0:00:28 > 0:00:32It's becoming one of the most eagerly anticipated nights at the Proms -
0:00:32 > 0:00:34the annual appearance of John Wilson
0:00:34 > 0:00:38and his hand-picked, show-stopping orchestra.
0:00:38 > 0:00:41Since 2009, they've raised the roof here
0:00:41 > 0:00:43with concerts celebrating MGM musicals,
0:00:43 > 0:00:47Rodgers and Hammerstein and last year, we had Hooray For Hollywood.
0:00:47 > 0:00:50But this year, they're leaving America's West Coast
0:00:50 > 0:00:53and taking us to New York, to Broadway.
0:00:53 > 0:00:55John's magic is to recreate
0:00:55 > 0:00:59that authentic glamorous sound of the Broadway stage,
0:00:59 > 0:01:03taking us back to the golden days of George Gershwin, Richard Rodgers,
0:01:03 > 0:01:06Cole Porter and Leonard Bernstein.
0:01:06 > 0:01:10With him on stage tonight are his orchestra, led by Warren Zielinski
0:01:10 > 0:01:12and the Maida Vale singers.
0:01:12 > 0:01:16Waiting backstage are some seriously starry soloists.
0:01:16 > 0:01:19APPLAUSE AND CHEERING
0:01:27 > 0:01:28So take your seats, sit back
0:01:28 > 0:01:33and join us in this celebration of the composers, arrangers,
0:01:33 > 0:01:36singers and instrumentalists who created the Broadway sounds.
0:01:36 > 0:01:40APPLAUSE AND CHEERING
0:01:40 > 0:01:43And there he is, the man himself,
0:01:43 > 0:01:45John Wilson joining his own orchestra
0:01:45 > 0:01:48to start this evening's concert in style
0:01:48 > 0:01:51with the overture to George Gershwin's musical Funny Face.
0:08:18 > 0:08:20APPLAUSE
0:08:21 > 0:08:24The overture to Gershwin's Funny Face,
0:08:24 > 0:08:28arranged by Don Rose and played by John Wilson and his orchestra.
0:08:43 > 0:08:45Call them on, Ralph.
0:08:45 > 0:08:47On stage, everybody.
0:08:47 > 0:08:49I want to thank you all
0:08:49 > 0:08:52for the fine spirit you've shown all through rehearsals.
0:08:52 > 0:08:56Now, there'll be a gang down from New York. Don't let that worry you.
0:08:57 > 0:08:59This is a try-out
0:08:59 > 0:09:03and I know we're going to make a hell of a show out of this room.
0:09:03 > 0:09:07After all, we owe it to Shakespeare,
0:09:07 > 0:09:09not to mention the other six guys
0:09:09 > 0:09:11who've been sitting up nights rewriting him.
0:09:11 > 0:09:13That's all. Thank you.
0:09:15 > 0:09:18# Another opening, another show
0:09:18 > 0:09:21# In Philly, Boston or Baltimo
0:09:21 > 0:09:25# A chance for stage folks to say hello
0:09:25 > 0:09:28# Another opening of another show
0:09:28 > 0:09:31# Another job that you hope at last
0:09:31 > 0:09:34# Will make your future forget your past
0:09:34 > 0:09:38# Another pain where the ulcers grow
0:09:38 > 0:09:40# Another opening of another show
0:09:40 > 0:09:44# Four weeks You rehearse and rehearse
0:09:44 > 0:09:47# Three weeks and it couldn't be worse
0:09:47 > 0:09:51# One week, will it ever be right?
0:09:51 > 0:09:53# Then out of the hat It's that big first night
0:09:53 > 0:09:57# The overture is about to start
0:09:57 > 0:09:59# You cross your fingers
0:09:59 > 0:10:00# And hold your heart
0:10:00 > 0:10:03# It's curtain time and away we go
0:10:03 > 0:10:06# Another opening of another show
0:10:06 > 0:10:10# Another opening, another show
0:10:10 > 0:10:14# In Philly, Boston or Baltimo
0:10:14 > 0:10:16# A chance for stage folks to say hello
0:10:16 > 0:10:19# Another opening of another show
0:10:19 > 0:10:23# Another job that you hope at last
0:10:23 > 0:10:26# Will make your future forget your past
0:10:26 > 0:10:29# Another pain where the ulcers grow
0:10:29 > 0:10:33# Another opening of another show
0:10:33 > 0:10:36# Four weeks You rehearse and rehearse
0:10:36 > 0:10:39# Three weeks and it couldn't be worse.
0:10:39 > 0:10:42# One week, will it ever be right?
0:10:42 > 0:10:45# Then out of the hat It's that big first night
0:10:45 > 0:10:49# The overture is about to start
0:10:49 > 0:10:52# You cross your fingers and hold your heart
0:10:52 > 0:10:55# It's curtain time and away we go
0:10:55 > 0:10:59# Another opening of another show!
0:14:10 > 0:14:14# Four weeks You rehearse and rehearse
0:14:14 > 0:14:16# Three weeks and it couldn't be worse
0:14:16 > 0:14:20# One week, will it ever be right?
0:14:20 > 0:14:23# Then out of the hat It's that big first night
0:14:23 > 0:14:26# The overture is about to start
0:14:26 > 0:14:29# You cross your fingers and hold your heart
0:14:29 > 0:14:32# It's curtain time and away we go
0:14:32 > 0:14:36# Another opening Just another opening
0:14:36 > 0:14:43# Of another show! #
0:14:44 > 0:14:47APPLAUSE
0:14:47 > 0:14:50Anna-Jane Casey and the Maida Vale Singers
0:14:50 > 0:14:52with Another Op'nin', Another Show
0:14:52 > 0:14:55from Cole Porter's most successful ever show, Kiss me Kate.
0:15:01 > 0:15:05# Who cares if my boat goes upstream
0:15:05 > 0:15:11# Or if the gale bids me go with the river's flow?
0:15:12 > 0:15:18# I drift along with my fancy
0:15:18 > 0:15:24# Sometimes I thank my lucky stars my heart is free
0:15:26 > 0:15:30# And other times I wonder
0:15:30 > 0:15:34# Where's the mate for me?
0:15:36 > 0:15:40PIANO PLAYS SOLO
0:16:07 > 0:16:11# The driftwood floating over the sea
0:16:11 > 0:16:14# Sometimes finds a sheltering lee
0:16:14 > 0:16:17# So somewhere there surely must be
0:16:17 > 0:16:21# A harbour meant for me
0:16:23 > 0:16:29# I drift along with my fancy
0:16:29 > 0:16:36# Sometimes I thank my lucky stars my heart is free
0:16:37 > 0:16:43# And other times I wonder where's the mate... #
0:16:45 > 0:16:46Hello.
0:16:46 > 0:16:48Oh, er, how do you do?
0:16:48 > 0:16:51- Do you live here?- Oh, no, no.
0:16:51 > 0:16:53I'm just a wayfarer along the river.
0:16:53 > 0:16:54So am I.
0:16:54 > 0:16:56Which way are you going?
0:16:56 > 0:17:00Oh, either way. Which way are you going?
0:17:00 > 0:17:02Anywhere Poppa gives shows.
0:17:02 > 0:17:05Oh. Are you a player?
0:17:05 > 0:17:09You mean like on the piano? Yes, I play a little.
0:17:09 > 0:17:11Is that you I heard just now?
0:17:11 > 0:17:13Yes. That was me.
0:17:13 > 0:17:15Oh, what a pity.
0:17:15 > 0:17:17LAUGHTER
0:17:17 > 0:17:19What did you say, Mister?
0:17:19 > 0:17:23Oh, when I asked if you were a player, I meant, are you an actress?
0:17:23 > 0:17:28- Oh! No, but I'd give anything if I could be.- Why?
0:17:28 > 0:17:31Well, because you can make believe so many wonderful things
0:17:31 > 0:17:33that never happen in real life.
0:17:33 > 0:17:35Wonderful things DO happen.
0:17:35 > 0:17:40This very day, I was standing here on the levee, feeling blue
0:17:40 > 0:17:42and suddenly, I looked up and I...
0:17:45 > 0:17:47Oh. I must go.
0:17:47 > 0:17:49Why?
0:17:49 > 0:17:54Well, you see, you're talking to me, and...
0:17:54 > 0:17:55I don't know you.
0:17:55 > 0:17:58Does that really matter so much?
0:17:58 > 0:18:01No, not to me.
0:18:01 > 0:18:03But they say it isn't nice.
0:18:03 > 0:18:06Well, if you like to make believe things,
0:18:06 > 0:18:08why can't we make believe we know each other?
0:18:08 > 0:18:13Oh, yes! And we haven't seen each other in 75 years,
0:18:13 > 0:18:15and you're my long lost nephew.
0:18:15 > 0:18:19There's a scene like that in a play called The Village Drunkard.
0:18:19 > 0:18:22No, no, 75 years is too long.
0:18:22 > 0:18:25Besides, I don't think I like the idea of being your nephew.
0:18:27 > 0:18:30Let us imagine we've... we've just met.
0:18:30 > 0:18:32But we really have.
0:18:32 > 0:18:36Yes, but let's just suppose we've fallen in love at first sight.
0:18:36 > 0:18:42# Only make believe
0:18:42 > 0:18:45# I love you
0:18:45 > 0:18:48# Only make believe
0:18:48 > 0:18:53# That you love me
0:18:53 > 0:19:00# Others find peace of mind in pretending
0:19:00 > 0:19:02# Couldn't you?
0:19:02 > 0:19:05# Couldn't I?
0:19:05 > 0:19:08# Couldn't we?
0:19:09 > 0:19:14# Make believe our lips
0:19:14 > 0:19:18# Are blending
0:19:18 > 0:19:22# In a phantom kiss
0:19:22 > 0:19:26# Or two or three
0:19:26 > 0:19:34# Might as well make believe I love you
0:19:36 > 0:19:40# For to tell the truth
0:19:41 > 0:19:46# I do
0:19:46 > 0:19:51# Your pardon I pray
0:19:51 > 0:19:55# 'Twas too much to say
0:19:55 > 0:20:02# The words that betray my heart
0:20:03 > 0:20:06# We only pretend
0:20:07 > 0:20:11# You do not offend
0:20:12 > 0:20:19# In playing a lover's part
0:20:21 > 0:20:24# The game of just supposing
0:20:24 > 0:20:28# Is the sweetest game I know
0:20:28 > 0:20:31# Our dreams are more romantic
0:20:31 > 0:20:34# Than the world we see
0:20:34 > 0:20:37# And if the things we dream about
0:20:37 > 0:20:40# Don't happen to be so
0:20:40 > 0:20:46# That's just an unimportant technicality
0:20:49 > 0:20:52# Though the cold and brutal fact is
0:20:52 > 0:20:55# You and I have never met
0:20:55 > 0:21:01# We need not mind convention's Ps and Qs
0:21:03 > 0:21:06# If we put our thoughts in practise
0:21:06 > 0:21:09# We can banish all regret
0:21:10 > 0:21:17# Imagining most anything we choose
0:21:24 > 0:21:30# We could make believe
0:21:30 > 0:21:34# I love you
0:21:34 > 0:21:37# We could make believe
0:21:37 > 0:21:43# That you love me
0:21:43 > 0:21:50- BOTH:- # Others find peace of mind in pretending
0:21:50 > 0:21:53# Couldn't you?
0:21:53 > 0:21:56# Couldn't I?
0:21:56 > 0:21:59# Couldn't we?
0:22:00 > 0:22:09# Make believe our lips are blending
0:22:09 > 0:22:12# In a phantom kiss
0:22:12 > 0:22:17# Or two or three
0:22:17 > 0:22:25# Might as well make believe I love you
0:22:28 > 0:22:33# For to tell the truth
0:22:34 > 0:22:41# I do. #
0:22:51 > 0:22:53Ravenal.
0:22:59 > 0:23:01The judge would like to see you now.
0:23:01 > 0:23:04- What for?- Nothing serious,
0:23:04 > 0:23:08but I reckon you're better coming along and talking to him.
0:23:08 > 0:23:10If you'll excuse me, ma'am,
0:23:10 > 0:23:13I hope to see you again in a little while.
0:23:51 > 0:23:55Oh, Joe! Did you see that young man I was just talking to?
0:23:55 > 0:24:00Morning, Miss Nolan. Yep, I seen him.
0:24:00 > 0:24:03I seen a lot like him on the river.
0:24:03 > 0:24:07Oh, Joe. He was such a gentleman.
0:24:07 > 0:24:09Have you seen Miss Julie?
0:24:10 > 0:24:14I got to tell her. I got to ask her what she thinks.
0:24:17 > 0:24:20Better ask the old river what he thinks.
0:24:20 > 0:24:23He knows about everybody.
0:24:25 > 0:24:27He knows about everything.
0:24:33 > 0:24:37# There's an old man called the Mississippi
0:24:37 > 0:24:42# That's the old man that I'd like to be
0:24:42 > 0:24:47# What does he care if the world's got troubles?
0:24:47 > 0:24:54# What does he care if the land ain't free?
0:24:56 > 0:25:00# Old Man River
0:25:00 > 0:25:04# That Old Man River
0:25:04 > 0:25:07# He must know somethin'
0:25:07 > 0:25:11# But don't say nothin'
0:25:11 > 0:25:15# He just keeps rollin'
0:25:15 > 0:25:23# He keeps on rollin' along
0:25:25 > 0:25:28# He don't plant taters
0:25:28 > 0:25:30# He don't plant cotton
0:25:30 > 0:25:34# And them that plant 'em
0:25:34 > 0:25:38# Is soon forgotten
0:25:38 > 0:25:42# But Old Man River
0:25:42 > 0:25:48# He just keeps rollin' along
0:25:50 > 0:25:55# You and me, we sweat and strain
0:25:55 > 0:25:57# Body all achin'
0:25:57 > 0:25:59# And racked with pain
0:25:59 > 0:26:02# Tote that barge!
0:26:02 > 0:26:04# Lift that bale!
0:26:04 > 0:26:06# We gets a little drunk
0:26:06 > 0:26:14# And we lands in jail
0:26:16 > 0:26:19# I gets weary
0:26:19 > 0:26:23# And sick of tryin'
0:26:23 > 0:26:27# I'm tired of livin'
0:26:27 > 0:26:31# And scared of dyin'
0:26:31 > 0:26:37# But Old Man River
0:26:37 > 0:26:41# He just keeps rollin'
0:26:41 > 0:26:51# Along! #
0:26:53 > 0:26:56APPLAUSE
0:26:56 > 0:26:59Rodney Earl Clarke with Ol' Man River.
0:26:59 > 0:27:04Before that, Make Believe, sung by Sierra Boggess and Julian Ovenden
0:27:04 > 0:27:07from Jerome Kern's Showboat.
0:27:15 > 0:27:16Either you're closing your eyes
0:27:16 > 0:27:19to a situation you do not wish to acknowledge
0:27:19 > 0:27:21or you are not aware of the calibre of disaster
0:27:21 > 0:27:24indicated by the presence of a pool table in your community.
0:27:24 > 0:27:26Well, ya got trouble, my friends.
0:27:26 > 0:27:28Right here, I say trouble right here in River City.
0:27:28 > 0:27:31Why, sure, I'm a pool player, certainly mighty proud,
0:27:31 > 0:27:32I'm always mighty proud to say it.
0:27:32 > 0:27:36I consider that the hours I spent with a cue in my hand are golden.
0:27:36 > 0:27:39Help you cultivate horse sense, and a cool head and a keen eye.
0:27:39 > 0:27:42Do you every take and try to give an ironclad leave to yourself
0:27:42 > 0:27:44from a three-rail billiard shot?
0:27:44 > 0:27:47But just as I say it takes judgement, brains and maturity
0:27:47 > 0:27:48to score in a balk line game,
0:27:48 > 0:27:52I say that any boob can take and shove a ball in a pocket.
0:27:52 > 0:27:53And I call that sloth,
0:27:53 > 0:27:56the first big step on the road to the depths of degrada...
0:27:56 > 0:28:00I say first, medicinal wine from a teaspoon, then beer from a bottle.
0:28:00 > 0:28:02# And the next thing you know your son is playing for money
0:28:02 > 0:28:04# In a pinch-back suit
0:28:04 > 0:28:06# And listening to some big out-of-town jasper
0:28:06 > 0:28:08# Here to tell about horse race gambling... #
0:28:08 > 0:28:10Not a wholesome trotting race,
0:28:10 > 0:28:12but a race where they set down right on the horse!
0:28:12 > 0:28:15Like to see some stuck-up jockey boy sitting on Dan-Patch?
0:28:15 > 0:28:17Make your blood boil! Well, I should say.
0:28:17 > 0:28:20Now, friends, let me tell you what I mean.
0:28:20 > 0:28:23You got one, two, three, four, five, six pockets in a table.
0:28:23 > 0:28:25Pockets that mark the difference
0:28:25 > 0:28:27between a gentleman and a bum with a capital B
0:28:27 > 0:28:30and that rhymes with P and that stands for pool.
0:28:30 > 0:28:33# All week long, your River City youth'll be fritterin' away
0:28:33 > 0:28:35# I say your young men will be fritterin'... #
0:28:35 > 0:28:38Fritterin' away their noon time, supper time, chore time too.
0:28:38 > 0:28:40Get the ball in the pocket, never mind getting dandelions pulled
0:28:40 > 0:28:43or the screen door patched or beef steak pounded.
0:28:43 > 0:28:44Never mind pumping any water
0:28:44 > 0:28:47till your parents are caught with a cistern empty on Saturday night
0:28:47 > 0:28:50and that's trouble. You got lots and lots of trouble.
0:28:50 > 0:28:52I'm thinking of the kids in the knickerbockers,
0:28:52 > 0:28:55shirt-tailed young ones peeking in the pool hall window after school.
0:28:55 > 0:28:57You got trouble, folks! Right here in River City.
0:28:57 > 0:29:00Trouble with a capital T, that rhymes with P and that stands for pool.
0:29:00 > 0:29:03Now, I know all you folks are the right kind of parents.
0:29:03 > 0:29:05I'm going to be perfectly frank.
0:29:05 > 0:29:07Would you like to know what kind of conversation goes on
0:29:07 > 0:29:10while they're loafing round that hall? They'll be trying out Bevo,
0:29:10 > 0:29:13trying out Cubans, trying out Tailor Maids like cigarette fiends
0:29:13 > 0:29:14and bragging all about
0:29:14 > 0:29:17how they're going to cover up a tell-tale breath with sen-sen.
0:29:17 > 0:29:19One fine night, they leave the pool hall,
0:29:19 > 0:29:21heading for the dance at the armoury,
0:29:21 > 0:29:25libertine men and scarlet women and ragtime, shameless music
0:29:25 > 0:29:28that'll grab your son, your daughter with the arms of the jungle,
0:29:28 > 0:29:30animal instinct, mass 'steria!
0:29:30 > 0:29:32# The idle brain is the Devil's playground
0:29:32 > 0:29:33- # Trouble!- We got trouble
0:29:33 > 0:29:36- # Right here in River City! - Right here in River City
0:29:36 > 0:29:37# With a capital T and that rhymes with P
0:29:37 > 0:29:39- # And that stands for pool - That stands for pool
0:29:39 > 0:29:41- # We surely got trouble - We surely got trouble
0:29:41 > 0:29:43- # Right here in River City - Right here
0:29:43 > 0:29:46# Got to figure out a way to keep the young ones moral after school
0:29:46 > 0:29:49# Our children's children gonna have trouble, trouble... #
0:29:49 > 0:29:52Mothers of River City, heed that warning before it's too late.
0:29:52 > 0:29:55Watch for the tell-tale signs of corruption.
0:29:55 > 0:29:57The minute your son leaves the house,
0:29:57 > 0:30:01does he rebuckle his knickerbockers below the knee?
0:30:02 > 0:30:04Is there a nicotine stain on his index finger?
0:30:04 > 0:30:07A dime novel hidden in the corn crib?
0:30:07 > 0:30:11Is he starting to memorize jokes from Captain Billy's Whiz Bang?
0:30:11 > 0:30:15Are certain words creeping into his conversation?
0:30:15 > 0:30:18- Words like "swell"? - # Trouble
0:30:18 > 0:30:20- Ah, and "So's your old man?" - # Trouble
0:30:20 > 0:30:22Well, if so, my friends...
0:30:22 > 0:30:24- # Ya got trouble - Oh, we've got trouble
0:30:24 > 0:30:27- # Right here in River City - Right here in River City
0:30:27 > 0:30:28# With a capital T And that rhymes with P
0:30:28 > 0:30:30- # And that stands for pool - That stands for pool
0:30:30 > 0:30:32- # We've surely got trouble - Surely got trouble
0:30:32 > 0:30:34- # Right here in River City - Right here... #
0:30:34 > 0:30:36Remember the Maine, Plymouth Rock and the Golden Rule!
0:30:36 > 0:30:38# Our children's children gonna have
0:30:38 > 0:30:40# Oh, we've got trouble
0:30:40 > 0:30:42# We're in terrible, terrible trouble
0:30:42 > 0:30:44# That game with the 15 numbered balls is the devil's tool
0:30:44 > 0:30:45# Devil's tool
0:30:45 > 0:30:47# Yes, we've got trouble Trouble, trouble
0:30:47 > 0:30:50# Oh yes, we've got trouble here Big, big trouble
0:30:50 > 0:30:51- # With a T - # Capital T
0:30:51 > 0:30:53- # That will rhyme with P - # That rhymes with P
0:30:53 > 0:30:59- # And that stands for pool - # That stands for pool. #
0:30:59 > 0:31:01APPLAUSE
0:31:03 > 0:31:06Family Guy himself, Seth MacFarlane,
0:31:06 > 0:31:09with Ya Got Trouble from Meredith Wilson's The Music Man.
0:31:22 > 0:31:26# I weave with Brightly coloured strings
0:31:26 > 0:31:30# To keep my mind off other things
0:31:30 > 0:31:34# So, ladies, let your fingers dance
0:31:37 > 0:31:42# And keep your hands out of romance
0:31:45 > 0:31:49# Lovely witches let the stitches
0:31:49 > 0:31:53# Keep your fingers under control
0:31:53 > 0:31:57# Cut the thread but leave
0:31:57 > 0:32:01# The whole heart whole
0:32:05 > 0:32:09# Merry maids can sew and sleep
0:32:09 > 0:32:15# Wives can only sew and weep
0:32:15 > 0:32:18# Falling in love with love
0:32:18 > 0:32:21# Is falling for make believe
0:32:24 > 0:32:26# Falling in love with love
0:32:26 > 0:32:31# Is playing the fool
0:32:31 > 0:32:38# Caring too much Is such a juvenile fancy
0:32:40 > 0:32:45# Learning to trust is just for children in school
0:32:48 > 0:32:50# I fell in love with love
0:32:50 > 0:32:54# One night when the moon was full
0:32:56 > 0:33:03# I was unwise with eyes unable to see
0:33:03 > 0:33:06# I fell in love with love
0:33:06 > 0:33:11# With love everlasting
0:33:11 > 0:33:19# But love fell out with me
0:33:20 > 0:33:26# Falling in love with love is falling for make believe
0:33:28 > 0:33:36# Falling in love with love is playing the fool
0:33:36 > 0:33:39# Caring too much is such
0:33:39 > 0:33:44# A juvenile fancy
0:33:44 > 0:33:50# Learning to trust is just for children in school
0:33:52 > 0:33:55# I fell in love with love
0:33:55 > 0:33:59# One night when the moon was full
0:34:00 > 0:34:08# I was unwise with eyes unable to see
0:34:08 > 0:34:12# I fell in love with love
0:34:12 > 0:34:15# With love everlasting
0:34:15 > 0:34:20# But love fell out
0:34:20 > 0:34:28# With me. #
0:34:29 > 0:34:32APPLAUSE
0:34:32 > 0:34:35Sierra Boggess with the women of the Maida Vale Singers, singing
0:34:35 > 0:34:39that shimmering waltz from Rodgers and Hart, The Boys From Syracuse.
0:35:57 > 0:36:05# I touch your hands and my arms grow strong
0:36:07 > 0:36:14# Like a pair of birds that burst with song
0:36:17 > 0:36:25# My eyes look down at your lovely face
0:36:25 > 0:36:31# And I hold the world
0:36:31 > 0:36:39# In my embrace
0:36:41 > 0:36:46# Younger than springtime, are you
0:36:46 > 0:36:51# Softer than starlight, are you
0:36:51 > 0:36:54# Warmer than winds of June
0:36:54 > 0:37:01# Are the gentle lips you gave me
0:37:02 > 0:37:06# Gayer than laughter, are you
0:37:06 > 0:37:10# Sweeter than music, are you
0:37:10 > 0:37:13# Angel and lover
0:37:13 > 0:37:20# Heaven and earth are you to me
0:37:20 > 0:37:23# And when your youth
0:37:23 > 0:37:28# And joy invade my arms
0:37:28 > 0:37:36# And fill my heart as now they do
0:37:36 > 0:37:39# Then
0:37:39 > 0:37:43# Younger than springtime, am I
0:37:43 > 0:37:48# Gayer than laughter, am I
0:37:48 > 0:37:53# Angel and lover Heaven and earth
0:37:53 > 0:38:01# Am I with you
0:38:09 > 0:38:13# And when your youth
0:38:13 > 0:38:17# And joy invade my arms
0:38:17 > 0:38:24# And fill my heart as now they do
0:38:25 > 0:38:28# Then
0:38:28 > 0:38:33# Younger than springtime, am I
0:38:33 > 0:38:38# Gayer than laughter, am I
0:38:38 > 0:38:45# Angel and lover Heaven and earth
0:38:45 > 0:38:49# Am I
0:38:49 > 0:38:53# With
0:38:53 > 0:38:57# You. #
0:39:11 > 0:39:15APPLAUSE
0:39:15 > 0:39:18Julian Ovenden singing that number from South Pacific.
0:39:18 > 0:39:22Handsome Lieutenant Cable is poleaxed by beautiful young Liat.
0:39:43 > 0:39:44# I figured it out
0:39:44 > 0:39:47# I figured it out
0:39:47 > 0:39:49# With a pencil and a pad I figured it out
0:39:51 > 0:39:54# Seven and a half cents doesn't buy a hell of a lot
0:39:54 > 0:39:58# Seven and a half cents doesn't mean a thing
0:39:58 > 0:40:02# But give it to me every hour 40 hours every week
0:40:02 > 0:40:05# That's enough for me to be living like a king
0:40:05 > 0:40:07- # I figured it out - He figured it out
0:40:07 > 0:40:09- # I figured it out - He figured it out
0:40:09 > 0:40:13# With a pencil and a pad I figured it out
0:40:13 > 0:40:16# Only five years from today
0:40:16 > 0:40:20# Only five years from today
0:40:20 > 0:40:24# I can see it all before me
0:40:24 > 0:40:28# Only five years from today... #
0:40:28 > 0:40:30Now, let's see. Five years.
0:40:30 > 0:40:33That's 260 weeks, times 40 hours every week,
0:40:33 > 0:40:35and roughly two and a quarter hours overtime
0:40:35 > 0:40:38at time and a half for overtime.
0:40:38 > 0:40:42Comes to exactly 852 and 74 cents!
0:40:42 > 0:40:43Hooray!
0:40:45 > 0:40:47# That's enough for me to get
0:40:47 > 0:40:49# An automatic washing machine
0:40:49 > 0:40:51# A year's supply of gasoline
0:40:51 > 0:40:52# Carpeting for the living room
0:40:52 > 0:40:55# A vacuum instead of a blasted broom
0:40:55 > 0:40:58# Not to mention a 40-inch television set
0:40:58 > 0:41:00- TOGETHER:- # So although
0:41:00 > 0:41:04# Seven and a half cents doesn't buy a hell of a lot
0:41:04 > 0:41:07# Seven and a half cents doesn't mean a thing
0:41:07 > 0:41:12# But give it to me every hour 40 hours every week
0:41:12 > 0:41:15# That's enough for me to be living like a king
0:41:15 > 0:41:17- # I figured it out - She figured it out
0:41:17 > 0:41:19- # She figured it out - I figured it out
0:41:19 > 0:41:23# With a pencil and a pad I figured it out
0:41:23 > 0:41:26# Only ten years from today
0:41:26 > 0:41:30# Only ten years from today
0:41:30 > 0:41:34# I can see it, clear as daylight
0:41:34 > 0:41:38# Only ten years from today... #
0:41:38 > 0:41:40Ten years. Now, let's see...
0:41:40 > 0:41:44That's 520 weeks, times 40 hours every week,
0:41:44 > 0:41:46and roughly two and a quarter hours overtime
0:41:46 > 0:41:48at time and a half for overtime,
0:41:48 > 0:41:53comes to exactly 1,605 and 48 cents!
0:41:53 > 0:41:55Hooray!
0:41:56 > 0:41:59# That's enough for me to buy
0:41:59 > 0:42:01# A trip to France across the seas
0:42:01 > 0:42:03# Motorboat with water skis
0:42:03 > 0:42:04# Maybe even a foreign car
0:42:04 > 0:42:06# A charge account at the corner bar
0:42:06 > 0:42:10# Not to mention a Scrabble board with letters made of gold
0:42:10 > 0:42:12- TOGETHER:- # So although
0:42:12 > 0:42:15# Seven and a half cents doesn't buy a hell of a lot
0:42:15 > 0:42:19# Seven and a half cents doesn't mean a thing
0:42:19 > 0:42:23# But give it to me every hour 40 hours every week
0:42:23 > 0:42:26# That's enough for me to be living like a king
0:42:26 > 0:42:28- # We figured it out - We figured it out
0:42:28 > 0:42:30- # We figured it out - We figured it out
0:42:30 > 0:42:35# With a pencil and a pad We figured it out
0:42:35 > 0:42:40# Only 20 years from today
0:42:40 > 0:42:42# Ooh wah
0:42:42 > 0:42:46# Only 20 years from today
0:42:46 > 0:42:48# Ooh wah
0:42:48 > 0:42:52# I can see it like a vision
0:42:55 > 0:42:58# Only 20 years
0:42:58 > 0:43:06# From today... #
0:43:06 > 0:43:0820 years. Now, let's see...
0:43:08 > 0:43:10- That's 1,040 weeks... - Times 40 hours every week.
0:43:10 > 0:43:13Add roughly two and a quarter hours overtime...
0:43:13 > 0:43:14At time and a half for overtime.
0:43:14 > 0:43:20- Comes to exactly...- 3,411! - And 96 cents!
0:43:20 > 0:43:22- ALL:- Wow.
0:43:24 > 0:43:26# That's enough for me to be
0:43:26 > 0:43:28# A sultan in the Taj Mahal
0:43:28 > 0:43:30# In every room a different doll
0:43:30 > 0:43:32# I'll have myself a buying spree
0:43:32 > 0:43:34# And buy a pyjama factory
0:43:34 > 0:43:38# Then I could end up having Old Man Hasler work for me
0:43:38 > 0:43:39# So although
0:43:39 > 0:43:43# Seven and a half cents doesn't buy a hell of a lot
0:43:43 > 0:43:47# Seven and a half cents doesn't mean a thing
0:43:47 > 0:43:51# But give it to me every hour 40 hours every week
0:43:51 > 0:43:53# That's enough for me to be
0:43:53 > 0:43:57# Living like a
0:43:57 > 0:44:03# King. #
0:44:03 > 0:44:06APPLAUSE
0:44:06 > 0:44:08Seven And A Half Cents from The Pyjama Game,
0:44:08 > 0:44:11the only show about a strike over a seven and a half cent
0:44:11 > 0:44:13wage rise at a pyjama factory,
0:44:13 > 0:44:15sung by Seth MacFarlane and Anna-Jane Casey.
0:55:33 > 0:55:37APPLAUSE
0:55:59 > 0:56:03The climactic ballet, Slaughter On Tenth Avenue,
0:56:03 > 0:56:06from the Rodgers and Hart classic, On Your Toes.
0:56:06 > 0:56:10Performed by the electrifying John Wilson Orchestra.
0:56:12 > 0:56:15That fabulous orchestration by Don Walker,
0:56:15 > 0:56:20written for the show's Broadway revival in 1954.
0:56:27 > 0:56:30APPLAUSE
0:56:44 > 0:56:46Broadway musicals have given us
0:56:46 > 0:56:49some of the finest tunes in the great American songbook.
0:56:49 > 0:56:54One fan completely smitten is the offensively multitalented
0:56:54 > 0:56:57Seth MacFarlane, most famous as the creator of the hugely
0:56:57 > 0:56:59successful cartoon Family Guy.
0:56:59 > 0:57:03We spoke to the Seth and conductor John Wilson in rehearsal.
0:57:03 > 0:57:05This era was sort of the peak
0:57:05 > 0:57:09of high musicality in America.
0:57:09 > 0:57:10The '40s through the early '60s.
0:57:10 > 0:57:13That was when orchestras and composers
0:57:13 > 0:57:17really captured the best of what an orchestra could do.
0:57:17 > 0:57:21MUSIC: "Slaughter On Tenth Avenue" by Richard Rodgers arr. by Don Walker
0:57:21 > 0:57:23SETH: 'It's just a pleasure to listen to,
0:57:23 > 0:57:25'because it constantly surprises you.
0:57:25 > 0:57:27'It doesn't just give you the same'
0:57:27 > 0:57:28three chords over and over.
0:57:28 > 0:57:31If it's playing the same tune repeatedly,
0:57:31 > 0:57:35it's going to find a different way to express it and orchestrate it.
0:57:42 > 0:57:45- JOHN WILSON:- The Broadway sound, to me, is the sound of the arrangers.
0:57:45 > 0:57:48It's very unusual for a composer of theatre music,
0:57:48 > 0:57:50however distinguished, whether it's a Cole Porter
0:57:50 > 0:57:54or a Stephen Sondheim, to do his own orchestration.
0:57:54 > 0:57:56Jerome Kern, Porter, Gershwin
0:57:56 > 0:57:59would write the tunes, but they would all be clothed
0:57:59 > 0:58:05in the orchestral colours by a handful of the top guys on Broadway.
0:58:09 > 0:58:14Seth is an authentic big band-style singer
0:58:14 > 0:58:16and there are very few of those around.
0:58:16 > 0:58:20John's drummer, Matt, Matt Skelton,
0:58:20 > 0:58:25was a Family Guy fan and so he was aware
0:58:25 > 0:58:29of the kind of music we had done on the shows and he said to John,
0:58:29 > 0:58:33"I think this guy might be somebody who kind of gets what we do."
0:58:33 > 0:58:38And John said, "This American, I don't know. I'll have to see proof."
0:58:38 > 0:58:41# Only 20 years from today
0:58:41 > 0:58:44# Ooh wah
0:58:44 > 0:58:48# Only 20 years from today
0:58:48 > 0:58:50# Ooh wah... #
0:58:50 > 0:58:52- JOHN:- 'That's how he first came to my attention.'
0:58:52 > 0:58:55I heard him sing The Things We Did Last Summer as the dog
0:58:55 > 0:58:58in the cartoon show and I thought, "That's first-rate singing."
0:58:58 > 0:59:00John and I hit it off immediately
0:59:00 > 0:59:04and we both are obsessed with great old orchestrations.
0:59:04 > 0:59:06# That's enough for me to be
0:59:06 > 0:59:08# A sultan in the Taj Mahal
0:59:08 > 0:59:10# In every room a different doll... #
0:59:10 > 0:59:14SETH: 'This orchestra is able to capture the dialect of the older
0:59:14 > 0:59:17'orchestras that played this music originally.'
0:59:17 > 0:59:20Each player is the best at what they do,
0:59:20 > 0:59:22so you have the sort of, you know, as you say,
0:59:22 > 0:59:26fantasy football league of musicians.
0:59:26 > 0:59:27# Doesn't mean a thing
0:59:27 > 0:59:29# But give it to me every hour
0:59:29 > 0:59:31# 40 hours every week... #
0:59:31 > 0:59:33SETH: 'You want to be facing the other way.'
0:59:33 > 0:59:38Your back is to the orchestra and you're performing and really...
0:59:38 > 0:59:42If only there were a way to do this where you could actually
0:59:42 > 0:59:45face these guys and be enveloped by that sound,
0:59:45 > 0:59:49but of course that would ruin the show.
0:59:49 > 0:59:52APPLAUSE AND CHEERING
1:03:04 > 1:03:06# Tra-la!
1:03:06 > 1:03:09# It's May! The lusty month of May
1:03:09 > 1:03:13# That lovely month when everyone goes blissfully astray
1:03:13 > 1:03:15# Tra-la! It's here
1:03:15 > 1:03:17# That shocking time of year
1:03:17 > 1:03:21# When tons of wicked little thoughts merrily appear
1:03:21 > 1:03:23# It's May! It's May!
1:03:23 > 1:03:25# That gorgeous holiday
1:03:25 > 1:03:28# When every maiden
1:03:28 > 1:03:30# Prays that her lad
1:03:30 > 1:03:32# Will be a cad
1:03:32 > 1:03:35# It's mad! It's gay!
1:03:35 > 1:03:37# A libellous display
1:03:37 > 1:03:40# Those dreary vows that everyone takes, everyone breaks
1:03:40 > 1:03:43# Everyone makes divine mistakes
1:03:43 > 1:03:47# The lusty month of May
1:03:50 > 1:03:55# Whence this fragrance wafting through the air?
1:03:55 > 1:03:59# What sweet feelings does its scent transmute?
1:03:59 > 1:04:03# Whence this perfume floating everywhere?
1:04:03 > 1:04:07# Don't you know it's that dear forbidden fruit
1:04:07 > 1:04:10- # La-la-la - Tra-la-la-la-la
1:04:10 > 1:04:11# That dear forbidden fruit!
1:04:11 > 1:04:14- # La-la-la-la - Tra-la-la-la-la
1:04:16 > 1:04:19# Tra-la-la-la-la
1:04:19 > 1:04:21# Tra-la-la-la-la
1:04:21 > 1:04:23# Tra-la
1:04:23 > 1:04:24# Tra-la
1:04:24 > 1:04:25# Tra-la
1:04:25 > 1:04:28# Tra-la
1:04:28 > 1:04:31# Tra-la-la-la-la-la-la-la-la-la
1:04:31 > 1:04:33# La-la-la-la
1:04:33 > 1:04:36# It's May! The lusty month of May
1:04:36 > 1:04:40# That darling month when everyone throws self-control away
1:04:40 > 1:04:42# It's time to do
1:04:42 > 1:04:43# A wretched thing or two
1:04:43 > 1:04:47# And try to make each precious day one you'll always rue
1:04:47 > 1:04:49# It's May! It's May!
1:04:49 > 1:04:51# The month of "Yes, you may"
1:04:51 > 1:04:56# The time for every frivolous whim
1:04:56 > 1:04:59# Proper or "im"
1:04:59 > 1:05:02# It's wild! It's gay!
1:05:02 > 1:05:03# A blot in every way
1:05:03 > 1:05:07# The birds and bees with all of their vast amorous past
1:05:07 > 1:05:09# Gaze at the human race aghast
1:05:09 > 1:05:15# The lusty month of May!
1:05:17 > 1:05:20# Tra-la! It's May!
1:05:20 > 1:05:22# The lusty month of May!
1:05:22 > 1:05:25# That lovely month when everyone goes blissfully astray
1:05:25 > 1:05:28- # Tra-la!- Tra-la! - It's here!- It's here!
1:05:28 > 1:05:30# That shocking time of year
1:05:30 > 1:05:34# When tons of wicked little thoughts merrily appear
1:05:34 > 1:05:36# It's May! It's May!
1:05:36 > 1:05:37# The month of great dismay
1:05:37 > 1:05:43# When all the world is brimming with fun
1:05:43 > 1:05:46# Wholesome or "un"
1:05:46 > 1:05:49# It's mad! It's gay!
1:05:49 > 1:05:51# A libellous display!
1:05:51 > 1:05:54# Those dreary vows that everyone takes, everyone breaks
1:05:54 > 1:05:56# Everyone makes divine mistakes
1:05:56 > 1:06:06# The lusty month of May! #
1:06:07 > 1:06:10APPLAUSE AND CHEERING
1:06:10 > 1:06:13Sierra Boggess singing The Lusty Month Of May
1:06:13 > 1:06:16from Camelot, the musical by Alan Jay Lerner and Frederick Loewe.
1:06:21 > 1:06:24Nathan, that is the biggest and most unforgivable lie
1:06:24 > 1:06:25you have ever told me.
1:06:25 > 1:06:27It's true, I promise you.
1:06:27 > 1:06:29# You promise me this You promise me that
1:06:29 > 1:06:32# You promise me everything under the sun then you give me a kiss
1:06:32 > 1:06:34# And you're grabbing your hat You're off to the races again
1:06:34 > 1:06:38- # When I think of the time gone by...- Adelaide, Adelaide!
1:06:38 > 1:06:41- # And I think of the way I tried! - Adelaide!
1:06:41 > 1:06:43# I could honestly die!
1:06:44 > 1:06:47# Call a lawyer and sue me
1:06:47 > 1:06:49# Sue me
1:06:49 > 1:06:51# What can you do me?
1:06:51 > 1:06:54# I love you
1:06:55 > 1:06:57# Give a holler and hate me
1:06:57 > 1:06:59# Hate me
1:06:59 > 1:07:01# Go ahead, hate me
1:07:01 > 1:07:05- # I love you...- The best years of my life, I was a fool to give to you
1:07:05 > 1:07:07# All right, already
1:07:07 > 1:07:09# I'm just a no-goodnik
1:07:09 > 1:07:11# All right, already
1:07:11 > 1:07:13# It's true, so new
1:07:13 > 1:07:18# So sue me, sue me
1:07:18 > 1:07:20# What can you do me?
1:07:20 > 1:07:23# I love you...
1:07:23 > 1:07:25# You gamble it here You gamble it there
1:07:25 > 1:07:27# You gamble on everything All except me
1:07:27 > 1:07:29# And I'm sick of you keeping me up in the air
1:07:29 > 1:07:31# Till you're back in the money again
1:07:31 > 1:07:35- # When I think of the time gone by... - Adelaide, Adelaide!
1:07:35 > 1:07:38- # And I think of the way I tried... - Adelaide!
1:07:38 > 1:07:40# I could honestly die!
1:07:48 > 1:07:53# Serve a paper and sue me, sue me
1:07:53 > 1:07:56# What can you do me?
1:07:56 > 1:07:58# I love you. #
1:07:58 > 1:07:59Atchoo!
1:07:59 > 1:08:03# Give a holler and hate me, hate me
1:08:03 > 1:08:07- # Go ahead, hate me. I love you... - When you wind up in jail
1:08:07 > 1:08:09# Don't come to me to bail you out!
1:08:09 > 1:08:12# All right, already, so call a policeman!
1:08:12 > 1:08:16# All right, already, it's true
1:08:16 > 1:08:18# So new
1:08:18 > 1:08:22# So sue me, sue me
1:08:22 > 1:08:25# What can you do me?
1:08:25 > 1:08:31# I love you
1:08:32 > 1:08:34# You're at it again You're running a game
1:08:34 > 1:08:36# I'm not going to play second fiddle to that
1:08:36 > 1:08:38# I'm sick and I'm tired of stalling around
1:08:38 > 1:08:40# And I'm telling you now that we're through!
1:08:40 > 1:08:43- # When I think of the time gone by... - Adelaide, Adelaide!
1:08:43 > 1:08:46- # And I think of the way I tried... - Adelaide!
1:08:46 > 1:08:48# I could honestly die!
1:08:51 > 1:08:54# Sue me, sue me
1:08:55 > 1:08:58# Shoot bullets through me
1:08:58 > 1:09:07# I love you. #
1:09:15 > 1:09:18APPLAUSE
1:09:18 > 1:09:22Ah, the great Guys And Dolls. Seth McFarlane as Nathan Detroit
1:09:22 > 1:09:25and Anna-Jane Casey as "the well-known fiancee", Miss Adelaide.
1:09:32 > 1:09:36# Like a perfumed woman
1:09:39 > 1:09:44# The wind blows in the bunkhouse
1:09:45 > 1:09:49# Like a perfumed woman
1:09:53 > 1:09:58# Smelling of where she's been
1:09:59 > 1:10:04# Smelling of Oregon cherries
1:10:06 > 1:10:11# Or maybe Texas avocados
1:10:13 > 1:10:18# Or maybe Arizona sugarbeets
1:10:20 > 1:10:24# The wind blows in
1:10:26 > 1:10:29# And she sings to me
1:10:29 > 1:10:35# Cos I'm one of her ramblin' kin
1:10:38 > 1:10:43# She sings
1:10:43 > 1:10:48# Joey
1:10:48 > 1:10:52# Joey, Joey
1:10:55 > 1:10:59# Joey
1:10:59 > 1:11:02# Joey, Joe
1:11:03 > 1:11:06# You've been too long
1:11:07 > 1:11:10# In one place
1:11:10 > 1:11:14# And it's time to go
1:11:14 > 1:11:20# Time to go-o-o-o-o
1:11:20 > 1:11:23# Joey
1:11:23 > 1:11:28# Joey, Joey
1:11:30 > 1:11:34# Joey
1:11:34 > 1:11:37# Travel on
1:11:38 > 1:11:41# You've been too long
1:11:42 > 1:11:45# In one town
1:11:45 > 1:11:52# And the harvest time's come and gone
1:11:54 > 1:12:02# That's what the wind sings to me
1:12:02 > 1:12:05# When the bunk I've been bunkin' in
1:12:05 > 1:12:10# Gets to feelin' too soft and cosy
1:12:10 > 1:12:12# When the food they've been cookin' me
1:12:12 > 1:12:15# Gets to tastin' too good
1:12:17 > 1:12:21# When I've had all I want
1:12:21 > 1:12:26# Of the ladies in the neighbourhood
1:12:29 > 1:12:35# She sings
1:12:36 > 1:12:39# Joey
1:12:40 > 1:12:45# Joey, Joey
1:12:46 > 1:12:49# Joey
1:12:49 > 1:12:53# Joey, Joe
1:12:53 > 1:12:57# You've been too long
1:12:57 > 1:13:01# In one place
1:13:01 > 1:13:04# And it's time to go
1:13:04 > 1:13:11# Time to go-o-o-o-o
1:13:11 > 1:13:14# Joey
1:13:14 > 1:13:22# Joey, Joe! #
1:13:25 > 1:13:29APPLAUSE AND CHEERING
1:13:29 > 1:13:32Seth McFarlane with Joey, Joey, Joey
1:13:32 > 1:13:35from Frank Loesser's The Most Happy Fella.
1:19:27 > 1:19:29APPLAUSE
1:22:44 > 1:22:48APPLAUSE AND CHEERING
1:22:48 > 1:22:52Leonard Bernstein's shimmering score from On The Town,
1:22:52 > 1:22:54the story of those three sailors
1:22:54 > 1:22:59on 24-hour shore leave in New York City.
1:22:59 > 1:23:03That was the imaginary Coney Island Ballet section,
1:23:03 > 1:23:06the moment where the sailor Gabey, played by Gene Kelly,
1:23:06 > 1:23:08falls asleep on a subway.
1:23:47 > 1:23:50# Bess
1:23:50 > 1:23:56# You is my woman now
1:23:56 > 1:23:59# You is
1:23:59 > 1:24:01# You is
1:24:01 > 1:24:05# And you must laugh and sing and dance for two
1:24:05 > 1:24:15# Instead of one
1:24:15 > 1:24:23# Want no wrinkle on your brow
1:24:24 > 1:24:26# No how
1:24:28 > 1:24:36# Because the sorrow of the past is all done now
1:24:36 > 1:24:40# Oh, Bess
1:24:40 > 1:24:43# My Bess
1:24:43 > 1:24:51# The real happiness has just begun
1:24:55 > 1:24:59# Porgy
1:24:59 > 1:25:04# I's your woman now
1:25:04 > 1:25:06# I is
1:25:06 > 1:25:08# I is
1:25:08 > 1:25:12# And I ain't never goin' nowhere
1:25:12 > 1:25:20# 'Less you shares the fun
1:25:20 > 1:25:29# There's no wrinkle on my brow
1:25:29 > 1:25:33# No how
1:25:33 > 1:25:37# But I ain't goin'
1:25:37 > 1:25:39# You hear me sayin'
1:25:39 > 1:25:42# If you ain't goin'
1:25:42 > 1:25:46# With you I'm stayin'
1:25:46 > 1:25:51# Porgy
1:25:51 > 1:25:57# I's your woman now
1:25:57 > 1:26:04# I's yours forever
1:26:04 > 1:26:07# Mornin' time and evenin' time
1:26:07 > 1:26:12# And summer time and winter time
1:26:12 > 1:26:15# Mornin' time and evenin' time
1:26:15 > 1:26:20# And summer time and winter time
1:26:20 > 1:26:24# Bess
1:26:24 > 1:26:32# You got your man
1:26:34 > 1:26:42- # Bess, you is my woman now - Porgy, I's your woman now
1:26:42 > 1:26:44- # And forever - I is
1:26:44 > 1:26:50- # This life is just begun - I is, and I ain't goin' nowhere
1:26:50 > 1:26:56- # Bess, we two is one - 'Less you shares the fun
1:26:56 > 1:27:00# Now and forever
1:27:00 > 1:27:06- # Oh, Bess, don't mind those women - There's no wrinkle on my brow
1:27:06 > 1:27:10- # You got your Porgy - No how
1:27:10 > 1:27:12# You got your Porgy
1:27:12 > 1:27:16- # But I ain't goin' - I knows you means it
1:27:16 > 1:27:17# You hear me sayin'
1:27:17 > 1:27:21- # I seen it in your eyes, Bess - If you ain't goin'
1:27:21 > 1:27:25# With you I'm stayin'
1:27:25 > 1:27:34- # We'll go swingin' - Porgy, I's your woman now
1:27:34 > 1:27:41- # Through the years a-singin' - And there's no wrinkle
1:27:43 > 1:27:46# Mornin' time and evenin' time
1:27:46 > 1:27:49# And summer time and winter time
1:27:51 > 1:27:54# Mornin' time and evenin' time
1:27:54 > 1:27:59# And summer time and winter time
1:28:06 > 1:28:12- # Oh, my Bess - Oh, my Porgy
1:28:13 > 1:28:21- # My Bess - My man, Porgy
1:28:23 > 1:28:27- BOTH:- # From this minute I'm tellin' you
1:28:27 > 1:28:30# I keeps this vow
1:28:30 > 1:28:33- # Oh, my Bessie - Oh, Porgy
1:28:33 > 1:28:41# We's happy now
1:28:43 > 1:28:57# We is one now. #
1:29:09 > 1:29:13APPLAUSE
1:29:13 > 1:29:16Elizabeth Llewellyn and Rodney Earl Clarke
1:29:16 > 1:29:18singing Bess, You Is My Woman Now
1:29:18 > 1:29:20from George Gershwin's great fusion
1:29:20 > 1:29:24of American opera and Broadway musical, Porgy and Bess.
1:29:29 > 1:29:33# Mr X May we ask you a question?
1:29:33 > 1:29:36# It's amazing, is it not?
1:29:36 > 1:29:40# That the city pays you slightly less than 50 bucks a week
1:29:40 > 1:29:44# Yet you've purchased a private yacht
1:29:44 > 1:29:47# I am positive your honour must be joking
1:29:47 > 1:29:50# Any working man can do what I have done
1:29:50 > 1:29:55# For a month or two I simply gave up smoking
1:29:55 > 1:29:59# And I put my extra pennies one by one
1:29:59 > 1:30:02# Into
1:30:02 > 1:30:04# A
1:30:04 > 1:30:08# Little tin box A little tin box
1:30:08 > 1:30:12# That a little tin key unlocks
1:30:12 > 1:30:17# There is nothing unorthodox about a little tin box
1:30:17 > 1:30:21# About a little tin About a little tin
1:30:21 > 1:30:23# In a little tin box
1:30:23 > 1:30:25# A little tin box
1:30:25 > 1:30:29# That a little tin key unlocks
1:30:29 > 1:30:35# There is honour and purity lots of security
1:30:35 > 1:30:39# In a little tin box... #
1:30:39 > 1:30:41Next witness!
1:30:41 > 1:30:44# Mr Y We've been told you don't feel well
1:30:44 > 1:30:48# And we know you've lost your voice
1:30:48 > 1:30:52# But we wonder how you managed on the salary you make
1:30:52 > 1:30:55# To acquire a new Rolls-Royce?
1:30:55 > 1:30:59# You're implying I'm a crook and I say no, sir
1:30:59 > 1:31:03# There is nothing in my past I care to hide
1:31:03 > 1:31:06# I've been taking empty bottles to the grocer
1:31:06 > 1:31:12# And each nickel that I got was put aside
1:31:12 > 1:31:18# Was put aside
1:31:18 > 1:31:20# Into
1:31:20 > 1:31:22# A
1:31:22 > 1:31:24# Little tin box
1:31:24 > 1:31:26# A little tin box
1:31:26 > 1:31:30# That a little tin key unlocks
1:31:30 > 1:31:35# There is nothing unorthodox about a little tin box
1:31:35 > 1:31:38# About the little tin About the little tin
1:31:38 > 1:31:41# In a little tin box
1:31:41 > 1:31:42# A little tin box
1:31:42 > 1:31:47# There is a cushion for life's rude shocks
1:31:47 > 1:31:51# There is faith hope and charity Hard-won prosperity
1:31:51 > 1:31:56# In a little tin box... #
1:31:56 > 1:31:59Next witness take the stand.
1:31:59 > 1:32:05# Mr Z, you're a junior official and your income's rather low
1:32:05 > 1:32:09# Yet you've kept a dozen women in the very best hotels
1:32:09 > 1:32:13# Would you kindly explain how so?
1:32:13 > 1:32:16# I can see your honour doesn't pull his punches
1:32:16 > 1:32:20# And it seems a trifle fishy I'll admit
1:32:20 > 1:32:24# But for one whole week I went without my lunches
1:32:24 > 1:32:29# And it mounted up Your honour, bit by bit
1:32:29 > 1:32:34# Up, your honour bit by bit
1:32:34 > 1:32:38# It's just a
1:32:38 > 1:32:41# Little tin box
1:32:41 > 1:32:43# A little tin box
1:32:43 > 1:32:47# That a little tin key unlocks
1:32:47 > 1:32:52# There is nothing unorthodox about a little tin box
1:32:52 > 1:32:55# About a little tin
1:32:55 > 1:32:56# About little tin
1:32:56 > 1:33:00# In a little tin box A little tin box
1:33:00 > 1:33:05# All the glitter with blue-chip stocks
1:33:05 > 1:33:09# There is something delectable Almost respectable
1:33:09 > 1:33:13# In a little tin box
1:33:13 > 1:33:18# In a little tin box! #
1:33:18 > 1:33:20CHEERING AND APPLAUSE
1:33:20 > 1:33:24The Maida Vale Singers featuring Andrew Playfoot, Nigel Richards,
1:33:24 > 1:33:27Dave Cambes and Garth Bardsley. That was Little Tin Box
1:33:27 > 1:33:30from Fiorello by Jerry Bock and Sheldon Harnick.
1:33:53 > 1:33:58# Friends that you left behind
1:33:58 > 1:34:05# You need us, Joe And we need you
1:34:05 > 1:34:09# We can bring happiness and peace to your mind
1:34:09 > 1:34:12# We want to, Joe
1:34:12 > 1:34:16# We want to
1:34:16 > 1:34:21# Tonight
1:34:21 > 1:34:25# Come home
1:34:32 > 1:34:40# Come home, come home where the brown birds fly
1:34:40 > 1:34:45# To a pale blue sky
1:34:45 > 1:34:51# To a tall green tree
1:34:51 > 1:34:59# There is no finer sight for a man to see
1:35:03 > 1:35:07# Come home, Joe
1:35:07 > 1:35:12# Come home
1:35:12 > 1:35:19# Come home and lie by a laughing spring
1:35:19 > 1:35:25# Where the breezes sing
1:35:25 > 1:35:31# And caress your ear
1:35:31 > 1:35:36# There is no sweeter sound
1:35:36 > 1:35:41# For a man to hear
1:35:41 > 1:35:47# Come home, Joe
1:35:47 > 1:35:51# Come home
1:35:51 > 1:35:59# You will find a world of honest friends who miss you
1:35:59 > 1:36:07# You will shake the hands of men whose hands are strong
1:36:07 > 1:36:11# And when old We're wise
1:36:11 > 1:36:16# And kids run up and kiss you
1:36:16 > 1:36:24# You will know that you are back where you belong...
1:36:29 > 1:36:37# You know you're back where there is work to do
1:36:38 > 1:36:43# Where there's love for you
1:36:43 > 1:36:51# For the love you give
1:36:51 > 1:36:56# There is no better life
1:36:56 > 1:37:01# For a man to live
1:37:01 > 1:37:07# Come home, Joe
1:37:07 > 1:37:16# Come home
1:37:16 > 1:37:24# Come home, Joe
1:37:25 > 1:37:33# Come home... #
1:37:39 > 1:37:44APPLAUSE
1:37:44 > 1:37:48Elizabeth Llewellyn singing Come Home, that beautiful song
1:37:48 > 1:37:50from one of Rodgers and Hammerstein's
1:37:50 > 1:37:52less well-known musicals Allegro.
1:38:18 > 1:38:20Maria. Maria!
1:38:20 > 1:38:23- Shh!- Maria.- Quiet.
1:38:23 > 1:38:26- Come down.- No.- But we are...
1:38:26 > 1:38:30- Please, if Bernardo... - He is at the dance, come down.
1:38:30 > 1:38:33He will soon bring Anita home.
1:38:33 > 1:38:35Just for a minute.
1:38:37 > 1:38:43- A minute is not enough.- For an hour then.- I cannot.- For ever.- Shh!
1:38:43 > 1:38:44Then I'm coming up.
1:38:44 > 1:38:46- Maria?- Momentito, Mama.
1:38:48 > 1:38:51Maria. Maria.
1:38:51 > 1:38:53Shh.
1:38:55 > 1:38:56It's dangerous.
1:38:58 > 1:39:01- I'm not one of them.- You are.
1:39:01 > 1:39:06- But to me you are not, just I am one of them.- To me you are all.- Maruca!
1:39:06 > 1:39:08Si, yo vengo, Papa.
1:39:10 > 1:39:15- Maruca?- His pet name for me.
1:39:16 > 1:39:18I like him.
1:39:18 > 1:39:24- He will like me.- No. He is like Bernardo. Afraid.
1:39:24 > 1:39:27MARIA GIGGLES
1:39:27 > 1:39:30- Imagine being afraid of you. - You see!
1:39:33 > 1:39:35I see you.
1:39:35 > 1:39:37See only me.
1:39:39 > 1:39:46# Only you, you're the only thing I see for ever
1:39:46 > 1:39:51#In my eyes, in my world and in everything I do
1:39:51 > 1:39:56# Nothing else but you Ever
1:39:56 > 1:40:01# And there's nothing for me but Maria
1:40:01 > 1:40:05# Every sight that I see is Maria
1:40:05 > 1:40:08# Tony Tony
1:40:08 > 1:40:12# Always you Every thought I'll ever know
1:40:12 > 1:40:15# Everywhere I go you'll be
1:40:15 > 1:40:20BOTH: # There's only you and me
1:40:26 > 1:40:30# Tonight, tonight
1:40:30 > 1:40:33# It all began tonight
1:40:33 > 1:40:40# I saw you and the world went away
1:40:40 > 1:40:44# Tonight, tonight
1:40:44 > 1:40:47# There's only you tonight
1:40:47 > 1:40:53# What you are, what you do What you say
1:40:53 > 1:40:59# Today all day I had the feeling
1:40:59 > 1:41:04# A miracle would happen
1:41:04 > 1:41:07# I know now I was right
1:41:07 > 1:41:11# For here you are
1:41:11 > 1:41:18# And what was just a world is a star
1:41:18 > 1:41:22# Tonight...
1:41:32 > 1:41:35BOTH: # Tonight
1:41:35 > 1:41:39# Tonight
1:41:39 > 1:41:45# The world is full of light
1:41:45 > 1:41:53# With suns and moons all over the place
1:41:53 > 1:41:56# Tonight, tonight
1:41:56 > 1:41:59# The world is wild and bright
1:41:59 > 1:42:06# Going mad Shooting sparks into space
1:42:06 > 1:42:11# Today the world was just an address
1:42:11 > 1:42:14# A place for me to live in
1:42:14 > 1:42:19# No better than all right
1:42:19 > 1:42:22# But here you are
1:42:22 > 1:42:29# And what was just a world is a star
1:42:29 > 1:42:34# Tonight... #
1:42:37 > 1:42:40- Maruca.- Wait for me.
1:42:45 > 1:42:49# Tonight
1:42:49 > 1:42:53# Tonight
1:42:53 > 1:43:00# It all began tonight
1:43:00 > 1:43:08# I saw you and the world
1:43:08 > 1:43:12# Went away... #
1:43:19 > 1:43:22I cannot stay. Go quickly.
1:43:22 > 1:43:26- I'm not afraid. - They are strict with me. Please.
1:43:26 > 1:43:28Good night.
1:43:28 > 1:43:30Buenas noches.
1:43:30 > 1:43:32I love you.
1:43:32 > 1:43:35Yes, yes! Hurry.
1:43:35 > 1:43:39Wait! When will I see you?
1:43:39 > 1:43:42- Tomorrow.- I will be at the bridal shop, come there.
1:43:42 > 1:43:46- At sundown?- Yes. Good night.
1:43:46 > 1:43:47Good night.
1:43:49 > 1:43:50Tony!
1:43:50 > 1:43:53Shh.
1:43:53 > 1:43:56- Calm to the back door.- Si.
1:43:58 > 1:44:00Tony.
1:44:02 > 1:44:03What does Tony stand for?
1:44:05 > 1:44:07Anton.
1:44:09 > 1:44:11Te adoro, Anton.
1:44:14 > 1:44:15Te adoro, Maria.
1:44:17 > 1:44:23# Good night
1:44:23 > 1:44:27# Good night
1:44:27 > 1:44:33# Sleep well and when you dream
1:44:33 > 1:44:39# Dream of me...
1:44:43 > 1:44:49# Tonight... #
1:45:05 > 1:45:07CHEERING AND APPLAUSE
1:45:11 > 1:45:12Not a dry eye in the house.
1:45:12 > 1:45:15The balcony scene from Leonard Bernstein's masterpiece
1:45:15 > 1:45:16West Side Story.
1:45:16 > 1:45:20Sierra Boggess singing Maria and Julian Ovenden singing Tony.
1:45:31 > 1:45:34# Don't tell me not to live Just sit and putter
1:45:34 > 1:45:36# Life's candy and the sun's a ball of butter
1:45:36 > 1:45:42# Don't bring around a cloud to rain on my parade
1:45:42 > 1:45:45# Don't tell me not to fly I've simply got to
1:45:45 > 1:45:48# If someone takes a spill It's me and not you
1:45:48 > 1:45:53# Don't bring around a cloud to rain on my parade
1:45:53 > 1:45:56# I'll march my band out
1:45:56 > 1:45:59# I'll beat my drum
1:45:59 > 1:46:02# And if I'm fanned out
1:46:02 > 1:46:05# Your turn at bat, sir
1:46:05 > 1:46:08# At least I didn't fake it Hat, sir
1:46:08 > 1:46:10# I guess I didn't make it
1:46:10 > 1:46:13# But whether I'm the rose of sheer perfection
1:46:13 > 1:46:16# A freckle on the nose of life's complexion
1:46:16 > 1:46:21# The cinder or the shiny apple of its eye
1:46:21 > 1:46:24# I gotta fly once I gotta try once
1:46:24 > 1:46:28# Only can die once, right, sir
1:46:28 > 1:46:32# Ooh, life is juicy Juicy and you see
1:46:32 > 1:46:35# I've got to have my bite, sir
1:46:35 > 1:46:38# Get ready for me, love Cos I'm a comer
1:46:38 > 1:46:41# I simply gotta march My heart's a drummer
1:46:41 > 1:46:47# Don't bring around a cloud to rain on my parade
1:46:47 > 1:46:50# I'm going to live and live now
1:46:50 > 1:46:53# Get what I want I know how
1:46:53 > 1:46:57# One roll for the whole she-bang
1:46:57 > 1:46:59# One more that bell will go clang
1:46:59 > 1:47:03# Eye on the target and wham!
1:47:03 > 1:47:06# One shot, one gunshot and bam!
1:47:06 > 1:47:11# Hey, Mr Arnstein
1:47:11 > 1:47:19# Here I am
1:47:19 > 1:47:26# I'll march my band out
1:47:26 > 1:47:31# I'll beat my drum
1:47:31 > 1:47:34# And if I'm fanned out
1:47:34 > 1:47:37# Your turn at bat, sir
1:47:37 > 1:47:41# At least I didn't fake it, hat, sir I guess I didn't make it
1:47:41 > 1:47:44# Get ready for me, love, cos I'm a comer
1:47:44 > 1:47:46# I simply gotta march My heart's a drummer
1:47:46 > 1:47:50# Nobody, no, nobody
1:47:50 > 1:47:56# Is gonna rain on my
1:47:56 > 1:48:12# Parade. #
1:48:13 > 1:48:15CHEERING AND APPLAUSE
1:48:18 > 1:48:23The fabulous Anna-Jane Casey. Don't Rain On My Parade from Funny Girl.
1:48:23 > 1:48:26The role made famous by Barbra Streisand.
1:48:38 > 1:48:41A-one, two, three.
1:48:50 > 1:48:56# You coax the blues right out of the horn
1:48:56 > 1:48:59# Mame
1:48:59 > 1:49:05# You charm the husk right off of the corn
1:49:05 > 1:49:08# Mame
1:49:08 > 1:49:11# You got the banjos strummin'
1:49:11 > 1:49:16# And plunkin' out a tune to beat the band
1:49:17 > 1:49:19# The whole plantation's hummin'
1:49:19 > 1:49:25# Since you brought Dixie back to Dixieland
1:49:25 > 1:49:31# You make the cotton easy to pick
1:49:31 > 1:49:34# Mame
1:49:34 > 1:49:40# You give my old mint julep a kick
1:49:40 > 1:49:42# Mame
1:49:42 > 1:49:50# Who ever thought a Yankee would put a little Dixie mouse to shame?
1:49:51 > 1:49:56# You've made us feel alive again
1:49:56 > 1:50:00# You've given us the drive again
1:50:00 > 1:50:04# To make the South revive again
1:50:04 > 1:50:06# Mame
1:50:08 > 1:50:14# You've brought the cakewalk back into style
1:50:14 > 1:50:16# Mame
1:50:16 > 1:50:23# You make the weepin' willow tree smile
1:50:23 > 1:50:25# Mame
1:50:25 > 1:50:29# Your skin is Dixie satin
1:50:29 > 1:50:34# There's rebel in your manner and your speech
1:50:34 > 1:50:38# May come from old Manhattan
1:50:38 > 1:50:41# But Georgia's never had a sweeter peach
1:50:43 > 1:50:49# You make the old magnolia tree bud
1:50:49 > 1:50:51# Mame
1:50:51 > 1:50:58# You make camellias bloom in the mud
1:50:58 > 1:51:00# Mame
1:51:00 > 1:51:08# You make the bougainvillea turn purple at the mention of your name
1:51:08 > 1:51:13# We're bakin' pecan pies again
1:51:13 > 1:51:17# Tonight the chicken fries again
1:51:17 > 1:51:21# Tonight the South will rise again
1:51:21 > 1:51:23# Mame
1:51:25 > 1:51:28# Well, shut my mouth and freeze my face
1:51:28 > 1:51:30# You've brought some elegance to the place
1:51:30 > 1:51:32# There's sowbelly, hominy, catfish and tripe
1:51:32 > 1:51:33# Mame
1:51:33 > 1:51:36# Well, shut my mouth and damn my eyes
1:51:36 > 1:51:38# You've made the price of tobacco rise
1:51:38 > 1:51:40# The old watermelon is suddenly ripe
1:51:40 > 1:51:42# Mame
1:51:42 > 1:51:46# And down on the levee a beautiful bevy of crinoline ladies has flocked
1:51:46 > 1:51:48# The way that they're squealin'
1:51:48 > 1:51:50# They give me the feelin' that Robert E Lee must have docked
1:51:50 > 1:51:53# The strummin' and ringin' The hummin' and singin'
1:51:53 > 1:51:55# Is startin' to get out of hand
1:51:55 > 1:51:59# Since you brought Dixie back to Dixieland
1:51:59 > 1:52:06# You make our black-eyed peas and our grits
1:52:06 > 1:52:08# Mame
1:52:08 > 1:52:14# Seem like the bill of fare at the Ritz
1:52:14 > 1:52:17# Mame
1:52:17 > 1:52:21# You came, you saw, you conquered
1:52:21 > 1:52:26# And absolutely nothing is the same
1:52:26 > 1:52:30# Your special fascination'll
1:52:30 > 1:52:35# Prove to be inspirational
1:52:35 > 1:52:39# We think you're just sensational
1:52:39 > 1:52:41# Mame
1:53:50 > 1:53:52# Hyah!
1:53:53 > 1:53:54# Hyah!
1:53:56 > 1:54:01# Since you brought Dixie back to Dixieland
1:54:03 > 1:54:10# You coax the blues right out of the horn
1:54:10 > 1:54:11# Mame
1:54:11 > 1:54:18# You charm the husk right off of the corn
1:54:18 > 1:54:20# Mame
1:54:20 > 1:54:28# You've got the banjos strummin' and plunkin' out a tune to beat the band
1:54:28 > 1:54:32# The whole plantation's hummin'
1:54:32 > 1:54:36# Since you brought Dixie back to Dixieland
1:54:36 > 1:54:42# You make the cotton easy to pick
1:54:42 > 1:54:45# Mame
1:54:45 > 1:54:51# You give my old mint julep a kick
1:54:51 > 1:54:53# Mame
1:54:53 > 1:55:02# Who ever thought a Yankee could put our little Dixie belles to shame?
1:55:02 > 1:55:06# You've made us feel alive again
1:55:06 > 1:55:11# You've given us the drive again
1:55:11 > 1:55:16# To make the South revive again
1:55:16 > 1:55:18# Mame
1:55:20 > 1:55:22# Mame
1:55:23 > 1:55:24# Mame
1:55:26 > 1:55:31# Mame
1:55:32 > 1:55:39# Mame! #
1:55:39 > 1:55:42CHEERING AND APPLAUSE
1:55:46 > 1:55:47The whole company there,
1:55:47 > 1:55:51performing Mame from Jerry Herman's hit show of the same name.
1:55:53 > 1:55:57Lindsay Benson and Heather Cairncross were the soloists there,
1:55:57 > 1:56:02but the whole of John Wilson's orchestra and the cast really giving it some!
1:56:02 > 1:56:04Elizabeth Llewellyn.
1:56:04 > 1:56:07Julian Ovenden.
1:56:08 > 1:56:09Sierra Boggess.
1:56:11 > 1:56:13Seth MacFarlane.
1:56:15 > 1:56:16Anna-Jane Casey.
1:56:18 > 1:56:20Rodney Earl Clarke.
1:56:29 > 1:56:33And the loudest cheer of all for John Wilson.
1:56:33 > 1:56:37And you can hear the sound of stamping and clapping
1:56:37 > 1:56:41here in the Royal Albert Hall as he brings his orchestra to their feet.
1:56:41 > 1:56:45And the Maida Vale Singers, who have done such a brilliant job tonight.
1:56:45 > 1:56:48Their director, Christopher Dee.
1:57:08 > 1:57:10CHEERING
1:57:16 > 1:57:18John Wilson coming back to the stage
1:57:18 > 1:57:23to, I suspect, give us another little encore.
1:57:26 > 1:57:28Not before, though, he brings...
1:57:30 > 1:57:34..the entire orchestra to their feet, or at least... Who have we got there?
1:57:34 > 1:57:37We've got Howard McGill, the clarinet and sax soloist.
1:57:42 > 1:57:44HE MOUTHS
1:57:48 > 1:57:49HE MOUTHS
1:57:57 > 1:57:59Principle trombone Gordon Campbell,
1:57:59 > 1:58:02we've got Michael Lovatt, the principle trumpet.
1:58:25 > 1:58:27Matt Skelton on drums.
1:58:29 > 1:58:32We've got him to thank for bringing Seth MacFarlane
1:58:32 > 1:58:34and John Wilson together.
1:58:34 > 1:58:40The whole string section, led by Warren Zielinski, on their feet.
1:58:44 > 1:58:46KATIE CHUCKLES
1:58:46 > 1:58:49Special cheer there for the viola section.
1:58:51 > 1:58:53And now the cellos.
1:58:58 > 1:59:00And the double basses.
1:59:04 > 1:59:06LOUDER CHEERING
1:59:06 > 1:59:09As suspected, it's not quite over yet.
1:59:16 > 1:59:20MUSIC: "Tap Your Troubles Away"
1:59:24 > 1:59:29# Tap your troubles away
1:59:29 > 1:59:31# You bounced a big cheque
1:59:31 > 1:59:34# Your mom has the vapours
1:59:34 > 1:59:36# Tap your troubles away
1:59:36 > 1:59:40RIPPLE OF EXCITEMENT # Your car had a wreck
1:59:40 > 1:59:43# They're serving you papers
1:59:43 > 1:59:48# When you're the one that it always rains on
1:59:48 > 1:59:52# Simply try puttin' your Mary Janes on
1:59:52 > 1:59:56# Your boss just gave you the axe
1:59:56 > 1:59:59# There's years of back tax
1:59:59 > 2:00:01# You simply can't pay
2:00:01 > 2:00:05# If a skyful of crap always lands in your lap
2:00:05 > 2:00:11# Make a curtsey and tap your troubles away
2:00:13 > 2:00:15ANNA-JANE WHOOPS
2:00:43 > 2:00:46SHE WHOOPS, CHEERING
2:00:51 > 2:00:55# Tap your troubles away
2:00:55 > 2:00:57# You're sued for divorce
2:00:57 > 2:01:00# Your brother gets locked up
2:01:00 > 2:01:04# Tap your troubles away
2:01:04 > 2:01:06# You're fat as a horse
2:01:06 > 2:01:09# And find that you're knocked up
2:01:09 > 2:01:14# When you need something to turn your mind off
2:01:14 > 2:01:18# Why not try tapping your poor behind off?
2:01:18 > 2:01:22# Your boat goes over the falls
2:01:22 > 2:01:25# The plane you're on stalls
2:01:25 > 2:01:27# The pilot yells, "Pray!"
2:01:27 > 2:01:29# If your parachute strap
2:01:29 > 2:01:32# Is beginning to snap
2:01:32 > 2:01:34# Smile a big smile and tap, tap
2:01:34 > 2:01:37# Tap your troubles away
2:01:52 > 2:01:54SHE WHOOPS
2:02:06 > 2:02:08# Whoo!
2:02:09 > 2:02:10# Hey!
2:02:11 > 2:02:13# Ha!
2:02:13 > 2:02:16# Whoo!
2:02:23 > 2:02:25# Ha!
2:02:26 > 2:02:28ANNA-JANE WHOOPS
2:02:35 > 2:02:38# When the wolf's at the door
2:02:38 > 2:02:40# There's a bluebird in store
2:02:40 > 2:02:43# If you glide cross the floor
2:02:43 > 2:02:45# Till your ankles get sore
2:02:45 > 2:02:51# Just tap your troubles away
2:02:51 > 2:02:59# Your troubles away
2:03:04 > 2:03:06# Ha! #
2:03:06 > 2:03:08CHEERING AND APPLAUSE
2:03:25 > 2:03:29SONG RESUMES
2:03:29 > 2:03:31ANNA-JANE WHOOPS
2:03:36 > 2:03:38# When the wolf's at the door
2:03:38 > 2:03:41# There's a bluebird in store
2:03:41 > 2:03:44# If you glide cross the floor
2:03:44 > 2:03:46# Till your ankles get sore
2:03:46 > 2:03:52# Just tap your troubles away
2:03:52 > 2:04:01# Your troubles away
2:04:05 > 2:04:07# Ha! #
2:04:07 > 2:04:09CHEERING AND APPLAUSE
2:04:16 > 2:04:20A rip-roaring encore of Tap Your Troubles Away
2:04:20 > 2:04:24from the musical Mack & Mabel by Jerry Herman.
2:04:24 > 2:04:28Featuring the irrepressible Anna-Jane Casey,
2:04:28 > 2:04:30the Maida Vale Singers,
2:04:30 > 2:04:33a wonderful cast of dancers expertly choreographed by Josh Prince,
2:04:33 > 2:04:38and of course the John Wilson Orchestra led by Warren Zielinski
2:04:38 > 2:04:40and conducted by John Wilson.
2:04:50 > 2:04:55Well, that, I'm afraid, really IS it for tonight.
2:04:55 > 2:04:59For now, though, as we all tap our troubles away, I do hope you've
2:04:59 > 2:05:03enjoyed this evening's concert as much as everybody here in the hall.
2:05:03 > 2:05:05Good night.
2:05:31 > 2:05:33Subtitles by Red Bee Media Ltd