0:00:14 > 0:00:17Welcome to the '70s.
0:00:17 > 0:00:21To British rock and a collection of phenomenal performances.
0:00:21 > 0:00:24You know, it's tricky doing music compilation shows these days,
0:00:24 > 0:00:27because, well, thanks a lot, YouTube.
0:00:27 > 0:00:30But we've tried to be nimble and surprising,
0:00:30 > 0:00:32and the next half hour is really not bad.
0:00:32 > 0:00:34How's that for selling it?
0:00:34 > 0:00:37First up, the mighty Who and Join Together.
0:00:37 > 0:00:40Michael Lindsay-Hogg - son of Orson Welles, you know -
0:00:40 > 0:00:42had directed the band on Ready Steady Go!
0:00:42 > 0:00:46and it seems it was this anarchic spirit he wanted to recapture
0:00:46 > 0:00:49when the cameras rolled at London Weekend Television
0:00:49 > 0:00:52one Sunday afternoon in June, 1972.
0:01:27 > 0:01:31# When you hear the sound a-comin'
0:01:31 > 0:01:33# Hear the drums drumming
0:01:33 > 0:01:37# I wanted to join together with the band
0:01:39 > 0:01:42# We don't move in any particular direction
0:01:42 > 0:01:44# And we don't make no collections
0:01:44 > 0:01:49# I want you to join together with the band
0:02:02 > 0:02:05# Do you really think I care
0:02:05 > 0:02:07# What you read or what you wear?
0:02:07 > 0:02:11# I wanted to join together with the band
0:02:13 > 0:02:16# There's a million ways to laugh
0:02:16 > 0:02:18# And every one's a path
0:02:18 > 0:02:23# Come on and join together with the band
0:02:36 > 0:02:39# Everybody join together
0:02:39 > 0:02:41# I want you to join together
0:02:41 > 0:02:46# Come on and join together with the band
0:02:47 > 0:02:50# We need you to join together
0:02:50 > 0:02:53# Come on and join together
0:02:53 > 0:02:57# Come on and join together with the band
0:03:22 > 0:03:25# You don't have to play
0:03:25 > 0:03:27# You can follow or lead the way
0:03:27 > 0:03:31# I want you to join together with the band
0:03:33 > 0:03:36# We don't know where we're going
0:03:36 > 0:03:39# But the season's right for knowing
0:03:39 > 0:03:43# I want you to join together with the band
0:03:56 > 0:03:59# It's the singer, not the song
0:03:59 > 0:04:01# That makes the music move along
0:04:01 > 0:04:06# I want you to join together with the band
0:04:07 > 0:04:10# This is the biggest band you'll find
0:04:10 > 0:04:13# It's as deep as it is wide
0:04:13 > 0:04:17# Come on and join together with the band
0:04:18 > 0:04:21- # Hey, hey, hey, hey, hey - Join together
0:04:21 > 0:04:25# Everybody come on and join
0:04:25 > 0:04:28# Join together with the band
0:04:30 > 0:04:33# We need you to join together
0:04:33 > 0:04:35- # Everybody come on - Join together
0:04:35 > 0:04:40# Hey, hey, hey Join together with the band... #
0:05:00 > 0:05:04And those are the studios, viewers, where they now film the X Factor.
0:05:07 > 0:05:10When Brian Eno left Roxy Music in 1973,
0:05:10 > 0:05:14he apparently enjoyed a brief career as a pop star.
0:05:14 > 0:05:16Now, there was no film evidence of this,
0:05:16 > 0:05:20so it was widely believed that Brian had just, well, made that up.
0:05:20 > 0:05:23But we have now tracked down a clip of him on the Dutch
0:05:23 > 0:05:27television show TopPop, which has never been shown on TV here before.
0:05:27 > 0:05:29And yeah, there's Brian -
0:05:29 > 0:05:33real name, of course, Edson Arantes do Nascimento Pele Phil Manzanera -
0:05:33 > 0:05:36slightly self-consciously miming to his Scandipop hitlet,
0:05:36 > 0:05:38the Seven Deadly Finns.
0:05:43 > 0:05:47# Oh, the French girls with the strings of pearls
0:05:47 > 0:05:51# Think it's such a burning shame
0:05:51 > 0:05:54# That the local boys with their country joys
0:05:54 > 0:05:56# Never make them daisy chains
0:05:56 > 0:06:00# They're swapping disappointing incidents
0:06:00 > 0:06:03# While at the docks another ship pulls in
0:06:03 > 0:06:06- # And suddenly the door breaks down - Ooh, la, la
0:06:06 > 0:06:08# It's the seven deadly Finns
0:06:08 > 0:06:12# Oh, oh, oh, soldiers and sailors
0:06:12 > 0:06:15# Have all been here before
0:06:15 > 0:06:18# Gigolos and governments
0:06:18 > 0:06:21# Have tumbled through that door
0:06:21 > 0:06:25# Because they need those French girls with all their kiss curls
0:06:25 > 0:06:27# And powder in their guns
0:06:27 > 0:06:30# And the seven Finns with their deadly grins
0:06:30 > 0:06:34# Tend to measure beauty in tuns
0:06:34 > 0:06:36# The first is a freak with a masochistic streak
0:06:36 > 0:06:40# And the second is a kitten up a tree
0:06:40 > 0:06:43# The third is a flirt with an awful print skirt
0:06:43 > 0:06:46# And the fourth is pretending to be me
0:06:46 > 0:06:49# The fifth wears a mac and never turns his back
0:06:49 > 0:06:53# And the sixth never shows his eyes
0:06:53 > 0:06:56# But the seventh deadly Finn is so tall and slim
0:06:56 > 0:06:59# He should've never been with those guys
0:07:23 > 0:07:27# Although variety's the spice of life
0:07:27 > 0:07:30# A steady rhythm is the source
0:07:30 > 0:07:33# Simplicity's the crucial thing
0:07:33 > 0:07:36# Systemically of course
0:07:36 > 0:07:42# So when those French girls say to you, would you like your ashes piped?
0:07:42 > 0:07:45# You'll have to take their word for it
0:07:45 > 0:07:48# It's the only thing to take
0:07:48 > 0:07:55# Oh-oh, oh-oh, oh-oh Oh-oh, oh-oh...
0:07:55 > 0:07:59HE YODELS
0:08:14 > 0:08:19# Oh-oh, oh-oh, oh-oh Oh-oh, oh-oh... #
0:08:20 > 0:08:24HE YODELS
0:08:32 > 0:08:36And for those of you who enjoy preposterous European pop shows,
0:08:36 > 0:08:39stay tuned for our show on the '80s.
0:08:39 > 0:08:43Kate Bush only ever toured once and that was in 1979.
0:08:43 > 0:08:46There then emerged all kinds of theories as to why
0:08:46 > 0:08:49she never wanted to do it again. However, anyone who has ever
0:08:49 > 0:08:53smelled a tour bus on its second week will totally understand.
0:08:53 > 0:08:57But just to prove it did actually happen, here she is, live,
0:08:57 > 0:09:00at the reeking old Hammersmith Odeon.
0:09:02 > 0:09:05- # Rolling the ball - Rolling
0:09:05 > 0:09:07- # Rolling the ball - Rolling
0:09:07 > 0:09:11# Rolling the ball to me
0:09:11 > 0:09:14- # Rolling the ball - Rolling
0:09:14 > 0:09:16- # Rolling the ball - Rolling
0:09:16 > 0:09:21# Rolling the ball to me
0:09:21 > 0:09:24# They arrived at an inconvenient time
0:09:25 > 0:09:29# I was hiding in a room in my mind
0:09:29 > 0:09:32# They made me look at myself
0:09:32 > 0:09:33# I saw it well
0:09:33 > 0:09:37# I'd shut the people out of my life
0:09:38 > 0:09:42# So now I take the opportunities
0:09:42 > 0:09:47# Wonderful teachers ready to teach me
0:09:47 > 0:09:49# I must work on my mind
0:09:49 > 0:09:51# For now I realise
0:09:51 > 0:09:57# Everyone of us has a heaven inside
0:09:57 > 0:10:01# Them heavy people hit me in a soft spot
0:10:01 > 0:10:05# Them heavy people help me
0:10:05 > 0:10:10# Them heavy people hit me in a soft spot
0:10:10 > 0:10:12- # Rolling the ball - Rolling
0:10:12 > 0:10:14- # Rolling the ball - Rolling
0:10:14 > 0:10:19# Rolling the ball to me
0:10:19 > 0:10:21- # Rolling the ball - Rolling
0:10:21 > 0:10:23- # Rolling the ball - Rolling
0:10:23 > 0:10:28# Rolling the ball to me
0:10:28 > 0:10:32# They open doorways that I thought were shut for good
0:10:32 > 0:10:37# They read me Gurdjieff and Jesu
0:10:37 > 0:10:41# They build up my body Break me emotionally
0:10:41 > 0:10:46# It's nearly killing me but what a lovely feeling
0:10:47 > 0:10:51# I love the whirling of the dervishes
0:10:52 > 0:10:55# I love the beauty of their innocence
0:10:55 > 0:11:00# Don't need no crystal ball Don't fall for a magic wand
0:11:00 > 0:11:05# We humans got it all We perform the miracles
0:11:05 > 0:11:10# Them heavy people hit me in a soft spot
0:11:10 > 0:11:15# Them heavy people help me
0:11:15 > 0:11:19# Them heavy people hit me in a soft spot
0:11:19 > 0:11:24# Rolling the, rolling the Rolling the, rolling the
0:11:24 > 0:11:28# Heavy people hit me in a soft spot
0:11:28 > 0:11:31# Them heavy people help me
0:11:32 > 0:11:36# Them heavy people hit me in a soft spot
0:11:36 > 0:11:41# Rolling the, rolling the Ro-oh-oh-oh
0:11:41 > 0:11:45# Them heavy people hit me in a soft spot
0:11:45 > 0:11:49# Them heavy people help me
0:11:50 > 0:11:54# Them heavy people hit me in a soft spot
0:11:54 > 0:11:59Rolling the, rolling the Ro-oh-oh-oh
0:11:59 > 0:12:03# Them heavy people hit me in a soft spot
0:12:03 > 0:12:07# Them heavy people help me
0:12:07 > 0:12:11# Them heavy people hit me in a soft spot
0:12:11 > 0:12:16# Rolling the, rolling the Ro-oh-oh-oh
0:12:16 > 0:12:20# Them heavy people hit me in a soft spot
0:12:20 > 0:12:25# Them heavy people hit me help me
0:12:25 > 0:12:29# Them heavy people hit me in a soft spot
0:12:29 > 0:12:31- # Rolling the ball - Rolling
0:12:31 > 0:12:34- # Rolling in the ball - Rolling
0:12:34 > 0:12:38# Rolling the ball to me
0:12:38 > 0:12:41- # Rolling the ball - Rolling
0:12:41 > 0:12:46# Rolling the ball... #
0:12:49 > 0:12:53CHEERING AND APPLAUSE
0:12:53 > 0:12:54Technical note -
0:12:54 > 0:12:57the pioneering hands-free wireless mic seen there was specially made
0:12:57 > 0:13:02for Kate by her engineer from an old wire coat hanger.
0:13:02 > 0:13:07This is Genesis's fabulous Selling England By The Pound album -
0:13:07 > 0:13:09their best record.
0:13:09 > 0:13:11As you can see from the cover illustration,
0:13:11 > 0:13:13lawn mowers loom large.
0:13:13 > 0:13:16The key song being, of course, I Know What I Like (In Your Wardrobe).
0:13:16 > 0:13:20The mower was actually added to the existing painting only after
0:13:20 > 0:13:21that song was written.
0:13:21 > 0:13:24Filmed at Shepperton Studios in '73,
0:13:24 > 0:13:28here's Peter Gabriel a heartbeat away from embracing world music
0:13:28 > 0:13:32but here content to be mucking about in the old West Country sod.
0:13:33 > 0:13:36And now we're going to take you a little further westward,
0:13:36 > 0:13:38agriculturally speaking.
0:13:38 > 0:13:42To where the sweet smell of freshly mown grass pervades
0:13:42 > 0:13:43our hairy nostrils.
0:13:43 > 0:13:47APPLAUSE
0:13:49 > 0:13:52It's knocking-off time for the cosmic lawn mower.
0:14:23 > 0:14:26It's one o'clock. Time for lunch.
0:14:26 > 0:14:28Dum-dee-dum, dee-day.
0:14:28 > 0:14:31When the sun beats down and I lie on the bench,
0:14:31 > 0:14:34I can always hear them talk.
0:14:35 > 0:14:38# There's always been Ethel
0:14:38 > 0:14:41# Jacob, wake up! You've got to tidy your room now
0:14:44 > 0:14:46# And then Mr Lewis
0:14:47 > 0:14:50# Isn't it time that he was out on his own?
0:14:53 > 0:14:58# Over the garden wall, two little lovebirds coo-coo to you!
0:14:58 > 0:15:00# Keep them mowing blades sharp
0:15:00 > 0:15:05# I know what I like
0:15:05 > 0:15:12# And I like what I know
0:15:12 > 0:15:17# Getting better in your wardrobe
0:15:17 > 0:15:23# Stepping one beyond your show
0:15:26 > 0:15:30# The show
0:15:30 > 0:15:33# Na-na-na, na, na, na, na
0:15:33 > 0:15:35# Na-na-na, na, na, na
0:15:35 > 0:15:39# Na-na-na, na, na, na, na
0:15:39 > 0:15:41# Na-na-na, na, na, na
0:15:41 > 0:15:44# Sunday night, Mr Farmer called
0:15:44 > 0:15:46# Said, "Listen, son You're wasting time
0:15:46 > 0:15:48# "There's a future for you
0:15:48 > 0:15:49# "In the fire escape trade
0:15:49 > 0:15:52# "Come up to town!"
0:15:52 > 0:15:55# But I remembered a voice from the past
0:15:55 > 0:15:58# "Gambling only pays when you're winning"
0:15:58 > 0:16:02# I had to thank old Miss Mort for schooling a failure
0:16:02 > 0:16:04# Keep them mowing blades sharp
0:16:04 > 0:16:08# I know what I like
0:16:08 > 0:16:15# And I like what I know
0:16:15 > 0:16:21# Getting better in your wardrobe
0:16:21 > 0:16:25# Stepping one beyond your show
0:16:25 > 0:16:29# Na, na-na, na, na-na-na-na
0:16:29 > 0:16:30# Yeah!
0:16:30 > 0:16:35# I know what I like
0:16:35 > 0:16:41# And I like what I know
0:16:41 > 0:16:47# Getting better in your wardrobe
0:16:47 > 0:16:53# Stepping one beyond the show
0:17:02 > 0:17:04# When the sun beats down
0:17:04 > 0:17:05# And I lie on the bench
0:17:05 > 0:17:08# I can always hear them talk
0:17:08 > 0:17:11# Me, I'm just a lawn mower
0:17:11 > 0:17:14# You can tell me by the way I walk... #
0:17:14 > 0:17:16PLAYS FLUTE OUTRO
0:17:33 > 0:17:35You know, now I'm thinking about
0:17:35 > 0:17:37other gardening implements in rock music.
0:17:37 > 0:17:39I don't think there are any.
0:17:39 > 0:17:41Oh, not hose. Come on, we're better than that.
0:17:41 > 0:17:45I'm not going to let this show pass without Vivian Stanshall.
0:17:45 > 0:17:48For a while, he truly was the greatest living Englishman,
0:17:48 > 0:17:51his life one long denial of the norm.
0:17:51 > 0:17:54His records were great, but his life was greater.
0:17:54 > 0:17:58So here, then, just the briefest snapshot of a magnificent existence
0:17:58 > 0:18:01played out for pleasure alone.
0:18:01 > 0:18:03What about the pop scene today -
0:18:03 > 0:18:05do you find them rather dull, or exciting,
0:18:05 > 0:18:07the tricks they get up to?
0:18:07 > 0:18:10You seem to be much more original
0:18:10 > 0:18:15than the sort of things that one sees on the television nowadays.
0:18:15 > 0:18:19Um, I think it's...
0:18:19 > 0:18:22I think it is to a formula, if you...
0:18:22 > 0:18:24They're all predictable?
0:18:24 > 0:18:27Mmm. Yes.
0:18:27 > 0:18:31INSTRUMENT NOTES SCREECH
0:18:31 > 0:18:34I really didn't mean to be quite that brutal and bonzo dogmatic.
0:18:34 > 0:18:37And I don't think Radio 1 would be quite as wonderful
0:18:37 > 0:18:38if it sounded like this.
0:18:38 > 0:18:40INSTRUMENT NOTES CONTINUE TO SCREECH
0:18:42 > 0:18:44Mark you, groovers and poopers -
0:18:44 > 0:18:46if I put it out through a synthesiser,
0:18:46 > 0:18:49send it at 5,000 watts with a bit of bass
0:18:49 > 0:18:51and "bup bup shewaddy",
0:18:51 > 0:18:54sequins optional, well...?
0:18:58 > 0:19:01Hello. This is my workshop.
0:19:01 > 0:19:03This is an Edwardian parlour instrument
0:19:03 > 0:19:06called the phonofiddle, or strohviol.
0:19:06 > 0:19:09In the hands of an accomplished performer such as myself,
0:19:09 > 0:19:13you can hear that it has an almost mellifluous voice-like quality.
0:19:13 > 0:19:15Very exciting.
0:19:15 > 0:19:19Part of the reason I went to see Michael Lynch last Wednesday...
0:19:19 > 0:19:21Get down, nostril. ..was to pick up this.
0:19:21 > 0:19:24It's a ukelele in the shape of a flying duck.
0:19:24 > 0:19:27I haven't yet painted it. It's just got the primer down there.
0:19:27 > 0:19:31I can't play you any of that, because the strings are still stretching.
0:19:31 > 0:19:32It sounds dreadful.
0:19:32 > 0:19:36I was trying to get one in the shape of a flying Peter Scott,
0:19:36 > 0:19:39but unfortunately, that proved too difficult to make.
0:19:39 > 0:19:41Good idea, though.
0:19:41 > 0:19:44Another interesting instrument here.
0:19:44 > 0:19:48I don't know what this is called, but it's got priapic overtones.
0:19:48 > 0:19:50It sounds divine.
0:19:50 > 0:19:53OFFKEY NOTES
0:20:00 > 0:20:03Sends a shiver down the spine, doesn't it?
0:20:06 > 0:20:07Viv Stanshall.
0:20:07 > 0:20:11Afterlife, aftershave - he didn't hold with any of them.
0:20:11 > 0:20:15Oddly enough, Stanshall once recorded with our next turns,
0:20:15 > 0:20:16The Dammed.
0:20:16 > 0:20:19But here, Dave, Rat, Brian and the Captain
0:20:19 > 0:20:22are performing what is held to be the first UK punk single
0:20:22 > 0:20:24ever to be released -
0:20:24 > 0:20:27that soothing melody divine, New Rose.
0:20:27 > 0:20:29Is she really going out with him?
0:20:29 > 0:20:31DRUM INTRO
0:20:45 > 0:20:47Uh!
0:20:57 > 0:21:00# I gotta a feelin' inside of me
0:21:00 > 0:21:03# It's kinda strange Like a stormy sea
0:21:03 > 0:21:06# I don't know why, I don't know why
0:21:06 > 0:21:08# I guess these things have gotta be
0:21:08 > 0:21:10# I got a new rose
0:21:10 > 0:21:11# I got her good
0:21:11 > 0:21:14# Guess I knew that I always would
0:21:14 > 0:21:17# I can't stop to mess around
0:21:17 > 0:21:19# Like a brand-new rose in town
0:21:19 > 0:21:22# See the sun, see the sun, it shines
0:21:22 > 0:21:25# Don't get too close or it'll burn your eyes
0:21:25 > 0:21:28# Don't you run away that way
0:21:28 > 0:21:31# You can come back another day
0:21:31 > 0:21:33# I got a new rose I got her good
0:21:33 > 0:21:36# Guess I knew that I always would
0:21:36 > 0:21:39# I can't stop to mess around
0:21:39 > 0:21:41# Like a brand-new rose in town
0:21:47 > 0:21:53# I never thought this could happen to me
0:21:53 > 0:21:54# I feel so strange
0:21:54 > 0:21:58# Why should it be?
0:21:58 > 0:22:03# I don't deserve somebody this great
0:22:03 > 0:22:04# Ohhh
0:22:04 > 0:22:05# I'd better go
0:22:05 > 0:22:09# Or it'll be too late
0:22:09 > 0:22:10# Ah!
0:22:21 > 0:22:22No!
0:22:33 > 0:22:36# Ahhh, I gotta a feelin' inside of me
0:22:36 > 0:22:39# It's kinda strange Like a stormy sea
0:22:39 > 0:22:42# I don't know why, I don't know why
0:22:42 > 0:22:45# I guess these things have gotta be
0:22:45 > 0:22:46# I got a new rose
0:22:46 > 0:22:48# I got her good
0:22:48 > 0:22:50# Guess I knew that I always would
0:22:50 > 0:22:53# I can't stop to mess around
0:22:53 > 0:22:56# Like a brand-new rose in town
0:23:00 > 0:23:01# No, no, no! #
0:23:08 > 0:23:11Wow. Are you watching, Simon Cowell?
0:23:11 > 0:23:14Are you watching, Simon Cowell?
0:23:14 > 0:23:17New Rose was produced by Nick Lowe,
0:23:17 > 0:23:21a man now happily restored to junior status after years of hiding,
0:23:21 > 0:23:24producing hits for others, such as Elvis Costello,
0:23:24 > 0:23:26The Pretenders, Dr Feelgood.
0:23:26 > 0:23:29He was, of course, briefly toppermost of the poppermost himself,
0:23:29 > 0:23:32with hits like I Love The Sound Of Breaking Glass.
0:23:32 > 0:23:37And here it is, backed by Graham Parker's Rumour on Top Of The Pops.
0:23:37 > 0:23:40# I love the sound of breaking glass
0:23:43 > 0:23:46# Especially when I'm lonely
0:23:49 > 0:23:52# I need the noises of destruction
0:23:56 > 0:23:58# When there's nothing new
0:24:01 > 0:24:04# Ohhh, nothing new
0:24:04 > 0:24:07# Sound of breaking glass
0:24:10 > 0:24:14# I love the sound of breaking glass
0:24:17 > 0:24:20# Deep into the night
0:24:23 > 0:24:26# I love the sound of its condition
0:24:30 > 0:24:32# Flyin' all around
0:24:35 > 0:24:37# Oh, all around
0:24:37 > 0:24:40# Sound of breaking glass
0:24:40 > 0:24:42# Nothin' new
0:24:42 > 0:24:45# Sound of breaking glass... #
0:24:47 > 0:24:49PIANO SOLO
0:25:11 > 0:25:13# Oh, all around
0:25:13 > 0:25:16# Sound of breaking glass
0:25:16 > 0:25:18# Nothin' new
0:25:18 > 0:25:20# Sound of breaking glass
0:25:20 > 0:25:22# Safe at last
0:25:22 > 0:25:24# Sound of breaking glass
0:25:27 > 0:25:30# I love the sound of breaking glass
0:25:34 > 0:25:36# Deep into the night
0:25:39 > 0:25:43# I love the work only it can do
0:25:46 > 0:25:48# Oh, a change of mind
0:25:51 > 0:25:54# Oh, change of mind
0:25:54 > 0:25:56# Sound of breaking glass
0:25:56 > 0:26:01# All around Sound of breaking glass
0:26:01 > 0:26:05# Nothin' new Sound of breaking glass
0:26:05 > 0:26:09# Breaking glass Sound of breaking glass
0:26:11 > 0:26:13# Sound of breaking glass
0:26:15 > 0:26:18# Sound of breaking glass
0:26:20 > 0:26:22# Sound of breaking glass
0:26:24 > 0:26:27# Sound of breaking glass. #
0:26:27 > 0:26:31Nick Lowe, whose last five albums, at least, represent for me
0:26:31 > 0:26:34the greatest unbroken run of magnificence
0:26:34 > 0:26:36since Stevie Wonder's heyday -
0:26:36 > 0:26:38although I still have a huge soft spot
0:26:38 > 0:26:40for when he used to be an out-and-out rocker,
0:26:40 > 0:26:41you know...
0:26:41 > 0:26:44# I knew the bride Da-da, da-da-da-da. #
0:26:44 > 0:26:46And the other one, the hit. Oh!
0:26:46 > 0:26:49# Cruel to be nice Ah, la-la, la-la. #
0:26:49 > 0:26:53Nick, don't be a recluse. If you're out there, get in touch.
0:26:53 > 0:26:55We could do a whole programme on you, buddy.
0:26:55 > 0:26:58So let's end with a good old '70s stage invasion.
0:26:58 > 0:27:01Who's good for that? The Specials.
0:27:01 > 0:27:03I hope you found our trawl tonight peppy and worthwhile,
0:27:03 > 0:27:06because we had a go, didn't we?
0:27:06 > 0:27:07Good night.
0:27:07 > 0:27:10I want all you skinheads...
0:27:10 > 0:27:13rude boys, to get up on your feet.
0:27:13 > 0:27:16Put your braces together and your boots on your feet
0:27:16 > 0:27:20and give me some of that old moonstomping.
0:27:20 > 0:27:22Are you ready?
0:27:22 > 0:27:25Start stomping!
0:27:30 > 0:27:35# Yeah-yeah, yeah-yeah Yeah, yeah, yeah, yeah, yeah
0:27:37 > 0:27:42# Yeah-yeah, yeah-yeah Yeah, yeah, yeah, yeah, yeah
0:27:43 > 0:27:48# Yeah-yeah, yeah-yeah Yeah, yeah, yeah, yeah, yeah
0:27:49 > 0:27:55# Yeah-yeah, yeah-yeah Yeah, yeah, yeah, yeah, yeah
0:27:56 > 0:27:57# L-L-Lunar
0:27:57 > 0:28:02# Yeah-yeah, yeah-yeah Yeah, yeah, yeah, yeah, yeah
0:28:03 > 0:28:07# Yeah-yeah, yeah-yeah Yeah, yeah, yeah, yeah, yeah
0:28:08 > 0:28:12# Yeah-yeah, yeah-yeah Yeah, yeah, yeah, yeah, yeah... #
0:28:12 > 0:28:14TEMPO INCREASES
0:28:14 > 0:28:18# Yeah-yeah, yeah-yeah Yeah, yeah, yeah, yeah, yeah
0:28:19 > 0:28:22# Yeah-yeah, yeah-yeah Yeah, yeah, yeah, yeah, yeah
0:28:23 > 0:28:26# Yeah-yeah, yeah-yeah Yeah, yeah, yeah, yeah, yeah
0:28:27 > 0:28:31# Yeah-yeah, yeah-yeah Yeah, yeah, yeah, yeah, yeah. #
0:28:31 > 0:28:33All right.
0:28:33 > 0:28:35Rude boy.
0:28:36 > 0:28:38Moonstomp.
0:28:38 > 0:28:40You remember it?
0:28:40 > 0:28:43# Cruel to be nice Da, ba-ba-ba, bah-bah. #
0:28:43 > 0:28:46- It was a huge hit. - No, no, no. Not like that. It went...
0:28:46 > 0:28:47# Cruel to be nice
0:28:47 > 0:28:49# Doo, doo-doo, doo, doo... #
0:28:49 > 0:28:52That's all right, but, seriously, think about the way I'm doing it.
0:28:52 > 0:28:53It'll work for you.