0:00:27 > 0:00:29APPLAUSE
0:00:29 > 0:00:33MUSIC: "Theme from Doctor Who" by Ron Grainer
0:00:39 > 0:00:41Doctor Who Proms. 2013. Boom!
0:00:41 > 0:00:46MUSIC: "Theme from Doctor Who" by Ron Grainer
0:00:46 > 0:00:50It's like this huge Doctor Who 50th anniversary celebration.
0:00:51 > 0:00:53A wonderful choir, wonderful orchestra.
0:00:53 > 0:00:58Ben Foster's the most handsome conductor on the planet.
0:00:58 > 0:00:59Alert! Alert!
0:00:59 > 0:01:02- We have the Daleks, Weeping Angels, Cybermen...- Obey!
0:01:02 > 0:01:05When they come in, I can hear the screams behind me.
0:01:05 > 0:01:08And I do have to turn around and just enjoy it.
0:01:11 > 0:01:13Everybody's extremely excited,
0:01:13 > 0:01:16and I just think it's going to be a really great show.
0:01:16 > 0:01:17Who would not want to perform in this?
0:01:17 > 0:01:21This is one of the iconic concert halls of the world.
0:01:21 > 0:01:26The rest of the year, we do very lovely concerts that are very
0:01:26 > 0:01:30straightforward, because there are no monsters, there's no Doctor Who.
0:01:33 > 0:01:37One of my new year's resolutions was to go and watch more live music,
0:01:37 > 0:01:40so this is kind of a spectacular way to do it.
0:01:40 > 0:01:42I keep meeting people outside, and they say,
0:01:42 > 0:01:45"I'm learning violin or trombone," and you think, "Great."
0:01:45 > 0:01:49And I hope that coming to a concert like this will inspire them
0:01:49 > 0:01:50to want to be in orchestras.
0:01:50 > 0:01:52Hello! Welcome to the BBC Proms.
0:01:54 > 0:01:57When you're sat in the auditorium, there's nothing really like it.
0:01:57 > 0:02:00I looked at some of the kids, and they're like...
0:02:00 > 0:02:02It's cool, man.
0:02:05 > 0:02:07APPLAUSE
0:02:12 > 0:02:15It's amazing how the songs really do stick with you.
0:02:15 > 0:02:18But, like, Doctor Who is so about the drama,
0:02:18 > 0:02:21and the music is such a huge part of the show.
0:02:28 > 0:02:30I've always written very lyrical themes.
0:02:30 > 0:02:34They always feel like they're from the heart, I think.
0:02:34 > 0:02:37Trying to just grab people and sing big choruses of love.
0:02:44 > 0:02:46Murray Gold is a genius.
0:02:46 > 0:02:50And the number of melodies that man has come up with
0:02:50 > 0:02:53that are utterly haunting, utterly memorable.
0:02:53 > 0:02:56I've become quite attached to some of the music in this show,
0:02:56 > 0:02:59because, you know, I find it very moving.
0:02:59 > 0:03:02And also I look at Karen and Arthur and Jenna, you know, acting
0:03:02 > 0:03:07and doing their best, and then all this soaring sort of emotive music
0:03:07 > 0:03:10swelling up around you, it kind of stirs me, I guess.
0:03:10 > 0:03:13It's one of the things I'm going to miss the most, definitely.
0:03:17 > 0:03:20APPLAUSE
0:03:24 > 0:03:30MUSIC: "The Mad Man With A Box" by Murray Gold
0:03:30 > 0:03:38# Ah...
0:03:42 > 0:03:49# Ah...
0:04:24 > 0:04:28MELANCHOLIC MUSIC
0:04:40 > 0:04:44CHOIR JOINS IN WITH SOLOIST
0:05:32 > 0:05:36MUSIC CRESCENDOS
0:06:17 > 0:06:21CHEERING AND APPLAUSE
0:06:30 > 0:06:38MUSIC: "I Am The Doctor" by Murray Gold
0:07:00 > 0:07:02THEY SCREAM
0:07:38 > 0:07:43MUSIC CRESCENDOS, THEN DIMINUENDOS
0:08:03 > 0:08:05THEY SCREAM
0:08:10 > 0:08:14MUSIC GETS FASTER
0:08:16 > 0:08:18THEY SCREAM
0:09:08 > 0:09:11DRAMATIC MUSIC
0:09:27 > 0:09:31THEY CHEER
0:09:43 > 0:09:46Hello, Stonehenge!
0:09:46 > 0:09:51Who takes the Pandorica takes the universe.
0:09:51 > 0:09:53But bad news, everyone...
0:09:55 > 0:09:57Cos guess who? Ha!
0:09:58 > 0:10:03Listen, you lot, you're all whizzing about. It's really very distracting.
0:10:03 > 0:10:09Could you all just stay still a minute? BECAUSE I AM TALKING!
0:10:12 > 0:10:15Now, the question of the hour is, "Who's got the Pandorica?"
0:10:15 > 0:10:17Answer - "I do."
0:10:17 > 0:10:20Next question - "Who's coming to take it from me?"
0:10:21 > 0:10:24Come on! Look at me.
0:10:24 > 0:10:26No plan, no back-up, no weapons worth a damn.
0:10:26 > 0:10:30Oh, and something else - I don't have anything to lose.
0:10:30 > 0:10:34So, if you're sitting up there in your silly little spaceship
0:10:34 > 0:10:36with all your silly little guns
0:10:36 > 0:10:39and you've got any plans on taking the Pandorica tonight,
0:10:39 > 0:10:43just remember who's standing in your way.
0:10:43 > 0:10:48Remember every black day I ever stopped you.
0:10:48 > 0:10:52And then - AND THEN -
0:10:52 > 0:10:55do the smart thing.
0:10:56 > 0:10:58Let somebody else try first.
0:11:00 > 0:11:03MUSIC SWELLS
0:11:18 > 0:11:20Trust me.
0:11:22 > 0:11:26I'm The Doctor.
0:11:30 > 0:11:32MUSIC CLIMAXES
0:11:32 > 0:11:36CHEERING AND APPLAUSE
0:11:46 > 0:11:48- That was really disappointing. - I know, I'm sorry.
0:11:48 > 0:11:50How could you not get tickets?
0:11:50 > 0:11:52I didn't realise it would be so popular!
0:11:52 > 0:11:54- Well, you must know somebody. - Eh? Why?
0:11:54 > 0:11:56Doctor, it's a concert about YOU.
0:11:56 > 0:12:00And I've got the perfect way to get us in.
0:12:00 > 0:12:01What's that?
0:12:01 > 0:12:02A Hyperscape Body Swap ticket,
0:12:02 > 0:12:06valid for all entertainment events in the history of the universe.
0:12:06 > 0:12:09- Body swap?- Exactly. We just scrape off this little bit of foil here,
0:12:09 > 0:12:13and right now, two people sitting in the Albert Hall get deleted.
0:12:13 > 0:12:16- Deleted?- Yes, we just appear in their seats.
0:12:16 > 0:12:19- But what about the deleted people? - Oh...they get deleted.
0:12:19 > 0:12:21Otherwise we'd be sitting in their laps.
0:12:21 > 0:12:23And they wouldn't want that at all.
0:12:23 > 0:12:25I mean, imagine if some young fellow out there
0:12:25 > 0:12:28suddenly gets you in his lap. He'd be furious.
0:12:28 > 0:12:30- By "deleted", you mean... - They get sent outside.
0:12:30 > 0:12:33They materialise perfectly safely a few streets away.
0:12:33 > 0:12:36- Oh, OK.- Naked.- Naked?
0:12:36 > 0:12:40Yes. We get their clothes too. It's all part of the Body Swap service.
0:12:40 > 0:12:42But they'll miss the concert. That's not fair.
0:12:42 > 0:12:45Ah, they get compensated. A nice packet of biscuits.
0:12:45 > 0:12:49Jammie Dodgers, probably. Also a billion billion pounds, immortality,
0:12:49 > 0:12:51X-ray vision, a spacebus, an electric camel,
0:12:51 > 0:12:54a house that's bigger on the inside - and the outside -
0:12:54 > 0:12:57the legal right to marry 15 people of their own choosing and a pardon.
0:12:57 > 0:13:01- A pardon?- For being naked in the street.- OK, that sounds fair.
0:13:01 > 0:13:04- Shall we?- Go on.
0:13:09 > 0:13:13Doctor?
0:13:22 > 0:13:27Hello, Albert Hall!
0:13:27 > 0:13:29CHEERING AND APPLAUSE
0:13:29 > 0:13:33We made it!
0:13:33 > 0:13:34CHEERING AND APPLAUSE
0:13:34 > 0:13:39Well, how wonderful to be here. And my TARDIS made it. And a piano.
0:13:39 > 0:13:42- How exciting! - HE PLAYS BEETHOVEN
0:13:42 > 0:13:44If Ludwig van could see me now!
0:13:44 > 0:13:47Hello, choir! Hello, orchestra!
0:13:48 > 0:13:51Oh, and it's Ben Foster. Ben, did you get my present?
0:13:51 > 0:13:56Excellent! It may come in handy in the case of alien invasion.
0:13:56 > 0:13:57CHEERING
0:13:57 > 0:14:01Let's leave it to the real maestro, shall we?
0:14:01 > 0:14:02Ooh, where's Clara? Clara?
0:14:02 > 0:14:05Doctor?
0:14:07 > 0:14:11You promised we'd be in the audience, not in the orchestra!
0:14:11 > 0:14:13I don't know how to play the double bass!
0:14:13 > 0:14:16Yes, yes... Sorry. Well, don't panic!
0:14:16 > 0:14:20But at least the costume went all right. Tails and a bow-tie. Jackpot!
0:14:20 > 0:14:22SHE GASPS
0:14:22 > 0:14:25- Your hair!- Argh! - What happened to your hair?
0:14:25 > 0:14:27Oh, no. That must be the ticket!
0:14:27 > 0:14:31Oh, never trust a tout - especially when he's from Space Vegas.
0:14:31 > 0:14:33Actually, that reminds me - I've got to take you there.
0:14:33 > 0:14:35It's the ultimate planet for excitement.
0:14:35 > 0:14:40Right, then. Now, then - orchestra, are we ready, ready, ready?
0:14:40 > 0:14:43ORCHESTRA PLAYS CHORDS
0:14:45 > 0:14:49- Doctor?- Yes.- Concentrate. Can we take our seats,
0:14:49 > 0:14:52because everybody is waiting? LAUGHTER
0:14:52 > 0:14:56Right, yes. Ladies and gentlemen of the orchestra, my sincere apologies.
0:14:56 > 0:14:58Ladies and gentlemen of the audience, sorry for
0:14:58 > 0:15:01interrupting this Prom. Benjamin, please, take this.
0:15:01 > 0:15:04- Right. Gosh, there's a lot of you, isn't there? It's time to run.- Ooh!
0:15:04 > 0:15:08- LAUGHTER Wrong way.- OK. Bye!- Bye!
0:15:08 > 0:15:10CHEERING AND APPLAUSE
0:15:16 > 0:15:20My role is Madame Vastra, who is a Silurian.
0:15:20 > 0:15:23She's a humanoid reptile.
0:15:24 > 0:15:27She helps... Her, Jenny and Strax
0:15:27 > 0:15:31help back up The Doctor in some of his adventures.
0:15:31 > 0:15:34Well, I did the very first one of these about five years ago,
0:15:34 > 0:15:37as a Sontaran, but I wasn't actually on stage talking to people,
0:15:37 > 0:15:39I was running around in the crowd scaring people.
0:15:39 > 0:15:43So this is actually being on stage in front of the big
0:15:43 > 0:15:47Royal Albert Hall audience will be very exciting.
0:15:47 > 0:15:49HE SINGS
0:15:51 > 0:15:54I've been doing all of the prosthetics
0:15:54 > 0:15:55since the show came back.
0:15:55 > 0:15:59These events are always fantastic fun.
0:15:59 > 0:16:04Just to hear the reaction from the kids as the Cybermen stomp on,
0:16:04 > 0:16:07- it's absolutely fantastic. - THEY CHEER
0:16:07 > 0:16:09This is new, this is my microphone.
0:16:09 > 0:16:12Because obviously I'm going to be on stage, speaking to the audience.
0:16:12 > 0:16:15And, yes, working out where Commander Strax... Oh, God!
0:16:15 > 0:16:18Looks like he's had a facial piercing, which is disturbing!
0:16:20 > 0:16:25We were in rehearsing yesterday and listening to the orchestra play
0:16:25 > 0:16:29and the choir, and watching the screens. It's going to be awesome!
0:16:29 > 0:16:32Huge. 5,000-6,000 people.
0:16:32 > 0:16:34All going crazy.
0:16:34 > 0:16:37APPLAUSE
0:16:40 > 0:16:42CHEERING
0:16:48 > 0:16:50Hello, everyone.
0:16:52 > 0:16:56Welcome to this very special Doctor Who Prom.
0:16:56 > 0:16:59My name is Vastra.
0:16:59 > 0:17:01CHEERING AND APPLAUSE
0:17:06 > 0:17:10Madam.... Madam, we appear to be surrounded.
0:17:10 > 0:17:13There are thousands of puny humans everywhere!
0:17:13 > 0:17:18Strax... Strax, these are all The Doctor's friends!
0:17:18 > 0:17:20CHEERING AND APPLAUSE
0:17:24 > 0:17:25Very well, if you say so, madam.
0:17:25 > 0:17:28- But I'll be keeping my eye on them. - LAUGHTER
0:17:28 > 0:17:32For now, I'll stand down the Sontaran battle fleet.
0:17:32 > 0:17:34Yes, a very good idea, Strax.
0:17:34 > 0:17:39Today we're all here to celebrate our friend, The Doctor.
0:17:39 > 0:17:41APPLAUSE
0:17:43 > 0:17:46I am told that you humans have been following
0:17:46 > 0:17:50The Doctor's adventures for almost five decades.
0:17:50 > 0:17:53CHEERING AND APPLAUSE
0:17:53 > 0:17:58- Some us have known him much longer! - LAUGHTER
0:17:58 > 0:18:01All of the music that you will be hearing in this concert
0:18:01 > 0:18:03has been heard in Doctor Who.
0:18:03 > 0:18:08Most of it is by The Doctor's personal composer, Mr Murray Gold.
0:18:08 > 0:18:10CHEERING AND APPLAUSE
0:18:14 > 0:18:17- Don't wander off.- Hmm?- I mean it.
0:18:17 > 0:18:21Otherwise you'll wander off, and the next thing you know,
0:18:21 > 0:18:24somebody's going to have to start rescuing somebody.
0:18:24 > 0:18:26Sweet dreams.
0:18:28 > 0:18:33MUSIC: "Cyber Shard" by Murray Gold
0:18:47 > 0:18:50DRAMATIC BRASS MUSIC
0:19:09 > 0:19:12APPLAUSE
0:19:54 > 0:19:56SHE SCREAMS
0:19:59 > 0:20:03THEY SCREAM
0:22:59 > 0:23:01CHEERING AND APPLAUSE
0:23:09 > 0:23:12That was Cyber Shard.
0:23:12 > 0:23:14I hope no-one was deleted!
0:23:15 > 0:23:18When The Doctor invited Clara on her first trip in the TARDIS,
0:23:18 > 0:23:22she asked to be shown "something awesome".
0:23:22 > 0:23:25We are going to take you on that same journey
0:23:25 > 0:23:29to the Rings of Akhaten to witness the Festival of Offerings.
0:23:29 > 0:23:33Please welcome our two singers - the Queen of Years, Kerry Ingram,
0:23:33 > 0:23:35and Allan Clayton.
0:23:35 > 0:23:38CHEERING AND APPLAUSE
0:23:55 > 0:23:59MUSIC: "The Rings Of Akhaten" by Murray Gold
0:24:02 > 0:24:08# Rest now
0:24:08 > 0:24:17# My warrior
0:24:17 > 0:24:25# Lay down, my king
0:24:25 > 0:24:34# Sleep now, eternal
0:24:34 > 0:24:42# Sleep, my precious thing
0:24:42 > 0:24:48# Rest now
0:24:48 > 0:24:57# My warrior
0:24:57 > 0:25:05# Rest now, my king
0:25:06 > 0:25:09# Rest now
0:25:09 > 0:25:22# Your hardship is over... #
0:25:22 > 0:25:24Come on, then.
0:25:24 > 0:25:26Take mine.
0:25:26 > 0:25:31Take my memories.
0:25:31 > 0:25:34I hope you've got a big appetite,
0:25:34 > 0:25:37- because I have lived... - THE DOCTOR GRUNTS
0:25:37 > 0:25:41..a long life and I have seen a few things.
0:25:41 > 0:25:46I walked away from the Last Great Time War,
0:25:46 > 0:25:49I marked the passing of the Time Lords,
0:25:49 > 0:25:51I saw the birth of the universe
0:25:51 > 0:25:53and I watched as time ran out
0:25:53 > 0:25:56till nothing remained, just me!
0:25:56 > 0:26:02And I have watched universes freeze and creations burn,
0:26:02 > 0:26:05and I know things, secrets that must never be told,
0:26:05 > 0:26:10knowledge that will make parasite gods blaze!
0:26:10 > 0:26:13So come on, then!
0:26:13 > 0:26:14Take it!
0:26:14 > 0:26:17Take it all, baby!
0:26:17 > 0:26:18Have it!
0:26:18 > 0:26:20You have it all!
0:26:20 > 0:26:28# ..Live, wake up
0:26:28 > 0:26:33# Wake up
0:26:33 > 0:26:39# And let the cloak of life
0:26:39 > 0:26:45# Cling to your bones
0:26:45 > 0:26:51# Wake up
0:26:51 > 0:26:57# Live
0:26:57 > 0:27:00# Wake up
0:27:00 > 0:27:04# Wake up
0:27:04 > 0:27:11# And let the cloak of life
0:27:11 > 0:27:16# Cling to your bones
0:27:16 > 0:27:21# Cling to your bones
0:27:21 > 0:27:25# Wake up
0:27:25 > 0:27:30# Wake up
0:27:32 > 0:27:36# Live
0:27:36 > 0:27:40# Wake up
0:27:40 > 0:27:44# Wake up
0:27:44 > 0:27:51# And let the cloak of life
0:27:51 > 0:27:56# Cling to your bones
0:27:56 > 0:28:01# Cling to your bones
0:28:01 > 0:28:04# Wake up
0:28:04 > 0:28:10# Wake up
0:28:12 > 0:28:17# Live
0:28:17 > 0:28:20# Wake up
0:28:20 > 0:28:24# Wake up
0:28:24 > 0:28:32# And let the cloak of life
0:28:32 > 0:28:37# Cling to your bones
0:28:37 > 0:28:41# Cling to your bones
0:28:41 > 0:28:44# Wake up
0:28:44 > 0:28:50# Wake up
0:28:52 > 0:28:57# Live
0:28:57 > 0:29:00# Wake up
0:29:00 > 0:29:04# Wake up
0:29:04 > 0:29:10# Wake up. #
0:29:21 > 0:29:25CHEERING AND APPLAUSE
0:29:37 > 0:29:40Strax to Sontar.
0:29:40 > 0:29:43Strax to Sontar.
0:29:43 > 0:29:45SCATTERED LAUGHTER
0:29:45 > 0:29:49Field report D-956/2.
0:29:49 > 0:29:54I am in a large room, surrounded by thousands of human scum
0:29:54 > 0:29:57who have gathered to celebrate The Doctor.
0:29:57 > 0:30:00A group of them are playing music,
0:30:00 > 0:30:04but nothing compared to the glory of our Sontaran music.
0:30:04 > 0:30:06Others stand, ready for battle.
0:30:06 > 0:30:10Most are too puny and weak
0:30:10 > 0:30:14and have found seats to rest their pathetic bodies.
0:30:14 > 0:30:16LAUGHTER
0:30:16 > 0:30:20Wait! Intel just in suggests The Doctor's enemies are gathering
0:30:20 > 0:30:22and preparing to attack.
0:30:22 > 0:30:25This next piece may provide further clues.
0:30:25 > 0:30:28Strax signing off.
0:30:30 > 0:30:32CHEERING AND APPLAUSE
0:30:34 > 0:30:37MUSIC: "All The Strange, Strange Creatures" by Murray Gold
0:30:45 > 0:30:47There are some corners of the universe
0:30:47 > 0:30:49which have bred the most terrible things,
0:30:49 > 0:30:53things which act against everything that we believe in.
0:30:53 > 0:30:55They must be fought.
0:31:08 > 0:31:10CROWD CHEERS
0:31:48 > 0:31:56CROWD CHEERS
0:32:20 > 0:32:23CROWD CHEERS
0:32:27 > 0:32:29CYBERMAN'S JOINTS WHIRR AND FEET THUD
0:32:33 > 0:32:35CROWD CHEERS
0:33:34 > 0:33:35ICE WARRIOR SNIFFS THE AIR
0:34:08 > 0:34:12CHEERING AND APPLAUSE
0:34:19 > 0:34:22LOUD CHEERING
0:34:22 > 0:34:24Hello.
0:34:26 > 0:34:28Are we having a nice time?
0:34:28 > 0:34:30CHEERING
0:34:30 > 0:34:34I can't hear you! I said, "Are we having a nice time?"
0:34:34 > 0:34:36LOUD CHEERING
0:34:36 > 0:34:39Now, in case you're wondering, my name is Matt Smith,
0:34:39 > 0:34:40and I play The Doctor.
0:34:40 > 0:34:43As you all know, this is a very special year for Doctor Who.
0:34:43 > 0:34:4450 years!
0:34:44 > 0:34:46CHEERING AND APPLAUSE
0:34:46 > 0:34:49Amazing! It's amazing!
0:34:49 > 0:34:51And I can't think of a better way to celebrate
0:34:51 > 0:34:52than to be here with all of you!
0:34:52 > 0:34:54One of the great joys of playing this extraordinary,
0:34:54 > 0:34:57legendary Time Lord is the support and knowledge
0:34:57 > 0:35:00and love and brilliance of you guys, the fans.
0:35:00 > 0:35:02You really make the show what it is, so thank you.
0:35:02 > 0:35:04From the bottom of my heart, you are...
0:35:04 > 0:35:07- LOUD CHEERING - ..the best.
0:35:07 > 0:35:11But now it is time for more of Murray Gold's brilliant music.
0:35:11 > 0:35:12The next piece made its debut last year
0:35:12 > 0:35:14in Asylum Of The Daleks,
0:35:14 > 0:35:17together with a rather enigmatic new character.
0:35:17 > 0:35:21It's as delicate as a souffle and one of my personal favourites!
0:35:21 > 0:35:22Here is The Impossible Girl.
0:35:22 > 0:35:26- Love you, Matt! - CHEERING AND APPLAUSE
0:35:34 > 0:35:35Once I'd seen her face,
0:35:35 > 0:35:38I wanted to write something bright, optimistic, happy.
0:35:38 > 0:35:40She's a fresh face,
0:35:40 > 0:35:43so I wanted to get that feeling across in the music.
0:35:49 > 0:35:50Impossible Girl was this theme
0:35:50 > 0:35:53that was introduced to represent Clara's character.
0:35:53 > 0:35:57It's hesitant and it's spiralling and mysterious, in a way,
0:35:57 > 0:35:59which is her when we first met her.
0:35:59 > 0:36:02There's something so fairy-tale about that music,
0:36:02 > 0:36:06and hopefully, you know, that's what connects the audience.
0:36:09 > 0:36:12The use of character themes is absolutely essential.
0:36:12 > 0:36:15It gives the audience a reference musically
0:36:15 > 0:36:19and identifies characters, and I think audiences catch onto that.
0:36:19 > 0:36:23It's amazing how the songs really do stick with you.
0:36:23 > 0:36:25I love Clara's Impossible Girl theme,
0:36:25 > 0:36:28and it's kind of something for me to keep. I love it!
0:36:28 > 0:36:31MUSIC: "Impossible Girl" by Murray Gold
0:40:08 > 0:40:10CHEERING AND APPLAUSE
0:40:16 > 0:40:19CHEERING BECOMES LOUDER
0:40:21 > 0:40:24Hello, everyone.
0:40:24 > 0:40:26CHEERING CONTINUES
0:40:35 > 0:40:39Wow! What amazing memories you all have...
0:40:39 > 0:40:40LAUGHTER
0:40:40 > 0:40:43..even though most of you weren't even born!
0:40:43 > 0:40:46My name is Peter Davison.
0:40:46 > 0:40:49CHEERING AND APPLAUSE
0:40:52 > 0:40:55This is fun!
0:40:55 > 0:40:57I'm so pleased to be with you today
0:40:57 > 0:41:00for this special celebration of 50 years of Doctor Who.
0:41:00 > 0:41:03And I'm especially excited to be introducing this next sequence
0:41:03 > 0:41:07that looks back to the classic era, my era, of Doctor Who.
0:41:07 > 0:41:10- CHEERING AND APPLAUSE - Thank you.
0:41:10 > 0:41:15The classic series of Doctor Who ran for 26 years from 1963.
0:41:15 > 0:41:19Obviously, I'm quite late on in those 26 years!
0:41:19 > 0:41:22Not 1963, I'm not that old.
0:41:22 > 0:41:25Actually, I'm almost that old.
0:41:25 > 0:41:28This sequence includes music by Tristram Cary,
0:41:28 > 0:41:31Martin Slavin, Malcolm Clarke,
0:41:31 > 0:41:32Dudley Simpson, Paddy Kingsland,
0:41:32 > 0:41:35Peter Howell and Mark Ayres.
0:41:35 > 0:41:39CHEERING AND APPLAUSE
0:41:39 > 0:41:42And it begins with the iconic sound of the TARDIS
0:41:42 > 0:41:44created by Brian Hodgson
0:41:44 > 0:41:47with the help of his mother's front-door key and a piano string.
0:41:47 > 0:41:51Please don't try this at home.
0:41:51 > 0:41:53And then made more weird and more wonderful
0:41:53 > 0:41:57in the now legendary BBC Radiophonic Workshop.
0:41:57 > 0:41:59To perform this classic Doctor Who medley,
0:41:59 > 0:42:03the BBC National Orchestra of Wales is joined by two of these composers,
0:42:03 > 0:42:05Mark Ayres and Peter Howell.
0:42:05 > 0:42:08Please give them a huge classic round of applause.
0:42:08 > 0:42:10CHEERING AND APPLAUSE
0:42:17 > 0:42:19We were asked to put together a short suite,
0:42:19 > 0:42:21eight minutes we have got,
0:42:21 > 0:42:25to tell the story of classic Doctor Who from 1963 to 1989,
0:42:25 > 0:42:26which is quite a tall order!
0:42:26 > 0:42:29There are five or six very well known, I hope,
0:42:29 > 0:42:31pieces of incidental music from Doctor Who,
0:42:31 > 0:42:33which we have arranged
0:42:33 > 0:42:36and Ben Foster has orchestrated it all up.
0:42:36 > 0:42:37It was a passion of mine
0:42:37 > 0:42:39that we did something with Radiophonic for the 50th.
0:42:39 > 0:42:42This music meant everything to me as a child.
0:42:43 > 0:42:46Peter was also my tutor at the film school,
0:42:46 > 0:42:48so to be able to go up to my old tutor and say,
0:42:48 > 0:42:52"Bar 54, not quite working." So I had a good time with that.
0:42:53 > 0:42:56It's several firsts all at once, really.
0:42:56 > 0:42:59I've never played synth with an orchestra.
0:42:59 > 0:43:03And I certainly never imagined doing it at the Albert Hall!
0:43:03 > 0:43:06It's really nice for us to be asked to join in!
0:43:06 > 0:43:08It's a great opportunity, yes!
0:43:08 > 0:43:11We've had a terrific time doing it, and I hope that the audience
0:43:11 > 0:43:15feel that we've rightly celebrated their contribution to the show.
0:43:16 > 0:43:20I watched Doctor Who from its opening episode,
0:43:20 > 0:43:22and the music from the Radiophonic Workshop
0:43:22 > 0:43:26is hugely sort of emotional and seemed to fit it like a glove.
0:43:26 > 0:43:29It was sort of slightly science-fictiony music,
0:43:29 > 0:43:31which was unusual then.
0:43:33 > 0:43:36This is classical music, this Radiophonic Workshop
0:43:36 > 0:43:40is wonderful, important music that people should hear again.
0:43:48 > 0:43:55METALLIC THRUMMING
0:44:00 > 0:44:05BUZZING AND BEEPING
0:44:08 > 0:44:12AUDIENCE WHOOPS AND CHEERS
0:44:16 > 0:44:18INTENSE THRUMMING
0:44:27 > 0:44:28AUDIENCE CHEERS
0:44:30 > 0:44:35You will go ahead of us and follow my directions.
0:44:35 > 0:44:39MUSIC: "The Daleks"
0:44:58 > 0:45:02MUSIC: "The Tomb Of The Cybermen"
0:45:31 > 0:45:35You shall be like us.
0:45:42 > 0:45:44HIGH-PITCHED BEEPING
0:45:44 > 0:45:46SCREAMING
0:45:48 > 0:45:50WHIRRING AND BEEPING
0:45:58 > 0:46:00SCREAMING
0:46:08 > 0:46:13- Where are we going?- Are you talking philosophically or geographically?
0:46:13 > 0:46:16- Philosophically. - Then we're going to lunch.
0:46:16 > 0:46:18I know a little place that does a wonderful bouillabaisse.
0:46:18 > 0:46:21- Do you like bouillabaisse? - Bouillabaisse? Yum yum.
0:47:28 > 0:47:29Doctor?
0:47:30 > 0:47:32Doctor?
0:47:34 > 0:47:35Doctor?
0:47:35 > 0:47:37AUDIENCE CHEERS AND APPLAUDS
0:47:37 > 0:47:39Doctor?
0:47:39 > 0:47:41- Doctor?- Doctor?
0:47:41 > 0:47:42Doctor!
0:47:42 > 0:47:44Doctor?
0:47:46 > 0:47:48Doctor!
0:47:48 > 0:47:50It's the end.
0:47:50 > 0:47:53But the moment has been prepared for.
0:48:05 > 0:48:07He was the doctor all the time.
0:48:21 > 0:48:24APPLAUSE
0:49:50 > 0:49:53All my travellings throughout the universe,
0:49:53 > 0:49:57I have battled against evil, against power-mad conspirators.
0:49:58 > 0:50:00I should have stayed here.
0:50:00 > 0:50:03Daleks, Sontarans, Cybermen,
0:50:03 > 0:50:05they're still in the nursery compared to us.
0:50:05 > 0:50:07Ten million years of absolute power,
0:50:07 > 0:50:10that's what it takes to be really corrupt.
0:50:12 > 0:50:13What's happened?
0:50:13 > 0:50:15Change, my dear.
0:50:15 > 0:50:18And it seems not a moment too soon.
0:50:23 > 0:50:26She's my mum, and I don't love her.
0:50:28 > 0:50:31What's wrong with me?
0:50:31 > 0:50:33Why can't I stop hating her?
0:50:33 > 0:50:35You love the baby.
0:50:35 > 0:50:37I didn't know she was my mum!
0:50:38 > 0:50:40Love and hate...
0:50:40 > 0:50:42frightening feelings,
0:50:42 > 0:50:46especially when they're trapped, struggling beneath the surface.
0:51:43 > 0:51:47AUDIENCE CHEERS AND APPLAUDS
0:51:57 > 0:51:59Attention!
0:51:59 > 0:52:02Attention, Gilbert.
0:52:02 > 0:52:05This Royal Albert Hall
0:52:05 > 0:52:08is now under Dalek control.
0:52:08 > 0:52:11The building is surrounded.
0:52:11 > 0:52:15There is no escape from the Daleks.
0:52:15 > 0:52:19You must obey or be exterminated.
0:52:19 > 0:52:20Exterminate.
0:52:20 > 0:52:21Exterminate.
0:52:21 > 0:52:22Exterminate.
0:52:24 > 0:52:27What is that device you are holding?
0:52:27 > 0:52:30- HIGH-PITCHED BUZZING - What is that strange noise?
0:52:30 > 0:52:34Explain yourself. Keep away from me now.
0:52:34 > 0:52:36Alert. Alert.
0:52:36 > 0:52:39The conductor is overacting. Alert. Alert.
0:52:39 > 0:52:43Daleks are allergic to overacting.
0:52:45 > 0:52:48This celebration of the predator
0:52:48 > 0:52:52is offensive to the Daleks
0:52:52 > 0:52:54and must be cleansed.
0:52:54 > 0:52:56Orchestra...
0:52:56 > 0:53:00you are now all slaves of the Daleks.
0:53:00 > 0:53:04You will play special Dalek music.
0:53:04 > 0:53:07You will obey.
0:53:07 > 0:53:09Conductor...
0:53:09 > 0:53:11remain on that platform
0:53:11 > 0:53:13and stop overacting.
0:53:16 > 0:53:20Resist us and you will be exterminated.
0:53:21 > 0:53:26Behold the might of the Dalek Empire.
0:53:26 > 0:53:32Humans, will you obey the Daleks for ever?
0:53:32 > 0:53:35AUDIENCE: No!
0:53:35 > 0:53:36Answer correctly.
0:53:36 > 0:53:38AUDIENCE: No!
0:53:38 > 0:53:43Let me hear you say, exterminate.
0:53:43 > 0:53:45AUDIENCE: Exterminate!
0:53:45 > 0:53:48I cannot hear you.
0:53:51 > 0:53:53Say it again.
0:53:53 > 0:53:56AUDIENCE: EXTERMINATE!
0:53:56 > 0:54:00You would all make very good Daleks.
0:54:01 > 0:54:06In that case, Ben Foster, actor of the year...
0:54:09 > 0:54:12..if you value your life,
0:54:12 > 0:54:14you will begin.
0:54:14 > 0:54:18Begin or be exterminated.
0:54:24 > 0:54:28MUSIC: "The Dark And Endless Dalek Night"
0:54:42 > 0:54:44CHOIR SING
0:59:52 > 0:59:55APPLAUSE AND CHEERING
1:00:05 > 1:00:09APPLAUSE
1:00:15 > 1:00:17Hello!
1:00:17 > 1:00:20I'm Carole Ann Ford.
1:00:20 > 1:00:22CHEERING AND APPLAUSE
1:00:25 > 1:00:29I played The Doctor's first screen companion,
1:00:29 > 1:00:32his granddaughter, Susan Foreman.
1:00:32 > 1:00:34CHEERING
1:00:39 > 1:00:42Now, I first met The Doctor's oldest and most despised enemy,
1:00:42 > 1:00:46the Daleks, nearly 50 years ago,
1:00:46 > 1:00:49with the great William Hartnell.
1:00:49 > 1:00:52CHEERING
1:00:54 > 1:00:58Who'd have thought this celebration would be happening 50 years on?
1:00:58 > 1:01:00AUDIENCE MEMBER: It's amazing!
1:01:00 > 1:01:03It is amazing, isn't it? It is amazing. Amazing.
1:01:10 > 1:01:14This next piece brought the most recent series to a close
1:01:14 > 1:01:17and left us with one of Doctor Who's greatest cliff-hangers.
1:01:17 > 1:01:20I don't know about you, but I can't wait till November,
1:01:20 > 1:01:23and Matt won't tell me a thing!
1:01:24 > 1:01:29Anyway, for now, The Name Of The Doctor.
1:01:29 > 1:01:32CHEERING AND APPLAUSE
1:03:00 > 1:03:03APPLAUSE
1:03:10 > 1:03:15I have information, valuable information.
1:03:15 > 1:03:17Are you bargaining for your life?
1:03:17 > 1:03:19The Doctor!
1:03:19 > 1:03:21The Doctor has a secret, you know.
1:03:21 > 1:03:24He has one he will take to the grave.
1:03:26 > 1:03:29And it is discovered.
1:07:57 > 1:07:59Run.
1:07:59 > 1:08:01Run, you clever boy.
1:08:02 > 1:08:04And remember me.
1:09:10 > 1:09:13APPLAUSE
1:09:20 > 1:09:23CHEERING
1:09:26 > 1:09:29So what does it all mean, hey?
1:09:30 > 1:09:33Only another four months till we find out!
1:09:33 > 1:09:36All right, all right. Stop it. Stop teasing!
1:09:36 > 1:09:38I know, that's my job.
1:09:38 > 1:09:40So, that was music from The Name Of The Doctor,
1:09:40 > 1:09:44Steven Moffat's enigmatic and brilliant finale to series seven.
1:09:44 > 1:09:48I'm sure I remember him saying, "No more cliff-hangers."
1:09:48 > 1:09:51Yeah... Sadly, time is racing, and we're fast approaching
1:09:51 > 1:09:54the end of this 50th anniversary celebration of Doctor Who.
1:09:54 > 1:09:56But before we say goodbye...
1:09:56 > 1:09:58Would you like to hear some more?
1:09:58 > 1:09:59CHEERING
1:09:59 > 1:10:02They would like to hear some more. Well, you're in for a treat.
1:10:02 > 1:10:06To end this very special Doctor Who Prom, we're going to take you back,
1:10:06 > 1:10:09back in time to 23rd November 1963,
1:10:09 > 1:10:12when the very first episode of Doctor Who was broadcast
1:10:12 > 1:10:16on BBC television. It introduced to the world
1:10:16 > 1:10:18one of the most iconic theme tunes
1:10:18 > 1:10:22ever written in the history of the universe.
1:10:22 > 1:10:24APPLAUSE
1:10:26 > 1:10:28Composed by Ron Grainer
1:10:28 > 1:10:31and arranged by Delia Derbyshire, in the BBC's legendary
1:10:31 > 1:10:35Radiophonic Workshop, it was unlike anything anyone had heard before.
1:10:35 > 1:10:38We'll end this concert with Murray Gold's latest version
1:10:38 > 1:10:40of the greatest theme tune of all time.
1:10:40 > 1:10:41Enjoy!
1:10:41 > 1:10:45CHEERING AND APPLAUSE
1:12:26 > 1:12:29CHEERING AND APPLAUSE
1:13:40 > 1:13:42Subtitles by Red Bee Media Ltd
1:13:42 > 1:13:44Exterminate!