:00:08. > :01:21.This programme contains scenes of repetitive flashing images.
:01:22. > :01:24.Hello and welcome to the middle of the country
:01:25. > :01:27.Yes, it's the second annual BBC Music Awards
:01:28. > :01:29.here at Birmingham's Genting Arena, where an amazing line up
:01:30. > :02:05.Dressing rooms are bursting at the seams
:02:06. > :02:10.And the crowd of 10,000 people inside have waited long enough.
:02:11. > :02:29.# I've got fire for a heart I'm not scared of the dark
:02:30. > :02:35.# I got a river for a soul And baby you're a boat
:02:36. > :02:42.# If I didn't have you there would be nothing left
:02:43. > :02:45.# The shell of a man who could never be his best
:02:46. > :02:47.# If I didn't have you, I'd never see the sun
:02:48. > :02:51.# You taught me how to be someone, yeah
:02:52. > :03:00.# When no one else was ever behind me
:03:01. > :03:03.# All these lights They can't blind me
:03:04. > :03:07.# With your love, nobody can drag me down
:03:08. > :03:13.# When no one else was ever behind me
:03:14. > :03:16.# All these lights They can't blind me
:03:17. > :03:23.# With your love, nobody can drag me down
:03:24. > :03:38.# I got fire for a heart I'm not scared of the dark
:03:39. > :03:46.# I got a river for a soul And baby you're a boat
:03:47. > :03:51.# If I didn't have you there would be nothing left (nothing left)
:03:52. > :03:55.# The shell of a man who could never be his best (be his best)
:03:56. > :03:58.# If I didn't have you, I'd never see the sun (see the sun)
:03:59. > :04:02.# You taught me how to be someone, yeah
:04:03. > :04:09.# When no one else was ever behind me
:04:10. > :04:14.# All these lights They can't blind me
:04:15. > :04:18.# With your love, nobody can drag me down
:04:19. > :04:44.# All my life you stood by me When no one else was ever behind me
:04:45. > :04:47.# All these lights They can't blind me
:04:48. > :04:51.# With your love, nobody can drag me down
:04:52. > :04:55.# All my life you stood by me When no one else was ever behind me
:04:56. > :04:57.# All these lights They can't blind me
:04:58. > :04:59.# With your love, nobody can drag me down
:05:00. > :06:03.The BBC Music Awards! Come on. Here we are.
:06:04. > :06:16.Thank you for coming back to the BBC Music Awards to give
:06:17. > :06:22.You guys seem really energised. Is that because you love the album so
:06:23. > :06:30.much? Well, we really got to know it. And it feels nice. Feeling good.
:06:31. > :06:37.Good. So you figured out how to do it, and
:06:38. > :06:46.enjoy it, and then you stop. It sounds a simple plan but yes.
:06:47. > :06:57.Come on, why don't you put on the brakes, and say to the guys now you
:06:58. > :07:05.are going to continue on? Cam on! Chaps, I hear that you get I phones
:07:06. > :07:14.thrown at you? Yes. We have had that. We would prefer teddy bears.
:07:15. > :07:19.OK. OK. If you insist on having a brake. There is a spare place on Top
:07:20. > :07:26.Gear. One of you can have the job for the best favourite car.
:07:27. > :07:35.DV 5. That is the Aston Martin, nice.
:07:36. > :07:42.Ford Fiesta. X R2. Cool! How did you know it about
:07:43. > :07:44.that? I don't know. The DV 10.
:07:45. > :07:54.Nice. Fearne? Jaguar E Type Series 1.
:07:55. > :07:57.She gets the job. Go on, One Direction, off you go.
:07:58. > :08:03.Thanks, chaps. Over the next two hours,
:08:04. > :08:06.right here on this stage, will be live performances from some
:08:07. > :08:08.of the biggest artists Ellie Goulding, Hozier,
:08:09. > :08:11.James Bay, Years Years, Jess Glynne, Little Mix,
:08:12. > :08:12.Stereophonics, OMI, Paul Heaton
:08:13. > :08:14.Jacqui Abbott The Shires, Jack Garratt and rock legend himself
:08:15. > :08:20.- the one and only Mr Rod Stewart! Many of the artists you'll see
:08:21. > :08:23.are nominated for awards tonight. Five of these little beauties are up
:08:24. > :08:27.for grabs, including a new award this year for best BBC Live
:08:28. > :08:33.Performance. It's been an incredible year
:08:34. > :08:59.of music, so let's just enjoy some Time to turn it up, we are going
:09:00. > :09:12.live to Radio 1's Big Weekend. # Shake it off. Thank you, Radio 1!
:09:13. > :09:17.I want everybody to scream! Just an amazing 2015. 2015 has been an
:09:18. > :09:29.amazing year. Jump! Jump! Good evening and welcome
:09:30. > :09:43.to Horse Guard's Parade in St James, London.
:09:44. > :09:49.It's Disclosure! # Why, oh, why do you have to lie
:09:50. > :10:30.# We know what your made of. BBC Radio 2 Live in Hyde Park.
:10:31. > :10:39.# We were young and restless... # Stay with me...
:10:40. > :10:52.# Rule Britannia # Britannia rules the waves...
:10:53. > :10:57.# One more time... What an epic year of music.
:10:58. > :11:06.Another brilliant year. And James Bay fans, watch out for this unique
:11:07. > :11:08.twist on health and safety later on. And now for the next superstar
:11:09. > :11:17.performer. Back to the music now and time
:11:18. > :11:19.to whip yourselves up into a frenzy and go fifty shades
:11:20. > :11:22.of cray?zy for our next superstar You are officially number one in the
:11:23. > :11:30.UK. You have done the unthinkable. # You're the light, you're the night
:11:31. > :11:54.# You're the colour of my blood # You're the only
:11:55. > :11:59.thing I wanna touch # Never knew that it
:12:00. > :12:03.could mean so much, so much # 'Cause I've never been
:12:04. > :12:13.so high # Let me take you
:12:14. > :12:19.past our satellites # You can see the world
:12:20. > :12:27.you brought to life, to life # So love me like you do,
:12:28. > :12:33.la-la-love me like you do # Touch me like you do, ta-ta-touch
:12:34. > :12:43.me like you do # Fading in, fading out,
:12:44. > :12:54.on the edge of paradise # Every inch of your skin is a holy
:12:55. > :13:05.grail I've got to find # Only you can set my
:13:06. > :13:08.heart on fire, on fire # Love me like you do,
:13:09. > :13:32.la-la-love me like you do # Touch me like you do, ta-ta-touch
:13:33. > :13:42.me like you do # Love me like you do,
:13:43. > :13:54.la-la-love me like you do # Love me like you do, la-la-love me
:13:55. > :13:59.like you do (yeah) # Touch me like you do,
:14:00. > :14:06.ta-ta-touch me like you do # I'll let you set the pace
:14:07. > :14:27.# 'Cause I'm not thinking straight # My head's spinning around
:14:28. > :14:30.I can't see clear no more # Love me like you do,
:14:31. > :14:48.la-la-love me like you do # Love me like you do,
:14:49. > :14:53.la-la-love me like you do (yeah) # Touch me like you do,
:14:54. > :14:57.ta-ta-touch me like you do # Love me like you do,
:14:58. > :15:13.la-la-love me like you do (oh) # Touch me like you do,
:15:14. > :15:18.ta-ta-touch me like you do The wonderful Ellie
:15:19. > :15:49.Goulding - accompanied there by the fantastic BBC
:15:50. > :15:53.Concert Orchestra conducted by Steve Sidwell -
:15:54. > :16:00.back by popular demand. Let's hear it for the orchestra.
:16:01. > :16:05.Gorgeous. CHEERING AND APPLAUSE Last year Ed Sheeran
:16:06. > :16:07.was crowned British Artist of the Year and there's no shortage
:16:08. > :16:11.of talent vying for that award We'll be profiling the six nominees
:16:12. > :16:18.throughout the show, so here we go with nominee number
:16:19. > :16:36.one for British Artist I like this one! I can't help
:16:37. > :16:45.myself. When she sings, it's like this powerful explosion. It's
:16:46. > :16:49.awesome. Florence is emotional, passionate, but the fact she wrote
:16:50. > :16:56.the lyrics and music... That's the love affair right there. I started
:16:57. > :17:01.writing the lyrics for this album while I was still touring the last
:17:02. > :17:05.one. It's like little snippets of things that you start collecting in
:17:06. > :17:08.a notebook, and you look through and you have the beginnings of a song.
:17:09. > :17:22.There's quite a lot of descriptions of things that have happened, like
:17:23. > :17:27.Ship To Wreck. Perhaps I Said Something To Someone When I Was
:17:28. > :17:32.Drunk A Bit Too Soon! To Nail That Performance At Glastonbury. I Love
:17:33. > :17:38.The Epic Nature Of Glastonbury. It's A Beast That You Are In The Middle
:17:39. > :17:41.Of. It's Transformative. Florence At Glastonbury, The Friday Night
:17:42. > :17:45.Headliner. In The Middle Of The Crowd At The Front, And It Was Hands
:17:46. > :17:51.Down The Gig Of The Year For Me. Florence Live Is The Most Enjoyable
:17:52. > :17:57.Experience Because She's Completely Immersed In The Music, And Because
:17:58. > :18:01.She Is, You Jump In With Her. It's A Big Weights That's Lifted Off,
:18:02. > :18:03.Because It's Not Your Own Experience, It's The Collective
:18:04. > :18:15.Experience That Everyone Is Having. I Think It's Quite Healing. Lyrics
:18:16. > :18:24.Florence Has Become A Force To Be Reckoned With. I don't thing she can
:18:25. > :18:31.do any wrong at the moment. What can I possibly do next? Just keep
:18:32. > :18:47.expanding, musically, really. Keep doing things I find exciting.
:18:48. > :18:52.Isn't it true you quite like Florence? I really like her...
:18:53. > :18:53.Moving on... Our next band are coming to the end
:18:54. > :18:56.of a hugely successful tour but have still found time
:18:57. > :18:59.to squeeze in an extra special performance
:19:00. > :19:09.just for us tonight. Are you ready for the Stereophonics?
:19:10. > :19:15.They are playing every signal festival this season. This music
:19:16. > :19:19.industry, there's no business like it, no business I know. Welcome to
:19:20. > :19:24.the Stereophonics. Ladies and gentlemen
:19:25. > :19:42.Stereophonics... # Yeah you believe you're
:19:43. > :19:46.the king of the jungle, # You got the t-shirt,
:19:47. > :19:49.do you know how the song goes. # You're looking good
:19:50. > :19:52.but the fact is you're lazy, # 7-11, buy a six pack o'beer,
:19:53. > :20:03.you're funny and crazy. # If there's a party you're
:20:04. > :20:06.the last one to leave it. # It's not too late,
:20:07. > :20:09.we can stop all the dreamin', # Get out this town,
:20:10. > :20:11.look around, we don't need it. # Hell and heaven,
:20:12. > :20:13.they can wait for you, # (We don't belong anywhere)
:20:14. > :20:19.that you want to do. # I said, come on pretty baby,
:20:20. > :20:24.take a chance on me, # It's a shame on me
:20:25. > :20:26.cause I didn't see, # That you were looking at me baby
:20:27. > :20:29.by the ferris wheel. # I know you're cool but you think
:20:30. > :20:32.that you're chocolate, # Get off my nerves,
:20:33. > :20:34.cause I still got a soft spot. # You look at me, you think
:20:35. > :20:37.I got all the answers, # Maybe I do, but I'm
:20:38. > :20:39.scared takin' chances. # Floating our bottle,
:20:40. > :20:43.but we aint sailing nowhere, # Rip out the cork, get
:20:44. > :20:46.the wind into our hair. # Get off the train
:20:47. > :20:48.in the rain at the station, # Knock back the drink,
:20:49. > :20:53.cause we think the boat's sinkin'. # Hell and heaven,
:20:54. > :20:55.they can wait for you, # (We don't belong anywhere)
:20:56. > :21:02.that you want to do. # I said, come on pretty baby,
:21:03. > :21:06.take a dance with me. # I said, a shame on me
:21:07. > :21:09.cause I didn't see, # That you were looking at me baby
:21:10. > :21:12.by the ferris wheel. # I said a stand by me,
:21:13. > :21:14.stick around with me, # Cause it's a long walk back
:21:15. > :21:18.to where we've just been. # I said, a hey there baby
:21:19. > :21:21.so you're banking on me, # I just I wish I never
:21:22. > :21:25.found her but hey C'est la vie. # I said they're playing
:21:26. > :21:28.our song on the radio, # And we're singing out loud,
:21:29. > :21:40.all the words that we know # And it's a long tongue
:21:41. > :21:43.Sally pickng on Peggy Sue # Oh it's about me and you cause
:21:44. > :21:46.it's time that we grew, # And you said yeah yeah
:21:47. > :21:49.yeah come along with me, # And then you think all the things
:21:50. > :21:52.that you want to see, # I said a woah pretty baby
:21:53. > :21:55.come and take my hand # I'm gonna shake you all night,
:21:56. > :21:58.baby yes I can, whoa! # Such as life in
:21:59. > :22:00.the rear view mirror, # The open road up
:22:01. > :22:02.ahead is the future. # Time came round and
:22:03. > :22:04.wrecked our place, # (We don't belong anywhere)
:22:05. > :22:09.I got a smile on my face. # Come on baby take
:22:10. > :22:11.a chance with me, # Stick around on the town
:22:12. > :22:13.if you wanna see. # We don't belong anywhere
:22:14. > :22:16.is what she said to me, # So come on, take a dance
:22:17. > :22:19.and spin around with me. # She said shout now baby,
:22:20. > :22:21.set me free C'est la vie, # I said I'll stand by me,
:22:22. > :22:26.stick around with me. # And when the street lights fall,
:22:27. > :22:29.you can buy my beer, # Yeah yeah,
:22:30. > :22:35.comes, I'll be gone C'est la vie. Thank you to Kelly,
:22:36. > :23:19.Richard, Adam, Jamie - Seven number one albums can't be
:23:20. > :23:28.wrong. Believe it or not, in two
:23:29. > :23:30.days' time Frank Sinatra would have celebrated
:23:31. > :23:32.his 100th birthday. Steve, please could
:23:33. > :23:34.you give us a burst of the most well-known
:23:35. > :23:36.Sinatra track in the world. New York, New York -
:23:37. > :24:11.that is an irresistible singalong This is what happens when you are
:24:12. > :24:20.out shopping in Birmingham, and you sing to a screen. It's a special
:24:21. > :24:27.type of oke you wouldn't get anywhere else in the world. People
:24:28. > :24:33.in New York watch out. Because in Birmingham we have set the bar.
:24:34. > :24:45.# These little town blues # Are melting away.
:24:46. > :25:04.# I'll make a brand new start of it in old New York
:25:05. > :25:26.That's better than rehearsal, I have to say. Well done, Birmingham.
:25:27. > :25:30.of Birmingham and to our 10,000 strong karaoke choir
:25:31. > :25:38.Next up we've got a performance of one of the biggest
:25:39. > :25:41.songs of the year, from a young Irish man who's also up for two
:25:42. > :25:53.Hozier as had an amazing year. Incredibly talented singer
:25:54. > :25:59.songwriter. Glastonbury was a big deal for me. Making waves all over
:26:00. > :26:04.the world. Winning Grammys, taking over the world. Definitely has a
:26:05. > :26:05.long career ahead of him. Some of the best lyrics and songs we've
:26:06. > :26:08.heard in 2015. # She tells me
:26:09. > :26:45."Worship in the bedroom" # I'll worship like a dog
:26:46. > :27:17.at the shrine of your lies # I'll tell you my sins
:27:18. > :27:20.and you can sharpen your knife # If I'm a pagan
:27:21. > :27:31.of the good times # I'll worship like a dog
:27:32. > :27:35.at the shrine of your lies # I'll tell you my sins
:27:36. > :27:38.and you can sharpen your knife # If I'm a pagan
:27:39. > :27:46.of the good times # Something meaty
:27:47. > :28:01.for the main course # I'll worship like a dog
:28:02. > :28:22.at the shrine of your lies # I'll tell you my sins
:28:23. > :28:26.so you can sharpen your knife # I'll worship like a dog
:28:27. > :28:38.at the shrine of your lies # I'll tell you my sins
:28:39. > :28:41.so you can sharpen your knife # There is no sweeter innocence
:28:42. > :29:04.than our gentle sin # In the madness and soil
:29:05. > :29:11.of that sad earthly scene # I'll worship like a dog
:29:12. > :29:43.at the shrine of your lies # I'll tell you my sins
:29:44. > :29:46.and you can sharpen your knife # Good God, let me
:29:47. > :29:53.give you my life # # I'll worship like a dog
:29:54. > :29:58.at the shrine of your lies # I'll tell you my sins
:29:59. > :30:01.and you can sharpen your knife # Good God, let me
:30:02. > :30:33.give you my life # That voice gets me every time.
:30:34. > :30:38.to performances by Little Mix, OMI, Jess Glynne and
:30:39. > :30:42.But now it's time for the first award of the night -
:30:43. > :30:47.This award has been voted for by the presenters
:30:48. > :30:50.and producers of TV and radio music programmes across the BBC
:30:51. > :30:53.as well as independent music journalists.
:30:54. > :30:57.And here to announce the winner we're delighted
:30:58. > :30:59.to introduce Birmingham's very own community leader and star
:31:00. > :31:20.You still working after all these years?
:31:21. > :31:26.You gingers need to give us other minorities a chance.
:31:27. > :31:33.Or as we have to refer to him nowadays, Ainsley Harriot.
:31:34. > :31:55.Another flashy dresser is Rod Stewart.
:31:56. > :32:01.He's about as Pakistani as you can get...
:32:02. > :32:13.Alright, relax, I was just coming to that.
:32:14. > :32:16.Before you open the envelope we need to take a look
:32:17. > :33:46.at the nominees for International Artist of the Year.
:33:47. > :33:54.Citizen Khan, please reveal the winner.
:33:55. > :34:00.How exciting! The BBC music award for International Artist of the
:34:01. > :34:05.Year, goes to... Taylor Swift! Hi, it's Taylor. I wish I could be with
:34:06. > :34:10.you but I'm on tour in Australia. But thank you so much for this.
:34:11. > :34:17.Oh, my gosh. This is really... This is nice. It is really heavy. Thank
:34:18. > :34:22.you so much for the BBC Music Award for International Artist of the
:34:23. > :34:27.Year. It was a real are highlight to play in Norwich. You were so
:34:28. > :34:32.supportive. I really appreciate you shipping this. That must have cost a
:34:33. > :34:35.lot. This is like, honestly it is really heavy. Thank you so much.
:34:36. > :34:47.It's amazing. Was that bad?! Congratulation, you
:34:48. > :34:49.utter ba parks, Taylor Swift. Well, done, Taylor.
:34:50. > :34:52.So far this year we've got One Direction,
:34:53. > :34:57.The Saturdays and McBusted all announcing that they're
:34:58. > :34:59.taking a break, but thankfully there's one brilliant band
:35:00. > :35:09.sticking around to give us our pop fix.
:35:10. > :35:15.Urge surely the biggest girl band in the world right now.
:35:16. > :35:22.2015 for us this year has been massive.
:35:23. > :35:27.# All the girls on the block knocking at my door
:35:28. > :35:30.# Wanna know what it is make the boys want more
:35:31. > :35:32.# Is your lover playing on your side?
:35:33. > :35:35.# Said he loves you but he ain't got time
:35:36. > :35:49.# Full of honey just to make him sweet
:35:50. > :35:51.# Crystal balling just to help him see
:35:52. > :35:58.# What he's been missing so come and get it
:35:59. > :36:14.# Take a sip of my secret potion I'll make you fall in love
:36:15. > :36:18.# For a spell that can't be broken one drop should be enough
:36:19. > :36:21.# I got the recipe and it's called black magic
:36:22. > :36:27.# Take a sip of my secret potion one taste and you'll be mine
:36:28. > :36:30.# It's a spell that can't be broken and'll keep you up all night
:36:31. > :36:34.# I got the recipe and it's called black magic
:36:35. > :36:46.# Need that magic to change him overnight
:36:47. > :37:06.# Take a sip of my secret potion I'll make you fall in love
:37:07. > :37:09.# For a spell that can't be broken one drop should be enough
:37:10. > :37:13.# I got the recipe and it's called black magic
:37:14. > :37:19.# Take a sip of my secret potion one taste and you'll be mine
:37:20. > :37:22.# It's a spell that can't be broken and'll keep you up all night
:37:23. > :37:28.# I got the recipe and it's called black magic
:37:29. > :37:37.# All the girls on the block knocking at my door
:37:38. > :37:42.# Wanna know what it is make the boys want more
:37:43. > :37:47.# All the girls on the block knocking at my door
:37:48. > :37:52.# Wanna know what it is make the boys want more
:37:53. > :37:57.# Take a sip from my secret potion I'll make you fall in love
:37:58. > :38:00.# For a spell that can't be broken one drop should be enough
:38:01. > :38:04.# Boy, you belong to me I got the recipe
:38:05. > :38:13.# Take a sip of my secret potion I'll make you fall in love
:38:14. > :38:16.# For a spell that can't be broken one drop should be enough
:38:17. > :38:22.# I got the recipe and it's called black magic
:38:23. > :39:11.Best girl band on the planet right there! Best girl band on the planet
:39:12. > :39:16.right now! Little Mix! Official! It is now time to take a look
:39:17. > :39:19.at our second nominee for the big award of the night -
:39:20. > :39:23.British Artist of the Year - and what a year this
:39:24. > :39:36.young man has had. I've not heard this one. Good beat
:39:37. > :39:45.to it. Really nice. Soothing. Oh, that's better. Like that? Who is
:39:46. > :39:51.this? Jam gee X Factor. Jamie was part of a band, X Factor.
:39:52. > :39:57.It is interesting seeing person being a part of a band and learning
:39:58. > :40:00.from that and then moving on and one of the interesting thing is creating
:40:01. > :40:08.sound. I love coming up with ideas. I was
:40:09. > :40:14.making music on the road with the band. When I got home I thought
:40:15. > :40:23.about doing it in the studio. I didn't think about putting it into
:40:24. > :40:29.an album until last year. His album, In Colour, it is a real
:40:30. > :40:32.onlyiage to the British race. The intricacy in the introduction is
:40:33. > :40:40.really, really high. I was trying to make it the best
:40:41. > :40:47.album that it could ever be. I am really glad to get it out of my head
:40:48. > :40:52.and I get to play. The sample for Out Of Places is
:40:53. > :40:57.always sung. It is usually something that is played at the end of the
:40:58. > :41:04.set. He is a very eclectic taste.
:41:05. > :41:07.When you listen to the music, he goes anywhere where. So it keeps you
:41:08. > :41:12.guessing. I just want to meet people and learn
:41:13. > :41:21.more, basically. There are no boundaries. Another brilliant
:41:22. > :41:27.Fearne, can I just say you're looking great tonight.
:41:28. > :41:36.And you're doing a really good job presenting.
:41:37. > :41:42.And you're a lovely person. I mean, like off the charts.
:41:43. > :41:44.(GETTING IT) Oh, it looks like I've found myself
:41:45. > :41:58.This record is number one in over 20 countries.
:41:59. > :42:04.The biggest yet in my music career. Such a party album.
:42:05. > :42:47.# Oh, I think that I found myself a cheerleader
:42:48. > :42:49.# She is always right there when I need her
:42:50. > :42:51.# Oh, I think that I found myself a cheerleader
:42:52. > :42:54.# She is always right there when I need her
:42:55. > :43:00.# Oh, I think that I found myself a cheerleader
:43:01. > :43:02.# She is always right there when I need her
:43:03. > :43:13.# She grants my wishes like a genie in a bottle, yeah, yeah
:43:14. > :43:31.# Oh, I think that I found myself a cheerleader
:43:32. > :43:33.# She is always right there when I need her
:43:34. > :43:35.# Oh, I think that I found myself a cheerleader
:43:36. > :43:39.# She is always right there when I need her
:43:40. > :44:24.I All my beautiful cheerleaders, let me hear you make some noise.
:44:25. > :44:29.# Baby, did I mention you're the only girl for me
:44:30. > :44:33.# Mama loves you too, she thinks I made the right selection
:44:34. > :44:40.# Oh, I think that I found myself a cheerleader
:44:41. > :44:44.# She is always right there when I need her
:44:45. > :45:07.# Oh, I think that I found myself a cheerleader
:45:08. > :45:23.Those dancers deserve a sit down. That's the shore.
:45:24. > :45:25.OMI's Cheerleader is one of our nominations for Song
:45:26. > :45:32.They say life begins at 40, which means that this song's
:45:33. > :45:43.# But now we've gone and thrown it all away.
:45:44. > :45:47.It's one of the greatest rock songs ever
:45:48. > :45:50.recorded, and it came in to the world 40 years ago.
:45:51. > :46:04.40 years since Bohemian Rhapsody was released. Amazing.
:46:05. > :46:16.Reproduction is amazing, so tight and crisp, and the fact it's all in
:46:17. > :46:32.different time signatures. Freddie! In his head, it was all there, Fred,
:46:33. > :46:34.but even then he was making it up as he went along.
:46:35. > :46:44.The first thing I heard was, mamma, just Kildemand. I thought it was
:46:45. > :46:50.brilliant, not knowing what was to come. -- just killed a man.
:46:51. > :46:57.I thought, how do exactly as I please.
:46:58. > :47:05.As many harmonies as possible. Just go over the top.
:47:06. > :47:14.The record company came to us and said, don't do it, it's too long and
:47:15. > :47:19.nobody will play it! Then you do the
:47:20. > :47:52.Wayne's World it now! It still holds up today, still one
:47:53. > :47:55.of my all-time favourite songs. Just a clever song, operatic, breaking
:47:56. > :48:04.down barriers. Timeous, absolutely timeless. That song is not only
:48:05. > :48:06.legendary, it's one of those songs that is one of the pillars of that
:48:07. > :48:11.era. Wait a minute Fearne,
:48:12. > :48:16.I see a little silhouetto There really is a little
:48:17. > :48:28.silhouetto of a man. TO THE GUITAR RIFF FROM BOHEMIAN
:48:29. > :48:54.RHAPSODY (ORCHESTRA) So lovely to have you here. What an
:48:55. > :48:58.incredible song. Did you know at the time you had something insanely
:48:59. > :49:01.special with that? I think we knew it was pretty amazing, but it wasn't
:49:02. > :49:06.that much of as a prize, because we had been complex for a while, since
:49:07. > :49:11.the first album. It was another one of those. And it was long, so there
:49:12. > :49:16.was a resistance from the media, but off it went. No stopping it. Have we
:49:17. > :49:22.figured out what it's about, does it matter? I think it's really good
:49:23. > :49:29.that we can't. Yes! Let's not figure it out ever. It's something out of
:49:30. > :49:33.Freddie's mind. His fevered brow cooked it up. If you watch the film
:49:34. > :49:39.about him, which will come out probably in the next millennium, you
:49:40. > :49:45.might find out. Last New Year's EV played a very special gig with Adam
:49:46. > :49:49.Lambert. Yes, it was for the BBC. And we will perform again pretty
:49:50. > :49:54.soon. Good news, you heard it first at the BBC Music Awards. It might be
:49:55. > :50:01.at the Isle of Wight festival in the summer. There's a scoop for you. You
:50:02. > :50:05.know a thing or two about performing live, so we are honoured you will
:50:06. > :50:07.stick around to reveal for us the BBC Live Performance of the Year
:50:08. > :51:47.award. Let's look at the nominated performances.
:51:48. > :52:01.Brian May to do the honours. The BBC music award for Live Performance of
:52:02. > :52:10.the Year goes to... Adele. Hello everybody, sorry I can't be there,
:52:11. > :52:13.but thank you so much for my award. Thank you to the BBC, hope you have
:52:14. > :52:23.a wonderful night and sorry I'm not there. We love you, Adele. She is so
:52:24. > :52:24.back. And Queen playing the Isle of Wight Festival, you heard it here
:52:25. > :52:46.first. It's the one everybody wants to
:52:47. > :52:57.dance to. Ed Sheeran is... LAUGHTER Lovely. Thinking out loud. I know
:52:58. > :53:01.who you are now! Ed Sheeran is taking the one-man band to the next
:53:02. > :53:06.level. Some people can only deliver a couple of songs, or 20 can do
:53:07. > :53:13.ballads and funk and pop, that's a quadruple threat. An album can take
:53:14. > :53:18.as much effort as he wanted to take. For me, it took every hour of my day
:53:19. > :53:23.for a long time. I made sure it was the record I wanted to make.
:53:24. > :53:26.Sometimes I think I'm really good friends with him, because we play
:53:27. > :53:34.him every single day and people never get tired of him. There's an
:53:35. > :53:37.insatiable love for Ed Sheeran. If you are a musician first, you can
:53:38. > :53:46.dabble in whatever genre you feel like. Ed Sheeran started out urban,
:53:47. > :53:54.then moved into pop, now he's on the Rudimentary label. He has a great
:53:55. > :53:59.power, and it comes from training, playing to big crowds with just a
:54:00. > :54:06.guitar and him. Definitely up there with the famous artists of all time,
:54:07. > :54:09.in his own league, and we adore him. It's interesting seeing his journey,
:54:10. > :54:12.working the clubs, to being one of the biggest selling artists around
:54:13. > :54:17.the world and it's a testament to his talent. I've learned more how to
:54:18. > :54:23.perform with bigger crowds and how to hold audiences a lot more. If
:54:24. > :54:30.everything ended today, I would be happy I've had that to show for it.
:54:31. > :54:55.CHEERING AND APPLAUSE Onstage, bringing that vision to
:54:56. > :55:01.life, that's the most exciting part. She's had so many number one
:55:02. > :55:09.singles. Everywhere. Make some noise for Jess Glynne.
:55:10. > :55:21.# Standing in a crowded room and I can't see your face
:55:22. > :55:25.# Well Standing in a crowded room and I can't see your face
:55:26. > :55:27.# Put your arms around me Tell me everything's OK
:55:28. > :55:30.# In my mind, I'm running round a cold and empty space
:55:31. > :55:41.# Just put your arms around me Tell me everything's OK
:55:42. > :55:49.# Break my bones but you won't see me fall, oh
:55:50. > :55:56.# The rising tide will rise against them all, oh
:55:57. > :56:07.# Cos I don't wanna walk on my own any more
:56:08. > :56:16.# I'm ready for this There's no denying
:56:17. > :56:20.# I'm ready for this You stop me falling
:56:21. > :56:24.# I'm ready for this I need you all in
:56:25. > :56:28.# I'm ready for this So darling, hold my hand
:56:29. > :56:35.# Soul is like a melting pot when you're not next to me
:56:36. > :56:43.# Tell me that you've got me and you're never gonna leave
:56:44. > :56:51.# Tryna find a moment where I can find release
:56:52. > :56:58.# Please tell me that you've got me and you're never gonna leave
:56:59. > :57:08.# Break my bones but you won't see me fall, oh
:57:09. > :57:14.# The rising tide will rise against them all, oh
:57:15. > :57:25.# Cos I don't wanna walk on my own any more
:57:26. > :57:34.# I'm ready for this There's no denying
:57:35. > :57:38.# I'm ready for this You stop me falling
:57:39. > :57:43.# I'm ready for this I need you all in
:57:44. > :57:49.# I'm ready for this So darling, hold my hand
:57:50. > :57:56.# So please don't make me wait cos I don't wanna break
:57:57. > :58:13.# That you don't make me wait and never let me break
:58:14. > :58:37.# I'm ready for this There's no denying
:58:38. > :58:41.# I'm ready for this You stop me falling
:58:42. > :58:46.# I'm ready for this I need you all in
:58:47. > :58:51.# I'm ready for this So darling, hold my hand
:58:52. > :59:09.Jess Glynne. The show has been lucky so far. Having a great time.
:59:10. > :59:12.Jess Glynne's Hold My Hand is another of our nominations
:59:13. > :59:17.As well as celebrating the best of this year's music we'd
:59:18. > :59:21.like to take a moment now to reflect on those who've given
:59:22. > :59:23.us some treasured musical memories and who we've sadly lost
:59:24. > :03:11.Gone but thanks to their music, never to be forgotten. What a
:03:12. > :03:13.marvellous live tribute from the BBC Concert Orchestra. How lovely was
:03:14. > :03:16.that. Years Years, Faithless,
:03:17. > :03:20.Rod Stewart, plus a fantastic musical collaboration,
:03:21. > :03:22.Greg James causes chaos and we find out which song you voted
:03:23. > :03:29.as Song of the Year. You've got to take your hat off
:03:30. > :03:38.to our next performer, just don't expect him
:03:39. > :03:46.to do the same. He really gets me at the heart. I
:03:47. > :03:52.love this guy. It is one of the recordings that I
:03:53. > :04:00.am the most proud of. He has been successful in the
:04:01. > :04:03.States, so he has had a great year. # Hold each other.
:04:04. > :04:31.# Hold back the river Let me look in your eyes
:04:32. > :04:42.# Can stop for a minute and see where you hide
:04:43. > :05:22.# Hold back the river Let me look in your eyes
:05:23. > :05:29.# Can stop for a minute and be by your side
:05:30. > :05:36.# Hold back the river Let me look in your eyes
:05:37. > :05:44.# Can stop for a minute and see where you hide
:05:45. > :06:36.# Hold back the river Let me look in your eyes
:06:37. > :06:43.# Can stop for a minute and be by your side
:06:44. > :06:51.# Hold back the river Let me look in your eyes
:06:52. > :06:58.# Can stop for a minute and be by your side
:06:59. > :08:17.James Bay. Nominated for three Grammys as well.
:08:18. > :08:19.I know. What a year. There is James, performing on a show
:08:20. > :08:23.There is James, performing on a show like this.
:08:24. > :08:26.come on stage and entertain thousands of people.
:08:27. > :08:28.How difficult do you think that could possibly be?
:08:29. > :08:31.Well if Madonna's infamous fall, or Dave Grohl's broken leg
:08:32. > :08:33.are anything to go by, it represents a real challenge
:08:34. > :08:39.We wanted to avoid any mishaps here, so we asked Radio 1's
:08:40. > :08:42.Greg James to brief all our performers tonight on how
:08:43. > :08:56.Attention, gentleman! Right, welcome to back stage at the BBC Music
:08:57. > :09:01.Awards it is my job to keep you all safe and to keep harm at bay. The
:09:02. > :09:07.most important thing to remember... Don't touch anything! I mean...
:09:08. > :09:14.Sorry. Can you hold that a second? Hello? I will have to call you book,
:09:15. > :09:26.I'm doing a briefing. OK. Where's he gone? Oh, come on, mate.
:09:27. > :09:34.Sorry mate. You all right. Take it easy. You shouldn't have let
:09:35. > :09:38.go. That's one of your songs.
:09:39. > :09:46.The red carpet emergency. It is my job to tell you how to run off the
:09:47. > :09:53.carpet here. We are doing this in your high heels.
:09:54. > :10:03.Can you not just take those off. If there is a fire? Look, heel, toe,
:10:04. > :10:15.heel, toe, and that is easy, you get the idea? And then you come back...
:10:16. > :10:26.Oh! Gentleman, welcome to the artists' catering. There is hot food
:10:27. > :10:33.all over the place. Ah! Oh! OK! Welcome to back stage at the BBC
:10:34. > :10:37.Music Awards. There are hazards everywhere, believe me, I learned
:10:38. > :10:44.the hard way. I'll be keeping an eye out for
:10:45. > :10:48.anything that catches... Ah! This is a classic example. What DOW if you
:10:49. > :11:00.see a hazard like this? Exactly, nothing. Leave it to the
:11:01. > :11:07.professionals! I'm fine! This is a tough day! Niall welcome to the main
:11:08. > :11:12.stage. A few things before the performance later. Have you done a
:11:13. > :11:16.stage dive before? Never done it. I find it quite dangerous.
:11:17. > :11:19.OK. I'm going to show you how to stage dive.
:11:20. > :11:27.Are you sure you know how to do it? Easy. You take a run up. I have a
:11:28. > :11:33.crash mat to break my fall. On the night there will be lots of people
:11:34. > :11:45.to catch you. OK. Ready? Yes. So, watch and learn. Ah... ! Greg? .
:11:46. > :11:52.I don't know. Hello darling.
:11:53. > :11:56.Greg?! Very good. That was a great one.
:11:57. > :12:00.Let me assure you that no DJs were harmed in the making of that
:12:01. > :12:02.film, and just to prove it, let's invite him out
:12:03. > :12:05.here to present our next award winner, along with Radio 2 presenter
:12:06. > :12:18.Come on, Greg. He looks all right now.
:12:19. > :12:25.He's scrubbed up. Scrubbed up very well. I'm fine. It
:12:26. > :12:29.was very good. Glad you're OK. I'm fine.
:12:30. > :12:33.But, of course, Greg was not around a few years ago when Fearne got into
:12:34. > :12:42.all sorts of bother. Look at this.
:12:43. > :12:50.Oh, no. Oh, my God! How did that happen?!
:12:51. > :12:53.What happened there, then? Someone hadn't unlocked the door. I ran
:12:54. > :12:58.quite fast. She survived.
:12:59. > :13:03.You needed a key. Can I say how lovely you looked in
:13:04. > :13:10.high heels. It is a real look for you.
:13:11. > :13:14.Thank you. Working the calves. Jovment o, you have been back stage.
:13:15. > :13:21.What is the atmosphere like? It's been great. One Direction have been
:13:22. > :13:25.in the Jacuzzi together. And Little Mix are there. It is all fun.
:13:26. > :13:28.The award you're here to present is for Song of the Year.
:13:29. > :13:31.Now, this was a public vote on a shortlist of 10 songs.
:13:32. > :13:35.The shortlist consisted of the 10 songs which had the most airplay
:13:36. > :13:38.this year across Radio 1, Radio 2, 1xtra and 6 Music.
:13:39. > :13:40.And yesterday you, along with the viewers and listeners,
:13:41. > :15:49.Here's a reminder of the ten biggest songs of 2015.
:15:50. > :16:00.There we go, some incredible songs. Time to announce it. Jo Whiley
:16:01. > :16:06.doesn't open her own envelopes. She doesn't get paper cuts. I will do
:16:07. > :16:25.the reading. The BBC music award for Song of the Year goes to... Hozier.
:16:26. > :16:54.Thank you very much. Thank you so much. I genuinely was not expecting
:16:55. > :17:01.that. Especially looking at the other nominations, some absolute
:17:02. > :17:09.juggernauts there. Some amazing songs, so to be among them was an
:17:10. > :17:14.honour and to win is a shock. Thank you so much to anyone who voted, all
:17:15. > :17:22.the fans, and coming as an outsider to the UK, it's a real honour and
:17:23. > :17:25.joy. Thank you for voting. Thank you to the BBC, because I guess you
:17:26. > :17:32.wouldn't have heard the song if the BBC hadn't supported it. Thank you
:17:33. > :17:36.to the DJs and the BBC and my manager, Caroline, Dennis, my folks,
:17:37. > :17:50.John and Lorraine, they are in the audience somewhere. My agents, Kirk,
:17:51. > :17:53.Emma, and everybody at Island Records.
:17:54. > :17:56.Next up is a musical collaboration I'm very excited about,
:17:57. > :17:58.featuring two singers who've been lighting up the stage for years,
:17:59. > :18:05.and a duo whose journey has just begun.
:18:06. > :18:16.Hit record, sell-out tours, people are thrilled to hear them sing
:18:17. > :18:18.together again. And The Shires. The first UK country act to sign for a
:18:19. > :18:20.major national label. Please welcome Paul Heaton,
:18:21. > :18:43.Jacqui Abbott and The Shires # And he's waiting
:18:44. > :18:49.at the door for me # Got my love and it fits me
:18:50. > :18:58.like a glove # Sugar is the centre
:18:59. > :19:21.of the honeycomb # Sweeter still the heart
:19:22. > :19:25.that actually owns my own # Well, they'll say
:19:26. > :20:13.it's way too cold # And they won't be drinking
:20:14. > :20:26.moonshine but G and T's # Dancing with sweet country girls
:20:27. > :20:43.all night # They'll leave
:20:44. > :21:05.their villlage greens # I'm standing here
:21:06. > :21:33.outside your door # Already I'm so lonesome
:21:34. > :21:56.I could die # Hold me like
:21:57. > :22:42.you'll never let me go # So many times I've let you down
:22:43. > :22:48.# So may times I've played around # I'm telling you now, they don't
:22:49. > :22:53.# Tell me that you'll wait for me # Hold me like
:22:54. > :22:57.you'll never let me go How wonderful to hear those
:22:58. > :23:25.two groups together. The Shires, Paul Heaton and Jacqui
:23:26. > :23:28.Abbott. Now here's our fourth
:23:29. > :23:49.nominee for the big one - # Hello, it's me. It's Adele. I
:23:50. > :23:59.think it was going to be Lionel Richie's hello... You know! I feel
:24:00. > :24:06.at peace when I listen to her songs. I like this one, Adele. Adele. Less
:24:07. > :24:10.than a week after releasing her third album, London Adele, is set to
:24:11. > :24:15.break records on both sides of the Atlantic. She's nailed it with the
:24:16. > :24:20.third album. It's the biggest selling British album ever. It will
:24:21. > :24:28.be a timeless record, already the biggest record in the world.
:24:29. > :24:37.# I've been walking in the same way. It's wonderful when you see people
:24:38. > :24:41.evolve. When you see an artist, unlike Adele, who can deliver her
:24:42. > :24:44.songs perfectly with an acoustic guitar, and then do a James Bond
:24:45. > :24:52.song with an orchestral, it's a great artist. To see her on the BBC,
:24:53. > :25:03.it reminded me of when she performed Hometown Glory on a rainy afternoon
:25:04. > :25:13.in a wet car park. # Round my hometown... Adele
:25:14. > :25:18.disappeared for three years pretty much. No social media or public
:25:19. > :25:21.appearances. Lived a normal life, made a record and came back, and has
:25:22. > :25:31.made the biggest impact in music in so long. She's one of the greatest
:25:32. > :25:37.singers I've ever recorded. Every time she sings a line differently,
:25:38. > :25:46.there's no bad line, just different nuance in it. I love, not just her
:25:47. > :25:50.voice, but she's a singer-songwriter, and she is
:25:51. > :25:59.unique. You know that's her voice, no matter what song she's singing.
:26:00. > :26:01.Now, BBC Introducing is something genuinely brilliant and has
:26:02. > :26:06.Florence and The Machine and James Bay.
:26:07. > :26:08.It takes some of the amazing emerging and unsigned acts
:26:09. > :26:11.from around the country and shines a much deserved spotlight on them.
:26:12. > :26:14.They get exposure, and we get to hear some incredible new sounds,
:26:15. > :26:22.Here's Jools Holland to tell us more.
:26:23. > :26:28.BBC introducing is great, because it means there's a window for new
:26:29. > :26:30.people. The BBC has always helped things evolve. If nobody does that
:26:31. > :26:53.we become stagnant. I think the most exciting discovery
:26:54. > :26:58.this year, for me, is Jack Garratt. I'm not sure I'd seen anyone do what
:26:59. > :27:03.he does. He writes, plays every instrument, sings and produces all
:27:04. > :27:08.his own music. The music I write is essentially what I want to listen
:27:09. > :27:12.to. I nearly one onstage, and what I'm doing is playing lots of
:27:13. > :27:16.different things at the same time. I physically don't have the seven
:27:17. > :27:22.limbs I need to do my show, so the best way to do that was to leave
:27:23. > :27:27.some stuff out. # Let me be something... When I loop
:27:28. > :27:32.I want to make it as quickly and efficiently as possible to get into
:27:33. > :27:40.the song. That's what people want to enjoy, when the chorus lifts and you
:27:41. > :27:43.can feel the song within you. People kept saying come you've got to
:27:44. > :27:48.listen to him, he's totally up my street. I just remember being
:27:49. > :27:54.absolutely shocked by him, like, by what he could do, just one man. He's
:27:55. > :27:56.got so much more to give. I think Jack Garratt is one to watch for
:27:57. > :28:03.next year. Let's meet the man himself,
:28:04. > :28:06.please welcome the electronic one Jack, it is our absolute pleasure
:28:07. > :28:16.to present you with the BBC It's all yours. Thank you so much,
:28:17. > :28:36.it's such an honour. It's exactly that, it's been crazy.
:28:37. > :28:40.So unbelievable, it is, and gone so quickly, and I'm so looking forward
:28:41. > :28:47.to the next year. So many more good ones to come, that's for sure. Would
:28:48. > :28:49.you like Jack to play this evening? I will play the Song kicked it off
:28:50. > :28:55.for me, I will play Worry. While Jack prepares himself,
:28:56. > :28:58.there's just time for me to let you know about the next big live
:28:59. > :29:02.music event on BBC One. It's on New Year's Eve either side
:29:03. > :29:07.of the midnight fireworks. Bryan Adams will be treating us
:29:08. > :29:10.to many of his greatest hits in a special concert,
:29:11. > :29:11.live in London. And other music television on New
:29:12. > :29:23.Year's Eve, check your listings. And now here he is, the BBC
:29:24. > :29:26.Introducing Artist of the Year, # My nights are broken up by the
:29:27. > :29:41.sounds of women I'll never meet # My nights are broken up
:29:42. > :29:44.by the sounds of women I'll never # And when my eyes are closed I can
:29:45. > :29:51.start to feel you staring at me # Has always left me
:29:52. > :30:06.feeling stuck in between # Everything I know and all the lies
:30:07. > :30:10.I tell myself so I can sleep # Don't you worry about it
:30:11. > :30:35.Don't you worry about it # And let me worry about it
:30:36. > :30:46.Let me worry about it # You came around to say that you've
:30:47. > :30:49.been away like I hadn't known # As if I don't wake up
:30:50. > :30:55.every single day not seeing you go # As if this moon of ours only
:30:56. > :31:10.shines a half to make me feel whole # In every step I take
:31:11. > :31:26.when the wind blows # Don't you worry about it
:31:27. > :31:33.Don't you worry about it # And let me worry about it
:31:34. > :32:48.Let me worry about it Thank you, Birmingham! For Jack
:32:49. > :32:53.Garratt there. Awesome.
:32:54. > :32:56.Just incredible. An incredible performance En from an
:32:57. > :32:59.incredibly talented young man. Our next nominees for British Artist
:33:00. > :33:07.of the Year are another They began the year by winning
:33:08. > :33:11.the BBC Music Sound Of... poll and have gone from
:33:12. > :33:23.strength to strength. Go dance! I'm a big fan of Years
:33:24. > :33:27.Years. It's been a crazy year. There have
:33:28. > :33:32.been so many highlights. Glastonbury.
:33:33. > :33:38.Number one single. Number one album. Yeah, it's been insane.
:33:39. > :33:42.Years Years, they are the perfect pop, dance, hybrid. It is very hard
:33:43. > :33:50.to get it right. I think they have done it very well.
:33:51. > :33:57.They were the band on everyone's lips, and they were tipped to
:33:58. > :34:04.succeed. I Was A King Under Your Control.
:34:05. > :34:10.That was going out on a limb. At first it did not make sense. But we
:34:11. > :34:16.went with it. I like the bit on the key boards.
:34:17. > :34:21.That's my favourite bit of the song. Owl of the bits he is not in are the
:34:22. > :34:26.best. They are a real bunch of proper
:34:27. > :34:30.musicians. We started writing songs because we
:34:31. > :34:36.wanted to play them live. Every festival wanted to book them.
:34:37. > :34:42.Reading, Leeds, Glastonbury. They have been inescapable this year. The
:34:43. > :34:52.first festival, the crowd takes you back. It takes you back.
:34:53. > :34:57.I can't sing! We are touring for most of next year.
:34:58. > :35:01.We will start to look at writing new stuff maybe next year and see what
:35:02. > :35:08.happens, I think! The aim is to get a level of fame with just one
:35:09. > :35:14.lecture, a few prints... So many! And I'm delighted to say they're
:35:15. > :35:18.here with us tonight to perform their number
:35:19. > :35:20.one single King. # I caught you watching me
:35:21. > :35:41.under the light # They say it's easy
:35:42. > :35:49.to leave you behind # All that I've compromised
:35:50. > :36:07.to feel another high # Don't you remember
:36:08. > :36:45.how I used to like # I dreamed you dreamed of me
:36:46. > :36:54.Calling out my name # All that I've compromised
:36:55. > :37:10.to feel another high # Let go, let go
:37:11. > :39:15.Let go of everything. # So good. Years Years. I want his
:39:16. > :39:29.It's time to reveal the last nominee for British Artist of the Year.
:39:30. > :39:43.This is... Foals! I know Foals. Wow! Foals are an example of a British
:39:44. > :39:47.band that have put the graft in, touring, the world releasing
:39:48. > :39:50.incredible albums. It feels like they have reached their peak in
:39:51. > :39:55.2015. . I love them. I love them life. I
:39:56. > :40:05.love their energy, their noise. For me they are the most exciting
:40:06. > :40:10.British band right now. Every album is so different. They
:40:11. > :40:15.have clearly looked at it, and gone, we have done that, let's move on.
:40:16. > :40:20.The sound of the record going down is the sound of us maturing with
:40:21. > :40:24.moments of experimentation, and straight up pop moments and some of
:40:25. > :40:28.the heaviest moments that we have ever written as well.
:40:29. > :40:32.They are so incredibly innovative, they are in your face, they are
:40:33. > :40:40.fierce and they make incredible music. I have seen Yanus climb up
:40:41. > :40:47.the tallest speakers and jump into the crowd. He always seems to get
:40:48. > :40:51.away with it. I don't know how. We are super tense, superpassionate,
:40:52. > :41:01.and we just try to smash it every night.
:41:02. > :41:08.Now, The Proms - a 120 year old British institution -
:41:09. > :41:10.this year combined all that pomp and circumstance with another
:41:11. > :41:12.British institution that's been going for just 20 years -
:41:13. > :41:16.For one night only, the Royal Albert Hall became
:41:17. > :41:18.Playa d'en Bossa, with waving flags replaced by waving glow sticks,
:41:19. > :41:22.and in place of Rule Britannia, a British dance anthem
:41:23. > :41:40.20 years since Insomnia was released.
:41:41. > :41:43.I never tire of this record. Over 15 million records sold
:41:44. > :41:48.worldwide. The huge legacy.
:41:49. > :41:53.They are absolutely amazing. Make some noise for Faithless!
:41:54. > :43:09.Yes, Birmingham, let me see some hands up here right now.
:43:10. > :43:15.# And I need to get some rest # Yo, where's the sense?
:43:16. > :43:17.# I confess, I burnt a hole in the mattress
:43:18. > :43:29.# Yes, yes, it was me I plead guilty
:43:30. > :43:40.# I can't sleep Something's all over me
:43:41. > :43:47.# Please release me and let me dream of making mad love on the heath
:43:48. > :43:56.# But there's no relief I'm wide awake in my kitchen,
:43:57. > :44:02.# Oh, if I could only get some sleep
:44:03. > :45:42.Thank you, Birmingham, wicked as always. You are beautiful, man.
:45:43. > :45:48.CHEERING AND APPLAUSE So it's time for the big one,
:45:49. > :45:51.and here to reveal the winner of the British Artist
:45:52. > :45:54.of the Year Award is To put his success into perspective,
:45:55. > :45:58.he's had more top ten albums in the UK than Michael Jackson
:45:59. > :46:02.and Beyonce put together. Please welcome, the one
:46:03. > :46:27.and only, Mr Rod Stewart! So lovely to have you here with us
:46:28. > :46:35.in Birmingham. Tell us about the new album you've got out. It's
:46:36. > :46:39.fantastic! It's called Another Country and it's really great.
:46:40. > :46:45.Delighted you are here with us. Performing shortly. After you reveal
:46:46. > :46:47.for us the British Artist of the Year. Let's remind ourselves of the
:46:48. > :47:01.six amazing nominees. I love, not just her voice, but she
:47:02. > :47:15.writes, she's a singer-songwriter. Definitely up there with the biggest
:47:16. > :47:23.artists of all time, isn't he, just in his own league.
:47:24. > :47:26.Florence has become a force to be reckoned with. She's reached a new
:47:27. > :47:41.level as an artist, performer. They are so incredibly innovative,
:47:42. > :47:50.in-your-face, fierce, and make incredible music.
:47:51. > :47:53.He has pretty eclectic take, everything from old soul records and
:47:54. > :48:05.this go to hard techno. Every festival wanted to book them,
:48:06. > :48:15.Reading, Leeds, Glastonbury. They have been inescapable this year.
:48:16. > :48:25.Tell us who the winner is. The winner this year is... A good north
:48:26. > :48:32.London girl, Adele! CHEERING AND APPLAUSE
:48:33. > :48:36.Thank you, British Artist of the Year, amazing. I've only just put
:48:37. > :48:40.out new music. I'm chuffed, thank you so much. I'm sorry I'm not
:48:41. > :48:44.there, but I would like to say a big hello and send my love to the other
:48:45. > :48:50.artists there tonight. I can't wait to see you all, and I know you now
:48:51. > :48:53.that I think you're all incredible. So that's all of our awards handed
:48:54. > :48:56.out for the evening, but it's not quite over yet,
:48:57. > :49:05.because we're about to hear What a man, what a career. I love
:49:06. > :49:14.Rod Stewart's voice. Everybody knows and loves this song. Rod Stewart,
:49:15. > :49:21.yes, I think he's sexy! Yes, I do. Please welcome Rod Stewart,
:49:22. > :49:32.performing Please. # Staring into space, wondering
:49:33. > :49:43.what to say # Look into my eyes, I ain't that
:49:44. > :49:47.kind of guy # It's cold outside and I can't bear
:49:48. > :49:54.you to go # Oh, the roads are frozen and
:49:55. > :50:03.I'm begging you not to drive home # Oh, let's leave our troubles
:50:04. > :50:19.behind # Let's keep each other warm,
:50:20. > :50:41.shelter from the storm # Give me a little time, tell me
:50:42. > :50:54.what's on your mind # It's a beautiful evening and I
:50:55. > :50:57.don't want it to end # Cos you're my type of woman and I
:50:58. > :51:03.want to be more than a friend # Oh, I promise I'll treat you
:51:04. > :51:14.right # Under the cold, clear, cool
:51:15. > :51:22.moonlight # And when the sun comes up, I'll
:51:23. > :51:47.be holding you close to my chest # I'm gonna love you some more and
:51:48. > :51:53.I'll bring you your breakfast in bed # Tell your friends you'll be
:51:54. > :52:03.just fine # Tell your friends you'll be
:52:04. > :52:14.just fine Now, with a legend in the building
:52:15. > :52:50.like Rod Stewart, we couldn't possibly let him go
:52:51. > :52:52.without asking him to treat us So stand by to sing your
:52:53. > :52:59.hearts out very shortly. I can pretty much guarantee
:53:00. > :53:05.there is no other show where you will see Rod Stewart
:53:06. > :53:08.and Faithless on the same bill! We've also had one of the last
:53:09. > :53:13.performances from One Direction, and one of the first of many arena
:53:14. > :53:16.performances from the incredible A huge thank you to all of our
:53:17. > :53:21.brilliant performers, Steve Sidwell and the BBC
:53:22. > :53:27.Concert Orchestra, That's almost it for this
:53:28. > :53:34.year's BBC Music Awards, We'd also like to thank Birmingham
:53:35. > :53:40.for being the best hosts. That's very kind, so,
:53:41. > :53:47.put it in your diaries. But now, as promised,
:53:48. > :53:50.we leave you in the very capable # Oh, Lord, to be
:53:51. > :57:43.near you To be free We are sailing... Stormy waters! To
:57:44. > :58:25.be near you... To be near you... Merry Christmas, everybody. Merry
:58:26. > :58:35.Christmas.