Public Enemy

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0:00:17 > 0:00:21Welcome to Glastonbury 2013. I'm Craig Charles. Over on the Pyramid

0:00:21 > 0:00:28Stage, the Rolling Stones are rocking it out, but Glastonbury is

0:00:28 > 0:00:33not all about the Rolling Stones. Here at the West Halt Stage. We are

0:00:34 > 0:00:38about to host Public Image Ltd. The leading lights of rap. They

0:00:38 > 0:00:44pioneered rap as political commentary on contemporary American

0:00:44 > 0:00:54culture, a warning that there may be bad languagement these guys are

0:00:54 > 0:00:55

0:00:55 > 0:02:36Apology for the loss of subtitles for 101 seconds

0:02:36 > 0:02:43Don't confuse us with the sound. Come on, everyone at Glastonbury. We

0:02:43 > 0:02:47welcome the peace sign. Put the peace sign up.

0:02:47 > 0:02:57Everybody in the middle, throw up the peace sign now.

0:02:57 > 0:02:57

0:02:57 > 0:03:41Apology for the loss of subtitles for 101 seconds

0:03:41 > 0:03:46And everybody, Glastonbury brothers, I talk about base. All right, check

0:03:46 > 0:03:52it out. CHEERING AND APPLAUSE

0:03:52 > 0:03:58Glastonbury, Glastonbury! I said, Glastonbury!

0:03:58 > 0:04:08CHEERING AND APPLAUSE You all know what? Do you know what? Here come

0:04:08 > 0:04:08

0:04:08 > 0:06:05Apology for the loss of subtitles for 101 seconds

0:06:05 > 0:06:11Can't trust it. Can't trust what? Everybody you got game. Come on.

0:06:11 > 0:06:15Clap your hands. Clap your hands. Everybody just clap

0:06:15 > 0:06:22your hands. To the people over here. Everybody

0:06:22 > 0:06:32over there. # Clap your hands

0:06:32 > 0:06:32

0:06:32 > 0:08:26Apology for the loss of subtitles for 101 seconds

0:08:27 > 0:08:32# Everybody HE RAPS

0:08:32 > 0:08:39# I got so much trouble on my mind # Confused.

0:08:39 > 0:08:49# Check it # Put back a black attack

0:08:49 > 0:08:55# Shout down the mic # Yo yo, that's about it

0:08:55 > 0:09:05# Base line an as tash # Lord, on the flat

0:09:05 > 0:09:05

0:09:05 > 0:10:14Apology for the loss of subtitles for 101 seconds

0:10:14 > 0:10:24# I don't know about that puts your fists in the air. Like

0:10:24 > 0:10:50

0:10:50 > 0:11:00Are you ready? Somebody say yeah! Yeah. Say, hell, yeah. Say yeah.

0:11:00 > 0:11:00

0:11:00 > 0:11:09Say, hell, yeah. Say oh, yeah. Say lock yeah. Say oh, yeah. Say, hell

0:11:09 > 0:11:19yeah. When I say, you all say. Hip when I say, you all say, hip. When I

0:11:19 > 0:11:19

0:11:19 > 0:12:01Apology for the loss of subtitles for 101 seconds

0:12:01 > 0:12:06say, you all say, hip. When I say, Have some soul, you all,

0:12:06 > 0:12:12Glastonbury. If you got soul power, come on, I ain't hear you say soul

0:12:12 > 0:12:21power. Say soul power. Say soul power. Say soul power.

0:12:21 > 0:12:31Say soul power. The B side sides wears it again and

0:12:31 > 0:12:50

0:12:50 > 0:12:59HE RAPS. # Listen, hard

0:12:59 > 0:13:01# He's in the house # He's DJ Lord. Hear the drummer

0:13:02 > 0:13:11# The drummer goes # The drummer

0:13:12 > 0:13:12

0:13:12 > 0:13:18# The drummer goes. Base # How low can you go Glastonbury,

0:13:18 > 0:13:24hold it, Mike. Now, Glastonbury, come on. Base, how low can you?

0:13:24 > 0:13:31Everybody clap your hands. Give it up for the legendary Davy. He got a

0:13:31 > 0:13:36soul track. Check it out. He got this one for the treble.

0:13:36 > 0:13:46Check it out. One for the treble, two for the base. Come on Davy,

0:13:46 > 0:13:47

0:13:47 > 0:13:54let's rock this place. That's the real hip-hop there.

0:13:54 > 0:14:00On the real hip-hop, hey. Keep it on this song. Let me hear

0:14:00 > 0:14:10you go, oh, yeah. Clap your hands, everybody come on. Everybody clap

0:14:10 > 0:14:23

0:14:23 > 0:14:31your hands. Everybody over there, clap your hands.

0:14:31 > 0:14:39When I say good, you all say what? Good. DJ, help them out.

0:14:39 > 0:14:48What? What? Let's go. Come on with the DJ.

0:14:48 > 0:14:51What? What? Now give that to me a few times.

0:14:52 > 0:15:01Say what? Everybody, come on, clap your hands.

0:15:01 > 0:15:07Come on. Now what you hear is us on the beat.

0:15:07 > 0:15:14Myself and the rest of the crew, it is time for the boogie beat. It is

0:15:14 > 0:15:24time for the guitar. Now check it out. We're going to do

0:15:24 > 0:15:45

0:15:45 > 0:15:55Clap your hands. We still in the Terra Deem? DJ, help

0:15:55 > 0:15:55

0:15:55 > 0:16:54Apology for the loss of subtitles for 101 seconds

0:16:54 > 0:17:04HE RAPS. Glastonbury, come on.

0:17:04 > 0:17:10Welcome to the Terra Dome. I like to give this shot over to the

0:17:10 > 0:17:14Pyramid Stage for my boys, and the Rolling Stones ripping sheet out.

0:17:14 > 0:17:24Over here, you know, at Glastonbury, we going to break that locking

0:17:24 > 0:17:24

0:17:24 > 0:19:19Apology for the loss of subtitles for 101 seconds

0:19:19 > 0:19:29Turn it up, Glastonbury. Crank the noise. Check it out.

0:19:29 > 0:19:29

0:19:29 > 0:20:10Apology for the loss of subtitles for 101 seconds

0:20:10 > 0:20:15HE RAPS. Come on, Glastonbury. Throw your

0:20:15 > 0:20:25hands in the air. Throw your hands in the air. Wave them from side to

0:20:25 > 0:21:04

0:21:04 > 0:21:14HE RAPS. Turn it up. Bring the noise. Bring

0:21:14 > 0:21:22the noise. CHEERING AND APPLAUSE.

0:21:22 > 0:21:30Yo, you know what. We the rap group that never locking broke up. There

0:21:30 > 0:21:38was all this Government shit, but we never broke up. The rest of the crew

0:21:38 > 0:21:43went back with the tour. Like Ice Cube, and De La Soul, but

0:21:43 > 0:21:50we never locking broke up. I said lock that shit. Shows and hip-hop

0:21:50 > 0:21:56have got so sloppy that mother lockers are cheering the locking

0:21:56 > 0:22:03hologram. Tupak was like a brother to me. It

0:22:03 > 0:22:11was unfortunate he was killed, assassinated, but you know what, I

0:22:11 > 0:22:19would have never, " Let's bring Tupak back into a concert to make

0:22:19 > 0:22:25them mother lockers happy and shit." Like in a hologram. What the lock?

0:22:25 > 0:22:32Whap we have real mother lockers. Big Daddy Kane.

0:22:32 > 0:22:36All of them legendary MCs in the UK. I mean, lock the God dam locking

0:22:37 > 0:22:42illusion. This is the real shit, baby. Turn it out. All you dment Js,

0:22:42 > 0:22:48know this is the real shit. Here we go again.

0:22:48 > 0:22:52That is no mother lock locking recording.

0:22:52 > 0:23:02With Flavours, saying don't believe, don't believe, don't believe the

0:23:02 > 0:23:37

0:23:37 > 0:23:41hype! # Don't

0:23:41 > 0:23:51# Don't believe the hype # Don't

0:23:51 > 0:23:51

0:23:51 > 0:24:38Apology for the loss of subtitles for 101 seconds

0:24:38 > 0:24:41# Yes We don't need the weak # Don't believe the hype - its a

0:24:41 > 0:24:45sequel As an equal, can I get this through to you My 98's boomin' with

0:24:45 > 0:24:48a trunk of funk All the jealous punks can't stop the dunk Comin'

0:24:48 > 0:24:51from the school of hard knocks Some perpetrate, they drink Clorox Attack

0:24:51 > 0:25:01the black, cause I know they lack exact The cold facts, and still they

0:25:01 > 0:25:08go into the studio, we slide the faders down. Now this ain't a band.

0:25:08 > 0:25:18It is called a band with a B AND. We are a band from many places. We are

0:25:18 > 0:25:28

0:25:28 > 0:25:38rhythm sections. If you hear the soul, give it a clap. Clap. Clap.

0:25:38 > 0:25:41

0:25:41 > 0:25:51You see them people clapping? They got soul, right. Give them a little

0:25:51 > 0:26:19

0:26:19 > 0:26:27bit of soul. Clap your hands, you all got rhythm.

0:26:27 > 0:26:34David is the first concert show DJ in hip-hop. DJ for Curtis Blow,

0:26:34 > 0:26:401979. He also produced Christmas Rapping and the brakes. He produced

0:26:40 > 0:26:49music for the Fat Boys and Run DMC. He is a founding member of the

0:26:49 > 0:26:56Hollis Crew. We are very proud to have David in the Public Image Ltd.

0:26:56 > 0:27:04Can I get him down? He's a funny mother locker, too. All right, come

0:27:04 > 0:27:09on, Glastonbury. Don't believe the hype as a sequel. As an equal. Can I

0:27:09 > 0:27:13get this through to you. # My booming with a trung of funning

0:27:13 > 0:27:16# All the jealous purngs can't stop the dunk

0:27:16 > 0:27:24# Coming from the school of hard knocks

0:27:25 > 0:27:29# Some perpetrate, they drink Clorox # Attack the black, cause I know

0:27:29 > 0:27:33they lack exact # The cold facts and still they try

0:27:33 > 0:27:37to Xerox # Leader of the new school, uncool

0:27:37 > 0:27:39# Never played the fool, just made the rules

0:27:39 > 0:27:45# Remember there's a need to get alarmed

0:27:45 > 0:27:48# Again I said I was a time bomb # In the daytime the radio's scared

0:27:48 > 0:27:52of me # Cause I'm mad, plus I'm the enemy

0:27:52 > 0:27:56# They can't common, and play with me in primetime

0:27:56 > 0:28:01# Cause I know the time, plus I'm getting mine

0:28:02 > 0:28:08# I get on the mix late in the night # They know I'm living right, so

0:28:08 > 0:28:11here go the Mike # Before let it go, don't rush my

0:28:11 > 0:28:15show # You try to reach and grab it and

0:28:15 > 0:28:18get elbowed # Word to herb, 2 you don't swing

0:28:18 > 0:28:22this # Just a little bit of the taste of

0:28:22 > 0:28:28the bass for you # As you get up and dance at the LQ

0:28:28 > 0:28:32# When you deny it, defy it, if I swing bolos

0:28:32 > 0:28:37# Glab, I have to ask you, are we that type

0:28:37 > 0:28:42# Don't believe the hype # Don't, don't believe the hype

0:28:42 > 0:28:52# Don't, don't believe # Don't believe the hype

0:28:52 > 0:29:04

0:29:04 > 0:29:08# I got flavour in all those things you know

0:29:08 > 0:29:11# We're not positive # What we got to give

0:29:11 > 0:29:16# Greed # You got to know what I mean

0:29:16 > 0:29:22# We got to let the band check this # Come on

0:29:22 > 0:29:26# Don't believe, don't believe # Don't believe the hype

0:29:26 > 0:29:31# Don't, don't believe the hype # Don't believe the hype

0:29:31 > 0:29:34# Don't, don't, don't believe the hype

0:29:34 > 0:29:37# Check it out # The rhythm

0:29:37 > 0:29:42# The rebel # Without a pause

0:29:42 > 0:29:46# The hard rebel # We ain't got sentiment

0:29:46 > 0:29:56# The enemy # They play my music

0:29:56 > 0:30:04

0:30:04 > 0:30:07# They don't know my lyrics That's right,

0:30:07 > 0:30:08# Put your hands up # Radio

0:30:08 > 0:30:15# Sulkers # On a mission

0:30:15 > 0:30:24# They are paying me now # Going to school

0:30:24 > 0:30:34# Yeah # I call the turn it on

0:30:34 > 0:30:42# Flavour # A rebel in his own mind

0:30:42 > 0:30:52# You're my man # Come on

0:30:52 > 0:30:52

0:30:52 > 0:32:37Apology for the loss of subtitles for 101 seconds

0:32:37 > 0:32:47# Yoh put your hands in the air up out of your seats! You! Rock the

0:32:47 > 0:32:47

0:32:47 > 0:33:37Apology for the loss of subtitles for 101 seconds

0:33:37 > 0:33:47Hey, Glastonbury you all feelgood tonight, you all say yeah! Yeah! You

0:33:47 > 0:33:52

0:33:53 > 0:34:02say hop when I say Hyypia. Hip. You all say DJ, I say Lloyd DJ, DJDJ

0:34:03 > 0:34:12

0:34:12 > 0:34:17CHEERING AND APPLAUSE Real hip-hop shit.

0:34:17 > 0:34:22I heard some of the new music is space music. I got nothing against

0:34:22 > 0:34:26hip-hop in the new day. I just would like them to perform harder and when

0:34:26 > 0:34:36they come to the UK sweat a little bit.

0:34:36 > 0:34:39

0:34:39 > 0:34:46Don't hide in the VIP section cos the most important people are the

0:34:46 > 0:34:50people in the concert. It is you. Don't accept that shit. Lock, man.

0:34:50 > 0:34:54You are paying money for your favourite artist, I don't care what

0:34:54 > 0:35:00music they do. If they come to a club and you are locking exhausted

0:35:00 > 0:35:10and the mother locker is up there, and shit. Lock you all. Leave. You

0:35:10 > 0:35:11

0:35:11 > 0:35:21lock the locking door! Go to your phones right now. Tweet me. Say

0:35:21 > 0:35:24

0:35:24 > 0:35:34Chuck D said it. Mr Chuck D and DJ Lord. Also tweet Flavaflav. Tell him

0:35:34 > 0:35:34

0:35:34 > 0:35:39we miss you at Glastonbury. Also Professor Griff. If you go to Public

0:35:39 > 0:35:46Image Ltd Dom it is the longest running artist on the internet. We

0:35:46 > 0:35:52think we have released two albums that you in the UK and more most of

0:35:52 > 0:35:58the fans in the Pyramid Stage, have on your phones. I'm not here to sell

0:35:58 > 0:36:08shit. I'm here to be at your service.

0:36:08 > 0:36:09

0:36:09 > 0:36:19So, I like doing this record. Most of my heroes, still appear on

0:36:19 > 0:36:54

0:36:54 > 0:37:02this stand. This is I Shall Not Be Moved.

0:37:02 > 0:37:11# And the beat goes on # Somebody account there, say, oh-oh

0:37:11 > 0:37:15# Get low # Oh-oh.

0:37:15 > 0:37:20Never bitter but better # Back by the fact

0:37:20 > 0:37:23# All I got is my word # The new curse word is black

0:37:24 > 0:37:27# Say the test # Is being at your best

0:37:27 > 0:37:30# The curse # Is living at your worst

0:37:30 > 0:37:34# Crawling like a maggot out their mind

0:37:34 > 0:37:41# Faster than a go # Shit is live

0:37:41 > 0:37:44# Survive # High with out a God dam reason

0:37:44 > 0:37:49with basketball wives # And really wives

0:37:50 > 0:37:53# Birds dropping out of the sky # And why Google why

0:37:53 > 0:37:55# I shall not be moved # Feel the people

0:37:55 > 0:38:00# Heal the people # Need the people

0:38:00 > 0:38:01# So heed the people # Help the homeless

0:38:01 > 0:38:04# Under fed # Revolution

0:38:04 > 0:38:08# Stop the Feds # Leaving people

0:38:08 > 0:38:12# Left for dead # Where your groove

0:38:12 > 0:38:21# Check your heads # I shall not not be moved

0:38:21 > 0:38:31# I shall not be moved # Oh, come on Give a little bit of

0:38:31 > 0:38:53

0:38:53 > 0:39:03that beat, just the beat, come on # Everybody, I shall not be moved!

0:39:03 > 0:39:03

0:39:03 > 0:41:16Apology for the loss of subtitles for 101 seconds

0:41:16 > 0:41:22Everybody do you believe what you # fight the power

0:41:22 > 0:41:26# We've got to fight the powers that # We got to fight the power

0:41:26 > 0:41:36# Let me hear you say # Fight the power

0:41:36 > 0:41:47

0:41:47 > 0:41:51# Yeah, we got to fight the power # Go!

0:41:51 > 0:41:55# Fight the power # We got to fight the power

0:41:55 > 0:42:00# Let me hear you say # Fight the power

0:42:00 > 0:42:04# Let me hear you say # You got to fight the power

0:42:04 > 0:42:14# Let me hear you say # Yeah, we got to fight

0:42:14 > 0:42:17

0:42:17 > 0:42:27# Say soul power # Helpless was a here you, he never

0:42:27 > 0:42:32

0:42:32 > 0:42:37meant shit to me # Don't worry be happy

0:42:37 > 0:42:40# Was a number one jam # Damn if I say it you can slap me

0:42:40 > 0:42:42right here # Let's get this party started right

0:42:42 > 0:42:46# Right on # What we got to say

0:42:46 > 0:42:48# Power to the people # No at the lay

0:42:48 > 0:42:51# Everybody sees # And all the truth

0:42:51 > 0:43:00# Fight the power # Let me hear you say

0:43:00 > 0:43:04# You got to fight the power # Let me hear you say

0:43:04 > 0:43:10# Fight the power # You all got to fight the power,

0:43:10 > 0:43:20what? # Yeah, we got to fight the powers

0:43:20 > 0:43:23

0:43:23 > 0:43:29that be DJ, when I say DJ, you all say Lord. DJ, when I say DJ, you

0:43:29 > 0:43:39said Lord. What you got for the crowd, DJ? Glastonbury, let's go.

0:43:39 > 0:43:40

0:43:40 > 0:47:18Apology for the loss of subtitles for 101 seconds

0:47:18 > 0:47:24What you got for the crowd? Can you feel it? ! Give it up one more time.

0:47:24 > 0:47:28Put your hands together for DJ Lord. For all the other DJs in the house.

0:47:28 > 0:47:36We thank you Glastonbury for being a wonderful crowd. Really. You don't

0:47:37 > 0:47:44have to do it. If we're not giving enough, all you have to do is say

0:47:44 > 0:47:49lock, to go home. The stage is the everything to us. We salute you.

0:47:49 > 0:47:55Especially when it comes down to hip-hop music. Once pun a time they

0:47:55 > 0:47:59thought it funny for a hip-hop act to be here at Glastonbury.

0:47:59 > 0:48:03Especially closing it out. My mate said, what's up, they did

0:48:03 > 0:48:09Glastonbury a long time ago, they said to give a big shout out to the

0:48:09 > 0:48:14people over there in the UK. So we salute you all. Already. Stop the

0:48:15 > 0:48:18code. Just check out the signs on the front. Hip-hop changed the world

0:48:18 > 0:48:23for the better. Just like music can bring everybody together. I don't

0:48:23 > 0:48:27know what is up with governments, they tripping these days. Hold on to

0:48:27 > 0:48:32yourselves as human beings, that is what it is all about. Learn about

0:48:32 > 0:48:37each other. Learn history, learn another language. Music brings

0:48:37 > 0:48:42everybody together and that's what it is all about. If somebody says to

0:48:42 > 0:48:52you that hip-hop is bullshit and what you believe is bullshit. You

0:48:52 > 0:48:52

0:48:52 > 0:50:21Apology for the loss of subtitles for 101 seconds

0:50:21 > 0:50:31just got to shut those mother lockers down. Shut them down! MUSIC:

0:50:31 > 0:50:56

0:50:56 > 0:51:03Shut Them Down. # Shut them down

0:51:03 > 0:51:05# I shut them down # Hey

0:51:05 > 0:51:11# I shut them down # Down

0:51:11 > 0:51:21# I shut them all down # Shut them all down

0:51:21 > 0:51:39

0:51:39 > 0:51:46# Hey. # Shut them down

0:51:46 > 0:51:50# Shut thet shut them # Shut them down

0:51:50 > 0:52:00# Shet thumb down # Shut them down

0:52:00 > 0:52:10

0:52:10 > 0:52:20# Shut tem, shut them down # Shut them down

0:52:20 > 0:52:56

0:52:56 > 0:52:59# Who killed them in the # shut them down

0:52:59 > 0:53:09# Shut them all down # Shut tem all down

0:53:09 > 0:53:10

0:53:10 > 0:53:20# Shut them all down # Shut them all Downe, down

0:53:20 > 0:53:35

0:53:35 > 0:53:45# Shut them down # Down, down, down

0:53:45 > 0:53:45

0:53:45 > 0:55:53Apology for the loss of subtitles for 101 seconds

0:55:53 > 0:56:02# Shut them down. Let's go to that We like to thank you all. We really

0:56:02 > 0:56:11like to thank you all. I would like to thank my compadres for coming

0:56:11 > 0:56:16back here. Peace, love, unity and having fun and founding fathers with

0:56:16 > 0:56:21JJs, where MCs taught to the people what they want to hear about. We

0:56:21 > 0:56:28thank you. We owe you one as a full crew, but even as a half crew we can

0:56:28 > 0:56:32do the job. We dedicate this to the UK, you gave us the song that the

0:56:32 > 0:56:38rest of the world slept tonne, but now we on it.

0:56:38 > 0:56:48DJ Lord. Now put up your hands and get a picture and send this one back

0:56:48 > 0:56:55

0:56:55 > 0:57:05to the rest of our crew. All the SW -- all the S 1 Ws. This

0:57:05 > 0:57:05

0:57:05 > 0:58:01Apology for the loss of subtitles for 101 seconds

0:58:01 > 0:58:11one goes out to you. To the United Everybody clap your hands.

0:58:11 > 0:58:46

0:58:46 > 0:58:49# Just like that # Just like what

0:58:49 > 0:58:59# Just like that # Just like what

0:58:59 > 0:59:04# Just like that # What you got? Light the place u --

0:59:04 > 0:59:09up with your phones. Come on, lighten up.

0:59:09 > 0:59:15Give them some soul. # Just like that

0:59:15 > 0:59:18# Oh, it's time to leave you # So you too can do what we do

0:59:18 > 0:59:28#26 years in a cell # That's right

0:59:28 > 0:59:47

0:59:47 > 0:59:51# you all with us # If you feelgood about yourself,

0:59:51 > 0:59:54Glastonbury # Come on, all

0:59:54 > 0:59:57# Just like what # Just like that

0:59:57 > 1:00:01# Just like what # Just like that

1:00:01 > 1:00:05# talk to me all # Just like that

1:00:05 > 1:00:08# Talk to me # Just like that

1:00:08 > 1:00:18# I love the guitar # Everybody you hear the music

1:00:18 > 1:00:18

1:00:18 > 1:01:11Apology for the loss of subtitles for 101 seconds

1:01:11 > 1:01:17# It's all about the music # Clap your hands.

1:01:17 > 1:01:22Everybody put your hands in the air if you feelgood about yourself, the

1:01:22 > 1:01:29music. You will be able to do anything. You hear that.

1:01:29 > 1:01:35# It's time we do a preview # So you too can review what we do

1:01:35 > 1:01:45#26 years in a prison cell # Thank you for ing be myself

1:01:45 > 1:02:03

1:02:03 > 1:02:09# Keep the programme on the shelf it on Glastonbury, like you don't care

1:02:09 > 1:02:135,000 leaders never scared. British bring the noise, it's the moment

1:02:13 > 1:02:19they fear # Get it up, still a beautiful idea

1:02:19 > 1:02:25# Get up, throw your hands in the # Get up and show no fear

1:02:25 > 1:02:30# Get up in you really care # PE 20 years, now get up

1:02:30 > 1:02:40# Yeah, these are right # We're public enemy, up in one in

1:02:40 > 1:02:44

1:02:44 > 1:02:50New York # Public Image Ltd -- -- we're

1:02:50 > 1:03:00Public Enemy. # Just like that

1:03:00 > 1:03:30

1:03:30 > 1:03:40Give it up for Chuckie D. All the real heroes, make some

1:03:40 > 1:03:40

1:03:40 > 1:04:49Apology for the loss of subtitles for 101 seconds

1:04:49 > 1:04:55Real hip-hop! Make some noise. CHEERING AND APPLAUSE.

1:04:55 > 1:05:05Everybody with a smartphone, Public Enemy wants to give all the

1:05:05 > 1:05:09

1:05:09 > 1:05:16hip-hoppers a gift, tonight. Go to www, Public Enemy Dom/free. For all