:00:00. > :00:00.We performed that include pyrotechnics and repetitive flashing
:00:00. > :00:18.images. BBC Radio 1's Big Weekend.
:00:19. > :00:22.Hull. Hello and welcome to Radio 1's Big Weekend, in Hull. I am Scot
:00:23. > :00:27.mill, this is Clara and we are coming to you live on BBC Four and
:00:28. > :00:30.BBC Radio one for the next two hours with everything from the festival
:00:31. > :00:36.including the headline set from Kings of Leon. Now this weekend, as
:00:37. > :00:38.we have gathered to enjoy great music making the overwhelming
:00:39. > :00:42.response for everything this week has been the tragic event in
:00:43. > :00:48.Manchester, obviously in all of our thoughts. And presenting on Radio 1
:00:49. > :00:52.for the last few days has just, you know kind of made us realise we
:00:53. > :00:58.won't stop living our lives. Definitely. This will not stop us
:00:59. > :01:01.going to concerts and enjoy ourself I think the outpouring from
:01:02. > :01:05.listeners an people watching TV programmes we make has been, we are
:01:06. > :01:12.not going to stop ant it continues this weekend. We have had a minute's
:01:13. > :01:16.silence yesterday and today, it has been so respectful and but after a
:01:17. > :01:21.celebration, because that, music brings us together and that is what,
:01:22. > :01:23.this weekend has been about. Soer for the next two hours this is what
:01:24. > :01:47.we have coming up. # I'm only human
:01:48. > :01:56.# I'm human # I'm only human, human
:01:57. > :02:02.# Maybe isle foolish, maybe I'm blind,
:02:03. > :02:03.# See what's behind # But I'm only human after all,
:02:04. > :02:06.I'm only human after all # Take a look in the mirror
:02:07. > :02:18.and what do you see # Do you see it clearer
:02:19. > :02:22.or are you deceived # Cos I'm only human after all,
:02:23. > :02:35.you're only human after all # Some people got
:02:36. > :02:43.the real problems # Some people think
:02:44. > :02:53.I can solve them # I'm only human after all,
:02:54. > :02:59.I'm only human after all # Don't ask my opinion,
:03:00. > :03:11.don't ask me to lie # For making you cry,
:03:12. > :03:18.making you cry # Cos I'm only human after all,
:03:19. > :03:25.I'm only human after all # Don't put your blame on me,
:03:26. > :03:32.don't put the blame on me # Some people
:03:33. > :03:36.got the real problems # Some people
:03:37. > :03:43.think I can solve them # I'm only human after all,
:03:44. > :03:51.I'm only human after all. # That's all it takes
:03:52. > :04:06.to put the blame on me # Should go looking
:04:07. > :04:23.somewhere higher # I'm only human after all,
:04:24. > :04:33.I'm only human after all # Don't put the blame on me,
:04:34. > :04:39.don't put the blame on me # I'm only human
:04:40. > :04:55.I do what I can Thank you so much. Singing with
:04:56. > :05:00.everything he can. Rag 'n' Bone Man, that was Human, hello. It is Scott
:05:01. > :05:05.Mills and Clara an foe, bringing you high lights of the festival and we
:05:06. > :05:08.will wrap it up, it will by a amazing, Kings of Leon coming up. We
:05:09. > :05:12.are going to their private compound. Yes the compound. I don't know how,
:05:13. > :05:17.because the passes we have got, not round my neck at the moment, I don't
:05:18. > :05:22.know where it is, they don't allow us into the dressing room. We will
:05:23. > :05:26.try and blag our way in. I am wondering what a Kings of Leon
:05:27. > :05:30.compound will be like Kings of Leon have their whole own section to
:05:31. > :05:33.Radio 1's big weekend, they are headliners, we want to treat them
:05:34. > :05:36.nicely. We have been trying to guess what they have in it. We will find
:05:37. > :05:46.out later. Make sure you stay listening. Gemma Lee the headliner
:05:47. > :05:50.guilts her own section. Kings of Leon, their own poo vat space. So we
:05:51. > :05:55.are going to that in a minute, first offal all, we are going to see and
:05:56. > :05:59.hear something from Stormzy. Amazing on the main stage earlier. I would
:06:00. > :06:06.say like totally flawless. One of the biggest crowd pullers of the
:06:07. > :06:18.day. So let us play Big for your Boots.
:06:19. > :06:21.# Energy crew # Energy crew.
:06:22. > :06:25.# You're getting way too big for your boots
:06:26. > :06:29.# I've got the big size twelves on my feet
:06:30. > :06:37.# Dem boy dere tried twist up the truth
:06:38. > :06:39.# How dare you twist up the truth, look
:06:40. > :06:41.# You're getting way too big for your boots
:06:42. > :06:45.# I've got the big size twelves on my feet
:06:46. > :06:53.# Dem boy dere tried twist up the truth
:06:54. > :06:57.# Wanna come round here like a badboy?
:06:58. > :07:00.# Bun all the talking, go on then, do it
:07:01. > :07:02.# Running through the party, bottle of Bacardi
:07:03. > :07:05.# Bro's in my ear saying "Stormz, don't do it"
:07:06. > :07:06.# Devil on my shoulder, I don't lack
:07:07. > :07:09.# Hit 'em with a crowbar, I don't scrap
:07:10. > :07:10.# Even when I'm sober, I'm so gassed
:07:11. > :07:13.# Say you ride but there's no car and no mash (what
:07:14. > :07:18.# Never had a MAC-10 or a trey pound
:07:19. > :07:20.# You were never bad then, you ain't bad now
:07:21. > :07:22.# Never had the MAC then, little not-a, back down
:07:23. > :07:25.# Wait, I saw bare kicks, saw bare clothes
:07:26. > :07:28.# I don't like them, they're not my ting
:07:29. > :07:30.# They went silent, they're all weirdos
:07:31. > :07:36.# Mandem are calm, but you see my don there?
:07:37. > :07:40.# Don't care who you know from my block
:07:41. > :07:42.# You're not Al Capone, you'll get boxed
:07:43. > :07:46.# I'll still do the road in my socks
:07:47. > :07:57.# You're by yourself, go and group up
:07:58. > :07:59.# And when Krept went States for the BETs
:08:00. > :08:01.# I was covering Krept like a bootcut
:08:02. > :08:04.# Ith mad, that's a family ting, straight family ting
:08:05. > :08:10.# Telling me to come round hers on a Valerie ting
:08:11. > :08:15.# Dem boy dere wanna chat about bars
:08:16. > :08:17.# Wanna chat about crud but, but, but
:08:18. > :08:19.# You're getting way too big for your boots
:08:20. > :08:23.# I've got the big size twelves on my feet
:08:24. > :08:31.# Dem boy dere tried twist up the truth
:08:32. > :08:33.# How dare you twist up the truth, look
:08:34. > :08:35.# You're getting way too big for your boots
:08:36. > :08:39.# I've got the big size twelves on my feet
:08:40. > :08:47.# I'm the man of the house and my shows sold out
:08:48. > :08:48.# Like the brudda from the Boondocks
:08:49. > :08:51.# Still steal meat from the stew pot
:08:52. > :08:56.# Little man, that's a Hublot, not a Hublot
:08:57. > :08:59.# I go mad, yeah, I'm down to die for this
:09:00. > :09:02.# I don't care, bro, I'm down to pipe your chick
:09:03. > :09:05.# I came here to relax but if it gets mad
:09:06. > :09:09.# Try tell me I'm way too big to rebel?
:09:10. > :09:11.# Nah, man, you're never too big to rebel
:09:12. > :09:13.# I was in the O2 singing my lungs out
:09:14. > :09:15.# Rudeboy, you're never too big for Adele
:09:16. > :09:18.# Leave my yard, blow a kiss to my girl
:09:19. > :09:22.# Gotta keep trophies down at my mum's bit
:09:23. > :09:24.# Man, I'm getting way too big for my shelf
:09:25. > :09:26.# Man, I see bare MCs wanna sideline
:09:27. > :09:28.# You're getting way too old for the timeline
:09:29. > :09:30.# You're getting way too old for a diss
:09:31. > :09:34.# Get out the booth, go home to your son
:09:35. > :09:38.# You're getting way too big for your boots
:09:39. > :09:42.# I've got the big size twelves on my feet
:09:43. > :09:50.# Dem boy dere tried twist up the truth
:09:51. > :09:52.# You're getting way too big for your boots
:09:53. > :09:56.# I've got the big size twelves on my feet
:09:57. > :10:04.# Dem boy dere tried twist up the truth
:10:05. > :10:08.Radio 1 make some noise. Hey. Radio 1. Have you still got energy though?
:10:09. > :10:28.CHEERING AND APPLAUSE # How's it gonna feel
:10:29. > :10:48.when there's no-one to support ya? # How's it gonna feel
:10:49. > :10:53.when you're standing there alone? # This is the point we have
:10:54. > :11:24.the choice to be happy together # You can achieve anything
:11:25. > :11:34.# Just remember, no "I" in team # When you gonna rise, seek a man
:11:35. > :12:00.you can dispose of? # When you gonna try to
:12:01. > :12:08.boil my last bone? # This is the point we have
:12:09. > :14:09.the choice to survive the winter Biffy Clyro. It is Scot and Clara
:14:10. > :14:13.and we are with:in their backstage come ?. You were listening to us
:14:14. > :14:18.yesterday, and we were like is it going to be glamorous, and here we
:14:19. > :14:23.have? Here we are. That is what you expected? You have your own for a
:14:24. > :14:27.cabin each Yes, we do have that. They try to keep us apart as much as
:14:28. > :14:32.possible perfect we hit the stage. What makes this different from the
:14:33. > :14:39.average kind of rock star dressing room? I don't know, I haven't been
:14:40. > :14:45.in many rock star dressing rooms. Probably nicer towels, toiletries.
:14:46. > :14:51.It smells good. I expected to be more greasy We kept people out.
:14:52. > :14:56.Sunday and a for a potty is not the place you want to be. This is nice I
:14:57. > :15:01.could take a nap in there. Not as glamorous as I thought it would be.
:15:02. > :15:05.We are not as flashy as people think we are. Not here at least. Our
:15:06. > :15:15.houses are beautiful. We are upset they would not let a
:15:16. > :15:21.sandy helicopter back year. They said it was not big enough. Maybe
:15:22. > :15:26.next year. Maybe. Is it quite cool to be in this kind of, let's call it
:15:27. > :15:31.basic, Humble setup? Does it take you back to the days when you guys
:15:32. > :15:37.first started, when you did not have your own compound? Yes, it feels
:15:38. > :15:40.that way, but it is also a lonely life, being a headliner. You do not
:15:41. > :15:48.get to mingle with the other bands, like we used to. That was the fun of
:15:49. > :15:57.playing festivals. We feel like we have an infectious disease. They are
:15:58. > :16:01.keeping us away from everybody else. Obviously Radio 1's Big Weekend is
:16:02. > :16:04.something we do every year and have done for years, free festival for
:16:05. > :16:08.the Company Mac listeners. You have played it before but this is the
:16:09. > :16:11.first time headlining. It will be special to bring down the curtain
:16:12. > :16:17.tonight? Last time we played it was a few years back. I felt like we
:16:18. > :16:22.played pretty early. Maybe it was not that early. We had the
:16:23. > :16:27.opportunity to bring Chris Martin onstage for a song. It will be a let
:16:28. > :16:32.down tonight. We have no special guest. Is this a double bluff when
:16:33. > :16:36.you actually have? It will be all of Coldplay. When it comes to
:16:37. > :16:41.headlining massive festivals, how do you go about picking the songs?
:16:42. > :16:46.Waltz came out last year. That is another body of work to the
:16:47. > :16:50.catalogue. How do you go about it? It usually depends on how long of
:16:51. > :16:55.the said we have. Today's said is half of what we would normally play
:16:56. > :16:59.at her own show. We try to stick as many hits in there as we can. With a
:17:00. > :17:03.crowd like this, they have been dancing and pumping all weekend, you
:17:04. > :17:08.can of want to keep it in that same vein. We have a couple of slow ones
:17:09. > :17:16.in there for the lovers. For the lovers? Now Selena Gomes covers this
:17:17. > :17:21.time around? No, I do not think so. They did that for us in the live
:17:22. > :17:28.Lounge. Chris Martin might come out and do a Selena Gomes song. Kings Of
:17:29. > :17:33.Leon, thank you so much, and enjoy the headlining set at Big Weekend in
:17:34. > :17:36.Hull. You can watch that on BBC Four at nine o'clock this evening. Nine
:17:37. > :17:42.o'clock for Kings Of Leon on BBC Four. And you can still hear it on
:17:43. > :17:46.Radio 1. Do you know who was good over the weekend, HAIM. We are going
:17:47. > :18:41.to play a song for you now. # We were on one endless road
:18:42. > :18:49.But I had a wandering heart # But just know that
:18:50. > :19:31.I want you back. # Just know that I want you I'll
:19:32. > :19:39.take the fall and the fault in us # I'll give you all the love I never
:19:40. > :19:43.gave before I left you # Just know that I want you back
:19:44. > :19:46.Just know that I want you back # Just know that I want you I'll
:19:47. > :19:50.take the fall and the fault in us # I'll give you all the love I never
:19:51. > :19:54.gave before I left you # And it may never be enough
:19:55. > :20:00.But don't take it out on me now # And I had a fear of forgiveness
:20:01. > :20:14.Said it from the beginning # I was too proud to say I was wrong
:20:15. > :20:18.Said you'd always see me through # All that time is gone,
:20:19. > :20:20.no more fearing control # So just know that I want you back
:20:21. > :20:29.Just know that I want you back # Just know that I want you I'll
:20:30. > :20:33.take the fall and the fault in us # I'll give you all the love I never
:20:34. > :20:43.gave before I left you # Just know that I want you back
:20:44. > :20:47.# Just know that I want you I'll take the fall and the fault in us
:20:48. > :20:50.# I'll give you all the love I never gave before I left you
:20:51. > :20:52.# Just know that I want you back, baby
:20:53. > :21:00.# Just know that I want you back Just know that I want you
:21:01. > :21:02.# I'll take the fall and the fault in us
:21:03. > :21:09.# I'll give you all the love I never gave before I left you
:21:10. > :21:17.# Just know that I want you back Just know that I want you back
:21:18. > :21:21.# Just know that I want you I'll take the fall and the fault in us
:21:22. > :21:24.# I'll give you all the love I never gave before I left you
:21:25. > :21:31.# Just know that I want you back Just know that I want you
:21:32. > :21:34.# I'll take the fall and the fault in us
:21:35. > :21:38.# I'll give you all the love I never gave before I left you
:21:39. > :21:45.# Just know that I want you back Just know that I want you
:21:46. > :21:49.# Just know that I want you I'll take the fall and the fault in us
:21:50. > :21:53.# I'll give you all the love I never gave before I left you
:21:54. > :21:55.# Just know that I want you back, baby
:21:56. > :21:59.# Just know that I want you back, baby
:22:00. > :22:01.# I'll take the fall and the fault in us
:22:02. > :22:09.# I'll give you all the love I never gave before I left you.
:22:10. > :22:19.That was HAIM. It was from the red begin stage yesterday. We are at
:22:20. > :22:22.Radio 1's Big Weekend. I am Scott Mills. Kerr has gone off to get
:22:23. > :22:31.ready to bring Kings Of Leon onto stage. I am joined by Alice Levein.
:22:32. > :22:34.Hello. If you're watching is now on BBC Four, radio one do a Big Weekend
:22:35. > :22:38.which is the first festival of the summer. Last year we were in Exeter,
:22:39. > :22:42.we are travelling festival. This year we are in Hull in the beautiful
:22:43. > :22:51.surroundings of Burton Constable Hall. We have a ferris wheel, the
:22:52. > :22:54.weighted begin stage, like a red top tent. Behind us is Clean Bandit,
:22:55. > :22:58.playing their biggest hit, rather become on the Main Stage. They had
:22:59. > :23:04.Louisa Johnson with them. She brought them out. A highlight was
:23:05. > :23:09.HAIM. Another incredible moment was at earlier today. Christine And The
:23:10. > :23:12.Queens. There are French band that we play a lot on Radio 1. Not just
:23:13. > :23:18.their vocal talents, but they have all the moves. It is about the
:23:19. > :23:23.choreography. Michael Jackson moves. Like Madonna. It felt like this
:23:24. > :23:28.incredible festival event. They put on a stage show. What I like about
:23:29. > :23:34.Big Weekend, there is something for everyone. Stormzy was really strong
:23:35. > :23:37.on the Main Stage. Little Mix, polished pop performance. Katy Perry
:23:38. > :23:42.with fireworks going off all over the stage. Something for everyone.
:23:43. > :23:46.Royal Blood on the widow begin stage tonight. That will be incredible.
:23:47. > :23:49.Talking of Christine And The Queens, we will hear that on radio one. We
:23:50. > :24:29.will see it on BBC Four. # I will die
:24:30. > :24:36.before before Methusalah # And every morning
:24:37. > :24:46.with eyes all red # I'll miss them for
:24:47. > :24:49.the tears they shed # Can't
:24:50. > :25:03.help it if we're tilted # Trample over beauty
:25:04. > :25:36.while singing their thoughts # When they said "Je suis
:25:37. > :25:44.plus folle que toi" # Can't help it
:25:45. > :25:50.if we're tilted # Can't help it
:25:51. > :26:01.if we're tilted # Pire qu'une simple moitie
:26:02. > :26:10.on compte a demi-demi # Pile sur un des bas
:26:11. > :26:13.cotes comme des origamis # Le bras tendu parait casse tout
:26:14. > :26:15.n'est qu'epis et eclis # Et une creepy song
:26:16. > :26:25.en etendard qui fait # Can't help it
:26:26. > :26:49.if we're tilted # Can't help it
:26:50. > :27:56.if we're tilted Christine And The Queens from
:27:57. > :28:00.earlier on on the Winnard begins tent. Amazing because they have not
:28:01. > :28:04.been performing for eight months. She was so happy to be her, we have
:28:05. > :28:08.really missed you. This is the perfect welcome back to doing all
:28:09. > :28:15.that life touring. Doing a new record is a really exciting. We are
:28:16. > :28:18.not really small. These are massive deckchairs if you're watching on BBC
:28:19. > :28:22.force. It is Scott and Alice with you. We are in the bag stage artist
:28:23. > :28:25.area. There are massive deckchairs. This is where the catering happens
:28:26. > :28:30.for the artist which is better than the food on the other side of
:28:31. > :28:33.defence. Nick Grimshaw discovered earlier you cannot get bread with
:28:34. > :28:37.good in any in the area for the artist. They have got a posh juicer
:28:38. > :28:45.in there. Everything you would expect from people who have pampered
:28:46. > :28:48.lifestyles. You cannot have them out there with punters. There are
:28:49. > :28:51.oatcakes in there, backwards. Exactly what you would expect.
:28:52. > :28:57.Someone was saying today that the queue for the bar at Big Weekend was
:28:58. > :29:01.a 1.5 hour wait. Not so much year. There is one man serving in their
:29:02. > :29:06.own bar over there. One bottle of champagne. It is called the bar.
:29:07. > :29:12.This is where art is hang out. We are spotted Rita Ora with Nick
:29:13. > :29:15.Grimshaw. She ran not because she has no attention span. When they
:29:16. > :29:20.have taken off the costumes and the full here and make up, they are
:29:21. > :29:25.like, not now, I am on downtime. Shall we have more live music? That
:29:26. > :29:27.sounds wonderful. Let's have more of Twin Atlantic. This is brothers and
:29:28. > :29:57.sisters. # Are you still out there?
:29:58. > :30:00.Are you still out there? # Because enough is enough
:30:01. > :30:02.I'm finished with love # But I have the guts
:30:03. > :30:04.to say I still care # I'm over the rush
:30:05. > :30:10.I'm divided and lost # I'm not giving up
:30:11. > :30:15.I'm not giving up # I'm talking to my brothers
:30:16. > :30:17.and sisters # I miss the conversations
:30:18. > :30:23.between us # There's nothing wrong
:30:24. > :30:25.with being a dreamer # Please don't drift off
:30:26. > :30:37.and leave me here in a sea of weird # Don't be fake, mate
:30:38. > :30:39.cos you'll lose that love # You'll forget the point
:30:40. > :30:52.and the power of words # Are you still out there?
:30:53. > :30:59.Are you still with me, friend? # Because enough is enough
:31:00. > :31:01.I won't take the brunt # I'm not giving up
:31:02. > :31:10.I'm not giving up # I'm talking to my brothers
:31:11. > :31:13.and sisters # I miss the conversations
:31:14. > :31:18.between us # There's nothing wrong with
:31:19. > :31:21.being a dreamer # So where are you now?
:31:22. > :31:26.Where are you now? # I'm talking to the liars
:31:27. > :31:28.and cheaters # The ones who hide the truth
:31:29. > :31:32.to deceive us # There's nothing wrong with
:31:33. > :31:35.being a dreamer # So where are you now?
:31:36. > :31:58.Where are you now? # Are you still out there?
:31:59. > :32:05.Are you still out there? # I'm talking to my brothers
:32:06. > :32:09.and sisters # I miss the conversations
:32:10. > :32:14.between us # There's nothing wrong with
:32:15. > :32:21.being a dreamer # So where are you now?
:32:22. > :32:23.Where are you now? # My brothers and sisters
:32:24. > :32:28.I miss the conversations between us # There's nothing wrong with
:32:29. > :32:32.being a dreamer # So where are you now?
:32:33. > :32:37.Where are you now? # I'm talking to
:32:38. > :32:40.the liars and cheaters The ones who hide the truth
:32:41. > :32:43.to deceive us # There's nothing wrong with
:32:44. > :32:52.being a dreamer # So where are you now?
:32:53. > :33:11.Where are you now? # That is Twin Atlantic from Radio 1's
:33:12. > :33:16.big weekend in Hull. With Brothers and Sisters we are back in the
:33:17. > :33:21.studioches you can listen to us on Radio 1 or watch us on Radio 4.
:33:22. > :33:27.Kings of Leon are coming on at 9.00. It will be awesome. We are lucky
:33:28. > :33:34.enough to be joined straight off the stage Clean Bandit. Hello. How did
:33:35. > :33:39.that go ahead? I heard a bit of it. You said we have brought loads of
:33:40. > :33:43.favourite vocalist, is it exciting you head on the road with your big
:33:44. > :33:53.gang and put on this amazing show? Is it good fun? Yes we have a
:33:54. > :33:56.massive gang, we have lead singers, Kirsten Andreas minute, it was a
:33:57. > :34:01.pleasure listening to them. We have been in America for ages so this is
:34:02. > :34:08.the first gig we have done at home. It is amazing. Well done. I can't
:34:09. > :34:12.stop looking at your outfit. If you are watching, it speaks for itself
:34:13. > :34:17.but for people on the radio, talk us through it. The The idea was like a
:34:18. > :34:26.human disco ball. That is the idea. So it is shards of mirror, we both
:34:27. > :34:31.have shards, and, yes, isn't the most comfortable outfit. It is not
:34:32. > :34:37.something you wear at home. I said earlier your hair has grown loads,
:34:38. > :34:41.you were like ah. Somebody was grooming you like a horse's pony
:34:42. > :34:46.tail. I want to be super smooth for the TV. This is the start of your
:34:47. > :34:52.summer, what is happening the the next few months? Loads of festivals.
:34:53. > :34:56.Someone told me we were doing 30 odd festivals in the next few months. ?
:34:57. > :35:01.Do you just get told? Yes, see you at the next one. See you there. We
:35:02. > :35:07.get taken there. Maybe in the past you have done the hello Hamburg and
:35:08. > :35:11.you have been in Brighton. We did that in Glasgow, hello Manchester,
:35:12. > :35:18.it didn't go down well. At least know the city. It is hard though.
:35:19. > :35:24.Superbfully the UK, it all blursing to. That is good to know Grace. Hull
:35:25. > :35:30.will be happy to know that. We will come back to you, thank you for
:35:31. > :35:35.joining us, Clean Bandit, on the main stage, the instrument Asian. It
:35:36. > :35:39.all work, fabulous. Let us have some more live music now, from big
:35:40. > :35:41.weekend. We are going to play Lana Del Rey. This was a moment. Have a
:35:42. > :36:59.look at this. 'Cause we're having too much fun Too
:37:00. > :37:10.# And a lust for life And a lust for life, and a lust for life
:37:11. > :37:14.# Keeps us alive, keeps us alive Keeps us alive, keeps us alive
:37:15. > :37:19.# And a lust for life, and a lust for life
:37:20. > :37:22.# Keeps us alive, keeps us alive Keeps us alive, keeps us alive
:37:23. > :37:29.# Then, we dance on the H of the Hollywood sign, yeah
:37:30. > :37:33.# 'Til we run out of breath, gotta dance 'til we die (doo wop, doo wop)
:37:34. > :37:36.# My boyfriend's back And he's cooler than ever (shadoop, shadoop)
:37:37. > :37:41.# There's no more night, blue skies forever
:37:42. > :37:45.# 'Cause we're the masters of our own fate
:37:46. > :37:53.# We're the captains of our own souls So there's no
:37:54. > :37:57.# We're all alone, let's take control
:37:58. > :38:27.# Take off, take off, take off all of your clothes
:38:28. > :38:30.# They say only the good die young That just ain't right
:38:31. > :38:35.# 'Cause we're having too much fun Too much fun tonight, yeah
:38:36. > :38:53.# And a lust for life, and a lust for life
:38:54. > :38:56.Keeps us alive, keeps us alive Keeps us alive, keeps us alive
:38:57. > :39:01.# And a lust for life, and a lust for life
:39:02. > :39:10.# Keeps us alive, keeps us alive Keeps us alive, keeps us alive
:39:11. > :39:19.# There's no more night, blue skies forever
:39:20. > :39:22.# I told you twice in our love letter There's no stopping now,
:39:23. > :39:27.green lights forever # And I was like...
:39:28. > :39:37.Take off all of your clothes Take off, take off
:39:38. > :39:46.# And a lust for life, and a lust for life
:39:47. > :39:49.# Keeps us alive, keeps us alive Keeps us alive, keeps us alive
:39:50. > :39:54.# And a lust for life, and a lust for life
:39:55. > :40:04.# Keeps us alive, keeps us alive Keeps us alive, keeps us alive
:40:05. > :40:12.That was yesterday from the where it begins stage. We are with Clean
:40:13. > :40:16.Bandit. You were admiring her technical proficiency, she has this
:40:17. > :40:21.quality, she is an amazing pop star, but that classical straining is
:40:22. > :40:27.amazing. Her change, she can so so high and so low. Her power, low, is
:40:28. > :40:32.incredible. And, she is so gorgeous, I am like in love with her. You know
:40:33. > :40:39.your vocalist, we were talking about your collaboration, because you love
:40:40. > :40:47.it. She would be the dream. Louisa Johnson, how does that happen? You
:40:48. > :40:54.heard her first. I saw her on the X Factor and was blown about by her,
:40:55. > :41:02.she was singing, I can't remember. A song. No, I can't remember. Did you
:41:03. > :41:10.approach her? No, we wanted to do something with her, but then, by
:41:11. > :41:17.chance, Simon Cowell... He heard Tears, it was a ballad and it got in
:41:18. > :41:26.his hands. How did he get that He has ways. I think he hacked my
:41:27. > :41:29.e-mail! I had a call saying Simon Cowell would like to speak to you, I
:41:30. > :41:34.thought it was a hoax. It happened again the next day. And he got hold
:41:35. > :41:40.of you, what did he say? He said you have to hear her sing this song and
:41:41. > :41:45.we said OK. When Simon says that you go OK, we will find the time. It was
:41:46. > :41:50.this is a man's world she was singing and her like, power and
:41:51. > :41:55.attitude, she was just amazing. Another one of your collaborators,
:41:56. > :42:01.is that the right terminology? Was here today. Amazing set from Sean
:42:02. > :42:07.Paul. Did you see it? No, we didn't see the set. We saw him. He had
:42:08. > :42:12.another gig tonight so we didn't get him on stage annoyingly. Two gig
:42:13. > :42:21.Shaun, what is he like. I know you must have some amazing Sean Paul
:42:22. > :42:25.stories are. Surely? Well... I saw a glint in Grace's eye. We were
:42:26. > :42:31.waiting to go on Good Morning America with him and he told us that
:42:32. > :42:36.his mum has been asking him to put violins on dance hall for years and
:42:37. > :42:42.years and he has like, no. I won't do it. Now she is finally happy. He
:42:43. > :42:47.has been accepted! And we have been trying to work with him for seven
:42:48. > :42:52.years. It has been like a dream collaboration for us, and we went to
:42:53. > :42:59.his gig in London, about seven years ago and gave him our demo CD, and we
:43:00. > :43:04.have been waiting ever since. That sounds a little bit scary. Do you
:43:05. > :43:10.think he listened to it? I'm not sure. Recently he heard Rather Be
:43:11. > :43:15.and wanted us to do some production on his album, so Jack was working
:43:16. > :43:21.with him in the studio, and, just played him Rock a Buy it was never
:43:22. > :43:25.intended to be with him, he love it and was I will jump on this and made
:43:26. > :43:32.that incredible verse about single mums and it totally transformed the
:43:33. > :43:36.song. Amazing. . That is the ideal. Life is complete for us. It has been
:43:37. > :43:41.a pleasure, Clean Bandit. Let us watch your live performance now, one
:43:42. > :43:42.of the songs from the main stage, we are going to play Stronger. Thanks
:43:43. > :44:04.guys. # People tell me
:44:05. > :44:07.not to lose my self-control # People tell me
:44:08. > :44:11.not to let myself evolve # I think it's all
:44:12. > :44:17.just a peculiar game # And soon I'll wake up
:44:18. > :44:19.and I'll forget it # And everyone will know me
:44:20. > :44:25.by a different name # If I could be stronger
:44:26. > :44:41.would you believe # That I could love you
:44:42. > :44:45.like you want me to? # I think it's all
:44:46. > :45:19.just a peculiar game # And soon I'll wake up
:45:20. > :45:23.and I'll forget it # And everyone will know me
:45:24. > :45:27.by a different name # If I could be stronger
:45:28. > :45:51.would you believe # That I could love you
:45:52. > :45:53.like you want me to? # Love me like you want me to
:45:54. > :45:58.Like you want me to # If only you could promise
:45:59. > :46:12.that you will try too # If only you could promise
:46:13. > :46:27.that you will try too # If I could be stronger
:46:28. > :46:42.would you believe # That I could love you
:46:43. > :46:45.like you want me to? # If I could be stronger
:46:46. > :46:57.would you believe # That I could love you
:46:58. > :47:24.like you want me to? how are we feeling?
:47:25. > :47:26.CHEERING We are going to mix things up for
:47:27. > :47:50.you guys. We will take you back. Let's see those hands in the air.
:47:51. > :48:11.feel like loving you. Let's see those hands in the air.
:48:12. > :48:15.# Sure do. # Love me like you want me to.
:48:16. > :48:34.# You sure make me feel like loving you.
:48:35. > :48:43.That was Clean Bandit from Radio 1's Big Weekend in Hull. They have all
:48:44. > :48:49.the hits. They certainly do. I am joined by the breakfast show's Nick
:48:50. > :48:53.Grimshaw. Hello, everybody. Have you had a good time? I think I have had
:48:54. > :48:58.my favourite time ever at Big Weekend. I saw you with Rita Ora a
:48:59. > :49:05.moment ago. Yes, they are frantically trying to herd Rita Ora.
:49:06. > :49:08.She was meant to leave at eight. It is now ten minutes the name. She was
:49:09. > :49:13.last seen running around the site to see Shawn Mendes. He is also still
:49:14. > :49:15.here. I feel it is your fault because you seem to be the
:49:16. > :49:23.ringleader in the situation. Let's have some fun. Who have you seen?
:49:24. > :49:27.Today, I was doing the radio, so we got to see Stormzy through the
:49:28. > :49:31.telly, not out there in the crowd. He was for me the highlight today.
:49:32. > :49:38.He was incredible, so much energy. He is so magnetic to watch. I went
:49:39. > :49:42.out to watch Rita Ora. I went down with Adele Roberts, Radio 1's very
:49:43. > :49:47.own, to see Rita Ora at the front. I saw a little bit of Clean Bandit and
:49:48. > :49:52.rushed over to see you. Thank you. We should explain that we have got
:49:53. > :49:57.the cream telephone box in Hull, in the middle of the field at Big
:49:58. > :50:00.Weekend. Hull is famous for its cream-coloured telephone boxes. We
:50:01. > :50:06.have plonked on in the middle of the field. I quite like the cream. We
:50:07. > :50:11.normally have the classic red phone box but Hull has them in cream,
:50:12. > :50:16.which I like. There it is if you're watching. Rate in the middle of the
:50:17. > :50:23.festival site. We can call that from backstage at any point whatsoever.
:50:24. > :50:27.Normally it will be Radio 1 DJs and the pop star. Alice Levein and I did
:50:28. > :50:31.that yesterday. We were looking for someone to do something incredible.
:50:32. > :50:35.I wanted someone to come on stage and introduce Katy Perry with me.
:50:36. > :50:39.That is a big deal. We dish and unwitting members of the public on
:50:40. > :50:45.stage. You see the phone box ringing, and you will go, I get
:50:46. > :50:50.that. On the other end is a pop star. At Radio 1 DJ tried this
:50:51. > :50:55.yesterday. He had fun with imagined dragons and the phone box.
:50:56. > :51:00.We're going to make a call and two of picks up, we will sign them on a
:51:01. > :51:05.mission to find five Dans. If they can find them, they can come
:51:06. > :51:19.backstage. Let's give them a ring. Ready? Hello. Well, hello. Who is
:51:20. > :51:23.this? It is rose? You're American. I had been waiting for so long to talk
:51:24. > :51:33.to you. Do you have any idea who this is? An American. Take a guess.
:51:34. > :51:42.An American man. Donald Trump. Donald Trump? An American band.
:51:43. > :51:54.Argues here today? Let's have a look. Is it to say being? At famous
:51:55. > :52:01.American band, to say being. Are you Scottish? You're American. We can
:52:02. > :52:14.see you, by the way. They can see us. It is not Emeli Sande. It is not
:52:15. > :52:18.to say being. James Arthur. I really like imagined dragons. What do you
:52:19. > :52:30.think about them? They're pretty bad. Who? Imagined dragons? Awful.
:52:31. > :52:40.Galantis. No. I think it is imagined dragons, myself. This is imagined
:52:41. > :52:45.dragons. We have a secret mission for you guys. Lovely. If you choose
:52:46. > :52:48.to accept this mission, there could be good repercussions. You have to
:52:49. > :52:54.go out in the festival grounds and find five people by the name of Dan.
:52:55. > :52:59.How long have we got? Have we had got time? You have four minutes,
:53:00. > :53:10.starting now. Three minutes and 40 seconds. Are you called Dan? Are you
:53:11. > :53:19.called Dan or Danielle? Anyone? Are you called band. Daniel? Daniel, are
:53:20. > :53:24.you Daniel? Daniel and Dan, come on. Come with me. You have made it this
:53:25. > :53:30.far. In order to get into the backstage area, we will see how many
:53:31. > :53:38.Dans you manage to find. Late in the Dans. Are you a Dan? You are
:53:39. > :53:47.Danielle. In Yukon. Imagine Dragons. In Yukon, you're allowed in as well.
:53:48. > :53:55.Are you a real Dan? I know you, Dan. Imagine Dragons. I make that five
:53:56. > :54:00.Dans. Lucy Andrews, welcome to the backstage area, well done. That is
:54:01. > :54:06.so stupid. That is amazing. Can you get loads of Dans and bring them
:54:07. > :54:12.backstage. I like imagined dragons, they are fun. They did a great said
:54:13. > :54:18.yesterday. I love the phone box idea. I did one with Lance -- I did
:54:19. > :54:24.one with Zara Larsson. You can watch it on the website. She is lots of
:54:25. > :54:29.fun, the Swedish pop star. The phone rings, and the photo of them flashes
:54:30. > :54:35.up. They are like, my God. We just bought them a pint yesterday. Come
:54:36. > :54:38.backstage and have a nice pint. Some live stuff now. Yes, London Grammar,
:54:39. > :55:36.from Radio 1's Big Weekend. # I can see that you're giving up It
:55:37. > :55:39.should not mean that much to me # And I don't know where the rest go
:55:40. > :55:43.But everybody's been telling me no # But I'll always have a thing
:55:44. > :55:46.for you I'd move the earth # But nothing made you want me
:55:47. > :55:50.better There is nothing I can do # But steal the moon But nothing
:55:51. > :55:53.made you want me better # Oh woman oh man Choose
:55:54. > :56:01.a path for a child # Great mirrored plans
:56:02. > :56:04.Oh woman oh man Take a devil by the hands
:56:05. > :56:06.to # And I can see that
:56:07. > :56:10.you're giving up # So tell me it should not
:56:11. > :56:13.mean this much to me # And I don't know
:56:14. > :56:15.where the rest goes # But I'll always have a thing
:56:16. > :56:29.for you # But nothing made
:56:30. > :56:32.you want me better # And nothing made
:56:33. > :56:45.you want me better # Take a devil by the
:56:46. > :57:22.hands to yellow sands # Take a devil by the
:57:23. > :59:21.hands to yellow sands Absolutely beautiful performance
:59:22. > :59:26.from London Grammar at Radio 1's Big Weekend. Scott Mills Radio 1, and
:59:27. > :59:29.live on BBC Four. Hello if you're watching tonight. Many people are
:59:30. > :59:34.tweeting saying they are loving the live music. The main event is coming
:59:35. > :59:39.up, Kings Of Leon. If you're watching, I am on my own. Nick
:59:40. > :59:43.Grimshaw has gone away getting ready to introduce Kings Of Leon. Also on
:59:44. > :59:48.the stages Klara and Greg James. We will be with them in a moment. It is
:59:49. > :59:52.happening in a matter of moments. All the performances you can watch
:59:53. > :59:58.on the Radio 1 website, everything from today and yesterday in Hull.
:59:59. > :00:02.After nine o'clock we will be getting ready for a Kings Of Leon
:00:03. > :00:04.taking to the stage. If you're listening on Radio 1, we will be
:00:05. > :00:05.back after Blossoms.