:00:48. > :00:54.-- THIS PROGRAMME CONTAINS SOME WE ARE AT THE TOP BRINGING YOU ALL
:00:54. > :00:59.THIS ACTION. Here are Django Django, wrapping up a fantastic set on the
:00:59. > :01:05.Park Stage behind us. We are here for half an hour for this part of
:01:05. > :01:10.the evening. Yes, a whistle-stop tour. This gives you an idea, when
:01:10. > :01:17.we say the world's biggest music festival - this gives you an idea -
:01:17. > :01:25.it is extraordinary. There have been some changes... Well, we have given
:01:25. > :01:32.Mark a small face jazzle. As well as his facial enhancements we will
:01:32. > :01:38.bring you live performances tonight. We'll have some acoustic
:01:38. > :01:43.performances. As much as we can cram into this half an hour. It is
:01:43. > :01:46.thrilling to be back. We came and sat here this time last year. By
:01:46. > :01:52.comparison there was little going on, wasn't there.
:01:52. > :02:02.It was a lonely and damp afternoon. We did bond, which is good. Let's
:02:02. > :02:08.
:02:08. > :02:13.see some of the highlights of day This is the first time I have been.
:02:13. > :02:18.I want to bring ration to Glastonbury. When I was told I was
:02:18. > :02:22.playing here, I was so like, me? What the Pyramid Stage?
:02:22. > :02:27.I've wanted to be on that stage since I started doing this.
:02:27. > :02:34.That moment when I walk out - that feeling, you cannot beat it.
:02:34. > :02:44.I am doing lots of gigs to keep myself out of trouble.
:02:44. > :02:48.
:02:48. > :02:54.Anybody that you can see that is on before you or after you. I am
:02:54. > :02:58.looking forward to Elvis Costello. am looking forward to seeing the
:02:58. > :03:03.Rolling Stones. The Rolling Stones I - I cannot wait to watch. What might
:03:03. > :03:08.happen to me this weekend? That is a good question. It could be anything
:03:08. > :03:14.at this point. I will be wandering around in the mud with a weird
:03:14. > :03:24.expression on my face, with a lot of love in me. I just can't wait to get
:03:24. > :03:29.dirty! Oh, Rita Ora, you minx!
:03:29. > :03:39.He had a happy expression on his face. What is his academic
:03:39. > :03:42.
:03:42. > :03:52.specialism. I am wondering if he is a real professor. Brain Cox is.
:03:52. > :03:53.
:03:53. > :03:58.-- -- Bian -- BrianCox is! We will start with some music now.
:03:58. > :04:05.Of course we are. That is the most important thing - we have Arctic
:04:05. > :04:15.Monkeys later on and we have much more time to talk to you.
:04:15. > :04:25.
:04:25. > :04:27.# I've been trying to do it right # I've been living a lonely life
:04:27. > :04:29.# I've been sleeping instead Hey!
:04:29. > :04:31.# I've been sleeping in my bed Ho!
:04:31. > :04:41.# I've been sleeping in my bed Hey!
:04:41. > :04:43.# So show me family Hey!
:04:43. > :04:45.# All the blood that I would bleed Ho!
:04:45. > :04:47.# I don't know where I belong Hey!
:04:47. > :04:51.# I don't know where I went wrong Ho!
:04:51. > :04:57.# But I can write a song Hey!
:04:57. > :04:58.# I belong with you You belong with me
:04:58. > :05:01.# You're my sweetheart
:05:01. > :05:03.# I belong with you You belong with me
:05:03. > :05:06.# You're my sweet Ho!
:05:06. > :05:11.# Hey! Ho!
:05:11. > :05:16.# Hey! Ho!
:05:16. > :05:19.# I don't think you're right for him Hey!
:05:19. > :05:22.# Look at what it might have been if you Ho!
:05:22. > :05:25.# Took the bus to Chinatown Hey!
:05:25. > :05:28.# I've been standing on Canal Ho!
:05:28. > :05:33.# And Bowery Hey! Ho!
:05:33. > :05:39.# And she'd be standing next to me Hey!
:05:39. > :05:41.# I belong with you You belong with me
:05:41. > :05:43.# You're my sweetheart
:05:43. > :05:46.# I belong with you You belong with me
:05:46. > :05:51.# You're my sweetheart And
:05:51. > :05:57.# Love we need is now
:05:57. > :06:07.# Let's hope for some cos oh, we're bleeding out
:06:07. > :06:09.# I belong with you You belong with me
:06:09. > :06:12.# You're my sweetheart
:06:12. > :06:14.# I belong with you You belong with me
:06:14. > :06:17.# You're my sweet Ho!
:06:17. > :06:23.# Hey! Ho!
:06:23. > :06:24.# Last one
:06:24. > :06:27.# Hey! #
:06:27. > :06:37.CHEERING AND APPLAUSE
:06:37. > :06:40.
:06:40. > :06:41.Gold,
:06:41. > :06:41.Gold, I
:06:41. > :06:46.Gold, I believe
:06:46. > :06:56.Gold, I believe in their native US. Platinum in Ireland. They cannot get
:06:56. > :07:08.
:07:08. > :07:18.Very sensible footwear there. a brouge for tomorrow. Tune in
:07:18. > :07:21.
:07:21. > :07:25.tomorrow, we may have Rolling Stones.
:07:25. > :07:29.You talk about all the changes and there are some things which will
:07:29. > :07:34.never stage. One of us will always be here in this pit. There'll always
:07:34. > :07:39.be flags. No matter how often they say, please don't bring them along,
:07:39. > :07:45.people will bring them on. That is what you have coming up. If you are
:07:45. > :07:50.a big Arctic Monkeys fan, don't go anywhere. 11pm, BBC Two, that is the
:07:50. > :07:56.place to be when that band walk out behind us. Arctic Monkeys, BBC Two,
:07:56. > :08:01.later on tonight. Back to you. See you very soon. Fantastic! We will
:08:01. > :08:06.bring you all the action from that set later. You don't have to wait
:08:06. > :08:13.that long to get some very live music. Is that right? It is right.
:08:13. > :08:18.Later we'll have acoustics, I think Seasick Steve will be here and John
:08:18. > :08:22.Smith, whose records I like. It takes you three-and-a-half hours to
:08:22. > :08:27.get back stage from up here. You don't have to worry thabt. We'll do
:08:27. > :08:32.it all for you -- to worry about that. You don't have to worry about
:08:32. > :08:40.that. We will bring it all for you. Was it five hours coming from
:08:40. > :08:50.London? Yes.He is from Yorkshire. Here he is live on BBC Two,
:08:50. > :08:58.
:08:58. > :09:08.# Know I've done wrong # Took you so long
:09:08. > :09:11.
:09:11. > :09:20.# Now I'm rising from the crowd # Feel with all the strength I found
:09:20. > :09:29.# I need to know now, know now Can you love me again?
:09:30. > :09:39.# I need to know now, know now Can you love me again?
:09:40. > :09:46.
:09:46. > :09:47.# It's unforgivable I stole and burnt your soul
:09:47. > :09:52.# Is that what demons do, hey? They rule the world worse than me
:09:52. > :09:58.# Destroy everything They blame on angels like you, hey!
:09:58. > :10:04.# Now I'm rising from the crowd Rising up to you!
:10:04. > :10:14.# Feel with all the strength I found Is nothing I can't do!
:10:14. > :10:21.# I need to know now, know now Can you love me again?
:10:21. > :10:31.# I need to know now, know now Can you love me again?
:10:31. > :10:52.
:10:52. > :10:54.# Told you once again Do this again, do this again, oh!
:10:54. > :10:55.# I told you once again
:10:55. > :11:01.# Do this again, do this again Oh, oh!
:11:01. > :11:02.# Told you once again Do this again, do this again, oh!
:11:02. > :11:04.# I told you once again
:11:04. > :11:14.# Do this again, do this again Oh, oh!
:11:14. > :11:22.
:11:22. > :11:28.# I need to know now, know now Can you love me again?
:11:28. > :11:37.# I need to know now, know now Can you love me again?
:11:37. > :11:47.# I need to know now, know now Can you love me again?
:11:47. > :11:50.
:11:50. > :12:00.APPLAUSE AND CHEERING
:12:00. > :12:03.
:12:03. > :12:03.That
:12:03. > :12:03.That was
:12:04. > :12:13.That was brilliant,
:12:13. > :12:23.lovely. What is your piano player's name? Rich.Spectacular stuff! We
:12:23. > :12:25.
:12:25. > :12:35.will hand over to caig Charles. The man who more -- Craig Charles. The
:12:35. > :12:37.
:12:37. > :12:44.man who designed the summer of 2013. He's had the hit of the summer with
:12:44. > :12:51.Daft Punk. I am sure that he is thrilled to
:12:51. > :12:58.meet his idle earlier. I chatted to him on the way to the site. Sharpest
:12:58. > :13:08.dressed man on the site! Didn't give too much away about the set. Maybe
:13:08. > :13:14.
:13:14. > :13:21.How are you? Good to see you.You are about to play one of the biggest
:13:21. > :13:25.festivals in the world - how do you feel? Have you played Glastonbury
:13:25. > :13:32.before? I am dieing to get out there. Is it what you expected?It
:13:32. > :13:36.is actually a lot bigger than I thought. In America, it is rumoured
:13:36. > :13:41.to be the biggest festival in the world and I think it may very well
:13:42. > :13:46.be. This is the size of a lot of English town, to be fair. I saw you
:13:46. > :13:51.play a smaller festival last year in Yorkshire N the middle of your set,
:13:51. > :13:56.you stopped and you said, "We are not a covers band." Why did you feel
:13:56. > :14:02.the need to say that? Because a lot of times people will wonder, like,
:14:02. > :14:09.how come they are playing that Duran Duran song? How come they are
:14:09. > :14:15.playing that Madonna song? It is because they are songs that I wrote
:14:15. > :14:20.or certainly produced or, they are my songs. Not to mention Sister
:14:20. > :14:27.Sledge, and not to mention the most hotly anticipated Record of the
:14:27. > :14:34.Year. I mean, decade after decade you keep on deliving. With Daft Punk
:14:34. > :14:38.you have done it again. How does that make you feel? Amazing. I was
:14:39. > :14:45.following yesterday on the official charts. They said that it is the
:14:45. > :14:49.136th record ever to go to one million sales in the UK. At first I
:14:49. > :14:54.didn't know that was a Big Deal. It was like, OK, I've had a lot that
:14:54. > :14:59.have sold one million. They said, no you have only had one to sell 1
:14:59. > :15:04.million in the UK. I was like, do me a favour, I want to see that list.
:15:04. > :15:14.It was amazing to me. I am really honoured and thrilled. ??FORCEWHITE
:15:14. > :15:25.
:15:25. > :15:31.Such a charming man! Party time with them on the stage
:15:31. > :15:37.later on. There We are going to do a demonstration here. There was an
:15:37. > :15:45.argument. It was decided to be you. Before she found fame and fortune
:15:45. > :15:50.she was a hand model and did bracelets and washing up liquids.
:15:50. > :15:58.This is a tablet. Not just me being rude and taking a massive phone
:15:58. > :16:06.call. I have on to my tablet device, I have down loaded the radio app. If
:16:06. > :16:10.you use it to listen to Radio 4 and 6 Music, you see this here - there
:16:11. > :16:19.is a Glastonbury button - a little Christmas tree here. If you press
:16:19. > :16:24.that you can watch a whole stack of performances. Over 120 performances
:16:24. > :16:34.brought to you by the BBC over the weekend. Do it now - it is free.
:16:34. > :17:06.
:17:06. > :17:16.# Out she's later in the distance # Out she ran too persistent
:17:16. > :17:16.
:17:16. > :18:04.Apology for the loss of subtitles for 47 seconds
:18:04. > :18:14.# Well well, I see when it's windy # I'll match, always ready to take
:18:14. > :18:14.
:18:14. > :20:14.Apology for the loss of subtitles for 47 seconds
:20:14. > :20:17.Palma Violets. We should say, we have seen Craig
:20:18. > :20:26.speaking to him has wetted your appetite, then after we have got
:20:26. > :20:30.this down you can watch the stage on party time and then we will be back
:20:31. > :20:34.at 11pm. With the Arctic monies live. We had them here live. The
:20:34. > :20:40.Horrors will headline here later. It is the first time the BBC has
:20:41. > :20:45.brought you all the action from the Park Stage - very selfishly, because
:20:45. > :20:55.it is my favourite part of the site. We have made this film to tell you a
:20:55. > :20:58.
:20:58. > :21:02.The Park area is in the far corner. You get the best view because you
:21:02. > :21:09.can see across the site. We are a week before the festival, so this is
:21:09. > :21:15.where everything is franticly trying to get built.
:21:15. > :21:20.We are here in the Park. I am helping to put together - and we are
:21:20. > :21:27.progressing well. It is day two of the build. Come along!
:21:27. > :21:35.This s is the nipple of the tower. It is one of the first things we
:21:35. > :21:41.decided. These are our early concept boards. The first we did. The main
:21:42. > :21:48.focus is the Ribbon Tower. It is the highest point. It is one of the
:21:48. > :21:53.tallest structures on site - it is 21 metre metres tall, maybe 24 up to
:21:53. > :21:57.the top of the nipple. I am all right because I'm not carrying a
:21:57. > :22:01.camera. Here we go - we are at the top now.
:22:01. > :22:08.Put the lid on today. You can just see The View that you have got over
:22:08. > :22:13.the whole place. You can see the stage - over the Pyramid Stage,
:22:13. > :22:16.Theatre and Circus - everything is here in front of you.
:22:16. > :22:20.All these different artists have their bits within the fields, so it
:22:21. > :22:25.is not like anyone is putting one look over the whole thing. This has
:22:25. > :22:34.taken two days. We did all the main structural things yesterday and then
:22:34. > :22:40.we have done the prettifing today. It is so much more fun and special,
:22:40. > :22:45.and everything else can enjoy it as well.
:22:45. > :22:50.Here we are at the tree of life. We will look for Ruby and she will tell
:22:50. > :22:55.us about it. People can come up to the top of the tree and watch the
:22:55. > :23:00.entire festival - go around. Glastonbury is the only place you
:23:00. > :23:10.can draw an odd-looking picture and send it to them and they are like,
:23:10. > :23:13.
:23:13. > :23:18.yes, we will make your mad dream come true! We were carely working on
:23:18. > :23:28.currently working on this. It took two weeks of carving. It will take
:23:28. > :23:28.
:23:28. > :23:32.two or four days to paint. It is our little labour of love.
:23:32. > :23:37.Everyone who works on it is passionate about making it great.
:23:37. > :23:44.pretty much have seven days now. It is all about getting as much done as
:23:44. > :23:50.we can. It is not like putting in a kitchen. They cannot say, you will
:23:50. > :24:00.be in by Easter or Christmas. Opening day is opening day. We have
:24:00. > :24:01.
:24:01. > :24:06.There is an indication of the work that goes on in one area of this
:24:06. > :24:14.massive site. That is the thing about Glastonbury that is so
:24:14. > :24:19.wonderful - how much effort they put into making things look beautiful.
:24:19. > :24:24.Emily, a ten week old baby and on a feeding schedule. She is thriving on
:24:24. > :24:32.it and she says it has been the best year already. I think we will be dry
:24:33. > :24:39.for the rest of the weekend. Chic will be coming up at 11.05pm.
:24:39. > :24:49.We have a taste of the set right now. This was described as pop music
:24:49. > :24:50.
:24:50. > :26:05.Apology for the loss of subtitles for 47 seconds
:26:06. > :26:15.# Puts a smile on your face # Soothes your mind
:26:16. > :26:17.
:26:17. > :26:22.# But it don't mean a thing if it ain't got that swing
:26:22. > :26:25.# Bop-shoo-wa, bop-shoo-wa bop-shoo-wa
:26:25. > :26:28.# Everybody dance, do-do-do
:26:28. > :26:32.# Clap your hands, clap your hands
:26:32. > :26:35.# Everybody dance, do-do-do
:26:35. > :26:42.# Clap your hands, clap you hands
:26:42. > :26:45.# Spinning all around the floor just like Rogers and Astaire
:26:45. > :26:51.# Who found love without a care stepping to our favourite tune
:26:51. > :26:55.# The good times always end too soon
:26:55. > :26:59.# Everybody's dancing
:26:59. > :27:06.# Lift your feet, have some fun
:27:06. > :27:07.# Come on, everybody Get on your feet
:27:07. > :27:10.# Clap your hands Everybody's screaming
:27:10. > :27:13.# Everybody dance, do-do-do
:27:13. > :27:17.# Clap your hands, clap your hands
:27:17. > :27:21.# Everybody dance, do-do-do
:27:21. > :27:25.# Clap your hands, clap you hands
:27:25. > :27:33.# Everybody dance, do-do-do
:27:33. > :27:40.# Everybody dance
:27:40. > :27:47.# Everybody dance
:27:47. > :27:57.# Everybody dance
:27:57. > :28:28.
:28:28. > :28:33.There'll be more from us later. were doing dancing. It was so
:28:33. > :28:37.admired by the passing people - as if they were not excited enough! We
:28:37. > :28:43.will be back here at 11pm. We will have the Arctic Monkeys as well with
:28:43. > :28:48.the whole of their set from the Pyramid Stage. There'll be a big,