:00:14. > :00:21.This programme contains scenes of Hello. Hello. Can you see us?
:00:21. > :00:25.Welcome to the BBC Three coverage of Glastonbury 2011. Paolo Nutini
:00:25. > :00:30.is on the main stage right now. There are tonnes of people waiting
:00:30. > :00:34.to see them. We have so much music for you. The weather is very
:00:34. > :00:44.different to yesterday. Everyone is in a good mood. Let's get on with
:00:44. > :00:44.
:00:44. > :00:49.Hello there. Hello. Welcome back. The sun is shining. There is still
:00:49. > :00:54.mud, but spirits are high. Everyone is happy now the sun is out much we
:00:54. > :00:59.have a will havely show. It's Day two, we have had a brilliant day.
:00:59. > :01:01.So much to share. We will celebrate some of the best talent from the UK
:01:01. > :01:06.tonight as James Johnston and Tinie Tempah will be on this show. Also
:01:06. > :01:11.Elbow will pop in for a chat. Of course, you will get loads of music
:01:11. > :01:15.as it happens here at Glastonbury 2011. So, earlier on someone who
:01:15. > :01:22.did a storming set was James Johnston. She hurt her foot. She
:01:22. > :01:32.has a big shoe boot on. She was hobbling around and belting out
:01:32. > :02:11.
:02:11. > :02:21.tunes. Here she is, James Johnston. # Yeah
:02:21. > :02:47.
:02:47. > :02:50.# I said, take your stuff and run # Cos you're not for me
:02:50. > :02:55.# Mamma knows best when times get hard
:02:55. > :03:04.# And papa always has a joke, to make me laugh
:03:04. > :03:12.# Mamma knows best when # I feel down, to bring me up
:03:12. > :03:22.# Always keep my feet on the ground # Say I know, know, know
:03:22. > :03:22.
:03:22. > :03:30.# That you can pick up and drop, no # And all of this inconsistent love
:03:30. > :03:36.# It's it's time that it STOP - stops
:03:36. > :03:40.# So bow out, go # Now I said bow out, leave!
:03:40. > :03:43.# I said take a bow and go # Cos you're not for me
:03:43. > :03:46.# Mama knows best when times get hard
:03:46. > :03:53.# And papa always has a joke to make me laugh
:03:53. > :04:01.# Mama knows best when # I feel down, to bring me up
:04:01. > :04:05.# And always keep my feet on Glastonbury
:04:05. > :04:09.# Just keep the best of ma # Daddy said to me
:04:09. > :04:12.# Always use humour as your therapy, yeah
:04:12. > :04:17.# Don't ever take life too seriously
:04:17. > :04:27.# Just do you, could you do you so perfectly
:04:27. > :04:29.
:04:29. > :04:34.# Mama # Yeah, yeah yeeeah
:04:34. > :04:40.# Say Mama knows best # Daddy, daddy knows best
:04:40. > :04:48.# Ma'am Mama knows best # Put your hands up
:04:48. > :04:51.# Mama knows best when times get hard
:04:51. > :04:55.# Papa always has a joke to make me laugh
:04:55. > :04:58.# Mama knows best when I feel down, to bring me up
:04:59. > :05:04.# And always keep my feet on the ground
:05:04. > :05:08.# Mama knows best # See daddy knows best
:05:08. > :05:16.# Mama knows # See, Mama knows best
:05:16. > :05:26.# See, daddy, daddy knows best # See, Mama knows best
:05:26. > :05:31.
:05:31. > :05:40.# Yeah, yeeaah! # CHEERING AND APPLAUSE
:05:40. > :05:47.Yeah, let's keep going. This one is Abracadabra. It's morify magical
:05:47. > :05:49.# I don't wanna be the reason # So I'ma let you do the leading
:05:49. > :05:52.# See, I just don't usually do this But you're bringing me out
:05:52. > :05:53.# All the doubts I had have gone away
:05:53. > :05:56.# When you're touching me I'm not afraid
:05:56. > :05:59.# Know this ain't going away Here to stay
:05:59. > :06:06.# I just wanna be your girl, your girl
:06:06. > :06:08.# I can be all you want Will you say?
:06:08. > :06:15.# I just wanna be your girl, yeah
:06:15. > :06:18.# Cos you got my heart on lock It's so unreal, you know
:06:18. > :06:23.# Don't want this to stop You're so damn keepable
:06:23. > :06:27.# Feel your magic touch It's unbelievable
:06:27. > :06:36.# I gotta have you, like abracadabra
:06:36. > :06:37.# You got my heart on lock It's so unreal, you know
:06:37. > :06:41.# Don't want this to stop You're so damn keepable
:06:41. > :06:46.# Feel your magic touch It's unbelievable
:06:46. > :06:52.# I gotta have you, like abracadabra
:06:52. > :06:55.# I didn't even see you coming It was such a surprise
:06:55. > :06:59.# I wasn't expecting nothing Now I'm lit up inside
:06:59. > :07:04.You're bringing out all the colours No more black and white
:07:04. > :07:09.# You won the race and got the gold So here I am, we're good to go
:07:09. > :07:12.# Know this ain't going away Here to stay
:07:12. > :07:18.# I just wanna be your girl, your girl
:07:18. > :07:21.# I can be all you want Will you say?
:07:21. > :07:28.# I just wanna be your girl, yeah
:07:28. > :07:30.# Cos you got my heart on lock It's so unreal, you know
:07:30. > :07:34.# Don't want this to stop You're so damn keepable
:07:34. > :07:39.# Feel your magic touch It's unbelievable
:07:39. > :07:47.# I gotta have you, like abracadabra
:07:47. > :07:49.# You got my heart on lock It's so unreal, you know
:07:49. > :07:54.# Don't want this to stop You're so damn keepable
:07:54. > :07:59.# Feel your magic touch It's unbelievable
:07:59. > :08:06.# I gotta have you, like abracadabra
:08:06. > :08:08.# I don't wanna take my time I don't wanna wait in line
:08:08. > :08:13.# I just want you by my side Come and give me what I like
:08:13. > :08:18.# I don't wanna take my time I don't wanna wait in line
:08:18. > :08:21.# No I just want you by my side Come and give me what I like
:08:21. > :08:26.# Cos you got my heart on lock It's so unreal, you know
:08:26. > :08:31.# Don't want this to stop You're so damn keepable
:08:31. > :08:37.# Feel your magic touch It's unbelievable
:08:37. > :08:43.# I gotta have you, like abracadabra
:08:43. > :08:45.# You got my heart on lock It's so unreal, you know
:08:45. > :08:50.# Don't want this to stop You're so damn keepable
:08:50. > :08:58.# Feel your magic touch It's unbelievable
:08:58. > :09:04.# I gotta have you Like abracadabra. #
:09:04. > :09:04.people in the place. CHEERING
:09:05. > :09:05.CHEERING AND
:09:05. > :09:08.CHEERING AND APPLAUSE
:09:09. > :09:18.CHEERING AND APPLAUSE Hello.
:09:19. > :09:37.
:09:37. > :09:38.#
:09:38. > :09:38.# So
:09:38. > :09:43.# So reach
:09:43. > :09:46.# So reach deep and release your inner child
:09:46. > :09:50.# Yeah, yeah # So sit down for the love, love,
:09:50. > :09:52.love # So sit down, for the love, love,
:09:52. > :09:57.love # So stand up!
:09:57. > :09:59.# Yeah, yeah, yeah # Cause you're as old as you feel
:09:59. > :10:04.you are # And if you don't reach for the
:10:04. > :10:09.moon, you can't fall on the stars # So I live my life like every day
:10:09. > :10:11.is the last, last, last # Cause you're as old as you feel
:10:11. > :10:15.you are # And if you don't reach for the
:10:15. > :10:24.moon, you can't fall on the stars # So, I live my life like every day
:10:24. > :10:28.is the last, last, last # If you let a frown become your
:10:28. > :10:34.normality # You don't set an example for the
:10:34. > :10:40.youth of our humanity # If you spend every day wishing
:10:40. > :10:42.for the next to come # Aged and lifeless is what, yes,
:10:42. > :10:44.you'll become # Yeah, yeah
:10:44. > :10:47.# Sing with me # Stand up
:10:47. > :10:55.# So stand up # Yeah
:10:55. > :10:58.# So stand up # Yeah, yeah, yeah
:10:58. > :11:02.# Cause you're as old as you feel you are
:11:02. > :11:06.# And if you don't reach for the moon you can't fall on the stars
:11:06. > :11:10.# So I live my life like every day is the last, last, last
:11:10. > :11:13.# So in all the bad and the good # Don't think second best
:11:13. > :11:16.# Be number one # Spread some love
:11:16. > :11:20.# Don't give to receive # Strive to be happy
:11:20. > :11:23.# And live to believe # So in all the bad and the good
:11:23. > :11:26.# Don't think second best # Benumber one
:11:27. > :11:29.# Spread some love # Don't give to receive
:11:29. > :11:36.# Strive to be happy # Yeah
:11:36. > :11:43.# Live to believe # Yeah, yeah, yeah!
:11:43. > :11:45.# So stand up! # Cause you're as old as you feel
:11:45. > :11:49.you are # And if you don't reach for the
:11:49. > :11:54.moon, you can't fall on the stars # So I live my life like every day
:11:54. > :12:00.is the last, last, last # So stand up
:12:00. > :12:02.# For the love, love, love # So stand up
:12:02. > :12:05.# What? # So stand up
:12:05. > :12:11.# OK, spread it around # So stand up
:12:11. > :12:17.# For the lolololo love, yeah # So stand, up
:12:17. > :12:24.# For the lololo love yeah # So stand up
:12:24. > :12:27.# For the lololo love, yeah, yeah # So stand up
:12:27. > :12:30.# Stand up # Stand up!
:12:30. > :12:32.# Yeah # Cause you're as old as you feel
:12:32. > :12:36.you are # And if you don't reach for the
:12:36. > :12:39.moon, you can't fall on the stars # So I live my life like every day
:12:39. > :12:43.is the last, last, last # So stand up
:12:43. > :12:46.# For the love, love, love # So stand up
:12:46. > :12:50.# Yeah # For the love, love, love
:12:50. > :13:00.# So stand up for the love, love, love
:13:00. > :13:07.
:13:07. > :13:12.# So stand up # I have this thing
:13:12. > :13:18.# It's like I need to tell someone,anyone who'll listen
:13:18. > :13:23.# For a minute there I lose my senses
:13:23. > :13:24.# And in the heat of the moment my mouth starts going
:13:24. > :13:27.# The words start flowing, ah
:13:27. > :13:30.# But I never meant to hurt ya
:13:30. > :13:32.# I know it's time that I learned to
:13:32. > :13:37.# Treat the people I love like I wanna be loved
:13:37. > :13:39.# This is a lesson learned
:13:39. > :13:42.# And I hate that I let you down
:13:42. > :13:44.# And I feel so bad about it
:13:44. > :13:48.# I guess karma comes back around
:13:48. > :13:50.# Cos now I'm the one that's hurting, yes
:13:50. > :13:53.# And I hate that I made you think
:13:53. > :13:56.# That the trust we had is broken
:13:56. > :13:59.# So don't tell me you can't forgive me
:13:59. > :14:02.# Cos nobody's perfect
:14:02. > :14:04.# No, no
:14:04. > :14:06.# No-no-no, no, no
:14:06. > :14:09.# No-no-no, no, no
:14:09. > :14:12.# No-no-no, no-no
:14:12. > :14:16.# Nobody's perfect, no... #
:14:16. > :14:17.# If I could turn back the hands of time
:14:17. > :14:19.# I swear I never would have crossed that line
:14:19. > :14:22.# I should have kept it between us
:14:22. > :14:25.# But Jessie went and told the whole world how she's feeling, ah
:14:25. > :14:27.# So I sit and I realise
:14:27. > :14:30.# With these tears falling from my eyes
:14:30. > :14:35.# I gotta change if I wanna keep you forever
:14:35. > :14:37.# I promise that I'm gonna try
:14:37. > :14:39.# But I never meant to hurt ya
:14:39. > :14:42.# I know it's time that I learned to
:14:42. > :14:46.# Treat the people I love like I wanna be loved
:14:46. > :14:48.# This is a lesson I learned
:14:48. > :14:51.# And I hate that I let you down
:14:51. > :14:53.# And I feel so bad about it
:14:53. > :14:57.# I guess karma comes back around
:14:57. > :15:01.# Cos now I'm the one that's hurting, yes
:15:01. > :15:03.# And I hate that I made you think
:15:03. > :15:06.# That the trust we had is broken
:15:06. > :15:10.# So don't tell me you can't forgive me
:15:10. > :15:14.# Cos nobody's perfect No, no, no-no-no
:15:14. > :15:17.# No, no-no-no, no
:15:17. > :15:20.# No-no-no, no
:15:20. > :15:23.# Nobody's perfect
:15:23. > :15:27.# Whoa-oa-oa-oa, oh, oh
:15:27. > :15:31.# Ooh-ooh-oooh ooh-ooh-oooh Ooh-ooh-oooh
:15:31. > :15:32.# No, no-no
:15:32. > :15:35.# No-no-no, no, no Slow down
:15:35. > :15:37.# I'm not a saint, no, no at all
:15:37. > :15:40.# But what I did, that wasn't cool
:15:40. > :15:45.# But I swear that I'll never do that again to you
:15:45. > :15:47.# Hey, go!
:15:47. > :15:50.# I'm not a saint, I'm not a saintNo, not at all, no, not at all
:15:50. > :15:53.# What I did, what I didThat wasn't cool, that wasn't cool
:15:53. > :15:57.# But I swear that I'll never do that again to you
:15:57. > :15:58.# Hey-ey-ey
:15:58. > :16:02.# And I hate that I let you down
:16:02. > :16:04.# And I feel so bad about it
:16:04. > :16:07.# I guess karma comes back around
:16:07. > :16:12.# Cos now I'm the one that's hurting, yes
:16:12. > :16:15.# And I hate that I made you think
:16:15. > :16:18.# The trust we had is broken
:16:18. > :16:21.# So don't tell me you can't forgive me
:16:21. > :16:29.# Cos nobody's perfect, no... #
:16:29. > :16:30.# And I hate that I let you down
:16:30. > :16:31.# And I feel so bad about it
:16:31. > :16:33.# I guess karma comes back around
:16:33. > :16:35.# Cos now I'm the one that's hurting, yes
:16:35. > :16:39.# And I hate that I made you think
:16:39. > :16:41.# The trust we had is broken
:16:41. > :16:44.# So don't tell me you can't forgive me
:16:44. > :16:54.# Cos nobody's perfect, no... #
:16:54. > :17:01.
:17:01. > :17:07.# Cos nobody's perfect, no... #
:17:07. > :17:08.# No, no-no-no, no
:17:08. > :17:10.# No-no-no, no
:17:10. > :17:13.# No, no-no-no, no
:17:13. > :17:16.# No-no-no, no
:17:16. > :17:19.# No, no-no-no, no
:17:19. > :17:22.# No-no-no, no
:17:22. > :17:32.# Nobody's perfect
:17:32. > :17:32.CHEERING
:17:32. > :17:32.CHEERING AND
:17:32. > :17:41.CHEERING AND APPLAUSE
:17:41. > :17:41.So,
:17:41. > :17:42.So, somehow,
:17:42. > :17:45.So, somehow, still
:17:45. > :17:50.So, somehow, still managing to look stylish in the mud, and with a foot
:17:50. > :17:54.cast on, it's Jessie J. Hello, are you all right? Good. How are you.
:17:54. > :17:58.You have been on stage with this thing on your foot? Maybe I should
:17:58. > :18:03.have put one on the other foot. They would have thought it was a
:18:03. > :18:08.fashion statement. Could you have got eye diamonds and decorated said
:18:09. > :18:12.boot? No comment. We were supposed to do it. If you saw what ne did to
:18:12. > :18:17.the boot it was so terrible I decided not wear it. I was going to
:18:17. > :18:22.go with the proper hospital looking one instead of the ruined... It was
:18:22. > :18:27.a throne on stage? Only so many things you can jazz up when you
:18:27. > :18:32.have to sit down. I said, maybe I should do a musical chairs. Maybe
:18:32. > :18:36.every song move on to a different form of sitting down, garden chair,
:18:36. > :18:40.toilet. Couch. Bean bag. Yeah. Another option. Maybe as the
:18:40. > :18:45.festivals go on I will change. We thought a throne was a gad choice
:18:45. > :18:51.for this one. I have seen you play live a few times you are energetic
:18:51. > :18:56.and all over the shop. Is it awful to sit still and sing? It is for me.
:18:56. > :19:01.I feel sorry for the people watching. It might be quite boring.
:19:01. > :19:05.I don't do dance moves, obviously. You do your thing? I'm energetic.
:19:05. > :19:10.It's nice for them to see me sitting down and not being hyper -
:19:10. > :19:15.I don't know. I feel more sorry for them than me. People appreciate you
:19:15. > :19:19.went up there and did it. I hope so, it's painful. I was thinking about
:19:19. > :19:24.when I heard about you last year. You were on jewels Holland and
:19:24. > :19:28.exploded on the scene. Since then it's been mental. Playing
:19:28. > :19:32.Glastonbury today. You have been doing so well in the States. Do you
:19:32. > :19:36.moments when it's overwhelming? Totally. People think as soon as
:19:36. > :19:40.they know you, it's as though you are used to them knowing you. Does
:19:40. > :19:47.that make sense? I'm doing amazing television shows around the world.
:19:47. > :19:52.I go to France, I do X Factor. It's really wierd. Weirdest thing is
:19:52. > :20:01.when people say, "I want to touch you" I'm normal like you. I have
:20:01. > :20:05.skin and hair. Eye diamonds. As you do on a Saturday afternoon. It's
:20:05. > :20:15.very overminging. I have questions. Who does your nails, they are
:20:15. > :20:18.
:20:18. > :20:23.fierce? They are. What are you rock rocking today? This is a good gold
:20:23. > :20:27.nail varnish. Also, at super city 3 at twitter where does your
:20:27. > :20:30.inspiration come from? To be honest, everything. If it's not about my
:20:30. > :20:34.life, it's about people near me or close to me who have gone through
:20:34. > :20:39.stuff, and I pretend I'm them. I think music is inspired by
:20:39. > :20:44.everything for me. Not just like love or... It's life. Good. You
:20:44. > :20:47.need to go and rest. Where is your man to carry you back out? Man!
:20:47. > :20:54.will get you shifted over there. Thank you very much. This will look
:20:54. > :20:58.like a chair. Just get a man. An electric man. Thank you! A man
:20:58. > :21:04.did lift her up and then take her through the mud. What you missed
:21:04. > :21:09.was that Jessie picked her nose with her long fingers nails. Saying
:21:09. > :21:13.that is why they are a length. A great performance with a bad foot.
:21:13. > :21:18.You ruined the picture. If you want more Jessie J hit the Red Button.
:21:18. > :21:22.You can see more of her set. You need to do. This not only did she
:21:22. > :21:28.decide to become one with a crowd and have a cup of mud and proceed
:21:28. > :21:36.to put it over her face. She got a seven-year-old to come out and do
:21:36. > :21:44.the rap on Price Tag. You can get involved with us on BBC Three by:
:21:45. > :21:50.We have Tinie Tempah coming into the studio. Any questions at all:
:21:50. > :21:55.Now, we have bumped into this next chap a lot today. He has been at
:21:55. > :22:00.the festival. He has performed five times already. He has his dad down
:22:00. > :22:10.here. We have met his dad. An acoustic performance now from Ed
:22:10. > :22:19.
:22:19. > :22:26.# Burnt lungs, sour taste # White lips pale face
:22:26. > :22:30.# Breathing in snow flakes # Lights gone
:22:30. > :22:34.# Days end # Struggling to pay rent
:22:34. > :22:44.# Long nights # Strange men
:22:44. > :22:45.
:22:45. > :22:55.# They say she's in the Class A # Slowly sinking, wasting
:22:55. > :22:57.
:22:57. > :23:06.The worst things in life come # And she don't want to go outside
:23:06. > :23:16.# And in a pipe she flies to the # It's too cold outside
:23:16. > :23:26.
:23:26. > :23:35.# Ripped gloves, raincoat # Dry house, wet clothes
:23:35. > :23:41.# Weary-eyed, dry throat Call girl, no phone
:23:41. > :23:44.# And they say
:23:44. > :23:47.# She's in the Class A Team Stuck in her daydream
:23:47. > :23:52.# Been this way since 18 But lately her face seems
:23:52. > :23:58.# Slowly sinking, wasting Crumbling like pastries
:23:58. > :24:01.# And they scream
:24:01. > :24:02.# The worst things in life come free to us
:24:02. > :24:03.# Cos we're just under the upperhand
:24:03. > :24:06.# And go mad for a couple of grams
:24:06. > :24:11.# But she don't want to go outside tonight
:24:11. > :24:13.# And in a pipe she flies to the Motherland
:24:13. > :24:16.# Or sells love to another man
:24:16. > :24:19.# It's too cold outside
:24:19. > :24:21.# For angels to fly
:24:21. > :24:24.# Angels to fly
:24:24. > :24:25.# An angel will die
:24:25. > :24:26.# Covered in white
:24:26. > :24:29.# Closed eye
:24:29. > :24:31.# And hoping for a better life
:24:31. > :24:33.# This time, we'll fade out tonight
:24:33. > :24:35.# Straight down the line
:24:36. > :24:45.# And they say
:24:46. > :24:46.
:24:46. > :24:47.# And they say
:24:47. > :24:49.# She's in the Class A Team Stuck in her daydream
:24:49. > :24:53.# Been this way since 18 But lately her face seems
:24:53. > :24:57.# Slowly sinking, wasting Crumbling like pastries
:24:57. > :25:02.# They scream
:25:02. > :25:06.# The worst things in life come free to us
:25:06. > :25:08.# And we're all under the upperhand
:25:08. > :25:12.# Go mad for a couple of grams
:25:12. > :25:17.# And we don't want to go outside tonight
:25:17. > :25:19.# And in a pipe we fly to the Motherland
:25:20. > :25:22.# Or sell love to another man
:25:22. > :25:26.# It's too cold
:25:26. > :25:29.# For angels to fly
:25:29. > :25:32.# Angels to fly
:25:32. > :25:40.# To fly, fly
:25:40. > :25:46.# Angels to fly, to fly, to fly
:25:46. > :25:55.# Angels to die
:25:55. > :25:59.APPLAUSE
:25:59. > :25:59.APPLAUSE That
:25:59. > :25:59.That voice.
:26:00. > :26:00.That voice. It
:26:00. > :26:04.That voice. It gets
:26:04. > :26:08.That voice. It gets me every time. It got very emotional over here,
:26:08. > :26:13.didn't it? Beautiful. Are we partying later? We are partying
:26:13. > :26:16.later. There you go. Nice work. Number three in the official chart.
:26:16. > :26:21.You can find out where it officially lands by checking me out
:26:21. > :26:27.on Sunday on Radio 1. Are you there tomorrow? No, I'm not. You are here.
:26:27. > :26:34.You can see where he is next week, this week. Sed the most polite man
:26:34. > :26:38.in pop. He took his wellies off for us. Are your socks on? Yeah. Good
:26:38. > :26:43.man. This is BBC Three at Glastonbury 2011. You have Greg and
:26:43. > :26:53.Gemma seeing all the things we can't see. Greg James where are
:26:53. > :26:53.
:26:53. > :26:57.you? What can you see? I wanted to show you an amazing view. I'm on
:26:57. > :27:02.the Other Stage stage where Mumford and sons played. This is the view
:27:02. > :27:09.they will see when they look out. The amazing people on the Other
:27:09. > :27:17.Stage. I spent my day around the site looking at weird stuff. Let us
:27:17. > :27:22.look at the next part of my Glastonbury Crawl. Loads of stuff
:27:22. > :27:28.going on here. I have spotted a circus tent. I can't help but
:27:28. > :27:37.notice you are spinning plates. Please, can you taste me. Spin it
:27:37. > :27:44.around like drawing a small circle in the sky. Ah, worst. Now, stop.
:27:44. > :27:54.Sugar! Slow, bigger. Then whisk it like an egg. Then stop, like that.
:27:54. > :28:02.
:28:02. > :28:09.Yeah! Yes. Look at that. I think we're done here. Are you OK? Ribbit.
:28:09. > :28:14.You have your umbrella up? Ribbit. I thought frog's were waterproof
:28:14. > :28:24.anyway. I have never seen a frog with a handbag, please, don't be a
:28:24. > :28:27.
:28:27. > :28:37.real frog. It's just some fags and an inhaler. Get back! Back!
:28:37. > :28:43.
:28:43. > :28:53.approaching. I'm approaching. Go, Here he is. Thank as lot.
:28:53. > :29:03.Halleluiah. What is your name, mate? Greg. Let's have some music.
:29:03. > :29:11.Let's have Track 5. Let's see what this's like. Get those knees up,
:29:11. > :29:21.man. That's the spirit. It is working. Really get that working. 3,
:29:21. > :29:22.
:29:22. > :29:32.2, jumping jacks. Hello, Glastonbury. If you are going to
:29:32. > :29:35.
:29:35. > :29:43.have a party, you want to clear up You see, I love this. I could stay
:29:43. > :29:49.here all day happily. You see, if it starts raining, like it is at
:29:49. > :29:59.the moment, find a tent, just sit here. Sit it out. This is a good
:29:59. > :30:02.
:30:02. > :30:09.What an amazing little stall. # Look at the stars
:30:09. > :30:13.# See how they shine for you # And all the things that you do
:30:13. > :30:20.# Cos they were all yellow... # Thank you, very much. See ya.
:30:20. > :30:25.Thanks. How are you? Not bad, not bad. A bit up-and-down, to tell you
:30:25. > :30:30.the truth. How are you going? Really good. Cheers. How high can
:30:30. > :30:38.you jump? How long is a piece of string. Come on, come on, for the
:30:38. > :30:44.BBC. It's been a very busy day so far. We have seen so much, but only
:30:44. > :30:49.just scratched the surface. Behind me we have the Stone Circle, the
:30:49. > :30:53.Healing Fields to do. Tonight, we will do Glastonbury at night, it's
:30:53. > :30:59.going to be good. Greg has made some rather interesting friends
:30:59. > :31:03.over the last couple of days, hasn't he? Men in leotards,
:31:03. > :31:06.kangaroos. Allardyce sorts. We haven't seen him since. We will
:31:06. > :31:11.find him. There is loads to see at Glastonbury. Greg touched on some
:31:11. > :31:17.of the things you can check out. Last night, we went over to the
:31:17. > :31:21.Dance Village and looked around. We saw Annie Mac DJing. We threw some
:31:21. > :31:25.shapes. I threw some shapes. You were a mess of arms and legs.
:31:25. > :31:31.Thanks. It was a sight to be hold. Enough. Incredible. Anyhow, Gemma
:31:31. > :31:34.is over at East Dance a, a place which has heralded incredible
:31:34. > :31:40.performances over the last few years. It has changed the face of
:31:40. > :31:47.what Glastonbury means to a lot of artists. Tinie Tempah performed
:31:47. > :31:53.there and N-Dubs performed there. Potentially lots of people are
:31:53. > :31:58.there who could progress to the Pyramid Stage. Basking in the
:31:58. > :32:04.sunshine. I'm on the side of the Dance Stage on what seems like
:32:04. > :32:08.school chairs? It really does. some hay. How are you? Amazing. How
:32:08. > :32:14.are you? I'm all right. You look very cool. Thank you. You always
:32:14. > :32:20.look cool. He is a dapper guy. You were in a thin chord suit the last
:32:20. > :32:24.time I saw you, mustard in colour. That was at the Brits. Now you are
:32:24. > :32:29.in guilting. I've got my ugly wellies on. You don't want to see
:32:29. > :32:33.these. They are not that ugly. love Hunter. There is something
:32:33. > :32:38.charm being the mud. That is quite true. My first time here. It's
:32:38. > :32:43.really cool. How are you feeling? It's amazing. Like the energy here
:32:43. > :32:47.is really cool. I think - you were tell me anyway, the rain was cizy
:32:47. > :32:56.yesterday and everyone was moody. Now the sun has come out it's
:32:56. > :33:00.liberating. I have to do the cheesy pun, you make the sunshine. This
:33:00. > :33:08.guy is the machine of Glastonbury. Tell everyone what we were
:33:08. > :33:11.discussing about? It's mad. For some reason I produced Jasmine,
:33:11. > :33:16.Processor Green, Devlin, Tinie Tempah, everyone they performed
:33:16. > :33:21.today. They are all at Glastonbury. It's wild to know I have worked on
:33:21. > :33:27.tracks with all these people. I was like, "we were working in the
:33:27. > :33:30.studio yesterday" mad. What a special man. How was it like Tinie?
:33:30. > :33:36.Amazing. You couldn't see the end of the crowd. You joined the big
:33:36. > :33:40.man on stage. So fun. How are you looking forward to your set?
:33:40. > :33:45.can't wait. A new fresh set. All my sounds on stage. I will play my
:33:45. > :33:51.guitar and key boor boards. I will be in my element. Labrinth this is
:33:51. > :33:56.a great day. Are you going to have backing dancers? Auto would love to
:33:56. > :33:59.have backing dancers but I will keep it Glastonbury today. I was
:33:59. > :34:05.really trying. I'm like # Let the sun shine
:34:05. > :34:13.# Let the sunshine, baby # . This is a good moment to go back
:34:13. > :34:20.to you guys. Wow! A live on air audition which I think she might
:34:20. > :34:23.have failed. She sang his song to him in a horrible voice. So, in
:34:23. > :34:31.that Dance Village a lot of acts are playing different times. They
:34:31. > :34:35.are working with each other, collaborating in the studio.
:34:35. > :34:40.Absolutely. Later on, Tinie Tempah will be here in the studio. If you
:34:40. > :34:46.have any questions for him at all you all you need to go is go on
:34:47. > :34:50.twitter or the BBC Three Facebook pages: Leave a comment or a
:34:50. > :34:55.question. Labrinth touched on, it he performed with Tinie Tempah on
:34:55. > :35:01.the Pyramid Stage earlier on today. It was without doubt an incredible
:35:01. > :35:05.journey. That man, himself, did an amazing set earlier on today.
:35:05. > :35:08.watched this. You were watching watching it having a dance. There
:35:08. > :35:12.is naughty language which we may dip down and there is stroke as
:35:12. > :35:16.well, warning on that one too. is what happened when I caught up
:35:16. > :35:22.with Tinie Tempah before he went on stage, on the Pyramid Stage, a
:35:22. > :35:26.little earlier on today. How are you doing? I'm well. You seem
:35:26. > :35:30.ultra-calm? You have to be. This time last year, we were standing on
:35:30. > :35:35.the side of stage and Snoop Dogg was performing. You were running on
:35:35. > :35:38.to perform Pass Out. You have an hour-and-a-half maybe more to
:35:39. > :35:42.yourself. How are you feeling? excited, man. I don't know what to
:35:42. > :35:46.say. This is a massive deal. I'm grateful to all the British fans
:35:46. > :35:51.for giving me the opportunity to get so far, so quickly. Yeah, I'm
:35:51. > :35:57.going to deliver. Do what I have to do. You brought the sun out, man?
:35:57. > :36:03.It's been muddy, raining. That is all we do. Anyone at home who wants
:36:03. > :36:11.to be here, what will they miss? You will miss all the anxiety and
:36:11. > :36:16.excitement I had running out for that one song with Snoop Dogg last
:36:16. > :36:26.year for about 20 songs. Why aren't you here? It's sunny. They missed
:36:26. > :36:26.
:36:26. > :38:29.Apology for the loss of subtitles for 123 seconds
:38:29. > :38:34.out. Good luck, happy for you, man. # This is the discovery
:38:34. > :38:44.# Tinie is the name # This is the discovery
:38:44. > :38:49.
:38:49. > :38:54.# I don't plan any recovery # Cover me
:38:54. > :39:04.# Don't try to understand # That cloud is in my head
:39:04. > :39:15.
:39:15. > :39:25.# Just close your eyes Glastonbury 2011! Are you ready
:39:25. > :39:55.
:39:55. > :39:59.# Yeah, simple # Girl, you better turn me on
:39:59. > :40:02.# I can't explain it, cool # So crazy outrageous
:40:02. > :40:08.# Crisscross # You're going to love this
:40:08. > :40:09.# Yes # Simply sun UN stoppable
:40:09. > :40:19.# I can't explain it, cool # I can't explain it
:40:19. > :40:25.
:40:25. > :40:28.# So crazy outrageous # I like the taste of alcohol
:40:28. > :40:31.# Them high rises can block your horizon
:40:31. > :40:35.# Disturbing London is the city that I'm from
:40:35. > :40:37.# Where if we like the tune We make the DJ rewind 'em, yeah
:40:37. > :40:41.# So involved in this moment I can't let it go
:40:41. > :40:51.# Tik tok, check my Roley wristwatch
:40:51. > :40:55.
:40:55. > :40:56.# The big boss Make 'em jump like Kriss Kross
:40:56. > :41:02.# Girl, you better turn me on cos I'm about to switch off
:41:02. > :41:04.# I can't explain it, cool But you're gonna love this, yes
:41:04. > :41:09.# So crazy outrageous Simply unstoppable, fresh
:41:09. > :41:14.# I can't explain it, cool But you're gonna love this, yes
:41:15. > :41:24.# So crazy outrageous Simply unstoppable, fresh
:41:25. > :41:36.
:41:36. > :41:37.CHEERING
:41:37. > :41:37.CHEERING AND
:41:37. > :41:47.CHEERING AND APPLAUSE
:41:47. > :42:01.
:42:01. > :42:03.# She said she loves my songs She bought my MP3
:42:03. > :42:07.# And so I put her number in my Bold BB
:42:07. > :42:11.# I got a black BM She got a white TT
:42:11. > :42:14.# She wanna see what's hiding in my CK briefs
:42:14. > :42:17.# I tell her wear suspenders and some PVC
:42:17. > :42:21.# And then Ill film it all up on my JVC
:42:21. > :42:27.# Uhh, scene one
:42:27. > :42:29.# Everybody get in your positions Pay attention, and listen
:42:29. > :42:32.# We're tryna get this in one take So let's try and make that happen
:42:32. > :42:42.# Take one, action!
:42:42. > :43:15.
:43:15. > :43:18.# We spinnin LPR, up on my APC
:43:18. > :43:22.# I'm in my PRPS and my Nike SBs
:43:22. > :43:27.# Ravin' with SHM, London to NYC
:43:27. > :43:30.# I got my Visa and my Visa A diva and her dealer
:43:30. > :43:35.# I'm up on the guest list With the Swedish House Mafia
:43:35. > :43:43.# You can find me on a table Full of vodka and tequila
:43:43. > :43:46.# I wake up in the morning With a mild case of amnesia
:43:46. > :43:52.# With a girl that like a girl Like Lindsey Lohan, Queen Latifah
:43:52. > :43:54.# Guetta must be fever
:43:54. > :44:04.# And that's standard procedure from Miami 2 Ibiza. #
:44:04. > :44:20.
:44:20. > :44:20.Glastonbury,
:44:20. > :44:20.Glastonbury, how
:44:20. > :44:27.Glastonbury, how are
:44:27. > :44:32.Glastonbury, how are you feeling out there? Now, listen, I want to
:44:32. > :44:35.great a real magical moment amongst all you thousands of people. From
:44:35. > :44:39.all over the world, if you're feeling the Tinie Tempah Show I
:44:39. > :44:44.need you guys to help me do one simple thing. I need everybody to
:44:44. > :44:50.go as low as they can, all the way down to the ground. When I get back
:44:50. > :44:55.into the chorus, we're all going to jump up and go mental. Are you
:44:55. > :45:01.ready. Everybody go as low as you can. Don't sink in the mud though.
:45:01. > :45:07.As low as you can, guys. I love that, that's beautiful.
:45:07. > :45:10.# Go low, go low # Go low #
:45:10. > :45:17.I'm watching. # Go low, go low #
:45:17. > :45:20.Everybody. When I do the chorus everyone's going to jump up and go
:45:20. > :45:27.crazy. # Go low, go low
:45:27. > :45:31.# Go low # Go low... #
:45:31. > :45:37.Stay down. Everybody get into position. Stay down.
:45:37. > :45:39.# Pay attention # I listen #
:45:39. > :45:49.Let's jump. Everybody try and make that happen.
:45:49. > :45:49.
:45:49. > :48:15.Apology for the loss of subtitles for 123 seconds
:48:15. > :48:25.# Girl, you better keep your # I'm suspicious, she looks
:48:25. > :48:25.
:48:25. > :50:52.Apology for the loss of subtitles for 123 seconds
:50:52. > :50:56.# Girl, you better keep your CHEERING AND APPLAUSE
:50:56. > :50:59.That was Tinie Tempah on the Pyramid Stage earlier on today at
:50:59. > :51:03.Glastonbury 2011. Apologies for some of that naughty language that
:51:03. > :51:08.slipped through the net. The man himself is here now. How are you
:51:08. > :51:15.doing? How was that? Definitely, a day to remember, forever.
:51:15. > :51:20.Definitely. You performed here before. You per formed with Snoop.
:51:20. > :51:24.Could do you think you had a bigger crowd? I don't know. You packed it
:51:24. > :51:28.out.? It felt amazing. I didn't know what the turnout was going to
:51:28. > :51:35.be. It was insane. I couldn't see past a few people. It was packed.
:51:35. > :51:39.You popped on stage with Snoop Dogg last year with one record. It's all
:51:39. > :51:42.happened in year. It has been the most ridiculous year. Not only have
:51:42. > :51:49.you done the Pyramid Stage, you have sold a million records in
:51:49. > :51:55.America. How are you getting your head around it? My staying focused.
:51:55. > :52:01.It's an amazing head start. There is a long way to go. Some of my
:52:01. > :52:07.idols, Jay-Z, have been doing it for ten or more years. Every year
:52:07. > :52:12.that goes by there is you can do. I keep my head looking to the future.
:52:12. > :52:17.You were on Jay-Z watch, spotted him. Walking around on his own.
:52:17. > :52:23.What did he say. He said congratulations on all your success.
:52:23. > :52:27.I don't have a picture of Jay-Z. I ran back and got my mate to ask him.
:52:27. > :52:33.Brilliant. It was amazing. It's nice to know you can be at a
:52:33. > :52:37.festival like this doing a gig like that and be star struck by your
:52:37. > :52:42.idols. Completely. Is this a good point in time to to reflect and see
:52:42. > :52:45.what you have achieved? I wish. That is saying, go on a holiday for
:52:45. > :52:50.a couple of days and and come back. That is not going to happen. The
:52:50. > :52:57.fact that I have so many more amazing opportunities this year. We
:52:57. > :53:00.are doing a couple more festivals in America and around England and
:53:00. > :53:04.Europe. I'm showcasing my music to millions of people throughout the
:53:04. > :53:07.year. I'm grateful I have the opportunity to do that. Things are
:53:07. > :53:11.going well in America at the moment. You were talking about what is
:53:11. > :53:16.happening next the fact you have been in the studio with a famous
:53:16. > :53:26.producer. Can you share with us who you are working with. I have been
:53:26. > :53:27.
:53:27. > :53:31.in the studio with Farrell What is it like working with him?
:53:31. > :53:36.idolising him for a long time much I met him in Australia, when we
:53:36. > :53:43.were doing another festival. I said, "I'd love to get in the studio with
:53:43. > :53:51.you". Everybody say that is when they meet each other. He made it
:53:51. > :53:55.happen. I looked him up in Miami. We have been making fun and music.
:53:55. > :54:01.You popped around his house don't know each other, not his
:54:01. > :54:05.house. You went out to America to see how it would go, it has gone
:54:05. > :54:10.brilliantly? Definitely. When things are going well, there is
:54:10. > :54:16.still a lot of hard work. I'm doing shows for 20, 30, 40 people. Some
:54:16. > :54:19.shows are for 1,000, 2,000, 10,000. Because America is so big and all
:54:19. > :54:24.the States are different it's a broad spectrum. It's like starting
:54:24. > :54:28.again. We have such a long way to go. It's been an amazing experience
:54:28. > :54:32.to see. That One of the things I love about you being here, you
:54:32. > :54:41.brought the most hip-hop moment to Glastonbury this year. When they
:54:41. > :54:48.took these off of your trainers. Reggie. They were wrapped around
:54:48. > :54:52.his trainers and they take took them off. I have never such
:54:52. > :54:57.spotless wellies. Crocodile skin ones at that. You have have a
:54:57. > :55:02.problem with hygiene? You have to be clean, especially at festivals.
:55:02. > :55:08.Are you baby wiping them? I wear them, take them off, wear them.
:55:08. > :55:14.When it gets messy tonight I will have my baby wipes in my pockets.
:55:14. > :55:21.We have had questions from Facebook and twitter. One is, what is your
:55:21. > :55:31.guilty pleasure song? I like Eric Hassel Hurtful. That is not a
:55:31. > :55:32.
:55:32. > :55:41.guilty pleasure. Do I listen to anything crazy. Is it bad I listen
:55:41. > :55:47.to Angus? That is all right. Wigfield? I have a tweet from
:55:47. > :55:54.gaibel. How did you come up with the name tth -- Tinie Tempah I was
:55:54. > :56:04.in year and I was board in a lesson called, "citizenship". No, we are
:56:04. > :56:13.old. I was like, there is Dizzie Rascal, I need serious name. I got
:56:14. > :56:18.to anger, I looked down, saw Tempah, I liked it. Tinie Tempah, backal
:56:18. > :56:21.and Hyde, By play time I was Tinie Tempah. There you go. Just like
:56:21. > :56:27.that. Thank you for your questions. We had tonnes of questions. Thank
:56:27. > :56:30.you for joining us. Thank you for having me. Congratulations again
:56:30. > :56:35.for doing the Pyramid Stage. It's been a brilliant year. Thank you
:56:35. > :56:45.for your support. We will have Elbow in the studio. If you have
:56:45. > :56:45.
:56:45. > :56:51.any questions go to: As well as, that we will bring you Friendly