:00:23. > :00:27.Hello. Welcome to Glastonbury 2011. This festival is across the entire
:00:27. > :00:31.BBC this weekend, but we here at BBC Three got here first. That's
:00:31. > :00:34.right. We were with you all weekend. Stick with us. Also, we're totally
:00:34. > :00:39.and utterly socially interactive, very socially interactive. If you
:00:39. > :00:44.want to go on Twitter, you can, just do:
:00:44. > :00:47.Also, if you want to go on to the BBC Three Facebook pages, you can
:00:47. > :00:51.leave comments, questions for our guests and find out what's going on.
:00:51. > :00:56.I am a sucker for tradition, we here at BBC Three start the same
:00:56. > :00:59.place every year. This year Gregg and Gemma are doing everything we
:00:59. > :01:09.can't and seeing as much as they can for us. What exactly can you
:01:09. > :01:13.
:01:13. > :01:18.Hello, hello, hello. Hi. Amazing. Hello. Hi! All right? This is
:01:18. > :01:22.amazing. This is the best view of Glastonbury! And welcome along to
:01:22. > :01:26.it. This is Biffy Clyro on the Pyramid Stage there. You'll see
:01:26. > :01:32.highlights of that later on BBC Three. Just so breathtaking
:01:32. > :01:36.honestly. I want to welcome you along. We have the best job ever. I
:01:36. > :01:39.am feeling so blissed out I need a cuddle. Can I let you know this
:01:39. > :01:43.really is the best thing to see. I know they're in the tree house
:01:44. > :01:47.having a great time, but we good everywhere - in every tent, every
:01:47. > :01:51.nook and cranny - everywhere. This place is huge, as you can see. High
:01:51. > :01:55.five on that one. And a high five for my riding boots today. I like.
:01:55. > :01:58.I didn't go with a traditional wellie either. Look at that. That
:01:58. > :02:03.is a buckle right there. Buckles and crystals all over the place.
:02:03. > :02:07.Yes, there has been mud, and it has been raining but I don't care. It
:02:07. > :02:14.has been great. What we're going to do is be out and about in the
:02:14. > :02:20.festival all weekend. Shall I send you out? Let's do it. I'll take my
:02:20. > :02:27.mic. See you. Fearne and Reg. riding boog boots - all you need to
:02:27. > :02:30.know. There is boys on the show today. You're quite happy about
:02:30. > :02:33.that. We have a great performance from the The Vaccines I am going to
:02:33. > :02:37.play you, will be lovely. Also, Biffy Clyro fresh off the stage
:02:37. > :02:41.will also come and talk to us, but doing it for the girls will be Katy
:02:41. > :02:47.B. She'll pop along to our studio to a nice acoustic performance and
:02:47. > :02:51.have a chat with us as well. was getting emotional as well
:02:51. > :02:54.because Biffy Clyro weren't wearing any shirts on stage. It's a good
:02:54. > :02:59.look. Sorry. Craning my neck slightly. Can you promise to
:02:59. > :03:06.control yourself when they come in later? No! Good! Let's not waste
:03:06. > :03:16.any time and get right to why you came here, the live music - Two
:03:16. > :03:34.
:03:34. > :03:39.Door Cinema Club, Glastonbury 2011. INAUDIBLE
:03:39. > :03:45.So we call that a good start! Door Cinema Club. Sorry about that.
:03:45. > :03:49.You'll get that later hopefully. We have so many brilliant performances.
:03:49. > :03:53.We'll see The Vaccines, also Mumford & Sons, which Gregg is
:03:53. > :03:59.excited about. He'll be down at the front. Can you mosh to that music?
:03:59. > :04:01.Not really. He's a massive fan of those guys. He'll be salivating.
:04:01. > :04:07.He's going to have a chat to Mumford & Sons before they go on
:04:07. > :04:17.stage. We'll see that I'll tell you what we should do - let's see some
:04:17. > :04:17.
:04:17. > :05:08.Apology for the loss of subtitles for 50 seconds
:05:08. > :05:18.of The Wombats now. Have a look. # Want to twist
:05:18. > :05:19.
:05:19. > :05:23.# The structure of my average day # You feel nothing
:05:23. > :05:25.# So jump into the fog # Hit the ground
:05:25. > :05:31.# That's right # We feel nothing
:05:31. > :05:38.# So jump into the fog # We feel nothing
:05:38. > :05:48.# So jump into the fog # You know that we are curled up,
:05:48. > :06:03.
:06:03. > :06:13.right? # The ladder is too high
:06:13. > :06:19.
:06:19. > :06:22.# So slide back down again # I am only here
:06:22. > :06:25.# We feel nothing # So jump into the fog
:06:25. > :06:29.# You know that we # Will hit the ground upright
:06:29. > :06:32.# We feel nothing # So jump into the fog
:06:32. > :06:36.# I just hope that you're brave # We feel nothing
:06:36. > :06:39.# So jump into the fog # We know that we'll hit
:06:39. > :06:49.# The ground upright # We feel nothing, so jump
:06:49. > :07:09.
:07:09. > :07:12.# Into the fog # I made some bad decisions
:07:12. > :07:15.# It's just that life tastes sweeter
:07:15. > :07:19.# When it's wrapped in debauchery # So drop your map
:07:19. > :07:22.# Drop your plans # Drop that five-step programme
:07:22. > :07:24.# Because there is not an ounce of faith
:07:24. > :07:28.# In this leap # It's clear you feel nothing
:07:28. > :07:36.# So jump into the fog with me # Jump into the fog
:07:37. > :07:43.# Ooh, ooh, ooh # Jump into the fog
:07:43. > :07:53.# Ooh, ooh, ooh # Jump into the fog
:07:53. > :07:53.
:07:53. > :08:45.Apology for the loss of subtitles for 50 seconds
:08:45. > :08:50.# Ooh, ooh, ooh # She said I should come over
:08:50. > :08:52.# It's not my time # Should chop them off
:08:52. > :09:02.# Just to have a good time # Move with me
:09:02. > :09:08.
:09:08. > :09:13.# Or get out of my face # Shut up and stay with me
:09:13. > :09:17.# Stay with me # Or let go of my hand
:09:17. > :09:22.# Places fill our minds # With empty plans
:09:22. > :09:32.# I never knew I was a techno fan # Woo, woo, woo, woo
:09:32. > :09:42.
:09:42. > :09:47.# Who, woo, woo, woo, woo # This is not a weird weekend I am
:09:47. > :09:57.talking like a city boy # Talking with a northern soul
:09:57. > :10:02.
:10:02. > :10:06.# She said I should come over though it's carnage at times
:10:07. > :10:13.# It still seems I'd chop a him off # Before I put up a fight
:10:13. > :10:16.# Move with me # I didn't queue for an hour
:10:16. > :10:20.# To leave straight away # Shut up and stay with me
:10:20. > :10:25.# Stay with me # Or let go of my hand
:10:25. > :10:31.# The lasers fill our minds with empty plans
:10:31. > :10:38.# I never knew I was a techno- # We are the 1980s
:10:38. > :10:42.# We are the Detroit lights # I never wanna
:10:42. > :10:52.# I never wanna see this stop # I'm in debt to you
:10:52. > :10:53.
:10:53. > :10:57.# But don't feed me plant food # Just shut up and move with me
:10:57. > :11:03.# Move with me # Or get out of my face
:11:03. > :11:07.# Duh duh duh # I didn't spend 20 sheets and not
:11:07. > :11:14.a shape # Just shut up and stay with me
:11:14. > :11:21.# Stay with me or let go of my hand # The lasers fill our minds with
:11:21. > :11:27.empty plans # I never knew I was a technofan
:11:27. > :11:37.# Woo, woo, woo, woo, woo # I never knew I was a techno fan
:11:37. > :11:37.
:11:37. > :12:32.Apology for the loss of subtitles for 50 seconds
:12:32. > :12:42.# Woo, woo, woo, woo, woo, woo # I'm back in Liverpool
:12:42. > :12:47.
:12:47. > :12:49.# And everything seems the same # But I worked something out last
:12:49. > :12:52.night # That changed this little boy's
:12:52. > :12:56.brain # A small piece of advice that took
:12:56. > :13:03.22 years in the making # And I will break it to you now
:13:03. > :13:09.# Please learn from my mistakes # Let's dance to Joy Division
:13:09. > :13:13.# And celebrate the irony # Everything is going wrong
:13:13. > :13:17.# But we're so happy # Let's dance to Joy Division
:13:17. > :13:20.# So if you're ever feeling down # Grab your purse and tax a taxi
:13:20. > :13:25.# To the darkest side of town # That's where we'll be
:13:25. > :13:26.# We'll wait for you # And lead you through the
:13:26. > :13:33.dancefloor # To the DJ booth
:13:33. > :13:36.# You know what to ask for # Let's dance to Joy Division
:13:36. > :13:39.# And celebrate the irony # Everything is going wrong
:13:39. > :13:42.# But we're so happy # Let's dance to Joy Division
:13:42. > :13:47.# And raise our glass to the ceiling
:13:47. > :13:57.# Cos this could all go so wrong # But we're so happy
:13:57. > :14:18.
:14:18. > :14:20.# Let the love tear us apart # I found the cure for a broken
:14:20. > :14:30.heart # Let it tear us apart
:14:30. > :14:40.
:14:40. > :14:43.# Let's dance to Joy Division # And celebrate the irony
:14:43. > :14:48.# Everything is going wrong # But we're so happy
:14:48. > :14:50.# Let's dance to Joy Division # And raise our glass to the
:14:50. > :14:55.ceiling # Cos this could all go so wrong
:14:55. > :14:58.# But we're so happy # Yeah, we're so happy
:14:58. > :15:02.# So happy! # And we're so happy
:15:02. > :15:10.# So happy # Yeah, we're so happy
:15:11. > :15:20.# So happy! # Yeah, we're so happy, so happy
:15:20. > :15:22.# Yeah, we're so happy # So happy
:15:22. > :15:26.# Yeah, we're so happy # So happy
:15:27. > :15:36.# Yeah, we're Shouppy, so happy # Yeah, we're so happy! #
:15:37. > :15:40.
:15:40. > :15:44.There you go. That was The Wombats from Other Stage from earlier on
:15:44. > :15:48.today. Fans of Two Door Cinema Club, please stand by. It will happen.
:15:48. > :15:52.With sound. The Wombats wearing white - what a very brave choice in
:15:52. > :15:56.this mud. There we go. We'd now like to welcome our first guest
:15:56. > :16:00.into the studio, a delightful example, the hardest working man at
:16:00. > :16:07.Glastonbury this weekend... That's my official title. Not necessarily
:16:07. > :16:15.the hardest working, but tough. Please don't challenge me to a
:16:15. > :16:20.fight. I don't want to have a fight on BBC Three. John Peel Stage,
:16:20. > :16:25.another DJ set tomorrow night, William Cubitt, Sunday at Crow's
:16:25. > :16:29.Nest, then Sunday at Scream and do our song. Are you DJing? Then I am
:16:29. > :16:33.going to have a shower, maybe a shave, see what happens. You're
:16:33. > :16:39.doing so much at the festival this year. It has been an incredible
:16:40. > :16:42.year so far, your first number one. Nice to see you face to face and
:16:43. > :16:46.say congratulations. What's it been like having a number one after so
:16:46. > :16:49.many years. Yeah, heard it the other week on the radio. I am not
:16:49. > :16:54.getting carried away. Obviously amazing. I have never been about
:16:54. > :16:58.number one singles, just great songs. I just want to keep doing
:16:58. > :17:03.this for ten years. If I can sell out Wembley Stadium one day, I'll
:17:03. > :17:08.celebrate or head Pyramid Stage, but Bob the Builder had a number
:17:08. > :17:12.one. Let's not get too carried away. Also, it's a special week. Your
:17:12. > :17:16.parents came over to Australia. They moved over to Australia six
:17:16. > :17:21.years ago when I signed to Skinner's label back in the day.
:17:21. > :17:24.They kind of missed a lot of my career. The last gig my dad saw me
:17:24. > :17:29.perform two years ago was to 200 people in Islington. He's flown
:17:29. > :17:33.over there. They landed last night. I got them a Mercedes, bringing
:17:33. > :17:41.them down today. In style. Number one parent treatment. My mum is,
:17:41. > :17:45.like, so excited. She's just... What's the capacity in John Peel?
:17:45. > :17:51.20 thou. Imagine seeing that - they have monitored my career from the
:17:51. > :17:55.other side of the world - press snippettes, YouTube clips. Now
:17:55. > :17:58.they're going to be at the John Peel. Will mum cry a little bit?
:17:58. > :18:05.Yeah, yeah. There will be tears. Something we have been asking
:18:05. > :18:11.everybody to get involved with is the hashtag. If you are on Twitter,
:18:11. > :18:16.it's 3 hashtag at glass to. You have been getting in trouble on
:18:16. > :18:19.Twitter. What have you been doing? Just speak my mind. We have all
:18:19. > :18:23.seen it. I said something about Cheryl Lloyd's song, which is fair
:18:23. > :18:28.enough. It's not very good. When you sign to major label off the
:18:28. > :18:31.back of X Factor, you're supposed to have access to the best
:18:31. > :18:36.songwriters in the world. That didn't happen. I love this guy.
:18:36. > :18:42.Whoever wrote the lyrics for them, they're perfectly good singers,
:18:42. > :18:45.good dancers - they're all very beautiful, and Alexandra Burke, I
:18:45. > :18:50.don't want to start it again. Read it for yourself. I need a new
:18:50. > :18:54.target. Can I rectify this? Because I said to Rochelle on the radio the
:18:54. > :18:59.other day I would help you bond as friends? I think if you can arrange
:18:59. > :19:03.some sort of date to sort this out... Taking it to the next level.
:19:03. > :19:08.Are you just bullying her to take her out on a date? That's what
:19:08. > :19:15.happens with guys when you fancy someone. Someone has nicked your
:19:15. > :19:19.tour bus spot? The Arctic Monkeys. We were promised we could park
:19:19. > :19:25.there. I am like, I am on the John Peel Stage. I am nearly headlining.
:19:25. > :19:30.Give us a parking spot - the Arctic Monkeys are taking it. What stage
:19:30. > :19:36.are they on? They're just here! am quite matey with Alex. He's not
:19:36. > :19:42.my best mate or anything but I did karaoke with him three years ago in
:19:42. > :19:46.Sydney. Wow. So he knows who I am. You have done a duet. That's a big
:19:46. > :19:51.deal. I am going to have words. Definitely. We had the most surreal
:19:51. > :19:57.intraps to the festival this year. We're in the car driving in, and as
:19:57. > :20:01.we were coming in, Wu-Tang Clan were on stage performing Ice cream.
:20:01. > :20:07.It was surreal on Pyramid Stage. Are you a fan of Wu-Tang Clan?
:20:07. > :20:12.I think it was the first gig I ever went to other than Bros. We don't
:20:12. > :20:15.talk about them! When I was 14, 15, I went to see them at the Brixton
:20:15. > :20:20.Academy. It was an experience. I have been doing interviews all day.
:20:20. > :20:27.Did you see any of it? I didn't. They were on the Premier stage all
:20:27. > :20:32.day long. Did all of them come? Apart from ODB. I was there like a
:20:32. > :20:38.complete plonker. Method Man was wearing a dressing gown...
:20:38. > :20:48.always has done that. We have taken out the cheeky language, just to
:20:48. > :21:18.
:21:18. > :21:20.Y'all ready? Let's go. # One, two, one, two, yo, check
:21:20. > :21:22.this out # It's the jump off right now
:21:22. > :21:26.# I want everybody to put your work down
:21:26. > :21:31.# Put your guns down # And report to the pit, the gravel
:21:31. > :21:34.# Leave your problems at home # Leave your children at home
:21:34. > :21:40.# We going to take it back underground
:21:40. > :21:45.# I be Bobby Boulders # Wu-Tang Clan on yo mind one time
:21:45. > :21:55.# It's the jump off # So just jump off
:21:55. > :21:55.
:21:55. > :23:32.Apology for the loss of subtitles for 50 seconds
:23:33. > :23:38.# Check out my gravel pit The amazing Wu-Tang Clan on Pyramid
:23:38. > :23:42.Stage earlier on. A fantastic edit there. They are so old now. It's
:23:42. > :23:47.brilliant. They're amazing, awesome. Everyone in the audience were knee
:23:47. > :23:55.deep in mud, having the best time ever. This is the first time on BBC
:23:55. > :24:00.Three... Yes, it's my first time on this team. Bye, mate. See you. He's
:24:00. > :24:04.off to do 100 gigs this weekend. I am looking forward to this. It's
:24:04. > :24:09.also Greg's first time on BBC Three. Before we get to Greg, do you know
:24:09. > :24:16.my first year I was made to drink a pint of beer from a dirty wellie.
:24:16. > :24:22.That's the initiation. I could probably do it. Let's organise that.
:24:22. > :24:30.Could we switch it to gin - I am there. Could we do it with Biffy
:24:30. > :24:36.Clyro? No! Beer. Greg, where are you? I tell you what, Reggie Yates
:24:36. > :24:39.is such a lad, just drinking beer out of wellies! Yeah! I would
:24:39. > :24:43.absolutely love to see his mum and dad. Can you imagine what they're
:24:43. > :24:47.like? The best thing to do about Glastonbury is to come here early
:24:47. > :24:51.to see what's going on. There are loads of brilliant things going on
:24:51. > :24:54.on the stages, but earlier today I began my Glastonbury crawl. It
:24:54. > :24:59.started just over there. Let's have a look.
:24:59. > :25:04.So this is my first time doing the TV for Glastonbury, and I am
:25:04. > :25:09.pleased because I can show you the real Glastonbury. I mean, keep your
:25:09. > :25:13.UVFs and Coldplays. This is the proper bit. I am in the circus area
:25:13. > :25:17.at in a bit. I am going to show you Avalon Stage and the theatre bit. I
:25:17. > :25:25.want to show you some gems you might have heard of before but not
:25:25. > :25:35.necessarily seen - and also some weirdness. Let's go. I'll have a
:25:35. > :25:45.look at these guys. Can you teach This is the outdoor circus stage -
:25:45. > :26:01.
:26:01. > :26:11.What's this, then? An after-work shop. What do I do? Smile. Shake
:26:11. > :26:14.
:26:14. > :26:17.your body a bit. So is this a - this is a sonic forest? What
:26:17. > :26:27.happens in here? You run past the trees in the forest. It makes a
:26:27. > :26:28.
:26:28. > :26:32.sound. Shall we run together, hand in hand? We play this until 4.00pm,
:26:32. > :26:35.then we get sort of wild. I am trying to experience the festival
:26:35. > :26:39.as quick as possible. Basically, these are clay figures people have
:26:39. > :26:44.made over the years. If you want to do the whole festival in a day,
:26:44. > :26:48.we've got it for you. We've got toilets, tempts, a miniature
:26:48. > :26:58.Pyramid Stage here. Who is on the main stage headlining? The seven
:26:58. > :27:06.
:27:06. > :27:16.heads of Bono and The Edge. I love # And I think to myself
:27:16. > :27:23.
:27:24. > :27:27.APPLAUSE Madam, how are you? Hello, dear,
:27:27. > :27:35.how are you? This is a beautiful machine. Lovely, isn't it? You can
:27:35. > :27:39.get four weeks' shopping in here in one go. It's terrific. It's our
:27:39. > :27:45.first time at Glastonbury. Go on. Have a go.
:27:45. > :27:50.I am Betsy, and we are the only formation shopping trolley dancing
:27:50. > :27:54.troupe in the country. I mean, you're very similar to the Red
:27:54. > :28:00.Arrows. Very similar, just with more style and a bit more attitude
:28:00. > :28:08.I think. Not going to have blue smoke coming out of your bum, are
:28:08. > :28:12.you? Depend what I have eaten the night before. Off you pop, then. So
:28:12. > :28:15.part one of my Glastonbury crawl is pretty much done. I have had a
:28:15. > :28:19.great day so far, made some new friends as well. There is loads
:28:19. > :28:25.more to see. Find out what happens in part two.
:28:25. > :28:28.I tell you what, I didn't like those little clay figurines. There
:28:28. > :28:32.was some voodoo business going on there. Thank you very much, lanky
:28:32. > :28:35.but lovely great James. That may take him some time. We'll catch up
:28:35. > :28:39.with him later on. Biffy Clyro are going to be here in a little bit.
:28:39. > :28:43.They have just got off stage. We'll let them have a shower or a baby
:28:43. > :28:46.wipe situation. You can ask any questions you want. If you're a
:28:46. > :28:50.huge fan, either go to the BBC Three Facebook pages or we're
:28:50. > :28:55.trending on Twitter, which is good news:
:28:55. > :29:01.Put your question on there, hashtag 3 at Glass to. Don't forget the BBC
:29:02. > :29:08.Three pages too. We'll put your questions to the lads later.
:29:08. > :29:12.promised you Two Door Cinema Club earlier, but no sound. Hopefully,
:29:12. > :29:15.this does have sound. And this is Two Door Cinema Club, Glastonbury,
:29:15. > :29:25.2011. # I can tell you just what you want
:29:25. > :29:34.
:29:34. > :29:44.# You don't want to be alone # I can say it's what you know
:29:44. > :30:22.
:30:22. > :30:28.# In a few weeks I will get time # And I can take it
:30:28. > :30:32.# I am leaving This is starting to feel like
:30:33. > :30:36.# It's right before my eyes
:30:36. > :30:38.# And I can taste it It's my sweet beginning
:30:38. > :30:43.# I can tell just what you want
:30:43. > :30:48.# You don't want to be alone You don't want to be alone
:30:48. > :30:57.# And I can't say it's what you know
:30:57. > :31:01.# But you've known it the whole time
:31:01. > :31:08.# Yeah, you've known it the whole time
:31:09. > :31:13.# Maybe next year I'll have no time
:31:13. > :31:16.# To think about the questions to address
:31:16. > :31:18.# Am I the one to try to stop the fire?
:31:18. > :31:28.# I wouldn't test you, I'm not the best you could have attained
:31:28. > :31:31.# Why try anything?
:31:31. > :31:37.# I will get there Just remember I know
:31:37. > :31:41.# And I can tell just what you want
:31:41. > :31:45.# You don't want to be alone
:31:45. > :31:49.# You don't want to be alone
:31:49. > :31:54.# And I can't say it's what you know
:31:54. > :31:59.# But you've known it the whole time
:31:59. > :32:04.# Yeah, you've known it the whole time
:32:04. > :32:14.# And I can tell just what you want
:32:14. > :32:23.
:32:23. > :32:27.# And I can tell just what you want
:32:27. > :32:30.# You don't want to be alone
:32:30. > :32:34.# You don't want to be alone
:32:34. > :32:39.# And I can't say it's what you know
:32:39. > :32:44.# But you've known it the whole time
:32:44. > :32:48.# Yeah, you've known it the whole time
:32:48. > :32:58.# And I can tell just what you want
:32:58. > :33:16.
:33:16. > :33:21.# And she spoke words that would melt in your hands
:33:21. > :33:27.# And she spoke words of wisdom
:33:27. > :33:30.# To the basement, people To the basement
:33:30. > :33:33.# Many surprises await you
:33:33. > :33:38.# In the basement, people In the basement
:33:38. > :33:42.# You hid there last time You know we're gonna find you
:33:42. > :33:44.# Sick in the car seat cos you're not up to going
:33:44. > :33:46.# Out on the main streets Completing your mission
:33:46. > :33:51.# You hid there last time You know we're gonna find you
:33:51. > :33:55.# Sick in the car seat cos you're not up to going
:33:55. > :33:59.# Out on the main streets Completing your mission
:33:59. > :34:08.# And she spoke words that would melt in your hands
:34:08. > :34:15.# And she spoke words of wisdom
:34:15. > :34:16.# To the basement, people To the basement
:34:16. > :34:19.# Many surprises await you
:34:19. > :34:22.# In the basement, people In the basement
:34:22. > :34:28.# You hid there last time You know we're gonna find you
:34:28. > :34:31.# Sick in the car seat cos you're not up to going
:34:31. > :34:35.# Out on the main streets Completing your mission
:34:35. > :34:39.# You hid there last time You know we're gonna find you
:34:39. > :34:42.# Sick in the car seat cos you're not up to going
:34:42. > :34:47.# Out on the main streets Completing your mission
:34:47. > :34:57.# You hid there last time You know we're gonna find you
:34:57. > :35:14.
:35:14. > :35:18.# You hid there last time You know we're gonna find you
:35:18. > :35:20.# Sick in the car seat cos you're not up to going
:35:20. > :35:23.# Out on the main streets Completing your mission
:35:23. > :35:27.# You hid there last time You know we're gonna find you
:35:27. > :35:31.# Sick in the car seat cos you're not up to going
:35:31. > :35:41.# Out on the main streets Completing your mission. #
:35:41. > :35:52.
:35:52. > :35:52.Thank
:35:52. > :35:52.Thank you
:35:52. > :36:02.Thank you very
:36:02. > :36:02.
:36:02. > :36:47.Apology for the loss of subtitles for 50 seconds
:36:48. > :36:52.# You gotta step up your game # We're going to show the world
:36:52. > :36:57.# That something good can work # And it can work for you
:36:57. > :37:02.# And you know that it will # Let's get this started, girl
:37:02. > :37:05.# We're moving up # It's been a lot to change
:37:05. > :37:08.# But you will always get what you want
:37:08. > :37:13.# It took a little time to make a little better
:37:13. > :37:16.# You know, you know # It took a little time to make it
:37:16. > :37:19.a little better # It's only going up
:37:19. > :37:26.# Just one thing and another # You know, you know
:37:26. > :37:30.# Let's make this happen, girl # We're going to show the world
:37:30. > :37:34.# That something good can work # And it can work for you
:37:34. > :37:44.# And you know that it will # Let's get this started, girl
:37:44. > :37:49.
:37:49. > :37:53.# All right, Glastonbury, let's see # Let's make this happen, girl
:37:53. > :37:57.# We're moving up # It can work
:37:57. > :38:01.# You know it will # Let's get this started, girl
:38:01. > :38:07.# We're moving up # I know it's what you
:38:07. > :38:10.# What you want # Let's make this happen, girl
:38:10. > :38:18.# And it can work for you # And you know that it will
:38:18. > :38:28.# Let's get this started, girl # We're moving up
:38:28. > :39:06.
:39:06. > :39:16.# You will always get what you want # You would look a little better,
:39:16. > :39:17.
:39:18. > :39:22.# But its hard to realise # And so you're drinking
:39:22. > :39:24.# You're holding on too long You've got to let go
:39:24. > :39:25.# Your other love is gone and you know
:39:26. > :39:27.# It's too late, it's too late
:39:27. > :39:29.# You've got another one coming and it's going to be the same
:39:29. > :39:31.# It's too late, it's too late
:39:31. > :39:34.# You've got another one coming and it's going to be the same
:39:34. > :39:37.# I tried to find a quiet place that we could go
:39:37. > :39:40.# To help you make decisions
:39:40. > :39:43.# But I didn't find it easy to tell them apart with double vision
:39:43. > :39:50.# And so you're drinking in your room to make it all go
:39:50. > :39:54.# It didn't end too soon You've got the next one
:39:54. > :39:57.# You're holding on too long You've got to let go
:39:57. > :40:00.# Your other love is gone and you know
:40:01. > :40:02.# It's too late, it's too late
:40:02. > :40:06.# You've got another one coming and it's going to be the same
:40:06. > :40:08.# It's too late, it's too late
:40:08. > :40:12.# You've got another one coming and it's going to be the same
:40:12. > :40:14.# It's too late, it's too late
:40:14. > :40:19.# You've got another one coming and it's going to be the same
:40:19. > :40:21.# It's too late, it's too late
:40:21. > :40:31.# You've got another one coming and it's going to be the...
:40:31. > :40:31.
:40:31. > :41:20.Apology for the loss of subtitles for 50 seconds
:41:20. > :41:25.# You're going to tell me that I'm right
:41:25. > :41:27.# You know you're going to come back down
:41:27. > :41:30.# And find yourself where you are again
:41:30. > :41:31.# You didn't know, you didn't know, you didn't know
:41:31. > :41:33.# So don't pretend you saw it now
:41:33. > :41:35.# It's not something you'd want to happen
:41:35. > :41:40.# Now you know who you are again
:41:40. > :41:42.# It's not the same, it's not the same, it's not the same
:41:42. > :41:44.# You're going to tell me that I'm right
:41:44. > :41:49.# You know you're going to come back down
:41:49. > :41:59.# And find yourself where you are again. #
:41:59. > :42:01.
:42:01. > :42:01.Thank
:42:01. > :42:01.Thank you
:42:01. > :42:04.Thank you so
:42:04. > :42:11.Thank you so much. That is one of the best things I have ever seen in
:42:11. > :42:15.That was beautiful. It must have been such a sight from the Pyramid
:42:15. > :42:19.Stage just there. Biffy Clyro, who have also performed on the Pyramid
:42:19. > :42:23.Stage, will be in the studio. Get ready for that they have left the
:42:23. > :42:28.stage empty and sweaty for Morrissey, who is on tonight as
:42:28. > :42:36.well. Gemma and Greg were out and about seeing all the things we
:42:36. > :42:39.can't see. So Gemma, you're up. What can you see? I scrambled to
:42:39. > :42:44.the Park area. This is one of my favourite areas of Glastonbury.
:42:44. > :42:48.It's so, so, beautiful. It's all mystical. It smells good. It smells
:42:48. > :42:56.a little bit like freshly cut grass but with a barbecue thrown in, if
:42:56. > :43:01.you know what I mean. I am at the top of the tower. If you have
:43:01. > :43:06.vertigo - well, do look. Look at all the flags and crazy halts.
:43:06. > :43:13.There are rumours aplenty. Every year there is a secret act. Last
:43:13. > :43:17.year it was Tom York. This year apparently Radiohead are going to
:43:17. > :43:23.play. I think it's raid - I hope - I hope. They'll be taking to the
:43:23. > :43:27.stage any second. I'll report back and let you know. Back to you!
:43:27. > :43:32.her. She's making all sorts of noises. I am really jealous. I
:43:32. > :43:35.never got to go to the Park last year, and apparently their set was
:43:35. > :43:38.absolutely incredible. Still time to get in your questions for Biffy
:43:38. > :43:42.Clyro. They're going to be in the studio. If you have Any questions
:43:42. > :43:51.at all, you can either go to the BBC Three Facebook pages and leave
:43:51. > :43:55.your questions there, and, of course, we're twending on Twitter -
:43:55. > :44:03.LAUGHTER We're actually twending on Twitter.
:44:03. > :44:07.If you would like to leave a question, go to Twitter. They have
:44:07. > :44:12.wiped themselves down. So they'll be in the studio with their shirts
:44:12. > :44:16.on in a second. We have just spoken about Gemma and Greg going
:44:16. > :44:21.everywhere we can't. Greg is a massive Mumford & Sons fan.
:44:21. > :44:24.have no idea. I love Mumford & Sons. I am lucky enough to have seen them
:44:24. > :44:29.perform before. They're about to perform. Greg has been having a
:44:29. > :44:35.love affair with them for about two years. It's gotten to a sickening
:44:35. > :44:39.stage. Have a look at this. We're at the back of the stage, my home
:44:39. > :44:43.boys Mumford & Sons. Welcome. Welcome to you too. And to you.
:44:43. > :44:49.You're a bit poorly. What's going on? Just got man flu, just feeling
:44:49. > :44:52.a bit under the weather, be fine. You going to man-up and get through
:44:52. > :44:58.it? Yeah, because you told me to. lot of people are waiting to see
:44:58. > :45:04.you. Yeah, it really is exciting, just got a bit of a sniffle. This
:45:04. > :45:11.time last year you were on the John Peel Stage. How was that? Awesome,
:45:11. > :45:17.a lot of fun. I met a friend last year at the John Peel Stage. He
:45:17. > :45:21.said, "I am not coming to see you next year because you won't do
:45:21. > :45:27.better." Really? He said, I am not coming back because you won't outdo
:45:27. > :45:32.yourselves. There was a question from Al on Facebook. How is he?
:45:32. > :45:39.Good, you'll be pleased to hear. His favourite song is The Cave, but
:45:39. > :45:44.he was wondering where the riff came from - thinks it's a weird
:45:44. > :45:51.riff. Thinks it's a weird riff? Weird Al thinks it's a weird riff -
:45:51. > :45:57.it came from the tuning like most of our songs. We just came up with
:45:58. > :46:02.it one day - actually in Edinburgh at a place called Banman's, which
:46:02. > :46:05.was one of the sweatiest gigs we have ever played, and the roof - it
:46:05. > :46:10.was underground, and the roof started dropping, like raindrops,
:46:10. > :46:13.sweat, basically. I am going to be in the pit, OK, talking to some of
:46:13. > :46:18.your fans... What if you get recognised? That's the whole idea,
:46:18. > :46:22.isn't it? Like, it will be on telly. You're on telly to be famous? You
:46:22. > :46:27.want to be famous? Is that the whole idea? No, we'll be on telly,
:46:27. > :46:33.then throwing to your gig. So we'll say, here we are in the pit, then
:46:33. > :46:37.say, here's Mumford & Sons. Live? Yeah, live. What if you mess it up?
:46:37. > :46:42.We won't. What if someone swears or does something physically
:46:42. > :46:47.inappropriate for television? they'll cut it off and put Family
:46:47. > :46:53.Guy on. Ridiculous. Did he refer to Mumford & Sons as his home boys?
:46:53. > :46:56.think that might have happened, yes. That just happened, didn't it?
:46:56. > :47:00.gentlemen in their waste coats. We're going to play the most
:47:00. > :47:06.beautiful performance for you now. I absolutely adore this band, Fleet
:47:06. > :47:10.Foxes. Watching them live is a mast magical experience. They sound
:47:10. > :47:12.almost tighter than they do on the album. Can I just say, just so you
:47:12. > :47:18.know the process that happens here, we have been working together since
:47:18. > :47:23.we were kids. We go, what do you want to go? I'll talk about - you
:47:23. > :47:26.talk about Fleet Foxes - I am fan. I cried at their gig. I cried.
:47:26. > :47:29.For anyone out there who has seen this band, you know what they're
:47:29. > :47:34.like. I didn't get to see them at Glastonbury this year, but I can
:47:34. > :47:37.imagine seeing them in a festival of this grandeur - it would be a
:47:37. > :47:41.very, very special thing to do, so we're going to play that for you in
:47:41. > :47:44.a little bit. We've also got The Vaccines a little bit later as well.
:47:44. > :47:47.We're going to get a few tracks from those guys which would be
:47:47. > :47:54.brilliant. If you haven't done it already, you can send in questions
:47:54. > :48:00.for Biffy Clyro, just go to the BBC Facebook. If you are on Twitter,
:48:00. > :48:05.hashtag 3 at glass to. If you want to do any of those questions like
:48:05. > :48:11.what Greg had to ask... Don't make any too awkward... Like, that's
:48:11. > :48:15.what weird bit in your song like? We won't do those. Well, some. It
:48:15. > :48:18.depends if I have drunk a wellie of beer or not - or gin, whatever!
:48:18. > :48:23.We're now going to go see Fleet Foxes do their thing. I might cry.
:48:23. > :48:27.Is that OK? I'm cool with it. I have kind of accepted the fact
:48:27. > :48:36.you're going to get emotional during this. Let's see them do
:48:36. > :48:40.their thing at Glastonbury 2011. All right. How's it going? How is
:48:40. > :48:50.it going? CHEERING AND APPLAUSE
:48:50. > :48:50.
:48:50. > :50:12.Apology for the loss of subtitles for 50 seconds
:50:12. > :50:22.# Your protector's coming home # You run with the devil
:50:22. > :50:51.
:50:52. > :51:01.# Tell your brother to be good # Tell your brother to be good
:51:02. > :51:23.
:51:23. > :51:29.# Tell your mother not to wait Tell your father I was good
:51:29. > :51:32.# As you lay to die beside me, baby
:51:33. > :51:37.# On the morning that you came
:51:37. > :51:40.# Would you wait for me?
:51:40. > :51:50.# The other one would wait for me. #
:51:50. > :51:54.
:51:54. > :52:02.# Oooh
:52:02. > :52:12.# Oooh
:52:12. > :52:15.
:52:16. > :52:25.# Oooh
:52:26. > :52:26.
:52:26. > :53:20.Apology for the loss of subtitles for 50 seconds
:53:20. > :53:27.# All swallowed in their coats # To keep their little heads
:53:27. > :53:37.# And I turned round # And, Michael, you would fall
:53:37. > :53:44.
:53:44. > :53:54.# Ooh, ooh, ooh # Ooh, ooh, ooh
:53:54. > :53:59.
:53:59. > :54:04.# Penniless and tired # I was looking at you there
:54:04. > :54:07.# Memory is a fickle siren's song I didn't understand
:54:07. > :54:15.# In the gentle light as the morning nears
:54:15. > :54:25.# As strawberries in the summertime
:54:25. > :54:28.
:54:28. > :54:38.# Ooh, ooh, ooh Ooh, ooh, ooh
:54:38. > :54:41.
:54:41. > :54:51.# Ooh, ooh, ooh Ooh, ooh, ooh
:54:51. > :54:54.
:54:54. > :54:57.# I was following the pack
:54:57. > :54:59.# All swallowed in their coats with scarves of red
:54:59. > :55:01.# Tied round their throats
:55:01. > :55:02.# To keep their little heads from falling
:55:02. > :55:04.# In the snow
:55:04. > :55:07.# And I turned round and there you go
:55:07. > :55:10.# And, Michael, you would fall and turn the white snow red
:55:10. > :55:20.# As strawberries in the summertime
:55:20. > :55:25.
:55:25. > :55:25.Thank you. Thank
:55:26. > :55:29.Thank you. Thank you.
:55:29. > :55:30.It's
:55:30. > :55:30.It's the
:55:30. > :55:34.It's the harmonies.
:55:34. > :55:37.It's the harmonies. It's - see what I means? The harmonys are so good.
:55:37. > :55:40.Fleet Foxes playing earlier on here at Glastonbury, absolutely
:55:40. > :55:44.beautiful. I was enjoying it but maybe not as much as the girl with
:55:44. > :55:48.the daisies in her hair. There is always someone on somebody's
:55:48. > :55:51.shoulders having the time of their lives. Thank God she had her top on.
:55:51. > :55:55.This is Glastonbury 2011. We're with you for a few hours still. We
:55:55. > :55:57.have loads more to come including a huge chunk of Mumford & Sons a
:55:57. > :56:01.little bit later on tonight. You'll see those guys as they're on the
:56:01. > :56:08.stage. Also, Biffy Clyro will be in the studio. There is still time to
:56:08. > :56:13.get your questions in. Hashtag 3 at glass to, or you can go on to the
:56:13. > :56:18.BBC Three page. We'll get in as in as we can. We'll have a good chat
:56:18. > :56:21.with him. Do you know what dawned on me - we haven't tackled this