0:00:02 > 0:00:04And... Action!
0:00:05 > 0:00:08If it's been another incredible BBC Proms season,
0:00:08 > 0:00:12so, as a finale, we'd like to invite you to join us
0:00:12 > 0:00:16for a feast of the finest performances across the UK.
0:00:16 > 0:00:21Welcome to the very best of BBC Proms In The Park 2016.
0:00:25 > 0:00:27Deckchairs, blankets, you name it.
0:00:33 > 0:00:36So who are you looking forward to seeing? Frankie Valli.
0:00:36 > 0:00:38KT Tunstall.
0:00:38 > 0:00:39Tony Hadley.
0:00:40 > 0:00:42I'm in the middle of a park with a load of people
0:00:42 > 0:00:44eating cucumber sandwiches.
0:00:44 > 0:00:45It's nice, it's good.
0:00:46 > 0:00:50It's just good music, you can't beat live music.
0:00:50 > 0:00:53I just can't wait to hear the orchestra behind me.
0:00:53 > 0:00:56I'm imagining this wall of sound and hoping it doesn't
0:00:56 > 0:00:58push me off the stage.
0:00:59 > 0:01:02Standing in front of an orchestra is a magical feeling.
0:01:05 > 0:01:09Proms In The Park is the very best of classical music.
0:01:09 > 0:01:12You come and you enjoy.
0:01:14 > 0:01:16We're going to have a great time tonight.
0:01:48 > 0:01:51So, for the next 90 minutes, we're going to be bringing you
0:01:51 > 0:01:55some of the very best performances from Proms In The Park celebrations
0:01:55 > 0:01:59across the UK, and I promise you the line-up is totally spectacular.
0:02:02 > 0:02:06Here at Park Eirias in Colwyn Bay, the crowds have arrived
0:02:06 > 0:02:10in their thousands to see '80s pop icon Tony Hadley.
0:02:21 > 0:02:25Grammy award-winning singer-songwriter Amy Wadge.
0:02:33 > 0:02:39And BBC Young Musician 2016, cellist Sheku Kanneh-Mason.
0:02:50 > 0:02:54At Belfast Titanic slipways, the audience will be entertained
0:02:54 > 0:02:58by the ever-popular soprano Lesley Garrett...
0:03:00 > 0:03:04..and Slovakian string playing siblings, Vladimir and Anton.
0:03:14 > 0:03:18And leading the party on Glasgow Green is KT Tunstall.
0:03:22 > 0:03:25And she's joined there by the 2014 winners
0:03:25 > 0:03:27of Britain's Got Talent, Collabro.
0:03:31 > 0:03:34And of course the Last Night party wouldn't be complete without
0:03:34 > 0:03:39our friends in Hyde Park and as ever they have an all-star line-up.
0:03:39 > 0:03:43Anita Rani is right in the heart of all the action.
0:03:43 > 0:03:46The atmosphere here in Hyde Park is electric.
0:03:46 > 0:03:49I'm surrounded by some 40,000 die-hard Prommers who are all
0:03:49 > 0:03:51waiting for the acts to appear on that stage.
0:03:51 > 0:03:52And what a line-up.
0:03:58 > 0:04:02We've got the legendary love lexicographers, ABC.
0:04:07 > 0:04:10The multi-talented musician and comedian Tim Minchin
0:04:10 > 0:04:15with one of his fantastic songs from the smash hit, Matilda The Musical.
0:04:25 > 0:04:30Internationally renowned tenor Juan Diego Florez.
0:04:35 > 0:04:39To round off the evening on a high note, to say the least,
0:04:39 > 0:04:41it's Frankie Valli and the Four Seasons
0:04:41 > 0:04:45with all those classics that will no doubt get everyone singing along.
0:04:50 > 0:04:54And to top it all off, it's only gone and stopped raining.
0:04:54 > 0:04:56Just about.
0:04:56 > 0:04:59Oh, yes, you're in for a fantastic evening's entertainment and we get
0:04:59 > 0:05:04the party started at Glasgow Green with an artist performing on home turf.
0:05:04 > 0:05:06During rehearsals, KT Tunstall told us
0:05:06 > 0:05:09what she was looking forward to most about performing
0:05:09 > 0:05:12at Proms In The Park for the very first time.
0:05:12 > 0:05:15I've never played with an orchestra before.
0:05:15 > 0:05:20This is my first time ever that I'll be performing with a full orchestra
0:05:20 > 0:05:23and it's outdoors in Glasgow on an absolutely beautiful day.
0:05:23 > 0:05:27But it was just a fantastic opportunity to be involved
0:05:27 > 0:05:32in that adventure of reimagining songs with orchestral arrangement,
0:05:32 > 0:05:34and I just can't wait to hear that behind me,
0:05:34 > 0:05:36it's just the most amazing sound.
0:05:49 > 0:05:50# Her face is a map of the world
0:05:50 > 0:05:53# Is a map of the world
0:05:53 > 0:05:55# You can see she's a beautiful girl
0:05:55 > 0:05:58# She's a beautiful girl
0:05:58 > 0:06:02# And everything around her is a silver pool of light
0:06:02 > 0:06:06# The people who surround her feel the benefit of it
0:06:06 > 0:06:09# It makes you calm
0:06:09 > 0:06:12# She holds you captivated in her palm
0:06:12 > 0:06:15# Suddenly I see
0:06:15 > 0:06:17# This is what I wanna be
0:06:17 > 0:06:20# Suddenly I see
0:06:20 > 0:06:24# Why the hell it means so much to me
0:06:24 > 0:06:26# This is what I wanna be
0:06:26 > 0:06:29# Suddenly I see
0:06:29 > 0:06:32# Why the hell it means so much to me
0:06:40 > 0:06:41# I feel like walking the world
0:06:41 > 0:06:44# Like walking the world
0:06:44 > 0:06:46# You can hear she's a beautiful girl
0:06:46 > 0:06:49# She's a beautiful girl
0:06:49 > 0:06:53# She fills up every corner like she's born in black and white
0:06:53 > 0:06:57# Makes you feel warmer when you're trying to remember
0:06:57 > 0:07:00# What you heard
0:07:00 > 0:07:04# She likes to leave you hanging on a wire
0:07:04 > 0:07:06# Suddenly I see
0:07:06 > 0:07:08# This is what I wanna be
0:07:08 > 0:07:11# Suddenly I see
0:07:11 > 0:07:14# Why the hell it means so much to me
0:07:14 > 0:07:17# This is what I wanna be
0:07:17 > 0:07:20# Suddenly I see
0:07:20 > 0:07:23# Why the hell it means so much to me
0:07:23 > 0:07:25# And she's taller than most
0:07:25 > 0:07:27# And she's looking at me
0:07:27 > 0:07:32# I can see her eyes looking from the page of a magazine
0:07:32 > 0:07:34# Oh, she makes me feel like I could be a tower
0:07:34 > 0:07:36# A big strong tower, yeah
0:07:36 > 0:07:37# The power to be
0:07:37 > 0:07:38# The power to give
0:07:38 > 0:07:39# The power to see... #
0:07:43 > 0:07:48All right, Glasgow, I need your help.
0:07:48 > 0:07:50Hands in the air.
0:07:52 > 0:07:54We're going to sing, "suddenly I see".
0:07:56 > 0:07:58OK, I want to hear it loud.
0:07:58 > 0:08:00# Suddenly I see
0:08:01 > 0:08:03Let me hear you.
0:08:03 > 0:08:05# Suddenly I see
0:08:05 > 0:08:06Sounds good.
0:08:07 > 0:08:13# Suddenly I see
0:08:13 > 0:08:14# The power to be
0:08:14 > 0:08:15# The power to give
0:08:15 > 0:08:18# The power to see
0:08:18 > 0:08:20# She got the power to be, the power to give
0:08:20 > 0:08:22# The power to see, yeah, yeah
0:08:22 > 0:08:24# She got the power to be, the power to give
0:08:24 > 0:08:27# The power to see, yeah, yeah
0:08:27 > 0:08:28# She got the power to be
0:08:28 > 0:08:29# The power to give
0:08:29 > 0:08:31# The power to see
0:08:31 > 0:08:33# Suddenly I see
0:08:33 > 0:08:34# This is what I wanna be
0:08:34 > 0:08:37# Suddenly I see
0:08:37 > 0:08:42# Why the hell it means so much to me
0:08:42 > 0:08:43# This is what I wanna be
0:08:43 > 0:08:46# Suddenly I see
0:08:46 > 0:08:50# Why the hell it means so much to me
0:08:52 > 0:08:56# Suddenly I see
0:08:56 > 0:08:59# Why the hell it means so much to me
0:09:01 > 0:09:04# Suddenly I see
0:09:04 > 0:09:08# Why the hell it means so much to me. #
0:09:27 > 0:09:31Wow. KT Tunstall with a storming version of Suddenly I See,
0:09:31 > 0:09:35accompanied by the BBC Scottish Symphony Orchestra
0:09:35 > 0:09:37conducted by Stephen Bell.
0:09:37 > 0:09:41Here in Colwyn Bay, one of Wales's best-loved entertainers,
0:09:41 > 0:09:46Wynne Evans, sings Agustin Lara's popular standard, Granada.
0:09:47 > 0:09:54# Granada, tierra sonada por mi
0:09:54 > 0:10:00# Mi cantar se vuelve gitano cuando es para ti
0:10:00 > 0:10:10# Mi cantar hecho de fantasia
0:10:10 > 0:10:18# Mi cantar flor de melancolia
0:10:18 > 0:10:26# Que yo te vengo
0:10:26 > 0:10:35# A dar
0:10:35 > 0:10:37# Granada
0:10:37 > 0:10:40# Tierra ensangrentada
0:10:40 > 0:10:44# En tardes de toros
0:10:47 > 0:10:51# Mujer que conserva el embrujo
0:10:51 > 0:10:56# De los ojos moros
0:10:58 > 0:11:02# Te sueno rebelde y gitana
0:11:02 > 0:11:06# Cubierta de flores
0:11:09 > 0:11:13# Y beso tu boca de grana
0:11:13 > 0:11:15# Jugosa manzana
0:11:15 > 0:11:21# Que me habla de amores
0:11:21 > 0:11:26Granada, tierra ensangrentada
0:11:26 > 0:11:29# En tardes de toros
0:11:33 > 0:11:36# Mujer que conserva el embrujo
0:11:36 > 0:11:42# De los ojos moros
0:11:44 > 0:11:48# De rosas de suave fragancia
0:11:48 > 0:11:55# Que le dieran marco a la virgen morena
0:11:55 > 0:11:56# Granada
0:11:58 > 0:12:03# Tu tierra esta llena
0:12:03 > 0:12:06# De lindas mujeres
0:12:06 > 0:12:08# De sangre y de sol
0:12:32 > 0:12:36# De rosas de suave fragancia
0:12:36 > 0:12:43# Que le dieran marco a la virgen morena
0:12:43 > 0:12:46# Granada
0:12:46 > 0:12:50# Tu tierra esta llena
0:12:50 > 0:12:52# De lindas mujeres
0:12:52 > 0:13:00# De sangre y de sol! #
0:13:08 > 0:13:11A much-deserved warm reception for Wynne Evans there, accompanied
0:13:11 > 0:13:16by the BBC National Orchestra of Wales conducted by Edwin Outwater.
0:13:18 > 0:13:21To the Belfast Proms party now where Vladimir and Anton
0:13:21 > 0:13:25treat the crowd to some traditional Russian folk music.
0:15:11 > 0:15:14Vladimir and Anton accompanied by the Ulster Orchestra
0:15:14 > 0:15:17under the baton of David Brophy.
0:15:20 > 0:15:24First up tonight here in Hyde Park, it's '80s pop icons ABC.
0:15:24 > 0:15:26Their classic album The Lexicon Of Love
0:15:26 > 0:15:28topped the charts back in 1982,
0:15:28 > 0:15:31then in 2016 they brought out the sequel.
0:15:31 > 0:15:33I caught up with lead singer Martin Fry a little earlier to see
0:15:33 > 0:15:37how he's feeling about his debut here at the Proms.
0:15:37 > 0:15:40So, Martin, debut Proms In The Park. How do you feel?
0:15:40 > 0:15:42Very excited
0:15:42 > 0:15:46and looking forward to stepping on that stage and performing.
0:15:46 > 0:15:49And what will it be like playing with the BBC Concert Orchestra?
0:15:49 > 0:15:51It's the scale. It's the scale.
0:15:51 > 0:15:54We did have a small string section back in the day, so we've
0:15:54 > 0:15:56kind of expanded through the years.
0:15:56 > 0:16:00It's like ABC on steroids out there now in 2016.
0:16:00 > 0:16:03It's bigger, more lavish and more glam.
0:16:19 > 0:16:23# When your world is full of strange arrangements
0:16:23 > 0:16:28# And gravity won't pull you through
0:16:28 > 0:16:31# You know you're missing out on something
0:16:31 > 0:16:36# Well that something depends on you
0:16:36 > 0:16:40# All I'm saying it takes a lot to love you
0:16:40 > 0:16:44# All I'm doing You know it's true
0:16:44 > 0:16:46# All I mean now There's one thing
0:16:46 > 0:16:52# Yes, one thing that turns this grey sky to blue
0:16:52 > 0:16:54# That's the look, that's the look
0:16:54 > 0:16:56# The look of love
0:16:56 > 0:17:07# That's the look, that's the look, the look of love
0:17:07 > 0:17:12# When your girl has left you out on the pavement (Goodbye)
0:17:12 > 0:17:16# Then your dreams fall apart at the seams
0:17:16 > 0:17:19# Your reason for living's your reason for leaving
0:17:19 > 0:17:23# Don't ask me what it means
0:17:23 > 0:17:24# Who's got the look?
0:17:24 > 0:17:27# I don't know the answer to that question
0:17:27 > 0:17:31# Where's the look? If I knew I would tell you
0:17:31 > 0:17:35# What's the look? Look for your information
0:17:35 > 0:17:39# For the one thing, the one thing we can find
0:17:39 > 0:17:40# What's that?
0:17:40 > 0:17:48# That's the look, that's the look, the look of love
0:17:48 > 0:17:53# That's the look
0:17:53 > 0:17:56# Look of love
0:18:12 > 0:18:28# That's the look, that's the look, the look of love
0:18:28 > 0:18:32# If you judge a book by the cover
0:18:32 > 0:18:36# Then you judge the look by the lover
0:18:36 > 0:18:40# I hope you'll soon recover
0:18:40 > 0:18:45# Me I go from one extreme to another
0:18:45 > 0:18:48# And all my friends still ask me
0:18:48 > 0:18:52# Even in Hyde Park they ask me
0:18:52 > 0:18:56# They say Martin, maybe one day you'll find true love
0:18:56 > 0:18:59# And I say maybe
0:19:01 > 0:19:04# That's the look that's the look, sisters and brothers
0:19:04 > 0:19:08# That's the look, that's the look, should help each other
0:19:08 > 0:19:13# That's the look, that's the look, oh, oh, oh,
0:19:13 > 0:19:16# Heavens above.
0:19:16 > 0:19:20# That's the look, that's the look, hip hip hooray, ay.
0:19:20 > 0:19:25# That's the look that's the look, yippee ai yippee aiay
0:19:25 > 0:19:30# That's the look, that's the look, be lucky in love
0:19:30 > 0:19:33# Look of love. #
0:19:36 > 0:19:39Martin Fry
0:19:39 > 0:19:41and ABC.
0:19:42 > 0:19:44Bravo, sir.
0:19:44 > 0:19:47BBC Concert Orchestra rocking it for us.
0:19:49 > 0:19:51# That's the look, that's the look
0:19:51 > 0:19:53# The look of love. #
0:19:53 > 0:19:56I can't get over this crowd.
0:19:56 > 0:19:58You are fabulous.
0:19:59 > 0:20:02This year Michael Ball has been given the daunting task
0:20:02 > 0:20:05of hosting the show in Hyde Park following the passing of
0:20:05 > 0:20:08much-loved legendary broadcaster Sir Terry Wogan,
0:20:08 > 0:20:12who presented Proms In The Park here for 19 years.
0:20:12 > 0:20:15I met up with Michael when he paid tribute to his friend.
0:20:15 > 0:20:19It's a really bittersweet event for me because it's so associated
0:20:19 > 0:20:23with Sir Terry Wogan who I have known throughout my entire career.
0:20:23 > 0:20:26He was a great mate, a great champion of mine,
0:20:26 > 0:20:30so I'm thrilled and honoured to be doing that but I wish
0:20:30 > 0:20:33he was still here to do it because this and Children In Need
0:20:33 > 0:20:37were the big dates in his calendar and no-one does it better.
0:20:37 > 0:20:38He was never nervous,
0:20:38 > 0:20:43he had this sort of calm air about him so he would make
0:20:43 > 0:20:46everyone else feel calm, because it's a really difficult gig.
0:20:46 > 0:20:48I heard that there was a really lovely story
0:20:48 > 0:20:50about how he actually calmed you down once.
0:20:50 > 0:20:53Yeah, his very first Proms 19 years ago,
0:20:53 > 0:20:58and I was on that very first Prom and I was very nervous in the wings.
0:20:58 > 0:21:03And he came up to me and he went, "Ah, young Ball,
0:21:03 > 0:21:05"I've got only one piece of advice for you...
0:21:05 > 0:21:07"Don't bugger it up, and if you do,
0:21:07 > 0:21:10"I'll be here clinging to the wreckage. On you go."
0:21:10 > 0:21:11That's brilliant.
0:21:11 > 0:21:13You should let that same advice resonate today.
0:21:13 > 0:21:16Absolutely, that's exactly what I'm going to do.
0:21:18 > 0:21:22Now, as you know this year marks the centenary of
0:21:22 > 0:21:25the children's author Roald Dahl,
0:21:25 > 0:21:29the man who fired our imagination with stories like
0:21:29 > 0:21:32Charlie And The Chocolate Factory, James And The Giant Peach
0:21:32 > 0:21:35and of course The BFG.
0:21:35 > 0:21:38And then of course there's Matilda, and our next guest
0:21:38 > 0:21:44is the creative force behind the Royal Shakespeare Company's long-running,
0:21:44 > 0:21:49multi-award-winning international sensation, Matilda The Musical.
0:21:49 > 0:21:54So please give a jumpsquiffing, whoopsy-splunkers welcome to
0:21:54 > 0:22:00the completely unique and utterly, utterly brilliant Mr Tim Minchin.
0:22:05 > 0:22:07Fabulous Tim Minchin.
0:22:17 > 0:22:21It's a huge honour to be here, thank you for having me.
0:22:21 > 0:22:23That's Clara and Zaris-Angel.
0:22:26 > 0:22:31# When I grow up
0:22:31 > 0:22:35# I will be tall enough to reach the branches
0:22:35 > 0:22:38# That you have to reach to climb the trees
0:22:38 > 0:22:42# You get to climb when you're grown up
0:22:45 > 0:22:49# And when I grow up
0:22:49 > 0:22:53# I will be smart enough to answer all
0:22:53 > 0:22:56# The questions that you need to know
0:22:56 > 0:23:00# The answers to when you're a grown up
0:23:03 > 0:23:04# And when I grow up
0:23:04 > 0:23:07# I will eat sweets every day
0:23:07 > 0:23:13# On the way to work and I will go to bed late every night
0:23:15 > 0:23:16# And I will wake up
0:23:16 > 0:23:19# When the sun comes up and I
0:23:19 > 0:23:23# Will watch cartoons until my eyes go square
0:23:23 > 0:23:28# And I won't care cos I'll be all grown up
0:23:28 > 0:23:33# When I grow up
0:23:33 > 0:23:36# When I grow up When I grow up
0:23:36 > 0:23:37# When I grow up
0:23:37 > 0:23:41# I will be strong enough to carry all
0:23:41 > 0:23:44# The heavy things you have to haul
0:23:44 > 0:23:48# Around with you when you're a grown-up
0:23:51 > 0:23:54# And when I grow up, when I grow up
0:23:54 > 0:23:56# When I grow up
0:23:56 > 0:23:59# I will be brave enough to fight the creatures
0:23:59 > 0:24:03# That you have to fight beneath the bed
0:24:03 > 0:24:06# Each night to be a grown-up
0:24:08 > 0:24:09# And when I grow up
0:24:09 > 0:24:10# When I grow up
0:24:10 > 0:24:14# I will have treats every day
0:24:14 > 0:24:17# And I'll play with things that mum pretends
0:24:17 > 0:24:19# That mums don't think are fun
0:24:19 > 0:24:22# And I will wake up
0:24:22 > 0:24:25# When the sun comes up and I
0:24:25 > 0:24:29# Will spend all day just lying in the sun
0:24:29 > 0:24:34# And I won't burn cos I'll be all grown-up
0:24:34 > 0:24:38# When I grow up
0:24:56 > 0:24:57# And when I grow up
0:24:57 > 0:24:59# When I grow up
0:24:59 > 0:25:02# I will have treats every day
0:25:02 > 0:25:05# And I'll play with things that mum pretends
0:25:05 > 0:25:08# That mums don't think are fun
0:25:08 > 0:25:08# And I will wake up
0:25:10 > 0:25:12# When the sun comes up and I
0:25:13 > 0:25:17# Will spend all day just lying in the sun
0:25:17 > 0:25:23# And I won't burn cos I'll be all grown-up
0:25:23 > 0:25:29# When I grow up
0:25:29 > 0:25:33# When I grow up. #
0:25:41 > 0:25:45Tim Minchin with Clara Read and Zaris-Angel Hator,
0:25:45 > 0:25:48two of the young actresses currently sharing the role of Matilda
0:25:48 > 0:25:50in the West End.
0:25:53 > 0:25:57Our next guest here in Colwyn Bay is the gorgeous Amy Wadge.
0:25:57 > 0:26:01I could take at least a week to list her numerous collaborations
0:26:01 > 0:26:06including a rather successful one with a certain Mr Ed Sheeran.
0:26:06 > 0:26:10Tonight though, she's engaging in a slightly different collaboration
0:26:10 > 0:26:13with the BBC National Orchestra of Wales with a specially edited
0:26:13 > 0:26:16version of that global hit written with Ed.
0:26:16 > 0:26:17What am I talking about?
0:26:17 > 0:26:19Thinking Out Loud.
0:26:20 > 0:26:25# When your legs don't work like they used to before
0:26:25 > 0:26:31# And I can't sweep you off of your feet
0:26:31 > 0:26:36# Will your mouth still remember the taste of my love
0:26:36 > 0:26:39# Will your eyes still smile from your cheeks
0:26:39 > 0:26:46# Well, darling I will be loving you till we're 70
0:26:49 > 0:26:56# And honey my heart could still fall as hard at 23
0:26:58 > 0:27:05# And I'm thinking 'bout how people fall in love in mysterious ways
0:27:05 > 0:27:10# Maybe just the touch of a hand
0:27:10 > 0:27:16# Well, me, I fall in love with you every single day
0:27:16 > 0:27:20# And I just wanna tell you I am
0:27:20 > 0:27:24# So honey now
0:27:24 > 0:27:29# Take me into your loving arms
0:27:29 > 0:27:35# Kiss me under the light of a thousand stars
0:27:35 > 0:27:38# Place your head on my beating heart
0:27:38 > 0:27:41# I'm thinking out loud
0:27:41 > 0:27:46# Maybe we found love right where we are
0:27:48 > 0:27:52# When my hair's all but gone and my memory fades
0:27:52 > 0:27:56# And this crowd don't remember my name
0:27:57 > 0:28:03# When my hands don't play the strings the same way, mm
0:28:03 > 0:28:07# I know you will still love me the same
0:28:07 > 0:28:13# Cos honey your soul can never grow old, it's evergreen
0:28:17 > 0:28:24# Darling, your smile's forever in my mind and memory
0:28:25 > 0:28:33# I'm thinking 'bout how people fall in love in mysterious ways
0:28:33 > 0:28:36# Maybe it's all part of a plan
0:28:38 > 0:28:43# I'll just keep on making the same mistakes
0:28:43 > 0:28:48# Hoping that you'll understand
0:28:48 > 0:28:52# But baby now
0:28:52 > 0:28:54# Take me into your loving arms
0:28:56 > 0:29:00# Kiss me under the light of a thousand stars
0:29:00 > 0:29:05# Place your head on my beating heart
0:29:05 > 0:29:08# I'm thinking out loud
0:29:08 > 0:29:19# That maybe we found love right where we are, oh
0:29:19 > 0:29:23# That maybe we found love right where we are. #
0:29:44 > 0:29:46Thank you so much.
0:29:46 > 0:29:49The beautiful Amy Wadge with Thinking Out Loud,
0:29:49 > 0:29:53the international hit she co-wrote with Ed Sheeran.
0:29:53 > 0:29:54Still to come...
0:29:59 > 0:30:02We join forces with Prommers at the Royal Albert Hall
0:30:02 > 0:30:05for the now-traditional Last Night sing-along.
0:30:16 > 0:30:20Soprano Lesley Garrett in Belfast.
0:30:23 > 0:30:26And, in Hyde Park, tonight's headliners
0:30:26 > 0:30:29Frankie Valli and the Four Seasons help us relive
0:30:29 > 0:30:33the sensational sounds of the '60s and '70s.
0:30:43 > 0:30:44Thank you so much.
0:30:44 > 0:30:47Well, one tradition of BBC Proms in the Park
0:30:47 > 0:30:48which I particularly like
0:30:48 > 0:30:52is that of shining a spotlight on new and emerging talent.
0:30:52 > 0:30:56And this year we are so thrilled here in Colwyn Bay
0:30:56 > 0:31:01to be showcasing rising star, cellist Sheku Kanneh-Mason,
0:31:01 > 0:31:04winner of BBC Young Musician 2016.
0:31:04 > 0:31:08And I got a chance to meet him earlier on. Cheers.
0:31:12 > 0:31:16Since you won Young Musician, it's been a bit of a whirlwind time, hasn't it?
0:31:16 > 0:31:20So what have you been up to and what do you expect from tonight?
0:31:20 > 0:31:23Yeah, it's been very busy.
0:31:23 > 0:31:25I think one of my highlights was playing in Festival Hall
0:31:25 > 0:31:27with the Chineke Orchestra
0:31:27 > 0:31:30and more concerts like that will hopefully come. And I think
0:31:30 > 0:31:34tonight it's definitely another one of those - it's going to be
0:31:34 > 0:31:35another one of those highlights.
0:31:35 > 0:31:39Is there something different about playing, musically... Is there
0:31:39 > 0:31:42something different about playing in an outside venue as opposed
0:31:42 > 0:31:45to somewhere more rarefied like the Cadogan Hall or something like that?
0:31:45 > 0:31:49The main difference for me as a performer is the acoustic.
0:31:49 > 0:31:52In a concert hall you get the kind of feedback from the hall
0:31:52 > 0:31:55of your sound whereas outside it kind of gets lost in the wind
0:31:55 > 0:31:58and the mics pick it up and it sounds good out in the audience
0:31:58 > 0:32:01but to me I imagine it's quite different.
0:32:01 > 0:32:05So I think that's going to be quite difficult to get used to.
0:32:05 > 0:32:08Other than that, I think it's still a lovely performance.
0:32:08 > 0:32:09It should be great.
0:36:17 > 0:36:21Sheku Kanneh-Mason there, a rare and brilliant talent.
0:36:21 > 0:36:24Now, throughout the summer, BBC Music's Get Playing initiative
0:36:24 > 0:36:26has been encouraging you to pick up an instrument even if
0:36:26 > 0:36:29you've never done it before, and join our virtual orchestra.
0:36:29 > 0:36:32Well, more than 1,200 of you did, including some famous faces.
0:36:32 > 0:36:34Let's see and hear how they got on.
0:36:48 > 0:36:52First, here's your "A" to tune to.
0:36:53 > 0:36:57INSTRUMENTS TUNING
0:37:08 > 0:37:10Excellent.
0:37:10 > 0:37:11Everybody ready now?
0:37:11 > 0:37:13Here we go.
0:37:14 > 0:37:18MUSIC: Carmen by Georges Bizet
0:39:52 > 0:39:53Fabulous.
0:39:53 > 0:39:55The virtual orchestra led there by internationally
0:39:55 > 0:39:58acclaimed conductor and Proms regular Marin Alsop.
0:39:58 > 0:40:02Great to see so many people inspired to get playing.
0:40:02 > 0:40:05Well, now for somebody who is not only incredibly lovely
0:40:05 > 0:40:07but also knows a thing or two about performing
0:40:07 > 0:40:08on the international stage.
0:40:08 > 0:40:11I am of course speaking about Tony Hadley,
0:40:11 > 0:40:15lead singer with New Romantic pop pioneers Spandau Ballet
0:40:15 > 0:40:18as well as being a solo artist in his own right.
0:40:18 > 0:40:23And, lucky me, I got a chance to meet up with him earlier on.
0:40:23 > 0:40:25You clearly get a buzz performing to the crowds.
0:40:25 > 0:40:27Do you ever get fed up with it?
0:40:27 > 0:40:31I'm doing this still after 36 years and I can't believe it
0:40:31 > 0:40:33and I'm still loving it and still enjoying it.
0:40:33 > 0:40:35People say, "Do you get bored with the songs?"
0:40:35 > 0:40:37Gold, Through The Barricades, whatever it is.
0:40:37 > 0:40:39And I say, "No, because every audience is different."
0:40:39 > 0:40:44And then sometimes you see people react, like if you do True,
0:40:44 > 0:40:48you see a couple and they maybe got married 25 years ago and they're like, "I love you."
0:40:48 > 0:40:50And it all gets a bit teary.
0:40:50 > 0:40:52So it's nice.
0:40:52 > 0:40:55And Gold of course has become the sort of, "All right, Tone."
0:40:55 > 0:40:59Every taxi driver down in London is like, "All right, Tone. Gold!"
0:40:59 > 0:41:01"All right, son, yeah, lovely."
0:41:01 > 0:41:03And that's what it is like so it's kind of cool.
0:41:03 > 0:41:06But you still have a joy about it, you still feel really fresh?
0:41:06 > 0:41:07Do you think that's what connects?
0:41:07 > 0:41:11I'm always trying to fine tune and resting on your laurels
0:41:11 > 0:41:14is never a good thing and I'm always rediscovering things about
0:41:14 > 0:41:17my voice and stuff like that so you just want to get better
0:41:17 > 0:41:21and better, whatever you do, you want to be the best that you can be.
0:41:31 > 0:41:38# Mother doesn't know where love has gone
0:41:38 > 0:41:46# She says it must be youth that keeps us feeling strong
0:41:46 > 0:41:53# I see it in her face that's turned to ice
0:41:53 > 0:42:01# And when she smiles she shows the lines of sacrifice
0:42:01 > 0:42:06# And now I know what they're saying
0:42:06 > 0:42:12# As our sun begins to fade
0:42:12 > 0:42:18# And we make our love on wasteland
0:42:18 > 0:42:22# And through the barricades
0:42:25 > 0:42:32# Father made my history
0:42:32 > 0:42:40# He fought for what he thought would set us somehow free
0:42:40 > 0:42:47# He taught me what to say in school
0:42:47 > 0:42:54# I learned it off by heart but now that's torn in two
0:42:56 > 0:43:01# And now I know what they're saying
0:43:01 > 0:43:06# In the music of the parade
0:43:06 > 0:43:13# And we make our love on wasteland
0:43:13 > 0:43:18# And through the barricades
0:43:31 > 0:43:38# Born on different sides of life
0:43:39 > 0:43:47# But we fear the same and feel all of this strife
0:43:47 > 0:43:53# So come to me when I'm asleep
0:43:55 > 0:44:03# We'll cross the lines and dance upon the streets
0:44:03 > 0:44:07# And now I know what they're saying
0:44:07 > 0:44:11# As the drums begin to fade
0:44:13 > 0:44:19# And we make our love on wasteland
0:44:19 > 0:44:24# And through the barricades
0:44:26 > 0:44:32# Oh, turn around and I'll be there
0:44:32 > 0:44:38# Well there's a scar right through my heart but I'll bare it again
0:44:40 > 0:44:43# I thought we were the human race
0:44:43 > 0:44:48# But we were just another borderline case
0:44:48 > 0:44:52# And the stars reach down and tell us
0:44:52 > 0:44:55# There's always one escape
0:44:55 > 0:45:03# Oh, I don't know where love has gone
0:45:05 > 0:45:12# But in this troubled land desperation keeps us strong
0:45:12 > 0:45:19# Friday's child is full of soul
0:45:19 > 0:45:26# With nothing left to lose, there's everything to go
0:45:26 > 0:45:30# Now I know what they're saying
0:45:30 > 0:45:35# It's a terrible beauty we've made
0:45:35 > 0:45:41# And we make our love on wasteland
0:45:41 > 0:45:45# And through the barricades
0:45:45 > 0:45:49# And now I know what they're saying
0:45:49 > 0:45:54# As our hearts go to their graves
0:45:54 > 0:46:03# When we made our love on wasteland
0:46:03 > 0:46:08# And through the barricades. #
0:47:45 > 0:47:48Thank you very much. Thank you.
0:47:48 > 0:47:50That was the fantastic Tony Hadley.
0:47:52 > 0:47:55In Belfast, our next performance comes from the award-winning
0:47:55 > 0:47:59West End and Broadway actor and singer John Owen-Jones.
0:47:59 > 0:48:03Renowned for his performances as the Phantom in Phantom of the Opera
0:48:03 > 0:48:06and Jean Valjean in Les Miserables, here he is with one
0:48:06 > 0:48:10of the best-loved numbers from Le Mis, Bring Him Home.
0:48:10 > 0:48:20# God on high
0:48:20 > 0:48:26# Hear my prayer
0:48:28 > 0:48:33# In my need
0:48:33 > 0:48:40# You have always been there
0:48:40 > 0:48:46# He is young
0:48:46 > 0:48:53# He's afraid
0:48:53 > 0:48:59# Let him rest
0:48:59 > 0:49:04# Heaven blessed
0:49:04 > 0:49:22# Bring him home
0:49:23 > 0:49:28# He's like the son I might have known
0:49:28 > 0:49:32# If God had granted me a son
0:49:32 > 0:49:35# The summers die
0:49:35 > 0:49:37# One by one
0:49:37 > 0:49:41# How soon they fly
0:49:41 > 0:49:44# On and on
0:49:44 > 0:49:47# And I am old
0:49:47 > 0:49:51# And will be gone
0:49:55 > 0:50:03# Bring him peace
0:50:03 > 0:50:10# Bring him joy
0:50:10 > 0:50:15# He is young
0:50:15 > 0:50:21# He is only a boy
0:50:21 > 0:50:27# You can take
0:50:27 > 0:50:33# You can give
0:50:33 > 0:50:38# Let him be
0:50:38 > 0:50:44# Let him live
0:50:44 > 0:50:50# If I die
0:50:50 > 0:50:56# Let me die
0:50:56 > 0:51:04# Let him live
0:51:04 > 0:51:18# Bring him home
0:51:18 > 0:51:41# Bring him home. #
0:51:53 > 0:51:58Back here in Hyde Park now for one of the biggest acts of the '90s.
0:51:58 > 0:52:01They've sold in excess of 12 million albums,
0:52:01 > 0:52:05they're gorgeous, they're talented, it is of course All Saints.
0:52:06 > 0:52:09# A few questions that I need to know
0:52:09 > 0:52:13# How you could ever hurt me so
0:52:13 > 0:52:16# I need to know what I've done wrong
0:52:16 > 0:52:20# And how long it's been going on
0:52:20 > 0:52:23# Was it that I never paid enough attention
0:52:23 > 0:52:27# Or did I not give enough affection
0:52:27 > 0:52:30# Not only will your answers keep me sane
0:52:30 > 0:52:35# But I'll know never to make the same mistake again
0:52:35 > 0:52:38# You can tell me to my face
0:52:38 > 0:52:41# Or even on the phone
0:52:41 > 0:52:45# You can write it in a letter
0:52:45 > 0:52:49# Either way I've have to know
0:52:49 > 0:52:52# Did I never treat you right
0:52:52 > 0:52:56# Did I always start the fight
0:52:56 > 0:52:59# Either way I'm going out of my mind
0:52:59 > 0:53:03# All the answers to my questions I have to find
0:53:03 > 0:53:07# My head's spinning
0:53:07 > 0:53:10# Boy, I'm in a daze
0:53:10 > 0:53:14# I feel isolated
0:53:14 > 0:53:18# Don't want to communicate
0:53:18 > 0:53:19# I'll take a shower
0:53:19 > 0:53:21# I will scour
0:53:21 > 0:53:25# I will roam
0:53:25 > 0:53:26# Find peace of mind
0:53:26 > 0:53:28# The happy mind
0:53:28 > 0:53:31# I once owned, yeah
0:53:31 > 0:53:35# Flexing vocabulary runs right through me
0:53:35 > 0:53:39# The alphabet runs right from A to Z
0:53:39 > 0:53:42# Conversations, hesitations in my mind
0:53:42 > 0:53:46# You got my conscience asking questions that I can't find
0:53:46 > 0:53:49# I'm not crazy
0:53:49 > 0:53:53# I'm sure I ain't done nothin' wrong, no
0:53:53 > 0:53:55# I'm just waiting
0:53:55 > 0:54:00# Cos I heard that this feeling won't last that long
0:54:00 > 0:54:04# Never ever have I ever felt so low
0:54:04 > 0:54:08# When you gonna take me out of this black hole
0:54:08 > 0:54:11# Never ever have I ever felt so sad
0:54:11 > 0:54:15# The way I'm feeling, yeah, you got me feeling really bad
0:54:15 > 0:54:18# Never ever have I had to find
0:54:18 > 0:54:22# I've had to dig a way to find my own peace of mind
0:54:22 > 0:54:25# I've never ever had my conscience to fight
0:54:25 > 0:54:29# The way I'm feeling, yeah, it just don't feel right
0:54:29 > 0:54:33# I'll keep searching
0:54:33 > 0:54:36# Deep within my soul
0:54:36 > 0:54:40# For all the answers
0:54:40 > 0:54:43# Don't want to hurt no more
0:54:43 > 0:54:45# I need peace
0:54:45 > 0:54:47# Gotta feel at ease
0:54:47 > 0:54:52# Need to be free from pain
0:54:52 > 0:54:54# Go insane
0:54:54 > 0:54:57# My heart aches, yeah
0:54:57 > 0:55:01# Sometimes vocabulary runs through my head
0:55:01 > 0:55:05# The alphabet runs right from A to Z
0:55:05 > 0:55:08# Conversations, hesitations in my mind
0:55:08 > 0:55:12# You got my conscience asking questions that I can't find
0:55:12 > 0:55:15# I'm not crazy
0:55:15 > 0:55:19# I'm sure I ain't done nothing wrong
0:55:19 > 0:55:22# Now I'm just waiting
0:55:22 > 0:55:30# Cos I heard that this feeling won't last that long
0:55:30 > 0:55:33# When you gonna take me out of this black hole
0:55:33 > 0:55:37# Never ever have I ever felt so sad
0:55:37 > 0:55:41# The way I'm feeling, yeah, you got me feeling really bad
0:55:41 > 0:55:44# Never ever have I had to find
0:55:44 > 0:55:48# I've had to dig a way to find my own peace of mind
0:55:48 > 0:55:51# I've never ever had my conscience to fight
0:55:51 > 0:55:56# The way I'm feeling, yeah, it just don't feel right. #
0:56:04 > 0:56:06Thank you so much.
0:56:10 > 0:56:13It's such an honour to be able to announce this next act.
0:56:13 > 0:56:16He has just hot-footed it over from Last Night At The Proms
0:56:16 > 0:56:18at the Royal Albert Hall.
0:56:18 > 0:56:22Ladies and gentlemen, superstar tenor Juan Diego Florez.
0:56:33 > 0:56:37HE SINGS IN ITALIAN
0:59:33 > 0:59:35Thank you.
0:59:35 > 0:59:36Thank you very much.
0:59:36 > 0:59:41Peruvian tenor Juan Diego Florez in Hyde Park.
0:59:41 > 0:59:45Over in Belfast, one of Britain's most popular sopranos.
0:59:45 > 0:59:49For a former star of Strictly, this song is the perfect choice.
0:59:49 > 0:59:51From the musical My Fair Lady,
0:59:51 > 0:59:55here's Lesley Garrett to sing I Could Have Danced All Night.
0:59:55 > 0:59:59# Bed, bed, I couldn't go to bed
0:59:59 > 1:00:03# My head's too light to try to set it down
1:00:05 > 1:00:09# Sleep, sleep, I couldn't sleep tonight
1:00:09 > 1:00:15# Not for all the jewels in the crown
1:00:15 > 1:00:22# I could have danced all night
1:00:22 > 1:00:29# And still have begged for more
1:00:29 > 1:00:32# I could have spread my wings
1:00:32 > 1:00:36# And done a thousand things
1:00:36 > 1:00:42# I've never done before
1:00:42 > 1:00:49# I'll never know what made it so exciting
1:00:49 > 1:00:56# Why all at once my heart took flight
1:00:56 > 1:01:05# I only know when he began to dance with me
1:01:05 > 1:01:13# I could have danced, danced, danced all night
1:01:19 > 1:01:27# I could have danced all night
1:01:28 > 1:01:31# And still have begged for more
1:01:33 > 1:01:36# I could have spread my wings
1:01:36 > 1:01:45# And done a thousand things, I've never done before
1:01:45 > 1:01:52# I'll never know what made it so exciting
1:01:52 > 1:01:59# Why all at once my heart took flight
1:01:59 > 1:02:09# I only know when he began to dance with me
1:02:09 > 1:02:23# I could have danced, danced, danced all night. #
1:02:31 > 1:02:35Our next performers were the 2014 winners of Britain's Got Talent.
1:02:35 > 1:02:39Since then Collabro have gone on to enjoy great success
1:02:39 > 1:02:43with a UK number one album and have been entertaining audiences
1:02:43 > 1:02:44around the world.
1:02:46 > 1:02:50# Someday I'll wish upon a star
1:02:50 > 1:02:58# And wake up where the clouds are far behind me
1:03:00 > 1:03:04# Where troubles melt like lemon drops
1:03:04 > 1:03:08# Away above those chimney tops
1:03:08 > 1:03:16# That's where you'll find me
1:03:16 > 1:03:23# Somewhere over the rainbow
1:03:23 > 1:03:29# Way up high
1:03:29 > 1:03:40# There's a land that I heard of once in a lullaby
1:03:40 > 1:03:52# Somewhere over the rainbow skies are blue
1:03:52 > 1:04:01# And the dreams that you dare to dream really do come true
1:04:04 > 1:04:07# Someday I'll wish upon a star
1:04:07 > 1:04:14# And wake up where the clouds are far behind me
1:04:14 > 1:04:17# Where troubles melt like lemon drops
1:04:17 > 1:04:20# Away above the chimney tops
1:04:20 > 1:04:27# That's where you'll find me
1:04:27 > 1:04:37# Somewhere...
1:04:51 > 1:04:55# Someday I'll wish upon a star
1:04:55 > 1:05:01# And wake up where the clouds are far behind me
1:05:03 > 1:05:07# Where troubles melt like lemon drops
1:05:07 > 1:05:09# Away above the chimney tops
1:05:09 > 1:05:17# That's where you'll find me
1:05:17 > 1:05:29# Somewhere over the rainbow bluebirds fly
1:05:29 > 1:05:35# Birds fly over the rainbow
1:05:35 > 1:05:40# Why then, oh, why can't I?
1:05:42 > 1:05:45# If happy little bluebirds fly
1:05:45 > 1:05:50# Beyond the rainbow
1:05:50 > 1:06:05# Why, oh, why can't I? #
1:06:11 > 1:06:15Next, opera fans have their own treat with the exquisite voice
1:06:15 > 1:06:17of a Scottish mezzo-soprano
1:06:17 > 1:06:20who recently made her Glyndebourne debut.
1:06:20 > 1:06:22Singing Habanera from Bizet's Carmen,
1:06:22 > 1:06:24it's Karen Cargill.
1:06:28 > 1:06:32SHE SINGS IN FRENCH
1:09:07 > 1:09:10The Glasgow crowd giving home-grown mezzo Karen Cargill
1:09:10 > 1:09:12a wonderful warm reception.
1:09:14 > 1:09:17Next to perform in Hyde Park is the evening's host Michael Ball
1:09:17 > 1:09:20with his old friend Alfie Boe.
1:09:22 > 1:09:25We're going to sing a song that we recorded for our new album.
1:09:25 > 1:09:30On a night like this, the Last Night of the Proms,
1:09:30 > 1:09:32it makes one feel so proud,
1:09:32 > 1:09:34so connected,
1:09:34 > 1:09:40and this is a song that celebrates that pride in who we are
1:09:40 > 1:09:41and where we come from.
1:09:53 > 1:09:59# No man, no madness
1:09:59 > 1:10:05# Though their sad power may prevail
1:10:05 > 1:10:12# Can possess, conquer, my country's heart
1:10:12 > 1:10:17# They rise to fail
1:10:19 > 1:10:24# She is eternal
1:10:24 > 1:10:30# Long before nations' lines were drawn
1:10:30 > 1:10:36# When no flags flew, when no armies stood
1:10:36 > 1:10:43# My land was born
1:10:43 > 1:10:50# And you ask me why I love her
1:10:50 > 1:10:56# Through wars, death and despair
1:10:56 > 1:11:08# She is the constant, we who don't care
1:11:08 > 1:11:16# And you ask me will I leave her - but how?
1:11:23 > 1:11:33# I cross over borders but I'm still there now
1:11:55 > 1:12:01# How can I leave her?
1:12:01 > 1:12:07# Where would I start?
1:12:07 > 1:12:18# Let man's petty nations tear themselves apart
1:12:18 > 1:12:37# My land's only borders lie around my heart. #
1:12:41 > 1:12:46Michael Ball and Alfie Boe wowing the 40,000-strong crowd
1:12:46 > 1:12:47here in Hyde Park.
1:12:50 > 1:12:56Here in Colwyn Bay we're in for another treat by Tony Hadley.
1:12:56 > 1:13:01And in this year where the Olympic team have done so well,
1:13:01 > 1:13:06what better song to play than Spandau Ballet's hit, Gold?
1:13:08 > 1:13:11# Thank you for coming home
1:13:11 > 1:13:15# I'm sorry that the chairs are all worn
1:13:15 > 1:13:20# I left them here I could have sworn
1:13:20 > 1:13:23# These are my salad days
1:13:23 > 1:13:26# Slowly being eaten away
1:13:26 > 1:13:29# Just another play for today
1:13:29 > 1:13:35# Oh, but I'm proud of you, but I'm proud of you
1:13:35 > 1:13:38# Nothing left to make me feel small
1:13:38 > 1:13:48# Luck has left me standing so tall
1:13:48 > 1:13:50# Gold
1:13:50 > 1:13:54# Always believe in your soul
1:13:54 > 1:13:57# You've got the power to know
1:13:57 > 1:14:00# You're indestructible
1:14:00 > 1:14:04# Always believe in, because you are
1:14:04 > 1:14:06# Gold
1:14:06 > 1:14:10# Glad that you're bound to return
1:14:10 > 1:14:12# There's something I could have learned
1:14:12 > 1:14:19# You're indestructible, always believing
1:14:27 > 1:14:30# After the rush has gone
1:14:30 > 1:14:34# I hope you find a little more time
1:14:34 > 1:14:38# Remember we were partners in crime
1:14:39 > 1:14:42# It's only two years ago
1:14:42 > 1:14:46# The man with the suit and the face
1:14:46 > 1:14:49# You knew that he was there on the case
1:14:49 > 1:14:54# Now he's in love with you, he's in love with you
1:14:54 > 1:14:57# My love is like a high prison wall
1:14:57 > 1:15:05# But you could leave me standing so tall
1:15:07 > 1:15:09# Gold
1:15:09 > 1:15:12# Always believe in your soul
1:15:12 > 1:15:15# You've got the power to know
1:15:15 > 1:15:18# You're indestructible
1:15:18 > 1:15:22# Always believe in, because you are
1:15:22 > 1:15:24# Gold
1:15:24 > 1:15:28# I'm glad that you're bound to return
1:15:28 > 1:15:30# Something I could have learned
1:15:30 > 1:15:36# You're indestructible, always believing
1:15:54 > 1:15:57# My love is like a high prison wall
1:15:57 > 1:16:05# But you could leave me standing so tall
1:16:07 > 1:16:08# Gold
1:16:08 > 1:16:12# Always believe in your soul
1:16:12 > 1:16:15# You've got the power to know
1:16:15 > 1:16:18# You're indestructible
1:16:18 > 1:16:22# Always believe in, because you are
1:16:22 > 1:16:23# Gold
1:16:23 > 1:16:27# I'm glad that you're bound to return
1:16:27 > 1:16:30# Something I could have learned
1:16:30 > 1:16:40# You're indestructible, always believing... #
1:16:40 > 1:16:42Thank you very much.
1:16:42 > 1:16:43Enjoy the rest of your evening.
1:16:43 > 1:16:45Thank you.
1:16:48 > 1:16:52# Always believe in your soul
1:16:52 > 1:16:56# Soul
1:16:56 > 1:17:05# Soul, soul, soul. #
1:17:09 > 1:17:11Thank you very much.
1:17:11 > 1:17:12Thank you.
1:17:12 > 1:17:16Thank you very much to the conductor, the orchestra, the choir.
1:17:21 > 1:17:23Well, this has been my first ever Proms in the Park,
1:17:23 > 1:17:27and I can tell you the atmosphere is unique and electric,
1:17:27 > 1:17:30and all the 40,000 Prommers here have been waiting all night
1:17:30 > 1:17:33for the young man who has just stepped on that stage -
1:17:33 > 1:17:38it's '60s blue-eyed pop legend, Frankie Valli And The Four Seasons.
1:17:48 > 1:17:50One of my favourites.
1:17:51 > 1:17:55# We take the pressure, and we throw away
1:17:55 > 1:18:00# Conventionality belongs to yesterday
1:18:00 > 1:18:03# There is a chance that we can make it so far
1:18:03 > 1:18:08# We start believin' now that we can be who we are,
1:18:08 > 1:18:10# Grease is the word
1:18:10 > 1:18:12# It's the word that you heard
1:18:12 > 1:18:17# It's got groove, it's got meaning
1:18:17 > 1:18:22# Grease is the time, is the place, is the motion
1:18:22 > 1:18:26# Grease is the way we are feeling
1:18:26 > 1:18:31# This is a life of illusion, a life of control
1:18:31 > 1:18:38# Mixed with confusion - what're we doin' here?
1:18:38 > 1:18:41# We take the pressure, and we throw away
1:18:41 > 1:18:46# Conventionality belongs to yesterday
1:18:46 > 1:18:50# There is a chance that we can make it so far
1:18:50 > 1:18:54# We start believin' now that we can be who we are
1:18:54 > 1:18:55# Grease is the word
1:18:55 > 1:18:58# It's the word that you heard
1:18:58 > 1:19:04# It's got groove, it's got meaning
1:19:04 > 1:19:08# Grease is the time, is the place, is the motion
1:19:08 > 1:19:12# Grease is the way we are feeling
1:19:21 > 1:19:27# Grease
1:19:27 > 1:19:29# Grease is the word
1:19:29 > 1:19:30# It's the word that you heard
1:19:30 > 1:19:34# It's got groove, it's got meaning
1:19:36 > 1:19:40# Grease is the time, is the place, is the motion
1:19:40 > 1:19:45# Grease is the way we are feeling. #
1:20:00 > 1:20:02Hello, London.
1:20:02 > 1:20:06Are you all having fun out there?
1:20:06 > 1:20:07Good.
1:20:11 > 1:20:15# Big girls don't cry
1:20:15 > 1:20:19# Big girls don't cry... #
1:20:19 > 1:20:22All right, gang, this time it's your turn.
1:20:22 > 1:20:28# Big girls don't cry
1:20:29 > 1:20:33# Big girls don't cry
1:20:33 > 1:20:36# Who said they don't cry
1:20:36 > 1:20:41# My girl said goodbye
1:20:41 > 1:20:44# My oh my
1:20:44 > 1:20:48# My girl didn't cry
1:20:48 > 1:20:50# I wonder why?
1:20:50 > 1:20:54# (Silly boy) Told my girl we had to break up
1:20:54 > 1:20:57# Hoped that she would call my bluff
1:20:57 > 1:21:02# (Silly boy) When she said to my surprise
1:21:02 > 1:21:11# Big girls don't cry
1:21:11 > 1:21:13# They don't cry
1:21:13 > 1:21:17# Big girls don't cry
1:21:17 > 1:21:19# Who said they don't cry?
1:21:27 > 1:21:34# Baby, I was cruel
1:21:34 > 1:21:40# Baby, I'm a fool
1:21:41 > 1:21:42# Silly girl
1:21:42 > 1:21:46# Shame on you, your mama said (Silly girl)
1:21:46 > 1:21:49# Shame on you, you're cryin' in bed (Silly girl)
1:21:49 > 1:21:53# Shame on you, you told a lie
1:21:53 > 1:21:56# Big girls do cry
1:21:56 > 1:22:02# Big girls don't cry
1:22:02 > 1:22:04# They don't cry
1:22:04 > 1:22:08# Big girls don't cry
1:22:08 > 1:22:11# That's just an alibi
1:22:11 > 1:22:18# Big girls don't cry
1:22:18 > 1:22:26# Big girls don't cry. #
1:22:33 > 1:22:38Wow, what a fantastic way to end this magical evening of music-making.
1:22:38 > 1:22:41A reminder that there's almost nothing like the power of music
1:22:41 > 1:22:43to bring us together.
1:22:43 > 1:22:48The BBC Proms is really a musical celebration like no other.
1:22:48 > 1:22:54So we leave you with the traditional Last Night medley from across
1:22:54 > 1:22:57the UK including our friends at the Royal Albert Hall.
1:22:57 > 1:23:01We'll see you next year. Goodnight.
1:23:01 > 1:23:05THEY SING IN WELSH
1:24:16 > 1:24:20TRADITIONAL MUSIC
1:25:25 > 1:25:32# Oh, Danny boy, the pipes, the pipes are calling
1:25:32 > 1:25:40# From glen to glen, and down the mountain side
1:25:40 > 1:25:47# The summer's gone, and all the roses falling
1:25:47 > 1:25:55# Tis you, tis you must go and I must bide
1:25:55 > 1:26:03# But come ye back when summer's in the meadow
1:26:03 > 1:26:12# Or when the valley's hushed and white with snow
1:26:12 > 1:26:20# Tis I'll be here in sunshine or in shadow
1:26:20 > 1:26:27# Oh, Danny boy, oh, Danny boy, I love you so. #
1:26:38 > 1:26:50# Land of hope and glory, mother of the free
1:26:52 > 1:27:03# How shall we extol thee, who are born of thee?
1:27:06 > 1:27:17# Wider still and wider shall thy bounds be set
1:27:20 > 1:27:32# God, who made thee mighty, make thee mightier yet
1:27:35 > 1:27:49# God, who made thee mighty, make thee mightier yet. #