0:00:00 > 0:00:00- .
0:00:00 > 0:00:03- Here's some choral trivia for you, - Morgan.
0:00:04 > 0:00:08- Cor Cymru have had seven winners. - Not one from North Wales.
0:00:08 > 0:00:09- Painful.
0:00:10 > 0:00:14- Two from Cardiff and the Vale - and five from West Wales.
0:00:15 > 0:00:17- Not that you're biased, Heledd...
0:00:17 > 0:00:21- ..but this year many North Wales - choirs are confident...
0:00:21 > 0:00:25- ..of seeing that trophy - in the shadow of Snowdonia...
0:00:25 > 0:00:27- ..for the next two years.
0:00:41 > 0:00:46- It doesn't matter where you're from, - especially tonight...
0:00:46 > 0:00:51- ..I must admit, this is high up on - my list, the male voice choir night.
0:00:51 > 0:00:55- There's some fresh blood here - this year - Cor Johns' Boys.
0:00:55 > 0:00:57- Aled, nice to see you back.
0:00:57 > 0:00:58- Aled, nice to see you back.- - Great to be back.
0:00:58 > 0:01:02- Off you go to the stage. - Good luck to you.
0:01:02 > 0:01:04- Come back to the west.
0:01:04 > 0:01:07- How can I refuse such an invitation?
0:01:07 > 0:01:09- Good evening, Heledd.
0:01:11 > 0:01:12- How's the beard?
0:01:12 > 0:01:13- How's the beard?- - Fairly good, thanks.
0:01:14 > 0:01:15- Well looked after?
0:01:15 > 0:01:17- Well looked after?- - Do you want to try some sauce?
0:01:17 > 0:01:20- I'll have some sauce later.
0:01:21 > 0:01:23- Bois Ceredigion - the youngsters.
0:01:23 > 0:01:26- It's also nice - to have some experience.
0:01:26 > 0:01:27- True enough.
0:01:27 > 0:01:28- A few miles on the clock?
0:01:28 > 0:01:30- A few miles on the clock?- - Oh, yes.
0:01:30 > 0:01:32- We'll leave it there.
0:01:32 > 0:01:33- Over here!
0:01:33 > 0:01:35- Over here!- - You wish! Bois Y Castell.
0:01:36 > 0:01:40- We finish off with new blood again, - and their conductor Aled Myrddin.
0:01:40 > 0:01:43- How are you, Aled? - Cor Meibion Machynlleth.
0:01:44 > 0:01:48- We formed relatively recently. - We're here for the first time.
0:01:48 > 0:01:51- Ready to go. Good luck to you. - Welcome to the competition.
0:01:52 > 0:01:54- Ladies, - it promises to be some night.
0:01:54 > 0:01:56- Lads, good luck to one and all!
0:02:00 > 0:02:01- Good evening.
0:02:01 > 0:02:05- Four male voice choirs - ready to impress...
0:02:05 > 0:02:09- ..our panel - of esteemed international judges.
0:02:10 > 0:02:14- Maestro of the sacred choral music - world Professor Edward Higginbottom.
0:02:15 > 0:02:20- Next, an eclectic composer - who has two Grammys to his name...
0:02:20 > 0:02:21- ..Christopher Tin
0:02:21 > 0:02:26- And Maria Guinan, an expert in - Latin and American choral singing.
0:02:27 > 0:02:31- Ready to mark the testosterone - test, we have a soprano star.
0:02:31 > 0:02:36- Here to cast her eye on proceedings, - Elin Manahan Thomas.
0:02:36 > 0:02:38- Hello, Elin!
0:02:38 > 0:02:42- We'll hear from Elin as soon - as the first choir has competed.
0:02:42 > 0:02:46- These are Johns' Boys but - who is John and who are the boys?
0:02:47 > 0:02:49- Here's the answer.
0:02:53 > 0:02:56- The choir is named after two men - from the village.
0:02:56 > 0:03:00- My father John Glyn Williams and my - friend's father, John Tudor Davies.
0:03:01 > 0:03:04- John Glyn was conductor - of the Orpheus...
0:03:04 > 0:03:07- ..and John Tudor - was accompanist of the choir.
0:03:08 > 0:03:10- Rhos. Brilliant.
0:03:10 > 0:03:13- There are about seven choirs - in Rhos.
0:03:13 > 0:03:17- Six rehearse every week - in this building.
0:03:18 > 0:03:20- Determined.
0:03:21 > 0:03:22- Strict.
0:03:22 > 0:03:23- Strict.- - Keen.
0:03:23 > 0:03:25- Perfectionist.
0:03:26 > 0:03:30- Knowledge is power. - A good conductor challenges a choir.
0:03:30 > 0:03:32- A good conductor competes.
0:03:33 > 0:03:35- I enjoy the challenge.
0:03:35 > 0:03:39- We competed in the final - of BBC Choir of the Year.
0:03:39 > 0:03:43- We have confidence - and we hope to do well in Cor Cymru.
0:03:43 > 0:03:45- Best dancers.
0:03:45 > 0:03:47- Best dancers.- - Peter Pritchard is the best dancer.
0:03:47 > 0:03:50- He looks like John Travolta.
0:03:51 > 0:03:54- Lloyd is the worst. - He walks like an old dog.
0:03:56 > 0:03:57- Is it me?
0:03:59 > 0:04:00- There's a possibility.
0:04:01 > 0:04:04- The naughty boy.
0:04:05 > 0:04:07- Cracking jokes.
0:04:08 > 0:04:10- Breaking wind too.
0:04:10 > 0:04:12- Congratulations.
0:04:12 > 0:04:14- Congratulations.- - The Clown!
0:04:14 > 0:04:18- Highlights. Choir of the Year. - Next, Aberystwyth.
0:04:19 > 0:04:23- I have fond memories of Cor Cymru, - reaching the final...
0:04:23 > 0:04:27- ..winning prizes - such as the conductors' prize.
0:04:27 > 0:04:31- Not one choir from North Wales - has won Cor Cymru.
0:04:32 > 0:04:34- It's about time, I'd say.
0:04:35 > 0:04:37- Johns' Boys.
0:04:41 > 0:04:46- It'll be an expensive round if the - Rhos boys emerge victorious tonight.
0:04:46 > 0:04:50- Johns' Boys - and their conductor Aled Phillips.
0:04:50 > 0:04:53- We begin the competition - with Ernani by Verdi.
0:04:55 > 0:04:57- # Evviva!
0:04:57 > 0:04:58- It's a powerful piece.
0:04:59 > 0:05:06- As a treat, you'll see men - moving like, well, soldiers.
0:05:06 > 0:05:10- # Evviva! Beviam! Beviam!
0:05:11 > 0:05:12- # Nel vino cerchiam - almeno un piacer!
0:05:14 > 0:05:18- # Evviva! Beviam! Beviam!
0:05:19 > 0:05:21- # Nel vino cerchiam - almeno un piacer!
0:05:22 > 0:05:26- # Che resta al bandito - da tutti sfuggito
0:05:26 > 0:05:29- # Se manca il bicchier?
0:05:32 > 0:05:39- # Giuochiamo, che l'oro - e vano tesoro, qual viene senva
0:05:40 > 0:05:46- # Giuochiamo se la vita - non fa piu gradita ridente belta
0:05:46 > 0:05:50- # Per boschi e pendici - abbiamo soli amici
0:05:50 > 0:05:52- # Moschetto e pugnal
0:05:53 > 0:05:59- # Quando'esce la notte nell'orride - grotte ne forman guancial
0:05:59 > 0:06:03- # Allegri! Beviam! Beviam! Beviam! - Beviam! Beviam!
0:06:03 > 0:06:05- # Allegri! Beviam! Beviam!
0:06:06 > 0:06:07- # Allegri! Beviam! Beviam! Beviam!
0:06:07 > 0:06:10- # Nel vino cerchiam, - cerchiam almeno un piacer
0:06:10 > 0:06:13- # Nel vin, nel vin, nel vino - cerchiamo almeno un piacer!
0:06:14 > 0:06:15- # Beviam! Beviam! Nel vino - cerchiam, cerchiam, cerchiam
0:06:16 > 0:06:17- # Almeno un piacer
0:06:17 > 0:06:20- # Nel vino cerchiam - almeno un piacer
0:06:21 > 0:06:22- # Nel vino cerchiam
0:06:23 > 0:06:28- # Nel vino cerchiam almeno un piacer
0:06:28 > 0:06:32- # Nel vino cerchiam almeno un piacer
0:06:32 > 0:06:35- # Almeno un piacer
0:06:35 > 0:06:37- # Almeno un piacer, nel vino - cerchiam almeno un piacer
0:06:37 > 0:06:38- # Almeno un piacer
0:06:39 > 0:06:40- # Nel vino cerchiam almeno un piacer
0:06:41 > 0:06:42- # Un piacer
0:06:42 > 0:06:44- # Nel vino cerchiam
0:06:44 > 0:06:47- # Almeno un piacer
0:06:47 > 0:06:53- # Un piacer #
0:07:03 > 0:07:09- The next piece is O Salutaris - Hostia, composed by William Mathias.
0:07:09 > 0:07:12- # Uno trinoque Domino
0:07:12 > 0:07:14- # Uno trinoque Domino
0:07:15 > 0:07:17- # Sit sempiterna
0:07:17 > 0:07:19- It's a special piece for me.
0:07:19 > 0:07:21- My father, John Glyn Williams...
0:07:22 > 0:07:25- ..arranged for it to be composed - by William Mathias.
0:07:25 > 0:07:28- He came up to Rhos, to our house...
0:07:28 > 0:07:33- ..and finished the composition - on the Sunday after lunch.
0:07:33 > 0:07:36- # Uno trinoque Domino
0:07:36 > 0:07:38- # Uno trinoque Domino
0:07:38 > 0:07:41- # Uno trinoque Domino
0:07:41 > 0:07:42- # Domino
0:07:42 > 0:07:49- # Domino
0:07:52 > 0:08:00- # Uno trinoque
0:08:00 > 0:08:04- # Domino
0:08:04 > 0:08:13- # O Salutaris Hostia
0:08:16 > 0:08:26- # O Salutaris Hostia
0:08:27 > 0:08:32- # In patria
0:08:33 > 0:08:53- # O Salutaris Hostia #
0:08:58 > 0:09:01- The next piece is Dana Dana - by Bardos.
0:09:02 > 0:09:06- It's complex, pacy, lively, - difficult to sing...
0:09:06 > 0:09:10- ..but it's important to retain - the energy right until the end.
0:09:10 > 0:09:13- # Hey, get you ready, - trip with pleasure
0:09:13 > 0:09:15- # Thou has ten years - danced this measure
0:09:15 > 0:09:18- # Hoy, hoy dana dana dana, danoydom
0:09:19 > 0:09:21- # Hey, this young maiden, - Father hear me!
0:09:21 > 0:09:22- # Would I held her ever near me
0:09:23 > 0:09:26- # Hoy, hoy dana dana dana, danadom
0:09:26 > 0:09:29- # Hey, sorrows wound me, - stab me, sting me
0:09:29 > 0:09:31- # Hasten, rose, - your healing bring me
0:09:31 > 0:09:34- # Hoy, hoy dana dana dana, danadom
0:09:34 > 0:09:39- # Hoy, hoy dana dana dana, danadom
0:09:39 > 0:09:41- # Hoy, hoy dana dana dana, danadom
0:09:41 > 0:09:44- # Dana dana dana, danadom
0:09:44 > 0:09:45- # Dana dana dana, danadom
0:09:46 > 0:09:48- # Hey, be not clever, do not tarry
0:09:48 > 0:09:49- # Do not falter, come and marry
0:09:50 > 0:09:53- # Hoy, hoy dana dana dana, danadom
0:09:53 > 0:09:55- # Hey, do not see me, - nothing matters
0:09:56 > 0:09:57- # Children nine - nor clothes in tatters
0:09:58 > 0:10:00- # Hoy, dana danadana dana danodom
0:10:01 > 0:10:03- # Hoy, danadana dannoydom
0:10:03 > 0:10:05- # Hoy, danadana dannoydom
0:10:05 > 0:10:06- # Hoy, dana danadanadom
0:10:07 > 0:10:10- # Danadanadanadom, danadanadanadom
0:10:10 > 0:10:11- # Danadanadom
0:10:12 > 0:10:14- # Hey, night is over, - day is breaking
0:10:14 > 0:10:16- # I am dancing, sleep forsaking
0:10:17 > 0:10:19- # Hoy, dana hoy, dana hoy, - dana danadana
0:10:19 > 0:10:22- # Shey, danahoy, shey, danahoy
0:10:22 > 0:10:23- # Shey, danahoy, shey, danahoy
0:10:24 > 0:10:25- # Dana, danadanahoy
0:10:25 > 0:10:28- # Dana, danadanahoy, - dana, danadanahoy
0:10:28 > 0:10:29- # Danahoy! #
0:10:34 > 0:10:38- Next, a hymn called And Can It Be?
0:10:39 > 0:10:42- # No condemnation now
0:10:44 > 0:10:48- This will show how a traditional - male voice choir sings.
0:10:48 > 0:10:52- It'll be a pleasure - to sing something more melodic.
0:10:53 > 0:11:00- # Bold I approach
0:11:00 > 0:11:05- # Th'eternal throne
0:11:06 > 0:11:12- # And claim the crown
0:11:12 > 0:11:19- # Through Christ my own
0:11:19 > 0:11:25- # Amazing love!
0:11:26 > 0:11:31- # How can it be
0:11:32 > 0:11:40- # That Thou, my God
0:11:45 > 0:11:54- # Shouldst die for me?
0:11:55 > 0:11:58- # Amazing love!
0:11:58 > 0:12:03- # How can it be
0:12:05 > 0:12:22- # Amazing love! #
0:12:25 > 0:12:28- Finally, a folk song.
0:12:28 > 0:12:32- Y March Glas by John Brian Hughes, - the local maestro.
0:12:32 > 0:12:36- Technically challenging, - pacy and difficult to sing.
0:12:36 > 0:12:40- What else do you expect - from Brian Hughes?
0:12:40 > 0:12:45- # I've a silk hat from Brecon, - I'd pay a sovereign for it
0:12:45 > 0:12:47- # Ffa la rwdl didl dal, - ffa la rwdl didl dal
0:12:48 > 0:12:49- # Ffa la la la ho ho
0:12:49 > 0:12:51- # Ffa la la la ho ho
0:12:52 > 0:12:52- # Ffa la la
0:12:53 > 0:12:57- # I've a fine coat made in London, - stitched tightly on my back
0:12:58 > 0:12:59- # Ffa la rwdl didl dal, - ffa la rwdl didl dal
0:13:00 > 0:13:02- # Ffa la la la ho ho, - ffa la la la ho ho
0:13:05 > 0:13:07- # Ffa la rwl, ffa la rwl, - ffa la rwl, ffa la rwl
0:13:07 > 0:13:08- # Ffa la rwdl didl dal
0:13:11 > 0:13:13- # Ffa la rwl ho
0:13:13 > 0:13:16- # Ffa la rwl ho
0:13:17 > 0:13:19- # Ffa la rwl, ffa la rwl
0:13:19 > 0:13:22- # Ffa la rwdl didl dal
0:13:24 > 0:13:28- # Ffa la
0:13:29 > 0:13:32- # Rwdl didl dal
0:13:33 > 0:13:36- # Ho ho ho #
0:13:47 > 0:13:51- What's the secret? Why are there - so many choirs in the area?
0:13:51 > 0:13:55- The tradition of chapels - and coalmines with choirs.
0:13:55 > 0:13:57- We also enjoy singing.
0:13:57 > 0:14:00- Must be something in the water.
0:14:01 > 0:14:04- Our first visit of the evening - to Elin Manahan Thomas.
0:14:04 > 0:14:08- Did you sense - the traditional tastes of Rhos?
0:14:08 > 0:14:10- Most definitely.
0:14:10 > 0:14:14- From the outset, - they set the context...
0:14:15 > 0:14:18- ..they gave us drama - and they wanted to relay a story.
0:14:18 > 0:14:20- That's crucial in music.
0:14:20 > 0:14:23- It's not just the sound - but the message of the music.
0:14:24 > 0:14:26- The drama of the Verdi - was excellent.
0:14:27 > 0:14:31- They were tight, they moved well - together and the chords were smooth.
0:14:31 > 0:14:33- The tenors are fantastic.
0:14:33 > 0:14:37- They have a beautifully fresh sound - in their voices.
0:14:38 > 0:14:40- Their wording was clear.
0:14:40 > 0:14:44- There was plenty of variety - from piece to piece.
0:14:45 > 0:14:49- They maintained the atmosphere - until the final note.
0:14:49 > 0:14:51- You referred to the Verdi.
0:14:51 > 0:14:55- A drunken song about bandits. Did - you feel you were there with them?
0:14:55 > 0:14:58- Not the bandits, - maybe the drunkenness.
0:14:58 > 0:15:03- They lived the piece, there's - a soul in everything they sung.
0:15:03 > 0:15:07- Plenty of praise. - Any negatives to their performance?
0:15:08 > 0:15:12- It's important to maintain the - concentration, even in the lulls...
0:15:13 > 0:15:15- ..and make sure no-one wanders away.
0:15:16 > 0:15:19- Don't look as if you don't know - when to breathe next.
0:15:19 > 0:15:23- They finished with March Glas. Are - they in with a chance of a rosette?
0:15:23 > 0:15:25- I'd say so.
0:15:25 > 0:15:27- The feedback was wonderful.
0:15:27 > 0:15:32- It was a tricky programme to move - from one style and genre to another.
0:15:33 > 0:15:34- It was demanding.
0:15:35 > 0:15:38- It was a short time - to get prepared for the next piece.
0:15:39 > 0:15:42- There'll be more boys on stage - after the break.
0:15:42 > 0:15:47- Bois Y Castell join the Cor Cymru - battle in two minutes' time.
0:15:47 > 0:15:47- .
0:15:53 > 0:15:53- Subtitles
0:15:53 > 0:15:55- Subtitles
0:15:59 > 0:16:04- I formed the choir for the 1996 - National Eisteddfod in Llandeilo.
0:16:04 > 0:16:09- We began life as a folk choir - before becoming a male voice choir.
0:16:10 > 0:16:14- Farmers, businessmen, teachers.
0:16:15 > 0:16:17- After a week or a day at work...
0:16:17 > 0:16:21- ..we turn up for rehearsal, - forget our daily troubles...
0:16:21 > 0:16:22- ..and enjoy the singing.
0:16:23 > 0:16:27- We're trying to attract - young singers to join us.
0:16:27 > 0:16:30- We have a few father and sons.
0:16:30 > 0:16:34- I joined with Dad - to get the average age down...
0:16:34 > 0:16:37- ..and get some eye candy - at the front.
0:16:38 > 0:16:39- We have a lot of fun.
0:16:39 > 0:16:42- There are a lot of characters.
0:16:42 > 0:16:46- Initially, we didn't recognise - the black dots on the copy...
0:16:46 > 0:16:50- ..and what difference there was - between the notes.
0:16:50 > 0:16:54- After 21 years, we understand that - when a note goes up, we follow it.
0:17:00 > 0:17:04- This is our third appearance in - the final of the male voice choirs.
0:17:05 > 0:17:09- None of the judges - know anything about you.
0:17:09 > 0:17:11- The performance - - that's all that counts.
0:17:12 > 0:17:14- She understands singing.
0:17:14 > 0:17:16- We won at the Meifod Eisteddfod.
0:17:17 > 0:17:20- We won at Llangollen last year.
0:17:20 > 0:17:23- We're going for the hat-trick - this year.
0:17:23 > 0:17:27- Whatever the result, - I hope we can all have a few pints.
0:17:28 > 0:17:29- Your round.
0:17:34 > 0:17:40- They're eye candy for the girls - and packed with sweet treats too.
0:17:40 > 0:17:43- With Nia Clwyd, - here are Bois y Castell.
0:17:51 > 0:17:55- We begin with a popular piece - for male voice choirs...
0:17:55 > 0:17:57- ..Clychau'r Gog by Gareth Glyn.
0:17:58 > 0:18:01- It's a challenging piece - that appeals to the audience.
0:18:01 > 0:18:06- # Sweeter than the evening carol
0:18:06 > 0:18:12- # From the belfry of Llandygai
0:18:12 > 0:18:18- # Stirring upon the breeze
0:18:18 > 0:18:23- # Are the mute bells of May
0:18:23 > 0:18:35- # That, with their song, - pervade the mind
0:18:38 > 0:18:39- # Oh
0:18:42 > 0:18:53- # Would that it would never ebb
0:18:57 > 0:19:03- # For when the essence - of the honeysuckle comes
0:19:03 > 0:19:09- # To the night air on its way
0:19:09 > 0:19:15- # And a host of harebells comes
0:19:15 > 0:19:23- # To the grass - as they have done before
0:19:24 > 0:19:34- # The cuckoo and her bells
0:19:34 > 0:19:39- # Won't be here
0:19:39 > 0:20:09- # Stirring in the wind #
0:20:16 > 0:20:21- The unaccompanied piece comes from - an earlier time, by Mendelssohn.
0:20:21 > 0:20:23- O Lux Beata.
0:20:24 > 0:20:28- Singing an unaccompanied piece is - a challenge for male voice choirs.
0:20:28 > 0:20:31- It's a challenge - to maintain tonality.
0:20:31 > 0:20:39- # O Trinity of blessed light
0:20:39 > 0:20:45- # Unity of princely might
0:20:46 > 0:20:51- # The fiery sun now goes his way
0:20:52 > 0:20:59- # Shed Thou within our hearts - Thy ray
0:21:01 > 0:21:07- # To Thee our morning - song of praise
0:21:07 > 0:21:12- # To Thee - our evening prayer we raise
0:21:13 > 0:21:19- # Thy glory suppliant we adore
0:21:19 > 0:21:28- # Forever and forevermore
0:21:29 > 0:21:36- # All laud to God the Father be
0:21:36 > 0:21:42- # All praise, Eternal Son
0:21:42 > 0:21:50- # To Thee All glory, as is ever meet
0:21:50 > 0:21:59- # To God the Holy Paraclete #
0:22:05 > 0:22:08- An arrangement - of the traditional melody Hiraeth.
0:22:08 > 0:22:12- The choir enjoys - quiet, subtle singing.
0:22:12 > 0:22:14- This gives them that opportunity.
0:22:15 > 0:22:22- # Gold and silver turn to rust
0:22:23 > 0:22:32- # Velvet and silk become worn
0:22:34 > 0:22:42- # Every piece of clothing - becomes frayed and old
0:22:42 > 0:22:51- # Yet, still, the longing is endless
0:22:55 > 0:23:02- # Longing, longing
0:23:08 > 0:23:15- # Longing
0:23:18 > 0:23:29- # Great longing #
0:23:36 > 0:23:40- Next, we've chosen a spiritual song.
0:23:40 > 0:23:43- Derek Jones has arranged - Every Time I Feel The Spirit.
0:23:44 > 0:23:47- It's an opportunity - for the choir to relax...
0:23:47 > 0:23:49- ..and enjoy a light-hearted piece.
0:23:50 > 0:23:52- # Upon the mountain
0:23:52 > 0:23:54- # When my Lord spoke
0:23:54 > 0:23:57- # Out of God's mouth
0:23:57 > 0:23:59- # Came fire and smoke
0:23:59 > 0:24:01- # Looked all around me
0:24:02 > 0:24:04- # It looked so fine
0:24:04 > 0:24:07- # Till I asked my Lord
0:24:07 > 0:24:09- # If all was mine
0:24:09 > 0:24:12- # Every time
0:24:12 > 0:24:14- # I feel the Spirit
0:24:14 > 0:24:19- # Moving in my heart I will pray
0:24:19 > 0:24:21- # Yes, every time
0:24:21 > 0:24:23- # I feel the Spirit
0:24:23 > 0:24:28- # Moving in my heart I will pray
0:24:28 > 0:24:33- # In the valley, on my knees
0:24:33 > 0:24:37- # Ask my Lord, mercy please
0:24:38 > 0:24:40- # Every time
0:24:40 > 0:24:42- # I feel the Spirit
0:24:43 > 0:24:47- # Moving in my heart I will pray
0:24:47 > 0:24:49- # Yes, every time
0:24:49 > 0:24:51- # I feel the Spirit
0:24:52 > 0:24:59- # Moving in my heart I will pray #
0:25:04 > 0:25:08- We complete our repertoire - with another favourite...
0:25:08 > 0:25:10- ..Roman War Song by Wagner.
0:25:10 > 0:25:12- It's an operatic piece.
0:25:12 > 0:25:16- It's a powerful song - and the boys enjoy singing it.
0:25:16 > 0:25:20- # Romans arise - in bright array assemble
0:25:21 > 0:25:25- # Now is the time - to make the tyrant tremble!
0:25:25 > 0:25:28- # Gird on your armour - in the cause of Right
0:25:29 > 0:25:33- # Fearless and faithful - for your Country fight
0:25:34 > 0:25:38- # The trumpets blow - as forward now we go
0:25:38 > 0:25:42- # And gaily march to combat glorious
0:25:42 > 0:25:46- # Each heart aglow - to battle with the foe
0:25:46 > 0:25:50- # And to return at last victorious
0:25:51 > 0:25:58- # We raise our voices high - and nobly cry
0:25:59 > 0:26:04- # Santo Spirito
0:26:04 > 0:26:08- # Cavaliere!
0:26:08 > 0:26:13- # Santo Spirito
0:26:13 > 0:26:19- # Cavaliere!
0:26:19 > 0:26:23- # We forward go to combat glorious
0:26:23 > 0:26:27- # And to return at last victorious
0:26:27 > 0:26:35- # And to return at last victorious #
0:26:50 > 0:26:52- We're not all musical.
0:26:52 > 0:26:55- Nia performs miracles with us.
0:26:55 > 0:26:57- Not everyone is musical, says Arwyn.
0:26:58 > 0:26:59- Some of us are!
0:26:59 > 0:27:03- We're a choir that enjoys singing. - We're not professional.
0:27:04 > 0:27:07- It's great being - at a competition like this.
0:27:07 > 0:27:09- We've had two male voice choirs.
0:27:10 > 0:27:14- The colour and sound of their voices - was quite different.
0:27:14 > 0:27:16- Bois y Castell - had a wonderfully sweet sound.
0:27:17 > 0:27:19- I could see the pleasure - they took in singing.
0:27:20 > 0:27:22- They just went for it.
0:27:22 > 0:27:24- By the end, - when they raised the roof...
0:27:25 > 0:27:28- ..there were some really high notes - and they went for it.
0:27:28 > 0:27:30- It was all controlled by Nia.
0:27:30 > 0:27:35- Bois y Castell wouldn't be Bois - y Castell without a call to arms.
0:27:35 > 0:27:37- Do they have a chance?
0:27:37 > 0:27:41- I like a bit of Wagner - and I'm glad they liked Wagner too.
0:27:41 > 0:27:44- Suddenly, they were real men!
0:27:44 > 0:27:47- Back we go to the eye candy!
0:27:47 > 0:27:49- Any negatives in the performance?
0:27:50 > 0:27:54- Tonality, but that will be true - throughout the competition.
0:27:54 > 0:27:58- It's difficult when you have - so many men in one place.
0:27:58 > 0:28:00- It was a special atmosphere.
0:28:01 > 0:28:04- Real eye candy and you're with them - every Sunday night.
0:28:04 > 0:28:08- Look at them! They get - the pleasure of looking at me!
0:28:08 > 0:28:11- Some wonderful comments from Elin.
0:28:11 > 0:28:13- That's all you want to hear.
0:28:13 > 0:28:16- Comments like that are great - after a performance.
0:28:16 > 0:28:19- You've given people - musical pleasure.
0:28:19 > 0:28:21- The audience is very important.
0:28:21 > 0:28:26- It's not just for us, it's important - to please your audience.
0:28:26 > 0:28:29- The boss is happy. Hallelujah!
0:28:31 > 0:28:35- The farm factor - is about to reach the Arts Centre.
0:28:35 > 0:28:40- This is the first ever appearance - for Cor Meibion Machynlleth.
0:28:41 > 0:28:41- .
0:28:47 > 0:28:47- Subtitles
0:28:47 > 0:28:49- Subtitles- - Subtitles
0:28:54 > 0:28:59- We formed two years ago - to compete in the Meifod Eisteddfod.
0:28:59 > 0:29:03- Machynlleth, - the best place in the world.
0:29:03 > 0:29:06- We're all from farming stock.
0:29:06 > 0:29:10- We know how to handle a sheep, - some more than others.
0:29:10 > 0:29:16- Teachers, builders, electricians - and one insurance guy.
0:29:20 > 0:29:23- There's always one and I'm it!
0:29:23 > 0:29:25- Thankfully, there's only one.
0:29:27 > 0:29:28- Patient. Tidy.
0:29:29 > 0:29:30- Cool.
0:29:30 > 0:29:34- It's not my choir. It's not - Huw's choir or Bedwyr's choir.
0:29:34 > 0:29:36- It's our choir.
0:29:36 > 0:29:38- We're a team.
0:29:38 > 0:29:40- He has the patience of a saint.
0:29:40 > 0:29:43- We were pretty dire at the start.
0:29:43 > 0:29:45- We might still be dire.
0:29:45 > 0:29:50- # Is there another goat? #
0:29:50 > 0:29:53- He doesn't drag rehearsals out.
0:29:53 > 0:29:55- 90 minutes - and then we can have a pint.
0:29:56 > 0:29:59- Highlights - - the choir's first concert.
0:29:59 > 0:30:01- First Eisteddfod appearance.
0:30:02 > 0:30:04- The three most handsome members.
0:30:05 > 0:30:07- That's me there.
0:30:07 > 0:30:10- If we reach the final, - we won't be there.
0:30:10 > 0:30:14- Half of us will be lambing - on the fields or in the sheds.
0:30:14 > 0:30:19- If we get there, - the ten of us will try our best.
0:30:22 > 0:30:25- We'll do our best - if we reach the final.
0:30:25 > 0:30:29- It'll be an honour and - a privilege... for the judges too.
0:30:38 > 0:30:43- They can handle a sheep but - are they ready for Heledd Cynwal?
0:30:43 > 0:30:48- The conductor is Aled Myrddin. - Here's Cor Meibion Machynlleth.
0:30:55 > 0:30:59- We begin with Gareth Glyn's - Heriwn, Wynebwn Y Wawr.
0:30:59 > 0:31:02- It's a powerful song. - It suits the choir.
0:31:02 > 0:31:08- # Many, - so many are those who maintain
0:31:08 > 0:31:11- # That the fire purifies
0:31:11 > 0:31:14- # And the flames won't keep burning
0:31:14 > 0:31:17- # For long
0:31:18 > 0:31:20- Every voice has an important role - in the choir.
0:31:21 > 0:31:23- They come together for the finale.
0:31:23 > 0:31:26- I hope this get us off - on the right foot.
0:31:26 > 0:31:32- # Now all around us - the snow disappears
0:31:32 > 0:31:35- # It's a dawn that will wake us
0:31:35 > 0:31:38- # A sun that will warm us
0:31:38 > 0:31:42- # A day that will light us a fire
0:31:42 > 0:31:47- # A day that will light us a fire
0:31:51 > 0:31:57- # Onward, forward to the morrow
0:31:58 > 0:32:03- # Casting all doubting away
0:32:03 > 0:32:06- # Fiery of spirit
0:32:07 > 0:32:15- # Our hearts fill with song
0:32:17 > 0:32:18- # For the future's beginning
0:32:19 > 0:32:20- # For the future's beginning
0:32:20 > 0:32:21- # Beginning
0:32:21 > 0:32:23- # For the future's beginning, - beginning
0:32:25 > 0:32:28- # Beginning
0:32:30 > 0:32:37- # Today
0:32:40 > 0:32:44- # Today #
0:32:49 > 0:32:52- Our unaccompanied piece - is Ubi Caritas.
0:32:53 > 0:32:55- This is a very challenging piece.
0:32:55 > 0:32:59- There's a lot of weaving - throughout the choir.
0:32:59 > 0:33:02- Keeping the tonality - is very difficult.
0:33:03 > 0:33:07- # Et ex corde diligamus
0:33:08 > 0:33:12- # Nos sincero
0:33:14 > 0:33:19- # Et ex corde diligamus
0:33:19 > 0:33:29- # Nos sincero
0:33:32 > 0:33:39- # Ubi caritas et amor
0:33:39 > 0:33:44- # Deus ibi est
0:33:44 > 0:33:57- # Congre gavit - nos inunum Christi amor
0:33:58 > 0:34:09- # Christi amor
0:34:11 > 0:34:25- # A-men #
0:34:31 > 0:34:34- An upbeat song - What Shall We Do - With a Drunken Sailor?
0:34:38 > 0:34:40- We have one drunk in the choir. - - not usually.
0:34:41 > 0:34:45- We want to show we can sing - light-hearted songs...
0:34:45 > 0:34:46- ..to a high standard.
0:34:47 > 0:34:49- # What shall we do, what shall we do
0:34:49 > 0:34:50- # What shall we do, what shall we do
0:34:51 > 0:34:52- # What shall we do, what shall we do
0:34:52 > 0:34:55- # What shall we do, what shall we do - with the drunken sailor?
0:34:56 > 0:35:00- # Way hay, and up she rises, - way hay, and up she rises
0:35:00 > 0:35:04- # Way hay, and up she rises - early in the morning
0:35:04 > 0:35:06- # What shall we do, what shall we do
0:35:06 > 0:35:08- # What shall we do, what shall we do
0:35:08 > 0:35:13- # What shall we do, what shall we do - with a drunken sailor?
0:35:13 > 0:35:17- # What shall we do - with a drunken sailor?
0:35:17 > 0:35:21- # What shall we do - with a drunken sailor?
0:35:21 > 0:35:26- # What shall we do - with a drunken sailor?
0:35:26 > 0:35:29- # Early in the morning
0:35:30 > 0:35:32- # Pull out the plug - and wet him all over
0:35:32 > 0:35:34- # Pull out the plug - and wet him all over
0:35:34 > 0:35:39- # Pull out the plug and wet him - all over early in the morning
0:35:39 > 0:35:43- # Way hay, and up she rises, - way hay, and up she rises
0:35:43 > 0:35:47- # Way hay, and up she rises - early in the morning
0:35:47 > 0:35:49- # What shall we do, what shall we do
0:35:49 > 0:35:51- # What shall we do, what shall we do
0:35:53 > 0:36:00- # With a drunken sailor? #
0:36:05 > 0:36:10- Our next piece is Dana Dana. - It's a pacy energetic song.
0:36:10 > 0:36:13- It's unaccompanied - and the choir has to work hard...
0:36:14 > 0:36:16- ..with voices - singing across each other.
0:36:16 > 0:36:18- # Hey, get you ready, - trip with pleasure
0:36:18 > 0:36:20- # Thou has ten years - danced this measure
0:36:21 > 0:36:23- # Hoy, hoy dana dana dana, danoydom
0:36:24 > 0:36:26- # Hey, this young maiden, - Father hear me!
0:36:26 > 0:36:28- # Would I held her ever near me
0:36:28 > 0:36:31- # Hoy, hoy dana dana dana, danadom
0:36:31 > 0:36:33- # Hey, sorrows wound me, - stab me, sting me
0:36:34 > 0:36:35- # Hasten, rose, - your healing bring me
0:36:36 > 0:36:39- # Hoy, hoy dana dana dana, danadom
0:36:39 > 0:36:41- # Hoy, hoy dana dana dana, danadom
0:36:41 > 0:36:43- # Hoy, hoy dana dana dana, danadom
0:36:43 > 0:36:45- # Hoy, hoy dana dana dana, danadom
0:36:45 > 0:36:47- # Dana dana dana, danadom, - dana dana dana, danadom
0:36:47 > 0:36:50- # Dana dana dana, danadom, - dana dana dana, danadom
0:36:50 > 0:36:52- # Hey, be not clever, do not tarry
0:36:52 > 0:36:54- # Do not falter, come and marry
0:36:55 > 0:36:58- # Hoy, hoy dana dana dana, danadom
0:36:58 > 0:37:00- # Hey, do not see me, - nothing matters
0:37:00 > 0:37:02- # Children nine - nor clothes in tatters
0:37:02 > 0:37:05- # Hoy, dana danadana dana danoidom
0:37:06 > 0:37:08- # Hoy, danadana dannoydom
0:37:08 > 0:37:10- # Hoy, danadana dannoydom
0:37:10 > 0:37:11- # Hoy, dana danadanadom
0:37:12 > 0:37:13- # Danadanadanadom, danadanadanadom
0:37:13 > 0:37:16- # Danadanadanadom, danadanadanadom
0:37:17 > 0:37:19- # Hey, night is over, - day is breaking
0:37:19 > 0:37:21- # I am dancing, sleep forsaking
0:37:21 > 0:37:24- # Hoy, dana hoy, dana hoy, - dana danadana
0:37:25 > 0:37:26- # Shey, danahoy, shey, danahoy
0:37:26 > 0:37:28- # Shey, danahoy, shey, danahoy
0:37:28 > 0:37:29- # Dana, danadanahoy
0:37:29 > 0:37:31- # Dana, danadanahoy
0:37:31 > 0:37:32- # Dana, danadanahoy
0:37:32 > 0:37:34- # Danahoy! #
0:37:39 > 0:37:42- We finish our repertoire - with a hymn, O Iesu Mawr.
0:37:43 > 0:37:46- It was one of the first pieces - we learnt as a choir.
0:37:46 > 0:37:51- I hope it closes a strong repertoire - and shows us at our best.
0:37:51 > 0:38:00- # All graces - that the church can know
0:38:00 > 0:38:10- # In heav'n above or earth below
0:38:10 > 0:38:18- # I claim them all as my due right
0:38:19 > 0:38:28- # If I possess thy nature's might
0:38:41 > 0:38:53- # I'll cling to Thee - while I have breath
0:38:54 > 0:39:04- # I'll praise the virtues - of Thy death
0:39:05 > 0:39:13- # I'll bear the cross, - I'll breast the tide
0:39:14 > 0:39:23- # If Thous thyself in me abide
0:39:23 > 0:39:27- # Amen
0:39:27 > 0:39:31- # Amen
0:39:31 > 0:39:35- # Amen
0:39:35 > 0:39:45- # Amen #
0:39:56 > 0:39:58- I'm speechless.
0:39:58 > 0:40:00- My voice has gone.
0:40:00 > 0:40:04- Congratulations. - Everyone was clapping here.
0:40:04 > 0:40:08- They're very generous. - They'll clap anything these days.
0:40:08 > 0:40:11- What kind of experience - was it on stage?
0:40:12 > 0:40:14- It was a memorable experience.
0:40:14 > 0:40:17- It's nice singing - with the other choirs.
0:40:17 > 0:40:19- They're so professional.
0:40:19 > 0:40:23- What I like about this choir - is they sing naturally.
0:40:23 > 0:40:25- It's powerful singing.
0:40:25 > 0:40:28- Aled knows - how to achieve the best sound...
0:40:29 > 0:40:31- ..and understands men's voices.
0:40:31 > 0:40:35- He allows them to create a personal - sound and binds them together.
0:40:35 > 0:40:37- That gives him more control...
0:40:38 > 0:40:40- ..and it helps the singers relax.
0:40:40 > 0:40:44- Tonight, especially, - they had an honest sound.
0:40:44 > 0:40:46- The vowels were very clear.
0:40:47 > 0:40:51- There was a lovely ping - when they raised the roof.
0:40:51 > 0:40:53- There was spirit and soul.
0:40:53 > 0:40:59- They were sensitive and careful - when they had to be.
0:40:59 > 0:41:03- The choir is full of farmers. - Did they milk every note?
0:41:04 > 0:41:06- Oh, Morgan!
0:41:09 > 0:41:14- This is a large choir but they moved - together, breathed together...
0:41:14 > 0:41:18- ..and started their notes together - very cleanly.
0:41:18 > 0:41:20- I was listening out for that.
0:41:20 > 0:41:25- They're worried that if they reach - the final, many will be missing.
0:41:25 > 0:41:27- Are they on to a winner?
0:41:27 > 0:41:29- Morgan, no. That's enough.
0:41:30 > 0:41:32- Your puns are terrible.
0:41:34 > 0:41:36- Good comments for us.
0:41:36 > 0:41:41- We're here for the first time - and we're comfortable as a choir.
0:41:41 > 0:41:43- We're on the right track.
0:41:43 > 0:41:45- Good luck with the lambing.
0:41:46 > 0:41:49- I won't be doing anything! - I have no idea what to do.
0:41:49 > 0:41:52- Bois Ceredigion - are the next choir on stage.
0:41:53 > 0:41:56- They close the competition - after the break.
0:41:56 > 0:41:56- .
0:42:02 > 0:42:02- Subtitles
0:42:02 > 0:42:04- Subtitles- - Subtitles
0:42:08 > 0:42:12- We're Bois Ceredigion, - not Ceredigion male voice choir.
0:42:12 > 0:42:14- That's how I've always seen them.
0:42:15 > 0:42:17- They're a glee gang.
0:42:18 > 0:42:22- They're not a traditional - male voice choir.
0:42:22 > 0:42:25- We're 10 in number. - We have a different sound.
0:42:26 > 0:42:29- I hope we offer - something different too.
0:42:29 > 0:42:33- Many highlights - - singing in Hungary.
0:42:34 > 0:42:36- Down to the Eden Project - in Cornwall.
0:42:36 > 0:42:40- Singing at the Thousand Voices - Festival in the Albert Hall.
0:42:41 > 0:42:42- Islwyn is unique.
0:42:42 > 0:42:43- Islwyn is unique.- - Late!
0:42:44 > 0:42:46- Laidback. Comfy.
0:42:46 > 0:42:48- Committed.
0:42:48 > 0:42:50- Forgets keyboards.
0:42:51 > 0:42:55- Islwyn's been part of our lives - since we were quite young.
0:42:56 > 0:42:59- Last ten years, - more than that, 15, 20 years.
0:42:59 > 0:43:02- He's given so much - to local youngsters.
0:43:02 > 0:43:04- There's no doubt about that.
0:43:05 > 0:43:08- Newcastle Emlyn. - Best place in the world.
0:43:08 > 0:43:12- We're all scattered now but - it's nice to come home to sing.
0:43:13 > 0:43:18- When the call comes to return, - it feels so natural to join in.
0:43:18 > 0:43:20- Why do they call me the choir clown?
0:43:21 > 0:43:22- Bry.
0:43:22 > 0:43:24- I take things seriously.
0:43:24 > 0:43:25- DJ Bry.
0:43:25 > 0:43:26- DJ Bry.- - Too serious.
0:43:27 > 0:43:28- My brother.
0:43:28 > 0:43:31- My brother.- - When Islwyn shouts, I'll kick off.
0:43:32 > 0:43:34- Poni.
0:43:35 > 0:43:39- The secret to our success - is not rehearsing too much.
0:43:40 > 0:43:41- I work hard with other choirs.
0:43:42 > 0:43:47- With the boys, I put them on stage - and the women and mothers melt.
0:43:49 > 0:43:51- West is best.
0:43:56 > 0:43:59- The Wild West boys - are ready to melt some hearts.
0:43:59 > 0:44:02- Islwyn Evans is here - to raise the temperature.
0:44:03 > 0:44:05- Bois Ceredigion.
0:44:13 > 0:44:16- # There is a meeting
0:44:16 > 0:44:18- # There is a meeting
0:44:18 > 0:44:20- # There is a meeting
0:44:20 > 0:44:26- We open our repertoire with a song - I heard from a capella group Cantus.
0:44:27 > 0:44:30- It was written - by one of their former singers...
0:44:30 > 0:44:35- ..just before rehearsal one day - as they were preparing to record.
0:44:35 > 0:44:37- # There is a meeting here tonight
0:44:38 > 0:44:40- # There is a meeting here tonight
0:44:40 > 0:44:42- # I can tell by your friendly faces
0:44:42 > 0:44:44- # There is a meeting here tonight
0:44:44 > 0:44:46- # Well, I went down - to the valley one day
0:44:46 > 0:44:48- # Well, I went down - to the valley one day
0:44:49 > 0:44:50- # Met old Satan on my way
0:44:51 > 0:44:53- # Met old Satan on my way
0:44:53 > 0:44:55- # What do you reckon - old Satan did say
0:44:55 > 0:44:57- # What do you reckon - old Satan did say
0:44:57 > 0:45:00- # Turn back, young lad, - you're too young to pray
0:45:00 > 0:45:03- # You're too young to pray, - you're too young to pray
0:45:03 > 0:45:05- # There's a meeting here tonight
0:45:05 > 0:45:07- # There's a meeting here tonight
0:45:08 > 0:45:10- # I can tell by your friendly faces
0:45:10 > 0:45:11- # There's a meeting here tonight
0:45:12 > 0:45:14- # There is a meeting
0:45:14 > 0:45:16- # There is a meeting
0:45:17 > 0:45:20- # There is a meeting here tonight
0:45:20 > 0:45:21- # Hallelujah
0:45:21 > 0:45:23- # There is a meeting
0:45:23 > 0:45:25- # There is a meeting
0:45:25 > 0:45:29- # There is a meeting here tonight
0:45:30 > 0:45:32- # There is a meeting
0:45:32 > 0:45:33- # There is a meeting
0:45:34 > 0:45:38- # There is a meeting here tonight
0:45:39 > 0:45:44- # There is a meeting here tonight #
0:45:48 > 0:45:52- The next piece will be more familiar - to the audience.
0:45:52 > 0:45:54- Huntsmen's Chorus by Weber.
0:45:54 > 0:45:57- A traditional male voice choir song.
0:45:58 > 0:46:02- # Diana is present - to brighten the night
0:46:03 > 0:46:07- # Her darkness cools us - like any refreshment in the day
0:46:07 > 0:46:12- # To fell the bloody wolf, - and the boar who greedily roots
0:46:12 > 0:46:16- # Through the green crops
0:46:16 > 0:46:21- # Is joy for a prince, - is real man's desire
0:46:21 > 0:46:25- # It strengthens your limbs - and spices your food
0:46:26 > 0:46:30- # When woods and rocks - resound all about us
0:46:30 > 0:46:34- # A full goblet sings a freer - and happier song!
0:46:35 > 0:46:37- # Yo, ho! Trala-la-la-la-la-la-la!
0:46:37 > 0:46:41- # Trala-la-la-la-la-la-la!
0:46:42 > 0:46:44- # La-la-la-la-la-la-la!
0:46:44 > 0:46:46- # La-la-la-la-la-la-la!
0:46:46 > 0:46:48- # La-la-la-la-la-la-la!
0:46:49 > 0:46:53- # La-la-la-la-la-la-la!
0:46:53 > 0:46:55- # Trala-la-la-la-la-la-la!
0:46:55 > 0:46:57- # La-la-la-la-la-la!
0:46:58 > 0:47:00- # La-la-la-la-la-la!
0:47:00 > 0:47:02- # La-la-la-la-la-la!
0:47:02 > 0:47:04- # La-la-la-la-la-la!
0:47:04 > 0:47:09- # La-la-la-la-la-la! #
0:47:14 > 0:47:21- Next, a piece that's loved by - thousands and thousands of people.
0:47:22 > 0:47:25- Joseph Parry's arrangement, Myfanwy.
0:47:27 > 0:47:28- Enough said.
0:47:29 > 0:47:38- # Myfanwy, - may your life entirely be
0:47:38 > 0:47:46- # Beneath the midday sun's - bright glow
0:47:46 > 0:47:56- # And may a blushing rose of health
0:47:56 > 0:48:04- # Dance on your cheek - a hundred years
0:48:05 > 0:48:14- # I forget all your words of promise
0:48:14 > 0:48:23- # You made to someone, - my pretty girl
0:48:23 > 0:48:29- # So give me your hand
0:48:29 > 0:48:37- # My sweet Myfanwy
0:48:39 > 0:48:49- # For no more but to say
0:48:51 > 0:49:02- # Farewell #
0:49:09 > 0:49:13- I heard Il Divo singing - the next piece.
0:49:14 > 0:49:16- A big show number for X Factor.
0:49:17 > 0:49:22- I thought, - "If they can do it, so can we."
0:49:22 > 0:49:26- Here's our version - of Nella Fantasia.
0:49:48 > 0:49:52- # Nella fantasia
0:49:52 > 0:49:56- # Esiste un vento caldo
0:49:57 > 0:50:01- # Che soffia sulle citta
0:50:02 > 0:50:06- # Come amico
0:50:06 > 0:50:10- # Lo sogno d'anime
0:50:10 > 0:50:16- # Che sono sempre libere
0:50:16 > 0:50:21- # Come le nuvole
0:50:21 > 0:50:28- # Che volano
0:50:28 > 0:50:36- # Pien d'umanita
0:50:38 > 0:50:40- # In fondo
0:50:40 > 0:50:49- # All'anima #
0:51:08 > 0:51:10- Finally, an old favourite.
0:51:10 > 0:51:12- Seasons of Love from Rent.
0:51:13 > 0:51:16- Their faces lit up when they heard - we were singing it again.
0:51:17 > 0:51:22- # In truth that she learned - or in times that he tried
0:51:22 > 0:51:27- # In bridges he burned - or the way that he died
0:51:27 > 0:51:33- # It's time now to sing out - though the story never ends
0:51:33 > 0:51:37- # Let's celebrate, remember a year - in the life of friends
0:51:37 > 0:51:42- # Remember the love?
0:51:42 > 0:51:47- # Remember the love?
0:51:47 > 0:51:53- # Remember the love?
0:51:53 > 0:51:59- # Measure in love, measure in love
0:52:04 > 0:52:09- # Five hundred twenty-five thousand - six hundred minutes
0:52:10 > 0:52:14- # How do you measure a year?
0:52:14 > 0:52:20- # In daylights, in sunsets, - in midnights, in cups of coffee
0:52:20 > 0:52:25- # In inches, in miles, - in laughter, in strife?
0:52:25 > 0:52:35- # How do you measure - a year in the life?
0:52:35 > 0:52:41- # Measure in love
0:52:42 > 0:52:51- # Seasons of love
0:52:53 > 0:53:00- # Love #
0:53:08 > 0:53:10- Four choirs have sung.
0:53:10 > 0:53:14- After the break, we hear - Elin Manahan Thomas' thoughts...
0:53:14 > 0:53:18- ..we join the Ceredigion boys - backstage, and the result!
0:53:18 > 0:53:18- .
0:53:24 > 0:53:24- Subtitles
0:53:24 > 0:53:26- Subtitles- - Subtitles
0:53:29 > 0:53:35- Welcome back to Aberystwyth. - Bois Ceredigion are backstage.
0:53:37 > 0:53:40- It's been a very strong competition.
0:53:40 > 0:53:45- We enjoyed listening on the balcony. - We had four great choirs.
0:53:46 > 0:53:50- Is it nice being able to socialise - with the others backstage?
0:53:50 > 0:53:54- Definitely. There's no animosity - in the choral world.
0:53:54 > 0:53:57- We're all friends, we enjoy singing.
0:53:58 > 0:54:02- They're slick, the choreography - is wonderful, it all comes together.
0:54:03 > 0:54:08- I have to emphasise, that doesn't - detract from how musical they are.
0:54:08 > 0:54:12- Sometimes, - we just see and forget to listen.
0:54:12 > 0:54:16- They didn't lose their focus - or tonality.
0:54:16 > 0:54:19- They sung together so perfectly.
0:54:19 > 0:54:22- They told a story beautifully.
0:54:22 > 0:54:25- Islwyn takes risks with them.
0:54:25 > 0:54:29- Myfanwy means something different - to all of us.
0:54:29 > 0:54:33- They sung it unaccompanied, - there were less of them...
0:54:33 > 0:54:38- ..but they created a wonderful sound - and a fantastic ambience.
0:54:38 > 0:54:41- The highlight for me was the Weber, - I love Weber.
0:54:41 > 0:54:44- There were wonderful - legato shapes and sentencing.
0:54:45 > 0:54:48- They produced new colour and - then we ended up on the West End.
0:54:49 > 0:54:53- They can do a little of everything. - That's lovely to see.
0:54:53 > 0:54:56- One of their secrets - is not over rehearsing.
0:54:56 > 0:54:58- I heard that. I don't believe it.
0:54:59 > 0:55:05- They worked extremely hard - but still made it look simple.
0:55:05 > 0:55:07- They were very kind.
0:55:07 > 0:55:10- You close a very strong competition.
0:55:11 > 0:55:15- It's been varied in terms - of the choirs' repertoires.
0:55:15 > 0:55:19- It'll be interesting to see - what the judges choose.
0:55:19 > 0:55:24- Our strength is playing - to the numbers we have.
0:55:24 > 0:55:27- We can't compete - against the big choral sound...
0:55:27 > 0:55:30- ..but we made the best - of our resources.
0:55:30 > 0:55:34- After the noise, came silence.
0:55:34 > 0:55:38- The performances are over - and our international judges...
0:55:39 > 0:55:43- ..head off to discuss, debate - and choose their favourite choir.
0:55:45 > 0:55:49- Professor Edward Higginbottom - was the first person...
0:55:49 > 0:55:53- ..to become Professor of - Choral Music in Oxford University.
0:55:53 > 0:55:55- After recording over 100 CDs...
0:55:56 > 0:56:00- ..he's an international-renowned - expert in sacred choral music.
0:56:02 > 0:56:06- Award-winning Maria Guinan - comes from Venezuela.
0:56:06 > 0:56:09- She's a consultant - and coordinator of El Sistema...
0:56:10 > 0:56:13- ..a project where the - less fortunate are given...
0:56:13 > 0:56:15- ..musical education - and opportunities.
0:56:16 > 0:56:20- Composer Christopher Tin - has won two Grammys...
0:56:20 > 0:56:26- ..one for composing music for - a video game for the song Baba Yetu.
0:56:29 > 0:56:33- After discussing, one choir has - caught the attention of all three.
0:56:34 > 0:56:38- This evening's winner - impressed me and the jury...
0:56:38 > 0:56:40- ..by singing as a single man.
0:56:40 > 0:56:44- They spoke strongly of what they - intended to do with their music.
0:56:44 > 0:56:48- The winning choir - could have been one of two choices.
0:56:48 > 0:56:50- It was - a difficult decision to make.
0:56:50 > 0:56:54- The runner-up choir ran over time - by a significant amount.
0:56:54 > 0:56:58- That factored heavily - into our decision-making process.
0:56:59 > 0:57:04- The winning choir - had a wonderful vocal instrument.
0:57:05 > 0:57:09- A collection of big voices, - a strong foundation...
0:57:09 > 0:57:12- ..with the sound weaved beautifully.
0:57:14 > 0:57:19- The four conductors - look on patiently and hopefully.
0:57:20 > 0:57:23- First, let's hear from Elin.
0:57:23 > 0:57:27- For me, head and heart, - Bois Ceredigion.
0:57:27 > 0:57:30- Do the trio agree - with Elin Manahan Thomas?
0:57:30 > 0:57:32- Professor Higginbottom...
0:57:33 > 0:57:34- ..the result, please.
0:57:35 > 0:57:38- The winner is...
0:57:54 > 0:57:58- ..Cor Meibion Machynlleth.
0:58:21 > 0:58:22- Congratulations.
0:58:23 > 0:58:27- You've won the male voice choir - competition - how do you feel?
0:58:28 > 0:58:32- I wasn't expecting that, - I really wasn't.
0:58:32 > 0:58:35- It's an honour.
0:58:35 > 0:58:38- You have a problem. - Final or lambing?
0:58:39 > 0:58:41- We'll be here, we'll be here.
0:58:41 > 0:58:44- Celebrate in style, congratulations.
0:58:44 > 0:58:47- Well done, Cor Meibion Machynlleth.
0:58:47 > 0:58:50- That's all for tonight - from Aberystwyth.
0:58:51 > 0:58:53- Our thanks go to all the choirs.
0:58:53 > 0:58:57- The judges' comments - can be found on S4C's website.
0:58:58 > 0:59:02- We leave you tonight - in the sound of the winning choir...
0:59:02 > 0:59:04- ..Cor Meibion Machynlleth.
0:59:05 > 0:59:06- Goodnight.
0:59:09 > 0:59:18- # I'll bear the cross, - I'll breast the tide
0:59:18 > 0:59:27- # If Thous thyself in me abide
0:59:27 > 0:59:31- # Amen
0:59:31 > 0:59:35- # Amen
0:59:35 > 0:59:39- # Amen
0:59:39 > 0:59:49- # Amen #
0:59:51 > 0:59:53- S4C Subtitles by Adnod Cyf.
0:59:53 > 0:59:53- .