:00:06. > :00:16.This programme contains scenes of This programme contains scenes of
:00:16. > :00:20.
:00:20. > :00:23.Hello there. Welcome to Glastonbury 2011 on BBC Three. In the glorious
:00:23. > :00:26.sunshine. Look at it. It is absolutely
:00:26. > :00:30.stunning. As you can see behind us, it is the Pyramid Stage and pretty
:00:30. > :00:36.much the entire site, you can see everything and all the smart people
:00:36. > :00:41.that decided to camp up here... CHEERING AND APPLAUSE
:00:41. > :00:48.You can hear them. The rain falls that way. They are dry.
:00:48. > :00:52.We have got a ponderful view. -- wonderful view. Pendulum are about
:00:52. > :00:58.to go on the stage and you can see Plan B.
:00:58. > :01:01.It is the first time we have been let out on camera and Gemma and
:01:01. > :01:05.Greg have been seeing brilliant stuff. Where are you? What's going
:01:05. > :01:10.on guys? Well, we are the other side of the Pyramid Stage and
:01:10. > :01:16.people are waiting for Pendulum which you will see on BBC Three
:01:16. > :01:22.from 9pm. I am going to go to the John Peel Stage. I am not sure
:01:22. > :01:28.what's going on, but it will be fun. Did you see Jessie yesterday?
:01:28. > :01:32.missed it and it looked great. Let's look at Price Tag from
:01:32. > :01:42.yesterday. Can we have a microphone?
:01:42. > :02:00.
:02:00. > :02:10.Who knows the words to Price Tag? Big business. Big business.
:02:10. > :02:23.
:02:23. > :02:27.Go on girl. Hey. CHEERING AND APPLAUSE
:02:27. > :02:34.What's your name? Shay. That's a cool name. Right, you can
:02:34. > :02:39.sit here. Jessie J featuring Shay. That
:02:39. > :02:48.wasn't even planned! Do you know the words? You sing the money,
:02:48. > :02:58.money, the clrks the cha-ching bits, whatever bits you know. It is a big
:02:58. > :03:31.
:03:31. > :03:41.# That you can't even # It's not about the money,
:03:41. > :03:41.
:03:41. > :03:51.# We don't need your money, # Ain't about the cha-ching,
:03:51. > :04:12.
:04:12. > :04:22.# Can we all slow down # Guarantee we'll be feelin'
:04:22. > :04:27.
:04:28. > :04:37.# It's not about the money, # We don't need your money,
:04:38. > :04:46.
:04:46. > :04:52.# Ain't about the cha-ching, RAPS: Keep the price tag
:04:52. > :04:54.You can keep the cars Leave it in the garage
:04:54. > :04:57.Cos all I need are keys and guitars
:04:57. > :05:07.In 30 seconds I'm leaving to Mars
:05:07. > :05:11.We do this for the love So we fight and sacrifice
:05:11. > :05:13.So we ain't gonna stop, no, never
:05:13. > :05:15.Waiting to see A sign of defeat, uh-uh
:05:15. > :05:17.So we gonna keep Everyone movin' they feet
:05:17. > :05:20.So bring back the beat And everyone sayin'...
:05:20. > :05:22.# It's not about the money, money, money
:05:22. > :05:25.# We don't need your money, money, money
:05:25. > :05:27.# We just wanna make the world dance
:05:27. > :05:30.# Forget about the price tag
:05:30. > :05:33.# Ain't about the cha-ching, cha-ching
:05:33. > :05:35.# Ain't about the ba-bling, ba-bling
:05:35. > :05:38.# Wanna make the world dance
:05:38. > :05:41.# Forget about the price tag
:05:41. > :05:51.# It's not about the money, money, money
:05:51. > :05:57.
:05:57. > :05:58.# La-la-la-la
:05:58. > :05:58.#
:05:58. > :05:59.# Everybody
:05:59. > :06:02.# La-la-la-la
:06:02. > :06:03.# La-la-la-la
:06:03. > :06:09.# Price tag
:06:09. > :06:10.# It's not about the money, money, money
:06:10. > :06:11.# We don't need your money, money, money
:06:11. > :06:14.# We just wanna make the world dance
:06:14. > :06:15.# Forget about the price tag
:06:15. > :06:17.# Ain't about the cha-ching, cha-ching.
:06:17. > :06:19.# Ain't about the ba-bling, ba-bling
:06:19. > :06:22.# Wanna make the world dance
:06:22. > :06:28.# Forget about the price tag
:06:28. > :06:30.# It's not about the money, money, money
:06:30. > :06:32.# We don't need your money, money, money
:06:32. > :06:33.# We just wanna make the world dance
:06:33. > :06:37.# Forget about the price tag
:06:37. > :06:39.# Ain't about the cha-ching, cha-ching
:06:39. > :06:42.# Ain't about the ba-bling, ba-bling
:06:42. > :06:45.# Wanna make the world dance
:06:45. > :06:50.# Forget about the price tag
:06:50. > :06:52.# It's not about the money, money, money
:06:52. > :06:55.# We don't need your money, money, money
:06:55. > :06:58.# We just wanna make the world dance
:06:58. > :07:01.# Forget about the price tag
:07:01. > :07:06.# Ain't about the cha-ching, cha-ching
:07:06. > :07:09.# We just wanna make the world dance
:07:09. > :07:10.# Forget about the price tag
:07:10. > :07:10.#
:07:10. > :07:11.# I
:07:11. > :07:18.# I just
:07:18. > :07:26.# I just want to make Shay dance # I just want to make Glastonbury
:07:26. > :07:36.dance # I just want to make the world
:07:36. > :07:45.
:07:45. > :07:55.dance All right are you buddy buddy? I
:07:55. > :08:00.
:08:00. > :08:06.Stand up, take a bow. Stand up, take a bow.
:08:06. > :08:09.Thank you! That is without a doubt one of the
:08:09. > :08:14.highlights. That was Jessie J who plucked a little girl from the
:08:14. > :08:18.audience. What a little star. You would have missed the fact that
:08:18. > :08:20.Jessie J asked for a cup of mud and and she proceeded to spread it over
:08:20. > :08:25.her face to be at one with the audience.
:08:25. > :08:29.You might be able to detect a slight noise behind us. The sound
:08:29. > :08:33.of Pendulum. Also Plan B who is fresh off the
:08:33. > :08:38.Pyramid Stage is going to come in for a chat in a moment. We are
:08:38. > :08:44.socially interactive. If you want to ask a question, you can go on
:08:44. > :08:49.Twitter on on to the BBC Three Facebook pages.
:08:49. > :08:54.So you have already seen Greg and Gemma and Greg Greg James has been
:08:54. > :09:02.going on a crawl. So the search continues. Greg, let's see how
:09:02. > :09:07.Now this is a million miles away from the mayhem of last night's
:09:07. > :09:10.night-time crawl. It is the iconic Stone Circle. It is where people
:09:10. > :09:14.come to relax and cleanse their soul. It is difficult to know
:09:14. > :09:24.looking around if they have just just woken up or still up from last
:09:24. > :09:40.
:09:40. > :09:43.night. To cleanse my soul further. This is a wonderful, wonderful
:09:43. > :09:49.atmosphere. Tas lot more relaxing up here.
:09:49. > :09:54.is it you do here? What we are doing a lot of energising
:09:54. > :09:58.medtations. They are quick fix wid ard fix wizard spells.
:09:58. > :10:02.So you are a wizard? I am. We are going to imagine there are
:10:02. > :10:09.roots stretching out deep into the ground and linking into the the
:10:09. > :10:13.energy that is the mother of our planet.
:10:13. > :10:18.The third eye in the centre of the head, purple. Take a deep breath.
:10:18. > :10:24.We are going to open our eyes and take a look around you. Notice the
:10:24. > :10:31.difference in the colours that you see. You have accepted that magical
:10:31. > :10:37.sight that is the wizard inside. Thank you for inviting me in. Tell
:10:37. > :10:43.me what this is exactly? It is commonly known as the gong tent. We
:10:43. > :10:53.do relaxation sessions in here. We are going to do a two minute gong
:10:53. > :11:01.
:11:01. > :11:05.GONG SOUNDS. Thank you very much. I feel like
:11:05. > :11:11.I'm vibrating. You are vibrating indeed. You may
:11:11. > :11:16.feel the reverberations for that that a a while.
:11:16. > :11:26.Do the neighbours not get annoyed? No, it's Glastonbury!
:11:26. > :11:30.Good morning. How are you? I'm very well. How are you? Can I ask you
:11:30. > :11:34.quickly what you are doing? barge-style painting. None of us
:11:34. > :11:42.know what we are doing, but we have managed to create this. They look
:11:42. > :11:45.good. People like it. It is a chillout thing as well.
:11:45. > :11:51.A mobile festival seat. Yeah, go on then.
:11:51. > :11:59.I mean it is not uncomfortable. But if you are sat right at the front
:11:59. > :12:07.for Coldplay. He is there, you know what I mean? Yeah.
:12:08. > :12:11.What's going on here then, please? We are making copper piles out of
:12:11. > :12:15.recycled water cylinders. People can start hitting it around with a
:12:15. > :12:21.hammer and before you know it, you have got a bowl. Would you like to
:12:21. > :12:28.have a go? If you leave me to my copper bowl I will have a think
:12:28. > :12:32.about where to go next on my I thought there was an air of
:12:32. > :12:36.serenity around Greg today. He is very, very calm after the Healing
:12:36. > :12:40.Fields. He had an air of calm about him.
:12:40. > :12:48.What I love about Glastonbury is watching my favourite bands work
:12:48. > :12:50.their way up the list. One of my favourite bands is the Bombay
:12:50. > :13:00.Bicycle Club. I am looking forward to watching
:13:00. > :13:01.
:13:02. > :13:11.this. The Bombay Bicycle Club and this is Shuffle at demrast bury.
:13:12. > :13:12.
:13:12. > :14:09.Apology for the loss of subtitles for 57 seconds
:14:09. > :14:19.# Get it out of my mind # Say it on the track
:14:19. > :14:24.
:14:24. > :14:33.# Once you get the freedom # Once you have more
:14:33. > :14:43.# # # Once you get the feeling # Once you get some more
:14:43. > :14:45.
:14:45. > :14:55.# Freedom on the floor # I want you to believe in it until
:14:55. > :15:07.
:15:07. > :15:15.it's gone # You give to me all I know
:15:15. > :15:23.# I will stay here # I will not go
:15:23. > :15:33.# You gave to me # All I know
:15:33. > :15:51.
:15:51. > :15:57.# I will stay here # I will not go
:15:57. > :16:07.# Once you get the feeling # Once you get more
:16:07. > :16:17.# Says it is going to heal again # He won't make the call
:16:17. > :16:19.
:16:19. > :16:24.# Once you get the the feeling # Feet on the floor
:16:24. > :16:34.# Jumping out the wall # I want you to believe in it
:16:34. > :16:38.
:16:38. > :16:42.Fantastic. That was The beautiful Bombay Bicycle Club.
:16:42. > :16:48.Fresh off the Pyramid Stage, it is Mr Plan B
:16:48. > :16:54.You have just stepped off that stage.
:16:54. > :17:02.I am still red. I have got mud all over my shoes. I had a wicked time
:17:02. > :17:06.and I came here in the year 2000 and broke in! Sorry. Don't tell
:17:06. > :17:11.Eavis that. We thought it was a good idea to camp by the toilets,
:17:11. > :17:17.but not here, in the morning they pump out the toilets and it is not
:17:17. > :17:21.a nice odour. I think I worked Cyprus hill on that stage there.
:17:21. > :17:24.That was like eleven years ago. To be On that stage and perform and
:17:24. > :17:31.look out from the other side was mental. What a moment.
:17:31. > :17:39.Definitely. The Pyramid Stage is one thing, but you won yourself
:17:39. > :17:43.three Ivan know Ivan Novello Awards. I read that you made Rolf Harris
:17:43. > :17:47.cry. Rolf Harris came up to me in tears.
:17:47. > :17:54.This is so surreal. Because I have never you before, but I feel like I
:17:54. > :17:59.know you because I grew up with him. No, he just said, he said that what
:17:59. > :18:03.I said inspired him to want to go and write some more songs. Wow.
:18:03. > :18:08.It was something like that. If he releases a single soon you are
:18:08. > :18:12.responsible for that. Completely. It was like, it meant a
:18:12. > :18:16.lot to me to win them awards. You know, I would have been happy with
:18:16. > :18:20.one, and I got three. It has been a long journey.
:18:20. > :18:25.One of which was Song Writer of the Year.
:18:26. > :18:30.It has been a long journey. I went from the first album where I was
:18:30. > :18:37.underrated and underestimated and I felt it. Like now, obviously,
:18:37. > :18:42.people are giving me credit for what I'm doing and there is no
:18:42. > :18:47.greater feeling and it being cemented by winning those awards.
:18:47. > :18:51.And going out to the States. You had a bit of of a tour? I spent six
:18:51. > :18:59.weeks in America and it was hard and it was long, but I loved it and
:18:59. > :19:02.I enjoyed it. Especially the part of the tour where I was with Adele
:19:03. > :19:10.because she is great fun. Things are taking time. Tas bit slow.
:19:10. > :19:15.It is a big place. It is a big place, but it is like
:19:15. > :19:19.the gatekeepers, if they don't want to play play your stuff on radio,
:19:19. > :19:22.you are flogging a dead horse. It is a great record and hopefully it
:19:22. > :19:28.will be one of those things that spreads through word of mouth.
:19:28. > :19:37.We have got some Facebook and Twitter questions.
:19:37. > :19:44.One of Twitter, "what do you to get psyched up before a gig?"
:19:44. > :19:51.usually worrying everything. I'm woreying about my -- worrying about
:19:51. > :19:54.my shoes. Clips. I am usually worrying about that
:19:54. > :19:59.stuff so much that I'm not thinking about what is going on stage.
:19:59. > :20:04.Do you listen to any music to get yourself in a zone? It is always a
:20:04. > :20:09.panic. Where is my comb? Where is had this? You just go on stage and
:20:09. > :20:13.you are released. I wouldn't say there is anything I do to kind of
:20:13. > :20:19.get me hyped up. I am hyped up as soon as I see the crowd.
:20:19. > :20:25.I have got to ask you something on behalf of the crowd. A lot of
:20:25. > :20:32.people are are wondering what is happening with the Ballard of
:20:32. > :20:36.Belmarsh? It is another instalment. It covers old ground like the
:20:36. > :20:40.videos do. It just goes into greater detail what they are and
:20:40. > :20:45.that's the great thing about hip- hop, it allows you to do that. I
:20:45. > :20:50.wrote this album the way I write hip-hop which is trying to convey
:20:50. > :20:55.the story that I need to get out rather than trying to make songs
:20:55. > :20:58.that the radio will play. I always talk about this album like it is an
:20:58. > :21:02.underground album and I am not sure how much commercial legs it has,
:21:02. > :21:07.but it is more what I call a film for the blind so when you put it on
:21:07. > :21:10.it will be like listening to the auto to the audio of the film
:21:10. > :21:15.without having the images. It is coming out.
:21:15. > :21:25.I have got good supplies. I recorded Ray Winston in the studio.
:21:25. > :21:29.
:21:29. > :21:35.I wrote a John John Cooper- clerkesque. I got Ray to come in
:21:35. > :21:38.and speak it. It sound amazing. It is like the 2011 Park Life.
:21:38. > :21:42.Incredible. I'm really, really excited. It is
:21:42. > :21:46.weird because I was in the studio with him and I was like, "This is
:21:46. > :21:49.the proudest moment of my musical life." And I have had some great
:21:49. > :21:53.moments, but it was weird. He is a legend.
:21:53. > :21:58.I thought that at the time, but to have him there. It is so unexpected.
:21:58. > :22:03.I never thought he would say yes and he did. So look forward to that.
:22:03. > :22:11.. One more question from Facebook from Ryan. "Where did Plan B get
:22:11. > :22:16.the idea for his image, it is very cool?" I make music and I let the
:22:16. > :22:21.music talk and I heard about Northern Soul music. A lot of the
:22:21. > :22:25.break dance moves you see in hip- hop actually, dancers were doing
:22:26. > :22:31.that in Northern Soul in the UK before the whole hip-hop thing came
:22:31. > :22:38.about. And there was this look, it was a little bit earlier than the
:22:38. > :22:43.Mods. The Mods are like two button suits. They are like buttoned done
:22:43. > :22:48.collars. Before that, ten years earlier, in the late 50s and early
:22:48. > :22:53.60, it was one button suits. So when I made the music I listened
:22:53. > :22:58.back to it and I thought, "What does this make me feel like?" I
:22:58. > :23:02.thought Northern Soul and I went on sooUb on YouTube and got old
:23:03. > :23:12.footage, looking at the moves and what those artist wore and that's
:23:13. > :23:13.
:23:13. > :23:18.how we styled Banks. We going from hip-hop artist who wore baggy jeans
:23:18. > :23:22.to wearing tight trousers was an uncomfortable transition.
:23:22. > :23:25.You are not going to be wearing this down to Waitrose, I take it?
:23:25. > :23:30.The whole time I was uncome uncomfortable and I got the
:23:30. > :23:35.pictures out. I thought this is the look. I was able to detach me from
:23:35. > :23:40.the character, you know. It just grew from there.
:23:40. > :23:45.Even in this sweaty weather, you are sticking with the suit.
:23:45. > :23:50.Plan B, thank you. We are going to see some of your set from earlier.
:23:50. > :24:00.There are flashing images. Be warned. This is Plan B on the
:24:00. > :24:00.
:24:00. > :27:49.Apology for the loss of subtitles for 57 seconds
:27:49. > :27:57.# Keep trying just so we can say... # I know I lied and I cheated
:27:57. > :28:06.# That justifies me being locked up this long
:28:06. > :28:09.# I ain't guilty of no crime Get these chains off me
:28:09. > :28:13.# Can't risk doing no more time Please just set me free
:28:13. > :28:16.# Every day I go on I feel my heart getting colder
:28:16. > :28:19.# I'm beggin' you, please Yeah, yeah
:28:19. > :28:24.# You got me wrong I don't deserve this fate
:28:24. > :28:28.# I'm not where I belong Not the kind of place
:28:28. > :28:30.# Once he's mad at your fear I ain't meant to be here
:28:30. > :28:34.# I'm meant to be free
:28:34. > :28:43.# Yeah I know, I know I know I've been a fool
:28:43. > :28:52.# I had everything and went and lost it all
:28:52. > :29:02.# But I don't deserve this sentence on my head
:29:02. > :29:08.# Especially when I never did what she said
:29:08. > :29:11.# I ain't guilty of no crime Get these chains off me
:29:11. > :29:14.# Can't risk doing no more time Please just set me free
:29:14. > :29:19.# Every day I go on I feel my heart getting colder
:29:19. > :29:23.# I'm begging you, please Yeah, yeah
:29:23. > :29:27.# You got me wrong I don't deserve this fate
:29:27. > :29:31.# I'm not where I belong Not the kind of place
:29:31. > :29:34.# Once he's mad at your fear I ain't meant to be here
:29:34. > :29:43.# I'm meant to be free Yeah, yeah, yeah
:29:43. > :29:46.# Time's such a precious thing
:29:46. > :29:56.# We shouldn't waste it on little things
:29:56. > :29:57.
:29:57. > :30:00.# Won't get in the way
:30:00. > :30:10.# Of what we need cos it just don't pay
:30:10. > :30:11.
:30:12. > :30:14.# I ain't guilty of no crime Get these chains off me
:30:14. > :30:19.# Can't risk doing no more time Please just set me free
:30:19. > :30:23.# Every day I go on I feel my heart getting colder
:30:23. > :30:27.# I'm beggin' you please Yeah, yeah
:30:27. > :30:31.# You got me wrong I don't deserve this fate
:30:31. > :30:34.# I'm not where I belong Not the kind of place
:30:34. > :30:37.# Once he's mad at your fear I ain't meant to be here
:30:37. > :30:42.# I'm meant to be free Yeah, yeah, yeah
:30:42. > :30:52.# I'm meant to be free Yeah, yeah, yeah, yeah
:30:52. > :30:58.
:30:58. > :31:06.# I'm meant to be free Yeah, yeah, yeah, yeah
:31:06. > :31:16.# I'm meant to be free Yeah, yeah, yeah, yeah
:31:16. > :31:18.
:31:18. > :31:19.Glastonbury,
:31:19. > :31:19.Glastonbury, how
:31:19. > :31:29.Glastonbury, how are
:31:29. > :31:29.
:31:29. > :36:44.Apology for the loss of subtitles for 57 seconds
:36:44. > :36:49.Hello Glastonbury. In 2000 I was out there with you
:36:49. > :36:59.will the. Eleven years later, here we are. Thank you for welcoming us
:36:59. > :37:00.
:37:00. > :37:10.on the stage. In return, we would # Welcome to hell
:37:10. > :37:12.
:37:12. > :37:17.# Oh, we're so happy that # There's a warden
:37:17. > :37:20.# As I make my way inside of the jail
:37:20. > :37:26.# He smiles at me ever so sweetly
:37:26. > :37:31.# And sends to me en route to my cell
:37:31. > :37:34.# Welcome to hell
:37:34. > :37:42.# Welcome to hell That's what I heard them sing
:37:42. > :37:48.# Welcome to hell, yeah
:37:48. > :37:54.# Oh, we're so happy that you're here today
:37:54. > :37:59.# Grins all up on their faces
:37:59. > :38:04.# Looking so delighted I'm here
:38:04. > :38:08.# Murders, robbers and rapists
:38:08. > :38:14.# All shouting up in my ear
:38:14. > :38:17.# Welcome to hell
:38:17. > :38:25.# Welcome to hell That's what I heard them sing
:38:25. > :38:30.# Welcome to hell, yeah
:38:30. > :38:36.# Oh, we're so happy that you're here today
:38:36. > :38:40.# Put my brave face on
:38:40. > :38:42.# Can't let 'em know that I'm scared
:38:42. > :38:46.# Put my brave face on
:38:46. > :38:49.# Cos if they know then I'm dead I put my brave face on
:38:49. > :38:53.# Can't let 'em know that I'm scared I put my brave face on
:38:53. > :39:03.# And don't I know Don't I know, don't I know
:39:03. > :39:04.
:39:04. > :39:08.# And don't I know Don't I know, don't I know
:39:08. > :39:11.# Just how low, just how low Just how low
:39:11. > :39:17.# I've fallen down I've fallen down?
:39:17. > :39:21.# What's in store for me Oh for me, oh for me
:39:21. > :39:26.# And I can see, I can see I can see
:39:26. > :39:31.# What's in store for me Oh for me, oh for me
:39:31. > :39:40.# Falling out There's no way out now
:39:40. > :39:41.# Falling out There's no way out now
:39:41. > :39:44.# Welcome to hell
:39:44. > :39:50.# Welcome to hell That's what I heard them sing
:39:50. > :39:55.# Welcome to hell, yeah
:39:55. > :40:02.# Oh, we're so happy that you're here today
:40:02. > :40:06.# Welcome to hell, yeah
:40:06. > :40:11.# Welcome to hell That's what I heard them sing
:40:11. > :40:17.# Welcome to hell, hey
:40:17. > :40:23.# Oh we're so happy that you're here today
:40:23. > :40:26.# Oh, oh yeah
:40:26. > :40:28.# Put my brave face on
:40:28. > :40:31.# Can't let 'em know that I'm scared I put my brave face on
:40:31. > :40:36.# Cos if they know then I'm dead I put my brave face on
:40:36. > :40:40.Can't let 'em know that I'm scared I put my brave face on
:40:40. > :40:48.# Put my brave face on Can't let 'em know that I'm scared
:40:48. > :40:56.# I put my brave face on Cos if they know then I'm dead
:40:56. > :41:00.# I put my brave face on Can't let 'em know that I'm scared
:41:00. > :41:10.# I put my brave face on. #
:41:10. > :41:27.
:41:27. > :41:28.Glastonbury,
:41:28. > :41:29.Glastonbury, how
:41:29. > :41:35.Glastonbury, how are
:41:35. > :41:45.Glastonbury, how are you feeling? This one is for the ladies in the
:41:45. > :41:45.
:41:45. > :42:27.Apology for the loss of subtitles for 57 seconds
:42:27. > :42:37.# But look at how times # Sweep your feet
:42:37. > :42:37.
:42:37. > :42:47.# I've got that real love # I've got that real love
:42:47. > :42:47.
:42:47. > :43:41.Apology for the loss of subtitles for 57 seconds
:43:41. > :43:51.# Sweep your feet # I've got that real love
:43:51. > :44:25.
:44:25. > :44:35.# I've got that real love # Sweep your feet
:44:35. > :44:42.# Yeah, baby, know I've got that real love for you know
:44:42. > :44:52.# Yeahhh, ooh...
:44:52. > :44:56.
:44:56. > :45:00.# Oooh, ooh
:45:00. > :45:10.# Oooh, ooh
:45:10. > :45:31.
:45:31. > :45:32.OK.
:45:33. > :45:33.OK. How
:45:33. > :45:38.OK. How are
:45:38. > :45:48.OK. How are you feeling? Are you feeling good? All right, let's do
:45:48. > :45:51.
:45:51. > :46:01.# Cos I don't go outside for nothing, # Oh no they can't tell me nothin',
:46:01. > :46:08.
:46:08. > :46:18.# Yes so I don't care # If I just stay here in this hole
:46:18. > :46:19.
:46:19. > :46:29.# Cos I don't go outside for nothin', # Oh no they can't tell me nothin',
:46:29. > :46:36.
:46:36. > :46:46.# Yes so I dunno, I'm feeling sorry # Would you really know what is
:46:46. > :46:51.
:46:51. > :47:01.# I ain't hurtin' nobody, # Why can't you just let me
:47:01. > :47:07.
:47:07. > :47:17.# Cos I don't go outside for nothin', # Oh no they can't tell me nothin',
:47:17. > :47:36.
:47:36. > :47:38.at myself thinking myself, I got everything I need
:47:38. > :47:42.I ain't trying to impress anyone in this cesspit jail I just don't care
:47:42. > :47:48.I ain't gotta smell fresh for a woman so I'm blessed not washing my skin or my hair
:47:48. > :47:51.They can call me a recluse, they ain't gonna remove or cut me loose
:47:51. > :47:53.From this place, I'm locked in hiding
:47:53. > :47:56.Like a rocker wall moves cos you know I've gotten used to the space that I'm occupying
:47:56. > :47:59.There really ain't anything out there on the win they'd enjoy more more than see me crying
:47:59. > :48:09.So I do it in my room where none ofthese goons can see me though I know they've been trying
:48:09. > :48:11.
:48:11. > :48:15.So I just stay in my cell like I'm bricked in and hope that stops me from getting kicked in
:48:15. > :48:18.Even if it earns me this nickname in prison
:48:18. > :48:21.# Oh yeah they call me The Recluse
:48:21. > :48:25.# Cos I don't go outside for nothin', no one
:48:25. > :48:28.# Is gonna make me leave this room
:48:28. > :48:33.# Oh no they can't tell me nothin', no way
:48:33. > :48:36.# Oh yeah they call me The Recluse
:48:36. > :48:40.# Cos I don't go outside for nothin', no one
:48:40. > :48:43.# Is gonna make me leave this room
:48:43. > :48:53.# Oh no they can't tell me nothin'
:48:53. > :49:17.
:49:17. > :49:19.# She said, I love you, boy I love your soul
:49:19. > :49:28.# She said, I love you, baby Oh, oh, oh, ohhh
:49:28. > :49:30.# She said, I love you more than words can say
:49:30. > :49:40.# She said, I love you, ba-a-aby
:49:40. > :49:41.
:49:41. > :49:51.# So I said, what you saying, girl? It can't be right
:49:51. > :49:52.
:49:52. > :49:56.# So I said, what you saying, girl? It can't be right
:49:56. > :50:01.# How can you be in love with me? We only just met tonight
:50:01. > :50:04.# So she said
:50:04. > :50:09.# Boy, I loved you from the start
:50:09. > :50:11.# When I first heard love goes down
:50:11. > :50:15.# Something started burning in my heart
:50:16. > :50:18.# I said, stop this crazy talk
:50:18. > :50:27.# And leave right now and close the door
:50:27. > :50:31.# She said, but I love you, boy I love you so
:50:31. > :50:40.# She said, I love you, baby Oh, oh, oh, oh
:50:40. > :50:42.# She said, I love you more than words can say
:50:42. > :50:52.# She said, I love you, ba-a-aby
:50:52. > :50:54.# Yes, you did
:50:54. > :50:56.# So now I'm up in the courts
:50:56. > :50:57.# Pleading my case from the witness box
:50:57. > :50:58.# Telling the judge and jury the same thing that I said to the cops
:50:58. > :51:00.# On the day that I got arrested I'm innocent, I contested
:51:00. > :51:02.# She just feels rejected
:51:02. > :51:06.# Had her heart broken by someone she's obsessed with
:51:06. > :51:09.# Cos she likes the sound of my music
:51:09. > :51:10.# Which makes her a fan of my music
:51:10. > :51:12.# That's why love goes down not to lose it
:51:12. > :51:14.# Cos she can't separate the man from the music
:51:14. > :51:15.# And I'm saying all this in the stand
:51:15. > :51:17.# As my girl cries tears from the galleries
:51:17. > :51:18.# Got bigger than I ever could have planned
:51:18. > :51:20.# Like that song by the Zutons, Valerie
:51:20. > :51:22.# So the jury don't look like they're buying it
:51:22. > :51:22.# And it's making me nervous
:51:22. > :51:24.# And I'm just screw-faced like I'm trying it
:51:24. > :51:27.# Their eyes fixed on me like a murderer's
:51:27. > :51:29.# They wanna lock me up and throw away the key
:51:29. > :51:32.# They wanna send me down even though I told them she...
:51:32. > :51:42.# She said, I love you, boy I love your soul
:51:42. > :51:44.
:51:44. > :51:46.# She said, I love you, boy I love your soul
:51:46. > :51:54.# She said, I love you, baby Oh, oh, oh, oh
:51:54. > :51:56.# Yes, you did
:51:56. > :51:59.# She said, I love you more than words can say
:51:59. > :52:07.# She said, I love you, ba-a-aby
:52:07. > :52:11.# So I said, why the hell you gotta treat me this way?
:52:11. > :52:14.# You don't know what love is
:52:14. > :52:16.# You wouldn't do this if you did
:52:16. > :52:26.# Oh, no, no, no, no... #
:52:26. > :52:35.
:52:35. > :52:35.Thank
:52:36. > :52:37.Thank you,
:52:37. > :52:42.Thank you, Glastonbury.
:52:42. > :52:52.Thank you, Glastonbury. Glastonbury, are you having a good time? Enjoy
:52:52. > :52:52.
:52:52. > :56:06.Apology for the loss of subtitles for 57 seconds
:56:06. > :56:16.the rest of the weekend. Make sure # I'm at the bar and I see this
:56:16. > :56:16.
:56:16. > :57:11.Apology for the loss of subtitles for 57 seconds
:57:11. > :57:14.# But do I care? Do I...I'm on a The fantastic Plan B earlier on
:57:14. > :57:24.today complete with a little bit of naughty language.
:57:24. > :57:32.A very messy piggyback at the end. Yesterday, we were treated to a
:57:32. > :57:38.performance by Ed Sheeran. We are going to see a part of that set. A
:57:38. > :57:48.beautiful Bob Dylan cover of Make You Feel My Love. This is Ed
:57:48. > :58:00.
:58:00. > :58:05.# When the wind is blowing in your face
:58:05. > :58:15.# And the whole world is on your case
:58:15. > :58:17.
:58:17. > :58:21.# I can offer you a warm embrace # To make you feel my love
:58:21. > :58:25.# When the evening shadows and the stars appear high pressure # And
:58:25. > :58:32.there is no one there to dry your tears
:58:32. > :58:40.# Oh, I could hold hold you for a million years
:58:41. > :58:47.# To make you feel my love # And I know you haven't made your
:58:47. > :58:53.mind up yet # Though I could never do you wrong
:58:53. > :58:59.# I've known it from the moment that we met
:58:59. > :59:02.# Deep down in my heart is where you belong belong, oh
:59:02. > :59:07.# I'll go hungry, I'd go black and blue
:59:07. > :59:17.# I'd go crawling down the avenue # There's nothing that I wouldn't
:59:17. > :59:35.
:59:35. > :59:38.Can I just try one thing? I know it is dux outside -- dusk outside. Can
:59:39. > :59:45.everyone get out their phone or their lighter and just hold it in
:59:45. > :59:55.the air so the light goes up. It doesn't quite work yet. It is
:59:55. > :00:05.
:00:05. > :00:11.# The wind is raging on the violent seas
:00:11. > :00:16.# And on the highway of regret # The winds of change are blowing
:00:16. > :00:26.wild and free # You ain't seen nothing like me
:00:26. > :00:26.
:00:26. > :00:29.# I will make you happy, make your dreams come true
:00:29. > :00:39.# But there is nothing that I would not do
:00:39. > :00:41.
:00:41. > :00:47.# Go to the ends of the earth for # To make you feel my love #
:00:47. > :00:51.We're going to sing this again. # To make you feel my love #
:00:51. > :01:00.One more time. # To make you feel my love
:01:00. > :01:10.To make you feel my love # To make you feel my love
:01:10. > :01:12.
:01:12. > :01:21.# To make you feel my love # CHEERING AND APPLAUSE
:01:21. > :01:25.Beautiful. That was from the BBC Introducing Tent. That was stunning.
:01:25. > :01:29.Gemma has been all over this festival all weekend. She can
:01:29. > :01:39.actually be an official tour guide. She knows every nook and cranny. We
:01:39. > :01:45.
:01:45. > :01:47.are going to catch up with Gemma. Put your arms up in the air and say
:01:47. > :01:52.o-ar. Yeah, it is cool.
:01:52. > :01:56.. Yes. How are you feeling? Mm, tired. I
:01:56. > :02:01.have got my sunglasses on to cover up me bags
:02:02. > :02:05.What about you lovey? The sun is shining. What has been the weirdest
:02:05. > :02:10.thing you witnessed? When it was really, really muddy like when it
:02:10. > :02:14.rain on the first days, we just saw people in plastic suits and we
:02:14. > :02:19.thought thought they were going to run in the mud and they turned
:02:19. > :02:22.around, "Will you marry me?" This guy got down on one knee and
:02:22. > :02:25.proposed. Who are you looking forward to
:02:25. > :02:34.seeing later on? It has got to be Beyonce.
:02:34. > :02:37.I love Gemma. I have the same outfit at home.
:02:37. > :02:45.I hope you have got some under wear underneath that.
:02:45. > :02:51.No, I want to feel the breeze. Please join us on Twitter. We are
:02:51. > :02:57.on Facebook as well. Also if you have missed anything, you can go
:02:57. > :03:02.You can watch loads of different BBC introducing performances if you
:03:02. > :03:08.want to catch up and there is loads of Glastonbury highlights on there
:03:08. > :03:11.as well. The first time I saw Laura Marling
:03:11. > :03:17.was in a pub in West London and I was blown away because she was
:03:17. > :03:19.about this big and her guitar was so-so much bigger. Her voice is
:03:19. > :03:24.incredible. I couldn't believe she is as young
:03:24. > :03:30.as she is. When I heard she was performing on the Pyramid Stage I
:03:30. > :03:34.was worried because it is so huge. I was worried it would take her in.
:03:34. > :03:38.She won a BRIT Award as well with her gorgeous acceptance speech and
:03:38. > :03:42.people are beginning to know what she is about now. She has the most
:03:42. > :03:46.beautiful voice and she packed out this whole area in front of the
:03:46. > :03:53.Pyramid Stage. We had a lot of people swaying and hugging. It felt
:03:53. > :04:03.like a graduation on the Pyramid Stage. Here is Laura Marling
:04:03. > :04:40.
:04:40. > :04:50.# You'll scream and you'll wail till # And they're tired
:04:50. > :05:01.
:05:01. > :05:11.# You'll scream and you'll wail till # Let it always be known that
:05:11. > :05:25.
:05:25. > :05:35.# My children will live # I'll be blown over by
:05:35. > :05:46.
:05:46. > :05:56.# And the tender are carried to # And I'll be damned if I'll be
:05:56. > :06:13.
:06:13. > :06:18.# Let it always be known that # It's funny how the first chords
:06:18. > :06:24.# Are the minor notes that come to serenade you
:06:24. > :06:29.# It's hard to accept yourself as someone you don't desire
:06:29. > :06:36.# As someone who don't want to be
:06:36. > :06:42.# As someone who don't want to be
:06:42. > :06:47.# Oh, give me to a rambling man
:06:47. > :06:52.# Let it always be known that I was who I am
:06:52. > :07:01.# Oh, give me to a rambling man
:07:01. > :07:11.# Let it always be known that I was who I am
:07:11. > :07:22.
:07:22. > :07:23.The
:07:23. > :07:23.The the
:07:23. > :07:28.The the gorgeous
:07:28. > :07:31.The the gorgeous sounds of Laura Marling. The crowd were bouncing
:07:31. > :07:37.like this high off the floor and you will see some of that set later
:07:37. > :07:42.on BBC Three. Going back to Laura Marling did you
:07:42. > :07:47.notice those guys trying hard not to fall in love with her? If you
:07:47. > :07:51.are a fan of Ed Sheeran, you can see the set online.
:07:51. > :07:55.Another brilliant band that I know you are passionate about. We have
:07:55. > :07:58.seen them live together a few times. I love Everything Everything
:07:59. > :08:02.Everything. I fell in love with the band and
:08:02. > :08:06.one of the things I love about them when I see them play is the drummer
:08:06. > :08:11.trying hard to keep up with the time signatures because it changes
:08:11. > :08:21.and he always gets a sweat on. They are fantastic to watch.
:08:21. > :08:31.
:08:31. > :08:41.Right, here is Everything # I will gain an extra life,
:08:41. > :08:42.
:08:42. > :08:52.# I am one with the furniture, # Gangrene knuckle
:08:52. > :09:02.# Soon my clock will have # I'm watching that foxhound frolic
:09:02. > :09:08.
:09:08. > :09:18.# Airbrush! # Gotta come back
:09:18. > :09:27.
:09:27. > :09:32.# More dollar! Less scholar! # Chest pumped elegantly
:09:33. > :09:37.# Watch your dorsal fin collapse I know nothing about my history
:09:37. > :09:40.# I put a rainforest in an Oxo cube
:09:40. > :09:42.# Struck by lightning if I take the tube
:09:42. > :09:45.# Thank your chromosomes for that
:09:45. > :09:48.# I have skin like a waxen peel, and a face that I can never feel
:09:48. > :09:52.# Airbrush! What have you done with my landscape?
:09:52. > :09:53.# Flooding the fields with this clone shape
:09:53. > :09:55.# Where is the country you died for?
:09:55. > :09:57.# And what is the century? And ahhh
:09:57. > :09:59.# Who did your Photoshop handsome?
:09:59. > :10:01.# You ready for reincarnation?
:10:01. > :10:02.# Gotta come back as something less frantic
:10:02. > :10:04.# You gotta banish that army of panic
:10:04. > :10:06.# Gotta come back as something organic
:10:06. > :10:11.# Come back as something organic
:10:11. > :10:13.# Come back as something organic
:10:13. > :10:23.# Come back as something organic
:10:23. > :11:03.
:11:03. > :11:13.# Airbrush! # Airbrush!
:11:13. > :11:37.
:11:37. > :11:42.# Gotta come back as I adore that band.
:11:42. > :11:47.By the time Glastonbury comes back in a few years time, they will be
:11:47. > :11:53.higher up the list. Boiler suits in the heat.
:11:53. > :11:58.They are like Ghostbuster suits. If you want to see that Pendulum
:11:58. > :12:02.set this is where you need to be, BBC Three. You will get the Kaiser
:12:02. > :12:04.Chiefs. Ricky was excited about hitting Glastonbury today so you
:12:04. > :12:09.will see that later on. Can I have a confession moment
:12:09. > :12:16.here? I had an awkward moment with Ricky. Because the last time I saw
:12:16. > :12:21.him was in the changing room. Go to the same gym and I have seen more
:12:21. > :12:29.of Ricky than I would like to share. But he will be in full health later.
:12:29. > :12:35.He is in one piece. If you are going on Twitter please
:12:35. > :12:41.keep leaving your comments. It is the BBC Three Facebook pages. You
:12:41. > :12:45.can still tweet. Remember, if you want to, you can
:12:45. > :12:49.hit the Red Button and see loads more.
:12:49. > :12:52.You can see loads of stuff online. Ed Sheeran is on there and tonnes
:12:52. > :12:57.more. Get online to see what is happening.