0:00:02 > 0:00:04Tonight, broadcaster and leading jazz singer Clare Teal
0:00:04 > 0:00:07transports us back to the heady days of the 1930s and '40s.
0:00:07 > 0:00:09In an homage to the famous swing bands,
0:00:09 > 0:00:13led by the legendary Duke Ellington and Count Basie,
0:00:13 > 0:00:16contemporary band leaders James Pearson and Grant Windsor are
0:00:16 > 0:00:21re-imagining one of the Count and the Duke's mythical musical battles.
0:00:21 > 0:00:24With a little help from singers Gregory Porter and Vula Malinga
0:00:24 > 0:00:28and, of course, from Clare Teal herself, this clash of the titans
0:00:28 > 0:00:31culminates in a battle royal finale
0:00:31 > 0:00:36in which we will find out who is the winner of the Battle of the Bands.
0:01:04 > 0:01:06APPLAUSE
0:01:15 > 0:01:18Ladies and gentlemen,
0:01:18 > 0:01:21welcome to The Royal Albert Hall.
0:01:21 > 0:01:23This evening we take you back to a magical time,
0:01:23 > 0:01:27a time when big bands reigned supreme at the top of the pop charts
0:01:27 > 0:01:31and bands would do battle till the early hours in packed ballrooms.
0:01:31 > 0:01:33Tonight, we're going to celebrate
0:01:33 > 0:01:35everything that's great about the swing era
0:01:35 > 0:01:40and present before your very eyes a battle using the fantastic music
0:01:40 > 0:01:42of two giants of the swing and big band world,
0:01:42 > 0:01:45Duke Ellington and Count Basie.
0:01:45 > 0:01:49So, without further ado, let's meet the musicians assembled before you.
0:01:49 > 0:01:54Hand plucked from the glimmering pool of this country's finest jazz talent.
0:01:54 > 0:01:58Starting with the engines that drive these music machines
0:01:58 > 0:02:01with their precise and articulate punctuation,
0:02:01 > 0:02:04it's the rhythm boys scat-scat-scat-doo-doo-dah!
0:02:08 > 0:02:10APPLAUSE
0:02:10 > 0:02:12Yeah, yeah, yeah!
0:02:14 > 0:02:16Moving on to the shimmering,
0:02:16 > 0:02:19twinkly fairy dust of the big band world, adding glamour
0:02:19 > 0:02:22and pizzazz wherever they go, it's the trumpets.
0:02:22 > 0:02:24Hit it, fellas!
0:02:31 > 0:02:33Come on!
0:02:33 > 0:02:36So, we've met the rhythm and we've met the trumpets,
0:02:36 > 0:02:39but to make a big band swagger, you need weighty lines
0:02:39 > 0:02:41and full-bodied tones.
0:02:41 > 0:02:44It's these bad boys who add the gravitas and drama.
0:02:44 > 0:02:49Ladies and gents, it's the slide trombones. Well, come on in!
0:03:03 > 0:03:06Allow me to introduce to you the musical chameleons of the band.
0:03:06 > 0:03:10Debonair and suave, but also quite feisty when necessary,
0:03:10 > 0:03:12it's the saxophones. Well, say hello!
0:03:29 > 0:03:31Now, ladies and gentlemen,
0:03:31 > 0:03:33the diamond-encrusted red and golden threads
0:03:33 > 0:03:36that fuse the music together in perfect harmony and rhythm
0:03:36 > 0:03:40like a magical and exciting glue, our piano wielding leaders,
0:03:40 > 0:03:46in the Ellington corner, with banners of red and white, Duke Grant Windsor!
0:03:47 > 0:03:50APPLAUSE AND CHEERING
0:03:52 > 0:03:56And in the Basie corner, with banners of black and gold,
0:03:56 > 0:03:59it's Count James Pearson!
0:03:59 > 0:04:02APPLAUSE AND CHEERING
0:04:17 > 0:04:19OK...
0:04:19 > 0:04:23Now, fellas, we're looking for a fair fight, no low punches,
0:04:23 > 0:04:25no bribing of dancers, no bad taste...
0:04:25 > 0:04:27and no untimely grooves.
0:04:27 > 0:04:32I wish you both the best of luck and may the best band win!
0:04:40 > 0:04:43Places please for round one, three tunes a side,
0:04:43 > 0:04:48Count Pearson to start with Rockin' The Blues, let the battle commence!
0:07:51 > 0:07:53APPLAUSE AND CHEERING
0:07:57 > 0:08:02The Count Pearson band getting off to a fine start with Rockin' The Blues.
0:08:02 > 0:08:04Up next, and it's a real floor filler,
0:08:04 > 0:08:07as the JazzCotech dancers will demonstrate now.
0:08:07 > 0:08:09It's Every Tub!
0:08:09 > 0:08:10One, two, three, four!
0:11:28 > 0:11:31APPLAUSE AND CHEERING
0:11:46 > 0:11:49In the Basie camp, Pearson's band are cooking tonight
0:11:49 > 0:11:52and with a vocal now from the fabulous
0:11:52 > 0:11:56Miss Vula Malinga, there'll be nothing but Blue Skies from now on.
0:12:05 > 0:12:07APPLAUSE AND CHEERING
0:13:07 > 0:13:11# Blue skies smiling at me
0:13:12 > 0:13:15# Nothing but blue skies
0:13:15 > 0:13:17# Do I see
0:13:19 > 0:13:23# Bluebirds singing a song
0:13:24 > 0:13:30# Nothing but bluebirds all day long
0:13:31 > 0:13:35# Never saw the sun shining so bright
0:13:35 > 0:13:37# Never saw things going so right
0:13:37 > 0:13:40# Noticing the days hurrying by
0:13:40 > 0:13:44# When you're in love My, how they fly
0:13:44 > 0:13:46# Blue days
0:13:46 > 0:13:48# All of them gone
0:13:48 > 0:13:52# Nothing but blue skies
0:13:52 > 0:13:55# From now on
0:14:20 > 0:14:24# Never seen the sun shining so bright
0:14:26 > 0:14:29# Noticing the days hurrying by
0:14:31 > 0:14:38# Oh, blue days, all of them gone
0:14:38 > 0:14:41# Nothing but blue skies
0:14:41 > 0:14:45# From now on! #
0:14:50 > 0:14:53APPLAUSE AND CHEERING
0:14:54 > 0:14:57Vula Malinga!
0:14:57 > 0:14:59APPLAUSE
0:14:59 > 0:15:01And Blue Skies!
0:15:03 > 0:15:06The end of the first Count Pearson offering,
0:15:06 > 0:15:09a fine display of swinging tunes. The heat is on.
0:15:09 > 0:15:13So let's see what Duke Windsor's boys have to say about it.
0:15:15 > 0:15:18MUSIC: "Daybreak Express" By Duke Ellington
0:15:37 > 0:15:42BRASS SECTION MIMICS TRAIN HORN
0:17:47 > 0:17:50TEMPO SLOWS
0:17:55 > 0:17:58LAUGHTER
0:18:00 > 0:18:03TRUMPET PLAYS SOLO
0:18:12 > 0:18:16CHEERING AND APPLAUSE
0:18:25 > 0:18:28Oh, my, the Daybreak Express has arrived
0:18:28 > 0:18:31and on it the Duke Windsor Band, and they mean business. Mm.
0:18:31 > 0:18:35Oh, they're dusting off another Wellington chestnut, now.
0:18:35 > 0:18:36It's Cotton Tail.
0:18:37 > 0:18:39One, two, three.
0:19:08 > 0:19:12SAXOPHONE SOLO
0:20:16 > 0:20:18CHEERING
0:20:31 > 0:20:33SAXOPHONE SOLO
0:20:39 > 0:20:41PIANO SOLO
0:21:55 > 0:21:58CHEERING
0:22:09 > 0:22:11Cotton Tail. And it's fare thee well, land of cotton.
0:22:11 > 0:22:14Cotton lisle is out of style.
0:22:14 > 0:22:19But jump for joy, Mr Gregory Porter is here with the vocal refrain!
0:22:19 > 0:22:21CHEERING
0:22:26 > 0:22:28CHEERING
0:22:48 > 0:22:51TROMBONE SOLO
0:23:02 > 0:23:05# Fare thee well, land of cotton
0:23:05 > 0:23:08# Cotton lisle is out of style
0:23:08 > 0:23:11# Honey child, jump for joy
0:23:11 > 0:23:13# Little Eve, don't you grieve
0:23:13 > 0:23:16# All the hounds I do believe
0:23:16 > 0:23:17# Have been killed
0:23:17 > 0:23:20# Ain't ya thrilled? Jump for joy
0:23:21 > 0:23:26# Have you seen pastures groovy?
0:23:26 > 0:23:31# Green pastures are just a Technicoloured movie
0:23:31 > 0:23:34# When you stomp up to heaven
0:23:34 > 0:23:36# And you see old Saint Pete
0:23:36 > 0:23:38# Tell that boy
0:23:38 > 0:23:40# Jump for joy
0:23:40 > 0:23:41# Jump right in
0:23:41 > 0:23:46# Give Pete some skin and jump for joy. #
0:23:46 > 0:23:48SAXOPHONE SOLO
0:24:04 > 0:24:07TRUMPETS JOIN IN
0:24:57 > 0:25:00CHEERING
0:25:06 > 0:25:09Gregory Porter, Jump For Joy. And didn't we do just that?
0:25:09 > 0:25:12A trio of sheer Ellington beauty.
0:25:12 > 0:25:14The crowd are wild for Duke Windsor
0:25:14 > 0:25:17but there's a noticeable absence of the JazzCotech dancers here.
0:25:17 > 0:25:19Count Pearson's rhythm working well for him
0:25:19 > 0:25:22but perhaps he can step up on the arranging front. LONE CHEER
0:25:22 > 0:25:23All right!
0:25:23 > 0:25:26Round two, same again. Three tunes a side.
0:25:26 > 0:25:29Count Pearson to start, with 9.20 Special.
0:26:36 > 0:26:38PIANO SOLO
0:26:55 > 0:26:59SAXOPHONE SOLO
0:27:16 > 0:27:19TRUMPET SOLO
0:28:18 > 0:28:21SAXOPHONE SOLO
0:28:48 > 0:28:51CHEERING
0:28:56 > 0:28:58The Pearson Band raising their game with 9.20 Special
0:28:58 > 0:29:03but they just can't resist that early riff style of One O'Clock Jump.
0:29:32 > 0:29:34SAXOPHONE SOLO
0:29:46 > 0:29:49CHEERING
0:30:15 > 0:30:18TRUMPET SOLO
0:31:58 > 0:32:01CHEERING
0:32:05 > 0:32:07The JazzCotech dancers!
0:32:11 > 0:32:15Again, the dancers going mad for One O'Clock Jump.
0:32:15 > 0:32:18Count Pearson changes tack now, for his final tune of round two
0:32:18 > 0:32:22and plays the ballad card, with the beautiful Moon Nocturne.
0:32:22 > 0:32:24And to sing it,
0:32:24 > 0:32:27well, I'm sorry, I just can't resist.
0:32:27 > 0:32:29LAUGHTER
0:32:29 > 0:32:31CHEERING AND APPLAUSE
0:32:45 > 0:32:48SAXOPHONE SOLO
0:34:00 > 0:34:02APPLAUSE
0:34:14 > 0:34:19# When shadows fall across the moon
0:34:20 > 0:34:23# My heart will echo
0:34:23 > 0:34:29# Your song of sweet surrender
0:34:29 > 0:34:36# Moon nocturne
0:34:39 > 0:34:44# When night unfolds another June
0:34:45 > 0:34:49# I'll find the thrill of your love
0:34:49 > 0:34:54# In every ember
0:34:54 > 0:35:00# Moon nocturne
0:35:03 > 0:35:06# This night
0:35:06 > 0:35:09# Of love
0:35:09 > 0:35:15# Is heavenly to me
0:35:15 > 0:35:22# The stars shine breathlessly
0:35:22 > 0:35:25# So hold me fast
0:35:25 > 0:35:29# Till the last
0:35:29 > 0:35:35# When dawn descends upon the moon
0:35:35 > 0:35:39# Your love will live in my heart
0:35:39 > 0:35:43# For I'll remember
0:35:45 > 0:35:50# Moon nocturne. #
0:35:55 > 0:35:58SAXOPHONE SOLO
0:36:23 > 0:36:27CHEERING AND APPLAUSE
0:36:35 > 0:36:38PIANO BEGINS
0:36:38 > 0:36:42MUSIC: "Mood Indigo" by Barney Bigard, Duke Ellington, Irving Mills
0:40:00 > 0:40:03CHEERING AND APPLAUSE
0:40:11 > 0:40:14After a terrific trio from the Pearson camp,
0:40:14 > 0:40:17Duke Windsor lays down a killing segue,
0:40:17 > 0:40:19seamlessly cutting the Count's story
0:40:19 > 0:40:21and launching into his own set with Mood Indigo,
0:40:21 > 0:40:23he's taking no prisoners.
0:40:23 > 0:40:25Now, faster than the turn of the tide,
0:40:25 > 0:40:28the Duke changes gear again. Surely this will get the dancers onside?
0:40:28 > 0:40:32Come on, JazzCotech, let's go Truckin'.
0:40:32 > 0:40:34One, two, one, two, three.
0:40:36 > 0:40:39MUSIC: "Truckin'" by Rube Bloom and Ted Koehler
0:41:15 > 0:41:17# We had to have something new
0:41:17 > 0:41:19# A dance to do up here in Harlem
0:41:19 > 0:41:23# So someone started truckin'
0:41:23 > 0:41:25# As soon as the news got round
0:41:25 > 0:41:27# The folks downtown came up to Harlem
0:41:27 > 0:41:30# Saw everybody truckin'
0:41:30 > 0:41:32# It didn't take long
0:41:32 > 0:41:35# Before the high-hats were doing it Park Avenueing it
0:41:35 > 0:41:37# All over town
0:41:37 > 0:41:40# You see them scufflin', shufflin' truckin' along
0:41:40 > 0:41:42# It spread like a forest blaze
0:41:42 > 0:41:45# Became a craze Thanks to Harlem now
0:41:45 > 0:41:48# Everybody's truckin'. #
0:41:48 > 0:41:50Hey!
0:42:19 > 0:42:20Whoo!
0:43:39 > 0:43:42CHEERING AND APPLAUSE
0:43:51 > 0:43:54Truckin', it's all the rage.
0:43:54 > 0:43:56Now, can the Duke sustain this new level of activity
0:43:56 > 0:43:59and hold the dancers' attention? Let's find out.
0:43:59 > 0:44:02And remember, kids, whenever you cross the road,
0:44:02 > 0:44:05always Stomp, Look And Listen.
0:44:05 > 0:44:09MUSIC: "Stomp, Look And Listen" by Duke Ellington
0:46:37 > 0:46:41CHEERING AND APPLAUSE
0:47:33 > 0:47:36CHEERING AND APPLAUSE
0:47:41 > 0:47:44Duke Windsor scores high with round two,
0:47:44 > 0:47:46it's neck and neck as we go into round three.
0:47:46 > 0:47:50Count Pearson promises a detailed and magnificent arrangement now.
0:47:50 > 0:47:52In fact, it could almost be Ellington,
0:47:52 > 0:47:54it's Futile Frustration.
0:47:57 > 0:48:00MUSIC: "Futile Frustration" by Duke Ellington
0:51:22 > 0:51:26CHEERING AND APPLAUSE
0:51:34 > 0:51:37Proving there's a whole lot of meat to get your teeth into
0:51:37 > 0:51:40on those dancing bones, Futile Frustration.
0:51:40 > 0:51:44But look now, Count Pearson's got the blues,
0:51:44 > 0:51:46the Goin' To Chicago blues.
0:51:46 > 0:51:49And he's not alone. To tell you all about it,
0:51:49 > 0:51:52the divine Mr Gregory Porter.
0:51:52 > 0:51:56CHEERING AND APPLAUSE
0:51:57 > 0:52:00MUSIC: "Goin' To Chicago Blues" by Count Basie
0:52:43 > 0:52:48CHEERING AND APPLAUSE
0:53:08 > 0:53:10# Goin' to Chicago
0:53:11 > 0:53:14# Sorry, but I can't take you
0:53:18 > 0:53:20# Well, I'm goin' to Chicago
0:53:22 > 0:53:25# Sorry, but I can't take you
0:53:30 > 0:53:33# There ain't nothin' in Chicago
0:53:33 > 0:53:37# That a monkey woman can do
0:53:41 > 0:53:44# When you see me comin', baby
0:53:45 > 0:53:49# Raise your window high
0:53:52 > 0:53:57# Well, when you see me comin', baby
0:53:57 > 0:54:01# You'd better raise your window high
0:54:05 > 0:54:09# When you see me passin', darlin'
0:54:09 > 0:54:13# You'd better hang your head and cry
0:54:17 > 0:54:20# Hurry down, sunshine
0:54:21 > 0:54:25# See what tomorrow brings
0:54:29 > 0:54:33# Hurry down, sunshine
0:54:33 > 0:54:37# See what tomorrow brings
0:54:41 > 0:54:44# But it may bring sunshine
0:54:44 > 0:54:49# Darlin', it may bring rain
0:54:53 > 0:54:55# You're so mean and evil
0:54:57 > 0:55:00# You do things you ought not do
0:55:02 > 0:55:06# Whoa-oa!
0:55:06 > 0:55:10# You're so mean and evil
0:55:10 > 0:55:13# You do things you ought not do
0:55:17 > 0:55:20# And you've got my brand-new money
0:55:20 > 0:55:25# Well, I guess I'll have to put up with you
0:55:27 > 0:55:29# Whoa! #
0:55:33 > 0:55:37CHEERING AND APPLAUSE
0:55:45 > 0:55:48Gregory Porter, Goin' To Chicago Blues.
0:55:48 > 0:55:51Count Pearson keeps on pulling those rabbits out of his big-band hat.
0:55:51 > 0:55:55But now Duke Windsor's coming back with Never No Lament,
0:55:55 > 0:55:57AKA Don't Get Around Much Anymore.
0:55:57 > 0:56:01Vocal by the delectable Ms Vula Malinga.
0:56:02 > 0:56:05APPLAUSE
0:56:16 > 0:56:19CHEERING AND APPLAUSE
0:56:51 > 0:56:54# Missed the Saturday dance
0:56:56 > 0:56:59# Heard they crowded the floor
0:57:01 > 0:57:04# Couldn't bear it without you
0:57:06 > 0:57:09# Don't get around much any more
0:57:11 > 0:57:14# Though I'd visit the club
0:57:16 > 0:57:19# Got as far as the door
0:57:21 > 0:57:26# They'd have asked me about you
0:57:26 > 0:57:30# Don't get around much any more
0:57:32 > 0:57:37# Oh, darling, I guess
0:57:38 > 0:57:41# My mind's more at ease
0:57:43 > 0:57:46# But nevertheless
0:57:48 > 0:57:51# Why stir up memories?
0:57:51 > 0:57:55# Been invited on dates
0:57:56 > 0:58:00# Might have gone, but what for?
0:58:01 > 0:58:07# Awfully different without you
0:58:07 > 0:58:11# Don't get around much any more. #
0:58:13 > 0:58:16SHE SCATS
0:58:54 > 0:58:58# Oh, darling, I guess
0:58:59 > 0:59:03# My mind's more at ease
0:59:04 > 0:59:09# But nevertheless
0:59:09 > 0:59:12# Why stir up memories?
0:59:12 > 0:59:15# I've been invited on dates
0:59:17 > 0:59:22# I might have gone, but what for?
0:59:22 > 0:59:27# Awfully different without you
0:59:27 > 0:59:32# Don't get around much any more, yeah
0:59:32 > 0:59:37# Been invited on dates
0:59:38 > 0:59:43# I might have gone, but what for?
0:59:43 > 0:59:47# Awfully different without you
0:59:47 > 0:59:51# Don't get around much any more
0:59:51 > 0:59:55# No, I don't, no, no more Yeah! #
0:59:55 > 0:59:58CHEERING AND APPLAUSE
1:00:10 > 1:00:12Vula Malinga!
1:00:12 > 1:00:16And the Duke Windsor Band. Don't Get Around Much Any More.
1:00:16 > 1:00:18Which is a shame.
1:00:18 > 1:00:21Now, the Count started this battle, Rockin' the Blues,
1:00:21 > 1:00:25and the Duke ends the fourth round, Rockin' In Rhythm.
1:04:48 > 1:04:51CHEERING AND APPLAUSE
1:04:56 > 1:04:58The whole place is going crazy now!
1:05:00 > 1:05:02It's neck and neck as we go into the final round.
1:05:02 > 1:05:04How's the Count going to play this?
1:05:04 > 1:05:06Like this. Jumpin' At The Woodside.
1:07:59 > 1:08:02CHEERING AND APPLAUSE
1:08:13 > 1:08:16MUSIC: Take The A Train by Billy Strayhorn
1:10:50 > 1:10:54CHEERING AND APPLAUSE
1:10:57 > 1:10:59The JazzCotech Dancers!
1:10:59 > 1:11:03APPLAUSE
1:11:03 > 1:11:04Duke Windsor with Take The A Train.
1:11:04 > 1:11:07Now, we're almost at the end of the battle.
1:11:07 > 1:11:08Do we have a winner?
1:11:08 > 1:11:10AUDIENCE SHOUT OUT
1:11:10 > 1:11:14You decide after the battle royal. That's when the two bands are going
1:11:14 > 1:11:16to slug it out to win this petite swing marathon.
1:11:16 > 1:11:21You'll hear singing and cutting contests of the finest order,
1:11:21 > 1:11:23not to mention a whole heap of tunes.
1:11:23 > 1:11:25This is serious!
1:11:25 > 1:11:26Hello!
1:11:26 > 1:11:29Cos It Don't Mean A Thing (If It Ain't Got That Swing.)
1:11:31 > 1:11:34SHE SCATS
1:11:40 > 1:11:46# It don't mean a thing if it ain't got that swing
1:11:46 > 1:11:48# Doo-ah, doo-ah, doo-ah doo-ah, doo-ah
1:11:48 > 1:11:50# Doo-ah, doo-ah, doo-ah
1:11:51 > 1:11:55# It don't mean a thing All you gotta do is sing
1:11:55 > 1:11:58# Doo-ah, doo-ah, doo-ah doo-ah, doo-ah
1:11:58 > 1:12:00# Doo-ah, doo-ah, doo-ah
1:12:00 > 1:12:03# Makes no difference if it's sweet or hot
1:12:05 > 1:12:10# Give that rhythm everything you've got, oh
1:12:10 > 1:12:15# It don't mean a thing if it ain't got that swing
1:12:15 > 1:12:18# Doo-ah, doo-ah, doo-ah doo-ah, doo-ah
1:12:18 > 1:12:19# Doo-ah, doo-ah, doo-ah
1:12:20 > 1:12:23# Doo-ah, doo-ah, doo-ah doo-ah, doo-ah
1:12:23 > 1:12:25# Doo-ah, doo-ah, doo-ah
1:12:25 > 1:12:27# Doo-ah, doo-ah, doo-ah doo-ah, doo-ah
1:12:27 > 1:12:29# Doo-ah, doo-ah, doo-ah! #
1:14:39 > 1:14:42CHEERING AND APPLAUSE
1:18:07 > 1:18:09CHEERING AND APPLAUSE
1:19:48 > 1:19:50# Flat-foot floogie with a floy-floy
1:19:50 > 1:19:53# Flat-foot floogie with a floy-floy
1:19:53 > 1:19:55# Flat-foot floogie with a floy-floy
1:19:55 > 1:19:57# Floy-floy, floy-floy, floy-floy! #
1:20:55 > 1:20:58CHEERING
1:21:04 > 1:21:09# It don't mean a thing if it ain't got that swing
1:21:09 > 1:21:12# Doo-ah, doo-ah, doo-ah doo-ah, doo-ah
1:21:12 > 1:21:14# Doo-ah, doo-ah, doo-ah
1:21:14 > 1:21:18# It don't mean a thing All you gotta do is sing
1:21:19 > 1:21:20# Doo-ah, doo-ah, doo-ah, doo-ah
1:21:20 > 1:21:22# Doo-ah, doo-ah, doo-ah, doo-ah
1:21:22 > 1:21:27# Oh, it makes no difference if it's sweet or high
1:21:27 > 1:21:31# Just give the rhythm everything you've got...
1:21:31 > 1:21:36- ALL:- # It don't mean a thing if it ain't got that swing
1:21:36 > 1:21:38# Doo-ah, doo-ah, doo-ah, doo-ah
1:21:38 > 1:21:40# Doo-ah, doo-ah, doo-ah, doo-ah... #
1:21:45 > 1:21:48THEY SCAT
1:21:58 > 1:22:02# ..It makes no difference if it's sweet or hot
1:22:02 > 1:22:07# Just give the rhythm everything you've got
1:22:07 > 1:22:12# It don't mean a thing if it ain't got that swing
1:22:12 > 1:22:15# Doo-ah, doo-ah, doo-ah doo-ah, doo-ah
1:22:15 > 1:22:17# Doo-ah, doo-ah, doo-ah
1:22:17 > 1:22:20# Doo-ah, doo-ah, doo-ah doo-ah, doo-ah,
1:22:20 > 1:22:22# Doo-ah, doo-ah, doo-ah
1:22:22 > 1:22:26# Doo-ah, doo-ah, doo-ah, doo-ah doo-ah, doo-ah, doo-ah! #
1:22:45 > 1:22:48CHEERING AND APPLAUSE
1:22:51 > 1:22:55Oh, my goodness. I hope you enjoyed yourselves.
1:22:55 > 1:22:59We've had an amazing night. Thanks to Vula Malinga.
1:22:59 > 1:23:01CHEERING
1:23:01 > 1:23:03To Gregory Porter.
1:23:03 > 1:23:05CHEERING
1:23:05 > 1:23:07To the JazzCotech dancers.
1:23:07 > 1:23:09CHEERING
1:23:09 > 1:23:11To Duke Grant Windsor.
1:23:11 > 1:23:13CHEERING
1:23:13 > 1:23:15And to Count James Pearson. CHEERING
1:23:15 > 1:23:18And to all these awesome musicians...
1:23:18 > 1:23:20and everyone behind the scenes.
1:23:20 > 1:23:23APPLAUSE CONTINUES
1:23:25 > 1:23:29And so...do we have a winner?
1:23:29 > 1:23:31Is it these guys?
1:23:31 > 1:23:32CHEERING
1:23:32 > 1:23:35Is it these guys?
1:23:35 > 1:23:37CHEERING
1:23:41 > 1:23:43The decision has been made.
1:23:45 > 1:23:46Drum roll, please.
1:23:49 > 1:23:56The winner of the Battle of the Bands Prom 2014 is...
1:23:58 > 1:24:00AUDIENCE MEMBERS SHOUT OUT
1:24:02 > 1:24:05CHEERING
1:24:11 > 1:24:13It's a draw!
1:24:14 > 1:24:19Duke Windsor and Count Pearson both victorious!
1:24:19 > 1:24:22From me, Clare Teal, and everyone here,
1:24:22 > 1:24:25thank you and good night!
1:24:25 > 1:24:29MUSIC: "It Don't Mean A Thing (If It Ain't Got That Swing)
1:24:37 > 1:24:42ALL: # It don't mean a thing if it ain't got that swing
1:24:42 > 1:24:45# Doo-ah, doo-ah, doo-ah, doo-ah
1:24:45 > 1:24:48# Doo-ah, doo-ah, doo-ah, doo-ah
1:24:48 > 1:24:50# Doo-ah, doo-ah, doo-ah, doo-ah
1:24:50 > 1:24:57# Yeah... #