:00:31. > :00:39.. It is like a post epobg liptic town.
:00:39. > :00:49.Glastonbury has its own vibe. The audience is more intelligent.
:00:49. > :01:01.
:01:02. > :01:07.Ingenious. The best festival in the world.
:01:07. > :01:13.Welcome to Glastonbury. We brave the mud so you don't have to. You
:01:13. > :01:20.can sit at home and we will bring you as much as what is going on.
:01:20. > :01:24.I'm Jo Whiley and this is Mark Radcliffe. I was up here for a long
:01:24. > :01:28.time. I think I was being kept out of the way way! It is glorious
:01:28. > :01:31.today. The only thing is the mud is here to stay for the weekend.
:01:31. > :01:34.know. Every year we talk about the
:01:34. > :01:38.different textures of mud! Yesterday, you can get through it.
:01:38. > :01:41.Today, it is drying up because the sun has come out which makes it
:01:41. > :01:45.worse because your boots get stuck in the mud and we were saying the
:01:45. > :01:47.distance it takes you an hour to get from one point to another, it
:01:47. > :01:51.has taken four hours this time. It is problematic.
:01:51. > :01:57.Yeah, you have got a choice of sticking to the road ways, but they
:01:57. > :02:02.are heavily populated, but if you go off piste, you are knee-deep in
:02:02. > :02:07.mud. My nine-year-old Rose has been in smaller wellies and every time
:02:07. > :02:11.she twists to look at something and there is something to see, she
:02:11. > :02:16.falls on her face. I blame her mother for putting her in a height
:02:16. > :02:26.cardigan, but what -- white cardigan, but what can you do?
:02:26. > :02:34.
:02:34. > :02:41.have live performances. Guy Garvey is coming to have a chat.
:02:41. > :02:44.We have a film from the Spirit of 71 Stage. It is 40 years since the
:02:44. > :02:49.first Glastonbury and some of the artists who appeared at that
:02:49. > :02:56.festival are coming back to re- create the golden age of
:02:56. > :02:59.Glastonbury. Someone who has been appearing there is Noel Harrison.
:02:59. > :03:06.I can't wait for this. This will happen later on.
:03:06. > :03:12.He is going to do an acoustic. Now some mellow afternoon sunny
:03:12. > :03:18.sounds on the Pyramid Stage. It is... Rumour.
:03:18. > :03:28.Hello Glastonbury. I'm Rumour. This is my song Am I
:03:28. > :03:53.
:03:53. > :04:03.# I lost my heart # I sat on my window and looked out
:04:03. > :04:04.
:04:04. > :04:14.and watched the rain wash down # The street
:04:14. > :04:15.
:04:15. > :04:25.# Like the birds that fly over # Rising up through the trees
:04:25. > :04:26.
:04:26. > :06:38.Apology for the loss of subtitles for 133 seconds
:06:39. > :06:46.# I was running out of cafe conversation
:06:46. > :06:49.# I was weary of fashion parades # It seems there is a hole lot of
:06:49. > :06:55.people from out of town around here these days
:06:55. > :07:05.# And in the streets the the preachers say if you want to go to
:07:05. > :07:09.
:07:09. > :07:14.heaven why don't you walk this way # All day I prayed for five o'clock
:07:14. > :07:22.# I'm thinking maybe I should quit this job
:07:22. > :07:26.# And as the lights turn on the corner, I see your face face face
:07:26. > :07:34.# And I light up like a child # Because you are the one who makes
:07:34. > :07:43.me see # You are my saving grace
:07:43. > :07:49.# You make me want to make me want to become better
:07:49. > :07:55.# Cause when you you walked in # You truly changed my world
:07:55. > :08:03.# When you take my hand # You make me strong
:08:04. > :08:10.# And when I'm weary, I don't have to explain
:08:10. > :08:15.# When I crawl the stairs, you let me rest
:08:15. > :08:18.# I never thought I'd ever see the sun again
:08:18. > :08:23.# Bitterness was beating down my door
:08:23. > :08:30.# Now I'm picking up the telephone, I read your name
:08:30. > :08:39.# And I light up like a child # Because you are the one who makes
:08:39. > :08:49.me see # You are my saving grace
:08:49. > :08:53.# You make me want to become, become better
:08:53. > :08:59.# Because when you walked in, you truly changed my world
:08:59. > :09:07.# When you take my hand, you make me strong
:09:07. > :09:11.# And when you want me, I'll be there, you know
:09:11. > :09:21.# I will # Just take my hand and I'll make
:09:21. > :09:59.
:09:59. > :10:09.Thank you. # You make me
:10:09. > :10:09.
:10:09. > :10:55.Apology for the loss of subtitles for 133 seconds
:10:55. > :11:05.# You make me want to tell # Killing time is easy
:11:05. > :11:45.
:11:45. > :11:55.2# "Slow" # In your arms
:11:55. > :12:11.
:12:11. > :12:21.# "Slow" # You make me want to sing about
:12:21. > :12:21.
:12:21. > :13:27.Apology for the loss of subtitles for 133 seconds
:13:27. > :13:33.# You make me want to tell Thank you.
:13:33. > :13:36.There you go, that was Rumour live on the Pyramid Stage. That kind of
:13:36. > :13:39.worked in a dreamy afternoon sort of way in the sun.
:13:39. > :13:44.Had she done that yesterday when it was pouring with rain, it would
:13:44. > :13:50.have been a different thing. The sun is coming out and there is a
:13:50. > :13:59.quieter feeling. We were watching Jessie J. So many children come to
:13:59. > :14:02.Glastonbury and it is nice on a Saturday afternoon they have Tinie
:14:02. > :14:08.Tempah and that is what is going on at the moment.
:14:08. > :14:14.Rumour, I had the urge to waft in the breeze and interpret the music
:14:14. > :14:20.through the medium of mime. But you are doing it now minus the
:14:20. > :14:24.cheesecloth. Do you want to stop? I would stop if I was you.
:14:24. > :14:27.Many artists are still lurking around, Bono is still here. They
:14:27. > :14:37.are not playing. No surprise guests or anything, but people here
:14:37. > :14:43.
:14:43. > :14:53.enjoying what they are doing and enjoying the festival. Here is
:14:53. > :14:57.
:14:57. > :15:07.# You're never running from this # You'll never get anything better
:15:07. > :15:15.
:15:15. > :15:25.# 'Cause you're going round in # And now you giving me the look
:15:25. > :15:36.
:15:36. > :15:46.# But just remember how we shook # This town is the oldest
:15:46. > :16:10.
:16:10. > :16:20.# We're always running round # We'd never make anything better
:16:20. > :16:30.
:16:30. > :16:40.# And everybody thinks # And now we're giving you
:16:40. > :17:02.
:17:02. > :17:12.# This town is the oldest # This town is the oldest
:17:12. > :17:12.
:17:12. > :18:26.Apology for the loss of subtitles for 133 seconds
:18:26. > :18:31.That's Metronomy from Devon. We have been playing a lot of them on
:18:31. > :18:35.6 Music. They have been sound checking for the past two hours so
:18:35. > :18:41.everyone walking around has got that little bit in their head. We
:18:41. > :18:45.will be joined by Guy Garvey. They arrived yesterday so they have been
:18:45. > :18:52.going to all the different far flung corners of the site.
:18:53. > :18:57.I bet he is he is feeling smug. Larry from U2 said, "I'm so sad it
:18:57. > :19:01.was raining.". I know, but I loved that honest. You would be really
:19:01. > :19:06.disappointed, wouldn't you. He was complaining that the audience were
:19:07. > :19:13.so far away. Playing the drums you are always going to be at back.
:19:13. > :19:23.Guy and Elbow will be seeing the weather will be thinking, "We are
:19:23. > :19:24.
:19:24. > :19:31.blessed.". We have Ed Sheeran and Noel Harrison. Now to someone
:19:31. > :19:35.exploring every corner and taking us there. This is Greg James.
:19:35. > :19:39.Loads of stuff going on here and I've just spotted a circus tent. I
:19:39. > :19:46.can't help, but notice you are spinning plates. Please, can you
:19:46. > :19:51.teach me? Spin it around like drawing a a circle in the sky.
:19:51. > :19:55.Draw a circle in the sky. Oh, worst. Stop.
:19:55. > :20:04.Sugar. Slow finger and whisk it like an
:20:04. > :20:14.egg and then stop like that. Yeah! Look at that.
:20:14. > :20:15.
:20:15. > :20:23.I think we're done here. Are you OK? Ribbet.
:20:23. > :20:29.I see you have got your umbrella up. Rib bet.
:20:29. > :20:35.I thought frogs were water proof. I have never seen a frog with a
:20:35. > :20:40.handbag. Please don't be a real frog. Just some fags and an
:20:40. > :20:44.inhaler! Get back.
:20:44. > :20:54.I'm approaching. I'm approaching. Go young man. Go.
:20:54. > :20:57.
:20:57. > :21:07.Thank you. Thanks a lot.
:21:07. > :21:08.
:21:08. > :21:14.What's your name, mate? It's Greg. Let's have some music, lads. Let's
:21:14. > :21:17.have track five and see what that is like. I have no idea.
:21:17. > :21:27.Get your knees up, man. That's the spirit.
:21:27. > :21:30.
:21:30. > :21:36.Get it working, yeah. Try and get that working.
:21:36. > :21:46.Hello Glastonbury. If you are going to have a party,
:21:46. > :21:49.
:21:49. > :21:55.you want to clear up before you You see, I love this. I could stay
:21:55. > :22:02.here all day happily. You see, if it starts raining like
:22:02. > :22:12.it is at the moment, find a tent and just sit here. Sit it out.
:22:12. > :22:22.
:22:22. > :22:26.An amazing little stall. This is a ubg a a ukele stall.
:22:27. > :22:33.# All the things you do # Because they are all yellow #
:22:33. > :22:38.Thank you very much. See ya! How are you? Not bad. A bit up and
:22:38. > :22:42.down to tell you the truth. How are you going, mate? Really good. How
:22:42. > :22:52.high can you jump? How long is a piece of string.
:22:52. > :22:52.
:22:52. > :22:56.Come on, come on, for the BBC. It has been a busy day so far. We
:22:56. > :22:59.have seen so much, but only scratched the surface. Behind me,
:22:59. > :23:03.we have the stone circle and the healing fields to do. Tonight is
:23:03. > :23:09.the big one, we are going to do Glastonbury at night. It's going to
:23:09. > :23:13.I have seen Greg a lot around the site. He is looking the most
:23:14. > :23:20.exhausted man. He is doing a lot of travelling, a lot of going around
:23:20. > :23:26.and he looked tired. He through some water at our car, waving.
:23:26. > :23:36.I thought he looked dapper when I saw him. By way of contrast. How
:23:36. > :23:36.
:23:36. > :23:41.are you mate? I'm very well. . Guy Garvey of Elbow. U2 were on
:23:41. > :23:45.and Larry was diace pointed -- disappointed it was raining.
:23:45. > :23:50.We have done a few festivals and this has happened the other way
:23:50. > :23:57.around. We made it rain in Havana in July and all sorts. The sunshine
:23:57. > :24:01.seems to be following us now. have lovely rosy tinted cheeks.
:24:01. > :24:05.I imagine last night's whisky has something to do with it.
:24:05. > :24:10.Do you feel remotely competitive? When you come to this, do you feel
:24:10. > :24:15.you have got anything to prove? Is there any sense of, "We have got
:24:15. > :24:19.anything to prove." U2 felt like they had something to prove. You
:24:19. > :24:24.have nothing to prove, but do you feel we have got to make it a good
:24:24. > :24:28.one? I have said it before, all gigs are a rehearsal for this one.
:24:28. > :24:31.It is the biggest one. You don't feel competitive with the other
:24:31. > :24:36.bands. You want to do the best that you can do for Glastonbury and in
:24:36. > :24:42.terms of that, we have been choosing the set really carefully,
:24:42. > :24:46.but no, it is just so much fun, isn't it? How have you changed the
:24:46. > :24:50.set? Are there any surprises or big moments that you are building up
:24:50. > :24:56.to? Not really. We were going to do a stunt. We were thinking of
:24:56. > :25:00.various stunts. What were the the options? We could
:25:00. > :25:04.get Richard up. I don't know what else we were going to do. Do you
:25:04. > :25:10.remember the Destiny's Child we did a few years ago? Yes.
:25:10. > :25:13.We were thinking of doing that. We just decided to play our favourite
:25:13. > :25:19.songs of the moment. You are this far in now, you have
:25:19. > :25:24.got, I mean, you know, I hesitate to call it a greatest hits set. You
:25:24. > :25:28.have got enough big songs to fill a slot in length.
:25:28. > :25:33.It mets the set list argument more intense because we have got more
:25:33. > :25:37.songs to koos from. The -- choose from. The hour long set list we
:25:37. > :25:43.have is more intense these days. Can you remember the first time you
:25:43. > :25:47.played at at Glastonbury? I can't remember what stage it was. It was
:25:47. > :25:52.in the early afternoon. The sun came out when you played. I
:25:52. > :25:56.remembered that day. Do you remember the first time that
:25:56. > :26:01.Guy played at Glastonbury? remember seeing Guy and thinking
:26:01. > :26:06.this music really works wide screen. I think we had that conversation.
:26:06. > :26:10.It seemed to spread the joy and sun around the ar Nina.
:26:10. > :26:14.-- arena. We didn't know if it was going to
:26:14. > :26:17.work and we didn't know if we could hold a big crowd like that. 80,000
:26:17. > :26:22.of them there should be tonight if not more.
:26:22. > :26:29.Is there a moment in particular that you enjoy from your sets?
:26:29. > :26:33.we are playing Weather To Fly which is poignant because it is 20 years
:26:33. > :26:38.of the band so we are calling it our anniversary today. None of us
:26:38. > :26:42.can remember what day in June we were formed. It is the only song
:26:42. > :26:45.that we have got that is about being kids together. So I'm looking
:26:45. > :26:49.forward to that tonne. It has been a good journey, hasn't
:26:49. > :26:54.it? Yes. And you are straight off somewhere
:26:54. > :26:59.else? Yes, Luxembourg. Coldplay, you have been playing
:26:59. > :27:05.with them recently, are you looking forward to them top? Us and them
:27:05. > :27:10.works. We have done it hundreds of times. They are putting on an maize
:27:11. > :27:17.maize -- an amazing show. Last night's headline act was U2, did
:27:17. > :27:20.you see that? If you didn't manage to see U2 like
:27:20. > :27:30.Guy for whatever reason this is your chance. This is how they
:27:30. > :27:30.
:27:30. > :28:59.Apology for the loss of subtitles for 133 seconds
:28:59. > :29:09.# Give me two more chances # Well, my heart is where
:29:09. > :29:41.
:29:41. > :29:51.# Give me one more chance # Give me one last chance
:29:51. > :29:54.
:29:54. > :29:58.# You're honey child to a swarm of bees
:29:58. > :30:02.# Gonna blow right through you like a breeze
:30:02. > :30:04.# Give me one last dance
:30:04. > :30:11.# We'll slide down the surface of things
:30:11. > :30:14.# You're the real thing
:30:14. > :30:18.# You're the real thing, yeah
:30:18. > :30:21.# You're the real thing
:30:21. > :30:24.# Even better than the real thing
:30:24. > :30:34.# Child
:30:34. > :30:57.
:30:57. > :30:57.Glastonbury,
:30:57. > :30:57.Glastonbury, where
:30:57. > :31:00.Glastonbury, where are
:31:00. > :31:10.Glastonbury, where are you going to take us
:31:10. > :31:14.
:31:14. > :31:24.Where are you going to take us # You take me higher
:31:24. > :31:47.
:31:47. > :31:52.That is how they kicked off last night in the rain. U2 at
:31:52. > :31:57.Glastonbury 2011. Look at us basking in the garden. Pm. Jacket
:31:57. > :32:02.off, wellies still on for obvious reasons. I love the shots of Bono
:32:02. > :32:06.in his glasses. He needs windscreen wipers to clear the vision.
:32:06. > :32:13.If you build a walkway out into the audience, that's the chance you
:32:13. > :32:21.take if it rains. We have still got things to come from the Spirit of
:32:21. > :32:24.71 Stage. Noel Harrison will come and sing The Windmills of your Mind.
:32:24. > :32:30.We have Jessie J from the other stage. We have got that from before.
:32:30. > :32:35.Jessie was joined on stage. It is funny, someone's car alarm is going
:32:35. > :32:41.off. I think somebody is stealing one of the courtesy 4x4s!
:32:41. > :32:51.We are going to go now because it is getting grating, we are going to
:32:51. > :32:52.
:32:52. > :33:02.go to Anna Calvy and this is her playing on the John Peel Stage
:33:02. > :33:12.
:33:12. > :33:22.# Quick strike a flame cos the very # Quick strike a flame cos the very
:33:22. > :33:37.
:33:37. > :33:47.# Voices darkness is coming from # Should I fear you or should I just
:33:47. > :33:47.
:33:47. > :34:32.Apology for the loss of subtitles for 133 seconds
:34:32. > :34:42.# Can't stand still but I feel you # But even this moment is running
:34:42. > :34:42.
:34:42. > :36:42.Apology for the loss of subtitles for 133 seconds
:36:42. > :36:45.# What you are trying to tell me That happened today. Today.
:36:45. > :36:51.It was today. It was today, yeah.
:36:51. > :36:57.It was on the John Peel Stage. That was Anna Calvi who was
:36:57. > :37:02.recommended to me a while ago by Brian Eno.
:37:02. > :37:07.A couple of years ago, on the other stage, the biggest crowd I've ever
:37:07. > :37:11.seen there was for Florence and the Machine, you couldn't get anywhere
:37:11. > :37:15.near. I think there is an even bigger crowd for Jessie J this
:37:15. > :37:19.afternoon. It is enormous. There is so many children here at the
:37:19. > :37:24.festival and this was their chance to see some pop hero and she sits
:37:24. > :37:29.as you will see on a throne because she has has broken her foot and she
:37:29. > :37:37.has her face painted which is what so many people do when they come to
:37:37. > :37:41.Glastonbury. It is like daubed on! Probably her make-up artist.
:37:41. > :37:46.It just still can't take away the bounce and happiness. This is a
:37:46. > :37:50.real moment of the festival so far. There is a lot of joy.
:37:50. > :38:00.She looks like she is loving it. We are talking about it. You might as
:38:00. > :38:05.
:38:05. > :38:11.well enjoy it. This is Jess ji J. # Yeah, I forget about
:38:11. > :38:14.# And in the heat of the moment my mouth starts going
:38:14. > :38:16.# The words start flowing, ah
:38:17. > :38:19.# But I never meant to hurt ya
:38:19. > :38:22.# I know it's time that I learned to
:38:22. > :38:26.# Treat the people I love like I wanna be loved
:38:26. > :38:29.# This is a lesson learned
:38:29. > :38:31.# And I hate that I let you down
:38:31. > :38:34.# And I feel so bad about it
:38:34. > :38:37.# I guess karma comes back around
:38:37. > :38:40.# Cos now I'm the one that's hurting, yes
:38:40. > :38:43.# And I hate that I made you think
:38:43. > :38:46.# That the trust we had is broken
:38:46. > :38:49.# So don't tell me you can't forgive me
:38:49. > :38:51.# Cos nobody's perfect
:38:51. > :38:53.# No, no
:38:53. > :38:55.# No-no-no, no, no
:38:55. > :38:58.# No-no-no, no, no
:38:58. > :39:05.# No-no-no, no-no
:39:05. > :39:07.# If I could turn back the hands of time
:39:07. > :39:09.# I swear I never would have crossed that line
:39:09. > :39:11.# I should have kept it between us
:39:11. > :39:15.# But Jessie went and told the whole world how she's feeling, ah
:39:15. > :39:18.# So I sit and I realise
:39:18. > :39:21.# With these tears falling from my eyes
:39:21. > :39:24.# I gotta change if I wanna keep you forever
:39:24. > :39:27.# I promise that I'm gonna try
:39:27. > :39:30.# But I never meant to hurt ya
:39:30. > :39:33.# I know it's time that I learned to
:39:33. > :39:37.# Treat the people I love like I wanna be loved
:39:37. > :39:39.# This is a lesson I learned
:39:39. > :39:42.# And I hate that I let you down
:39:42. > :39:44.# And I feel so bad about it
:39:44. > :39:47.# I guess karma comes back around
:39:47. > :39:50.# Cos now I'm the one that's hurting, yes
:39:50. > :39:53.# And I hate that I made you think
:39:53. > :39:56.# That the trust we had is broken
:39:56. > :39:59.# So don't tell me you can't forgive me
:39:59. > :40:05.# Cos nobody's perfect No, no, no-no-no
:40:05. > :40:09.# No, no-no-no, no
:40:09. > :40:12.# No-no-no, no
:40:12. > :40:16.# Nobody's perfect
:40:16. > :40:19.# Whoa-oa-oa-oa, oh, oh
:40:19. > :40:21.# Ooh-ooh-oooh ooh-ooh-oooh Ooh-ooh-oooh
:40:21. > :40:26.# No, no-no
:40:26. > :40:29.# I'm not a saint, no, no at all
:40:29. > :40:31.# But what I did, that wasn't cool
:40:31. > :40:35.# But I swear that I'll never do that again to you
:40:35. > :40:37.# Hey, go!
:40:37. > :40:39.# I'm not a saint, I'm not a saintNo, not at all, no, not at all
:40:39. > :40:42.# What I did, what I didThat wasn't cool, that wasn't cool
:40:42. > :40:46.# But I swear that I'll never do that again to you
:40:46. > :40:50.# Hey-ey-ey
:40:50. > :40:52.# And I hate that I let you down
:40:52. > :40:55.# And I feel so bad about it
:40:55. > :40:58.# I guess karma comes back around
:40:58. > :41:01.# Cos now I'm the one that's hurting, yes
:41:01. > :41:04.# And I hate that I made you think
:41:04. > :41:07.# The trust we had is broken
:41:07. > :41:11.# So don't tell me you can't forgive me
:41:11. > :41:14.# Cos nobody's perfect, no... #
:41:14. > :41:16.# And I hate that I let you down
:41:16. > :41:19.# And I feel so bad about it
:41:19. > :41:22.# I guess karma comes back around
:41:22. > :41:25.# Cos now I'm the one that's hurting, yes
:41:25. > :41:28.# And I hate that I made you think
:41:28. > :41:31.# The trust we had is broken
:41:31. > :41:35.# So don't tell me you can't forgive me
:41:35. > :41:45.# Cos nobody's perfect, no... #
:41:45. > :41:46.
:41:46. > :41:54.# No-no-no-no
:41:54. > :42:00.# No-no-no-no
:42:00. > :42:10.# No-no-no-no
:42:10. > :42:10.
:42:10. > :42:58.Apology for the loss of subtitles for 133 seconds
:42:58. > :43:07.Everybody give a big cheer and make What's your name? Shay. That's a
:43:07. > :43:17.cool name. Jessie J featuring Shay. It wasn't even planned!
:43:17. > :43:17.
:43:17. > :43:27.You sing the money, money, the cha- ching. Guys, this is a big moment
:43:27. > :43:57.
:43:57. > :44:07.# That you can't even # It's not about the money,
:44:07. > :44:08.
:44:09. > :44:18.# We don't need your money, # Ain't about the cha-ching,
:44:19. > :44:43.
:44:43. > :44:53.# Can we all slow down # Guarantee we'll be feelin'
:44:53. > :44:54.
:44:54. > :45:04.# It's not about the money, # We don't need your money,
:45:04. > :45:14.
:45:15. > :45:19.# Ain't about the cha-ching, RAPS: Keep the price tag
:45:19. > :45:22.You can keep the cars Leave it in the garage
:45:22. > :45:25.Cos all I need are keys and guitars
:45:25. > :45:29.In 30 seconds I'm leaving to Mars
:45:29. > :45:33.It's like this, man You can't put a price on the life
:45:33. > :45:36.We do this for the love So we fight and sacrifice
:45:36. > :45:39.So we ain't gonna stop, no, never
:45:39. > :45:42.Waiting to see A sign of defeat, uh-uh
:45:42. > :45:45.So we gonna keep Everyone movin' they feet
:45:45. > :45:47.So bring back the beat And everyone sayin'...
:45:47. > :45:49.# It's not about the money, money, money
:45:49. > :45:52.# We don't need your money, money, money
:45:52. > :45:54.# We just wanna make the world dance
:45:54. > :45:57.# Forget about the price tag
:45:57. > :46:00.# Ain't about the cha-ching, cha-ching
:46:00. > :46:03.# Ain't about the ba-bling, ba-bling
:46:03. > :46:05.# Wanna make the world dance
:46:05. > :46:08.# Forget about the price tag
:46:08. > :46:17.# It's not about the money, money, money
:46:17. > :46:27.# Ahhh Ahhh
:46:27. > :46:29.
:46:29. > :46:33.# La-la-la-la eh
:46:33. > :46:35.# It's not about the money, money, money
:46:35. > :46:36.# We don't need your money, money, money
:46:36. > :46:38.# We just wanna make the world dance
:46:38. > :46:41.# Forget about the price tag
:46:41. > :46:44.# Ain't about the cha-ching, cha-ching.
:46:44. > :46:47.# Ain't about the ba-bling, ba-bling
:46:47. > :46:49.# Wanna make the world dance
:46:49. > :46:57.# Forget about the price tag
:46:57. > :46:58.# We don't need your money, money, money
:46:58. > :47:01.# We just wanna make the world dance
:47:01. > :47:03.# Forget about the price tag
:47:03. > :47:06.# Ain't about the cha-ching, cha-ching.
:47:06. > :47:09.# Ain't about the ba-bling, ba-bling
:47:09. > :47:11.# Wanna make the world dance
:47:11. > :47:18.# Forget about the price tag
:47:19. > :47:28.# We don't need your money, money, money
:47:28. > :47:29.# It's not about the money, money, money
:47:29. > :47:32.# We don't need your money, money, money
:47:32. > :47:42.# We just wanna make the world dance
:47:42. > :47:43.
:47:43. > :47:45..
:47:45. > :47:45.. #
:47:45. > :47:51.. # I
:47:51. > :47:54.. # I just want to make Shay dance # I just want to make Glastonbury
:47:54. > :48:04.dance # I just want to make the world
:48:04. > :48:13.
:48:13. > :48:23.dance # Forget about the... #
:48:23. > :48:26.
:48:26. > :48:31.I don't want to get mud on you. Stand up. Take a bow.
:48:31. > :48:34.Thank you! CHEERING AND APPLAUSE
:48:34. > :48:38.Come on, you're smiling, aren't you? That was like a big smile all
:48:38. > :48:41.around the site for that. Absolutely, I don't know who was
:48:41. > :48:45.enjoying. She was good that little girl, genuinely plucked from the
:48:45. > :48:50.audience. We thought she was suspiciously
:48:50. > :48:54.good at first. She wasn't a plant. She was genuine.
:48:54. > :48:59.The whole mood of the festival changed.
:48:59. > :49:05.There is always a time when things turn around. There is one
:49:05. > :49:11.performance when things feel different. People are saying, "I am
:49:11. > :49:14.glad I am at home. It is grim." It was grim yesterday. The atmosphere
:49:14. > :49:18.is changing and the sun has come out. Hopefully there will be more
:49:18. > :49:22.talk about the performances and people can get to the outer reaches
:49:22. > :49:25.and discover the stuff, the wonderful arts, the art
:49:25. > :49:29.installations and the bits of popular culture going on in the
:49:29. > :49:34.further reaches of the site. Some extraordinary things. So many
:49:34. > :49:37.things. There was Jessie J getting that
:49:37. > :49:41.girl up from the audience. There is a moment that people remember as
:49:41. > :49:44.being the watershed and that was it this year. The kids as well, the
:49:44. > :49:49.great thing about Glastonbury is they put so much effort into making
:49:49. > :49:52.things like the kids field and the fields look beautiful and full of
:49:52. > :49:55.interesting and quirky things and friendly people working there who
:49:56. > :50:00.welcome the kids. I know this because I have got some of my kids
:50:00. > :50:06.with me this year. You are only allowed in if you are
:50:06. > :50:10.smiling into the Kids Field. The kids have a fantastic time and by
:50:10. > :50:14.the Kids Field there is the Circus Field and you see extraordinary
:50:14. > :50:19.things going on. It is a place my kids always want to go and spend
:50:19. > :50:24.time at and learn juggling and tight roping. We have Gemma out
:50:24. > :50:30.there who is doing exploring for news the Sir Kus Field.
:50:30. > :50:34.Pah is what I say to hanging out backstage and trying to hang out
:50:34. > :50:41.with the cool cats. I am here with the coolest cats of them all.
:50:41. > :50:46.Behind the circus and Theatre Stage here with Ronnie from Wave.
:50:46. > :50:53.Tell me all about rhythm wave? have been coming for 18 years and
:50:53. > :50:58.we play on blazing saddles and students and staff from Perth
:50:58. > :51:08.College, in Scotland. You are looking dapper. I am loving
:51:08. > :51:10.
:51:10. > :51:18.this. We play a song from Brazil. It is a
:51:18. > :51:24.little tribute to someone. Tell me about these lovely ladies.
:51:24. > :51:29.We are a dance group. I have been coming here since 1998. Loving
:51:29. > :51:38.Glastonbury because I love the professionalism. They love the
:51:38. > :51:47.dance and the energy, but they love comedy and they like the fun
:51:47. > :51:51.factorment this year brought some. Everyone thinks of the headliners
:51:51. > :51:58.and wellies and mud! But there is so much going on at Glastonbury. It
:51:58. > :52:05.is beautiful. It is time to shake a leg, all right. Are we ready?
:52:05. > :52:10.Rhythm Wave, are you ready? Roll the rith rhythm, Ronnie. Teach me a
:52:10. > :52:16.bit of a dance. A bit of samba. But this should
:52:16. > :52:23.work. We're going to start shaking.
:52:23. > :52:33.I can do the shaking. Chill out. Go for it full on.
:52:33. > :52:57.
:52:57. > :53:06.This is where that one zum ba class That is Gemma out in the circus
:53:06. > :53:12.Field. Did I tell you I did hoo la cooping. Within five seconds I got
:53:12. > :53:17.T the key is not wiggling your hips, but thrusting gently backwards and
:53:17. > :53:24.forwards. We will need props. We will need
:53:24. > :53:27.cheesecloth and hoola hoops and our viewing figures will be enormous
:53:27. > :53:32.for tonight's show. We can't fail.
:53:32. > :53:37.Thank you, Gemma. That is one example of what goes on
:53:37. > :53:40.in the Circus Field. There is another area which is the Spirit of
:53:40. > :53:45.71 Stage. You know about this.
:53:45. > :53:51.The first festival was 1970, but 71 was the first first Glastonbury.
:53:51. > :53:55.This film explains this. After this we will have Noel Harrison who has
:53:55. > :54:05.been sitting patiently worried that he was going to get his head
:54:05. > :54:09.
:54:09. > :54:16.knocked off by the crane camera. Here a little film all about the
:54:16. > :54:21.You might think that Glastonbury is the one place where the 70s never
:54:21. > :54:27.really ended. From their flowing skirts to the flower ins their hair,
:54:27. > :54:32.the average festival goer seems to be can channelling a look between
:54:32. > :54:37.Janice Joplin. What about the musician who rocked the first
:54:37. > :54:40.Pyramid Stage in the 70s? Here we are at the spirit Staimg. -- Spirit
:54:40. > :54:50.of 71 Stage. Lots of people who played there in 71 are coming back
:54:50. > :54:52.
:54:52. > :54:57.here this year. We have Linda Lewis, Terry Reid, Nick Lowe, Mick Faron.
:54:57. > :55:02.My Super Lammy and this guy is Andrew Kerr who was the organiser
:55:03. > :55:10.of the first festival in 1971. Andrew re-branded the Pilton pop
:55:10. > :55:15.festival of 1970 as the now legendary Glastonbury. What's the
:55:15. > :55:20.71 Stage all about? Well, it is celebrating 40 years of the first
:55:20. > :55:23.Glastonbury. I said, "Look, I want to put on a festival which is free
:55:23. > :55:27.and the bands are going to play for nothing and it is going to be
:55:27. > :55:31.really lovely." It was a beautiful, beautiful baking day. Most people
:55:31. > :55:36.had got their shirts off and some people had their clothes off even.
:55:36. > :55:40.But I don't think we realised what it was, but it was a beginning.
:55:40. > :55:45.It was a very magical night. We believed something incredible was
:55:45. > :55:53.going to happen and it did really. Here I am.
:55:53. > :55:57.REPORTER: There are -- are there any echoes of 71 or has the
:55:57. > :56:00.atmosphere and look changed? course it it changed. We didn't
:56:00. > :56:04.have any money so we didn't have gates or security.
:56:04. > :56:09.Did you have any people who came? I don't suppose you really knew?
:56:09. > :56:13.police told me it was 15,000. It was Big big right from the
:56:13. > :56:17.beginning? There wasn't really proper playing times or anything. I
:56:17. > :56:22.don't remember much. I remember the actual performance itself. I
:56:22. > :56:24.remember that going on and on as we used to in those days. It seemed
:56:24. > :56:30.massive at the time. What are the memories that stayed
:56:30. > :56:40.with you from 71? There is Melanie. Ah, she makes me cry.
:56:40. > :56:42.
:56:42. > :56:52.Does she? I knew him immediately. He looked
:56:52. > :57:01.# There is a chance peace will come in your life
:57:01. > :57:09.# There is a chance peace will come You walk into a crowd and you see
:57:09. > :57:14.somebody, "What who I wanted to see." It is magic.
:57:14. > :57:18.# Six white horses carry me # Some of us are still alive and
:57:18. > :57:23.kicking. It wouldn't be right really to kick us out, you know,
:57:23. > :57:26.entirely. We did start it. You judge a society by how you treat
:57:26. > :57:36.the old people and the young people as far as I'm concerned and the
:57:36. > :57:40.fact that they will let me, that is It does feel extraordinarily right
:57:40. > :57:44.that this stage and the whole celebration of the history of
:57:44. > :57:48.Glastonbury is happening here this year. It feels great. What a nice
:57:48. > :57:54.guy. A lovely fella, yeah. He has a nice
:57:54. > :57:56.book out as well which is worth a look. It is great. It just shows
:57:56. > :58:05.you there are different Glastonburies.
:58:05. > :58:07.We have had U2 and yesesyJ -- Jessie J. We have more acoustic
:58:07. > :58:11.performances. Ed Sheeran will be playing next.
:58:11. > :58:17.I went to the Spirit of 71 and the first thing I saw live here was
:58:17. > :58:24.agoing legend and former Olympic skier, he lived in Canada in a
:58:24. > :58:34.house he built for years, but he is back here to give us a performance
:58:34. > :58:40.
:58:40. > :58:48.of a classic, Noel Harrison, # Like a snowball down a mountain
:58:48. > :58:50.# Like a clock whose hands are sweeping
:58:50. > :58:52.# Past the minutes of its face
:58:52. > :58:57.# And the world is like an apple Rolling silently in space
:58:57. > :59:03.# Like the circles that you find In the windmills of your mind
:59:03. > :59:06.# Like a tunnel that you follow To a tunnel of its own
:59:06. > :59:11.# Down a hollow to a cavern Where the sun has never shone
:59:11. > :59:15.# Like a door that keeps revolving In a half-forgotten dream
:59:15. > :59:20.# All the ripples from a pebble Someone tosses in a stream
:59:20. > :59:22.# Like a clock whose hands are sweeping
:59:22. > :59:24.# Past the minutes of its face
:59:24. > :59:29.# And the world is like an apple Rolling silently in space
:59:29. > :59:35.# Like the circles that you find In the windmills of your mind
:59:35. > :59:38.# Keys that jingle in your pocket Words that jangle in your head
:59:38. > :59:42.# Why did summer go so quickly? Was it something that you said?
:59:42. > :59:47.# Lovers walk along the shore Leave their footprints in the sand
:59:47. > :59:52.# Is the sound of distant drumming Just the fingers of your hand?
:59:52. > :59:56.# Pictures hanging in a hallway Or the fragment of this song
:59:56. > :00:01.# Half-remembered names and faces But to whom do they belong?
:00:01. > :00:06.# When you knew that it was over You were suddenly aware
:00:06. > :00:11.# That the autumn leaves were turning
:00:11. > :00:15.# To the colour of his hair?
:00:15. > :00:19.# Like a circle in a spiral Like a wheel within a wheel
:00:19. > :00:23.# Never ending or beginning On an ever-spinning reel
:00:23. > :00:27.# As the images unwind Like the circles that you find
:00:27. > :00:37.# In the windmills of your mind
:00:37. > :00:54.
:00:54. > :00:59..
:00:59. > :01:00.. That
:01:00. > :01:03.. That felt
:01:03. > :01:11.. That felt like a real honour and privilege to have you do that and
:01:11. > :01:16.to have you sing. Thank you very much.
:01:16. > :01:22.Noel Harrison, Windmills of your Mind.
:01:22. > :01:29.Are you having a good day? It has been fine.
:01:29. > :01:35.Jessie J, sunny and smiles. It is like she owned the day.
:01:35. > :01:39.But Tinie Tempah is taking the stage.
:01:39. > :01:44.You are saying goodbye. I think I am saying goodbye until
:01:44. > :01:52.tonight. It has been a pleasure. See you later with the cheesecloth
:01:52. > :01:57.and the, the hoola hoop. One of the of the bands I got to
:01:57. > :02:01.see on the Pyramid Stage was gas light anthem on a Saturday when
:02:01. > :02:05.everybody gets to Glastonbury on a Friday and pushes it out too late
:02:05. > :02:10.on the Friday, everyone is mellow first thing Saturday morning.
:02:10. > :02:20.And they suited it perfectly? know how they feel. Let's watch
:02:20. > :02:41.
:02:42. > :02:51.# I wonder which song they're going to play when we go
:02:52. > :03:07.
:03:07. > :03:13.# I hope it is something quiet and peaceful
:03:13. > :03:18.# Did you hear the 59 sound coming through on my grandma's radio?
:03:18. > :03:24.# Did you hear the rattling chains in the hospital walls?
:03:24. > :03:29.# Did you hear the old gospel choir when they came to carry you over?
:03:29. > :03:33.# Did you hear your favourite song one last time? High pressure # And
:03:33. > :03:36.I wonder were you scared when the metal hit the glass
:03:36. > :03:44.# See I was playing a showdown the road
:03:44. > :03:46.# When your spirit left your body # And they told me on the front
:03:46. > :03:51.lawn # I'm sorry I couldn't go
:03:51. > :03:57.# But I still know the song and the words and her name and the reasons
:03:57. > :04:04.# And I know because we were kids and we used to hang
:04:04. > :04:13.# Did you hear the 59 sound coming through on grandma's radio
:04:13. > :04:16.# Did you hear the rattling chains # Or did you hear the old gospel
:04:16. > :04:20.choir when they came to carry you over
:04:20. > :04:30.# Did you hear your favourite song one last time
:04:30. > :04:34.
:04:34. > :04:37.# Young boys, young girls, ain't supposed to die on a Saturday night
:04:37. > :04:43.# Ain't supposed to die on a Saturday night
:04:43. > :04:50.# Ain't supposed to die on a Saturday night
:04:50. > :04:53.# # Did you hear the 59 sound coming through on grandma's radio?
:04:53. > :04:59.# Did you hear the rattling chains in the hospital walls
:04:59. > :05:09.# Did you hear the old gospel choir when they came to carry you over
:05:09. > :05:13.
:05:13. > :05:23.# Did you hear your favourite song one last time
:05:23. > :05:33.
:05:33. > :05:42.# Young boys, young girls # The gas light anthem returned to
:05:42. > :05:52.Glastonbury after a life changing experience when the lead singer got
:05:52. > :05:52.
:05:52. > :05:55.to sing with Bruce Springsteen. This will be brilliant as well.
:05:55. > :06:00.This guy is probably playing more than anybody else who is here at
:06:00. > :06:06.Glastonbury. How many shows? Five.
:06:06. > :06:15.And three more to go. I am going to get some suntan lotion. You are
:06:16. > :06:25.going to love this. This is Ed # White lips, pale face
:06:26. > :06:29.
:06:29. > :06:39.# Burnt lungs, sour taste # Long nights, strange men
:06:39. > :06:40.
:06:40. > :06:45.# Been this way since 18 But lately her face seems
:06:45. > :06:50.# Slowly sinking, wasting Crumbling like pastries
:06:50. > :06:53.# And they scream
:06:53. > :06:55.The worst things in life come free to us
:06:55. > :06:57.# Cos we're just under the upperhand
:06:57. > :06:59.# And go mad for a couple of grams
:06:59. > :07:04.# And she don't want to go outside tonight
:07:04. > :07:06.# And in a pipe she flies to the Motherland
:07:06. > :07:09.# Or sells love to another man
:07:09. > :07:18.# It's too cold outside For angels to fly
:07:18. > :07:25.# Angels to fly
:07:25. > :07:29.# Ripped gloves, raincoat Tried to swim and stay afloat
:07:30. > :07:37.# Dry house, wet clothes Loose change, bank notes
:07:37. > :07:44.# Weary-eyed, dry throat Call girl, no phone
:07:44. > :07:45.# And they say
:07:45. > :07:50.# She's in the Class A Team Stuck in her daydream
:07:50. > :07:55.# Been this way since 18 But lately her face seems
:07:55. > :08:00.# Slowly sinking, wasting Crumbling like pastries
:08:00. > :08:01.# And they scream
:08:01. > :08:04.# The worst things in life come free to us
:08:04. > :08:06.# Cos we're just under the upperhand
:08:06. > :08:08.# And go mad for a couple of grams
:08:08. > :08:13.# But she don't want to go outside tonight
:08:13. > :08:15.# And in a pipe she flies to the Motherland
:08:15. > :08:18.# Or sells love to another man
:08:18. > :08:22.# It's too cold outside
:08:22. > :08:25.# For angels to fly
:08:25. > :08:27.# Angels to fly
:08:27. > :08:29.# An angel will die
:08:29. > :08:31.# Covered in white
:08:31. > :08:32.# Closed eye
:08:32. > :08:34.# And hoping for a better life
:08:34. > :08:37.# This time, we'll fade out tonight
:08:37. > :08:42.# Straight down the line
:08:42. > :08:49.# And they say
:08:49. > :08:54.# She's in the Class A Team Stuck in her daydream
:08:54. > :08:59.# Been this way since 18 But lately her face seems
:08:59. > :09:05.# Slowly sinking, wasting Crumbling like pastries
:09:05. > :09:06.# They scream
:09:06. > :09:09.# The worst things in life come free to us
:09:09. > :09:11.# And we're all under the upperhand
:09:11. > :09:14.# Go mad for a couple of grams
:09:14. > :09:19.# And we don't want to go outside tonight
:09:19. > :09:21.# And in a pipe we fly to the Motherland
:09:22. > :09:24.# Or sell love to another man
:09:24. > :09:27.# It's too cold
:09:27. > :09:33.# For angels to fly
:09:33. > :09:40.# Angels to fly
:09:40. > :09:44.# To fly, fly
:09:44. > :09:49.# Angels to fly, to fly, to fly
:09:49. > :09:59.# Angels to die
:09:59. > :10:03.
:10:03. > :10:03.Fantastic,
:10:03. > :10:05.Fantastic, Ed,
:10:05. > :10:09.Fantastic, Ed, thank
:10:09. > :10:15.Fantastic, Ed, thank you so much. That will be on YouTube quicker
:10:15. > :10:18.than you can say anything. It was more like a game show,
:10:18. > :10:23.wasn't it. He carried on regardless.
:10:24. > :10:27.The new album is coming out in September, is that right? Yes.
:10:27. > :10:37.The party begins tonight. Something like that. We will have another
:10:37. > :11:14.
:11:14. > :11:21.# Fate, with a single blow # Has clues clustered by me now
:11:21. > :11:30.# True, I had my chance H true, true, true I had those wild
:11:30. > :11:40.charms for you # Oh, oh, oh
:11:40. > :11:48.
:11:48. > :11:58.# My fire burned them out # But we will not be moved by it
:11:58. > :12:07.
:12:07. > :12:17.# Your mind would never ache, # When you were young and sound
:12:17. > :12:27.
:12:27. > :12:36.# The way your heartaches now # You feel you sent them on to
:12:36. > :12:46.ground # Love, love, love til you got
:12:46. > :12:46.
:12:47. > :12:56.enough # Dance, dance, dance until there's
:12:56. > :13:06.none left to hound you # We will not be moved by it
:13:06. > :13:44.
:13:44. > :13:51.# Oh, oh, oh, oh # Love, love, love til you got
:13:51. > :13:54.enough # Dance, dance, dance until you got
:13:54. > :14:00.none around you # Love, love, love til you got
:14:00. > :14:10.enough # Dance, dance, dance til there's
:14:10. > :14:13.
:14:13. > :14:23.no one left to hound you # We, we will not be moved by it
:14:23. > :14:23.
:14:23. > :15:24.Apology for the loss of subtitles for 133 seconds
:15:24. > :15:29.Well, that was The Kills. They have played on your show? We have done a
:15:29. > :15:33.few sessions. It is very authentic and very real and they brought it
:15:33. > :15:37.to the other stage and made everybody sink a little deeper into
:15:37. > :15:42.the mud. Which is always a good thing. Who else have you seen
:15:42. > :15:46.today? I saw Gaslight Anthem. The path between stage to stage which
:15:46. > :15:49.we have to use because we are on call, it is the quickest route, it
:15:49. > :15:54.was bogged down. Most of my watching and viewing will happen
:15:54. > :16:03.after this show so hurry up! What's the plan? No idea, make it
:16:03. > :16:10.up as I go along. The Horrors on the John Peel Stage.
:16:10. > :16:16.Speaking of John, John is someone we miss greatly. There is a stage
:16:16. > :16:20.that is named after John and dedicated to John and rightly so.
:16:21. > :16:27.There was talk about what an amazing honour it is to play on the
:16:27. > :16:32.John Peel Stage. One of those bands is Warpaint. We are going to check
:16:32. > :16:42.out their performance. Watch out are the drummer apparently she is
:16:42. > :16:42.
:16:42. > :18:29.Apology for the loss of subtitles for 133 seconds
:18:29. > :18:33.an absolute beast. And your full moon taunts me
:18:33. > :18:43.# And your thoughts they got me # Got me in
:18:43. > :18:56.
:18:56. > :19:03.# And all the time it took you to get yourself self straight
:19:03. > :19:07.# And all that time it took you to get yourself straight
:19:07. > :19:10.# All that time it took you to get yourself straight
:19:10. > :19:20.# Was too late # So work harder for the things you
:19:20. > :19:20.
:19:20. > :20:03.Apology for the loss of subtitles for 133 seconds
:20:03. > :20:07.# All that time it took you to get yourself straight
:20:07. > :20:13.# Was too late # All that time it took you to get
:20:14. > :20:23.yourself straight was too late # So work harder for the things you
:20:24. > :20:24.
:20:24. > :21:11.Apology for the loss of subtitles for 133 seconds
:21:11. > :21:17.CHEERING AND APPLAUSE Playing on the John Peel Stage.
:21:17. > :21:20.With John, the area where we are, it is our fairytale garden. It is
:21:20. > :21:26.really beautiful and I have got memories of John sitting on his own,
:21:26. > :21:31.drinking a cup of tea or something like that. Can you remember how he
:21:31. > :21:35.piggy backed you through the mud. That is when the rain was
:21:35. > :21:39.horrendous and the rain was lashing down and we did this link and it
:21:39. > :21:45.was 2am and we had to go off into the distance and John went, "Do you
:21:45. > :21:52.want to get on my back?" I jumped on to his back and we did this last
:21:52. > :22:00.link of us walking into the distance with me being piggy backed
:22:00. > :22:10.in the background. Have any of us piggy backed you since? Are you
:22:10. > :22:10.
:22:10. > :22:16.offering? No. Civilry is dead. We will be back at 9.45pm with
:22:16. > :22:20.Coldplay live. This is a really big deal. Coldplay have played here a
:22:20. > :22:24.few times and this is the one where they want to raise their game. They
:22:24. > :22:29.want everyone to walk away remembering this performance by
:22:29. > :22:36.Coldplay. That was high praise.
:22:36. > :22:41.We have Elbow joining us at 7pm on BBC Three. Jessie J and Tinie
:22:41. > :22:45.Tempah will be guests. Speaking of Tinie Tempah, he was talking about
:22:45. > :22:54.his new album and it is due out this year. There is a new single
:22:54. > :23:04.that he will play a highlight today. This is all all facts for the fans
:23:04. > :23:09.
:23:09. > :23:12.and Wel Williams has been producing with him. Tinie has been touring
:23:12. > :23:17.across America. He is going festival to festival.
:23:17. > :23:23.We heard the roar here when he came on stage. The huge roar when he
:23:23. > :23:29.came on the Pyramid Stage and you can see that on BBC Three at 7pm
:23:29. > :23:36.with Jessie J and we showed you the highlights of Jessie J earlier.
:23:36. > :23:43.Tinie looking ridiculously smart. He hadn't encountered any mud.
:23:43. > :23:53.They steam the mud off. Crocodile skin.
:23:53. > :23:53.
:23:53. > :25:52.Apology for the loss of subtitles for 133 seconds
:25:52. > :26:02.This is Tinie Tempah on the Pyramid Want to be famous
:26:02. > :26:10.