
0:12:51 > 0:12:54# Hey, now
0:12:54 > 0:12:57# Do you know my name?
0:12:57 > 0:13:01# Hey, now
0:13:01 > 0:13:04# Or where I'm going?
0:13:04 > 0:13:07# If I can't get an answer
0:13:07 > 0:13:10# In your eyes I see it
0:13:10 > 0:13:13# In your eyes alone
0:13:13 > 0:13:16# I see the lights of home
0:13:19 > 0:13:25# Free yourself to be yourself
0:13:25 > 0:13:30# If only you could see yourself
0:13:30 > 0:13:32# If only you could
0:13:32 > 0:13:38# Free yourself to be yourself
0:13:38 > 0:13:43# If only you could see yourself
0:13:43 > 0:13:45# If only you could
0:13:45 > 0:13:51- # Free yourself to be yourself - Free yourself
0:13:51 > 0:13:56- # If only you could see yourself - Free yourself
0:13:56 > 0:13:59# If only you could
0:13:59 > 0:14:04# Free yourself to be yourself
0:14:04 > 0:14:09# If only you could see yourself
0:14:09 > 0:14:14# If only you could see. #
0:14:22 > 0:14:29HE INHALES AND EXHALES DEEPLY
0:14:29 > 0:14:30APPLAUSE
0:14:41 > 0:14:45Amazing stuff, guys. Thank you so much.
0:14:45 > 0:14:49Absolutely brilliant. Take a breather. Take a breather.
0:14:51 > 0:14:53For four decades you have been world leaders
0:14:53 > 0:14:56when it comes to massive arena tours.
0:14:56 > 0:15:00When you are on tour, do you actually pack your own suitcases?
0:15:01 > 0:15:03Bono does his and mine.
0:15:04 > 0:15:10I haven't changed much in that I never really pack my suitcase.
0:15:10 > 0:15:12I never really had a suitcase.
0:15:12 > 0:15:15I've been sort of sleeping on people's couches,
0:15:15 > 0:15:19and just turning up in other people's houses.
0:15:19 > 0:15:20Myself and Larry shared a room.
0:15:20 > 0:15:24He was excellent for a while - he tried to put some manners on me.
0:15:24 > 0:15:25Where you tidy, Larry?
0:15:25 > 0:15:27Did you have to keep picking up after him?
0:15:27 > 0:15:32I imagine you to be very tidy and liking things in their proper place.
0:15:32 > 0:15:34I'm not sure that I was very tidy,
0:15:34 > 0:15:37it was just clear that Bono was extremely untidy.
0:15:37 > 0:15:39LAUGHTER
0:15:39 > 0:15:42Larry, is it true that Bono would steal your underwear
0:15:42 > 0:15:43from time to time?
0:15:43 > 0:15:45That's not true.
0:15:45 > 0:15:47In fairness, that is not true.
0:15:47 > 0:15:50However, there was a lot of borrowing.
0:15:52 > 0:15:53Scarred for life.
0:15:53 > 0:15:55What's the worst fight you've ever had?
0:15:58 > 0:16:01I think I threw a drum-kit into the audience -
0:16:01 > 0:16:03it wasn't to do with Larry. LARRY MOUTHS
0:16:03 > 0:16:07It was more my own existential angst.
0:16:07 > 0:16:10And then they told me they would throw me out of the band
0:16:10 > 0:16:11if I ever did that again.
0:16:11 > 0:16:15Can I just correct you? You through the drum-kit at me.
0:16:15 > 0:16:17- Oh, yeah. - Sorry about that.
0:16:17 > 0:16:20That's fine, seriously. I forgive you, really.
0:16:20 > 0:16:23See, that's nice. It takes a BBC special.
0:16:23 > 0:16:25Old wounds are healed.
0:16:25 > 0:16:26APPLAUSE
0:16:26 > 0:16:31This year U2 celebrated their 30th anniversary of The Joshua Tree.
0:16:31 > 0:16:3330 years - I can't believe where that time has gone.
0:16:33 > 0:16:35CHEERING
0:16:35 > 0:16:39They went on a world tour and invited me to join them
0:16:39 > 0:16:41in Sao Paulo for the final shows.
0:16:41 > 0:16:46We agreed to meet in a quiet corner of the city to absorb some culture.
0:16:46 > 0:16:49It WAS quiet, but not for long.
0:16:57 > 0:16:59Look at that.
0:16:59 > 0:17:01- Hello.- My God.
0:17:01 > 0:17:04- Shall we leave them in there? - Shall we? Drive. Drive, drive.
0:17:07 > 0:17:10We wanted to show you some graffiti.
0:17:10 > 0:17:12This is...
0:17:12 > 0:17:13Just a casual walk down the street.
0:17:15 > 0:17:17How long do you think we're going to get away with this?
0:17:17 > 0:17:20Not for very much longer, actually.
0:17:20 > 0:17:21The game is already up.
0:17:23 > 0:17:26So what are the fans like here in Sao Paulo?
0:17:26 > 0:17:30I would say Ireland is 10, Brazil 100.
0:17:30 > 0:17:31Are you serious?
0:17:31 > 0:17:34No, no, they're drowning out the band.
0:17:34 > 0:17:35It's really something.
0:17:37 > 0:17:39Oh, I like this.
0:17:41 > 0:17:43That's cool. Can we buy a chair?
0:17:43 > 0:17:45Come on, this is great.
0:17:45 > 0:17:46Bono, it's for you.
0:17:46 > 0:17:49Hold on a second. Get me the Pentagon.
0:17:50 > 0:17:52- It's like the Batphone.- It is.
0:17:52 > 0:17:54Bono, the Pope is on here.
0:17:54 > 0:17:56Sorry, I was just talking to The Donald there.
0:17:56 > 0:17:59He says he hasn't got time to take his confession.
0:17:59 > 0:18:01Yes, I will get down on my knees.
0:18:01 > 0:18:03Bye
0:18:03 > 0:18:04Taxi!
0:18:15 > 0:18:17- Do you need to go off and get ready? - Yeah, we do.
0:18:17 > 0:18:19Because hair and make-up is going to take a while.
0:18:19 > 0:18:23- It's going to take hours.- Oh, man. - Go put your lip gloss on.
0:18:23 > 0:18:27- So where are we going now? - We're going to go inside.- Oh!
0:18:27 > 0:18:30Usually, where these dressing rooms are,
0:18:30 > 0:18:32it's the dressing rooms for sports-people,
0:18:32 > 0:18:34so there is a smell of men...
0:18:36 > 0:18:38..which I don't particularly like.
0:18:38 > 0:18:41So we have to fumigate and we put these...
0:18:41 > 0:18:43This is called pipe and drape.
0:18:43 > 0:18:47This is cheap material hung on scaffolding pipes
0:18:47 > 0:18:49just to make it seem a little girlie.
0:18:49 > 0:18:51But it doesn't really fool anyone.
0:18:51 > 0:18:53It's not white and floaty, Mariah would have white and floaty.
0:18:53 > 0:18:55- It's a little bit white and floaty. - Yes, that's more Mariah.
0:18:55 > 0:19:00And here we have an actual rock star in a natural habitat.
0:19:00 > 0:19:02Would you like a cup of tea, darling?
0:19:02 > 0:19:04It's not as impressive as I thought it was going to be.
0:19:04 > 0:19:06You don't want to come here hungry, that's for sure.
0:19:06 > 0:19:08- No, definitely not. - That's Edge's dinner.
0:19:08 > 0:19:10What are you having, Edge?
0:19:10 > 0:19:11I don't know.
0:19:11 > 0:19:14- Meatballs.- Lamb! Oh, you devil.
0:19:14 > 0:19:16You definitely weren't getting that in one of your first gigs.
0:19:16 > 0:19:18- No.- What's this for?
0:19:18 > 0:19:20It's something to do with the sound system.
0:19:20 > 0:19:22Nobody can work that.
0:19:22 > 0:19:24I mean, look...
0:19:24 > 0:19:26Look.
0:19:26 > 0:19:27On, off.
0:19:28 > 0:19:30I need these in my house.
0:19:30 > 0:19:31We still can't work it.
0:19:33 > 0:19:35Guitars, are they just for show or are they...?
0:19:35 > 0:19:38That's for warm-ups, the keyboard, the sound, just...
0:19:38 > 0:19:41- You've got to get the fingers moving.- Oh.
0:19:41 > 0:19:42Can you give me a bit of something?
0:19:42 > 0:19:43Sure.
0:19:45 > 0:19:47Oh, it makes me go a bit funny.
0:19:49 > 0:19:52Shall we go and look at some clothes and let him have his dinner?
0:19:52 > 0:19:54OK. Enjoy your meatballs, then.
0:19:58 > 0:20:00Has anybody ever done this before?
0:20:00 > 0:20:03We don't normally show people the sort of back area.
0:20:04 > 0:20:05This is smoke and mirrors.
0:20:07 > 0:20:10That's Larry's show clothes,
0:20:10 > 0:20:13with his 28-inch waist, I think.
0:20:13 > 0:20:16This is my show jacket, which is very nice.
0:20:16 > 0:20:19And you've got to have something glamorous to change into after
0:20:19 > 0:20:22the show, so I have this.
0:20:22 > 0:20:25It's a nice combination of pink stars and camo.
0:20:27 > 0:20:28This is the restaurant area.
0:20:28 > 0:20:32"Pork and barley soup, coconut veggie soup, sirloin steak."
0:20:32 > 0:20:34This is much better than we get.
0:20:35 > 0:20:38Do you want to come and see the underworld,
0:20:38 > 0:20:41- under the stage where all the equipment is?- Absolutely.
0:20:41 > 0:20:44- I think he means guitars.- Do you? - Later.
0:20:44 > 0:20:46Do you know your way to the stage?
0:20:46 > 0:20:48Normally we have arrows on the floor.
0:20:48 > 0:20:50Look, there's one!
0:20:52 > 0:20:55So this is where all the magic happens.
0:20:55 > 0:20:58By the way, your face actually lit up at that point.
0:20:58 > 0:21:01- It is still your favourite place, isn't it?- It really is.
0:21:03 > 0:21:05Do you have one side and Adam has the other?
0:21:05 > 0:21:07This is all my stuff.
0:21:07 > 0:21:09Do you get competitive about it?
0:21:09 > 0:21:10No.
0:21:10 > 0:21:13Adam has only got for strings, I have six strings -
0:21:13 > 0:21:15it's a totally different world, you know.
0:21:15 > 0:21:17Incomparable.
0:21:17 > 0:21:20So do you want to come this way?
0:21:20 > 0:21:23- OK.- I think I should lead. - Where are we going? Will I be OK?
0:21:23 > 0:21:24After Edge there.
0:21:26 > 0:21:28CAT GASPS
0:21:28 > 0:21:30CHEERING
0:21:30 > 0:21:32I almost fell off the stage!
0:21:33 > 0:21:34So this is the crowd.
0:21:39 > 0:21:41Thanks, guys.
0:21:43 > 0:21:45It's an amazing feeling, isn't it?
0:21:46 > 0:21:49- Are you OK?- Yes, I think I'm done.
0:21:51 > 0:21:52Good.
0:21:56 > 0:21:58Apparently we're about two minutes out.
0:22:00 > 0:22:02Are you ready?
0:22:09 > 0:22:10Good luck!
0:22:24 > 0:22:26And with that...
0:22:26 > 0:22:27show time.
0:22:52 > 0:22:53Hello.
0:22:53 > 0:22:55Are you OK?
0:22:55 > 0:22:56Yeah. Is this the BBC?
0:22:56 > 0:22:58Yes.
0:22:59 > 0:23:00There she is.
0:23:02 > 0:23:03How are you?
0:23:03 > 0:23:05I'm...
0:23:06 > 0:23:07I'll be with you in a minute.
0:23:12 > 0:23:14So how long is this going to take us, Edge?
0:23:14 > 0:23:17With the police escort, probably about 15 or 20 minutes.
0:23:17 > 0:23:19I came down, I sang to you, I don't know if you saw me.
0:23:19 > 0:23:22- Yes!- Oh, you did. - It was amazing.
0:23:22 > 0:23:27I do this thing at the end of the show, I hope you don't mind.
0:23:27 > 0:23:28It's a little meditation.
0:23:28 > 0:23:29OK.
0:23:32 > 0:23:34OK, let's have a beer.
0:23:34 > 0:23:36- And old friends.- Cheers.
0:23:40 > 0:23:43We go to some of the most glamorous places in the world...
0:23:43 > 0:23:46- You take me to all the best places. - ..and then go through the kitchen.
0:23:46 > 0:23:47Hello.
0:23:59 > 0:24:02MUSIC DROWNS OUT SPEECH
0:24:05 > 0:24:07CHEERING
0:24:11 > 0:24:13Now that was a good party!
0:24:13 > 0:24:16But...the gig was even better.
0:24:16 > 0:24:18And what I love is as you're watching that, you go,
0:24:18 > 0:24:20"Wow. That's where we were."
0:24:20 > 0:24:23Yeah. Sometimes we don't think about it or stop to think about it
0:24:23 > 0:24:26but seeing that there, seeing it on your face was also just beautiful.
0:24:26 > 0:24:29When I went out there with you...
0:24:29 > 0:24:31I was such a wuss but I couldn't help it.
0:24:31 > 0:24:35It made me go so funny. Like, really...
0:24:35 > 0:24:38Well, to be honest, it's never got old for us.
0:24:38 > 0:24:40It's always the same -
0:24:40 > 0:24:44that rush that you get from getting out in front of the audience
0:24:44 > 0:24:46and playing your songs is the same.
0:24:46 > 0:24:48Right, well, we want you to play some more songs now.
0:24:48 > 0:24:50We want more. We want more!
0:24:50 > 0:24:52So what are you going to play for us next?
0:24:52 > 0:24:53- With Or Without You. - With Or Without You.
0:24:53 > 0:24:55OK, off you go. Get out there.
0:24:55 > 0:24:58- Come on.- Come on. - CHEERING
0:24:59 > 0:25:01OK, get ready for a sing-along.
0:25:01 > 0:25:04This is U2 and With Or Without You.
0:25:06 > 0:25:08It's amazing to...
0:25:09 > 0:25:11..be in the company of, well...
0:25:13 > 0:25:15..great musicians.
0:25:15 > 0:25:17Adam, Larry, Edge.
0:25:19 > 0:25:20These extraordinary...
0:25:22 > 0:25:24..extraordinary instrumentalists.
0:25:24 > 0:25:27John Metcalfe right there conducting.
0:25:35 > 0:25:38SONG: With Or Without You
0:25:53 > 0:25:56# See the stone set in your eyes
0:25:57 > 0:26:01# See the thorn twist in your side
0:26:01 > 0:26:05# I'll wait for you
0:26:10 > 0:26:14# Sleight of hand and twist of fate
0:26:14 > 0:26:17# On a bed of nails she makes me wait
0:26:19 > 0:26:23# And I wait without you
0:26:25 > 0:26:27# With or without you
0:26:29 > 0:26:32# With or without you
0:26:36 > 0:26:39# Through the storm we reach the shore
0:26:40 > 0:26:43# You give it all but I want more
0:26:45 > 0:26:49# And I'm waiting for you
0:26:51 > 0:26:53# With or without you
0:26:55 > 0:26:58# With or without you
0:27:00 > 0:27:07# I can't live with or without you
0:27:08 > 0:27:10# Yeah
0:27:17 > 0:27:22# And you give yourself away
0:27:22 > 0:27:26# And you give yourself away
0:27:26 > 0:27:30# And you give, and you give
0:27:30 > 0:27:34# And you give yourself away
0:27:36 > 0:27:43# My hands are tied my body bruised
0:27:43 > 0:27:47# She got me with nothing to win
0:27:47 > 0:27:52# And nothing left to lose
0:27:52 > 0:27:56# And you give yourself away
0:27:56 > 0:28:00# And you give yourself away
0:28:00 > 0:28:05# Yeah you give, you give
0:28:05 > 0:28:09# You give yourself away
0:28:09 > 0:28:11# With or without you
0:28:13 > 0:28:16# With or without you
0:28:18 > 0:28:20# I can't live
0:28:22 > 0:28:25# With or without you
0:28:27 > 0:28:34# Oh-oh-oh-oh Oh-oh-oh-oh
0:28:36 > 0:28:42# Oh-oh-oh-oh-oh-oh
0:28:43 > 0:28:46# With or without you
0:28:48 > 0:28:51# With or without you
0:28:52 > 0:28:54# I can't live
0:28:56 > 0:28:59# With or without you
0:29:01 > 0:29:04# With or without you
0:29:10 > 0:29:16# Ooh-ooh ooh-ooh-ooh-ooh
0:29:19 > 0:29:26# Ooh-ooh ooh-ooh-ooh-ooh. #
0:29:26 > 0:29:28All right, check it out.
0:29:36 > 0:29:43# Love, love will tear us apart again
0:29:45 > 0:29:53# Love, love will tear us apart again
0:29:53 > 0:30:00# And love, love will tear us apart again
0:30:02 > 0:30:09# Oh-oh-oh-oh Oh-oh-oh-oh
0:30:11 > 0:30:18# Oh-oh-oh-oh Oh-oh. #
0:30:21 > 0:30:24CHEERING AND APPLAUSE
0:30:40 > 0:30:44Wow. Sit down. The break-up song to end all break-up songs.
0:30:45 > 0:30:48Hearts are breaking all over the world.
0:30:48 > 0:30:52Now, then, we've all made some pretty bad decisions
0:30:52 > 0:30:54when we were teenagers.
0:30:54 > 0:30:55I know I have, definitely.
0:30:55 > 0:31:00But, Larry, you actually made a brilliant decision as a teenager
0:31:00 > 0:31:05cos it was you that put the advert - was it on a school notice board?
0:31:05 > 0:31:08Yes, I'd love to take total responsibility for that
0:31:08 > 0:31:10but it was actually my dad.
0:31:10 > 0:31:13He was very anxious to get me out of the house.
0:31:13 > 0:31:16- OK. He just want to get rid of you, basically.- He just wanted me out of the house.
0:31:16 > 0:31:19I was taking up the boxroom and I was very noisy.
0:31:19 > 0:31:22I think he felt if there was a band thing I would move into
0:31:22 > 0:31:23somebody else's house.
0:31:23 > 0:31:26- Or the shed. - Or the shed, something like that.
0:31:26 > 0:31:29- And these three reprobates turned up?- Yeah, that's it.
0:31:29 > 0:31:31Was it difficult to choose them?
0:31:31 > 0:31:34Or were they the only ones that turned up?
0:31:34 > 0:31:38It was one of those great things where you think you're choosing them
0:31:38 > 0:31:41and it turns out that they actually chose you.
0:31:41 > 0:31:43And it could have been somebody else's kitchen.
0:31:43 > 0:31:47It was my kitchen that Saturday but I think they had plans for a couple
0:31:47 > 0:31:51of Saturdays along the way, there were a couple of people lined up.
0:31:51 > 0:31:54I think I made the best coffee.
0:31:54 > 0:31:56- Do you know, that's not true.- No?
0:31:56 > 0:31:59Larry definitely started the band.
0:31:59 > 0:32:02There would not have been a band without him.
0:32:02 > 0:32:06Adam was the second most ambitious person.
0:32:06 > 0:32:11He actually printed up cards with, "Manager - Adam Clayton".
0:32:11 > 0:32:15Because Edge and myself strangely enough were kind of...
0:32:15 > 0:32:17We were like, "What?
0:32:17 > 0:32:19"Yes, we would like to be in a band,
0:32:19 > 0:32:22"but, you mean, for the rest of our lives, kind of thing?"
0:32:22 > 0:32:25And I wasn't going to go to the rehearsal.
0:32:25 > 0:32:28I was just another, whatever it is, angry kid,
0:32:28 > 0:32:31and if Larry hadn't done that,
0:32:31 > 0:32:34I wouldn't be anywhere, I don't think.
0:32:35 > 0:32:36But hold on, hold on.
0:32:36 > 0:32:39There was that moment where I think you won
0:32:39 > 0:32:43a competition in Limerick and you won £500, is that correct?
0:32:43 > 0:32:46Is that the first competition you won?
0:32:46 > 0:32:48Did you think you were millionaires at the time?
0:32:48 > 0:32:50Did you think...? What did you spend it on?
0:32:50 > 0:32:54- The manager ran off with it. - Did he? Boo!
0:32:54 > 0:32:59I do remember we also got posters, which was again Adam's idea.
0:32:59 > 0:33:03And didn't your mum used to drive you around and you used to stick them over other people's posters?
0:33:03 > 0:33:04This is true.
0:33:04 > 0:33:07She had a Welsh accent and an orange Beetle.
0:33:07 > 0:33:10Yep, a VW Beetle and we would all jump in the back
0:33:10 > 0:33:13and when there were no police on the street,
0:33:13 > 0:33:18we would get out and we'd have pre-made long posters which we used.
0:33:18 > 0:33:20I think wallpaper was the basis of it.
0:33:20 > 0:33:22- What did they say, The Edge? - What did they say?
0:33:22 > 0:33:24"U2 at The Baggot Inn", blah-blah-blah, whatever.
0:33:24 > 0:33:28No. "U2 can happen to anyone".
0:33:28 > 0:33:31- I see what you've done. - I still don't know what it means.
0:33:31 > 0:33:33LAUGHTER
0:33:33 > 0:33:34Another choice that you made...
0:33:34 > 0:33:36WELSH ACCENT: "The police have gone, Edge."
0:33:36 > 0:33:38Is that what she'd say?
0:33:38 > 0:33:41"OK, go, the police have gone. Get out, lads."
0:33:41 > 0:33:43She was our first roadie, Mrs The Edge.
0:33:43 > 0:33:45I love the idea of her, I love it.
0:33:45 > 0:33:49One of the other ideas that you had was to have nicknames.
0:33:49 > 0:33:51The nicknames were just...
0:33:51 > 0:33:55I mean it's probably an odd thing to,
0:33:55 > 0:33:58in one sense, reject your family name
0:33:58 > 0:34:01and to be known by something else.
0:34:03 > 0:34:07But our names sometimes say a lot about you,
0:34:07 > 0:34:10the names that friends call each other.
0:34:10 > 0:34:12I mean, is he not The Edge?
0:34:12 > 0:34:14And what about Bono?
0:34:14 > 0:34:18I was originally Bono Vox.
0:34:18 > 0:34:21Yeah, and it was the name of a hearing aid shop.
0:34:21 > 0:34:23I think it means "strong voice".
0:34:23 > 0:34:26If you're in trouble with Ali, does she still call you Bono?
0:34:26 > 0:34:29What do you have written on your cup at coffee shops?
0:34:31 > 0:34:32The only person...
0:34:32 > 0:34:36Sometimes people come up and use the name Paul,
0:34:36 > 0:34:38but it makes me nervous because the only person who called me
0:34:38 > 0:34:42Paul through my life was my father.
0:34:42 > 0:34:45- When you were in trouble. - So I would be twitching.
0:34:45 > 0:34:50Ali calls me Bono and I've been Bono since I was 14.
0:34:50 > 0:34:53- So...- That's it. It's there to stay.
0:34:53 > 0:34:56But you obviously have been together for these 40 years now
0:34:56 > 0:35:00and, Larry, you're the guy who sits at the back,
0:35:00 > 0:35:05that sees these three come in front of him every time you perform.
0:35:05 > 0:35:07How have they changed over the years?
0:35:07 > 0:35:09- I wish I'd taken photographs over the years.- Yes.
0:35:11 > 0:35:14- Because it's quite... - Everything started much perter.
0:35:14 > 0:35:16Well, it's just...
0:35:16 > 0:35:18It's even little movements...
0:35:18 > 0:35:22- Give me an example. - Just small things like that,
0:35:22 > 0:35:25for instance, The Edge does and they're small things,
0:35:25 > 0:35:30and I noticed in the kitchen 42 years ago, he did them as well.
0:35:30 > 0:35:33- You heard a bit of it. - This is news to me. - I'm really interested in this.
0:35:33 > 0:35:35Dun-du-dun-dun...
0:35:35 > 0:35:39He did that 42 years ago, and every time we get on stage,
0:35:39 > 0:35:41Edge plays that song.
0:35:41 > 0:35:42And it's the song...
0:35:42 > 0:35:47That basically is the one that he needs
0:35:47 > 0:35:54to get us all to understand that we are in that band.
0:35:54 > 0:35:58That really wide thing, so Edge does that for us.
0:36:00 > 0:36:01There you go.
0:36:01 > 0:36:05You didn't know that, did you? All turn round...
0:36:05 > 0:36:07But we have had to listen to "dun-du-dun-dun" quite a lot.
0:36:07 > 0:36:11Now I know... Now I will look at it differently.
0:36:11 > 0:36:14Can you tell me about your next song? What are you going to play next for us?
0:36:14 > 0:36:15Stuck In A Moment.
0:36:15 > 0:36:17Why are you choosing to play this song?
0:36:18 > 0:36:22Well, last month, November,
0:36:22 > 0:36:27was the 20th anniversary of the exit
0:36:27 > 0:36:30of our great friend Michael Hutchence from the planet,
0:36:30 > 0:36:31the singer of INXS.
0:36:31 > 0:36:34Extraordinary person,
0:36:34 > 0:36:39this luminous mind and beautiful soul
0:36:39 > 0:36:42and this is kind of...
0:36:42 > 0:36:45This song is like an argument with him, even though he was gone.
0:36:47 > 0:36:51It's the argument and it's the kind of argument you have
0:36:51 > 0:36:53with somebody you love.
0:36:53 > 0:36:57You are being unreasonable but you want to make a point in it.
0:36:58 > 0:37:00So, Stuck In A Moment You Can't Get Out Of.
0:37:00 > 0:37:02I said that like a DJ.
0:37:02 > 0:37:04- Off you go. Go do it.- OK.
0:37:04 > 0:37:06APPLAUSE
0:37:09 > 0:37:12This is the incredible Stuck In A Moment.
0:37:15 > 0:37:19SONG: Stuck In A Moment
0:37:28 > 0:37:29The guitar...
0:37:37 > 0:37:42# I'm not afraid of anything in this world
0:37:43 > 0:37:47# There's nothing you can throw at me that I haven't already heard
0:37:49 > 0:37:53# I'm just trying to find a decent melody
0:37:54 > 0:37:58# A song that I can sing in my own company
0:38:00 > 0:38:03# I never thought you were a fool
0:38:06 > 0:38:08# But darling, look at you
0:38:11 > 0:38:17# You gotta stand up straight carry your own weight
0:38:17 > 0:38:22# These tears are going nowhere, baby
0:38:22 > 0:38:26# You've got to get yourself together
0:38:26 > 0:38:32# You've got stuck in a moment and you can't get out of it
0:38:33 > 0:38:37# Don't say that later will be better
0:38:37 > 0:38:43# Now you're stuck in a moment and you can't get out of it
0:38:49 > 0:38:54# I will not forsake the colours that you bring
0:38:54 > 0:38:57# But the nights you filled with fireworks
0:38:57 > 0:39:00# Did they leave you with nothing?
0:39:00 > 0:39:05# I am still enchanted by the light you brought to me
0:39:05 > 0:39:10# I still listen through your ears and through your eyes I can see
0:39:12 > 0:39:15# And you are such a fool
0:39:17 > 0:39:21# To worry like you do
0:39:23 > 0:39:29# I know it's tough and you can never get enough
0:39:29 > 0:39:34# Of what you don't really need now, my, oh, my
0:39:34 > 0:39:38# You've got to get yourself together
0:39:38 > 0:39:44# You got stuck in a moment and you can't get out of it
0:39:45 > 0:39:49# Oh, lord, look at you now
0:39:49 > 0:39:55# You're stuck in a moment and you can't get out of it
0:39:55 > 0:39:58# I was unconscious, half asleep
0:39:58 > 0:40:02# The water is warm till you discover how deep
0:40:06 > 0:40:09# I wasn't jumping for me it was a fall
0:40:09 > 0:40:14# It's a long way down to nothing at all
0:40:14 > 0:40:18# Oh, yeah
0:40:18 > 0:40:22# You've got to get yourself together
0:40:22 > 0:40:28# You got stuck in a moment and you can't get out of it
0:40:29 > 0:40:33# Don't say that later will be better
0:40:33 > 0:40:39# Now you're stuck in a moment and you can't get out of it
0:40:40 > 0:40:45# And if the night runs over
0:40:45 > 0:40:50# And if the day won't last
0:40:51 > 0:40:56# And if your way should falter
0:40:56 > 0:41:01# Along the stony pass
0:41:02 > 0:41:07# And if the night runs over
0:41:07 > 0:41:12# And if the day won't last
0:41:13 > 0:41:19# And if your way should falter
0:41:19 > 0:41:24# Along the stony pass
0:41:26 > 0:41:28# It's just a moment
0:41:31 > 0:41:33# It's just a moment
0:41:35 > 0:41:40# This too shall pass. #
0:41:40 > 0:41:42APPLAUSE
0:41:49 > 0:41:52It's a very difficult thing for us.
0:41:52 > 0:41:55There's been a couple of moments where I looked out there and I saw 100,000 people.
0:41:55 > 0:41:58And I'm not drinking. LAUGHTER
0:41:58 > 0:42:01What happened to the pyro? I was told there was going to be pyro?
0:42:01 > 0:42:03No pyro. There's no pyro.
0:42:04 > 0:42:08They're like letters, a lot of these songs and...
0:42:10 > 0:42:13..this next one I thought was to our daughters.
0:42:15 > 0:42:17But like everything,
0:42:17 > 0:42:19you preach what you need to hear.
0:42:20 > 0:42:21Isn't that right, The Edge?
0:42:31 > 0:42:34Well, you preach what you need to hear.
0:42:36 > 0:42:37Oh, yeah.
0:42:40 > 0:42:43SONG: Get Out Of Your Own Way
0:42:47 > 0:42:50# Get out of your own way
0:42:54 > 0:42:58# Get out of your own way
0:43:01 > 0:43:06# Love hurts, now you're the girl who's left with no words
0:43:06 > 0:43:10# Your heart's a balloon but then it bursts
0:43:10 > 0:43:12# It doesn't take a cannon just a pin
0:43:12 > 0:43:15# Your skin's no covering
0:43:15 > 0:43:21# Resistance, love has got to fight for its existence
0:43:21 > 0:43:24# The enemy has armies of assistants
0:43:24 > 0:43:26# The amorous, the glamorous
0:43:26 > 0:43:28# A kiss, a fist
0:43:28 > 0:43:31# Listen to this, oh
0:43:31 > 0:43:34# Get out of your own way
0:43:35 > 0:43:37# Ah!
0:43:38 > 0:43:41# Get out of your own way
0:43:43 > 0:43:46# Ah!
0:43:46 > 0:43:49# I can sing it to you all night, all night
0:43:49 > 0:43:53# If I could, I'd make it all right, all right
0:43:53 > 0:43:56# Nothing's stopping you except what's inside
0:43:56 > 0:44:00# I can help you but it's your fight, your fight
0:44:00 > 0:44:03# Fight back, don't take it lying down
0:44:03 > 0:44:05# You've got to bite back
0:44:05 > 0:44:08# The face of liberty is starting to crack
0:44:08 > 0:44:12# She had a plan and then she took a smack in the mouth
0:44:12 > 0:44:14# And it all went south like
0:44:14 > 0:44:20# Freedom, the slaves are looking for someone to lead them
0:44:20 > 0:44:23# The master's looking for someone to need him
0:44:23 > 0:44:27# The promised land is there for those who need it most
0:44:27 > 0:44:29# And Lincoln's ghost said
0:44:30 > 0:44:33# Get out of your own way
0:44:35 > 0:44:37# Ah
0:44:37 > 0:44:41# Get out of your own way
0:44:42 > 0:44:44# Ah
0:44:44 > 0:44:48# I can sing it to you all night, all night
0:44:48 > 0:44:52# If I could, I'd make it all right, all right
0:44:52 > 0:44:55# Nothing's stopping you except what's inside
0:44:55 > 0:45:00# I can help you but it's your fight, your fight
0:45:00 > 0:45:03# Get out of your own way
0:45:07 > 0:45:10# Get out of your own way
0:45:29 > 0:45:32# Get out of your own way
0:45:37 > 0:45:40# Get out of your own way
0:45:44 > 0:45:48# Get out of your own way
0:45:56 > 0:45:59# Blessed are the arrogant
0:45:59 > 0:46:02# For theirs is the kingdom of their own company
0:46:04 > 0:46:06# Blessed are the bullies
0:46:06 > 0:46:10# For one day they will have to stand up to themselves
0:46:12 > 0:46:15# Blessed are the liars
0:46:15 > 0:46:20# For the truth could be awkward. #
0:46:23 > 0:46:26APPLAUSE
0:46:29 > 0:46:32Come and sit down here for me, guys.
0:46:32 > 0:46:34Come and sit down.
0:46:35 > 0:46:39So tell us a little bit about the new album.
0:46:39 > 0:46:41Is it the sequel to Songs Of Innocence?
0:46:42 > 0:46:46Yeah, they were always a two-album set.
0:46:46 > 0:46:50And a lot of the songs on the album are letters to people.
0:46:50 > 0:46:53Who are they letters to and why have you chosen to do that?
0:46:53 > 0:46:58I've had a few brushes with mortality over the years,
0:46:58 > 0:47:02or reminders that we might not be around forever.
0:47:02 > 0:47:06And I just thought, well, if I'm not around, just in case,
0:47:06 > 0:47:13I should really have it laid out for my kids, my sons and daughters.
0:47:13 > 0:47:16For our kids, for our friends, our families.
0:47:16 > 0:47:21There is a letter to a country there, America, it's called American Soul.
0:47:21 > 0:47:24There's a letter to our audience about how you shouldn't trust
0:47:24 > 0:47:26performers too much.
0:47:26 > 0:47:30And not all of them are letters but that's where it came from.
0:47:30 > 0:47:33And one of the things that you actually did with your last
0:47:33 > 0:47:35album was you gifted it to people.
0:47:35 > 0:47:38- And some people were not very happy about it.- Yeah.
0:47:38 > 0:47:40- They were quite vocal about it. - A couple.
0:47:40 > 0:47:42They weren't happy when it turned up on their iPhone.
0:47:42 > 0:47:46But then again that's only the people you know about,
0:47:46 > 0:47:49but we had a lot of people thank us for the gift.
0:47:49 > 0:47:51We have a much bigger audience now.
0:47:51 > 0:47:53And I talked them into it,
0:47:53 > 0:47:55I went into Apple and said,
0:47:55 > 0:48:01"Look, you are the people who get people to pay for music.
0:48:01 > 0:48:04"Why not reward the people who pay for music by a gift?"
0:48:04 > 0:48:07And Tim Cook said, "That's a brilliant idea, really good.
0:48:07 > 0:48:10"And a gift? OK, good.
0:48:10 > 0:48:13"So you're giving your album free?"
0:48:13 > 0:48:15And we said, "No.
0:48:15 > 0:48:19"You pay us, and then you give it free."
0:48:19 > 0:48:21- And...- Did they agree to that?
0:48:21 > 0:48:23Yeah. We were trying to...
0:48:23 > 0:48:28If you imagine this as like our album, like a bottle of milk,
0:48:28 > 0:48:30was to arrive on your doorstep as a gift.
0:48:30 > 0:48:34- You would open it up, there it is. - Open the door - "Ooh, that's lovely!"
0:48:34 > 0:48:38Our bottle of milk ended up going into your kitchen, into your fridge
0:48:38 > 0:48:40and actually sometimes on your Cornflakes.
0:48:40 > 0:48:44That is what happened, that upset people, but it was not the intention.
0:48:44 > 0:48:46Would you do it again? That is the question.
0:48:46 > 0:48:48Of course, yeah, yeah.
0:48:48 > 0:48:51It is time for another song, you guys. Can we have another one?
0:48:51 > 0:48:54- We can.- OK, head on up there for me.
0:48:54 > 0:48:56Thank you. You're out of here. See you in a minute.
0:48:56 > 0:48:58APPLAUSE
0:49:01 > 0:49:03OK.
0:49:03 > 0:49:05It's hard to imagine now, but in the early '90s,
0:49:05 > 0:49:08U2 were on the verge of breaking up.
0:49:08 > 0:49:11This is the song that brought the band back from the brink.
0:49:11 > 0:49:14Ladies and gentlemen, it's U2 with One.
0:49:17 > 0:49:20SONG: One
0:49:26 > 0:49:31So we wrote this in Germany after the Wall came down.
0:49:33 > 0:49:38And 30 years later we are singing it as walls are going up.
0:49:42 > 0:49:43One.
0:49:50 > 0:49:56# Is it getting better or do you feel the same?
0:49:59 > 0:50:07# Will it make it easier on you now you got someone to blame?
0:50:08 > 0:50:13# You say one love, one life
0:50:14 > 0:50:19# When it's one need in the night
0:50:20 > 0:50:24# One love, we get to share it
0:50:25 > 0:50:30# Leaves you, baby if you don't care for it
0:50:42 > 0:50:44# Did I disappoint you
0:50:46 > 0:50:49# Leave a bad taste in your mouth?
0:50:51 > 0:50:59# You act like you never had love and you want me to go without
0:51:00 > 0:51:07# Well, it's too late tonight
0:51:07 > 0:51:12# To drag the past out into the light
0:51:12 > 0:51:15# We're one, but we're not the same
0:51:17 > 0:51:21# We get to carry each other carry each other
0:51:21 > 0:51:25# One
0:51:33 > 0:51:36# Have you come here for forgiveness?
0:51:38 > 0:51:41# Have you come to raise the dead?
0:51:44 > 0:51:51# Have you come here to play Jesus to the lepers in your head?
0:51:54 > 0:51:58# Did I ask too much more than a lot?
0:51:59 > 0:52:03# You gave me nothing now it's all I got
0:52:04 > 0:52:08# We're one, but we're not the same
0:52:08 > 0:52:13# Well, we hurt each other then we do it again
0:52:13 > 0:52:19# You say love is a temple love a higher law
0:52:19 > 0:52:24# Love is a temple love the higher law
0:52:24 > 0:52:30# You ask me to enter but then you make me crawl
0:52:30 > 0:52:38# And I can't be holding on to what you got, when all you got is hurt
0:52:38 > 0:52:46# One love, one blood, one life you got to do what you should
0:52:49 > 0:52:58# One life with each other sisters, brothers
0:52:58 > 0:53:03# One life, but we're not the same
0:53:03 > 0:53:08# We get to carry each other carry each other
0:53:08 > 0:53:12# One
0:53:30 > 0:53:33# There's no-one else there's only us
0:53:35 > 0:53:39# No-one else, there's only us
0:53:41 > 0:53:44# No-one else, there's only us
0:53:46 > 0:53:49# No-one else, there's only us
0:53:50 > 0:53:53# Ooh-ooh
0:53:56 > 0:53:58# Ooh-ooh
0:54:01 > 0:54:04# Ooh-ooh
0:54:06 > 0:54:09# Ooh-ooh. #
0:54:15 > 0:54:19CHEERING AND APPLAUSE
0:54:22 > 0:54:24The brilliant One, love that song.
0:54:24 > 0:54:27Now, what an amazing evening we have had.
0:54:27 > 0:54:29That's almost all we've got time for
0:54:29 > 0:54:32but there is room for one final song.
0:54:32 > 0:54:33A big thank you for watching
0:54:33 > 0:54:37and a big thank you to Larry, Adam, Bono and The Edge.
0:54:37 > 0:54:41Ladies and gentlemen, put your hands together for the one, the only U2.
0:54:41 > 0:54:44CHEERING
0:54:47 > 0:54:50SONG: Love Is Bigger Than Anything In Its Way
0:54:52 > 0:54:56# It's not time to make a change
0:54:56 > 0:55:00# Just relax and take it easy
0:55:00 > 0:55:02- # You're still young THE EDGE:- One, two, three, four
0:55:02 > 0:55:05# That's not your fault
0:55:05 > 0:55:08# There's so much you have to know
0:55:08 > 0:55:11# Find a girl, settle down
0:55:12 > 0:55:16# If you want, you can marry
0:55:16 > 0:55:18# Look at me, I'm old
0:55:19 > 0:55:21# But I'm happy
0:55:28 > 0:55:35# The door is open to go through
0:55:36 > 0:55:40# If I could, I would come too
0:55:41 > 0:55:46# But the path is made by you
0:55:46 > 0:55:50# As you're walking start singing and stop talking
0:55:50 > 0:55:54# Oh
0:55:55 > 0:55:59# If I could hear myself when I say
0:56:01 > 0:56:04# Oh
0:56:06 > 0:56:12# Love is bigger than anything in its way
0:56:12 > 0:56:17# Oh-oh-oh-oh-oh-oh
0:56:17 > 0:56:22# Oh-oh-oh-oh-oh-oh
0:56:22 > 0:56:29# So young to be the words of your own song
0:56:30 > 0:56:34# I know the rage in you is strong
0:56:36 > 0:56:40# So write a world where we can belong
0:56:40 > 0:56:44# To each other and sing it like no other
0:56:44 > 0:56:48# Oh
0:56:49 > 0:56:53# If I could hear myself when I say
0:56:55 > 0:56:59# Oh
0:57:01 > 0:57:06# Love is bigger than anything in its way
0:57:06 > 0:57:10# Oh-oh-oh-oh-oh-oh
0:57:11 > 0:57:16# Oh-oh-oh-oh-oh-oh
0:57:16 > 0:57:22# If the moonlight caught you crying on Killiney Bay
0:57:22 > 0:57:27# Oh, sing your song let your song be sung
0:57:27 > 0:57:33# If you listen you can hear the silence say
0:57:33 > 0:57:38# When you think you're done you've just begun
0:57:52 > 0:58:02# Love is bigger than anything in its way
0:58:02 > 0:58:13# Love is bigger than anything in its way
0:58:13 > 0:58:14# Oh-oh-oh-oh-oh-oh
0:58:14 > 0:58:22# Love is bigger than anything in its way
0:58:22 > 0:58:24# Oh-oh-oh-oh-oh-oh
0:58:24 > 0:58:30# Love is bigger Bigger
0:58:30 > 0:58:34# Nothing you can do that can't be done
0:58:34 > 0:58:36# All you need is love
0:58:36 > 0:58:44# Love is bigger than anything in its way
0:58:46 > 0:58:51# Love is bigger...#
0:58:55 > 0:58:56Thank you.
0:58:56 > 0:59:02# Love is bigger than anything in its way...
0:59:02 > 0:59:03Thank you so much.
0:59:07 > 0:59:17# Love is bigger than anything in its way. #
0:59:17 > 0:59:20CHEERING AND APPLAUSE