:00:07. > :00:17.some strong language and scenes of some strong language and scenes of
:00:17. > :00:18.
:00:18. > :00:23.Welcome back to your continuing coverage of Glastonbury 2011. We
:00:23. > :00:27.are two-thirds of the way through U2's career spanning set. On the
:00:27. > :00:31.Pyramid Stage. It's hit after hit from the old to the new. We will go
:00:31. > :00:41.now for a great big old sing along. They are all seasoning alongs, but
:00:41. > :01:07.
:01:07. > :01:17.none more than this. It's Sunday # Oh, I can't close my eyes
:01:17. > :01:35.
:01:35. > :01:45.# Broken bottles # Bodies strewn across
:01:45. > :02:20.
:02:20. > :02:24.# There's many lost # The trench is dug
:02:24. > :02:29.# And mothers, children, brothers sisters torn apart
:02:29. > :02:33.# Sunday, Bloody Sunday
:02:34. > :02:38.# Sunday, Bloody Sunday
:02:38. > :02:41.# How long
:02:41. > :02:43.# How long must we sing this song?
:02:43. > :02:49.# How long? How long?
:02:49. > :02:52.# Tonight
:02:52. > :02:54.# We can be as one
:02:54. > :02:58.# Tonight
:02:58. > :03:05.# Tonight, tonight
:03:05. > :03:15.# Tonight, tonight... #
:03:15. > :03:35.
:03:35. > :03:38.# Wipe your tears away
:03:39. > :03:42.# Wipe the tears away
:03:42. > :03:44.Sunday, Bloody Sunday
:03:44. > :03:47.# Wipe your...
:03:47. > :03:49.Sunday, Bloody Sunday
:03:49. > :03:52.# Sunday, Bloody Sunday
:03:52. > :03:59.Sunday, Bloody Sunday... #
:03:59. > :04:01.# Sunday, Bloody Sunday
:04:01. > :04:11.Sunday, Bloody Sunday... #
:04:11. > :04:26.
:04:26. > :04:30.# Sunday, Bloody Sunday
:04:30. > :04:34.Sunday, Bloody Sunday... #
:04:34. > :04:36.# Sunday, Bloody Sunday
:04:36. > :04:46.Sunday, Bloody Sunday... #
:04:46. > :04:51.
:04:51. > :04:51.CHEERING
:04:51. > :04:51.CHEERING AND
:04:51. > :05:01.CHEERING AND APPLAUSE
:05:01. > :05:40.
:05:40. > :05:40.# If you
:05:40. > :05:40.# If you twist
:05:40. > :05:50.# If you twist and
:05:50. > :05:52.
:05:52. > :06:02.# If you twist and turn away # If you tear yourself in two again
:06:02. > :06:03.
:06:03. > :06:13.# If I could, you know I would # If I could, I would
:06:13. > :06:34.
:06:34. > :06:43.# Let it go Leave this heart of clay
:06:43. > :06:53.# Feel you must break away # To the light
:06:53. > :06:57.
:06:57. > :07:07.# Through the rain # Into the half light
:07:07. > :07:22.
:07:23. > :07:29.# Oh, oh # So let it go
:07:29. > :07:39.# Soon I fade away # To let it go
:07:39. > :07:42.
:07:42. > :07:52.# So not fade away # Run away
:07:52. > :08:14.
:08:14. > :08:24.# I'm not sleeping # Bring me my arrow of burning gold
:08:24. > :08:30.
:08:30. > :08:34.# Bring me my arrows of desire # Bring me my spears of clouds
:08:34. > :08:43.unfold # Bring me my chariot of fire
:08:43. > :08:50.# Take me home # Take us home
:08:50. > :09:00.# So let it go # Ah
:09:00. > :09:01.
:09:01. > :09:07.# To let it go # So now, fade, fade it
:09:08. > :09:14.# Fade away # And fade away
:09:14. > :09:19.# No, no # Not fade away
:09:19. > :09:29.# Come on # Not fade away
:09:29. > :09:42.
:09:42. > :09:52.# Run away # I'm not sleeping
:09:52. > :09:53.
:09:53. > :10:01.# Revelation # And temptation, condemnation
:10:01. > :10:07.# Isolation # Then revelation, ill luem
:10:07. > :10:16.lumination # Let it go
:10:16. > :10:25.# So not fade away # Let it go
:10:25. > :10:34.# So not fade away # Let it go
:10:34. > :10:42.# So not fade away # Let it go
:10:42. > :10:49.# So now fade away # Let it go
:10:49. > :10:59.# So now fade away # Run away
:10:59. > :11:26.
:11:26. > :11:34.# One man come in the name of love # One man come, he to justify
:11:34. > :11:42.# In the name of love What more in the name of love?
:11:42. > :11:52.# In the name of love What more in the name of love?
:11:52. > :11:54.
:11:54. > :11:57.# One man caught on a barbed-wire fence
:11:57. > :12:03.# One man he resist One man washed on an empty beach
:12:03. > :12:10.# One man betrayed with a kiss
:12:10. > :12:20.# In the name of love What more in the name of love?
:12:20. > :12:20.
:12:20. > :12:30.# In the name of love What more in the name of love?
:12:30. > :12:30.
:12:30. > :13:16.Apology for the loss of subtitles for 45 seconds
:13:16. > :13:24.# Free at last, they took your life They could not take your pride
:13:24. > :13:32.# In the name of love What more in the name of love?
:13:32. > :13:42.# In the name of love What more in the name of love?
:13:42. > :13:52.
:13:52. > :13:55.# Oh-oh-oh
:13:55. > :14:05.# Oh-oh-oh
:14:05. > :14:29.
:14:29. > :14:29.Good
:14:29. > :14:30.Good night,
:14:30. > :14:40.Good night, thank
:14:40. > :14:41.
:14:41. > :14:50.Good night, thank you very much. CHEERING AND APPLAUSE
:14:50. > :14:54.Good night from Edge, Adam Clayton, Larry Mullen Junior, myself Bono.
:14:54. > :15:04.Thank you, thank you for tuning in. Thank you to the BBC. Thank you to
:15:04. > :15:17.
:15:17. > :15:20.What did you make of that? Everything you expected U2 to do.
:15:20. > :15:26.They played risky tunes as well. Absolutely. A couple of surprises.
:15:26. > :15:32.For the most part, they had to play hit-heavy. A band in great form.
:15:32. > :15:40.know. I love the fact they went back so early to the stuff which we
:15:40. > :15:46.are - reminded me when I first fell in love with U2. It sounds so good.
:15:46. > :15:50.It's great. It was a stripped raw set. They they had the vanity stage
:15:50. > :15:54.up front. There wasn't a huge amount going on outside of the
:15:54. > :15:59.music. Brave for them to do. Hopefully they will come back here
:15:59. > :16:04.and tell us why they made the decision. Fingers crossed we might
:16:04. > :16:09.see the band to chat. At the moment we are biding our time to find out
:16:09. > :16:13.when U2 come back. I'm trying to think what they haven't done so
:16:13. > :16:19.far? I don't know what it is. Hopefully they will come back on
:16:20. > :16:29.and do the encore. I can't think. Let's find out. Back to you, the
:16:30. > :16:30.
:16:30. > :17:22.Apology for the loss of subtitles for 45 seconds
:17:22. > :17:32.# On a bed of nails # Through the storm
:17:32. > :17:32.
:17:32. > :21:49.Apology for the loss of subtitles for 45 seconds
:21:49. > :21:59.# Love will tear us apart, again # Love
:21:59. > :22:14.
:22:14. > :22:24.# Love will tear us apart, again... Take out your phones. Take out your
:22:24. > :22:33.
:22:33. > :22:42.cigarette lighters. Turn off the # Look at the stars
:22:42. > :22:46.# Look how they shine for you # And everything that you do
:22:46. > :22:56.# And they were yellow # I came along
:22:56. > :22:56.
:22:56. > :23:06.# I wrote a song for you # And all the things that you do
:23:06. > :23:34.
:23:35. > :23:38.# Look at the stars # See how they shine for you
:23:38. > :23:48.# And and all that the things that you do
:23:48. > :23:50.
:23:51. > :24:00.# They were all yellow here's our little planet spinning around the
:24:01. > :24:36.
:24:36. > :24:46.sun. Some of us doing our best to # To let the horses run free
:24:46. > :24:55.
:24:55. > :25:05.# Was playing with the fire # Till the fire played with me
:25:05. > :25:09.
:25:09. > :25:11.# Stone was really precious # We were barely conscious
:25:11. > :25:21.# To souls in the realm of certainty
:25:21. > :25:25.
:25:25. > :25:33.# Even on our wedding day # And the moment of surrender
:25:33. > :25:43.# I'm falling to my knees # I did not notice the passers by
:25:43. > :25:47.
:25:47. > :25:56.# And they did not notice me # I've been in every black hole
:25:56. > :26:01.# At the alter of a Dark Star # My body's now begging
:26:01. > :26:10.# Though, it's begging to get back # Begging to get back
:26:10. > :26:20.# To my heart # To the rhythm of my soul
:26:20. > :26:30.# To the rhythm of my consciousness # To the rhythm of yes
:26:30. > :26:34.
:26:34. > :26:44.# To be released from control # I was punching in the numbers at
:26:44. > :26:45.
:26:45. > :26:55.the ATM machine # I could see our reflection
:26:55. > :26:56.
:26:56. > :27:06.# A face staring back at me # At the moment of surrender
:27:06. > :27:07.
:27:07. > :27:17.# A vision of a visibility # I did not notice the passers-by
:27:17. > :27:17.
:27:17. > :28:13.Apology for the loss of subtitles for 45 seconds
:28:13. > :28:23.Would you hold it up. Would you # I was speeding off the subway
:28:23. > :28:24.
:28:24. > :28:29.# Through the stations of the cross # Every eye looking every other way
:28:29. > :28:39.# Counting down till the pain will stop
:28:39. > :28:40.
:28:40. > :28:50.# At the moment of surrender # A vision of a visibility
:28:50. > :28:54.
:28:54. > :29:03.# I did not notice the passers-by # And they did not notice me
:29:03. > :29:13.# Oh, oohh, # Ooohh...
:29:13. > :29:25.
:29:25. > :29:29.# Oohh... # Oohh... Oh-oh-oh...
:29:29. > :29:34.# The curse was that your dreams come true, God is a mirror where
:29:34. > :29:37.every man sees himself # When I first met you your face is
:29:37. > :29:41.like snow # Where ever I went to you you
:29:41. > :29:45.wanted to go # Your face, your case suitcase 17
:29:45. > :29:48.# When you put it down on the ground
:29:48. > :29:56.# Don't lose your faith in the cloud
:29:56. > :30:06.# Don't put your faith in a cloud # Don't put your faith in a cloud...
:30:06. > :30:31.
:30:31. > :30:41.One more. Just one more. First single. It's been a while. CLAPPING
:30:41. > :31:18.
:31:18. > :31:25.# Monday morning # I say how long?
:31:25. > :31:33.# It was one dull morning Woke the world with bawling
:31:33. > :31:43.# I was so sad, so sad They were so glad
:31:43. > :31:45.# I had the feeling it was out of control
:31:45. > :31:54.# I was of the opinion it was out of control
:31:54. > :31:58.# Boys and girls go to the school
:31:58. > :32:08.# And girls, they make children Not like this one
:32:08. > :32:10.
:32:10. > :32:20.# I had the feeling it was out of control
:32:20. > :32:20.
:32:20. > :33:20.Apology for the loss of subtitles for 45 seconds
:33:20. > :33:30.# I had the opinion it was out of control
:33:30. > :33:35.
:33:35. > :33:39.# Out of control...
:33:39. > :33:40.Out
:33:40. > :33:40.Out of
:33:40. > :33:50.Out of control?
:33:50. > :34:00.
:34:00. > :34:08.Out of control? How has your You have made our... Whole career.
:34:08. > :34:18.Thank you for the life you've given us. We're out of control though. It
:34:18. > :34:18.
:34:19. > :34:28.happens. It happened. Out of # I fought fate
:34:29. > :34:29.
:34:29. > :34:35.# One day I'll die The choice will not be mine
:34:35. > :34:44.# Will it be too late? You can't fight fate
:34:44. > :34:54.# I was of a feeling it was out of control
:34:54. > :35:19.
:35:19. > :35:19.CHEERING
:35:19. > :35:19.CHEERING AND
:35:19. > :35:23.CHEERING AND APPLAUSE
:35:23. > :35:23.All
:35:23. > :35:31.All right!
:35:31. > :35:31.CHEERING
:35:31. > :35:32.CHEERING AND
:35:32. > :35:42.CHEERING AND APPLAUSE
:35:42. > :36:07.
:36:07. > :36:07.That
:36:07. > :36:08.That looked
:36:08. > :36:13.That looked to
:36:13. > :36:20.That looked to me like a band going,, "job done" the look between
:36:20. > :36:26.Edge and Bono, it was, "told you it would be good" Bono was like, "it
:36:26. > :36:31.was all right"? Did you enjoy it? The bottom like line is U2 will be
:36:31. > :36:35.high on that for some time to come. They look really high. Hopefully,
:36:35. > :36:39.making their way back here. We might be able to ask them how it
:36:39. > :36:45.felt. All that talk. All those years of speculation, will U2 do.
:36:45. > :36:52.It they were on the list along with Presence and Bruce SpringSteen and
:36:52. > :36:57.a lot of other headline liners who never played. As soon as they were
:36:57. > :37:01.announced the artists have kept flying. Most people realise when he
:37:01. > :37:05.hurt his back last year chances were they were going to be
:37:05. > :37:09.headlining again this year. Now it's done, now that concert is over.
:37:09. > :37:16.What did you make of it? I loved the fact that a lot of the bands I
:37:16. > :37:21.have spoken to today were going,, "I actually quite like U2" I hear
:37:21. > :37:26.people saying "I'm in the going to watch it and see it". Marcus from
:37:27. > :37:32.Mumford & Sons was going,, "of course I'm going to be there.
:37:32. > :37:36.a funny world when we live in that the most successful ongoing rock
:37:36. > :37:41.band has become a guilty pleasure. Opinions are for everybody and
:37:41. > :37:44.everyone has a different one. I'm sure everyone is talking. I loved
:37:44. > :37:50.the Coldplay. The message, who will be watching right now, then they
:37:50. > :37:54.went and did the Yellow thing. Coldplay going, we are on tomorrow,
:37:54. > :37:59.check out what we do. It hasn't been about U2 today. Now that it's
:37:59. > :38:06.said and down done it's a weekend of amazing music across many
:38:06. > :38:10.different stages at Glastonbury. Over at the other stage we have
:38:10. > :38:20.Primal Scream. Here are two songs from earlier on on the evening,
:38:20. > :38:20.
:38:20. > :43:05.Apology for the loss of subtitles for 45 seconds
:43:05. > :43:15.# I believe in you Let's hear you there. Let me hear
:43:15. > :43:15.
:43:15. > :46:25.Apology for the loss of subtitles for 45 seconds
:46:25. > :46:35.# Just what is it # I said, I'm gonna get deep down
:46:35. > :46:35.
:46:35. > :51:01.Apology for the loss of subtitles for 45 seconds
:51:01. > :51:04.CHEERING AND APPLAUSE Primal Scream have been
:51:05. > :51:10.reenergiseing their masterpiece album for almost a year. I'm not
:51:10. > :51:14.sure if that was their intention when they started doing shows.
:51:14. > :51:18.exciting. On the other stage delivering it right here on your
:51:18. > :51:22.Glastonbury coverage. It's remarkable to think that a band
:51:22. > :51:26.that never looked back, always looked forward, have spent quite
:51:26. > :51:30.some time rethinking that record and play it again. It doesn't
:51:30. > :51:35.surprise thasm record has never goten tired. It's one of the most
:51:35. > :51:39.forward thinking records. Tonight was a celebration of that record
:51:39. > :51:44.and band. Bobbie Gill less pi's shirt. It was fantastic. You are
:51:44. > :51:48.right to bring up clothing. A few people have been asking ple how
:51:48. > :51:53.come I look like I've come back from the artic and you look like
:51:53. > :52:00.you have been in the Maldives. What is going on? I don't know. I'm
:52:00. > :52:05.wearing your coat. You are 3, 2, 1 I'm here and loose. Back in the
:52:05. > :52:09.game. We go to Greg now. He has been doing this trawl around the
:52:09. > :52:13.site. It's a stage crawl. He is checking out everything that is
:52:13. > :52:18.going on in the stage that is is happening. And is bringing us a
:52:18. > :52:23.flavour. Some of the bits we don't get to, Greg is doing it for us.
:52:23. > :52:28.Let's go to him on his stage crawl. Where's my coat! This is my first
:52:28. > :52:35.time doing the TV for Glastonbury. I can show you the real Glastonbury.
:52:35. > :52:41.I mean, keep your U2's, you can keep your Coldplay's, this is the
:52:41. > :52:44.proper bit. I'm in the circus area. I will show you the theatre bit. I
:52:44. > :52:54.will show you gems you have heard about and not necessarily seen.
:52:54. > :52:55.
:52:55. > :53:05.Also, some weirdness. Let's go. I like the look of these guyss. Can
:53:05. > :53:23.
:53:23. > :53:33.you teach me some moves? The out Hey. What is this then? An after
:53:33. > :53:36.
:53:36. > :53:44.workshop. What do I do? Smile. Shake your body a bit. Ha-ha! This
:53:44. > :53:49.is a sonic forest. Can I stop you a sec. What happens in here? You run
:53:49. > :53:54.past the trees in in the forest. It make as sound. Shall we run
:53:54. > :54:00.together, hand in hand? What is the idea. The delay make it is dreamy.
:54:00. > :54:04.We play it until 4.00 am and we get wild. I'm trying to experience the
:54:04. > :54:10.festival as quickly as possible. These are clay figures people made
:54:10. > :54:15.over years. If you want to do the whole festival in a day we have it
:54:15. > :54:25.for you. Toilets, miniature Pyramid Stage. Who is headlining? The seven
:54:25. > :54:28.
:54:28. > :54:34.heads of Bono and the Edge. I love Measuring
:54:34. > :54:44.# The dark secret night # And I think to myself
:54:44. > :54:54.
:54:54. > :55:00.# What a wonderful world... # Excuse me, madam, how are you?
:55:00. > :55:07.are you? It's a beautiful machine? You get four weeks shopping in. We
:55:07. > :55:13.are Granny Terizmo. Try and get up this hill. Go on,
:55:13. > :55:16.have a go! I'm Betty. And we are the only
:55:16. > :55:21.formation shopping trolley dancing troupe in the country!
:55:21. > :55:27.You are similar to the Red Arrows? Very similar, just with more style
:55:27. > :55:32.and a bit more attitude, I think. You're not going to get blue smoke
:55:32. > :55:36.coming out your bum, are you? it depends what I've eaten the
:55:36. > :55:40.night before. Off you go!
:55:40. > :55:45.So part one of my Glastonbury crawl is done. I have had a great day so
:55:45. > :55:55.far. I made new friends as well. There is loads more to see. Find
:55:55. > :55:58.
:55:58. > :56:04.Greg James in action. Thank you to Greg. Look who we have now. We have
:56:04. > :56:14.the band who have just been on the Pyramid Stage.
:56:14. > :56:14.
:56:14. > :56:20.So was it as good... Hold on a sec. We have offerings here for you if
:56:20. > :56:30.you need a touch of whisky. Was it as good as Edge sold it to you last
:56:30. > :56:35.year. It was very, very, very, very taken aback by the warmth of the
:56:35. > :56:45.crowd to us and you know, we have not played to anything other than
:56:45. > :56:46.
:56:46. > :56:51.our own audience for 25 years. get out of here.
:56:51. > :56:54.Live Aid. No, no, no. I mean more than two
:56:54. > :56:59.songs. Oh right.
:56:59. > :57:06.When was the last festival? Someone must have tried to work it out?
:57:06. > :57:13.1985. It must have been a real real
:57:13. > :57:19.stinker if you haven't done one since. Thure rhythmics.
:57:19. > :57:26.Describe what it is like? Quite overpowering. I walked out and I
:57:26. > :57:30.didn't know it was like an ice-rink and I couldn't move. For a person
:57:30. > :57:36.like myself that likes to move about, it was interesting so I just
:57:36. > :57:41.thought just stand where you are and just sing and maybe the singing
:57:41. > :57:44.will be better for me not being able to move. If it rains in our
:57:44. > :57:48.production, we just get wet. So we were under the roof and it felt
:57:49. > :57:53.wrong because I had to go out. So you were there with the people?
:57:53. > :57:57.We were there with everyone. What did it look like? I am a man
:57:57. > :58:06.of the people. What did it look like? The flag
:58:07. > :58:11.thing, they did the flags just for us. You had all the flags. We felt
:58:11. > :58:15.very, very honoured that they would do the flags just for us.
:58:15. > :58:20.They were very nice. They were great.
:58:20. > :58:24.Did you get the tricolour and the Union Jack.
:58:24. > :58:30.Yes. As far as we can gather here
:58:30. > :58:33.everyone was gathered around the TVs and the millions of people were
:58:33. > :58:39.watching around the UK and the world, and it was beautifully
:58:40. > :58:45.directed. It looked wonderful. The songs were beautifully sung. The
:58:45. > :58:50.drums were probably the best thing. There were wonderful wide shots.
:58:50. > :58:56.You don't want to get too slick. I don't mind a bit of slickness.
:58:56. > :59:02.We were all over the shop, but in a good way.
:59:02. > :59:07.I'm going to point to Larry, every time. We have got to talk about the
:59:07. > :59:10.set. It doesn't get talked about as much. But it has been 30 years
:59:10. > :59:14.since Michael Eavis said he has been trying to get you to do this
:59:14. > :59:16.festival. He is rounding it up a few? They are an extraordinary
:59:16. > :59:23.family. Look what they put on for people
:59:24. > :59:28.every year. The philosophy behind it and their
:59:28. > :59:32.generosity, not just of spirit. There is the legacy and the
:59:32. > :59:35.heritage and the songs are what are going to carry you through tonight.
:59:36. > :59:39.There wasn't the claw. There wasn't the things that you put into the
:59:39. > :59:49.production, it was about the tunes. Five songs to open.
:59:49. > :59:52.
:59:52. > :00:00.Brave. It was very brave. I didn't call even better to start.
:00:00. > :00:05.thought it was promising. Choosing the tunes is a tough one.
:00:05. > :00:11.The hope the Damien Hirst piece went out.
:00:11. > :00:17.Tell us about that. He is the greatest living artist and he did a
:00:17. > :00:22.piece of work for Even Better Than The Real Thing and no one has seen
:00:22. > :00:30.this before. This is the opening moment? All the
:00:30. > :00:39.visuals were courtesy of Hirsty and to have his genius was a great
:00:39. > :00:44.thing and he kicked it off. We went into the fly. Dead flies courtesy
:00:44. > :00:46.of Hirsty! Can you hear the rain? This is
:00:46. > :00:50.Glastonbury, this is what it is like.
:00:50. > :00:56.We just had gentle rain. It was pouring with rain when I was was
:00:56. > :01:01.introduced you. What an introduction. I love you,
:01:01. > :01:04.Larry so much. You guys were in sync. It was
:01:04. > :01:13.remarkable. I was thinking about this with the rain and what that
:01:13. > :01:17.adds to the sense of occasion and it took me back to Under A Blood
:01:17. > :01:24.Red Sky. And you didn't climb on top of the
:01:24. > :01:31.stage this time. He couldn't move! There were a few more people here
:01:31. > :01:37.tonne than at Red Rocks. Did you enjoy it? So much.
:01:37. > :01:41.That song Jerusalem, for an Irish boy to sing it, but there is a
:01:41. > :01:47.story about Glastonbury. People don't know that song is sung in,
:01:47. > :01:51.Jerusalem, is about Joseph come to go Glastonbury and the oldest
:01:51. > :02:01.Christian abbey in Northern Europe is here. Everyone talks about
:02:01. > :02:03.
:02:03. > :02:12.Stonehenge and all that, man. It is a real pilgrimage for me. I used
:02:12. > :02:18.some of the lyrics in Bad also. Were you comfortable with that?
:02:18. > :02:22.Larry, how was it for you? I was a little disappointed it was so wet.
:02:22. > :02:29.A little bit of rain is OK. For the crowd, they were stuck together,
:02:29. > :02:33.but one criticism, the audience are so far away and sometimes when you
:02:33. > :02:40.are struggling through it, you just love to have them a little bit
:02:40. > :02:45.closer. There is a huge gap and I'm not used to that. You shouldn't
:02:45. > :02:49.have been a drummer. You should have been the front-man. You always
:02:49. > :02:59.had the looks. Not much you can do about rhythm.
:02:59. > :03:00.
:03:00. > :03:10.We are going to check out the mini Thank you for waiting.
:03:10. > :03:10.
:03:10. > :03:59.Apology for the loss of subtitles for 45 seconds
:03:59. > :04:09.Thank you, Michael Eavis. All the # But I still haven't found
:04:09. > :04:33.
:04:33. > :04:43.# But I still haven't found # I have spoke
:04:43. > :05:01.
:05:01. > :05:11.# But I still haven't found # But I still haven't found
:05:11. > :05:48.
:05:48. > :05:58.# Then all the colours # You broke the bonds
:05:58. > :06:17.
:06:17. > :06:27.# But I still haven't found # But I still haven't found
:06:27. > :06:50.
:06:50. > :06:54.# But I still haven't found # Out of the darkness
:06:54. > :07:04.# Our love shines on, our love shines on
:07:04. > :07:12.# Our love shines on # And moving on up, yeah
:07:12. > :07:22.# Out of the darkness # Our love shines on
:07:22. > :07:29.
:07:29. > :07:34.So yeah, I love the rain on your glasses.
:07:34. > :07:44.I need wipers! What about that little moment when
:07:44. > :07:54.I scream? Do you have a message because you did a Coldplay thing.
:07:54. > :07:55.
:07:55. > :08:00.Have you a message for Coldplay? Yeah, I have a few set ideas!
:08:00. > :08:09.LAUGHTER No, we love Coldplay. Beautiful
:08:09. > :08:13.songs, extraordinary songs they have, but let's not get carried
:08:13. > :08:20.away! They are going to be great. They are great. They are truly
:08:20. > :08:21.great. They are just not good looking!
:08:21. > :08:25.LAUGHTER Oh dear.
:08:25. > :08:28.What was interesting, you really stepped into the hole history of
:08:28. > :08:34.the site and what it means to people who aren't even here for the
:08:34. > :08:40.music and because of the lei lines and the tor which goes on before
:08:40. > :08:49.your time and it can be possible, but many, many hundreds of years.
:08:49. > :08:56.Lancet. It was a Monty Python reference.
:08:57. > :09:04.You know the film, the Monty Python film. I called Larry the knight who
:09:04. > :09:12.says no. Where would you be without it?
:09:12. > :09:18.is a high place. It is higher ground. It is holy ground. I
:09:18. > :09:22.actually came and and you can turn me off in the pub now, but I came
:09:22. > :09:27.as a pilgrim, did you feel that? Maybe not. You came as a pilgrim
:09:27. > :09:33.for the music. I came for all the other - myself and Mike Scot.
:09:33. > :09:37.Are you heading off to the to the healing fields now. The history of
:09:37. > :09:42.Glastonbury is well documented and Neil Oliver has done a film for it.
:09:42. > :09:52.You might want to watch this. tell you? No, you can't. You have
:09:52. > :09:58.
:09:58. > :10:00.For the past 40 years, festival goers have been building their own
:10:00. > :10:03.mythology in the Glastonbury site. But this part of the country has
:10:03. > :10:07.been a destination for pilgrims of all kinds for over 5,000 years. In
:10:07. > :10:12.a few days time thousands of festival goers will stream down the
:10:12. > :10:15.hillsides to watch U2 make history on that stage, but how many of them
:10:15. > :10:18.will appreciate how much truly ancient history surrounds them
:10:18. > :10:24.here? The first Pyramid Stage was
:10:24. > :10:27.constructed on this spot in 1971. Made out of scaffolding and plastic
:10:27. > :10:33.sheeting, its appearance was different to the great pyramids of
:10:33. > :10:38.Egypt, but the idea behind it was much the same. Andrew Kerr wanted
:10:38. > :10:42.to use the spiritual associations of the Somerset Levels to create a
:10:42. > :10:47.free festival that was more than a gig in a field. The Pyramid Stage
:10:47. > :10:54.was to be a spiritual satellite dish able to pick up and channel
:10:55. > :10:58.the vibrations of the cosmos. Whether or not Awe awe gree with
:10:58. > :11:03.Andre's approach to stage building, this landscape is littered with
:11:03. > :11:10.ancient sites and it is full of myth and legend.
:11:10. > :11:20.Andrew Kerr moved the festival from September to June conditioning the
:11:20. > :11:24.
:11:24. > :11:34.tradition of the he can of the equinox pilgrimage.
:11:34. > :11:34.
:11:34. > :11:43.The site is loafer looked by this outcrop. Glastonbury tor. The Celts
:11:43. > :11:53.called this place the Isle of Glass. Pay part from the famous muddy
:11:53. > :11:55.
:11:56. > :12:00.Glastonburies, there is precious On a dry day, you can see the
:12:00. > :12:04.Glastonbury Festival site from here somewhere over there. Today, is not
:12:04. > :12:13.a dry day. In keeping with another Glastonbury Festival tradition, the
:12:13. > :12:19.weather has gone bad. In ancient times these Somerset levels were a
:12:19. > :12:24.shallow marshy sea. So maybe there is some truth in the legend of
:12:24. > :12:34.Avalon after all. Glastonbury's connection to Camelot
:12:34. > :12:39.
:12:39. > :12:45.Hello Neil. How are you doing? How long has
:12:45. > :12:55.this place been the focus of legend? This place has been legend
:12:55. > :12:59.for about 900 years. It goes back to the 12th century.
:12:59. > :13:04.What triggered legend here? One is the myth that when King Arthur was
:13:04. > :13:09.killed he was brought to the Isle of Avalon and no one knew where
:13:09. > :13:15.that was until the monks of Glastonbury started digging up the
:13:15. > :13:19.place. What they found here was the coffin of King Arthur.
:13:19. > :13:25.Do you think the legend, almost above all other legends, is the one
:13:25. > :13:29.that endures in this part of the world? Well, all nations want a
:13:29. > :13:39.great figurehead and if we look back into the Dark Ages, what we
:13:39. > :13:40.
:13:40. > :13:44.find in reality are petty chieftains. The other important
:13:44. > :13:49.thing about King Arthur is the notion he never dismt he was
:13:49. > :13:54.brought -- died. He was brought here to Avalon and perhaps he lives
:13:54. > :13:58.For many people, this landscape is charged with the energy of all
:13:58. > :14:04.those who have passed through it before them. From the ancient
:14:04. > :14:08.architects of Stonehenge, to those seeking Avalon, so perhaps it is
:14:08. > :14:18.fit that Glastonbury should inhabit this landscape now, drawing more
:14:18. > :14:22.
:14:22. > :14:29.people together and creating new I love that dude.
:14:29. > :14:39.Why do I think of Shameless when I see him? That was brilliant.
:14:39. > :14:40.
:14:40. > :14:46.We had to kick off U2. They are in good form, weren't
:14:46. > :14:49.they? They looked happy. We have interviewed a few bands and
:14:49. > :14:55.they always have that same look in their eyes, they can't comprehend
:14:55. > :15:03.what has happened? They watched the performance as they watched they
:15:03. > :15:07.are going, "Ah, no." You were going "that was good.". Except for Larry
:15:07. > :15:13.who was marking a paper saying, "That didn't work.". So much to see
:15:13. > :15:21.and hear across this weekend and you can listen to Glastonbury on 6
:15:21. > :15:26.Music. We are online and the BBC
:15:26. > :15:31.Glastonbury website is the main port of call and on BBC TV. One of
:15:31. > :15:41.my highlights when I saw the line- up, but I didn't get a chance to
:15:41. > :15:44.see it. Inevitably, you can't. The bottom line is see is Celo
:15:44. > :15:54.Green. If you are watching this, there is
:15:54. > :15:54.
:15:54. > :16:35.Apology for the loss of subtitles for 45 seconds
:16:35. > :16:43.a lot of strobing and there is # Gone daddy has gone
:16:43. > :16:53.# Eyes will turn # When I see you
:16:53. > :17:12.
:17:12. > :17:22.# Daddy has gone # I can tell by the way you switch
:17:22. > :17:22.
:17:22. > :17:32.# I can tell by the way you baby talk
:17:32. > :17:45.
:17:45. > :17:55.# Daddy has gone # Get a phone call
:17:55. > :18:07.
:18:07. > :18:17.# The love has gone # Gone away
:18:17. > :18:41.
:18:41. > :18:51.I spint a lot of money on these shoulder pads. You like them?
:18:51. > :19:25.
:19:25. > :19:33.# I remember when I lost my mind # Way out there without a care
:19:33. > :19:37.# I was out-of-touch # But it wasn't because I didn't
:19:37. > :19:47.know enough # I just knew too much
:19:47. > :20:05.
:20:05. > :20:15.# Does that make me crazy? # And I hope that you are having
:20:15. > :20:15.
:20:15. > :21:11.Apology for the loss of subtitles for 45 seconds
:21:11. > :21:21.who do you, who do you, # My heroes had the heart to lose
:21:21. > :21:21.
:21:21. > :23:19.Apology for the loss of subtitles for 45 seconds
:23:19. > :23:29.Life is precious. Scream, enjoy I still can't hear you!
:23:29. > :23:30.
:23:30. > :27:35.Apology for the loss of subtitles for 45 seconds
:27:35. > :27:42.Hello. All right. Really? Can we talk about... Are we really stood
:27:42. > :27:46.out here? It is a bit chilly now. Our set is always beautiful, but
:27:46. > :27:52.there is a wicker fox who the team dubbed for reasons, well he is
:27:52. > :27:55.called the contented fox. I would like to assure viewers... Is he
:27:55. > :27:59.playing the saxophone. It is a saxophone.
:27:59. > :28:05.It is a happy fox, but he is happy because he is playing a broadcast
:28:05. > :28:15.instrument just to be very, very clear.
:28:15. > :28:16.
:28:16. > :28:20.Have have you guys stopped where there is no awning? That was Cee-Lo
:28:20. > :28:26.Green you saw there. We have been joined by Mark and Lauren. What
:28:26. > :28:34.have you got in your pocket? left their flask in our dressk room.
:28:34. > :28:40.What if Larry Mullan needs a brew. Is it tea or coffee? Is it really
:28:40. > :28:47.U2's flask. It is soup. No, that's got, it is
:28:47. > :28:57.not tea. What would you say that is? New York's I think it is soup.
:28:57. > :29:02.
:29:02. > :29:06.It is not Ovalatine or Horlicks. We have cuppa soups going on.
:29:06. > :29:10.That's what it is, it is like like cuppa.
:29:10. > :29:15.It is going to sustain us through the programme. Thank you for the
:29:15. > :29:25.music... And the soup. We are going to bow out and we are
:29:25. > :29:27.
:29:27. > :29:37.going to leave it over to you. Now we are going to.
:29:37. > :29:53.
:29:53. > :29:59.Chasing Status. # I am a man with a heavy heart
:29:59. > :30:02.# It's a blind faith A cruel waste, a bitter taste
:30:02. > :30:08.# So I know I need this sweet sensation
:30:09. > :30:12.# Sweet sensation
:30:12. > :30:22.# The music that we play will ease your mind
:30:22. > :30:33.
:30:33. > :30:37.# Sweet sensation
:30:37. > :30:43.# Sweet sensation
:30:43. > :30:52.# The music that we play will ease your mind
:30:52. > :30:56.# Sweet sensation
:30:56. > :31:06.# The music that we play will ease your mind
:31:06. > :31:08.
:31:08. > :31:11.# What is a man to do with his mind?
:31:11. > :31:14.# When it's working overtime?
:31:14. > :31:19.# The best I can do is not dance with the devil
:31:20. > :31:28.# I keep myself sane I won't waste this time and space
:31:28. > :31:34.# So I know I need this sweet sensation
:31:34. > :31:41.# Sweet sensation
:31:41. > :31:50.# The music that we play will ease your mind
:31:50. > :31:55.# Sweet sensation
:31:55. > :32:05.# The music that we play will ease your mind
:32:05. > :32:06.
:32:06. > :32:13.# I am a man with a heavy heart
:32:13. > :32:20.# I am a man with a heavy heart
:32:20. > :32:23.# It's a blind faith, a cruel waste
:32:23. > :32:26.# What a bitter taste
:32:26. > :32:32.# So I know I need this sweet sensation
:32:32. > :32:39.# Sweet sensation
:32:39. > :32:46.# The music that we play will ease your mind
:32:46. > :32:51.# Sweet sensation
:32:51. > :33:00.# The music that we play will ease your mind
:33:00. > :33:07.# I am a man with a heavy heart
:33:07. > :33:14.# I am a man with a heavy heart
:33:14. > :33:17.# It's a blind faith, a cruel waste
:33:17. > :33:21.# What a bitter taste
:33:21. > :33:31.# So I know I need this sweet sensation. #
:33:31. > :33:40.
:33:40. > :33:40.They
:33:40. > :33:41.They look
:33:41. > :33:47.They look so
:33:47. > :33:56.They look so well. There is not a lot of veg in that. Chase & Status
:33:56. > :34:02.there. We are just sampling the Larry Mullan drink. It looks like
:34:02. > :34:05.the remains of a grill pan. It is quite nice, you know. On a
:34:05. > :34:09.wintry evening here. It is quite warming.
:34:09. > :34:13.It is kind of greasy as well. It is nice though.
:34:13. > :34:17.It is like something out of the bottom of a grill pan, isn't it?
:34:17. > :34:23.is, yes. Thank you for sticking with us. Thank you for leaving your
:34:23. > :34:27.soup, U2. Can I have some more. We have some Mumford and Sons in a
:34:27. > :34:33.while for you who were playing the other stage, but right now we have
:34:33. > :34:43.some beautiful, beautiful live music.
:34:43. > :34:43.
:34:43. > :35:48.Apology for the loss of subtitles for 45 seconds
:35:48. > :35:57.# Oh these days seem so far away # I need sunshine
:35:57. > :36:07.# I need angels # There is something going on and I
:36:07. > :36:37.
:36:37. > :36:42.need them # # Everything I stood for. # I was
:36:42. > :36:45.in a place that I didn't want to be # Seeing face after face, I didn't
:36:45. > :36:55.want to see # I didn't go out of my mind
:36:55. > :36:59.# Only god knows # All them girls that I used to see
:36:59. > :37:06.running around # I need sunshine
:37:06. > :37:16.# I need angels. Angels # There is something going on and I
:37:16. > :37:33.
:37:33. > :37:38.need them # No, no, I need
:37:38. > :37:48.# Sunshine # There is something going on and I
:37:48. > :37:52.
:37:52. > :38:00.need them # There is something going
:38:00. > :38:09.# There is something going on # I need sunshine
:38:09. > :38:19.# I need angels # I need something good and I need
:38:19. > :38:20.
:38:20. > :38:30.them # There is something going on
:38:30. > :38:39.
:38:39. > :38:44.# There is there is something going From London to Glastonbury, that's
:38:44. > :38:48.Maverick Sabre playing the festival tomorrow. The song was great. But
:38:48. > :38:51.this is separating from the mug now! I'm slightly worried.
:38:51. > :38:56.I want results before the end of the show.
:38:56. > :39:02.I will be looking like Larry Mullan tomorrow.
:39:02. > :39:06.Have you enjoyed it. It is raining. It was beautiful earlier on. It was
:39:06. > :39:15.pleasant. I did get a chance to see a few things. I went through the
:39:15. > :39:22.Spirit of 71 Stage and I talked to Andrew Kerr who put the festival on
:39:22. > :39:30.and and build the stage. I saw the Spirit of 71 Stage a lot of artists
:39:30. > :39:33.are playing that played in 1971. I saw Noel Harrison singing.
:39:33. > :39:41.I interviewed Melanie. She is on there tonight.
:39:42. > :39:46.She played the original festival in 1971. And she said when she played
:39:46. > :39:50.in 1971, her husband was with her and he recently died. He was her
:39:50. > :39:54.manager and the father of her three kids, but she said he promised me
:39:54. > :39:58.this was the last thing he was organising her her doing this
:39:58. > :40:01.festival and he promised that he would be there. It was really
:40:01. > :40:05.emotional and really lovely, she was OK and feeling really positive
:40:05. > :40:08.about it. It felt like she was going to be surrounded by love
:40:08. > :40:11.there. She would have been surrounded by
:40:11. > :40:15.love because Andrew Kerr was the guy sorting out the first festival.
:40:15. > :40:18.He had tears in his eyes when he told me Melanie was coming back. He
:40:18. > :40:23.couldn't believe she was coming back to play at this stage.
:40:23. > :40:27.I was saying to her, I think the old school folk spirit is in intact
:40:27. > :40:31.in Glastonbury and folk under going massive revival and one of the
:40:31. > :40:39.people at the forefront of that movement movement are Mumford and
:40:39. > :40:44.Sons. I did see Marcus Mumford on the back of a big wagon and I went
:40:44. > :40:54.went, "How did it go?" And he went like that.
:40:54. > :40:54.
:40:54. > :45:06.Apology for the loss of subtitles for 45 seconds
:45:06. > :45:09.# It's empty # The sun
:45:09. > :45:18.# Away from all the fears and all the faults you've left behind
:45:18. > :45:20.# The harvest left no food for you to eat
:45:20. > :45:22.# You cannibal, you meat-eater You see
:45:22. > :45:30.# But I have seen the same I know the shame in your defeat
:45:30. > :45:33.# But I will hold on hope
:45:33. > :45:40.# And I won't let you choke on the noose around your neck
:45:40. > :45:46.# And I'll find strength in pain And I will change my ways
:45:46. > :45:51.# I'll know my name as it's called again
:45:51. > :46:01.# Cos I have other things to fill my time
:46:01. > :46:06.
:46:06. > :46:07.# Cos I have other things to fill my time
:46:07. > :46:10.# You take what is yours and I'll take mine
:46:10. > :46:17.# Now let me at the truth Which will refresh my broken mind
:46:17. > :46:20.# So tie me to a post and block my ears
:46:20. > :46:24.# I can see widows and orphans through my tears
:46:24. > :46:31.# I know my call despite my faults and despite my growing fears
:46:31. > :46:34.# But I will hold on hope
:46:34. > :46:42.# And I won't let you choke on the noose around your neck
:46:42. > :46:48.# And I'll find strength in pain And I will change my ways
:46:48. > :46:58.# I'll know my name as it's called again
:46:58. > :46:59.
:46:59. > :47:02.# So come out of your cave walking on your hands
:47:02. > :47:06.# And see the world hanging upside down
:47:06. > :47:13.# You can understand dependence when you know the maker's land
:47:13. > :47:20.# So make your siren's call And sing all you want
:47:20. > :47:23.# I will not hear what you have to say
:47:23. > :47:29.# Cos I need freedom now And I need to know how
:47:29. > :47:39.# To live my life as it's meant to be
:47:39. > :47:54.
:47:54. > :47:57.# And I will hold on hope
:47:57. > :48:04.# And I won't let you choke on the noose around your neck
:48:04. > :48:11.# And I'll find strength in pain And I will change my ways
:48:11. > :48:21.# I'll know my name as it's called again. #
:48:21. > :48:31.
:48:31. > :48:32.Thank
:48:32. > :48:32.Thank you
:48:32. > :48:42.Thank you very
:48:42. > :48:42.
:48:42. > :48:49.Thank you very much. Mumford and Sons earlier on the
:48:49. > :48:58.Other Stage. Will you leave that cow alone? We're keeping her calm.
:48:58. > :49:05.We don't want her rearing up. One r for one thing, I haven't filled the
:49:05. > :49:10.form in, health and safety. I had them on a radio show and I
:49:10. > :49:20.thought they were destined to be there and they were playing the
:49:20. > :49:21.
:49:21. > :49:26.Grammys. It happened last year. could hear Test Match special and
:49:26. > :49:31.David Gower saying "I'm listening to Mumford and Sons." Who would
:49:31. > :49:37.have thought it? Not them. Marcus has stayed clean cut, while some of
:49:37. > :49:41.the rest of them have gone native. We were a band of folk musicians
:49:41. > :49:47.and that's what happens. Fair play to them. I thought that was good.
:49:47. > :49:51.There has been all sorts of stuff at glast gree including --
:49:51. > :49:56.Glastonbury including a gentleman who made history in 1985 when he
:49:56. > :50:00.head lined with the Smiths. But it is not just about the big headline
:50:00. > :50:04.acts and the people who play in the Grammys and stuff, there is another
:50:04. > :50:11.side to Glastonbury and we do get out and about and enjoy that, but
:50:11. > :50:19.one lady who is enjoying it as I speak is the beautiful Gemma who is
:50:19. > :50:25.in the nocturnal armpit of Glastonbury and I mean that in a
:50:25. > :50:31.good way. Oh, far, far away from the Pyramid
:50:31. > :50:36.Stage and the Other Stage, even beyond Arcadia is Block 9 where the
:50:36. > :50:43.absurd, the glamorous, the wonderful, the most surreal moments
:50:44. > :50:49.happen. Tell me more. I found friends? We are in New York disco.
:50:49. > :50:52.This is from 1989 and it is all that's left of the world after a
:50:52. > :50:56.nuclear warp Enlighten me. What's going to
:50:56. > :51:01.happen around here this evening? Everybody is going to be very, very
:51:01. > :51:04.free and we are going to dance until the end of the world because
:51:04. > :51:13.it is what we are doing here, honey, we are just dancing and celebrating
:51:13. > :51:19.life. I am impressed. You have got heels
:51:19. > :51:29.on. I have got four inch heels on. Mud? What mud? I am hearing loads
:51:29. > :51:30.
:51:30. > :51:34.about the London Underground. Let's My name is Steve Gallagher.
:51:34. > :51:36.My name is Gideon. We are the team behind the new
:51:36. > :51:44.London Underground at Glastonbury this year.
:51:44. > :51:47.We started off doing the NYC download four years ago. We knew we
:51:47. > :51:52.needed to do something else big and spectacular, but we weren't sure
:51:52. > :51:56.what it should be. We knew it should be a music venue and we
:51:56. > :52:03.wanted to do something that was London-centric so we had New York
:52:03. > :52:08.and London on opposite sides of the field. On the build crew, there are
:52:08. > :52:11.something like 45 people. We have been helping build this
:52:11. > :52:16.marvellous structure which has been called London Underground.
:52:16. > :52:18.I painted all the balconies and all the bits on the ground and put the
:52:18. > :52:22.texture on and made them look like concrete and the colour and
:52:22. > :52:26.everything. It is hard work.
:52:26. > :52:34.And once it is put together, we're going to go up on the scissor lift
:52:34. > :52:38.and put dirt and mould and everything and make it look like a
:52:38. > :52:41.really shitty council block. It always looks amazing.
:52:41. > :52:49.We all know what we have got to do so and we are all putting our time
:52:49. > :52:59.The idea behind the set was you know, I guess quite competitive,
:52:59. > :53:08.you know, we did the Downlow and it was an ambitious set and we wanted
:53:08. > :53:12.to push the boat out first. We previously crashed a taxi into
:53:12. > :53:18.the Downlow and the Tube has has derailed underground and smashed up
:53:18. > :53:21.through the tower block and caught daily life in its wheels and
:53:21. > :53:24.dragged it out through the front of the building as it crashed out
:53:24. > :53:29.through the front of the building. It is a sculpture in itself and
:53:29. > :53:37.then you walk through the sculpture into the venue behind and the venue
:53:37. > :53:46.behind is seedy, underground, London nightclub.
:53:46. > :53:51.Proper established clubs. They This is brilliant. The level of
:53:51. > :53:55.production is amazing. You don't often get to play inside a venue at
:53:55. > :54:01.a festival and they have created a nightclub and it is wicked. It is
:54:01. > :54:04.brilliant. It is like going back to London. It
:54:04. > :54:09.is like being in Brixton. There is lots of raving going on.
:54:09. > :54:13.People are having a good time. There is a lot of love.
:54:13. > :54:18.I don't think I have seen this level of, you know, extravagance in
:54:18. > :54:25.a venue before especially in a field.
:54:25. > :54:29.I haven't gone anywhere else, I have been right here.
:54:29. > :54:34.I wondered what Marcus was doing with himself. I didn't know where
:54:34. > :54:39.he was, but know I noi -- now I know.
:54:39. > :54:44.I am always amazed at how much effort people put into putting
:54:44. > :54:48.these structures up One of the things they added was a
:54:48. > :54:52.mechanical bull ring in which they are having fights with real people.
:54:52. > :54:54.We came down and launched the start of the Glastonbury season last
:54:54. > :55:00.month while they were building everything and it really is a year
:55:00. > :55:04.long project. It takes a month to strip the set back.
:55:04. > :55:10.My kids are here somewhere and they were in a giant fish. A giant
:55:10. > :55:16.silver fish. When we got up close it was built out of CDs. It was
:55:16. > :55:21.amazing that someone could go to that much trouble. It was great
:55:21. > :55:26.bringing kids as they were chatter, chatter and as soon as they saw the
:55:26. > :55:36.size of it silence. If you have never been, it is impossible to
:55:36. > :55:41.
:55:41. > :55:47.Like we said, there's been all sorts on. One of the things I
:55:47. > :55:52.checked out earlier was this man - former headliners, May 1985. It was
:55:52. > :55:57.a very controversial headliners. People were not sure about the
:55:57. > :56:04.Smiths. They thought it should be a hippies only festival. He embraced
:56:04. > :56:11.pop music and took Glastonbruy into a new league. I like Morrissey. At
:56:11. > :56:17.a festival he's like, "I don't know, will I enjoy myself today?" He came
:56:17. > :56:23.out. He went, "Hi, Glastonbury. How strange to see me here." OK, we're
:56:23. > :56:32.doing this then. So we thought you might enjoy a little bit of his set,
:56:32. > :56:42.here earlier at Glastonbruy. On the Other Stage. It was Morrissey.
:56:42. > :56:54.
:56:54. > :57:04.Hello Glato! Fancy seeing me -- # On the day that you're meant.
:57:04. > :57:04.
:57:04. > :57:09.# Oh, desires to try # And catch up with the tree
:57:09. > :57:14.# Because I want the one I can't have
:57:14. > :57:24.# It's driving me mad # It's all over
:57:24. > :57:34.# All over # My face
:57:34. > :57:35.
:57:35. > :57:39.# On the day you're meant to have # I want the one I can't have
:57:39. > :57:48.# It's driving me mad # It's all over
:57:48. > :57:56.# All over my face # A double bed
:57:56. > :58:05.# These are the riches of the poor A double bed
:58:05. > :58:11.# And a lover for sure # These are the riches of the poor
:58:11. > :58:21.And I want the one I can't have # And it's driving me mad
:58:21. > :58:24.
:58:24. > :58:31.# It's all over # All over my face
:58:31. > :58:36.# A tough kid who sometimes swallows nails
:58:36. > :58:46.# Gone to the prisoner's aid # He killed a policeman when he was
:58:46. > :58:48.
:58:48. > :58:58.# Somehow it really impressed me # It's written all over my face
:58:58. > :59:07.
:59:07. > :59:10.# Oh, these are the riches of the poor # Oh, these are the riches of
:59:10. > :59:18.the poor-ra # I want the one I can't have
:59:18. > :59:26.# This is driving me mad # It's written all over my face,
:59:26. > :59:31.face-face # On the day that you're meant to
:59:31. > :59:39.have a journey # Catches up with your face
:59:39. > :59:44.# And if you ever need salvation # Just me me in the alibi the
:59:44. > :59:54.railway -- in the a lrk ley by the railway station
:59:54. > :00:12.
:00:12. > :00:19.APPLAUSE # There is no-one on earth
:00:19. > :00:29.# English hearts # There is no-one on earth I'm
:00:29. > :01:02.
:01:02. > :01:12.# To be standing by the flag # There is no-one on earth
:01:12. > :01:27.
:01:27. > :01:37.# And I will die # The English are sick to death
:01:37. > :01:41.
:01:41. > :01:48.# And denounce this Royal Line that still salute him
:01:48. > :01:51.# And will salute him
:01:51. > :02:01.# Forever. #
:02:01. > :02:01.
:02:01. > :03:04.Apology for the loss of subtitles for 45 seconds
:03:04. > :03:06.# Punctured bicycle
:03:06. > :03:07.# On a hillside desolate
:03:07. > :03:09.# Will Nature make a man of me yet?
:03:09. > :03:12.# When in this charming car
:03:12. > :03:18.# This charming man
:03:18. > :03:20.# Why pamper life's complexities
:03:20. > :03:22.# When the leather runs smooth
:03:22. > :03:27.# On the passenger seat?
:03:27. > :03:30.# I would go out tonight
:03:30. > :03:37.# But I haven't got a stitch to wear
:03:37. > :03:39.# This man said: "It's gruesome
:03:39. > :03:48.# That someone so handsome should care"
:03:48. > :03:50.# A jumped-up pantry boy
:03:50. > :03:52.# Who never knew his place
:03:52. > :03:56.# He said, "Return the ring"
:03:56. > :04:00.# He knows so much about these things
:04:00. > :04:07.# He knows so much about these things
:04:07. > :04:09.# I would go out tonight
:04:09. > :04:17.# But I haven't got a stitch to wear
:04:17. > :04:19.# This man said, "It's gruesome
:04:19. > :04:29.# That someone so handsome should care"
:04:29. > :04:29.
:04:29. > :04:39.# This charming man
:04:39. > :04:39.
:04:39. > :04:46.# This charming man
:04:46. > :04:48.# A jumped-up pantry boy
:04:48. > :04:50.# Who never knew his place
:04:50. > :04:54.# He said, "Return the ring"
:04:54. > :04:58.# He knows so much about these things
:04:58. > :05:08.# He knows so much about these things. #
:05:08. > :05:16.
:05:16. > :05:16.Thank
:05:16. > :05:16.Thank you.
:05:16. > :05:23.Thank you. Thank
:05:23. > :05:31.Thank you. Thank you! Morrissey earlier today, on the
:05:32. > :05:38.Pyramid Stage - the big pointy one, obviously. I enjoyed pry
:05:38. > :05:44.malscream's set earlier, -- Primal Scream's set earlier. It made me
:05:44. > :05:52.feel like I'd eaten the sun. that's where it went! We have all
:05:52. > :05:58.sort of stuff for you to enjoy on radio, online, on red button. It
:05:58. > :06:08.can take you to see others, you can enjoy fleet foxes, who were
:06:08. > :06:11.
:06:11. > :06:17.fantastic earlier on. I am told in my ear Jason stay on the and
:06:17. > :06:24.Wootton clan. One of whom came in a bath robe. I think it was the
:06:24. > :06:30.founder. He always dresses up. Or it could have been Barry Clan. I
:06:30. > :06:39.can't tell them apart. They are like the Chuckle Brothers. We have
:06:39. > :06:49.some live music now. We have got some live music. These girls come
:06:49. > :06:50.
:06:50. > :07:00.from Alabama, a legendary music town. They were on the acow stick -
:07:00. > :07:05.- Acoustic Stage earlier today. It is the Secret Sisters.
:07:05. > :07:10.# You make me cry baby # Cry baby, cry
:07:10. > :07:15.# I can't help but love you till the day I die
:07:15. > :07:18.# Tell me why, baby, why? # I want to be with you
:07:18. > :07:22.# Like last time when the feathers flew
:07:22. > :07:26.# You're running wild, kicking up your heels
:07:26. > :07:32.# Leaving me at home with a handful of bills
:07:32. > :07:42.# Lord, I can't live without you # It's true.
:07:42. > :07:43.
:07:43. > :07:48.# There's no living without you # I'm going to honky-tonking
:07:48. > :07:53.# Tell me high you made me cry # Cry baby, cry
:07:53. > :08:00.# Lord, I kapt help but love you till the day -- can't help but love
:08:00. > :08:08.you till the day that I die # Tell me why baby, why baby, why
:08:08. > :08:16.baby, why? # Now I don't know, but I've heard
:08:16. > :08:20.# That every dog will have his day # You better pay attention
:08:20. > :08:30.# I'm just a little bit imperson napbt
:08:30. > :08:34.
:08:34. > :08:37.# Well I caught you Honky-trk onkyi -- tonkying with my best friend
:08:37. > :08:40.# Come and feel for the knob on the door
:08:40. > :08:45.# Tell me why Baby
:08:45. > :08:48.# Baby # Why you made me cry, baby, cry
:08:48. > :08:53.# Lord, I can't help but love you till the day I die
:08:53. > :09:03.# Tell me why, baby, why baby, why baby, why?
:09:03. > :09:07.
:09:07. > :09:12.# Tell me why baby, why baby, why? APPLAUSE
:09:12. > :09:18.That was great, wasn't it? The sister sisters from Alabama. I
:09:18. > :09:24.liked that a lot. I liked that guitar. You were admiring that.
:09:24. > :09:28.is a beautiful old Gibson guitar. Nice work, ladies! Morrissey was
:09:28. > :09:33.lying when he said he wouldn't go out tonight because he didn't is a
:09:33. > :09:40.stitch to wear! I thought I saw a change of blouse during his set.
:09:40. > :09:47.did change it. One was red and the other was slightly paler. When did
:09:47. > :09:52.he do that? Did he have a changing room, side-stage? We could miss it
:09:52. > :09:59.and start the rumour, it being late night telly. He had a lady come on
:09:59. > :10:03.and do a quick change thing. Lift the curtain up. Shake a velvet
:10:03. > :10:08.curtain. You should consider that. He should! I think maybe I should
:10:08. > :10:13.consider something. I like it, you have your het set. That's all that
:10:13. > :10:17.matters. Someone gave me this hat. He had a hat stall. I think he
:10:17. > :10:22.thought I would come on telly and plug his hat stall. I have got my
:10:22. > :10:26.free hat on. Whatever you were, I don't know your name or the name of
:10:26. > :10:32.your hat stall. It is a great hat stall, I am sure. It is a plug you
:10:32. > :10:36.can do on the BBC because it is nothing I am not advertising.
:10:36. > :10:44.If this doesn't work for him as a fashion break through, me sporting
:10:44. > :10:52.one of his hats. Morrissey changed shirts. I think he might have been
:10:52. > :10:57.back stage Biffy's changing room. They came on with their clothes on,
:10:57. > :11:07.I could only identify them by their nip pis.
:11:07. > :11:31.
:11:31. > :11:41.# You got me to stay away # I can't compete with history
:11:41. > :11:51.# In control of the morning In control of the sea
:11:51. > :11:53.
:11:53. > :11:59.# You are creating all the bubbles at night
:11:59. > :12:06.# I'm chasing round trying to pop them all the time
:12:06. > :12:12.# We don't need to trust a single word they say
:12:12. > :12:19.# You are creating all the bubbles at play
:12:19. > :12:23.# There's a girl, there's a girl There's a girl, there's a girl
:12:23. > :12:26.# And she's down by the river In her own creepy world
:12:26. > :12:29.# There's a girl, there's a girl
:12:29. > :12:35.# And she's down by the river It's time to consider
:12:35. > :12:40.# That baby is a sinner She'll wash away your sins
:12:41. > :12:50.# And go home I only once upset my kin
:12:51. > :12:56.
:12:56. > :12:59.# Accused him of a moral slip
:12:59. > :13:05.# He came back and claimed a change I know his life's the same again
:13:05. > :13:15.# I can't ask him again I should let it go
:13:15. > :13:17.
:13:17. > :13:23.# You are creating all the bubbles at night
:13:23. > :13:30.# I'm chasing round trying to pop them all the time
:13:30. > :13:36.# We don't need to trust a single word they say
:13:36. > :13:43.# You are creating all the bubbles at play
:13:43. > :13:46.# There's a girl, there's a girl There's a girl, there's a girl
:13:46. > :13:50.# And she's down by the river In her own creepy world
:13:50. > :13:53.# There's a girl, there's a girl
:13:53. > :13:59.# And she's down by the river It's time to consider
:13:59. > :14:02.# That baby is a sinner
:14:02. > :14:06.# There's a girl, there's a girl There's a girl, there's a girl
:14:06. > :14:08.# She'll wash away your sins
:14:08. > :14:18.# She's face down in the river
:14:18. > :14:18.
:14:18. > :15:50.Apology for the loss of subtitles for 45 seconds
:15:50. > :15:50.The
:15:50. > :15:51.The unmistakeable
:15:51. > :15:57.The unmistakeable this
:15:57. > :16:02.The unmistakeable this rob of Biffy Clyro earlier today on the Pyramid
:16:02. > :16:09.Stage. They could get clothes drawn. With a bow tie. I found them scary.
:16:09. > :16:19.They look like they have come out of Charles Manson's gang. Who was
:16:19. > :16:19.
:16:19. > :16:23.the one with the shirt on and a smart shirt on? Was he from Jim'll
:16:24. > :16:29.Fix It? Maybe he was demoted. Maybe that is
:16:29. > :16:33.how it happens. Get your top back on! They are a blistering act.
:16:33. > :16:39.are very sweet as well. I know that is not a cool thing to say! Gemma
:16:39. > :16:45.has been out in the fields, looking at the night life, looking at
:16:45. > :16:50.Glastonbury after dark. She is back up there at the London underground
:16:50. > :16:52.doing further explorations. Are you there? Here I am, in block fine. I
:16:52. > :16:58.know I'm at the London Underground, which means something weird is
:16:58. > :17:03.going to happen to me. Is that right Steve? That is right.
:17:03. > :17:07.You are about to go into the crown and glory. This is a collaborative
:17:07. > :17:17.venture with the Round House. A few people get to experience. You are
:17:17. > :17:22.one of them. I feel lucky.... I think. I'm always on the list, GC!
:17:23. > :17:28.Here goes. Oh, no! Are you all right there, guys? Yeah! Don't
:17:28. > :17:36.believe them! How there, are you all right? I thought it would be
:17:36. > :17:44.cosy in here, but... Hi, nice to meet you. What the.... Hey, what is
:17:44. > :17:49.going on in ....? OK, slightly dark, actually. Don't forget this is
:17:49. > :17:58.really late at night! OK, so I'm finally inside a room.
:17:58. > :18:08.You think you want a room at glasto, you don't think you do! I feel like
:18:08. > :18:09.
:18:09. > :18:19.I'm going to find... Is this legal? What? OK, so I'm getting into a
:18:19. > :18:20.
:18:20. > :18:30.fridge. I'm actually getting into a fridge. Hi, ladies. Hi! I think,
:18:30. > :18:31.
:18:31. > :18:41.I'm all right, yeah! It's a pair of pants on the door. Beautiful pants.
:18:41. > :18:41.
:18:41. > :18:51.Can I go through? Oh, my goodness! OK, this is really freaking me out
:18:51. > :18:52.
:18:52. > :18:57.now guys. Whatever next? What? Nearly fell over in the mud. Here
:18:57. > :19:05.we go. Am I actually allowed to rave here?
:19:05. > :19:12.I survived the London Underground. It's time to rave. I think I
:19:12. > :19:21.blinking well deserve it! And we never saw her again! Love
:19:21. > :19:30.her - raving in a sheep skin. There is something 70s about that. It was
:19:30. > :19:35.like Alice in Wonderland moving to an inner city place.
:19:35. > :19:43.We had Jimmy cliff earlier. Now we have BB King, who is 85 years old.
:19:43. > :19:47.One of the oldest people ever to play at the festival. He is a
:19:47. > :19:51.legendry guitar player. Rolling Stone called him the third best
:19:51. > :19:58.guitarist ever. There is not a guitarist alive who has not taken a
:19:58. > :20:05.bit from BB King. He was on the Pyramid Stage here earlier on, here
:20:05. > :20:09.at Glastonbruy, 2011. Thank you so much. Are you ready?
:20:09. > :20:16.# No-one love me # No-one seem to care
:20:16. > :20:21.# I said nobody love me # Nobody seem to care
:20:21. > :20:30.# The Troubles # You know I've had my share
:20:30. > :20:33.# I get moving down the line # I want to pack my suitcase and go
:20:33. > :20:38.down the line # Ain't nobody worry
:20:38. > :20:44.# Ain't nobody cry # Every day, every day, every day I
:20:44. > :20:49.have the blues # Every day, every day, every day I
:20:49. > :20:56.have the blues # You seem to worry baby
:20:56. > :21:01.# It's you I'd hate to lose # Every day, every day I have the
:21:01. > :21:05.blues # Every day # Every day I have the
:21:05. > :21:15.blues # Don't worry baby
:21:15. > :21:15.
:21:15. > :25:00.Apology for the loss of subtitles for 45 seconds
:25:00. > :25:09.# All right INSTRUMENTAL Thank you.
:25:09. > :25:17.BB King. Wow! I was pleased he played. I gave him the great build-
:25:17. > :25:22.up. He played guitar solo. influenced the rest of the festival.
:25:22. > :25:27.He... I am looking on Twitter. Hello to Natalie, who is watching
:25:27. > :25:33.us in labour. She is hooked up to a tens machine and getting through.
:25:33. > :25:43.love this song. This is Jenny Lewis and her musical live partner. Jenny
:25:43. > :25:55.
:25:55. > :26:02.and Johnnie. This is Animals. # We must modernise Jerusalem
:26:02. > :26:11.# The temples # Let them fight over the dust
:26:11. > :26:19.# We will organise in Bethlehem # Able-bodied women
:26:19. > :26:26.# And agnostic, head-strong men # Or we'll meet at 10
:26:26. > :26:36.# If you lose your fear # Of God
:26:36. > :26:40.
:26:40. > :26:48.# You are an animal at heart # Ahhh
:26:48. > :26:53.# Show your teeth to everyone # Don't let no-one prove you wrong
:26:53. > :27:03.# You are an animal # An animal
:27:03. > :27:03.
:27:03. > :27:09.Show your teeth to everybody # Don't let no-one prove you wrong
:27:09. > :27:19.# You are an animal # An animal
:27:19. > :27:27.
:27:27. > :27:34.We must rearrange reality # And shuffle all the cards
:27:34. > :27:42.# The joker with the Queen # Just to make her scream
:27:42. > :27:49.# To destroy all our enemies # Must investigate our friends
:27:49. > :27:53.# Find the ones we want to talk # Believe, and hang them from the
:27:53. > :28:03.trees # If you lose your fear
:28:03. > :28:06.
:28:06. > :28:14.# Of God # You are an animal, at heart
:28:14. > :28:19.# Show your teeth to everyone # Don't let no-one prove you wrong
:28:19. > :28:26.# You are an animal # An animal
:28:26. > :28:33.# Show your teeth # To everyone
:28:33. > :28:43.# Don't let no-one prove you wrong # You are an animal
:28:43. > :28:58.
:28:58. > :29:05.# An animal # Show your teeth to everyone
:29:05. > :29:09.# Don't let no-one prove you wrong # You are an animal
:29:09. > :29:19., an animal # An animal
:29:19. > :29:28.
:29:28. > :29:33.APPLAUSE I love her. I know, it's great tune
:29:33. > :29:40.that. I love it a lot. Absolutely beautiful. Jenny and Johnnie, that
:29:40. > :29:46.was and Animal. What? Nothing! What? Let's go on to
:29:46. > :29:50.something else. We go to fleet foxes now. We talked about Mumford
:29:50. > :29:54.and Sons, fleet foxes seem to come out of nowhere. My kids, the first
:29:54. > :29:59.time they heard them singing, they were like, how are they doing that.
:29:59. > :30:04.The plepbld of the human voice is the thing that -- the blend of the
:30:04. > :30:09.human voice is the thing that machines will never reproduce.
:30:09. > :30:19.was muddy, here they are, fleet foxes.
:30:19. > :30:26.
:30:26. > :30:31.# My brother # Where do you go to tonight?
:30:31. > :30:40.# I heard that you missed your connections
:30:41. > :30:46.# To the mountain # Over in Tennessee
:30:46. > :30:51.# You're welcome with me, any time you like
:30:51. > :31:01.# In the countryside # Handsome, midnight
:31:01. > :31:11.# So no-one gets through me, no # So no one gets through me
:31:11. > :31:12.
:31:12. > :31:19.# No. # Be careless
:31:19. > :31:29.# I'm sure it will be fine # I love you
:31:29. > :31:29.
:31:29. > :32:14.Apology for the loss of subtitles for 45 seconds
:32:14. > :32:24.# Shiver in the darkness # Father, and the music got frozen
:32:24. > :32:30.
:32:30. > :32:40.# And snowing # Till the morning light
:32:40. > :32:43.
:32:43. > :32:53.# Terrible, oh, even if you don't mind
:32:53. > :33:03.
:33:03. > :33:13.# In the darkness # Father
:33:13. > :33:19.
:33:19. > :33:29.# And the snowing # Till the morning light
:33:29. > :33:39.# Terrible, my child # Even if you don't mind
:33:39. > :33:52.
:33:52. > :33:59.CHEERING AND APPLAUSE Well, just magical sound, isn't it?
:33:59. > :34:03.Fleet Foxes there. Again like Mumford and Sons, a strange success
:34:03. > :34:08.story. It's demographic, it is because the baby-boomers are buying
:34:08. > :34:14.records and the younger people like it. I think he's right. Music now
:34:14. > :34:19.is lateral and you don't stop buying music when you're 30. This
:34:19. > :34:29.guy, who is a legend was on the bill also. It is the marvellous
:34:29. > :34:51.
:34:51. > :35:01.# But you must try # Rome was not built in a day
:35:01. > :35:14.
:35:14. > :35:24.# But the hotter the battle you see # But you must try
:35:24. > :35:38.
:35:38. > :35:42.# Win or lose # You've got your mind
:35:42. > :35:46.# You can get it though hard it may seem now
:35:46. > :35:49.# You can get it if you really want
:35:49. > :35:53.# You can get it if you really want
:35:53. > :35:57.# You can get it if you really want
:35:57. > :36:04.# But you must try Try and try, try and try
:36:04. > :36:14.# You'll succeed at last I know it - listen
:36:14. > :36:22.
:36:22. > :36:24.# You can get it if you really want
:36:24. > :36:28.# You can get it if you really want
:36:28. > :36:32.# You can get it if you really want
:36:32. > :36:38.# But you must try Try and try, try and try
:36:38. > :36:48.# You'll succeed at last. #
:36:48. > :36:52.# You can get it if you really want
:36:52. > :36:55.# You can get it if you really want
:36:56. > :37:05.# You can get it if you really want
:37:06. > :37:06.
:37:06. > :37:56.Apology for the loss of subtitles for 45 seconds
:37:56. > :38:06.# I can see clearly # Gone are the dark clouds
:38:06. > :38:11.
:38:11. > :38:21.# It's gonna be a bright Bright # It's gonna be a bright Bright
:38:21. > :38:27.
:38:27. > :38:36.# Oh, yes, I can make it # All of the bad feelings
:38:36. > :38:43.# Here is that rainbow I've been praying for
:38:43. > :38:52.# It's gonna be a bright Bright Bright Bright sunshiny day, ooh
:38:52. > :38:59.# Look all around There's nothing but blue skies
:38:59. > :39:09.# Look straight ahead There's nothing but blue skies
:39:09. > :39:21.
:39:21. > :39:29.# I can see clearly now the rain is gone
:39:29. > :39:38.# I can see all obstacles in my way
:39:38. > :39:45.# Here is that rainbow I've been praying for
:39:45. > :39:52.# It's gonna be a bright Bright Bright Bright sunshiny day
:39:52. > :40:00.# It's gonna be a bright Bright Bright Bright sunshiny day
:40:00. > :40:10.# It's gonna be a bright Bright Bright Bright sunshiny day
:40:10. > :40:10.
:40:10. > :41:05.Apology for the loss of subtitles for 45 seconds
:41:05. > :41:13.# By the rivers of water # Bring the season, with all the
:41:13. > :41:23.leaves # Whatever we do, it's prosperous
:41:23. > :41:23.
:41:23. > :41:29.# Bright sunshiney day # The congregation of the righteous.
:41:29. > :41:39.The way # It's a bright
:41:39. > :42:15.
:42:15. > :42:20.# It's gonna be a bright Bright The great Jimmy Cliff. He had his
:42:20. > :42:23.first hit single in Jamaica when he was 15. He came to see me on 6
:42:23. > :42:28.Music earlier today. I was like, Jimmy, I can not believe you're
:42:28. > :42:34.here in this weather, it feels wrong. He said, I had a little
:42:34. > :42:41.sunshine in my pocket, but I used it all up. It was the coolest thing.
:42:41. > :42:46.Those were great slacks. Was he rocking a fleez operation there.
:42:46. > :42:53.was awkward, I nearly wore that. All these stars have clothes that I
:42:53. > :42:59.am not interested in. If he launched his own slack range I
:42:59. > :43:06.would be there! Glistening. Indeed so. I think you have expressed my
:43:06. > :43:13.personality there. Casual, yet glistening. You could say the same,
:43:13. > :43:23.Bono was glistening. Here is some U2 from earlier on.
:43:23. > :43:25.
:43:25. > :43:30.It's a folk festival. # Green light
:43:30. > :43:33.# 7/11 # You stop here for a pack of
:43:33. > :43:40.cigarettes # You don't smoke
:43:40. > :43:45.# Don't even want to Check your change
:43:45. > :43:51.# Dressed up # Like a car crash
:43:51. > :44:01.# The wheels are turning # You're upside down
:44:01. > :44:02.
:44:02. > :44:12.# You say when it hits you # You don't mind
:44:12. > :44:15.
:44:15. > :44:22.Because when he hurts you # You feel alive
:44:22. > :44:26.Red lights Grey morning
:44:26. > :44:30.# You stumble out of a hole in the ground
:44:31. > :44:38.# A vampire # Or a victim
:44:38. > :44:47.# It depends on who's around # You used to stair
:44:47. > :44:55.# To watch the adverts # You could lipsy with a talk show
:44:55. > :45:02.# And if you look, you look through # And when you talk
:45:02. > :45:12.# It's not to me # And when I touch you
:45:12. > :45:21.# You don't feel a thing # If I could stay, then the night
:45:21. > :45:31.would give you up # If I could stay, then the day
:45:31. > :45:32.
:45:32. > :45:39.would keep its trust # Stay and the night would be
:45:39. > :45:48.enough # Far away
:45:48. > :45:54.# So close Up with the sky and the radio waves
:45:54. > :46:04.# Satellites # Television, BBC
:46:04. > :46:06.
:46:06. > :46:15.# You can go anywhere # Miami, New Orleans
:46:15. > :46:25.# London, Belfast, Glastonbury # And if you list en, I can call
:46:25. > :46:25.
:46:25. > :46:34.# And if you jump, just my fall # And if you shower -- shout, I'll
:46:34. > :46:44.only hear you # If I could stay, then the night
:46:44. > :46:54.will give you up # If I could stay then the day will
:46:54. > :46:54.
:46:54. > :46:59.keep me strong # If I could stay with the spirit I
:46:59. > :47:08.found # Stay with the demons I drown
:47:08. > :47:18.# Stay, then the night will be enough
:47:18. > :47:20.
:47:20. > :47:30.# Oh, oh, oh, # Of-oh-oh
:47:30. > :47:40.# Oh-oh-oh Oh-oh-oh-oh
:47:40. > :47:45.# Three o clock in the morning # It's quiet and there's nobody
:47:45. > :47:54.around # Just the bang and the clatter
:47:54. > :47:59.# As an angel hits the ground # CHEERING AND APPLAUSE
:47:59. > :48:02.U2. They were on the Pyramid earlier. I was surprised but how
:48:02. > :48:07.stripped back that was. Everybody was like it's going to be stripped
:48:07. > :48:12.back. No lights, nothing. People said there was a lot of eye contact.
:48:12. > :48:17.The thing that was touching when they came here, they are in their
:48:17. > :48:23.own way unprepossessing. They had hair arms on each other's backs.
:48:23. > :48:31.They are mates. In case you wondered where Gary had gone.
:48:31. > :48:36.Larry had gone. He's gone to look for his flask.Um,um, we're back
:48:36. > :48:46.tomorrow at four. All sorts of people playing, Beyonce, Paul Simon.
:48:46. > :48:46.
:48:47. > :48:56.Loads of stuff. Tomorrow, from 4pm, we have rumour. We have Anna Kalvy.
:48:57. > :48:57.
:48:58. > :49:04.We have him from Windmills Of Your Mind. Elbow are on. Coldplay are on.
:49:04. > :49:10.We're hoping in the words of Jimmy Cliff, that's it going to be a
:49:10. > :49:16.bright sunshiny day. You can join us online. Loads more coverage on 6
:49:16. > :49:20.Music and BBC Radio. We'll be back on your telly box tomorrow at 4pm.
:49:20. > :49:25.Very, very much looking forward it to. OK. So we hope you've enjoyed
:49:25. > :49:35.it. We hope for better weather. We've had great music. We hope
:49:35. > :49:53.
:49:53. > :50:03.tomorrow for a beautiful day. # And the reason
:50:03. > :50:03.
:50:03. > :51:47.Apology for the loss of subtitles for 45 seconds
:51:47. > :51:57.# You've been all over # See the tuna fleets
:51:57. > :52:01.
:52:01. > :52:11.# And see the bird # After the flood
:52:11. > :52:43.
:52:43. > :52:46.# What you don't have # What you don't know
:52:46. > :52:50.# What you don't have you don't need it now
:52:50. > :52:53.# Don't need it now
:52:53. > :53:01.# Was a beautiful day... #
:53:01. > :53:11.# Was a beautiful day... #
:53:11. > :53:45.
:53:45. > :53:49.#
:53:49. > :53:50.# Rain
:53:50. > :53:52.# Rain -rain
:53:52. > :53:53.# Rain -rain #
:53:53. > :53:53.# I
:53:53. > :53:53.# I don't
:53:53. > :53:54.# I don't mind
:53:54. > :53:56.# I don't mind #
:53:56. > :53:56.# We