Arctic Monkeys

:00:14. > :00:24.This programme contains and scenes of

:00:24. > :00:36.

:00:36. > :00:46.Stage in 2007. Now, they return in 2013 as Glastonbury veterans, older,

:00:46. > :00:50.

:00:50. > :00:55.wiser and to finish what they began. Here is their journey so far.

:00:55. > :01:01.Arctic Monkeys. ... A band from Sheffield are set to have the

:01:01. > :01:05.fastest-selling debut album since chart records began. After an

:01:05. > :01:11.impressive 2005, the Arctic Monkeys' rise to fame continued as the band

:01:12. > :01:18.began to take the world by storm. You meet people and they go, "Are

:01:18. > :01:25.you enjoying it?" No, it is shit! string of music awards followed,

:01:25. > :01:33.including a hat-trick of NME, a BRIT and a Mercury Music Prize.

:01:33. > :01:39.winner is Arctic Monkeys. Somebody call 999! In 2007, album two topped

:01:39. > :01:44.the charts and Arctic Monkeys made headlines again. The band, the

:01:44. > :01:48.Arctic Monkeys, have made music history. Later that year, the band

:01:48. > :01:55.played their first Glastonbury. Their set featured a tribute to Dame

:01:56. > :02:01.Shirley Bassey. # Diamonds are forever.

:02:01. > :02:06.# Hold one up... # Arctic Monkeys returned in 2009 with

:02:06. > :02:10.slick new haircuts and a slicker number one album.

:02:10. > :02:18.# The next time I caught my own reflection... #

:02:18. > :02:28.It is brilliant. They tell life as it is! The summer of 2011 saw the

:02:28. > :02:31.

:02:31. > :02:41.group return to Sheffield for a homecoming gig. And knocking Lady

:02:41. > :02:43.

:02:43. > :02:46.Gaga from pole position to cement their place in chart history. The

:02:46. > :02:54.lads embarked on a tour across the USA but continued to make British

:02:54. > :03:02.music history when they came together to perform at last year's

:03:02. > :03:06.Olympics Opening Ceremony. As the band flew back to LA, fans were left

:03:06. > :03:11.anticipating the Arctic Monkeys' next move, soon to be revealed on

:03:11. > :03:14.Twitter. With the promise of a fifth album, their Glastonbury set might

:03:14. > :03:18.just premiere some brand-new material. And maybe some fancy new

:03:18. > :03:28.haircuts. You will have to wait and see. Returning to the Pyramid Stage,

:03:28. > :03:28.

:03:28. > :05:19.Apology for the loss of subtitles for 110 seconds

:05:19. > :05:23.they are Arctic Monkeys and you # Have you got colour

:05:23. > :05:25.# That sticks around like something in your teeth?

:05:25. > :05:26.# Are there some aces up your sleeve?

:05:27. > :05:29.# Have you no idea that you're in deep?

:05:29. > :05:32.# I dreamt about you nearly every night this week

:05:32. > :05:36.# How many secrets can you keep?

:05:36. > :05:41.# Cos there's this tune I've found that makes me think of you somehow

:05:41. > :05:47.# And I play it on repeat until I fall asleep

:05:47. > :05:52.# Spilling drinks on my settee

:05:52. > :05:57.# Do I wanna know? If this feeling flows both ways

:05:57. > :06:02.# Sad to see you go Sorta hoping that you'd stay

:06:02. > :06:08.# Baby we both know That the nights were mainly made for

:06:08. > :06:13.# Saying things that you can't say tomorrow day

:06:13. > :06:16.# Crawling back to you

:06:16. > :06:21.# Ever thought of calling when you've had a few?

:06:21. > :06:24.# Cos I always do

:06:24. > :06:32.# Maybe I'm too busy being yours to fall for somebody new

:06:32. > :06:37.# Now I've thought it through Crawling back to you

:06:37. > :06:41.# So have you got the guts?

:06:41. > :06:45.# Been wondering if your heart's still open

:06:45. > :06:49.# And if so I wanna know what time it shuts

:06:49. > :06:54.# Simmer down and pucker up I'm sorry to interrupt

:06:54. > :07:02.# It's just I'm constantly on the cusp of trying to kiss you

:07:02. > :07:10.# But I dunno if you feel the same as I do

:07:10. > :07:19.# But we could be together if you wanted to

:07:19. > :07:24.# Do I wanna know? If this feeling flows both ways

:07:24. > :07:30.# Sad to see you go Was sorta hoping that you'd stay

:07:30. > :07:32.# Baby, we both know

:07:32. > :07:35.# That the nights were mainly made for saying

:07:35. > :07:39.# Things that you can't say tomorrow day

:07:39. > :07:44.# Crawling back to you

:07:44. > :07:46.# Crawling back to you

:07:46. > :07:49.# Ever thought of calling when you've had a few?

:07:49. > :07:51.# Cos I always do

:07:51. > :07:58.# Maybe I'm too busy being yours to fall for somebody new

:07:58. > :08:00.# Now I've thought it through

:08:00. > :08:04.# Crawling back to you

:08:04. > :08:09.# Do I wanna know? If this feeling flows both ways

:08:09. > :08:12.# Sad to see you go Was sorta hoping that you'd stay

:08:12. > :08:16.# Baby we both know That the nights were mainly

:08:16. > :08:23.# Made for saying things that you can't say tomorrow day

:08:23. > :08:27.# Do I wanna know? Too busy being yours to fall

:08:27. > :08:34.# Sad to see you go Ever thought of calling, darling?

:08:34. > :08:37.# Do I wanna know?

:08:37. > :08:47.# Do you want me crawling back to you? #

:08:47. > :08:57.

:08:57. > :09:07.APPLAUSE AND CHEERING

:09:07. > :09:07.

:09:07. > :09:48.Apology for the loss of subtitles for 110 seconds

:09:48. > :09:50.# Brian Top marks for not trying

:09:50. > :09:51.# So kind of you To bless us with your effortlessness

:09:51. > :09:53.# We're grateful And so strangely comforted

:09:53. > :09:55.# And I wonder

:09:55. > :09:58.# Are you playing us under?

:09:58. > :10:04.# Because we can't take our eyes Off your T-shirt and tie combination

:10:04. > :10:14.# Well, see you later, elevator

:10:14. > :10:17.

:10:17. > :10:19.# Someone to kiss Someone to kick you

:10:19. > :10:22.# There's not a net You couldn't slip through

:10:22. > :10:25.# Well, at least That's the impression I get

:10:25. > :10:26.# Because you're smooth And you're wet

:10:26. > :10:28.# And she's not aware yet But she's yours

:10:29. > :10:31.# She'll be saying, use me

:10:31. > :10:34.# Show me the Jacuzzi

:10:34. > :10:37.# I imagine that It's there on a plate

:10:37. > :10:40.# You're a wrong liberate Means you'll never be frightened

:10:40. > :10:45.# To make them wait for a while I doubt it's your style

:10:45. > :10:47.# Not to get

:10:47. > :10:48.# What you set out to

:10:48. > :10:51.# Acquire The eyes are on fire

:10:51. > :11:01.# You are the unforecasted storm

:11:01. > :11:18.

:11:18. > :11:23.# Calm, collected and commanding You leave the other story standing

:11:23. > :11:27.# With your ignitions and jokes Bet there's hundreds of blokes

:11:27. > :11:30.# That have wept cos you've Stolen their...

:11:31. > :11:33.# Thunder

:11:33. > :11:36.# Are you putting us under?

:11:36. > :11:41.# Cos we can't take our eyes Off your T-shirt and tie combination

:11:41. > :11:44.# Well, see you later, elevator. #

:11:44. > :11:54.CHEERING AND APPLAUSE

:11:54. > :12:18.

:12:18. > :12:20.How

:12:20. > :12:20.How you

:12:20. > :12:27.How you feeling,

:12:27. > :12:33.good? Are you feeling good? CROWD: Yes!

:12:33. > :12:43.That's what I thought. Are you in a party mood, everybody? It's Friday

:12:43. > :13:02.

:13:02. > :13:12.night! Do you feel like you all want # For you to say the first word

:13:12. > :13:13.

:13:13. > :13:23.(BOTH) # Well don't you always

:13:23. > :13:39.

:13:39. > :13:49.# It's what you're there for # Instead you'll just do the same

:13:49. > :13:51.

:13:51. > :14:01.(BOTH) # The only reason (BOTH) # Well don't you always

:14:01. > :14:20.

:14:20. > :14:26.# Get on your dancing shoes You sexy little swine

:14:26. > :14:29.# Hoping they're looking for you

:14:29. > :14:34.# Sure you'll be rummaging through

:14:34. > :14:36.# Oh and the ... shock, horror

:14:36. > :14:39.# You've seen your future bride, yeah

:14:39. > :14:42.# But it's so so absurd

:14:42. > :14:44.# For you to say the first word

:14:44. > :14:52.# So you're waiting and waiting, and. #

:14:52. > :15:00.CHEERING AND APPLAUSE

:15:00. > :15:00.CHEERING AND APPLAUSE Thank

:15:00. > :15:10.CHEERING AND APPLAUSE Thank you

:15:10. > :15:10.

:15:10. > :15:56.Apology for the loss of subtitles for 110 seconds

:15:56. > :16:06.# Go into business # But just don't sit down

:16:06. > :16:39.

:16:39. > :16:49.# But just don't sit down # Fill in a circular hole

:16:49. > :17:26.

:17:26. > :17:36.# But just don't sit down # Do the Macarena

:17:36. > :17:36.

:17:36. > :18:51.Apology for the loss of subtitles for 110 seconds

:18:51. > :18:56.# But just don't sit down CROWD: We love you Arctics, we do!

:18:56. > :19:00.We are going to play some new shit, we are going to play old shit and

:19:00. > :19:07.things which are Glastonbury special, you know what I'm saying?

:19:07. > :19:17.We are going to play all night long, does that sound good?

:19:17. > :19:29.

:19:29. > :19:35.CROWD: Yeah! # Despair to the point

:19:35. > :19:38.# The sheer desperation to be seen

:19:38. > :19:41.# Staring at the television screen

:19:41. > :19:44.# Despair to the point where they provoke you

:19:44. > :19:48.# To tell the ... punch line before you have told the joke

:19:48. > :19:53.# Sorry, sunshine, it doesn't exist It wasn't in the top 100 list

:19:53. > :19:56.# And it's the thousandth time and it's even bolder

:19:57. > :20:00.# Don't be surprised when you get bent over

:20:00. > :20:06.# He told ya that you were gagging for it

:20:06. > :20:09.# She saw it and she grabbed it and it wasn't what it seemed

:20:09. > :20:12.# The kids all dream of making it whatever that means

:20:12. > :20:14.# Another variation on a theme

:20:14. > :20:18.# A tangle on the television and the magazine

:20:18. > :20:20.# D'you reckon that they do it for a joke?

:20:20. > :20:23.# D'you reckon that they make 'em take an oath?

:20:23. > :20:27.# That says we are defenders

:20:27. > :20:35.# Of any poseur or professional pretender around

:20:35. > :20:39.# When did your list replace the twist and turn?

:20:39. > :20:43.# Like the fist replaced the kissed-on concern

:20:43. > :20:47.# And if you're bothered I don't want your prayers

:20:47. > :20:57.# Save it for the morning after

:20:57. > :21:13.

:21:13. > :21:16.# And it's the thousandth time and it's even bolder

:21:16. > :21:19.# Don't be surprised when you get bent over

:21:19. > :21:25.# He told ya that you were dying for it

:21:25. > :21:26.# Let's have a game on the Teddy Picker

:21:26. > :21:28.# Not quick enough Can I have it quicker?

:21:28. > :21:31.# Already thick and you're getting thicker

:21:31. > :21:32.# Let's have a game on the Teddy Picker

:21:32. > :21:34.# Not quick enough Can I have it quicker?

:21:34. > :21:36.# Already thick and you're getting thicker

:21:36. > :21:40.# Assuming that all things are equal

:21:40. > :21:44.# Who'd want to be men of the people

:21:44. > :21:52.# When there's people like you?

:21:52. > :22:02.# You. #

:22:02. > :22:36.

:22:36. > :22:40.

:22:40. > :22:41.# Outside the cafe by the cracker factory

:22:41. > :22:43.# You were practising a magic trick

:22:43. > :22:44.# And my thoughts got rude As you talked and chewed

:22:44. > :22:45.# On the last of your pick 'n' mix

:22:45. > :22:46.# Said you're mistaken if you're thinking that I had been cold before

:22:46. > :22:47.# As you bit into your strawberry lace

:22:48. > :22:49.# And then a flip in your attention in the form of a gobstopper

:22:49. > :22:50.# Is all you have left and all was going to waste

:22:50. > :22:51.# Your past times

:22:51. > :22:52.# Consisted of the strange And twisted and deranged

:22:53. > :22:54.# And I love that little game you had called

:22:54. > :22:56.# Crying Lightning

:22:56. > :23:00.# And how you like to aggravate the ice cream man on rainy afternoons

:23:00. > :23:08.# The next time that I caught my own reflection

:23:08. > :23:10.# The next time that I caught my own reflection

:23:11. > :23:16.# It was on its way to meet you Thinking of excuses to postpone

:23:16. > :23:18.# You never looked like yourself from the side

:23:18. > :23:20.# But your profile could not hide

:23:21. > :23:25.# The fact you knew I was approaching your throne

:23:25. > :23:29.# With folded arms you occupy the bench like toothache

:23:29. > :23:33.# Stood and puffed your chest out like you never lost a war

:23:33. > :23:38.# And though I tried so not to suffer the indignity of a reaction

:23:38. > :23:42.# There was no cracks to grasp or gaps to claw

:23:42. > :23:44.# And your past times

:23:45. > :23:49.# Consisted of the strange And twisted and deranged

:23:49. > :23:51.# And I hate that little game you had called

:23:52. > :23:55.# Crying Lightning

:23:55. > :24:01.# And how you like to aggravate the icky man on rainy afternoons

:24:01. > :24:04.# Uninviting

:24:04. > :24:08.# But not half as impossible as everyone assumes

:24:08. > :24:18.# You are Crying Lightning

:24:18. > :24:42.

:24:42. > :24:43.# Your past times

:24:43. > :24:47.# Consisted of the strange And twisted and deranged

:24:47. > :24:50.# And I hate that little game you had called

:24:50. > :24:55.# Crying Lightning

:24:55. > :24:59.# Crying Lightning

:24:59. > :25:09.# Crying Lightning

:25:09. > :25:13.

:25:13. > :25:23.# Consisted of the strange # And I hate that little game

:25:23. > :25:51.

:25:51. > :25:59.the Arctic Monkeys. CHEERING

:25:59. > :26:03.My name is Alex. I would like to introduce to you the rest of the

:26:04. > :26:08.band over the course of the evening. I like to start with this young man

:26:08. > :26:13.over here on the drum kit, everybody.

:26:13. > :26:23.CHEERING His name is Matthew. If you like

:26:23. > :26:23.

:26:23. > :26:26.him, why don't you tell him you like him?

:26:26. > :26:31.CHEERING You want to think yourselves very

:26:31. > :26:41.lucky because n only is he going to play the drums, he is going to sing

:26:41. > :26:41.

:26:41. > :29:10.Apology for the loss of subtitles for 110 seconds

:29:10. > :29:20.# I want a brick by brick # I want a brick by brick

:29:20. > :29:20.

:29:20. > :30:33.Apology for the loss of subtitles for 110 seconds

:30:33. > :30:37.# I want a brick by brick # Fake tales of San Francisco

:30:37. > :30:42.# Echo through the room # More point to a wedding disco

:30:42. > :30:46.# Without a bride or groom # There's a super cool band yeah

:30:46. > :30:51.# With their trilbies and their glasses of white wine

:30:51. > :30:53.# And all the weekend rock stars in the toilets

:30:53. > :30:57.# Practising their lines # I don't want to hear you

:30:58. > :31:02.# Kick me out, kick me out # I don't want to hear you no

:31:02. > :31:04.# Kick me out, kick me out # I don't want to hear you no

:31:04. > :31:07.# Fake tales of San Francisco # Echo through the air

:31:07. > :31:12.# And there's a few bored faces in the back

:31:12. > :31:17.# All wishing they weren't there # And auz the microphone squeaks

:31:17. > :31:20.# A young girl's telephone beeps # Yeah she's dashing for the exit

:31:20. > :31:30.# Oh, she's running to the streets outside

:31:30. > :31:33.

:31:33. > :31:38.# Oh, you've saved me # She screams down the line #

:31:38. > :31:42.The band were fucking wank # And I'm not having a nice time

:31:42. > :31:49.# I don't want to hear you # Kick me out, kick me out

:31:49. > :31:52.# I don't want to hear you no # Kick me out, kick me out

:31:52. > :31:56.# Yeah, but his bird thinks it's amazing, though,

:31:57. > :32:00.# So all that's left # Is the proof that love's not only

:32:00. > :32:04.blind but deaf # He talks of San Francisco, he's

:32:04. > :32:14.from Hunter's Bar # I don't quite know the distance

:32:14. > :32:15.

:32:15. > :32:18.# But I'm sure that's far, # Yeah, I'm sure that's pretty far

:32:18. > :32:21.# Yeah, I'd love to tell you all my problem

:32:21. > :32:30.# You're not from New York City, you're from Rotherham

:32:30. > :32:34.# So get off the bandwagon and put down the handbook

:32:34. > :32:38.# Yeah, yeah, yeah, yeah, yeah # Get off the bandwagon and put down

:32:38. > :32:48.the handbook # Get off the bandwagon and put down

:32:48. > :32:48.

:32:48. > :34:54.Apology for the loss of subtitles for 110 seconds

:34:54. > :34:59.# She's thunderstorms # Lying on her front

:34:59. > :35:03.# Up against the wall # She's thunderstorms

:35:03. > :35:08.# I've been feeling foolish # You should try it

:35:08. > :35:18.# She came and substituted # The peace and quiet for

:35:18. > :35:37.

:35:37. > :35:44.# She's been loop-the-looping # Her motorcycle boots

:35:44. > :35:53.# Of acrobatic blood Concertina

:35:53. > :36:03.# Cheating heartbeat Rapid fire

:36:03. > :36:03.

:36:03. > :36:11.# She's thunderstorms Lying on her front

:36:12. > :36:19.# Up against the wall She's thunderstorms

:36:19. > :36:28.# In an unusual place When you're feeling far away

:36:28. > :36:38.# She does what the night does to the day

:36:38. > :36:52.

:36:52. > :37:00.# She's thunderstorms Lying on her front

:37:00. > :37:10.# Up against the wall She's thunderstorms

:37:10. > :37:12.

:37:12. > :37:22.# Thunderstorms, thunderstorms. #

:37:22. > :37:22.

:37:22. > :38:18.Apology for the loss of subtitles for 110 seconds

:38:18. > :38:19.# Old yellow bricks, love's a risk Quite the little escapologist

:38:19. > :38:20.# Love's so miffed when you wish

:38:20. > :38:21.# For a thousand places better than this

:38:21. > :38:23.# You are the fugitive but you don't know what you're running from

:38:23. > :38:24.# You can't kid us and you couldn't trick anyone

:38:24. > :38:26.# Houdini, love, you don't know what you're running away from

:38:26. > :38:31.# Who wants to sleep in a city that never wakes up?

:38:31. > :38:33.# She was enraged by the way

:38:33. > :38:35.# That the emperor put traps in the cage

:38:35. > :38:39.# And the days, she deemed dull

:38:39. > :38:42.# Leading to nights reading beer bottles

:38:42. > :38:46.# You're such a fugitive but you don't know what you're running from

:38:46. > :38:50.# You can't kid us and you couldn't trick anyone

:38:50. > :38:56.# Houdini, love, you don't know what you're running away from

:38:56. > :39:00.# Who wants to sleep in a city that never wakes up?

:39:00. > :39:03.# Blinded by nostalgia

:39:03. > :39:13.# Who wants to sleep in a city that never wakes up?

:39:13. > :39:33.

:39:33. > :39:37.# You're at a loss just because

:39:37. > :39:40.# It wasn't all that you thought it was

:39:40. > :39:47.# You are the fugitive but you don't know what you're running away from

:39:47. > :39:51.# She said, "I want to sleep in a city that never wakes up

:39:51. > :39:54.# "And revel in nostalgia" "I know," I said

:39:54. > :40:00.# "He wants to sleep in a city that never wakes up

:40:00. > :40:10.# "But Dorothy was right, though". #

:40:10. > :40:32.

:40:32. > :40:42.APPLAUSE AND CHEERING

:40:42. > :40:54.

:40:54. > :40:54.Thank

:40:54. > :40:54.Thank you

:40:55. > :41:04.Thank you very

:41:05. > :41:10.

:41:10. > :41:20.CROWD: Yeah! Are you having a good time at the

:41:20. > :41:33.

:41:33. > :41:43.moon music, everybody. I want you to -- I want to introduce you the white

:41:43. > :41:50.

:41:50. > :41:53.# The tramp with the trampoline # So spark is a charm

:41:53. > :41:54.# And the bicycle wheels all struggle to move round

:41:54. > :41:55.# In your muddy mind

:41:55. > :41:56.# Blatantly cape town

:41:56. > :41:57.# And will intertwine in co-operative time

:41:57. > :41:59.# Shall we sit on the springs till the mung goes dry?

:41:59. > :42:09.# All the pretty visitors came and waved their arms

:42:09. > :42:10.

:42:10. > :42:15.# All the pretty visitors came and waved their arms

:42:15. > :42:21.# And cast the shadow of a snake pit on the wall

:42:21. > :42:27.# All the pretty visitors came and waved their arms

:42:27. > :42:35.# And cast the shadow of a snake pit on the...

:42:35. > :42:36.# What came first the chicken or the dickhead?

:42:36. > :42:38.# Split sleep reaps through rewards and ill-fitting thoughts

:42:38. > :42:40.# A twilight force She doesn't wanna walk

:42:40. > :42:41.# Your legs start running and your head gets caught

:42:41. > :42:43.# Cannot be 19

:42:43. > :42:44.# It's perfectly placed for the reasonably frightening

:42:45. > :42:46.# Pulled from the after taste You'll have to s lip away

:42:46. > :42:48.# And I'm happy to say

:42:48. > :42:51.# Behold as the crook in a hammock plays...

:42:51. > :42:56.# All the pretty visitors came and waved their arms

:42:56. > :43:03.# And cast the shadow of a snake pit on the wall

:43:03. > :43:08.# All the pretty visitors came and waved their arms

:43:08. > :43:18.# And cast the shadow of a snake pit on the wall...

:43:18. > :43:18.

:43:18. > :44:00.Apology for the loss of subtitles for 110 seconds

:44:00. > :44:02.# Behold as the crook in the hammock plays

:44:02. > :44:04.# Crawling with the base of the scales

:44:04. > :44:06.# And fiddles with the feet on a balancing act

:44:06. > :44:08.# Gagged, bound and craft in a tale

:44:08. > :44:11.# Trailing wrapped in a gasp

:44:11. > :44:12.# Crawling with the base of the scales

:44:12. > :44:14.# And ... fiddles with the feet on a balancing act

:44:14. > :44:16.# You were gagged Bound and craft in a tale

:44:16. > :44:21.# Trailing wrapped in a gasp

:44:21. > :44:26.# All the pretty visitors came and waved their arms

:44:26. > :44:33.# And cast the shadow of a snake pit on the wall

:44:33. > :44:38.# All the pretty visitors came and waved their arms

:44:38. > :44:48.# And cast the shadow of a snake pit on the wall. #

:44:48. > :44:50.

:44:51. > :45:00.CHEERING AND APPLAUSE

:45:01. > :45:32.

:45:32. > :45:33.Thank

:45:33. > :45:33.Thank you

:45:33. > :45:43.Thank you very

:45:43. > :45:43.

:45:43. > :45:53.those fellas out there that were didn't want to wave their arms. This

:45:53. > :46:11.

:46:11. > :46:15.# Stop making the eyes at me # And what it is that surprises me

:46:15. > :46:17.# And your shoulders are frozen Cold as the night

:46:17. > :46:19.# Oh, but you're an explosion You're dynamite

:46:19. > :46:21.# Your name isn't Rio but I don't care for sand

:46:21. > :46:25.# Lighting the fuse might result in a bang, with a bang - go!

:46:25. > :46:28.# I bet that you look good on the dancefloor

:46:28. > :46:30.# I don't know if you're looking for romance or

:46:30. > :46:34.# I don't know what you're looking for

:46:34. > :46:37.# I said I bet that you look good on the dancefloor

:46:37. > :46:39.# Dancing to electro-pop like a robot from 1984

:46:39. > :46:44.# From 1984!

:46:44. > :46:52.# From 1984!

:46:52. > :46:57.# I wish you'd stop ignoring me because you're sending me to despair

:46:57. > :46:59.# Without a sound, yeah You're calling me

:46:59. > :47:01.# And I don't think it's very fair

:47:01. > :47:03.# That your shoulders are frozen Cold as the night

:47:04. > :47:05.# Oh, you're an explosion You're dynamite

:47:05. > :47:08.# Your name isn't Rio but I don't care for sand

:47:08. > :47:11.# Lighting the fuse might result in a bang, with a bang - go!

:47:11. > :47:14.# I bet that you look good on the dancefloor

:47:14. > :47:16.# I don't know if you're looking for romance, or

:47:16. > :47:20.# I don't know what you're looking for

:47:20. > :47:23.# I said I bet that you look good on the dancefloor

:47:23. > :47:26.# Dancing to electro-pop like a robot from 1984

:47:26. > :47:30.# From 1984!

:47:30. > :47:36.# Oh there ain't no love No Montagues or Capulets

:47:36. > :47:38.# Just banging tunes in DJ sets

:47:38. > :47:44.# And dirty dancefloors and dreams of naughtiness

:47:44. > :47:54.# Well, I bet that you look good on the dancefloor

:47:54. > :48:03.

:48:03. > :48:05.# Well, I bet that you look good on the dancefloor

:48:05. > :48:07.# I don't know if you're looking for romance, or

:48:07. > :48:11.# I don't know what you're looking for

:48:11. > :48:14.# I said I bet that you look good on the dancefloor

:48:14. > :48:20.# Dancing to electro-pop like a robot from 1984

:48:20. > :48:26.# From 1984! #

:48:26. > :48:36.CHEERING AND APPLAUSE

:48:36. > :49:06.

:49:06. > :49:06.Give

:49:06. > :49:06.Give it

:49:06. > :49:16.Give it up

:49:16. > :49:16.

:49:16. > :50:36.Apology for the loss of subtitles for 110 seconds

:50:36. > :50:46.# Do me a favour, break my nose # Do me a favour

:50:46. > :50:46.

:50:46. > :51:51.Apology for the loss of subtitles for 110 seconds

:51:51. > :51:58.# Too heavy to hold # She said, do me a favour

:51:58. > :52:01.# Perhaps... might be too kind

:52:01. > :52:11.# Perhaps ... off might be too kind. #

:52:11. > :52:13.

:52:13. > :52:23.CHEERING AND APPLAUSE

:52:23. > :52:59.

:52:59. > :53:01.Glastonbury,

:53:01. > :53:02.Glastonbury, Glastonbury?

:53:02. > :53:02.CHEERING

:53:02. > :53:04.

:53:04. > :53:04.CHEERING I

:53:04. > :53:04.I love

:53:04. > :53:13.I love you.

:53:13. > :53:17.I love you. Let's

:53:17. > :53:24.I love you. Let's park all that showmanship shit for a moment. I

:53:24. > :53:34.want to tell you I'm yours. The question is, however, are you mine,

:53:34. > :53:42.

:53:42. > :53:43.# Tracy Island, time-travelling # Could have shaped heartaches

:53:43. > :53:44.# In some velvet morning Years too late

:53:44. > :53:46.# She's a silver lining, lone ranger

:53:46. > :53:48.# Riding through an open space in my mind

:53:48. > :53:49.# When she's not right there beside me

:53:49. > :53:50.# I go crazy, cos here isn't where I wanna be

:53:51. > :53:54.# And satisfaction feels like a distant memory

:53:54. > :53:57.# And I can't help myself

:53:57. > :54:03.# All I wanna hear her say is "Are you mine?"

:54:03. > :54:13.# Well, are you mine? Are you mine? Are you mine?

:54:13. > :54:21.

:54:21. > :54:24.# I guess what I'm trying to say is

:54:24. > :54:26.# I need the deep end Keep imagining meeting

:54:27. > :54:31.# Wished away entire lifetimes Unfair we're not somewhere

:54:31. > :54:37.# Misbehaving for days, great escape Lost track of time and space

:54:37. > :54:40.# She's a silver lining Climbing on my desire

:54:40. > :54:45.# And I go crazy cos here isn't where I wanna be

:54:45. > :54:49.# And satisfaction feels like a distant memory

:54:49. > :54:51.# And I can't help myself

:54:51. > :54:58.# All I wanna hear her say is "Are you mine?"

:54:58. > :55:05.# Well, are you mine? Are you mine tomorrow? Are you mine?

:55:05. > :55:15.# Or just mine tonight? Are you mine? Are you mine?

:55:15. > :55:18.

:55:18. > :55:22.# And the thrill of the chase moves in mysterious ways

:55:22. > :55:28.# So in case I'm mistaken I just wanna hear you say

:55:28. > :55:38.# "You got me, baby, are you mine?"

:55:38. > :55:40.

:55:40. > :55:43.# She's a silver lining, lone ranger

:55:43. > :55:47.# Riding through an open space in my mind

:55:47. > :55:50.# When she's not right there beside me

:55:50. > :55:53.# And I go crazy, cos here isn't where I wanna be

:55:53. > :55:57.# And satisfaction feels like a distant memory

:55:57. > :56:00.# And I can't help myself

:56:00. > :56:04.# All I wanna hear her say is "Are you mine?"

:56:04. > :56:10.# Well, are you mine? Are you mine tomorrow?

:56:10. > :56:15.# Are you mine? Or just mine tonight?

:56:15. > :56:20.# Are you mine? Are you mine tomorrow?

:56:20. > :56:25.# Or just mine tonight? #

:56:25. > :56:35.APPLAUSE AND CHEERING

:56:35. > :56:58.

:56:58. > :56:59.# You landed in a very common crisis

:56:59. > :57:00.# Everything's in order

:57:00. > :57:02.# In a black hole, nothing as pretty

:57:02. > :57:05.# As the past though

:57:05. > :57:06.# That Bloody Mary's

:57:06. > :57:07.# Lacking her Tabasco

:57:08. > :57:10.# A slag, the best you ever had

:57:10. > :57:11.# The best you ever had

:57:11. > :57:15.# Is just a memory and those dreams

:57:15. > :57:18.# Not as daft as they seem

:57:18. > :57:20.# Not as daft as they seem

:57:20. > :57:29.# My love when you dream them up

:57:29. > :57:32.# Flicking through a book of sex tips

:57:32. > :57:33.# When boys were all electric

:57:33. > :57:35.# Now when she tells

:57:35. > :57:36.# She's gonna get it

:57:36. > :57:37.# I'm guessing that

:57:37. > :57:39.# She'd rather just forget it

:57:39. > :57:40.# Clinging to not getting sentimental

:57:40. > :57:41.# Said she wasn't going

:57:41. > :57:43.# But she went still

:57:43. > :57:44.# Likes gentlemen not to be gentle

:57:44. > :57:46.# Was it a Mecca Dabber

:57:46. > :57:48.# Or a betting pencil?

:57:48. > :57:50.# Oh the boy's a slag

:57:50. > :57:51.# The best you ever had

:57:51. > :57:53.# The best you ever had

:57:53. > :57:55.# Is just a memory

:57:55. > :57:58.# And those dreams

:57:58. > :58:00.# Not as daft as they seem

:58:00. > :58:02.# Not as daft as they seem

:58:02. > :58:08.# My love when you dream them up

:58:08. > :58:12.# Where did you go?

:58:12. > :58:17.# Where did you go?

:58:17. > :58:21.# Where did you go?

:58:21. > :58:31.# O-oh...

:58:31. > :58:33.

:58:33. > :58:37.# You're falling about

:58:37. > :58:38.# You took a left off

:58:38. > :58:40.# Last Laugh Lane

:58:40. > :58:44.# You were just sounding it out

:58:44. > :58:52.# You're not coming back again

:58:52. > :58:56.# You're falling about

:58:56. > :58:59.# You took a left off Last Laugh Lane

:58:59. > :59:09.# You were just sounding it out But you're not coming back again

:59:09. > :59:11.# You used to get it in your fishnets

:59:11. > :59:15.# Now you only get it In your night dress

:59:15. > :59:16.# Discarded all the naughty nights For niceness

:59:16. > :59:18.# You landed in a very common crisis

:59:18. > :59:20.# All's in order in a black hole Nothing seems as pretty

:59:20. > :59:22.# As the past though

:59:22. > :59:24.# Bloody Mary's lacking her Tabasco

:59:24. > :59:25.# Remember when you used to be

:59:25. > :59:30.# A rascal? #

:59:30. > :59:40.CHEERING AND APPLAUSE

:59:40. > :00:06.

:00:06. > :00:06.Time

:00:06. > :00:06.Time for

:00:07. > :00:16.Time for us

:00:17. > :00:16.

:00:17. > :00:21.you for having us. Thank you for having us. It's been a

:00:21. > :00:31.pleasure. We're going to leave you with this one - like we always used

:00:31. > :00:31.

:00:31. > :01:41.Apology for the loss of subtitles for 110 seconds

:01:41. > :01:51.to in the old days. It's got a # Well, oh, they might wear classic

:01:51. > :01:51.

:01:51. > :01:55.# But all of that's # The point's that

:01:55. > :01:58.# And there's the truth that they can't see

:01:58. > :02:02.# They'd probably like to throw a punch at me

:02:02. > :02:06.# And if you could only see 'em then you would agree

:02:06. > :02:10.# Agree that there ain't no romance around there

:02:10. > :02:13.# You know, oh, it's a funny thing you know?

:02:13. > :02:17.# We'll tell them if you like We'll tell them all tonight

:02:17. > :02:20.# They'll never listen Because their minds are made up

:02:21. > :02:25.# And course it's all OK to carry on that way

:02:25. > :02:29.# Cos over there there's broken bones

:02:29. > :02:32.# There's only music so that there's new ringtones

:02:32. > :02:36.# And it don't take no Sherlock Holmes

:02:36. > :02:40.# To see it's a little different around here

:02:40. > :02:43.# Don't get me wrong though There's boys in bands

:02:43. > :02:47.# And kids who like to scrap with pool cues in their hands

:02:47. > :02:50.# And just cos he's had a couple of cans

:02:50. > :02:54.# He thinks it's alright to act like a ...head

:02:54. > :02:58.# Don't you know, oh it's a funny thing, you know?

:02:58. > :03:01.# We'll tell them if you like We'll tell them all tonight

:03:01. > :03:05.# They'll never listen Because their minds are made up

:03:05. > :03:09.# And course it's all OK to carry on that way

:03:09. > :03:16.# But I said no, oh no Well, you won't get me to go

:03:16. > :03:26.# Not anywhere, not anywhere No, I won't go, oh no, no

:03:26. > :03:54.

:03:54. > :03:57.# Well, over there There's friends of mine

:03:57. > :04:02.# What can I say, I've known them for a long, long time

:04:02. > :04:05.# And yet they might overstep the line

:04:05. > :04:11.# But you just cannot get angry in the same way

:04:11. > :04:14.# No, not in the same way

:04:14. > :04:19.# Said not in the same way

:04:19. > :04:29.# Oh no, oh no, no. #

:04:29. > :04:29.

:04:29. > :05:27.Apology for the loss of subtitles for 110 seconds

:05:27. > :05:37.APPLAUSE AND CHEERING

:05:37. > :05:37.

:05:37. > :06:18.Apology for the loss of subtitles for 110 seconds

:06:18. > :06:18.CHEERING

:06:18. > :06:18.CHEERING AND

:06:18. > :06:19.CHEERING AND APPLAUSE

:06:19. > :06:29.

:06:29. > :07:04.

:07:04. > :07:04.CHEERING

:07:04. > :07:04.CHEERING AND

:07:04. > :07:04.CHEERING AND APPLAUSE

:07:04. > :07:11.

:07:11. > :07:11.Thank

:07:11. > :07:12.Thank you,

:07:12. > :07:12.Thank you, Glastonbury!

:07:12. > :07:14.

:07:14. > :07:14.Thank you, Glastonbury! Could

:07:14. > :07:14.Could you

:07:14. > :07:15.Could you stand

:07:15. > :07:25.Could you stand a

:07:25. > :07:25.

:07:25. > :08:05.Apology for the loss of subtitles for 110 seconds

:08:05. > :08:12.# So, love, he kneels before... I'm messing!

:08:12. > :08:18.# Look at the stars # I'm only kidding now. Pipe down,

:08:18. > :08:25.pipe down! # I saw you in the bathroom

:08:25. > :08:32.# She was nothing but a vision Under the water line

:08:32. > :08:42.# She was close # Close enough to be a ghost

:08:42. > :09:09.

:09:09. > :09:19.# And kissed whoever # Yeah, I let him go

:09:19. > :09:31.

:09:31. > :09:41.# I thought I saw you # It was too loud

:09:41. > :09:49.

:09:49. > :09:59.# It was close # Tell me

:09:59. > :10:14.

:10:14. > :10:24.# And I'm beginning to think # Yeah, I let him go

:10:24. > :11:00.

:11:00. > :11:07.# I saw your sister # She was close

:11:08. > :11:16.# "You can call me anything you want." #

:11:16. > :11:26.CHEERING AND APPLAUSE

:11:26. > :11:34.

:11:34. > :11:34.Give

:11:34. > :11:35.Give a

:11:35. > :11:39.Give a round

:11:39. > :11:47.Give a round of applause for guy, by the way. The man in Manchester who

:11:47. > :11:53.did our string arrangements for us this evening.

:11:53. > :12:02.While we have our friends out here we might try and do an old Monkeys'

:12:02. > :12:08.tune everybody. It's one we don't get out very often. Do you want to

:12:08. > :12:18.hear a tune - one we don't get out very often? All right then!

:12:18. > :12:18.

:12:18. > :13:01.Apology for the loss of subtitles for 110 seconds

:13:01. > :13:05.# Now then Mardy Bum # And it's like looking

:13:05. > :13:11.# And it goes off And out come all these words

:13:11. > :13:15.# Oh there's a very pleasant side to you

:13:15. > :13:17.# A side I much prefer

:13:17. > :13:23.# It's one that laughs and jokes around

:13:23. > :13:29.# Remember cuddles in the kitchen Yeah, to get things off the ground

:13:29. > :13:34.# And it was up, up and away

:13:34. > :13:38.# Oh, but it's right hard to remember

:13:38. > :13:43.# That on a day like today

:13:43. > :13:53.# When you're all argumentative And you've got the face on

:13:53. > :14:01.

:14:01. > :14:10.# Well now then Mardy Bum Oh I'm in trouble again, aren't I?

:14:10. > :14:15.# I thought as much Cos you turned over there

:14:15. > :14:19.# Pulling that silent disappointment face

:14:19. > :14:23.# The one that I can't bear

:14:23. > :14:31.# Can't we laugh and joke around Remember cuddles in the kitchen

:14:31. > :14:39.# Yeah, to get things off the ground And it was up, up and away

:14:39. > :14:42.# Oh, but it's right hard to remember

:14:43. > :14:48.# That on a day like today when you're all argumentative

:14:48. > :14:53.# And you've got the face on

:14:53. > :14:57.# Yeah, I'm sorry I was late But I missed the train

:14:57. > :15:01.# And then the traffic was a state

:15:01. > :15:06.# And I can't be arsed to carry on in this debate

:15:06. > :15:10.# That reoccurs, oh when you say I don't care

:15:10. > :15:20.# But of course I do Yeah I clearly do!

:15:20. > :15:39.

:15:39. > :15:46.# So laugh and joke around Remember cuddles in the kitchen

:15:46. > :15:49.# Yeah, to get things off the ground

:15:49. > :15:55.# And it was up, up and away Still it's right hard to remember

:15:55. > :16:04.# That on a day like today When you're all argumentative

:16:04. > :16:14.# And you've got the face on. #

:16:14. > :16:33.

:16:34. > :16:34.CHEERING

:16:34. > :16:34.CHEERING AND

:16:34. > :16:34.CHEERING AND APPLAUSE

:16:34. > :16:44.

:16:44. > :17:04.

:17:04. > :17:05.# So who's that girl there?

:17:05. > :17:07.# I wonder what went wrong so that she had to roam the streets

:17:07. > :17:09.# She don't do major credit cards I doubt she does receipts

:17:09. > :17:11.# It's all not quite legitimate

:17:11. > :17:16.# And what a scummy man

:17:16. > :17:20.# Just give him half a chance I bet he'll rob you if he can

:17:20. > :17:24.# Can see it in his eyes, yeah That he's got a driving ban

:17:24. > :17:28.# Amongst some other offences

:17:28. > :17:33.# And I've seen him with girls of the night

:17:33. > :17:38.# And he told Roxanne to put on her red light

:17:38. > :17:42.# They're all infected But he'll be all right

:17:42. > :17:52.# Cos he's a scumbag, don't you know?

:17:52. > :18:14.

:18:14. > :18:24.# He's a scumbag, don't you know?

:18:24. > :18:40.

:18:40. > :18:43.# Although you're trying not to listen

:18:43. > :18:45.# I bet your eyes are staring at the ground

:18:45. > :18:48.# She makes a subtle proposition

:18:48. > :18:51.# "I'm sorry, love I'll have to turn you down"

:18:51. > :18:54.# Oh, he must be up to summat

:18:54. > :18:57.# Want half a chance to show he's more than likely

:18:57. > :19:00.# I've got a feeling in my stomach

:19:00. > :19:02.# I start to wonder what his story might be

:19:02. > :19:04.# What his story might be

:19:04. > :19:06.# They said it changes when the sun goes down

:19:06. > :19:09.# And they said it changes when the sun goes down

:19:09. > :19:12.# And they said it changes when the sun goes down

:19:12. > :19:15.# Around here

:19:15. > :19:25.# Around...here

:19:25. > :19:29.

:19:29. > :19:33.# Look, here comes a Ford Mondeo Isn't he Mr Inconspicuous?

:19:33. > :19:37.# And he don't have to say 'owt

:19:37. > :19:40.# She understands she's here to get picked up

:19:40. > :19:43.# Bet she's delighted when she sees him

:19:43. > :19:46.# Pulling in and giving her the eye

:19:46. > :19:49.# Because she must be ... freezing

:19:49. > :19:52.# Scantily clad beneath the clear night sky

:19:52. > :19:54.# She don't stop in the winter, no

:19:54. > :19:56.# They said it changes when the sun goes down

:19:56. > :19:58.# And they said it changes when the sun goes down

:19:58. > :20:02.# And they said it changes when the sun goes down

:20:02. > :20:05.# Around here

:20:05. > :20:09.# They said it changes when the sun goes down

:20:09. > :20:11.# Over the river going out of town

:20:11. > :20:13.# And they said it changes when the sun goes down

:20:13. > :20:15.# Around here

:20:16. > :20:22.# Around...here

:20:22. > :20:26.# And what a scummy man

:20:26. > :20:30.# Just give him half a chance I bet he'll rob you if he can

:20:30. > :20:34.# Can see it in his eyes, yeah That he's got a nasty plan

:20:34. > :20:40.# I hope you're not involved at all. #

:20:40. > :20:50.CHEERING AND APPLAUSE

:20:50. > :21:09.

:21:09. > :21:10.Glastonbury,

:21:10. > :21:10.Glastonbury, while

:21:10. > :21:17.Glastonbury, while I've

:21:17. > :21:21.might I ask a favour of you? Would you do me a favour?

:21:21. > :21:31.It's actually my mum's birthday today and she 's here in the crowd

:21:31. > :21:51.

:21:51. > :21:55.with you. Is there any chance you Hip-hip! For she's a jolly good

:21:55. > :22:03.fellow! Thank you everybody. I appreciate

:22:03. > :22:08.that! Rock'n'roll! I've even got time for one more tune, Glastonbury,

:22:08. > :22:13.then I'll have to bid you good night. In order to finish this off

:22:13. > :22:19.properly though, I think we need a little help from our friend - just

:22:19. > :22:29.the way we did it six years ago, folks. I would like to give you a

:22:29. > :22:53.

:22:53. > :23:03.hero's welcome. I would like you to bottom of my heart. See you next

:23:03. > :23:19.

:23:19. > :23:26.time. Have a great weekend, # If it's a 7-hour flight

:23:26. > :23:36.# With your hands between your thighs

:23:36. > :23:37.

:23:37. > :23:40.# Stop and wait a sec

:23:41. > :23:44.# When you look at me like that, my darling

:23:44. > :23:47.# What did you expect?

:23:47. > :23:54.# I probably still adore you with your hands around my neck

:23:54. > :24:04.# Or I did last time I checked

:24:04. > :24:05.

:24:05. > :24:09.# I'm not shy of a spark

:24:09. > :24:16.# The knife twists at the thought that I should fall short of the mark

:24:16. > :24:25.# Frightened by the bite though it's no harsher than the bark

:24:25. > :24:32.# The middle of adventure such a perfect place to start

:24:32. > :24:37.# I'm going back to 505

:24:37. > :24:44.# If it's a 7-hour flight or a 45-minute drive

:24:44. > :24:51.# In my imagination you're waiting lying on your side

:24:51. > :25:01.# With your hands between your thighs

:25:01. > :25:30.

:25:30. > :25:35.# But I crumble completely when you cry

:25:35. > :25:42.# It seems like once again you've had to greet me with goodbye

:25:42. > :25:48.# I'm always just about to go and spoil a surprise

:25:48. > :25:57.# Take my hands off of your eyes too soon

:25:58. > :26:02.# I'm going back to 505

:26:02. > :26:09.# If it's a 7-hour flight or a 45-minute drive

:26:09. > :26:16.# In my imagination you're waiting lying on your side

:26:16. > :26:25.# With your hands between your thighs and a smile! #

:26:25. > :26:35.CHEERING AND APPLAUSE

:26:35. > :26:35.

:26:35. > :27:41.Apology for the loss of subtitles for 110 seconds

:27:41. > :27:41.CHEERING

:27:42. > :27:42.CHEERING AND

:27:42. > :27:42.CHEERING AND APPLAUSE

:27:42. > :27:52.

:27:52. > :28:00.

:28:00. > :28:01.The

:28:01. > :28:02.The crowd

:28:02. > :28:06.The crowd absolutely

:28:06. > :28:16.The crowd absolutely loving Arctic Monkeys at Glastonbury 2013. So

:28:16. > :28:17.

:28:17. > :28:23.interesting to see them. They are Kind of grew up.

:28:23. > :28:30.They have grown up in public in many way, haven't they? I have rarely

:28:30. > :28:37.seen total mast eerie of the main -- mastery of the Main Stage of

:28:37. > :28:42.Glastonbury. I cannot decide whether he looks like a young billy Furry

:28:42. > :28:48.or... He looks like the last of the international playboys. He would not

:28:48. > :28:54.be out of place on a Smith's album cover. A good well done, fellas and

:28:54. > :29:01.no mistake. We are back until 2am. We'll have live music from a great

:29:01. > :29:11.friend of ours. A lady on site, she is wearing leggings purchased on

:29:11. > :29:11.

:29:11. > :29:55.Apology for the loss of subtitles for 110 seconds

:29:55. > :30:05.# Fire me in an oven # Each and every minute I see

:30:05. > :30:25.

:30:25. > :30:30.# Cheating ourselves to believe we'll be last

:30:30. > :30:36.# Like a fool I thought it was true

:30:36. > :30:46.# I was holding your flowers and only you knew

:30:46. > :30:47.

:30:47. > :30:57.# A diary fills its pages with one eye on the clock

:30:57. > :30:58.

:30:58. > :31:05.# How long, how long have we got

:31:05. > :31:15.# Until we're everything we hope to be?

:31:15. > :31:21.# Terrified while a picture of dignity

:31:21. > :31:25.# Come eat with me

:31:25. > :31:31.# At the table of this life. #

:31:32. > :31:41.SHE WHISTLES MELODY

:31:42. > :31:54.

:31:54. > :31:58.# La da da da da

:31:58. > :32:08.# La da da da-da-da

:32:08. > :32:10.

:32:10. > :32:13.# La da da da-da-da

:32:13. > :32:23.# All made of glass

:32:23. > :32:24.

:32:24. > :32:33.# All made of glass

:32:33. > :32:40.# Yeah, we're all made of glass

:32:40. > :32:42.# All made of glass

:32:42. > :32:47.# Cheating ourselves to believe we'll be last

:32:47. > :32:52.# Like a fool I thought it was true

:32:52. > :33:02.# I was holding your flowers and only you knew. #

:33:02. > :33:09.

:33:09. > :33:19.CHEERING AND APPLAUSE

:33:19. > :33:20.

:33:20. > :33:21.That

:33:21. > :33:21.That was

:33:21. > :33:21.That was KT

:33:21. > :33:31.

:33:31. > :33:32.

:33:32. > :33:36.That was KT Tunstall and Made Of Glass. How you are big tomorrow.

:33:36. > :33:46.the acoustic tent. It sound like it could be rowdy, although you would

:33:46. > :33:46.

:33:46. > :33:52.think it would be mellow. I am the fill filling between Deacon blue

:33:52. > :33:58.and... Thank you for that. Thank you very much. It is time to enjoy more

:33:58. > :34:07.live music now. This is from a headliner on the Other Stage

:34:07. > :34:12.tonight. Geoff's mum will be cross if we don't play some of his set.

:34:12. > :34:22.Alex Turner's mum was pleased. is what we're all about on this

:34:22. > :34:52.

:34:52. > :34:57.show. It is Portishead, live at # Please could you stay awhile

:34:57. > :35:04.# And the time that I will suffer less

:35:04. > :35:11.# Is when I never have to wake

:35:11. > :35:18.# Wandering stars For whom it is reserved

:35:18. > :35:25.# The blackness of darkness, forever

:35:25. > :35:32.# Wandering stars For whom it is reserved

:35:32. > :35:39.# The blackness of darkness, forever

:35:39. > :35:46.# Those who have seen the needles I now tread

:35:46. > :35:52.# Like a husk, from which all that was now has fled

:35:52. > :36:00.# And the masks that the monsters wear

:36:00. > :36:07.# To feed upon their prey

:36:07. > :36:14.# Wandering stars For whom it is reserved

:36:14. > :36:20.# The blackness of darkness, forever

:36:20. > :36:28.# Wandering stars For whom it is reserved

:36:28. > :36:38.# The blackness of darkness, forever

:36:38. > :37:06.

:37:06. > :37:16.# Doubled up inside Take a while to share my grief

:37:16. > :37:18.

:37:18. > :37:28.# Always doubled up inside Taunted, cruel

:37:28. > :37:31.

:37:31. > :37:40.# Wandering stars For whom it is reserved

:37:40. > :37:47.# The blackness The darkness, forever

:37:47. > :37:54.# Wandering stars For whom it is reserved

:37:54. > :38:04.# The blackness The darkness, forever. #

:38:04. > :38:04.

:38:04. > :39:53.Apology for the loss of subtitles for 110 seconds

:39:53. > :39:55.# I saw a saviour A saviour come my way

:39:55. > :40:03.# I thought I'd see it in the cold light of day

:40:03. > :40:13.# But now I realise that I'm only for me

:40:13. > :40:15.

:40:16. > :40:25.# If only I could see Return myself to me

:40:26. > :40:27.

:40:27. > :40:35.# And recognise the poison in my heart

:40:35. > :40:42.# There is no other place No-one else I face

:40:42. > :40:52.# The remedy will agree with how I feel

:40:52. > :40:55.

:40:55. > :41:04.# Here in my reflecting What more can I say?

:41:04. > :41:12.# For I am guilty for the voice that I obey

:41:12. > :41:22.# Too scared to sacrifice the choice chosen for me

:41:22. > :41:25.

:41:25. > :41:35.# If only I could see Return myself to me

:41:35. > :41:43.# And recognise the poison in my heart

:41:43. > :41:51.# There is no other place No-one else I face

:41:51. > :42:01.# The remedy to agree with how I feel.#

:42:01. > :42:01.

:42:01. > :43:55.Apology for the loss of subtitles for 110 seconds

:43:55. > :44:05.APPLAUSE AND CHEERING

:44:05. > :44:35.

:44:35. > :44:37.# I'm so tired Of playing

:44:37. > :44:41.# Playing with this bow and arrow

:44:41. > :44:44.# Gonna give my heart away

:44:44. > :44:51.# Leave it to the other girls to play

:44:51. > :44:57.# For I've been a temptress too long

:44:57. > :44:58.# Just

:44:58. > :45:06.# Give me a reason to love you

:45:06. > :45:13.# Give me a reason to be

:45:13. > :45:22.# A woman

:45:22. > :45:30.# I just wanna be a woman

:45:30. > :45:34.# From this time, unchained

:45:34. > :45:38.# We're all looking at a different picture

:45:38. > :45:42.# Through this new frame of mind

:45:42. > :45:48.# A thousand flowers could bloom

:45:48. > :45:55.# Move over, and give us some room

:45:55. > :45:57.# Yeah

:45:57. > :46:03.# Give me a reason to love you

:46:03. > :46:10.# Give me a reason to be

:46:10. > :46:18.# A woman

:46:18. > :46:28.# I just wanna be a woman

:46:28. > :47:01.

:47:01. > :47:09.# So don't you stop bein' a man

:47:09. > :47:18.# Just take a little look from our side when you can

:47:18. > :47:26.# Sow a little tenderness

:47:26. > :47:34.# No matter if you cry

:47:34. > :47:41.# Give me a reason to love you

:47:41. > :47:48.# Give me a reason to be here

:47:48. > :47:55.# A woman

:47:55. > :48:05.# It's all I wanna be is a woman

:48:05. > :48:15.

:48:15. > :48:25.# For this is the beginning of forever and ever

:48:25. > :48:45.

:48:45. > :48:53.# It's time to move over

:48:53. > :48:58.# I'm so tired, of playing

:48:58. > :49:01.# Playing with this bow and arrow

:49:01. > :49:05.# Gonna give my heart away

:49:05. > :49:11.# Leave it to the other girls to play

:49:11. > :49:21.# For I've been a temptress too long. #

:49:21. > :49:22.

:49:22. > :49:31.# Give me a reason to love you

:49:31. > :49:39.# Give me a reason to be

:49:39. > :49:49.APPLAUSE AND CHEERING

:49:49. > :49:49.Completely

:49:49. > :49:51.Completely compelling.

:49:51. > :49:53.Completely compelling. That

:49:54. > :50:03.Completely compelling. That was Portishead. You could not look away

:50:04. > :50:10.

:50:10. > :50:15.for a moment! It was.Cracking! We had... . Corking!

:50:15. > :50:19.Their live show is so brilliant. With their own images there -

:50:19. > :50:26.Portishead, but when you meet them in person they are so cheery, such

:50:26. > :50:36.good company. We have a giant flame Spider behind us. Puffing out fire!

:50:36. > :50:40.

:50:40. > :50:50.That is a vast flame-based arachnid. I have one in my house! If you want

:50:50. > :51:00.

:51:00. > :51:10.Joe is waiting to talk to the Arctic Monkeys. Look who I am joined by

:51:10. > :51:11.

:51:11. > :51:21.now. It is the Arctic Monkeys. How was that? Great. Couldn't have asked

:51:21. > :51:28.

:51:28. > :51:36.for any more! How did you feel? Buzzing.I

:51:36. > :51:46.remember when you played '97... Not that old. I was about 11 in 1997

:51:46. > :51:53.sclanl 200 -- 1997!Last time.

:51:53. > :51:56.Felt comfortable. Really enjoyed ourselves. Party time. I do remember

:51:56. > :52:00.standing watching, I think it was Elbow or someone like that and you

:52:00. > :52:05.were on the stage. I spoke to you briefly. You were watching whoever

:52:05. > :52:09.it was on the stage and you said something about, yeah, last time we

:52:09. > :52:19.played we didn't quite get it. Totally. You said I want to come

:52:19. > :52:29.Totally. You said I want to come back here and headline. Maybe

:52:29. > :52:29.

:52:29. > :52:39.Coldplay. It was like Garvy and me and you and Ashcroft.

:52:39. > :52:40.

:52:40. > :52:44.It freaked me out. I thought it was really interesting

:52:44. > :52:50.because you made the point, you were studying and you were like, we've

:52:50. > :52:55.got to come back here - it was like unfinished business. A bit of that.

:52:55. > :53:01.We were so new to it all like before, it was a bit mad that we

:53:02. > :53:07.probably got to headline it so soon, but and we had the bad weather and

:53:07. > :53:11.thaw. You also said you didn't understand Glastonbury. The first

:53:11. > :53:17.time any of us had ever been. Since then we have probably been every

:53:17. > :53:22.year and got to know it and understood what it is a bit more.

:53:22. > :53:32.How do you make it as good as it was tonight - you did nail it

:53:32. > :53:34.

:53:34. > :53:39.completely. . Thank you, Jo. How did you go about it? We tried to cover

:53:39. > :53:44.every bit with our fabric. We have leather upstairs. We have denim

:53:44. > :53:48.here. We have mo hair on the end there.

:53:48. > :53:56.You were channelling Elvis when you were on stage - you were with the

:53:56. > :54:01.spirit of Elvis - is that fair to say? It's a compliment. That is very

:54:01. > :54:06.fair to me. Is it fair to say though, Jo? It is a question.

:54:06. > :54:11.seem like you were becoming a different performer. . Maybe. We

:54:11. > :54:17.play 1,000 shows like in the last few years and just you can't just,

:54:17. > :54:23.yeah, I don't know. Eventually... Is your mum really here tonight.

:54:23. > :54:32.is. And it is her birthday.That would be a weird lie otherwise.

:54:32. > :54:40.would have been a sick joke. What a strange lie! And I wanted to cry

:54:40. > :54:49.when you did that with the strings. I cry easily, it doesn't take much.

:54:49. > :54:55.We have Guy. Guy Garvey.He, we got him on board. He wrote the string

:54:55. > :55:02.arrangement - that is why they sounded like Elbow tunes if you are

:55:02. > :55:08.wondering. He did a great job. Thanks Guy. What happens from now,

:55:08. > :55:14.for the rest of the night? I don't know. Who knows? Into the abouts by

:55:14. > :55:18.somewhere? I don't know. We're all pretty like - although we don't seem

:55:18. > :55:23.it, we are pumped up. This is as pumped up as I have ever seen it -

:55:23. > :55:28.this is as good as you've ever got! You are even going to air this.

:55:28. > :55:31.will make it to air. Well done. You need to choose a track now.

:55:31. > :55:37.Something from your set and we will play it out. What was your favourite

:55:37. > :55:43.moment of the set? I don't know really. Why don't you choose.

:55:43. > :55:48.choose your band. What did you enjoy doing? Are You Mine. The first time

:55:48. > :55:58.we played it on these shores. That was enjoyable. Is that all right?

:55:58. > :56:11.

:56:11. > :56:21.# Lone ranger riding # Lone ranger riding

:56:21. > :56:24.

:56:24. > :56:34.# Tracy Island, time-travelling # Well, are you mine?

:56:34. > :56:51.

:56:51. > :56:55.# I need the deep end # Wished away entire lifetimes

:56:55. > :57:01.# Misbehaving for days, great escape Lost track of time and space

:57:01. > :57:04.# She's a silver lining Climbing on my desire

:57:04. > :57:09.# And I go crazy cos here isn't where I wanna be

:57:09. > :57:12.# And satisfaction feels like a distant memory

:57:12. > :57:16.# And I can't help myself

:57:16. > :57:22.# All I wanna hear her say is "Are you mine?"

:57:22. > :57:28.# Well, are you mine? Are you mine tomorrow? Are you mine?

:57:28. > :57:38.# Or just mine tonight? Are you mine? Are you mine?

:57:38. > :57:42.

:57:42. > :57:46.# And the thrill of the chase moves in mysterious ways

:57:47. > :57:52.# So in case I'm mistaken I just wanna hear you say

:57:52. > :58:02.# "You got me, baby, are you mine?"

:58:02. > :58:04.

:58:04. > :58:07.# She's a silver lining, lone ranger

:58:07. > :58:11.# Riding through an open space in my mind

:58:11. > :58:14.# When she's not right there beside me

:58:14. > :58:17.# And I go crazy, cos here isn't where I wanna be

:58:17. > :58:21.# And satisfaction feels like a distant memory

:58:21. > :58:24.# And I can't help myself

:58:24. > :58:30.# All I wanna hear her say is "Are you mine?"

:58:30. > :58:34.# Well, are you mine? Are you mine tomorrow?

:58:35. > :58:39.# Are you mine? Or just mine tonight?

:58:39. > :58:45.# Are you mine? Are you mine tomorrow?

:58:45. > :58:49.# Or just mine tonight? #

:58:49. > :58:58.APPLAUSE AND CHEERING

:58:58. > :58:59.APPLAUSE AND CHEERING We

:58:59. > :59:06.APPLAUSE AND CHEERING We have

:59:06. > :59:11.plagued by daddy-long-legs. There was one on the centre of the camera.

:59:11. > :59:17.They have come in here for the warmth! The Arctic Monkeys there.

:59:17. > :59:21.Just in case you missed them before. Lauren, there are so many things on

:59:21. > :59:25.at Glastonbury. If you missed any of them, would there be any ways you

:59:25. > :59:32.could see them again? Funny you should ask! It is the first digital

:59:32. > :59:37.Glastonbury. There are many options for the viewer. First, go to the

:59:37. > :59:45.website. Of course, you can watch the live stream as well as on your

:59:45. > :59:48.TV. Wow!Your computer, your red button, your mobile phone, tablet.

:59:48. > :59:53.Could you get it on a microwave or food blender? Peer into your food

:59:53. > :59:59.processor or shout at a toaster! One of the headline acts over the three

:59:59. > :00:03.days is going to pop out. Marvellous. You have no excuse.

:00:03. > :00:13.While you contemplate which way you would like to watch, try this from

:00:13. > :00:13.

:00:13. > :01:25.Apology for the loss of subtitles for 110 seconds

:01:25. > :01:35.# Under a sky # No-one sees

:01:35. > :01:36.

:01:36. > :01:42.# Waiting, watching it happening # Don't hurry, give it time

:01:42. > :01:52.# Things are the way # They have to be

:01:52. > :01:52.

:01:52. > :02:02.# Slow down, give it time # Still life, you know I'm listening

:02:02. > :02:04.

:02:04. > :02:14.# The moment that you want is coming # If you give it time

:02:14. > :02:14.

:02:14. > :02:24.# When you wake up # You will find me

:02:24. > :02:30.

:02:30. > :02:40.# When you wake up # You will find me

:02:40. > :03:01.

:03:01. > :03:10.# Under a sky, no-one else sees # Yourself appears in front of me

:03:10. > :03:14.# The sky clear, the sun hits, I'm here

:03:14. > :03:24.# Waiting, what's happening # The moment that you want is coming

:03:24. > :03:24.

:03:24. > :03:33.# If you give it time # when you wake up

:03:33. > :03:43.# When you wake up # You will find me

:03:43. > :04:10.

:04:10. > :04:20.# When you wake up # When you wake up

:04:20. > :04:22.

:04:22. > :04:30.# You will find me # When you wake up

:04:30. > :04:40.# You wake up # You will find me

:04:40. > :04:42.

:04:42. > :04:46.# When you wake up # You will find me

:04:46. > :04:56.# When you wake up # You wake up

:04:56. > :05:06.# You will find me # When you wake up

:05:06. > :05:06.

:05:06. > :05:16.# You will find me # When you wake up

:05:16. > :05:18.

:05:18. > :05:28.# You wake up # You will find me

:05:28. > :05:28.

:05:28. > :06:15.Apology for the loss of subtitles for 110 seconds

:06:15. > :06:21.when you wake up sounded wonderful. He looked like

:06:21. > :06:28.Eric Turner's taller brother. much so. Also, shades of Simple

:06:28. > :06:36.Minds in 1979. Indeed.Fabulous headline set. Yes.I tell you who

:06:36. > :06:39.else was good today. Who else was that? Tame Impala performed a

:06:39. > :06:49.fantastic live session for us earlier. Why not leave the telly on.

:06:49. > :07:13.

:07:13. > :07:23.# Shaking his big grey trunk # And it's not like mister shook

:07:23. > :07:37.

:07:37. > :07:43.# There must be something deep down # He's got friends

:07:44. > :07:53.# Oh, look there he is now coming down the stairs

:07:54. > :07:54.

:07:54. > :09:31.Apology for the loss of subtitles for 110 seconds

:09:31. > :09:32.# He pulled the mirrors off his Cadillac

:09:32. > :09:35.# Cos he doesn't like it looking like he looks back

:09:35. > :09:43.# He talks like his opinion is a simple fact

:09:43. > :09:47.# Somebody grabbed his collar

:09:47. > :09:50.# He cried the whole way home

:09:50. > :10:00.# He won't remember a thing till they start again

:10:00. > :10:03.

:10:03. > :10:13.# That's how it is till the end Yeah. #

:10:13. > :10:18.

:10:18. > :10:19.If

:10:19. > :10:19.If you

:10:19. > :10:28.If you can't

:10:28. > :10:31.child freaking out, then really, you need to have a word with yourself!

:10:31. > :10:41.All the guitars are available, but those are like the best. Now we are

:10:41. > :10:50.going to have a bit of magic. Welcome to Magic Singh. How are

:10:50. > :10:56.things in theatreland? They have been fantastic. I believe it's been

:10:56. > :11:03.an expensive day. You might be in need of some cash help? I do. Have

:11:03. > :11:10.you any on you? I do. How much would you like? I don't carry cash!Fiver?

:11:10. > :11:14.I want to make sure everyone can see this. It is a �5 note. If I fold

:11:14. > :11:21.this one, we get a square shape. Then one more time, we get a

:11:21. > :11:30.rectangle. Then we get a square shape. Watch this. One more fold. I

:11:30. > :11:37.will change this. It is looking good! There we go. Hello?That is

:11:37. > :11:44.excellent. I will take that later! You will probably notice the T-shirt

:11:44. > :11:52.I'm wearing. All the bands that are playing are on here. I will try

:11:52. > :11:58.to... Name one of the bands on this T-shirt. It is tricky. Public Enemy.

:11:58. > :12:03.Disclosure. Dizzee was great. Arctic Monkeys. The Stones. They are the

:12:03. > :12:10.big story. They are playing tomorrow night. Headlining on the Pyramid

:12:10. > :12:20.Stage. It has to be The Rolling Stones. We will use a T-shirt. Let's

:12:20. > :12:25.

:12:25. > :12:30.shake this for a moment. Shake it!I think we got it. Woah! Magic! You

:12:30. > :12:40.can make yourself a fortune! You are going to rake it in. Brilliant.

:12:40. > :12:43.

:12:43. > :12:47.Thank you 6789 We should do one more thing. -- Thank you. We should do

:12:47. > :12:56.one more thing. You are wearing a ring. That is beautiful. Can I

:12:56. > :13:03.borrow one of those? It is cut glass. If this gets lost, I'm unwed!

:13:03. > :13:13.It was going to Cash Converters on Monday! Place one of your hands nice

:13:13. > :13:13.

:13:14. > :13:20.and flat. You can see how it is clear. You can see the ring as well.

:13:20. > :13:27.Here is the idea. Let's throw it down the hill! I will hold this. I

:13:27. > :13:35.want you to give you my wallet just in case. Watch the ring. Here we go.

:13:35. > :13:40.It withers away. Oh my goodness, I'm single! Is that good or bad? I gave

:13:40. > :13:44.you my wallet as well. You have been holding that. Inside here, I have a

:13:44. > :13:49.gift for you to say thanks. I will get your ring in a minute. I have a

:13:49. > :13:56.zip compartment just here. Inside here, I should have an envelope -

:13:56. > :14:02.yeah, that should do it. Have a look inside. Can you hold my mic? I can.

:14:02. > :14:10.He has a sticker on the back! Classic! Oh my God, it is in there!

:14:10. > :14:16.Look. Can you see that? Extraordinary, people. Look at that!

:14:16. > :14:21.That is inside. Wow. Do you want to check if that still fits? That is

:14:21. > :14:31.incredible. I'm going to drop it. Can you get it? This is like my

:14:31. > :14:33.

:14:33. > :14:43.wedding! Thank you so much. That is amazing. My pleasure.APPLAUSE

:14:43. > :14:43.

:14:43. > :14:51.see a boat today. We are both married. We will discuss the

:14:51. > :15:01.details. Let's go back to the West Holts Stage and this is Seasick

:15:01. > :15:11.

:15:11. > :15:14.# I like big old farm tractors # And things that dig up

:15:14. > :15:24.# And go real loud like they were meant to

:15:24. > :15:26.

:15:26. > :15:28.# I like looking at fields When they've just been cut

:15:28. > :15:31.# Looking at the pigs When they do the rut

:15:31. > :15:34.# I love the way hay smells When it's stacked in a barn

:15:34. > :15:40.# These are a few things Gonna find on the farm

:15:40. > :15:44.# Down on the farm

:15:44. > :15:47.# Do-do-do do-do do-do-do do-do do-do-do

:15:47. > :15:53.# Do-do-do do-do do-do-do do-do do-do-do

:15:53. > :15:57.# Yeah, down on the farm

:15:57. > :16:00.# I love the way Farm supply stores smell

:16:00. > :16:03.# The mix of seed, work and clothes And oil and more

:16:03. > :16:10.# You can get a new shovel Get a new rake

:16:10. > :16:12.# Get your chainshaw sharpened But you might have to wait

:16:12. > :16:17.# They got coffee Yeah, they got coffee

:16:17. > :16:20.# Do-do-do do-do do-do-do do-do do-do-do

:16:20. > :16:26.# Do-do-do do-do do-do-do do-do do-do-do

:16:26. > :16:30.# Yeah, they got coffee, baby

:16:30. > :16:37.# Down on the farm Down on the farm

:16:37. > :16:47.# Down on the farm Down on the farm

:16:47. > :16:50.

:16:50. > :16:54.# I think I'll go out And wash my old John Deere

:16:54. > :16:57.# Hang on just a minute What's that I hear?

:16:57. > :17:00.# My friend Dan Playing drums in the barn

:17:00. > :17:06.# Guess we gonna rock 'n' roll Down on the farm

:17:06. > :17:11.# Yeah, down on the farm

:17:11. > :17:17.# Down on the farm Down on the farm

:17:17. > :17:21.# Down on the farm Down on the farm

:17:21. > :17:31.# Down on the farm Down on the farm

:17:31. > :17:31.

:17:31. > :18:13.Apology for the loss of subtitles for 110 seconds

:18:13. > :18:23.Down on the farm CHEERING AND APPLAUSE

:18:23. > :18:24.

:18:24. > :18:30.stage, these days they call it the West Holts Stage. That was Seasick

:18:30. > :18:40.Steve. I saw Steve earlier on. I said you are looking mighty fine. He

:18:40. > :18:50.

:18:50. > :18:56.said, 've surfing." He was on good form. This afternoon, I had a

:18:56. > :19:04.tactical siesta. I heard the whole of Miles Kane's set whilst lying on

:19:04. > :19:12.my bed. That sounds all right! I was here since 7.00pm. I started out

:19:12. > :19:15.with Jake Bugg doing a live acoustic on Chris Evans' show on Radio Two.

:19:15. > :19:21.It's been a full dance card for me at Glastonbury. We have the sense

:19:21. > :19:28.that it is a good year, there are lots of surprises in store. Indeed.

:19:28. > :19:38.We will talk to you lots more about all the things we have seen. Let's

:19:38. > :19:38.

:19:38. > :20:51.Apology for the loss of subtitles for 110 seconds

:20:51. > :20:56.get to the John Peel Stage and # Inhaler, inhaler

:20:56. > :21:00.# Yeah, yeah, yeah # Inhaler, inhaler

:21:00. > :21:04.# Yeah, yeah, yeah # Cold is the shoulder you'll give

:21:04. > :21:11.me for sure # Dance with your hips and grind on

:21:11. > :21:17.the floor # The daytime is the right time,

:21:17. > :21:25.don't you know girl # You've heard that before

:21:25. > :21:33.# Hey! # Inhaler, inhaler

:21:33. > :21:43.# Inhaler # Yeah, yeah, yeah

:21:43. > :21:48.

:21:48. > :21:58.# Inhaler, inhale inhaler # Yeah, yeah, yeah

:21:58. > :22:18.

:22:18. > :22:26.# Inhaler # Inhale Inhaler

:22:26. > :22:36.# Inhaler # Yeah, yeah, yeah

:22:36. > :22:59.

:22:59. > :23:08.Miles Kane earlier on. Sounding pretty much as I remembered him,

:23:08. > :23:18.when I was getting a mid-afternoon siesta. Look at you! I can't shake

:23:18. > :23:19.

:23:19. > :23:26.the image of you! A busy afternoon. I tell you who else has had a busy

:23:26. > :23:33.day, Greg James. He's been taking on some challenges. He has. If you know

:23:33. > :23:37.the programme Man versus Food, which is where a fat bloke goes around

:23:37. > :23:46.America eating as much as he can, this is a kind of Glastonbury

:23:46. > :23:54.version of that with Greg James. This is Gregory Does Glastonbury

:23:54. > :24:04.Grub. Hi, ladies and gents. I have spotted your pizza. Where is this

:24:04. > :24:05.

:24:05. > :24:14.from? Glastonbury pizza.I'm off. This is the back end of the pizza

:24:14. > :24:23.company? Jake, show me what to do. You have to treat your dough like a

:24:23. > :24:33.beautiful woman. Give me the spade! Hole in one, yes! She's in. Next,

:24:33. > :24:39.toppings. Let's make some pizza. have three types of cheese. We will

:24:39. > :24:47.have this. All of it. Done. Pizza fit for a legend. Now to the big

:24:47. > :24:57.oven. Look at this bad boy. How hot is it in there? 350, 400 degrees.

:24:57. > :25:08.

:25:08. > :25:14.Yes! Is it ready yet? 69.Very, very good. This is jerk chicken.

:25:14. > :25:23.course it is! This is the real, real food. Jerk chicken, curry, rice and

:25:23. > :25:29.peas. What is jerk chicken?Jerk chicken is chicken that's been

:25:29. > :25:34.marinated in all different spices. What we do, we marinate it like

:25:34. > :25:42.that. And like until the chicken gets covered over. You have a lot on

:25:42. > :25:48.your hands? Yeah. That is Mikey, he is the best jerk man in town!

:25:48. > :25:54.There's a lovely taste and texture. Yeah, man. You are mean with that

:25:54. > :26:04.knife? I am.Lovely bit of jerk. That is lovely. I'm making these

:26:04. > :26:09.

:26:09. > :26:14.people over here jealous. This is Anna Mae's Mac and Cheese. There is

:26:14. > :26:19.a challenge? We do have a challenge. If you can eat half a pan in a

:26:19. > :26:29.minute, it's been done, you might beat the record. One minute?Yeah.

:26:29. > :26:34.I'm up for it. One minute, one pan of Mac and Cheese. Let's do it! That

:26:35. > :26:42.is a pan than I thought! I have brought some friends with me. This

:26:42. > :26:52.is Big Steve. This is Slim Bob. Crowd, are you ready?

:26:52. > :27:16.

:27:16. > :27:20.Grub. The Mac defeated me but it was very nice. I'm going to go off and

:27:20. > :27:24.have a bit of sick! Well, there you go, that is our

:27:24. > :27:29.colleague, Greg James, who I am presenting with tomorrow afternoon,

:27:29. > :27:35.I believe, on BBC Two. Frankly, good effort! If Greg's idea of how you

:27:35. > :27:40.treat a beautiful woman is to squash her flat and pop her into an oven -

:27:40. > :27:48.mixed feelings about that. I enjoyed that film. We didn't see the pan at

:27:48. > :27:52.the end of it. He might have had two mouthfuls and he might have puffed

:27:52. > :27:56.his cheeks out for effect. He has hollow legs! We will have some more

:27:56. > :28:02.live acoustic music now from a guy whose records I like very much. In

:28:02. > :28:12.fact, he did a great session on Radio Two folk show. He is called

:28:12. > :28:26.

:28:26. > :28:29.# I'm a fishing girl # The town in which I live

:28:29. > :28:35.# I told my mother My violent brother

:28:35. > :28:41.# That all they give to me is reason to leave

:28:41. > :28:48.# Ooh ooh ooh ooh

:28:48. > :28:54.# Imagine my surprise A pair of ancient eyes

:28:54. > :29:01.# Set into a face as old as land

:29:01. > :29:07.# He stands in front of me He came out of the sea

:29:07. > :29:14.# He says it hurts his skin to touch the sand

:29:14. > :29:17.# He crawls back into the sea

:29:17. > :29:20.# The air is salty and sweet

:29:20. > :29:27.# A backward glance by way of invitation

:29:27. > :29:30.# I'm in now up to my knees

:29:30. > :29:33.# The air is salty and sweet

:29:33. > :29:40.# I'll leave my dress by way of explanation

:29:40. > :29:49.# Ooh ooh ooh ooh

:29:49. > :29:53.# Ooh ooh ooh ooh

:29:53. > :29:59.# My man don't care for clothes The things he does not own

:29:59. > :30:06.# They never trouble him Never give him grief

:30:06. > :30:12.# Cos he's as soft as silk As pure as baby milk

:30:12. > :30:19.# And harder than earth that he scorns

:30:19. > :30:22.# He crawls back into the sea

:30:22. > :30:25.# The air is salty and sweet

:30:25. > :30:32.# A backward glance by way of invitation

:30:32. > :30:38.# The air is salty and sweet

:30:38. > :30:40.# I'm in now up to my knees

:30:40. > :30:42.# The air is salty and sweet

:30:42. > :30:46.# I'll leave my dress by way of explanation

:30:46. > :30:52.# Ooh ooh ooh ooh

:30:52. > :31:02.# Ooh ooh ooh ooh

:31:02. > :31:16.

:31:16. > :31:25.CHEERING AND APPLAUSE

:31:25. > :31:25.John

:31:25. > :31:26.John Smith

:31:26. > :31:31.John Smith live

:31:31. > :31:35.have played quite a bhufl sets already, haven't you? Yes.I

:31:35. > :31:40.understand you had a nightmare getting here. What happened? The car

:31:40. > :31:49.exploded on the way here. How long were you waiting? Where were you

:31:49. > :31:56.stuck? About a mile off site.Oh, man, that is a wounder(!) Thank you

:31:56. > :32:02.for getting here. Great to see you. While John was playing that, there

:32:02. > :32:07.were more bursts of fire and angle grinders and sheet metal work coming

:32:07. > :32:17.from over here. We are going to have more music from the other stage now

:32:17. > :32:30.

:32:30. > :32:33.from earlier today. These were - # She may contain the urge to run

:32:33. > :32:35.# Citrezene your fever's gripped me again

:32:35. > :32:38.# Never kisses all you ever send are full stops - la la la la

:32:38. > :32:41.# Do you know where the wilds things go?

:32:41. > :32:49.# They go along to take your honey - la la la la

:32:49. > :32:55.# They go along to take your honey - la la la la

:32:55. > :32:57.# Your hand grips hand as my eyes shut

:32:57. > :32:59.# Ahhh ahhh ahhh ah ah

:33:00. > :33:04.# Ahhh ahhh ahhh ah ah

:33:04. > :33:07.# Do you know where the wild things go?

:33:07. > :33:10.# They go along to take your honey - la la la la

:33:10. > :33:13.# Break down lets sleep build up breakfast now

:33:13. > :33:17.# Let's eat my love my love love love - la la la la

:33:17. > :33:19.# She bruises coughs she splutters pistol shots

:33:19. > :33:23.# But hold her down with soggy clothes and breeze blocks

:33:23. > :33:29.# She's morphine queen of my vaccine my love my love love love - la la la la

:33:29. > :33:32.# Muscle to muscle and toe to toe

:33:32. > :33:35.# The fear has gripped me but here I go

:33:35. > :33:38.# My heart sinks as I jump up

:33:39. > :33:44.# Your hand grips hand as my eyes shut

:33:44. > :33:50.# And ahhh ahhh ahhh ah ah ahhh ahhh ahhh ah ah

:33:50. > :34:00.# Ahhh ahhh ahhh ah ah ahhh ahhh ahhh ah ah

:34:00. > :34:08.# Ahhh ahhh ahhh ah ah ahhh ahhh ahhh ah ah

:34:08. > :34:10.# She may contain the urge to run away

:34:10. > :34:13.# But hold her down with soggy clothes and breeze blocks

:34:13. > :34:20.# Germaline disinfect the scene my love my love love love

:34:20. > :34:30.# But please don't go I love you so my lovely

:34:30. > :34:32.

:34:32. > :34:35.# Please don't go, please don't go, I love you so I love you so

:34:35. > :34:42.# Please don't go, please don't go, I love you so, I love you so

:34:42. > :34:44.# Please break my heart hey

:34:44. > :34:51.# Please don't go, please don't go, I love you so, I love you so

:34:51. > :34:54.# Please don't go, please don't go, I love you so, I love you so

:34:54. > :34:57.# Please break my heart ah ha

:34:57. > :35:00.# Please don't go, I'll eat you whole

:35:00. > :35:03.# I love you so, I love you, so I love you so

:35:03. > :35:07.# Please don't go I'll eat you whole

:35:07. > :35:15.# I love you so, I love you so, I love you so, I love you so. #

:35:15. > :35:25.# I love you so, I love you so, I love you so, I love you so. #

:35:25. > :35:26.

:35:26. > :35:28.# Please don't go I'll eat you whole

:35:28. > :35:34.# I love you so, I love you so, I love you so, I love you so. #

:35:34. > :35:37.# I love you so, I love you so, I love you so, I love you so. #

:35:37. > :35:40.# Please don't go I'll eat you whole

:35:40. > :35:44.# I love you so, I love you so, I love you so, I love you so. #

:35:44. > :35:46.# Please don't go I'll eat you whole

:35:46. > :35:50.# I love you so, I love you so, I love you so, I love you so. #

:35:50. > :35:53.# I love you so, I love you so, I love you so, I love you so. #

:35:53. > :36:01.CHEERING AND APPLAUSE

:36:01. > :36:02.Thank

:36:02. > :36:03.Thank you!

:36:03. > :36:11.Thank you! It

:36:11. > :36:19.band when the crowd sings the words? It must be joyous. Also when their

:36:19. > :36:25.symbol matches the one of the Festival, that is ideal. Very nifty!

:36:25. > :36:33.It is late at night here at Glastonbury 2013. We are live. We

:36:33. > :36:39.are adaptable. Now, without much rehearsal, we have turned this way!

:36:39. > :36:45.I was walking past the West Holts Stage earlier on and there was a

:36:45. > :36:55.band called Goat. I love them. They are brilliant. If you like this, you

:36:55. > :36:55.

:36:55. > :41:02.Apology for the loss of subtitles for 110 seconds

:41:02. > :41:11.must look up their album. They are with their music. Love them. The

:41:11. > :41:17.second drum drummer, was he a bit too scary? The one with the skulls,

:41:17. > :41:21.we will keep off him! I feel underdressed now. You know, I don't

:41:21. > :41:26.want to be prescriptive, but if you don't like that music, we can't be

:41:26. > :41:36.friends! I don't know what was going on. They are from a small village in

:41:36. > :41:42.Sweden. There you go. I tell you what, Tom from The Horrors has done

:41:42. > :41:49.a great remix of their single. Funnily enough, he shared a stage

:41:49. > :41:59.with the artist we are about to see. It was all nicely done, that. We are

:41:59. > :42:00.

:42:00. > :42:58.Apology for the loss of subtitles for 110 seconds

:42:58. > :43:03.standing up for this link. It is # Seen enough to eye you

:43:03. > :43:08.# But I've seen to much to try you # It's always weirdness while you

:43:08. > :43:17.# Dig it much too much to fry you # The weirdness flows between us

:43:17. > :43:24.# Anyone can tell to see us # Freak scene can just can't believe

:43:24. > :43:30.# Why can't it just be cool and free # Seen enough to eye you

:43:30. > :43:34.# But I've seen too much to try you # It's always weirdness while you

:43:35. > :43:44.# Dig it much too much to fry you # The weirdness flows between us

:43:45. > :43:45.

:43:45. > :43:53.# Anyone can tell to see us # freak scene just can't believe us

:43:53. > :44:03.# Why can't it just be cool and leave us?

:44:03. > :44:03.

:44:03. > :45:24.Apology for the loss of subtitles for 110 seconds

:45:24. > :45:32.I do like to see a grown man with long pink hair. Tomorrow, we have

:45:32. > :45:37.pink hair! We can make that dream a reality. Yeah. We are sort of

:45:37. > :45:43.huddling together for warmth here. We are in our new home. We have

:45:43. > :45:49.moved. We used to be behind the Pyramid Stage. This year, we are at

:45:49. > :45:54.the Park, up the hill, overlooking Worthy Farm. Actually... There is a

:45:54. > :46:00.giant fish up there! There is a huge fish. It is better to concentrate on

:46:00. > :46:04.things you can see. There is also a cow with a feather headdress. Let's

:46:04. > :46:14.enjoy some more of the wonderful music from the Park Stage tonight.

:46:14. > :46:52.

:46:52. > :46:56.# You thought you'd set the bar # We just lit the fire

:46:56. > :46:59.# You gave it all you got and what you've got is not a lot

:46:59. > :47:03.# Why don't you hand it over? Time is up, you've had your shot

:47:03. > :47:06.# Gather once again Disasters in the end

:47:06. > :47:12.# It's like a default

:47:12. > :47:14.# You thought you'd made the grade All you made will start to fade

:47:14. > :47:18.# We threw it in the fire It's better that it not remain

:47:18. > :47:22.# You just brought together Didn't seem to have the heart

:47:22. > :47:26.# Wheels are coming off now Knew that it would fall apart

:47:26. > :47:29.# Take one for the team You're a cog in the machine

:47:29. > :47:39.# It's like a default

:47:39. > :47:40.

:47:40. > :47:44.# It's like a default

:47:44. > :47:54.# It's like a default

:47:54. > :48:16.

:48:16. > :48:17.# You thought you'd set the bar # We just lit the fire

:48:17. > :48:19.# You gave it all you got and what you've got is not a lot

:48:19. > :48:20.# Why don't you hand it over? Time is up, you've had your shot

:48:21. > :48:22.# Gather once again Disasters in the end

:48:22. > :48:30.# It's like a default

:48:30. > :48:33.# It's like a default

:48:33. > :48:43.# It's like a default

:48:43. > :48:52.

:48:52. > :48:53.# You've missed the starting gun # You took part in the race

:48:54. > :49:03.# You thought you'd set the bar I'd never tried to work it out

:49:04. > :49:10.

:49:11. > :49:11.I

:49:11. > :49:12.I would

:49:12. > :49:21.I would like

:49:21. > :49:30.Django Django. On the drums, from Dundee in Scotland, it is Dave

:49:30. > :49:40.McLean. APPLAUSE On the bass, from Leeds in England, it is Jimmy Dixon.

:49:40. > :49:40.

:49:40. > :50:36.Apology for the loss of subtitles for 110 seconds

:50:36. > :50:46.I'm your host tonight, all the way # It's like a default

:50:46. > :50:46.

:50:46. > :51:26.Apology for the loss of subtitles for 110 seconds

:51:27. > :51:32.# You thought you'd set the bar playing a track from their debut

:51:32. > :51:38.album. How nice to see a band with consent on shirtage! They have a

:51:38. > :51:43.strong shirt policy. It is working. It is never confusing. Now, listen,

:51:43. > :51:52.we will be back with you from 4.00pm tomorrow afternoon when we will have

:51:52. > :52:00.some Elvis Costello. Yes.Laura Mvula. Ben Howard. Yeah, you are

:52:00. > :52:05.better at lists! Yeah. Lauren and Greg. Thanks for watching tonight.

:52:05. > :52:15.Thank you very much. We will leave you with a gentleman whose spirit I

:52:15. > :52:53.

:52:53. > :52:58.enjoyed earlier. This is Dizzee I wake up every day

:52:58. > :53:01.Everything in my life I act real shallow

:53:01. > :53:03.A heavy bass line is my kind of silence

:53:03. > :53:07.Everybody says I got to get a grip But I let sanity give me the slip

:53:07. > :53:11.Some people think I'm bonkers But I just think I'm free

:53:11. > :53:15.Man, I'm just living my life There's nothing crazy about me

:53:15. > :53:19.Some people pay for thrills but I get mine for free

:53:19. > :53:29.Man, I'm just living my life There's nothing crazy about me

:53:29. > :53:40.

:53:40. > :53:50.Bonkers

:53:50. > :53:58.

:53:58. > :53:59.I wake up every day It's a daydream

:53:59. > :54:00.Everything in my life ain't what it seems

:54:00. > :54:01.I wake up, just to go back to sleep

:54:01. > :54:02.I act real shallow but I'm in too deep

:54:02. > :54:03.And all I care about is sex and violence

:54:04. > :54:05.A heavy bass line is my kind of silence

:54:05. > :54:08.Everybody says I got to get a grip But I let sanity give me the slip

:54:09. > :54:12.Some people think I'm bonkers But I just think I'm free

:54:12. > :54:16.Man, I'm just living my life There's nothing crazy about me

:54:16. > :54:20.Some people pay for thrills but I get mine for free

:54:20. > :54:30.Man, I'm just living my life There's nothing crazy about me

:54:30. > :54:32.

:54:32. > :54:33.Some people pay for thrills but I get mine for free

:54:33. > :54:38.Man, I'm just living my life There's nothing crazy about me

:54:38. > :54:39.Some people pay for thrills but I get mine for free

:54:39. > :54:49.Man, I'm just living my life There's nothing crazy about me

:54:49. > :55:14.

:55:14. > :55:15.I wake up every day It's a daydream

:55:15. > :55:16.Everything in my life ain't what it seems

:55:16. > :55:17.I wake up, just to go back to sleep

:55:17. > :55:18.I act real shallow but I'm in too deep

:55:18. > :55:19.And all I care about is sex and violence

:55:19. > :55:20.A heavy bass line is my kind of silence

:55:20. > :55:25.Everybody says I got to get a grip But I let sanity give me the slip

:55:25. > :55:29.Some people think I'm bonkers But I just think I'm free

:55:29. > :55:33.Man, I'm just living my life There's nothing crazy about me

:55:33. > :55:36.Some people pay for thrills but I get mine for free

:55:36. > :55:46.Man, I'm just living my life There's nothing crazy about me

:55:46. > :55:47.

:55:47. > :55:48.Some people pay for thrills but I get mine for free

:55:48. > :55:50.Man, I'm just living my life There's nothing crazy about me

:55:50. > :55:52.Some people pay for thrills but I get mine for free

:55:52. > :55:58.Man, I'm just living my life There's nothing crazy about me

:55:58. > :56:00.Bounce, bounce, bounce

:56:01. > :56:03.Come on, come on

:56:03. > :56:06.Bounce, bounce, bounce

:56:06. > :56:09.Come on, come on

:56:09. > :56:12.Bounce, bounce, bounce

:56:12. > :56:20.Bonkers

:56:21. > :56:28.Come on, come on

:56:28. > :56:31.# Let's go fucking bonkers