:00:28. > :00:31.Hello. Hello.Good afternoon. Welcome back to another beautiful
:00:31. > :00:36.sun-drenched day here at Glastonbury 2013. In fact, we're
:00:36. > :00:41.slightly squinting into the sun. are just a little. We're here up at
:00:41. > :00:46.the park for the final time in fact. If you look overt at our other
:00:46. > :00:52.position at the festival... Can you see us? We're underneath a massive
:00:52. > :00:56.fish. You can just see us - in our tree-top tiki vine we have going on
:00:56. > :01:00.here. The Stones have been and gone, but Glastonbury still very much
:01:00. > :01:05.here. A wonderful sweep across the site to give you the impression of
:01:05. > :01:08.the sheer size of it if you didn't already know. Sunday is a wonderful
:01:08. > :01:11.atmosphere especially when the weather is like this because it
:01:11. > :01:15.builds up to the Saturday night headliner, really excited, then a
:01:15. > :01:19.really kind of mellow atmosphere to Sunday, people just milling around
:01:19. > :01:23.and exploring. It's kind of like the pleasure is off. Everybody has
:01:23. > :01:27.either chosen to see the Rolling Stones or chosen not to see the
:01:27. > :01:30.Rolling Stones, and it diversifys again. People go off and explore.
:01:30. > :01:36.It is really as diverse as ever. Today we have ever from Smashing
:01:36. > :01:40.Pumpkins to Kenny Rogers. We're going from roots reggae to Bruce
:01:40. > :01:44.Forsyth on this programme. Wow. Is he going to be doing the rock
:01:44. > :01:47.steady? He might. We have Kenny Rogers. He's doing the legendary
:01:47. > :01:50.Sunday afternoon sing-ing a long here at Glastonbury on the Pyramid
:01:51. > :01:54.Stage. You can singing a long to his hits in the Sommer set sunshine.
:01:54. > :02:04.Lots to come over the next couple of hours, but let's see what has
:02:04. > :02:04.
:02:04. > :03:53.Apology for the loss of subtitles for 109 seconds
:03:53. > :03:58.# Get your rocks off All those different coloured pop
:03:58. > :04:03.shields back in the day. So yeah, if you have just tuned in and just
:04:03. > :04:09.joined us you have missed quite a bit, but don't worry, you can catch
:04:09. > :04:13.up online, bbc.co.uk/Glastonbury. You can watch all the performances
:04:13. > :04:21.again on iPlayer. We're going to go see a young man who has been the
:04:21. > :04:24.sound track to the summer. I saw him chatting to our BBC Three
:04:25. > :04:31.colleagues and told us his ideal headliner if he could bring anyone
:04:31. > :04:41.back would be Nick Democrat. It is Tom O'Dell live at Glastonbury.
:04:41. > :04:41.
:04:41. > :05:26.Apology for the loss of subtitles for 109 seconds
:05:26. > :05:31.I can feel you breathing with your hair on my skin as we lie here
:05:31. > :05:37.# I will pull up the sheets # When it's cold on your feet
:05:37. > :05:43.# Because you'll fall pack to sleep every time
:05:43. > :05:53.# Grow old with me # And I'll share all we see
:05:53. > :06:03.# And the best it could be # Just you and I
:06:03. > :06:07.
:06:08. > :06:17.# And our bodies will change # But we'll still be the same as we
:06:18. > :06:18.
:06:18. > :06:24.# We'll still sing our song? Won't our hearing is all gone
:06:24. > :06:31.# And our children # Have saw we were right
:06:31. > :06:41.# I say grow old with me # And I'll share all we see
:06:41. > :06:42.
:06:42. > :06:46.# And all the best it could be # Just you and I
:06:46. > :06:55.# And the hairs, they stand up # My feet start to thump
:06:55. > :06:56.# And the feeling of dreaming will rise #
:06:56. > :07:06.Glastonbury! APPLAUSE
:07:06. > :07:08.
:07:08. > :07:18.# I said you'll be the one # Who makes me hard, makes me
:07:18. > :07:18.
:07:18. > :07:22.strong # Makes me feel like I'm alive
:07:22. > :07:25.# Yeah, grow old with me # Let us share what we see
:07:25. > :07:30.# Oh, the best it could be # You and I
:07:30. > :07:40.# I say grow old with me # We'll share what we see
:07:40. > :07:52.
:07:52. > :07:56.# Oh, the best it could be That was Tom O'Dell at Glastonbury
:07:56. > :08:00.2013. Do you know what I really like? You say people have either
:08:00. > :08:04.decided to see the Stones or not. Yes. I think that's one of the
:08:04. > :08:11.great privileges of being at Glastonbury, when you've got one of
:08:11. > :08:15.the world's legendary bands on and you think, know what, I'm going to
:08:15. > :08:19.see someone else. Loads of people saw Public Enemy instead.
:08:19. > :08:24.Absolutely. They were fantastic. Chasing States had to crowd going
:08:24. > :08:28.wild I hear from the young people I know. A good choice. We've got lots
:08:28. > :08:34.of great acoustics, and First Aid Kit are coming in to sing for us in
:08:34. > :08:39.a bit but we have something very exciting. Indeed we have. We talked
:08:39. > :08:49.about the big Malian programme at Glastonbury this year. We have an
:08:49. > :08:49.
:08:49. > :13:32.Apology for the loss of subtitles for 109 seconds
:13:32. > :13:36.artist playing at the Pyramid Stage. awesome. Thank you very much.
:13:36. > :13:40.was smack, that. There was an awkward pause when we were
:13:40. > :13:46.wondering whether it was going to start, but boy, was that worth the
:13:46. > :13:52.wait! And that beaded ball thing had been fashioned from one of
:13:52. > :13:59.Keith Richard's earrings. Captain Jack, he was in great form last
:13:59. > :14:01.night. Yeah. Alarming slightly. But an macing. Speaking of alarming and
:14:01. > :14:10.amazing, Gemma is in the field discovering the delights of
:14:10. > :14:15.Glastonbury. Sorry. Glastonbury, Sunday afternoon, and we've all
:14:15. > :14:20.lost our minds, a place where the abnormal becomes quite the opposite.
:14:20. > :14:26.I am in the Green Peace Field, and it's snowing. They have recreated
:14:26. > :14:33.the arctic - just get out of my cosy tent. Hello. Hello. How are
:14:33. > :14:40.you? I'm all right. This is Ann Daniels, and she's a legend. She's
:14:40. > :14:44.an arctic explorer, a real live one. A real live arctic explorer. You're
:14:44. > :14:51.proper. Tell everyone about some of the amazing experiences you have
:14:51. > :14:54.had proper camping? Proper - I am so lucky. I have gone all the way
:14:54. > :15:00.across Antarctica from the south pole on land to the North Pole. We
:15:00. > :15:05.were the first women in the world to do both the North and South pole.
:15:05. > :15:07.Glastonbury must be a breeze. It's slightly different. In the
:15:07. > :15:14.Green Peace field there are hundreds of people whereas when
:15:14. > :15:17.you're in the North Pole, you see the same people for 18 days. What's
:15:17. > :15:25.the longest you have ever gone without a shower? A lot of people
:15:25. > :15:32.are moaning about three days. 8-0?-0. I am slightly bemused about
:15:32. > :15:38.the queues for the shower. Get dirty. I once did a trek, and I
:15:38. > :15:42.didn't know I could smell so bad. 70 days, and you could break my
:15:42. > :15:47.record. We have a polar bear, which you can all see - beautiful. Have
:15:47. > :15:52.you ever seen a real one? I have actually been stalked by a polar
:15:52. > :15:57.bear about this big for three days, and to be honest, I didn't feel as
:15:57. > :16:02.comfortable as I do now. Stalked by a polar bear? For three days,
:16:02. > :16:06.terrifying. Did it follow you around? No, it came to the tent,
:16:06. > :16:13.left for awhile, then every half an hour to an hour I would see him
:16:13. > :16:18.always to the north of me, and I was going north. They're incredible
:16:18. > :16:23.animals. History repeats itself! I'm going to chill out quite
:16:23. > :16:28.literally. Back over to you guys. I am a bit worried about Gemma. She
:16:28. > :16:36.doesn't look dressed for sub-zero. Thes. When she came out of the tent
:16:36. > :16:44.she looked alarmingly like Brian Blessed. Did they say that was a
:16:44. > :16:47.bipolar bear? She has gone 80 days without a shower, yet she was cold,
:16:47. > :16:52.not sweating. I was there the first day in the queue for the showers -
:16:52. > :16:55.how hot can you get, first day? Touch wood, we have stayed dry
:16:55. > :17:01.since. I think we're going to enjoy some sunshine sounds now,
:17:01. > :17:11.appropriately enough. Played this on 6 Music earlier because they're
:17:11. > :17:42.
:17:42. > :17:52.playing the Congos today? # Row, keep on rowing your boat
:17:52. > :17:59.
:17:59. > :18:06.# Row, fisherman, row # Millions of them
:18:06. > :18:16.# Lots of hungry belly pickney, they ashore
:18:16. > :18:52.
:18:52. > :18:57.# Millions of them # I'm stepping along the seashore
:18:57. > :19:07.# Hail, brother John, have you got any wenchman?
:19:07. > :19:18.
:19:18. > :19:25.# Yes, brother Peter, wenchman, sprat and mackaba #
:19:25. > :19:32.# Row, fisherman, row # Keep on rowing your boat
:19:32. > :19:42.# Brother-man, brother-man. # Row, fisherman, row
:19:42. > :19:46.
:19:46. > :19:50.# We've got to reach on higher grounds
:19:50. > :20:00.# Simon, Peter, James and John come ashore
:20:00. > :20:39.
:20:39. > :20:42.# To feed the hungry belly ones # Quaju Peg the collie man Sell the
:20:42. > :20:52.best collie in sea port town. Quaju Peg the collie man Have the best
:20:52. > :21:19.
:21:19. > :21:26.# United in the Congo, Africa # Yeah!
:21:26. > :21:32.# Raust Farai # Remember, if you drink, don't
:21:32. > :21:42.drive. Keep your eyes on the road. One love, one heart. Congos love
:21:42. > :21:42.
:21:42. > :22:26.Apology for the loss of subtitles for 109 seconds
:22:26. > :22:27.# Quaju Peg the collie man. # Sell the best collie in sea port
:22:27. > :22:37.town. # Quaju Peg the collie man.
:22:37. > :22:47.
:22:47. > :22:51.# Have the best collie weed in town All right. We have another two
:22:51. > :23:01.minutes. We're going to do something else for you. All right.
:23:01. > :23:15.
:23:15. > :23:21.We have another two minutes. Oh, We have a little time, so we want
:23:21. > :23:30.to give you something. Love you. Love you. Love you a lot.
:23:30. > :23:33.Revolution. Yeah. So legends is an overused word at
:23:33. > :23:37.this festival, but reggae legends with strong and health and safety
:23:37. > :23:43.message and also delivering key online messages during songs. If
:23:43. > :23:49.you don't love that, you're basically dead inside. That was the
:23:49. > :23:54.Congos. You can't help but scank? It's like when you see a brass band
:23:54. > :24:00.on a bandstand you have to march in time. Gemma's beard was spectacular,
:24:00. > :24:03.but the white beerds in there were amazing. Which one was Kenny
:24:03. > :24:06.Rogers? You have to wait. We have got Kenny Rogers coming up for you
:24:07. > :24:10.later because it's Sunday, and it's Glastonbury Festival. That's the
:24:10. > :24:15.Kind of thing that happens. We're going to experience something
:24:15. > :24:20.completely different now. We're going to have on stage something
:24:20. > :24:30.from Villagers. Are you sure one of them wasn't? Kenny Rogers? He might
:24:30. > :24:54.
:24:54. > :25:04.# There are waves # Up in the diamond sky
:25:04. > :25:04.
:25:04. > :25:07.# Stronger than you and I # And the waves break through the
:25:07. > :25:09.barrier reef # Cut through the carbon sea
:25:09. > :25:17.# Approaching the shore # Look at the sky
:25:17. > :25:19.# Look at the trees # Man, it's all the same to me
:25:19. > :25:27.# Look at the cars # Look at the birds
:25:27. > :25:30.# And all of these invented words # One body's dying breath is
:25:30. > :25:34.another's birth # What are downing from?
:25:34. > :25:38.# What are you running from? # Sister jewellery
:25:38. > :25:42.# Brother judging # You are recognised, this grudge
:25:42. > :25:45.# Purrried deep beneath the sands of these ridiculous demands
:25:45. > :25:53.# No time for innocence, or sitting on the fence
:25:53. > :25:56.# What are you going to do? What are you going - when the waves
:25:56. > :26:02.# Cover the coastal plains # The tents and the cars and the
:26:02. > :26:06.trains # And the trace of honeybees,
:26:06. > :26:16.sanitarys # Of well-insulated dignitaries
:26:16. > :26:17.
:26:17. > :26:19.# All screaming of the memory of human love
:26:19. > :26:23.# For anyone or anyone # Look at the birds
:26:23. > :26:26.# Look at the bees # Madam, it's all the same to me
:26:26. > :26:28.# Look at the girls # Look at the gold
:26:28. > :26:31.# Gathered, beat and bought and sold
:26:31. > :26:41.# One man's innocence is another's chance
:26:41. > :26:44.
:26:44. > :26:48.# What were you thinking of? # Please let me boil it down to
:26:48. > :26:52.this, my son # This party is getting wet, but it
:26:52. > :26:58.ain't over yet # So what is it going to be? What
:26:58. > :27:01.is it gonna be? # What is it gonna be?
:27:01. > :27:04.# Just let the waves # Cover the coastal plains
:27:04. > :27:08.# The fear and the guilt and the pain
:27:08. > :27:11.# And the trace of honeybee jealousy
:27:12. > :27:15.# Of well-insulated bigotry # And if you don't agree
:27:15. > :27:19.# You better get back inside your cave
:27:19. > :27:29.# Cos we're all dancing with the waves
:27:29. > :27:39.
:27:39. > :27:49.# Up in the diamond sky # Stronger than you and I
:27:49. > :27:50.
:27:50. > :27:55.# Am a wave # A break through the barrier reef
:27:55. > :28:05.# I cut through the carbon sea # Approaching the shore
:28:05. > :28:05.
:28:05. > :29:47.Apology for the loss of subtitles for 109 seconds
:29:47. > :29:57.He's like two halves of one thing, the way they Sing together is
:29:57. > :30:06.
:30:06. > :30:11.incredible. There is something great about Sibling voices. Beach
:30:11. > :30:16.Boys, Everly Brothers, all kinds of things, but these two voices
:30:16. > :30:26.together - shivers down the spine every single time, so this is First
:30:26. > :30:49.
:30:49. > :30:53.# Oh, the bitter wind is coming in # I am already missing the summer
:30:53. > :30:57.# I am told I was born to endure this weather
:30:57. > :31:05.# When it's you I find # Like a ghost in my mind
:31:06. > :31:13.# I am defeated and I gladly # Wear the Crown
:31:13. > :31:19.# I'll be your Emmylou # If you be my June
:31:19. > :31:26.# I'll be your June and Johnny too # I'm not asking much of you
:31:27. > :31:30.# Just sing, little darlin', sing with me
:31:30. > :31:37.# Now, so much I know that things just don't grow
:31:38. > :31:47.# If you don't bless them with your patience
:31:48. > :31:51.
:31:51. > :31:55.# And I been there before # For every stranger with a promise
:31:55. > :31:59.# But I'm holding back # That's the strength that I lack
:31:59. > :32:07.# Every mornin' keeps returnin' at my window
:32:07. > :32:13.# And it brings me you # And I don't just pass through
:32:13. > :32:20.# But I'm not askin' for a storm # I'll be your Emmylou and I'll be
:32:20. > :32:28.your June # If you be my Graham and my Johnny
:32:28. > :32:38.# No, I'm not asking much of you # Just sing, little darlin'
:32:38. > :32:41.
:32:41. > :32:51.# Sing with me # I was frightened
:32:51. > :32:59.
:32:59. > :33:03.# But I need you now # And at long last
:33:03. > :33:11.# I'll be your Emmylou and I'll be your June
:33:11. > :33:18.# If you'll be my Gram and my Johnny too
:33:18. > :33:24.# No, I'm not askin' much of you # Just sing, little darlin'
:33:24. > :33:30.# Sing with me # I'll be your Emmylou and I'll be
:33:30. > :33:35.your June # If you'll be my Gram and my
:33:35. > :33:42.Johnny too # No, I'm not askin' much of you
:33:42. > :33:52.# Just sing, little darlin' # Sing with me
:33:52. > :33:55.
:33:55. > :33:59.# Just sing, little darlin' # Sing with me #
:33:59. > :34:04.APPLAUSE It's just a little piece of heaven,
:34:04. > :34:09.isn't it? I will take many special memories away from Glastonbury 2013,
:34:09. > :34:14.but none more than sitting ten feet away from First Aid Kit singing
:34:14. > :34:19.Emmylou, heavenly. Do you want me to wipe your eye with the
:34:19. > :34:23.microphone? I can do this. Thank you, ladies. Gorgeous. These
:34:23. > :34:29.afternoons are all about bringing you flavour of the massive range of
:34:29. > :34:33.stuff that's going on across the site. There's all sorts of things
:34:33. > :34:37.from cabaret to folk from circus skills to, well, Arcadia, which is
:34:37. > :34:41.a whole world of its own, which we might be checking out later. Right
:34:41. > :34:45.now - I mentioned the circus. Here's our Gemma, who is out
:34:45. > :34:49.exploring all sorts of things at the festival and is considering
:34:49. > :34:53.running away to join the circumstanceus at Glastonbury.
:34:53. > :34:59.Don't ask me what is going on because I don't really know. Um, I
:34:59. > :35:05.think I need to get out of this, guys. So one thing I can guarantee
:35:05. > :35:08.you is that Glastonbury is not all about the music. I am in the circus
:35:08. > :35:15.field where, frankly, your imagination might never recover. I
:35:15. > :35:22.have come across a pop-up circus, of course. It's Igor Rasputin's
:35:22. > :35:28.caravan of lost souls. Welcome to the circus field where we give you
:35:29. > :35:33.things to turn your mind, spur your soul, free your mind and let you go.
:35:33. > :35:36.Blimey. I am looking to join the circus. What do you think? We're
:35:36. > :35:41.looking for a glamorous assistant for the bed of nails later on.
:35:41. > :35:45.have to see what you guys do first. Do you know what? You need to take
:35:45. > :35:50.it away, ringmaster. Welcome to Glastonbury, 2013.
:35:50. > :35:55.APPLAUSE We are bringing you things to turn
:35:55. > :36:00.your mind, turn your stomach, free your spirit and lose your soul, so
:36:00. > :36:10.without further adieu, let's bring on something that'll avenge your
:36:10. > :36:10.
:36:10. > :37:16.Apology for the loss of subtitles for 109 seconds
:37:16. > :37:26.And now, ladies and gentlemen, the And now, ladies and gentlemen, the
:37:26. > :37:44.
:37:45. > :37:49.And now, ladies and gentlemen, the incredible periwinkle! Um, guys,
:37:49. > :37:59.I'm not coming back. I'm joining the circus. This is it. This is
:37:59. > :38:01.
:38:01. > :38:06.what I want from life. See you I worry about that girl. That's
:38:06. > :38:10.what she wants from life - that was scary. That made Tom Waites look
:38:10. > :38:20.like Kenny Rogers. Speaking of which, she is coming up. If you
:38:20. > :38:21.
:38:21. > :38:26.want to Tweet us it's hashtag glasto:
:38:26. > :38:31.Back off, Osmond, and enjoy the next act, which is slightly
:38:31. > :38:38.different to Kenny Rogers... have had Jagger and Mick - that
:38:38. > :38:41.group is Keith Richard's personal house staff. But someone else who
:38:41. > :38:44.has been an indelible presence in our lives. When we revisit it
:38:44. > :38:49.through the Punk Britannia programmes, all the things that
:38:49. > :38:55.went on in that time - the thing that still shocked was seeingionny
:38:55. > :39:01.Rotten sing, wasn't it? Absolutely. Still startling. As he said on
:39:01. > :39:07.Music 6, no Johnny Rotten, no John Liedon. We can get to know him a
:39:07. > :39:17.little bit better because Public Image Limited are at Glastonbury
:39:17. > :39:36.
:39:36. > :39:40.this year and on your television # I could be wrong
:39:40. > :39:42.# I could be right # I could be wrong
:39:42. > :39:45.# I could be right # I could be black
:39:46. > :39:55.# I could be white # I could be right
:39:56. > :39:56.
:39:56. > :40:52.Apology for the loss of subtitles for 109 seconds
:40:52. > :41:02.# I could be wrong # They put a hot wire to my hand
:41:02. > :41:13.
:41:13. > :41:23.# Because of the things I didn't say #
:41:23. > :41:32.
:41:32. > :41:42.# I could be wrong # Anger is an energy
:41:42. > :42:03.
:42:03. > :42:13.# The anger is an energy # What is anger?
:42:13. > :42:14.
:42:14. > :42:24.# The anger is an energy # Anger is an energy
:42:24. > :42:24.
:42:24. > :43:16.Apology for the loss of subtitles for 109 seconds
:43:16. > :43:23.I could be wrong # I could be right
:43:23. > :43:30.# I could be wrong # I could be right
:43:30. > :43:40.# They put a hot wire to my head # Cos of the things I did and said
:43:40. > :43:46.
:43:46. > :43:48.# Make this feeling go away # Model citizen in every way
:43:48. > :43:53.# The cost so high # The gain so low
:43:53. > :44:03.# Walk through the valley # The written word is a lie
:44:03. > :44:36.
:44:36. > :44:46.# May the road rise with you # Anger is an energy
:44:46. > :44:46.
:44:46. > :45:55.Apology for the loss of subtitles for 109 seconds
:45:55. > :46:00.That was a choice of viewing and listening at Glastonbury while
:46:00. > :46:04.Kenny Rogers was on one stage, John Lydon was on another. Something for
:46:04. > :46:07.everyone. If you have been waiting for Kenny, then you have seen a
:46:07. > :46:12.wonderful variety of things to warm you up for what you evidently
:46:12. > :46:17.consider the main act. I don't think you're ready for this Kenny
:46:17. > :46:21.as Beyonce once said! But to get you primed, ready and indeed agape
:46:21. > :46:25.for the great man, let's enjoy a little reminder of the Kenny Rogers
:46:25. > :46:29.story, shall we? Should such be needed, but let's do it.
:46:29. > :46:34.# Here we have it # The impeccably groomed facial
:46:34. > :46:40.furniture of one man has remained synonymous with feel-good country
:46:40. > :46:47.pop for decades. Velvety voiced Kenny Rogers has crafted a career
:46:47. > :46:51.spanning 65 albums and 120 million record sales. This year he makes
:46:51. > :46:54.his Glastonbury debut on the Pyramid Stage in the traditional
:46:54. > :47:01.Sunday sing-along slot. I am thrilled and honoured to be invited
:47:01. > :47:05.to Glastonbury. I know it's a special treat. The Houston-born son
:47:05. > :47:09.of a carpenter scored hits in the early '60s with the First Edition,
:47:09. > :47:15.but it was a classic country offering in 1969 that sowed the
:47:15. > :47:21.seeds for his smooth signature sound.
:47:21. > :47:29.# Oh, Rudy # Don't take your love to town #
:47:29. > :47:31.In 1977 one particular tale of a barroom encounter in to tell lido
:47:31. > :47:36.finally catapulted him to international stardom
:47:36. > :47:40.# You picked a fine time to leave me, Lucille #
:47:40. > :47:45.Lucille marked the beginning of a string of hits for Kenny. A second
:47:45. > :47:49.number one followed in 1980 with Coward of the County
:47:49. > :47:56.# Promise me, son # In addition to solo success, Rogers
:47:56. > :48:03.also found fame with his immense collaborative prowess that same
:48:03. > :48:07.year the smoothly penned Lionel Richie-penned ballad took Lady to
:48:07. > :48:10.the top of the charts # Lady, your love is the only love
:48:10. > :48:15.I need # But perhaps most well known to us
:48:15. > :48:17.Brits is his unforgettable 1983 duet with the Queen of country
:48:17. > :48:22.herself. # Islands in the stream
:48:22. > :48:27.# That is what we are # No-one in between
:48:27. > :48:31.# How can we be wrong? # Dolly, I give her full credit for
:48:31. > :48:34.that song. I'll take the money, but she can have the credit. It's a fun
:48:34. > :48:38.song. I really look forward to doing it.
:48:38. > :48:44.# From one lover to another # Continuing to release records
:48:44. > :48:52.through the late '80s and '90s he focused more to TV appearances and
:48:52. > :48:57.his famous chicken restaurants. It's Kenny Rogers' restaurant!
:48:57. > :49:00.get ready for a post-roast portion of hits as Kenny serves up some
:49:01. > :49:05.classics from the Pyramid Stage, leaving Glastonbury in no doubt
:49:05. > :49:08.that true gentlemen sing smooth, stay groomed and treat the ladies
:49:08. > :49:12.right. The thing I am looking forward to the most at Glastonbury
:49:12. > :49:17.is that's a lot of people singing Lucille and Coward of the County
:49:17. > :49:21.and all of those songs. # Everybody really loud! # It's for
:49:21. > :49:31.that crowd involvement and to have that sized crowd saing long with me
:49:31. > :50:01.
:50:01. > :50:06.will be wonderful. That's what I # Show me a bar
:50:06. > :50:07.# I'll show you a song # Sooner or later
:50:08. > :50:09.# And I'll think of somethin' to say
:50:09. > :50:10.# Whoa, I can take her or leave her
:50:10. > :50:12.# I'd like to take her away
:50:12. > :50:14.# Liquor and music A good combination
:50:14. > :50:16.# If you've got love on the brain
:50:16. > :50:22.# I never knew two women who acted the same
:50:22. > :50:29.# Some want a drink first And some want to just sit and talk
:50:29. > :50:31.# Whoa, oh, it's two in the mornin'
:50:31. > :50:37.# I'm running and she wants to walk
:50:37. > :50:40.# Something's got a hold on me
:50:40. > :50:44.# It's cheap but it ain't free
:50:44. > :50:47.# Love or something like
:50:47. > :50:57.# It's got a hold on me
:50:57. > :50:58.
:50:58. > :51:01.# That's when I asked her "My place or your place"
:51:01. > :51:04.# I hope I'm not out of line
:51:04. > :51:10.# I asked the wrong thing But just the right woman this time
:51:10. > :51:17.# She knew a hotel She even had a name we could sign
:51:17. > :51:20.# Whoa, oh The cheaper the grapes are
:51:20. > :51:25.# The sweeter the taste of the wine
:51:26. > :51:29.# Something's got a hold on me
:51:29. > :51:32.# It's cheap but it ain't free
:51:32. > :51:36.# Love or something like it
:51:36. > :51:40.# It's got a hold on me
:51:40. > :51:43.# Something's got a hold on me
:51:43. > :51:46.# It's cheap but it ain't free
:51:46. > :51:49.# Love or something like it
:51:49. > :51:54.# It's got a hold on me
:51:54. > :51:56.# Love or something damn near like it
:51:56. > :52:06.# It's got a hold on me. #
:52:06. > :52:07.
:52:07. > :52:17.CHEERING AND APPLAUSE
:52:17. > :52:20.
:52:20. > :52:20.See
:52:20. > :52:20.See how
:52:20. > :52:23.See how many
:52:23. > :52:33.See how many of your family members you recognise on this picnic family
:52:33. > :53:03.
:53:03. > :53:06.Get up # Get up
:53:06. > :53:09.# There's dancing to be done # The party's just begun
:53:09. > :53:19.# Everybody's having a good time # Get up
:53:19. > :53:45.
:53:45. > :53:49.# You and me # It feels so good
:53:49. > :53:51.# Just to be together # God only help us
:53:51. > :53:54.# It gets better # Better
:53:54. > :53:59.# Get up # There's dancing to be done
:53:59. > :54:00.# The party has just begun # Everybody is going to have a good
:54:01. > :54:06.time # Get up
:54:06. > :54:16.# Let's celebrate our love # For one another
:54:16. > :54:20.
:54:20. > :54:30.# All day, all night # It's a beautiful life #
:54:30. > :54:34.# These are the days # So get a little closer
:54:34. > :54:38.# Sing a little louder # Get up, get up
:54:38. > :54:39.# The party's just begun # Everybody's going to have a good
:54:40. > :54:45.time # Get up
:54:45. > :54:48.# Let's celebrate our love # For one another
:54:48. > :54:51.# All day # All night
:54:51. > :55:01.# Yeah, it's a beautiful life # Whoa!
:55:01. > :55:02.
:55:02. > :55:09.# It's a beautiful life APPLAUSE
:55:09. > :55:16.Thank you very much, and welcome. OK. What's wrong with this picture
:55:16. > :55:25.- Glastonbury, Kenny Rogers? It just - I am so far out of my
:55:25. > :55:29.comfort zone here. APPLAUSE
:55:29. > :55:35.I'm really not used to playing for such small audiences. I mean, this
:55:35. > :55:38.is really new for me. But I want you to know I been watching you
:55:38. > :55:42.guys on television. I think this is so exciting, and I'm so flattered
:55:42. > :55:46.to be a part of this, and sooner or later before this show is over,
:55:46. > :55:50.you're going to have a good time, and you're going to help me sing
:55:50. > :55:56.some songs. I promise you. This song - a lot of these first songs
:55:56. > :56:00.you may not know, but we're going to get to your songs, I promise you.
:56:00. > :56:10.This song is from an album - my God, four years ago... Ten.Ten. That's
:56:10. > :56:17.
:56:18. > :56:21.# He was sitting on a bar stool # A picture from a cheating son
:56:21. > :56:26.# She had been standing at the jukebox
:56:26. > :56:36.# Dropping quarters all night long # So she said
:56:36. > :56:50.
:56:50. > :56:54.# Tell me # "If you wanna find silver
:56:54. > :56:59.# "If you wanna find love Go looking at home"
:56:59. > :57:02.# She touched the gold ring on his finger
:57:02. > :57:08.# And held it to the jukebox light
:57:08. > :57:13.# And she said "Stranger, think what you're losing
:57:13. > :57:20.# "If you leave here with me tonight"
:57:20. > :57:27.# So he hold her body closer She felt feelings she'd never known
:57:27. > :57:32.# And he said "Thank you, for the lesson
:57:32. > :57:41.# "And if you need me I'll be at home. "
:57:41. > :57:43.# "If you wanna find gold Go looking in the mountains
:57:43. > :57:47.# "If you wanna find silver Go digging in stones
:57:47. > :57:52.# "If you wanna find heaven Go reading in the Bible
:57:52. > :58:00.# "If you wanna find love Go looking at home"
:58:01. > :58:04.# "If you wanna find love Go looking at home"
:58:04. > :58:14.CHEERING AND APPLAUSE
:58:14. > :58:19.
:58:19. > :58:25.# You've painted up your lips and rolled and curled your tinted hair
:58:25. > :58:30.# Ruby, are you contemplating going out somewhere?
:58:31. > :58:39.# The shadow on the wall tells me the sun is going down
:58:39. > :58:49.# Oh, Ruby Don't take your love to town
:58:49. > :58:51.
:58:51. > :58:55.# It wasn't me that started that crazy Asian war
:58:55. > :59:05.# But I was proud to go and do my patriotic chore
:59:05. > :59:05.
:59:05. > :59:13.# And, yes, it's true that I'm not the man I used to be
:59:13. > :59:23.# Oh, Ruby I still need some company
:59:23. > :59:29.
:59:29. > :59:36.# She's leaving now cos I just heard the slamming of the door
:59:36. > :59:42.# The way I know I've heard it some 100 times before
:59:42. > :59:49.# And if I could move I'd get my gun and put her in the ground
:59:49. > :59:59.# Oh, Ruby Don't take your love to town
:59:59. > :00:04.
:00:04. > :00:12.# Oh, Ruby For God's sake, turn around
:00:13. > :00:22.CHEERING AND APPLAUSE
:00:23. > :00:26.
:00:26. > :00:26.You
:00:26. > :00:26.You will
:00:26. > :00:36.You will do
:00:36. > :00:50.
:00:50. > :00:54.# Everyone considered him # He'd never stood one single time
:00:54. > :00:58.# His mama named him Tommy But folks just called him yellow
:00:58. > :01:06.# Something always told me they were reading Tommy wrong
:01:06. > :01:10.# He was only ten years old when his daddy died in prison
:01:10. > :01:17.# I looked after Tommy Cos he was my brother's son
:01:17. > :01:24.# I still recall the final words my brother said to Tommy
:01:24. > :01:30.# "Son, my life is over But yours has just begun
:01:30. > :01:34.# "Promise me, son Not to do the things I've done
:01:34. > :01:39.# "Walk away from trouble if you can
:01:39. > :01:44.# "Now it don't mean you're weak if you turn the other cheek
:01:44. > :01:49.# "And I hope you're old enough to understand
:01:49. > :01:59.# "Son, you don't have to fight to be a man"
:01:59. > :02:02.
:02:02. > :02:04.# The Gatlin boys just laughed at him when he walked into the bar room
:02:04. > :02:06.# One of them got up and met him halfway cross the floor
:02:06. > :02:12.# Tommy turned around, they said "Hey, look, old yeller's leavin'"
:02:12. > :02:13.# You could've heard a pin drop
:02:13. > :02:18.# When Tommy stopped and locked the door
:02:18. > :02:23.# 20 years of crawling was bottled up inside him
:02:23. > :02:29.# He wasn't holding nothing back He let 'em have it all
:02:29. > :02:35.# Tommy left the bar room Not a Gatlin boy was standing
:02:36. > :02:40.# He said, "This one's for Becky As he watched the last one fall
:02:40. > :02:42.# And I heard him say
:02:42. > :02:47.# "I promised you, Dad Not to do the things you've done
:02:47. > :02:50.# "I walk away from trouble when I can
:02:50. > :02:56.# "Now please don't think I'm weak I didn't turn the other cheek
:02:56. > :03:00.# "Papa, I should hope you understand
:03:00. > :03:06.# "Sometimes you gotta fight when you're a man"
:03:06. > :03:15.# Everyone considered him the coward of the county
:03:15. > :03:25.CHEERING AND APPLAUSE
:03:25. > :03:28.
:03:29. > :03:30.# Daytime friends and night-time lovers
:03:30. > :03:32.# Hoping no-one else discovers where they go, what they do
:03:32. > :03:35.# In their secret hideaway
:03:35. > :03:39.# Daytime friends and night-time lovers
:03:39. > :03:42.# They don't want to hurt the others
:03:42. > :03:45.# So they love in the night-time
:03:45. > :03:55.# And shake hands in the light of day
:03:55. > :04:01.# And when it's over there's no peace of mind
:04:01. > :04:08.# Just a longin' for the way things should have been
:04:08. > :04:14.# And she wonders why some men never find
:04:14. > :04:24.# That a woman needs a lover and a friend
:04:24. > :04:25.
:04:25. > :04:28.# Daytime friends and night-time lovers
:04:28. > :04:31.# Hoping no-one else discovers where they go, what they do
:04:31. > :04:35.# In their secret hideaway
:04:35. > :04:38.# Daytime friends and night-time lovers
:04:38. > :04:42.# They don't want to hurt the others
:04:42. > :04:46.# So they love in the night-time
:04:46. > :04:56.# And shake hands in the light of day
:04:56. > :04:59.
:04:59. > :05:01.# Daytime friends
:05:01. > :05:11.CHEERING AND APPLAUSE
:05:11. > :05:12.
:05:12. > :05:12.I'm
:05:12. > :05:12.I'm going
:05:12. > :05:20.I'm going to
:05:20. > :05:24.you see the big Labouski? This was used in that and normally I have a
:05:25. > :05:34.movie screen that shows me singing this when I was 30 years old! You
:05:35. > :05:47.
:05:47. > :05:55.need to see that. But it's just a # I woke up this mornin'
:05:55. > :05:59.# I tripped on a cloud and fell-a eight miles high
:05:59. > :06:04.# I tore my mind on a jagged sky
:06:04. > :06:11.# I just dropped in to see what condition my condition was in
:06:11. > :06:15.# Yeah, yeah, oh-yeah
:06:15. > :06:20.# What condition my condition was in
:06:20. > :06:25.# I pushed my soul in a deep, dark hole and then I followed it in
:06:25. > :06:34.# I watched myself crawlin' out as I was a-crawlin' in
:06:34. > :06:38.# I got up so tight I couldn't unwind
:06:38. > :06:43.# I saw so much I broke my mind
:06:43. > :06:53.# I just dropped in to see what condition my condition was in
:06:53. > :06:58.# I just dropped in to see what condition my condition was in
:06:58. > :07:08.# Yeah, yeah, oh-yeah
:07:08. > :07:11.
:07:11. > :07:21.CHEERING AND APPLAUSE
:07:21. > :07:36.
:07:36. > :07:36.As
:07:36. > :07:36.As I
:07:36. > :07:43.As I look
:07:43. > :07:47.realise that probably 50% of you weren't even born in 1967. I'm
:07:47. > :07:52.convinced alet this point in my career that my audience consists of
:07:52. > :07:57.two different groups, people born in 1980 or later, or people born before
:07:57. > :08:02.1960 but who can no longer remember 1960!
:08:02. > :08:09.So I want to share with you, for those of you who've never heard the
:08:09. > :08:14.song before, the full social comet of what that song said for this
:08:14. > :08:19.generation. Listen to the second verse of Just Dropped In. Now you
:08:19. > :08:24.will understand why the 60s were so screwed up.
:08:24. > :08:30.# I pushed my soul in a deep dark hole
:08:31. > :08:36.# Then I followed it in # I watched myself crawling out
:08:36. > :08:38.# As I was crawling in # I got so uptight, I couldn't
:08:38. > :08:43.unwind # I saw so much
:08:43. > :08:53.# I broke my mind # And I just dropped in to see
:08:53. > :08:58.# What condition my condition was in! #
:08:58. > :09:04.Nothing else young or old I think we can all agree right here tonight.
:09:04. > :09:07.They just don't write songs like that any more.
:09:07. > :09:12.APPLAUSE You know, I've been so blessed in my
:09:12. > :09:22.career to be able to do duets with some of the most talented and
:09:22. > :09:27.beautiful women in country music, Kim Carns, Sheena Easton and my
:09:27. > :09:37.buddy Dolly Parton. But putting partners aside, this is my favourite
:09:37. > :09:48.
:09:48. > :09:56.duet I've ever done. I did this with # I know it's late
:09:56. > :10:01.# Still here we are # Longing for shelter
:10:01. > :10:08.# Why should we worry? No-one will care, girl
:10:08. > :10:17.# Look at the stars now so far away
:10:18. > :10:22.# We've got tonight Who needs tomorrow?
:10:22. > :10:26.# We've got tonight, babe
:10:26. > :10:29.# Why don't you stay?
:10:29. > :10:35.# Deep in my soul I've been so lonely
:10:35. > :10:41.# All of my hopes fading away
:10:41. > :10:47.# I've longed for love Like everyone else does
:10:47. > :10:54.# I know I'll keep searching after today
:10:54. > :11:02.# So there it is, girl I've said it all now
:11:02. > :11:07.# And here we are, babe What do you say?
:11:07. > :11:14.# We've got tonight Who needs tomorrow?
:11:14. > :11:22.# We've got tonight, babe Why don't you stay?
:11:22. > :11:27.# I know it's late and I know you're weary
:11:27. > :11:33.# I know your plans don't include me
:11:33. > :11:43.# Still here we are Both of us lonely
:11:43. > :11:52.# Both of us lonely
:11:52. > :11:58.# We've got tonight Who needs tomorrow?
:11:58. > :12:05.# Let's make it last Let's find a way
:12:05. > :12:10.# Turn out the light
:12:10. > :12:12.# Oooooh-ho, come take my hand now
:12:12. > :12:21.# We've got tonight, babe Why don't you stay?
:12:21. > :12:31.# We've got tonight, babe Why don't you stay?
:12:31. > :12:38.
:12:38. > :12:48.CHEERING AND APPLAUSE
:12:48. > :12:48.
:12:48. > :13:42.Apology for the loss of subtitles for 109 seconds
:13:42. > :13:42.#
:13:42. > :13:43.# Stand
:13:43. > :13:43.# Stand up
:13:43. > :13:43.# Stand up #
:13:43. > :13:43.# Have
:13:44. > :13:44.# Have you
:13:44. > :13:46.# Have you ever
:13:46. > :13:56.# Have you ever been there # Stand up
:13:56. > :14:06.
:14:06. > :14:11.# Tell us all about it # Thought I was a Heman
:14:11. > :14:15.# Do it just for me # Knew just what to do
:14:15. > :14:17.# Thought I was a hero # I said stand up
:14:17. > :14:21.# Have you ever been there? # Stand up
:14:21. > :14:24.# Out in the crowd # Stand up
:14:24. > :14:34.# Tell us all about it # Stand up
:14:34. > :14:38.# Receive... # Stand up collapse #
:14:38. > :14:45.I see thousands of people back at the back sitting down who never
:14:45. > :14:49.stood up. Boooo... Boooo we all say.
:14:49. > :14:56.One more chance. I wanna see you stand up back there.
:14:56. > :14:58.Here we go. # Stand up
:14:58. > :15:00.# Have you ever been there # Stand up
:15:00. > :15:04.# Out in the crowd # Stand up
:15:04. > :15:11.# Tell us all about it # Stand up
:15:11. > :15:18.# Testify... # CHEERING AND APPLAUSE
:15:18. > :15:22.We got some of you! Not all of 'em but some of 'em.
:15:22. > :15:26.I found a song about friendship. I think we can all agree, it's
:15:26. > :15:32.particularly difficult, in your lifetime, to find one person that
:15:32. > :15:36.you can call and truly count on to be your friend. I promise you this,
:15:36. > :15:44.it's equally as difficult to find a song that says it well.
:15:44. > :15:49.And this song is Have A Little Faith In Me, there's a place in the middle
:15:49. > :15:54.for you guys to sing. We'll do it a couple of times for you to learn it.
:15:54. > :16:04.Please, I beg you, do not sing it until you learn it! Especially that
:16:04. > :16:34.
:16:34. > :16:44.# When the road gets dark # Let my love throw a spark, girl
:16:44. > :16:47.
:16:47. > :16:57.# When the tears that you cry are all you can believe
:16:57. > :16:59.
:16:59. > :17:05.# I will reach out with these loving arms
:17:05. > :17:14.# If you have a little faith in me
:17:14. > :17:16.# Have a little faith in me
:17:16. > :17:22.# Have a little faith in me
:17:22. > :17:32.# Have a little faith in me
:17:32. > :17:49.
:17:49. > :17:59.# When your secret heart # I will help you
:17:59. > :18:08.
:18:08. > :18:18.# When your back's against # Look around, you will see
:18:18. > :18:18.
:18:18. > :19:02.Apology for the loss of subtitles for 109 seconds
:19:03. > :19:12.# Have a little faith # Have a little faith
:19:13. > :19:44.
:19:44. > :19:54.# On a warm summer's eve # The boredom overtook us
:19:54. > :19:58.# "Knowin' what the cards were By the way they held their eyes
:19:58. > :20:03.# "So if you don't mind my sayin' I can see you're out of aces
:20:03. > :20:09.# "For a taste of your whisky I'll give you some advice"
:20:09. > :20:15.# So I handed him my bottle and he drank down my last swallow
:20:15. > :20:19.# Then he bummed a cigarette and asked me for a light
:20:19. > :20:24.# And the night got deathly quiet and his faced lost all expression
:20:24. > :20:29.# He said, "If you're gonna play the game, boy
:20:29. > :20:31.# "You gotta learn to play it right
:20:31. > :20:32.# "You've got to know when to hold 'em
:20:32. > :20:34.# "Know when to fold 'em
:20:34. > :20:37.# "Know when to walk away
:20:37. > :20:39.# "Know when to run
:20:39. > :20:44.# "You never count your money when you're sittin' at the table
:20:44. > :20:53.# "There'll be time enough for countin' when the dealin's done
:20:53. > :20:57.# "Every gambler knows that the secret to survivin'
:20:57. > :21:01.# "Is knowin' what to throw away and knowin' what to keep
:21:01. > :21:07.# "Cos every hand's a winner and every hand's a loser
:21:07. > :21:09.# "And the best that you can hope for
:21:09. > :21:13.# "Is to die in your sleep"
:21:13. > :21:17.# And when he finished speakin' He turned back toward the window
:21:17. > :21:22.# Crushed out his cigarette And faded off to sleep
:21:22. > :21:27.# And somewhere in the darkness The gambler he broke even
:21:27. > :21:32.# And in his final words I found an ace that I could keep
:21:32. > :21:34.# You've got to know when to hold 'em
:21:34. > :21:36.# Know when to fold 'em
:21:36. > :21:39.# Know when to walk away
:21:39. > :21:42.# And know when to run
:21:42. > :21:46.# You never count your money when you're sittin' at the table
:21:46. > :21:52.# There'll be time enough for countin' when the dealin's done
:21:52. > :21:54.# You've got to know when to hold 'em
:21:54. > :21:56.# Know when to fold 'em
:21:56. > :21:58.# Know when to walk away
:21:58. > :22:01.# And know when to run
:22:02. > :22:06.# You never count your money when you're sittin' at the table
:22:06. > :22:14.# There'll be time enough for countin' when the dealin's done
:22:14. > :22:24.CHEERING AND APPLAUSE
:22:24. > :22:27.
:22:27. > :22:28.# You've got to know when to hold 'em
:22:28. > :22:29.# Know when to fold 'em
:22:29. > :22:31.# Know when to walk away
:22:31. > :22:34.# And know when to run
:22:34. > :22:39.# You never count your money when you're sittin' at the table
:22:39. > :22:45.# There'll be time enough for countin' when the dealin's done. #
:22:45. > :22:55.CHEERING AND APPLAUSE
:22:55. > :23:07.
:23:07. > :23:09.# In a bar in Toledo Across from the depot
:23:09. > :23:13.# On a bar stool She took off her ring
:23:13. > :23:19.# I thought I'd get closer So I walked on over
:23:19. > :23:24.# I sat down and asked her name
:23:24. > :23:29.# When the drinks finally hit her She said I'm no quitter
:23:29. > :23:33.# But I finally quit livin' on dreams
:23:33. > :23:39.# I'm hungry for laughter And here ever after
:23:39. > :23:47.# I'm after whatever the other life brings
:23:47. > :23:51.# In the mirror I saw him And I closely watched him
:23:51. > :23:56.# I thought how he looked out of place
:23:56. > :24:02.# He came to the woman Who sat there beside me
:24:02. > :24:08.# He had a strange look on his face
:24:08. > :24:12.# The big hands were calloused He looked like a mountain
:24:12. > :24:18.# For a minute I thought I was dead
:24:18. > :24:23.# But he started shakin' His big heart was breakin'
:24:23. > :24:28.# He turned to the woman and said
:24:28. > :24:35.# You picked a fine time to leave me, Lucille
:24:35. > :24:41.# With four hungry children And a crop in the field
:24:41. > :24:46.# I've had some bad times Lived through some sad times
:24:46. > :24:51.# But this time Your hurtin' won't heal
:24:51. > :25:01.# You picked a fine time to leave me, Lucille
:25:01. > :25:17.
:25:17. > :25:17.OK,
:25:18. > :25:18.OK, this
:25:18. > :25:28.OK, this was
:25:28. > :25:39.
:25:39. > :25:42.swaying. You look like thousands of # After he left us
:25:42. > :25:43.# From the lights of the bar room To a rented hotel room
:25:43. > :25:45.# We walked without talkin' at all
:25:45. > :25:49.# She was a beauty But when she came to me
:25:49. > :25:53.# She must have thought I'd lost my mind
:25:53. > :26:00.# I couldn't hold her Cos the words that he told her
:26:00. > :26:05.# Kept coming back time after time
:26:05. > :26:10.# You picked a fine time to leave me, Lucille
:26:10. > :26:17.# With four hungry children And a crop in the field
:26:17. > :26:22.# I've had some bad times Lived through some sad times
:26:22. > :26:27.# But this time Your hurtin' won't heal
:26:27. > :26:33.# You picked a fine time to leave me, Lucille
:26:33. > :26:42.# You picked a fine time to leave me, Lucille
:26:42. > :26:52.CHEERING AND APPLAUSE
:26:52. > :27:03.
:27:03. > :27:04.For
:27:04. > :27:04.For the
:27:04. > :27:07.For the benefit
:27:07. > :27:13.For the benefit of those of you who may have seen this show before, I
:27:13. > :27:18.will explain this moment of obvious confusion. For 30 years, literally,
:27:18. > :27:23.since the night I recorded Lucille, every night when I finished singing
:27:23. > :27:28.that song, I lay my microphone down on the stool, I turn around, I wave
:27:28. > :27:36.goodbye, I go over and hide behind the backstage and I pretend I'm not
:27:36. > :27:43.coming back. Well I'm sick of that.
:27:43. > :27:50.APPLAUSE You know what, think about this.
:27:50. > :27:55.Encores are so silly. It's not like you don't know I'm coming back.
:27:55. > :28:01.You know what else, the older you get, the more you learn to save
:28:01. > :28:06.those very valuable steps. I have visions of them rolling me out of
:28:06. > :28:10.here some day in a wheelchair and me saying "you picked a fine time" and
:28:10. > :28:14.they'll just roll me out of here. Would you guys do me a special
:28:14. > :28:22.favour and help me say thank you to seven very talented young men.
:28:22. > :28:32.Repeat after me. Wait, repeat after Steve. Steve.Oh yes. Brian. Brian.
:28:32. > :28:34.
:28:34. > :28:39.Warren. Warren.Randy. Randy.Mike. Mike. Chuck.Chuck. And Gene.Gene.
:28:39. > :28:49.And what was Brian's name again? Brian!
:28:49. > :28:54.
:28:54. > :29:03.# Lady, I'm your knight # You have made me what I am
:29:03. > :29:10.# My love, there's so many ways I want to say I love you
:29:10. > :29:20.# Let me hold you in my arms forever more
:29:20. > :29:24.
:29:24. > :29:30.# You have gone and made me such a fool
:29:30. > :29:37.# I'm so lost in your love
:29:37. > :29:47.# And, oh, we belong together
:29:47. > :29:47.
:29:47. > :29:57.# Won't you believe in my song?
:29:57. > :30:04.# Lady, for so many years I thought I'd never find you
:30:04. > :30:14.# You have come into my life and made me whole
:30:14. > :30:17.
:30:17. > :30:24.# Forever let me wake to see you each and every morning
:30:24. > :30:34.# Let me hear you whisper softly in my ear
:30:34. > :30:37.
:30:37. > :30:45.# In my eyes I see no-one else but you
:30:45. > :30:50.# There's no other love like our love
:30:50. > :30:57.# And, yes, oh yes I'll always want you near me
:30:57. > :31:06.# I've waited for you for so long
:31:06. > :31:16.# Lady, your love's the only love I need
:31:16. > :31:19.
:31:19. > :31:29.# And beside me is where I want you to be
:31:29. > :31:32.
:31:32. > :31:42.# Cos, my love There's somethin' I want you to know
:31:42. > :31:45.
:31:45. > :31:52.# You're the love of my life
:31:52. > :32:02.# You're my lady. #
:32:02. > :32:03.
:32:03. > :32:13.CHEERING AND APPLAUSE
:32:13. > :32:29.
:32:29. > :32:30.# Baby, when I met you There was peace unknown
:32:30. > :32:31.# I set out to get you with a fine-tooth comb
:32:31. > :32:38.# I was soft inside There was something going on
:32:38. > :32:47.# You do something to me that I can't explain
:32:47. > :32:48.# Hold me closer and I feel no pain
:32:48. > :32:49.# Every beat of my heart
:32:49. > :32:53.# We got something going on
:32:54. > :32:58.# Tender love is blind It requires a dedication
:32:58. > :33:02.# All this love we feel needs no conversation
:33:02. > :33:05.# We can ride it together, ah-ha
:33:05. > :33:09.# Making love with each other, ah-ha
:33:09. > :33:11.# Islands in the stream
:33:11. > :33:12.# That is what we are
:33:12. > :33:14.# No-one in-between
:33:14. > :33:16.# How can we be wrong?
:33:16. > :33:20.# Sail away with me to another world
:33:20. > :33:24.# And we rely on each other, ah-ha
:33:24. > :33:31.# From one lover to another, ah-ha
:33:31. > :33:34.# I can't live without you if the love was gone
:33:34. > :33:38.# Everything is nothing if you got no-one
:33:38. > :33:40.# And you did walk in the night
:33:40. > :33:45.# Slowly losing sight of the real thing
:33:45. > :33:47.# But that won't happen to us
:33:47. > :33:49.# And we got no doubt
:33:49. > :33:53.# Too deep in love and we got no way out
:33:53. > :33:55.# And the message is clear
:33:55. > :34:00.# This could be the year for the real thing
:34:00. > :34:02.# No more will you cry
:34:02. > :34:04.# Baby, I will hurt you never
:34:04. > :34:06.# We start and end as one
:34:06. > :34:08.# In love forever
:34:08. > :34:11.# We can ride it together, ah-ha
:34:11. > :34:16.# Making love with each other, ah-ha
:34:16. > :34:17.# Islands in the stream
:34:17. > :34:19.# That is what we are
:34:19. > :34:21.# No-one in-between
:34:21. > :34:23.# How can we be wrong?
:34:23. > :34:26.# Sail away with me to another world
:34:26. > :34:31.# And we rely on each other, ah-ha
:34:31. > :34:40.# From one lover to another, ah-ha
:34:40. > :34:46.# Sail away
:34:46. > :34:53.CHEERING AND APPLAUSE
:34:53. > :34:54.CHEERING AND APPLAUSE Thank
:34:54. > :34:58.CHEERING AND APPLAUSE Thank you
:34:58. > :35:08.much, Glastonbury. Thanks for having us here. Thanks for standing up in
:35:08. > :35:08.
:35:08. > :35:18.the rain. Thank you, guys! 50 years in the biz, 120 million
:35:18. > :35:21.albums sold. Kenny Rogers. I did miss Dolly on the final track. A
:35:21. > :35:26.long-held dream to have her here. Maybe next year. We were a bit
:35:26. > :35:30.sketchy on words, but it was a creditable attempt. I liked Kenny
:35:30. > :35:36.actually, he's not changed at all, has he? No.I like the way his
:35:36. > :35:40.banter was and didn't seem he rehearsed, it seemed to be
:35:40. > :35:43.spontaneous. Stop swaying, he said. He's done acting, singing
:35:43. > :35:48.photography, he was a writer as well, very much an all-rounder and
:35:48. > :35:52.he's engaged with the world, which is wonderful to see. A memorable
:35:52. > :35:56.song catalogue, you know. It really worked. He worked the crowd. They
:35:56. > :36:01.were not going to get away without singing, he was going to make 'em
:36:01. > :36:07.sing along. So that was Kenny Rogers on the
:36:07. > :36:11.Pyramid Stage earlier. Immediately he came off, he was accosted by the
:36:11. > :36:15.fragrant iley. Tell me what it was like then? What had you heard about
:36:15. > :36:20.Glastonbury before you came here? was a little disappointed in the
:36:20. > :36:23.fact that it wasn't wet and muddy. I've seen some of the shots from
:36:23. > :36:27.earlier when people were rolling around in the mud, so I couldn't
:36:27. > :36:30.wait for that! But it was everything it was
:36:30. > :36:34.supposed to be and more. We had a great day. I think the people
:36:34. > :36:39.appreciated no rain and certainly I did. That's good. And did you watch
:36:39. > :36:42.the Rolling Stones last night? did. I thought they were awesome.
:36:42. > :36:46.Night-time is so much more dramatic, you can do so much more with the
:36:46. > :36:51.light, but I've got to give Mick Jagger credit. He's not far out of
:36:51. > :36:57.my age. What is the age difference between you? I think he's 70. I'll
:36:57. > :37:01.be 75 in August. So the next five years is going to hit him hard too.
:37:01. > :37:07.I was great five years ago. could move like that five years ago?
:37:07. > :37:10.I was running around stage five years ago doing that. I thoroughly
:37:10. > :37:14.enjoyed it, got home and watched them on TV. Have you ever met them
:37:14. > :37:18.before? Never. They are probably one of the few groups I haven't at least
:37:18. > :37:21.said hello to. You were on stage, talking about the crowd and the
:37:21. > :37:28.sing-along that you were anticipating, it didn't come at
:37:28. > :37:34.first, did it, you did Ruby Don't Take Your Love To Town? It's one of
:37:34. > :37:39.those songs. Wherever I go, that has a ring of flairty about it and then
:37:39. > :37:45.when you get into Coward of the County and lieu sell and Islands in
:37:45. > :37:49.the Stream and the Gambler, people love to song those. It's so much
:37:49. > :37:57.more fun for me. I'm more an entertainer than a singer and my
:37:57. > :38:03.goal is to break the barrier between me and the audience. It's hard to
:38:03. > :38:09.do. When they start singing, it breaks down the barrier.
:38:09. > :38:13.compared the crowd with a Moroccan crowd? They didn't sing along on
:38:13. > :38:16.Ruby, they sang it in Morocco and they don't speak English there. I
:38:16. > :38:23.was just teasing. We have Wimbledon going on here at the moment and you
:38:23. > :38:26.were a tennis buff in your day? an impulsive obsessive. I
:38:26. > :38:32.impulsively get involved in something and become obsessive about
:38:32. > :38:38.it. I play tennis eight hours a day every day, that's what I did, from
:38:38. > :38:42.the time I was about 38 until I was about 45 or 50. I just loved it. I
:38:42. > :38:46.wish I could get to Wimbledon. I don't think I'm going to make it.
:38:46. > :38:51.Maybe not now. I'll watch it on television. Can you sum up for us
:38:51. > :38:54.what your experience has been here being at the Glastonbury Festival?
:38:54. > :38:58.You know, it's such an incredible thing to know that that many people
:38:58. > :39:04.know who you are and like the songs you have done. I really expected
:39:04. > :39:08.when I did some of the Balads to see the back start filtering out and it
:39:08. > :39:13.didn't look like anyone left. That's what I love, when I kneel whatever I
:39:13. > :39:18.do, they are enjoying it. I hope you walk away with happy memories.
:39:18. > :39:22.will, I promise you. It's a great place. Our Jo chatting to Kenny
:39:22. > :39:27.Rogers. He was saying he was an entertainer, like you said, he
:39:27. > :39:32.needed to get the responses from the crowd. Seemed like a sweetheart.I
:39:32. > :39:35.liked one of his gags when he said, what's wrong with this picture,
:39:35. > :39:41.Kenny Rogers, Glastonbury, he said I'm out of my comfort zone, unusual
:39:41. > :39:46.for me to play to a crowd like this. Good material, well done, Kenny! How
:39:46. > :39:50.do you follow Kenny Rogers? Tough act to follow, of course, but almost
:39:50. > :39:54.inevitably, it was left to Vampire Weekend to follow it. I mean, you
:39:54. > :39:57.know, they are probably going to collaborate at some stage. It's got
:39:57. > :40:03.to happen. People have been talking about it, speculating for a long
:40:03. > :40:06.time. Last time I saw Vampire Weekend, I thought, how does that
:40:06. > :40:11.fragile sound go through, because they are not a thrusting rock beast.
:40:11. > :40:17.It sounded so pure and new and light and modern and everything. So it was
:40:17. > :40:27.great to have them back here on the Pyramid Stage, glass tonne Bury,
:40:27. > :41:00.
:41:00. > :41:09.# As a sophomore # And the linens
:41:09. > :41:14.# Is your bed made? Is your sweater on?
:41:14. > :41:18.# Do you want to Like you know I do?
:41:18. > :41:28.# But this feels so unnatural Peter Gabriel, too
:41:28. > :41:34.# But this feels so unnatural Peter Gabriel, too
:41:34. > :41:44.# But this feels so unnatural Peter Gabriel, too
:41:44. > :41:48.
:41:48. > :41:56.# Can you stay up To see the dawn
:41:56. > :42:06.# In the colours of Benetton?
:42:06. > :42:10.
:42:11. > :42:15.# Is your bed made? Is your sweater on?
:42:15. > :42:25.# Do you want to Like you know I do?
:42:25. > :42:26.
:42:26. > :42:30.# Like you know I do?
:42:30. > :42:36.# But this feels so unnatural Peter Gabriel, too
:42:36. > :42:46.# But this feels so unnatural Peter Gabriel, too
:42:46. > :43:03.
:43:03. > :43:12.# Ohh-h-h
:43:12. > :43:17.# Ohh-h-h
:43:17. > :43:20.# Is your bed made? Is your sweater on?
:43:20. > :43:22.# Do you want to
:43:23. > :43:25.# Like you know I do?
:43:25. > :43:35.# Like you know I do?
:43:35. > :43:44.
:43:44. > :43:54.CHEERING AND APPLAUSE
:43:54. > :43:54.
:43:54. > :44:57.Apology for the loss of subtitles for 109 seconds
:44:57. > :44:59.# Baby baby baby baby right on
:44:59. > :45:03.# Baby baby baby it's a lifetime
:45:03. > :45:13.# Baby baby baby baby right on time
:45:13. > :45:17.
:45:17. > :45:18.# If Diane Young won't change your mind
:45:18. > :45:28.# Baby baby baby baby right on time
:45:28. > :45:36.
:45:36. > :45:37.# Irish and proud baby, naturally
:45:37. > :45:40.# But you got the luck of a Kennedy
:45:40. > :45:42.# So grab the wheel Keep holding it tight
:45:42. > :45:45.# Till you're driving off in the black of the night
:45:45. > :45:48.# If Diane Young won't change your mind
:45:48. > :45:56.# Baby baby baby baby right on time
:45:56. > :45:59.# Baby baby baby baby right on
:45:59. > :46:00.# Baby baby baby baby right on
:46:00. > :46:03.# Baby baby baby it's a light on
:46:03. > :46:08.# Baby baby baby it's a lifetime
:46:08. > :46:10.# Baby baby baby baby right on time
:46:10. > :46:12.# Time time time time
:46:12. > :46:17.# Baby baby baby baby right on time
:46:17. > :46:20.# Nobody knows what the future holds on
:46:20. > :46:22.# Said it's bad enough just getting old
:46:22. > :46:24.# Live my life, they say it's too fast
:46:24. > :46:27.# You know I love the past cos I used to spend
:46:27. > :46:30.# If Diane Young won't change your mind
:46:30. > :46:35.# Baby baby baby baby right on time. #
:46:35. > :46:45.CHEERING AND APPLAUSE
:46:45. > :47:02.
:47:02. > :47:02.Vampire
:47:02. > :47:02.Vampire Weekend.
:47:02. > :47:08.Vampire Weekend. They
:47:08. > :47:12.drumming style. I hear their sound mimicked often. I like the backdrop
:47:12. > :47:17.as well, lounge wallpaper with a big mirror. You have to feel at home
:47:17. > :47:20.when on the Pyramid Stage. That's the Stones' secret, they are
:47:20. > :47:25.different to everyone else because they follow Keith, not Charlie. The
:47:25. > :47:29.rest of the band is pay parentally the play-off Keith, that's how their
:47:29. > :47:34.rhythm is slightly different to everybody else's. We are going to
:47:34. > :47:39.have some live music from the Stones later in the programme. But not just
:47:40. > :47:46.yet. Speaking of Knights of the realm. This shows you the variety of
:47:47. > :47:51.things that you can see whilst wondering the vast glaze of
:47:51. > :48:01.Glastonbury. You could have seen Bruce Forsyth. Here is his journey
:48:01. > :48:05.
:48:05. > :48:12.It's quite amazing. It is another world. I've never experienced
:48:12. > :48:20.anything like it. All my life, I've waited for this. Nice to see you, to
:48:21. > :48:27.see you... Nice!This is real rock'n'roll. What the hell I'm doing
:48:27. > :48:32.here, I've no idea at all. I'm going to try to rock and I'm going to try
:48:32. > :48:37.to roll, but I don't know, I might roll over on the stage. That's what
:48:37. > :48:41.I might do. # And this is my moment
:48:42. > :48:45.# My destiny calls me # And I can explore a new and
:48:45. > :48:49.exciting life... # This is the hot ticket of the day
:48:49. > :48:59.for Sunday? The hot ticket, yes. I haven't been the hot ticket for a
:48:59. > :49:00.
:49:00. > :49:09.long time! I've got a routine organised where I
:49:09. > :49:13.tap dance sitting on a chair. Four guys from the audience will
:49:13. > :49:17.come up, we'll have a bit of fun from them. Did you all come from the
:49:17. > :49:27.car wash. I teach them how to do a top hat number.
:49:27. > :49:28.
:49:29. > :49:36.# And I trust that you... # Sound rather good, doesn't it?
:49:36. > :49:44.Legend. He knows how to work the crowd. He is a genius. How many
:49:44. > :49:49.all-round performers are there at 85? He's a national treasure. Pf
:49:49. > :49:53.It was an experience I've never had before. It's an experience I would
:49:53. > :50:03.love to have again because it was so wonderful. I was doing what I love
:50:03. > :50:04.
:50:04. > :50:10.to do. Didn't he do well... So, from Sir Mick last night to Sir
:50:10. > :50:14.Bruce today, quite appropriate actually, given the location here in
:50:14. > :50:19.the Vale of Avalon. We were just short of a round table and we'd be
:50:19. > :50:23.getting on quite well! Brucie, what a pro, got both catch phrases in,
:50:23. > :50:29.even in that short item. Of course he did, he knows what he's doing.
:50:29. > :50:32.Marvellous. Part of the tapestry in the variety of things that is on
:50:32. > :50:36.here at Glastonbury and there's still loads to bring you. I meant to
:50:36. > :50:40.tell you just after Vampire Weekend that there's more of them on BBC
:50:40. > :50:45.Three from 8 o'clock this evening. If you have missed anything and you
:50:45. > :50:49.want to see more or catch up, we are streaming 120 live performances from
:50:49. > :50:58.Glastonbury. Most have now happened so there's so much you can catch up
:50:58. > :51:03.with on the BBC website at www.bbc.co.uk/glastonbury and via
:51:03. > :51:07.the BBC app, so on your phone, tablet or online. Microwave and
:51:08. > :51:12.toaster. Blender, washing machine, should work on any gadget. We are
:51:12. > :51:15.going to be back from 10 o'clock tonight where Mumford & Sons will be
:51:15. > :51:19.amongst the glorious things we bring you. We are going to finish off this
:51:19. > :51:29.programme with more of last night's headliners, the Rolling Stones. This
:51:29. > :51:31.
:51:31. > :51:38.was a song we didn't show you last night actually. The Stones' song,
:51:38. > :51:42.Factory Girl, they sang this and called it, Glastonbury Girl. .
:51:42. > :51:50.Came here last night, right, to Glastonbury, so came around, had a
:51:50. > :51:56.wonderful time, went to Shangri-la. I saw the Arctic Monkeys, couldn't
:51:56. > :52:02.get up in the tower because the queue was so long. But I did see a
:52:02. > :52:12.few people and I did a song for this girl that I met at Glastonbury
:52:12. > :52:29.
:52:29. > :52:35.# Waiting for a girl # He was wearing cut off jeans
:52:35. > :52:45.# Waiting for a girl # And her eyes were bright green
:52:45. > :52:53.
:52:53. > :52:58.# I met her peeing in the street # Waiting for my Glastonbury girl
:52:58. > :53:06.# He washed off all the dirt # Lit her up a cigarette
:53:06. > :53:16.# Gave her my clean shirt # Offered up my luxury yurt
:53:16. > :53:46.
:53:46. > :53:51.# Waiting for a girl # Waiting for a girl
:53:52. > :54:01.# Gonna sing her a tune # I ain't slept since Wednesday
:54:02. > :54:08.
:54:08. > :54:14.afternoon # Waiting for a girl