:00:00. > :00:07.of the globe and audiences packing the Royal Albert Hall, it?s been
:00:08. > :00:14.And now with the world?s biggest music festival
:00:15. > :00:17.over for another year, what better way to end the summer than with the
:00:18. > :01:00.Welcome to the best of BBC Proms in the Park 2014!
:01:01. > :01:12.I am here in Swansea. Isn't it brilliant. I just want to look good!
:01:13. > :01:37.Waving their flags. It is such a fantastic thing. ? Pork
:01:38. > :01:44.pie? Proms in the Park. This crowd are crazy! 60,000 people
:01:45. > :01:48.wanted tick kepts just because we were here!
:01:49. > :01:50.-- tickets. For the next 90 minutes,
:01:51. > :01:53.we?ll be bringing you some fantastic performances
:01:54. > :01:54.from the Proms in the Park celebrations all around the UK ? and
:01:55. > :01:58.it?s certainly an all-star line up! I?m here at in Singleton Park
:01:59. > :02:00.in Swansea, and the crowds have arrived in their
:02:01. > :02:02.thousands to see the incomparable bass-baritone Bryn Terfel
:02:03. > :02:13.and violin virtuoso, Jennifer Pike. Prv
:02:14. > :02:17.# Prepare with unbearable sorrow # To run with the brave dare not go.
:02:18. > :02:32.# Set against the spectacular backdrop
:02:33. > :02:34.of the Titanic Visitor?s Centre in Belfast, the audience will be
:02:35. > :02:48.entertained by the ever popular BBC Young Musician 2014
:02:49. > :02:51.winner Martin James Bartlett, while Strictly Come Dancing?s Anton
:02:52. > :02:53.and Erin bring a bit Leading the festivities on
:02:54. > :03:09.Glasgow Green are Katherine Jenkins They?re joined by the Winner
:03:10. > :03:20.of the 2014 BBC Scotland?s Young Traditional Musician of the Year,
:03:21. > :03:31.Robyn Stapleton. The party certainly wouldn?t be
:03:32. > :03:33.complete without joining Not to be outdone, they have a
:03:34. > :03:37.star-studded evening in store too! Soweto Kinch has found himself
:03:38. > :03:41.a great spot in the crowd! Yes there's a great atmosphere
:03:42. > :03:48.here in Hyde Park. There are literally Prommers for
:03:49. > :03:51.as far as the eye can see and I've They're all here for one reason -
:03:52. > :04:06.to see some world class artists. South African sensation
:04:07. > :04:07.Pumeza Matshikiza. Vittorio Grigolo. Internationally
:04:08. > :04:29.renowned singer-songwriter And
:04:30. > :04:38.of course don?t forget your dancing shoes as funk masters Earth, Wind
:04:39. > :04:57.and Fire round up the proceedings. So,
:04:58. > :04:59.it?s time to get the music started! Just yesterday he was
:05:00. > :05:01.on the stage at the Vienna State Opera performing in
:05:02. > :05:03.The Flying Dutchman, but he caught the early flight back this morning
:05:04. > :05:06.especially to be here in Swansea. A Proms regular and one of the
:05:07. > :05:10.world?s great singers, it?s a real # Oh give me a home
:05:11. > :05:44.where the buffalo roam # Where the deer
:05:45. > :05:52.and the antelope play # Where seldom is heard
:05:53. > :05:59.a discouraging word # And the skies are not
:06:00. > :06:08.coudy all day # Where the deer
:06:09. > :06:21.and the antelope play # Where seldom is heard
:06:22. > :06:28.a discouraging word # And the skies are not
:06:29. > :06:50.cloudy all day # How often at night
:06:51. > :06:56.when the heavens are bright # With the light
:06:57. > :07:04.from the glittering stars # Have I stood there amazed
:07:05. > :07:11.and asked as I gazed # If their glory exceeds
:07:12. > :07:20.that of ours # Where the deer
:07:21. > :07:33.and the antelope play # Where seldom is heard
:07:34. > :07:40.a discouraging word # And the skies are not
:07:41. > :07:48.cloudy all day # Oh give me a land where
:07:49. > :07:54.the bright diamond sand # Flows leisurely down
:07:55. > :08:00.in the stream # Where the graceful white swan
:08:01. > :08:06.goes gliding along # Then I would not exchange
:08:07. > :08:23.my home on the range # Where the deer
:08:24. > :08:30.and the antelope play # Where seldom is heard
:08:31. > :08:37.a discouraging word # And the skies are not
:08:38. > :08:45.cloudy all day # Where the deer
:08:46. > :08:57.and the antelope play # Where seldom is heard
:08:58. > :09:12.a discouraging word # And the skies are not
:09:13. > :09:37.cloudy all day. # # Where the deer
:09:38. > :09:59.and the antelope play # Where seldom is heard
:10:00. > :10:09.a discouraging word # And the skies are not
:10:10. > :10:25.cloudy all day. # What a reaction
:10:26. > :10:31.from the crowd here in Swansea to Glasgow Green was at the heart
:10:32. > :10:40.of the Commonwealth Games this summer, and tonight it plays host
:10:41. > :10:45.to Scotland's Proms in the Park. There, celebrating her 10th year
:10:46. > :10:51.as a recording artist, # Sanctus,
:10:52. > :11:21.Sanctus # Pleni sunt coeli
:11:22. > :11:33.et terra gloria tua # Sanctus,
:11:34. > :11:42.Sanctus # Pleni sunt coeli
:11:43. > :12:18.et terra gloria tua # Hosanna
:12:19. > :12:37.Hosanna in excelsis! # Benedictus qui venit in nomine
:12:38. > :13:05.Nomine Domini # Sanctus
:13:06. > :13:09.Sanctus # Pleni sunt coeli
:13:10. > :13:50.et terra gloria tua # Hosanna
:13:51. > :14:10.# Sanctus Sanctus, a new interpretation
:14:11. > :14:34.of Elgar's Nimrod arranged It's Proms in the Park favourite,
:14:35. > :14:58.Alfie Boe. this next song is from an opera
:14:59. > :16:09.called Rigoletto. It is about a woman who has lost her mobile phone!
:16:10. > :16:10.E' sempre misero Chi a lei s'affida,
:16:11. > :16:23.Chi a le confida, Mal cauto il core!
:16:24. > :16:24.Pur mai non sentesi Felice appieno
:16:25. > :16:38.Chi su quel seno, Non liba amore!
:16:39. > :16:39.La donna mobile Qual piuma al vento,
:16:40. > :16:41.Muta d'accento E di pensier,
:16:42. > :17:16.E di pensier! Alfie Bowe bringing a cheeky
:17:17. > :17:25.flourish there. He was accompanied by the Ulster Orchestra.
:17:26. > :17:31.Know earlier this afternoon, as the crowds flocked to Hyde Park, Soweto
:17:32. > :17:37.met up with Rufus Wainwright who made his Proms debut a few days
:17:38. > :17:43.earlier. Great to meet you. Welcome to the Proms in the park. After your
:17:44. > :17:47.performance, how do you think tonight is going to compare It has
:17:48. > :17:52.different challenge, the size of the crowd. And also that you don't have
:17:53. > :17:56.the acoustics of the Albert Hall to play with, as much, but other than
:17:57. > :18:01.that it is going to be, I think it will be brave. I love playing Hyde
:18:02. > :18:09.Park, and they have told me some people are coming. So, I am excited.
:18:10. > :18:20.What a beautiful evening in the park.
:18:21. > :18:23.# No matter how strong I'm gonna take you down
:18:24. > :18:27.# With one little stone I'm gonna break you down
:18:28. > :18:41.# And see what you're worth What you're really worth to me
:18:42. > :18:54.# Dinner at eight was okay Before the toast full of gleams
:18:55. > :19:02.# It was great until those old magazines
:19:03. > :19:26.# Got us started up again Actually it was probably me again
:19:27. > :19:40.# That I've always been the one who must go
:19:41. > :19:48.# That I've always been the one told to flee
:19:49. > :20:00.# When it fact you were the one long ago
:20:01. > :20:15.# Actually in the drifting white snow
:20:16. > :20:44.# So put up your fists and I'll put up mine
:20:45. > :20:58.# No running away from the scene of the crime
:20:59. > :21:13.# Somewhere near the end of the world
:21:14. > :21:24.# Somewhere near the end of our lives
:21:25. > :21:32.# But 'til then no, Daddy, don't be surprised
:21:33. > :21:39.# If I wanna see the tears in your eyes
:21:40. > :22:08.# Then I know it had to be long ago Actually in the drifting white snow
:22:09. > :22:28.# You loved me No matter how strong
:22:29. > :22:37.# I'm gonna take you down With one little stone
:22:38. > :22:45.# I'm gonna break you down And see what you're worth
:22:46. > :23:17.APPLAUSE Thank you so much.
:23:18. > :23:19.Singer-songwriter, Rufus Wainright ? a rare and unique talent.
:23:20. > :23:22.Still to come in the programme, we join vocal forces with the Royal
:23:23. > :23:32.Albert Hall for the traditional sing-a-long, Anton and Erin weave
:23:33. > :23:41.their magic in Belfast and in Hyde Park Earth, Wind and Fire take us
:23:42. > :23:57.BBC Proms in the Park is the perfect place to shine the spotlight
:23:58. > :24:01.on new and emerging talent, and we're about to hear a rising star.
:24:02. > :24:04.21-year-old Bangor born singer-songwriter Casi is one
:24:05. > :24:08.of 12 Welsh artists who are part of the Horizons project ?
:24:09. > :24:13.a joint initiative between BBC Cymru Wales and the Welsh Arts Council.
:24:14. > :24:16.The idea is to showcase Welsh talent for as wide an audience
:24:17. > :24:23.as possible and you don't get a better platform than this.
:24:24. > :24:30.# Does dim gwahaniaeth, rhwng nos a dydd
:24:31. > :24:56.# Dydy pethau ddim yn gorfod bod fel hyn
:24:57. > :25:03.# Pam ein bod ni?n cael ein hela, Ein hela
:25:04. > :25:07.# Dal i redeg nerth ein traed ond dydy pethau byth yn gwella,
:25:08. > :25:18.# A camu'n dawel, rhag gwneud gormod o swn,
:25:19. > :25:35.# Camu'n dawel, tra'n teithio drwy mwg,
:25:36. > :25:51.# Ceisio cysgu ond methu cysgu chwaith
:25:52. > :26:08.# Gafael yn fy llaw, dydy pethau ddim yn gorfod bod fel hyn
:26:09. > :26:15.# Nid anifeiliiliad ydym ni, pam ein bod ni'n cael ein hela,
:26:16. > :26:23.# Yn dal i redeg nerth ein traed, Ond dydy pethau byth yn gwella,
:26:24. > :26:36.# Yn nyfnder y glesni y mae gobaith i bob un,
:26:37. > :26:40.# Y a phan bydd drysau'r wawr yn agor
:26:41. > :26:49.# Mi gei di fod yn chdi dy hun ohh mi gei di fod yn chdi dy hun
:26:50. > :27:11.# Gafael yn fy llaw, dydy pethau ddim yn gorfod bod fel hyn. #
:27:12. > :27:21.Casi, with her unique blend of folk pop performing
:27:22. > :27:26.for the first time with the BBC National Orchestra of Wales.
:27:27. > :27:28.Earlier this year I was fortunate enough to present the Final of
:27:29. > :27:33.BBC Young Musician and witness the spectacular winning performance
:27:34. > :27:41.With a diary chock full of concert engagements already, tonight Martin
:27:42. > :27:52.performs in front of a huge audience at Belfast's Titanic Slipway.
:27:53. > :31:08.MUSIC: Rhapsody In Blue By George Gershwin
:31:09. > :31:16.The astonishing talent that is Martin James Bartlett and
:31:17. > :31:26.2014 saw Robyn Stapelton named as BBC Scotland's Young Traditional
:31:27. > :31:37.Here she is with the folk song Bonny Woodhall.
:31:38. > :31:44.# Down by yon green bushes, near Calder's clear stream
:31:45. > :31:52.# Where me and my Annie so often have been
:31:53. > :31:59.# Oh the hours that flew past us, right happy were we
:32:00. > :32:08.# It was little she thought that a soldier I'd be
:32:09. > :32:15.# And its farewell to Annie, for I must away
:32:16. > :32:22.# The king he needs soldiers, and I must obey
:32:23. > :32:29.# But if providence proves kind, love, then when I return
:32:30. > :32:43.# I will wed with my Annie near Calder's clear burn
:32:44. > :32:50.# On the 14th of August, Our regiment was lost
:32:51. > :32:58.# And a ball from the enemy, Our lines came across
:32:59. > :33:04.# Oh it struck me in the temple and the blood trickled down
:33:05. > :33:12.# I reeled and I staggered, And I fell to the ground
:33:13. > :33:19.# Come here, said our Captain, Come here with good speed
:33:20. > :33:25.# For I fear by this bullet, Young Dinsmore lies dead
:33:26. > :33:32.# Two men with a stretcher, Did quickly prepare
:33:33. > :34:12.# And they carried me away to a hospital bed
:34:13. > :34:18.# Cold water and brandy, They poured out so free
:34:19. > :34:26.# They turned me all over, My wounds for to see
:34:27. > :34:33.# But if I had my Annie, To bind up my wounds
:34:34. > :34:48.# One kiss from her sweet lips, Would soon deaden the stoon
:34:49. > :34:55.# And it's when I am weary, And think on Langsine
:34:56. > :35:02.# When I was a miner, And wrought in the mine
:35:03. > :35:08.# Oh the tears they do trickle, And down they do fall
:35:09. > :35:24.# Like the roses that bloom, around Bonny Woodhall. #
:35:25. > :35:36.Robyn Stapleton with a mesmerising rendition of
:35:37. > :35:39.Bonny Woodhall performed with the BBC Scottish Symphony Orchestra,
:35:40. > :35:48.It's been an exceptional year for South African soprano
:35:49. > :35:51.Raised in the townships in Cape Town, Pumeza first heard opera
:35:52. > :35:56.From that moment she had a hunger to discover more.
:35:57. > :35:59.2014 saw her release her debut album which boasts a mix of operatic arias
:36:00. > :36:39.# O mio babbino caro Mi piace, e bello bello
:36:40. > :36:49.# Vo'andare in Porta Rossa A comperar l'anello!
:36:50. > :37:04.# Si, si, ci voglio andare! E se l'amassi indarno
:37:05. > :37:16.# Andrei sul Ponte Vecchio Ma per buttarmi in Arno!
:37:17. > :37:46.# Mi struggo e mi tormento O Dio! Vorrei morir!
:37:47. > :38:15.# Babbo, pieta, pieta! Babbo, pieta, pieta!
:38:16. > :38:18.A breath-taking performance by Pumeza Matshikiza of the aria O Mio
:38:19. > :38:28.charismatic American tenor, Noah Stewart, takes on the role of the
:38:29. > :38:37.love-stuck Freddie from the musical My Fair Lady.
:38:38. > :38:39.# I have often walked down this street before
:38:40. > :38:48.# But the pavement always stayed beneath my feet before.
:38:49. > :38:52.# All at once am I Several stories high.
:38:53. > :39:00.# Knowing I'm on the street where you live.
:39:01. > :39:02.# Are there lilac trees in the heart of town?
:39:03. > :39:13.# Can you hear a lark in any other part of town?
:39:14. > :39:16.# Does enchantment pour Out of ev'ry door?
:39:17. > :39:27.# No, it's just on the street where you live!
:39:28. > :39:55.# That any second you may suddenly appear!
:39:56. > :39:57.# People stop and stare They don't bother me
:39:58. > :40:01.# For there's no where else on earth that I would rather be
:40:02. > :40:05.# Let the time go by I won't care if I
:40:06. > :40:31.# Can be here on the street where you live
:40:32. > :40:41.# That any second you may suddenly appear!
:40:42. > :40:44.# People stop and stare They don't bother me
:40:45. > :41:04.# For there's no where else on earth that I would rather be
:41:05. > :41:06.# Let the time go by I won't care if I
:41:07. > :41:24.# Can be here on the street where you live. #
:41:25. > :41:34.APPLAUSE. A real crowd pleaser that one, tenor
:41:35. > :41:37.Noah Stewart with On the Street Where You Live.
:41:38. > :41:42.Earlier in the programme, we heard the win over this year's BBC young
:41:43. > :41:48.musician. Martin James Bartlett. Our next performer took that title back
:41:49. > :41:52.in 2002, when she was just 12 in a performance that still dazzles.
:41:53. > :41:56.Jennifer Pike is still only 24, but she is regarded as one of the most
:41:57. > :42:02.outstanding violinists of her generation.
:42:03. > :45:12.MUSIC: Banjo Fiddle by William Kroll.
:45:13. > :45:21.APPLAUSE. A real treat there from Jennifer
:45:22. > :45:28.Pike. Banjo and Fiddle by William Kroll with the BBC National
:45:29. > :45:43.Orchestra of Wales. Here at Hyde Park we are about to
:45:44. > :45:47.listen to the most famous song from Leonard Bernstein's famous musical
:45:48. > :45:51.West Side Story. I can't wait to hear this. It promises to be a bit
:45:52. > :45:58.special. # Only you, you're the only thing
:45:59. > :46:03.I'll see forever. # In my eyes in my words and in
:46:04. > :46:12.everything I do. # Nothing else but you.
:46:13. > :46:27.Ever. # And there's nothing for me but
:46:28. > :46:35.# Always you, every thought I'll ever know.
:46:36. > :46:46.# Everywhere I go you'll be. All the world is only you and me.
:46:47. > :46:57.# Tonight, tonight. It all began tonight.
:46:58. > :47:01.# I saw you and the world went away Tonight, tonight
:47:02. > :47:13.# What you are, what you do, what you say
:47:14. > :47:25.# A miracle would happen I know now I was right
:47:26. > :47:31.# For here you are And what was just a world is a star.
:47:32. > :47:42.# For here you are And what was just a world is a star
:47:43. > :48:09.# With suns and moons all over the place
:48:10. > :48:16.# The world is wild and bright Going mad
:48:17. > :48:26.# Today, the world was just an address
:48:27. > :48:43.# No better than all right But here you are
:48:44. > :48:45.# And what was just a world is a star
:48:46. > :49:27.# Good night, good night Sleep well and when you dream
:49:28. > :50:05.CHEERING AND APPLAUSE Soweto promised that that duet would
:50:06. > :50:13.be special and it certainly was. Next ania that goes down a storm
:50:14. > :50:14.with the Proms in the park crowd. Nessun Dorma means nobody sleeps
:50:15. > :50:20.tonight. # Nessun dorma!
:50:21. > :50:40.Tu pure, o Principessa, # Nella tua fredda stanza,
:50:41. > :50:48.Guardi le stelle # E di speranza!
:50:49. > :51:08.Ma il mio mistero chiuso in me # Il nome mio nessun sapra!
:51:09. > :51:16.No, No! # Sulla tua bocca lo dir quando la
:51:17. > :51:41.luce splende! # Ed il mio bacio sciogliera il
:51:42. > :52:22.silenzio # Il nome suo nessun sapr,
:52:23. > :52:45.E noi dovrem, ahim, morir, morir! # Dilegua, o notte!
:52:46. > :53:11.# All'alba vincero! Vincero! Vincero! #
:53:12. > :53:17.Necessary sun dorma. The BBC Concert Orchestra there.
:53:18. > :53:25.Nessun Dorma. To Belfast now for a number that
:53:26. > :53:33.promises to get your toes tapping. # If they could see me now,
:53:34. > :53:36.That little gang of mine, # I'm eating fancy chow
:53:37. > :53:41.And drinking fancy wine. # I'd like those stumble bums to see
:53:42. > :53:45.for a fact # The kind of top drawer, first rate
:53:46. > :53:51.chums I attract. # All I can say is "Wow-ee!
:53:52. > :53:55.Looka where I am. # Tonight I landed, pow!
:53:56. > :54:00.Right in a pot of jam. # What a set up! Holy cow!
:54:01. > :54:05.They'd never believe it, # Traipsin' 'round this million
:54:06. > :54:18.dollar chicken coop. # I'd hear those thrift shop cats
:54:19. > :54:21.say: # Draped on a bed spread made from
:54:22. > :54:28.three kinds of fur." # Wait till the riff an' raff
:54:29. > :54:34.See just exactly how # He sign this autograph."
:54:35. > :54:39.What a build up! Holy cow! # They'd never believe it,
:54:40. > :54:46.If my friends could see me now! # If they could see me now
:54:47. > :54:50.Alone with Mister V, # Who's waiting on me like he was a
:54:51. > :54:54.matre d' # I'd hear my buddies saying:
:54:55. > :54:59."Wow, what gives? # Tonight she's living like
:55:00. > :55:04.The other half lives!" # To think the highest brow,
:55:05. > :55:08.Which I must say is he, # Should pick the lowest brow,
:55:09. > :55:13.Which there's no doubt is me! # What a step up! Holy cow!
:55:14. > :55:23.They'd never believe it, # If my friends could see me now!
:55:24. > :55:30.# If my friends could see me now Take a look at me now
:55:31. > :55:48.The glittering Anton du Beke and Erin Boag with jazz singer
:55:49. > :56:06.Still to come - more from Alfie Boe, Katherine Jenkins and Noah Stewart
:56:07. > :56:20.and the legendary Earth Wind and Fire.
:56:21. > :56:25.Bryn Terfel is no stranger to BBC Proms having performed on 12
:56:26. > :56:34.occasions in total - including two First Nights and two Last Nights!
:56:35. > :56:36.But tonight he's making his Proms in the Park debut,
:56:37. > :56:45.You have made the most effort to be here tonight. You have come from
:56:46. > :56:54.Vienna. Why did you want to be at the Proms in the Park? I was in
:56:55. > :56:59.Vienna Last Night. When the invitation cam to be part of the
:57:00. > :57:06.Proms I said yes, even though I had to get up at 4.00am, went to the
:57:07. > :57:10.airport, had breakfast, on the plane, went to the hotel, chose my
:57:11. > :57:15.suit, came here to rehearse. It was meant to be. We are very grateful
:57:16. > :57:18.for your dedication. You are no stranger to the Proms. You have
:57:19. > :57:22.never done a Proms in the Park before. How will the atmosphere be
:57:23. > :57:29.different? It will be fantastic. It is open-air. Yes, to be a part of
:57:30. > :57:33.this, especially in Swansea, I feel really relaxed and ready to sing a
:57:34. > :57:41.couple of songs. Looking forward to the atmosphere when everyone joins
:57:42. > :57:44.in? Definitely. Without a doubt. I think that's the eclectic mix of
:57:45. > :57:58.such a night. There is something there for everybody.
:57:59. > :58:30.# To try when your arms are too weary
:58:31. > :58:39.# This is my quest, to follow that star
:58:40. > :58:43.# No matter how hopeless, no matter how far
:58:44. > :58:48.# To be willing to give when there's no more to give
:58:49. > :58:54.# To be willing to die so that honor and justice may live
:58:55. > :59:00.# And I know if I'll only be true to this glorious quest
:59:01. > :59:13.# That my heart will lie peaceful and calm when I'm laid to my rest
:59:14. > :59:20.# And the world will be better for this
:59:21. > :59:25.# That one man scorned and covered with scars
:59:26. > :59:33.# Still strove with his last ounce of courage
:59:34. > :00:01.# And the world will be better for this
:00:02. > :00:05.# That one man scorned and covered with scars
:00:06. > :00:11.# Still strove with his last ounce of courage
:00:12. > :00:49.The musical powerhouse that is Bryn Terfel.
:00:50. > :00:55.Time for some Italian seasoning courtesy of Alfie Boe.
:00:56. > :01:04.# Penso che sogno cos non ritorni mai pi,
:01:05. > :01:11.# Mi dipingevo le mani e la faccia di blu,
:01:12. > :01:19.# Poi d'improvviso venivo dal vento rapito,
:01:20. > :01:27.# E incominciavo a volare nel cielo infinito.
:01:28. > :01:39.# Volare ho ho Cantare ho ho hoho,
:01:40. > :01:45.# Nel blu dipinto di blu, felice di stare lass,
:01:46. > :01:51.# E volavo volavo felice pi in alto del sole
:01:52. > :01:57.# Ed ancora pi s, mentre il mondo
:01:58. > :02:02.# Pian piano spariva laggi, una musica dolce suonava
:02:03. > :02:28.# Nell'alba svaniscon perch, quando tramonta la luna
:02:29. > :02:34.# Li porta con se, ma io continuo a sognare
:02:35. > :02:41.# Negl'occhi tuoi belli, che sono blu come il un cielo
:02:42. > :03:07.# Felice di stare qua gi, e continuo a volare felice
:03:08. > :03:11.# Pi in alto del sole ed ancora pi su,
:03:12. > :03:21.# Mentre il mondo pian piano scompare
:03:22. > :03:23.# Negl'occhi tuoi blu, la tua voce una musica
:03:24. > :03:57.Alfie Boe and his band bringing the sounds of the Italian Riviera
:03:58. > :04:09.Over to Glasgow now and something of a world premiere!
:04:10. > :04:15.We are going to sing for the first time together, which I am so excited
:04:16. > :04:19.about. He has such a fantastic voice. I have loved listening to him
:04:20. > :04:24.in rehearsals - and he is lovely. It will be a really, for me, I am going
:04:25. > :04:29.to enjoy the performance, getting to sing with him and I think that the
:04:30. > :04:33.audience also really connect with that particular song, so, for me, it
:04:34. > :04:38.will be a great duet. I'm going to enjoy it. Thank you. I'm going to
:04:39. > :04:41.sing you a song that is dear to my heart. This is called Time To Say
:04:42. > :05:01.Goodbye. # Quando sono solo e sogno
:05:02. > :05:06.all'orizzonte # E mancan le parole
:05:07. > :05:13.si lo so che non c'e luce # In una stanza quando manca il
:05:14. > :05:20.sole se non ci sei tu con me, con me # Su le finestre
:05:21. > :05:26.mostra a tutti il mio cuore # La luce che hai incontrato per
:05:27. > :05:41.strada # Paesi che non ho mai
:05:42. > :05:58.veduto e vissuto con te # Adesso si li vivro
:05:59. > :06:12.Con te partir? su navi per mari # Che io lo so no, no, non
:06:13. > :06:32.esistono piu # All'orizzonte
:06:33. > :06:41.e mancan le parole # E io si lo so che sei con me, con
:06:42. > :06:48.me tu mia luna tu sei qui con me # Mio sole tu sei qui con me, con
:06:49. > :06:52.me, con me, con me # Time to say goodbye
:06:53. > :07:04.Paesi che non ho mai # Veduto e vissuto con te
:07:05. > :07:18.adesso si li vivro # Con te partiro
:07:19. > :07:24.su navi per mari che, io lo so # No, no, non esistono piu
:07:25. > :07:30.con te io li rivivr? # Con te partiro
:07:31. > :07:36.su navi per mari che, io lo so # No, no, non esistono piu
:07:37. > :07:46.con te io li rivivr? Katherine Jenkins and Noah Stewart
:07:47. > :08:28.wowing the crowds in Glasgow Green. In Swansea,
:08:29. > :08:32.as the night draws to a close, # Ar hyd y nos "Dyma'r ffordd
:08:33. > :09:04.i fro gogoniant," # Ar hyd y nos I oleuo'i
:09:05. > :10:29.chwaer ddaearen Bryn Terfel casting a spell over
:10:30. > :12:05.the audience. Over to Hyde Park now where
:12:06. > :12:07.the atmosphere's been building A crowd of 40,000 are ready
:12:08. > :12:13.and waiting to boogie on down to Soweto met up with
:12:14. > :12:26.his musical heroes earlier today. What do you think is going to be
:12:27. > :12:31.special about tonight at Proms in the park? First off it is a
:12:32. > :12:35.tradition, here in Great Britain, and this is our first time
:12:36. > :12:38.performing here, for this and we are very excited. We are going to give
:12:39. > :12:44.the great songs to the people so they can have a wonderful time and
:12:45. > :12:50.in our case, we have, what, four five generations. We like to say
:12:51. > :12:56.from eight tracks to I pods. What do you think about this material that
:12:57. > :13:01.still has audiences rapt? It is feel food music, the tracks themselves,
:13:02. > :13:08.without the vocals feel good. When you add on the messages on top it
:13:09. > :13:11.makes for a great song. It is a challenge to create music that has
:13:12. > :13:16.that longevity. Did you think at the time of creating the songs they will
:13:17. > :13:20.here in another 20, 30 songs. When you are a group coming up hope to
:13:21. > :13:26.have one song you hear on one station, in one city, one time. As
:13:27. > :13:32.it turns out Earth, Wind and Fire music is played every one minute and
:13:33. > :13:37.38 seconds on planet earth. What it is like to have that, to be up on
:13:38. > :13:42.stage, and hear the audience sing back the words you played all those
:13:43. > :13:48.years. It is gratifying. Fist first to have the people know they are
:13:49. > :13:49.supporting you, and there is a great exchange, it is a great feeling. It
:13:50. > :13:57.is. # Midnight creeps so slowly
:13:58. > :14:14.into hearts # Of men who need
:14:15. > :14:18.more than they get # To
:14:19. > :14:25.a woman that has laid to many bets # The mirror stares you
:14:26. > :14:31.in the face and says # You say your prayers
:14:32. > :14:37.through you don't care # I chase my vinyl dreams
:14:38. > :15:03.to boogie wonderland # I find romance when I start to
:15:04. > :15:17.dance in boogie wonderland # All the love
:15:18. > :15:24.in the world can't be gone # All the need to be
:15:25. > :15:30.loved can't be wrong MUSIC: September by Earth, Wind and
:15:31. > :17:02.Fire. # Ba de ya - dancing in September
:17:03. > :17:12.Ba de ya - never was a cloudy day # Holding hands with your heart to
:17:13. > :17:17.see you # Remember how we knew love was here
:17:18. > :17:27.to stay # Now December found the love that
:17:28. > :17:32.we shared in September. # Remember the true love we share
:17:33. > :17:42.today # Ba de ya - golden dreams were
:17:43. > :18:33.shiny days # Let this groove, get you to move,
:18:34. > :19:23.it's alright, alright # Let this groove, set in your
:19:24. > :19:32.shoes, stand up, alright # Gonna tell you what you can do,
:19:33. > :19:35.with my love, alright # Let you know girl you're looking
:19:36. > :19:41.good # You're out of sight and alright
:19:42. > :19:55.Move yourself and glide like a 747 # Lose yourself in the sky among
:19:56. > :20:03.the clouds in the heavens # Let this groove, light up your
:20:04. > :20:11.fuse, alright # Let this groove, set in your shoes
:20:12. > :20:19.stand up, alright # Let me tell you what you can do
:20:20. > :20:33.with my love, alright # We can boogie on down, down, down,
:20:34. > :20:49.down # Let's groove tonight
:20:50. > :21:21.Share the spice of life # Baby slice it right
:21:22. > :22:58.CHEERING AND APPLAUSE The crowd in Hyde Park
:22:59. > :23:01.going wild after that phenomenal set from Earth, Wind and Fire.
:23:02. > :23:04.Well, if that wasn't enough to get you in the dancing mood, I defy do
:23:05. > :23:07.you stay still 50 years ago, Walt Disney released a
:23:08. > :23:12.film about a certain nanny with magical qualities. Since then the
:23:13. > :23:16.film Mary Poppins, and the music, composed by the Sherman brothers,
:23:17. > :23:19.have become popular around the world. I certainly grew up singing
:23:20. > :23:22.the songs! I?ve been warming up my vocal chords in preparation for this
:23:23. > :23:33.sing-a-long! # Even though the sound of it is
:23:34. > :23:37.something quite atrocious # If you say it loud enough, you?ll
:23:38. > :23:41.always sound precocious. # Um diddle-diddle-diddle um
:23:42. > :25:21.diddle-ay! What a Macical end the a terrific
:25:22. > :25:26.night of music making across the UK, a night to remind us of the power of
:25:27. > :25:31.music, the joy of music and that the BBC Proms throws a musical party
:25:32. > :25:50.like no other. Until next year. Good night.
:25:51. > :27:20.# Land of hope and glory, mother of the free
:27:21. > :27:26.# How shall we extol thee, who are born of thee
:27:27. > :27:30.# Wider still and wider shall thy bounds be set
:27:31. > :27:51.# God, who made thee mighty, make thee mightier yet. #