:00:10. > :00:15.Hello and welcome back to day three at Glastonbury festival here on BBC
:00:16. > :00:19.Three. The Black Keys are sounding amazing behind us on the Pyramid
:00:20. > :00:23.Stage. We'll bring you that in the next hour. And we've got Ellie
:00:24. > :00:30.Goulding at 9 o'clock and Disclosure at 10. What were your favourites
:00:31. > :00:34.from this weekend? We've got some options for you. Tell us who you
:00:35. > :00:54.really enjoyed this weekend: We'll play the winner before we
:00:55. > :01:03.finish. Have you farted? I haven't! This Ferrero Rocher lighting thing
:01:04. > :01:04.is burning my leg. The BBC are spoiling us. Today The Kooks turned
:01:05. > :01:47.up to a huge crowd. # If you get yourself into a fight
:01:48. > :01:53.# If that's the way you wanna live your life
:01:54. > :02:02.# You can get yourself connected # To the world that we don't do here
:02:03. > :02:08.# But all I need is somewhere to lay # Somewhere to lay my head on
:02:09. > :02:11.# I need someone to love in the middle of the date
:02:12. > :02:15.# I want someone to be # And someone to drive around town
:02:16. > :02:23.# I need someone to love when the chips are down
:02:24. > :02:27.# To love me when the chips are down # Will you love me when the chips
:02:28. > :02:36.are down? # Love me when the chips are down
:02:37. > :02:42.# Could you love me when the world is crashing all around?
:02:43. > :02:45.# You can try and be someone you're
:02:46. > :02:49.not # If that's the rift that you wanna
:02:50. > :02:58.cause # You can do the life of a Bohemian
:02:59. > :03:02.# Or you can choose the material world
:03:03. > :03:07.# But all I need is somewhere to lay snowed somewhere to lay my head on
:03:08. > :03:10.# I need someone to love in the middle of the day
:03:11. > :03:15.# I want someone to be # And someone to drive around town
:03:16. > :03:23.# I need someone to love when the chips are down
:03:24. > :03:27.# Love me when the chips are down # Will you love me when the chips
:03:28. > :03:37.are down? # Love me when the chips are down
:03:38. > :03:43.# Could you love me when the world is crashing all around?
:03:44. > :04:11.# All around All I need is somewhere to lay
:04:12. > :04:14.# Somewhere to lay my head on # I need someone to love in the
:04:15. > :04:18.middle of the day # I want someone to be
:04:19. > :04:25.# And someone to drive around town # I need someone to love
:04:26. > :04:31.# Someone to love, someone to love # Love me when the chips are down
:04:32. > :04:37.# Will you love me when the chips are down
:04:38. > :04:43.# Love me when the chips are down # Could you love me when the chips
:04:44. > :04:51.are down # Love me when the chips are down
:04:52. > :05:24.# Could you love me when the world is crashing all around?
:05:25. > :05:31.CHEERING Big crowd for The Kooks earlier today in the John Peel tent.
:05:32. > :05:34.We'll talk about Bombay Bicycle Club in a second. Let me draw your
:05:35. > :05:41.attention to our special Glastonbury website. If you have a tablet or
:05:42. > :05:47.smartphone you can watch anything. Six stages, 120 acts. You can watch
:05:48. > :05:52.it whenever you like. I want to watch St Vincent. You can watch
:05:53. > :05:58.Robert Plant on the Red Button. Bombay Bicycle Club will be here for
:05:59. > :06:03.a chat shortly. Yes, I saw them earlier, they were watching Lucy
:06:04. > :06:08.rose and they owned the stage. We'll have a chat when we've seen some of
:06:09. > :06:11.their chat from the Other Stage. This is Bombay Bicycle Club, with
:06:12. > :07:07.some flashing lights. # Fading out the light, softly say,
:07:08. > :07:11.Get it out my mind, any way # Say you mean it, seal it up,
:07:12. > :07:14.say you wanna try # Say you haven't had enough,
:07:15. > :07:18.say you wanna # Once you get the feeling it,
:07:19. > :07:24.wants you back for more # Says it's gonna heal it
:07:25. > :07:28.but you won't make the call # One step back you're leaving it,
:07:29. > :07:31.now it's moving on # Why won't you believe in it,
:07:32. > :07:36.till it's gone # Once you get the feeling it,
:07:37. > :07:39.wants you back for more # Now it gets ethereal,
:07:40. > :07:46.feet ain't on the floor # One step back you're leaving it,
:07:47. > :07:48.jumping at the wall # Why won't you believe in it,
:07:49. > :08:05.till it's gone # You gave to me, all I know,
:08:06. > :08:25.I will stay here, I will not go # Once you get the feeling it,
:08:26. > :09:12.wants you back for more # Says it's gonna heal it
:09:13. > :09:15.but you won't make the call # One step back you're leaving it,
:09:16. > :09:18.now it's moving on # Why won't you believe in it,
:09:19. > :09:20.till it's gone # Once you get the feeling it,
:09:21. > :09:23.wants you back for more # Says it's gonna heal it
:09:24. > :09:28.but you won't make the call # One step back you're leaving it,
:09:29. > :09:31.now it's moving on # One step back you're leaving it,
:09:32. > :09:33.jumping at the wall # Why won't you believe in it,
:09:34. > :11:21.till it's gone # Let me be the one to the one to
:11:22. > :11:29.the one # Can you feel the leeches bite
:11:30. > :11:33.# That boy that she took out tonight # He's brave and walking sure
:11:34. > :11:47.# Through all the spots you're working for
:11:48. > :11:52.Keep your old and wasted words # My heart is break breaking like
:11:53. > :11:56.you heard # But the town has always turned
:11:57. > :12:23.# These lies and made them all burn # Let me be the one, to the one, to
:12:24. > :12:33.the one # Let me be the one to try it on
:12:34. > :12:57.# To the one, to the one, to the one # Let me be the one to try it on
:12:58. > :13:04.# The light is out and the words have gone
:13:05. > :13:07.# Let me be the one to try it on # When the light is out and the
:13:08. > :13:15.words have gone # Let me be the one to try it on
:13:16. > :13:21.# When the light is out and the words have gone
:13:22. > :13:26.# Let me be the one to try it on # When the light is out and words
:13:27. > :13:34.have gone # Let me be the one to try it on
:13:35. > :13:39.# The light is out and words have gone
:13:40. > :13:43.# Let me be the one to try it on # When the light is out and the
:13:44. > :13:51.words have gone # Let me be the one to try it on
:13:52. > :13:56.# When the light is out and words have gone
:13:57. > :13:59.# Let me be the one to try it on # When the light is out and words
:14:00. > :14:09.have gone # Let me be the one to try it on
:14:10. > :14:14.# When the light is out and words have gone
:14:15. > :14:18.# Let me be the one to try it on # When the light is out and words
:14:19. > :14:33.have gone # Let me be the one to try it on. #
:14:34. > :15:37.Lucy rose everybody! # When I was out
:15:38. > :15:39.Did you get in # And draw the right stamp
:15:40. > :15:43.on your skin? # Saying I am ready
:15:44. > :16:48.# I hope you'll see that we can speak at slower speeds
:16:49. > :16:52.# It will always be that when I wake up
:16:53. > :19:47.# Can I wake you up # Is it late enough
:19:48. > :19:49.# There's a story in which my eyes shut
:19:50. > :20:18.# Is it late enough # Is it late enough?
:20:19. > :20:25.# Could I wake you up # Can I wake you up
:20:26. > :20:32.# Is it late enough? Is it late enough?
:20:33. > :20:34.# There's a story in which my eyes are shut
:20:35. > :20:39.# Could you bag me up # Could you bag me up snow can I
:20:40. > :20:42.wake you up # Can I wake you up
:20:43. > :20:46.# Is it late enough # Is it late enough
:20:47. > :20:49.# There's a story in which my eyes are shut
:20:50. > :20:51.# Could you bag me up # Could you bag me up
:20:52. > :21:11.# There's a story, # Can I wake you up
:21:12. > :21:19.# Is it late enough # Is it late enough?
:21:20. > :21:23.# There's a story in which my eyes shut
:21:24. > :21:28.# Can you wake me up # Can you wake me up? #
:21:29. > :21:43.Thank you! # Oh, why is your face
:21:44. > :22:05.so pale and white? # Just waiting
:22:06. > :22:10.for the perfect hideout # Down where the walls
:22:11. > :22:14.started shaking # Just waiting for
:22:15. > :23:18.the perfect hideout # Down where the walls
:23:19. > :23:20.started shaking # Just waiting for
:23:21. > :23:40.the perfect hideout # Down where the walls
:23:41. > :24:33.started shaking Brilliant, that was from the Other
:24:34. > :24:38.Stage earlier, Bombay Bicycle Club, a perfect time for day for us. I
:24:39. > :24:44.hope you enjoyed that. And they were joining us here. Hello there. We are
:24:45. > :24:48.joined by Jamie and Jack from Bombay Bicycle Club. How was the set for
:24:49. > :24:53.you earlier? I gave it ten out of ten. You were able to watch it back
:24:54. > :24:58.there. It looked beautiful. What an amazing time to be on. It was a
:24:59. > :25:05.really good slot to have, the sun was going down. Romance was in the
:25:06. > :25:11.air. I've been sat on the sofa for the last 15 minutes while these
:25:12. > :25:16.three dorks talk about cricket. I don't understand. You were
:25:17. > :25:24.contributing to the conversation. I really wasn't. You know what a gully
:25:25. > :25:30.is, mid-off and short-leg. Are you making this up?! No, get with the
:25:31. > :25:36.programme. You are Glastonbury stalwarts now. I want to know the
:25:37. > :25:41.difference between playing the Other Stage and the John Peel Stage. We
:25:42. > :25:48.did the Other Stage three years ago. Jamie said this on stage, we felt
:25:49. > :25:53.really nervous, it was a really big step for us and none of us remember
:25:54. > :25:57.the show. We feel we've built up to it now and we were ready for it.
:25:58. > :26:04.Everything came together. It feels like you have taken your time with
:26:05. > :26:08.it. And to get the number one with So Long, See You Tomorrow, that's my
:26:09. > :26:14.favourite album by the way. You probably feel you are ready for it
:26:15. > :26:18.now. I think if you are not a natural entertainer and you are
:26:19. > :26:21.reserved, you have to do it slowly. Otherwise you are thrown on to a
:26:22. > :26:26.huge stage and you don't know what to do. You are not naturally
:26:27. > :26:32.confident and exuberant. I think the thing I like about the band
:26:33. > :26:37.generally is aside from the music of course, it is that it has, I don't
:26:38. > :26:42.know, it didn't come to out easily, any of it. The albums got better
:26:43. > :26:47.with each album. The live shows got better each time. It is a series of
:26:48. > :26:53.small moments that kind of add up to something greater as opposed to
:26:54. > :26:59.burning brightly really quickly but then fading away equally fast.
:27:00. > :27:06.Jamie, we were chatting earlier, because you saw Sam Smith walking
:27:07. > :27:16.about with a celebrity entourage. I saw Bombay Bicycle Club with an
:27:17. > :27:22.indie entourage. It is like you've got Rae Morris and Lucy rose. It is
:27:23. > :27:26.like a little family. It was really nice to have Lucy back together. We
:27:27. > :27:31.are really close to everyone. It was a real moment I thought. It feels
:27:32. > :27:35.like Glastonbury is one of those festivals that rewards hard work. It
:27:36. > :27:39.is nice that they keep asking you back and they are aware that the
:27:40. > :27:44.journey is still going for you. That friendship is there I think. It felt
:27:45. > :27:50.like it was just a great moment really. I don't know what else to
:27:51. > :27:54.say. I think I've said great moment too many times! Will you ever get
:27:55. > :28:01.bored with people singing back to you? No, it helps me out. Less work.
:28:02. > :28:07.We are going to Gemma now. She's at the Other Stage, I believe. Wow!
:28:08. > :28:11.This is so surreal. I'm here on the actual Other Stage. I can't believe
:28:12. > :28:16.it. Hello Glastonbury! CHEERING Jump if you were excited
:28:17. > :28:22.for Ellie Goulding! Oh, my goodness. People are frantically setting up.
:28:23. > :28:26.I'm hardly allowed to be here. I see drums, giant lights, a huge flag
:28:27. > :28:30.with her name on. And just a small Glastonbury aside. A clever thing
:28:31. > :28:34.that you do when you are in the crowd is create your own flag, so
:28:35. > :28:38.that your friends can find you. These are the true enthusiasts that
:28:39. > :28:42.have found their spot right at the front. If you are as excited and are
:28:43. > :28:46.on the edge of your sofa or are streaming it on the bus. Don't
:28:47. > :28:52.worry, because Ellie Goulding will be with you live at 9.00pm on BBC
:28:53. > :28:57.Three. On the pyramid stage you can hear
:28:58. > :29:02.the black keys. We are taking it back to the start of their set. I
:29:03. > :29:07.feel bad because we didn't say thank you for Bombay Bicycle Club. We were
:29:08. > :29:12.out of time. They know we are appreciative. I'm excited about
:29:13. > :29:31.this. The Black Keys from the Pyramid Stage.
:29:32. > :30:20.# If you do, you know I'll follow you
:30:21. > :32:27.# Nah nah, nah nah, nah nah nah, nah nah
:32:28. > :32:42.# Nah nah, nah nah, nah nah nah, nah nah (Whoa oh oh)
:32:43. > :33:35.# The look of the cake it ain't, it ain't always the taste
:33:36. > :33:40.# My ex girl she had such, such a beautiful face
:33:41. > :33:51.# But for the girl so she could, so she could love herself
:33:52. > :34:29.# A beautiful face and a, and a wicked way
:34:30. > :34:35.# And I'm payin' for her beautiful face everyday
:34:36. > :34:40.# All that work over, over so much time
:34:41. > :34:45.# If I, if I think too hard I might lose my mind
:34:46. > :40:03.# Oh yeah Oh yeah-yeah
:40:04. > :41:09.We're the Black Keys. Thank you. Help us out with this.
:41:10. > :42:12.# Clouds covered Love's
:42:13. > :45:00.# You wanted to love, but you didn't know how
:45:01. > :45:08.# It got so bad to where I wouldn't allow
:45:09. > :45:37.# You smoke cigarettes and you act like a clown
:45:38. > :45:45.# You do what you like and no matter what they allow
:45:46. > :48:13.# I've seen you out, just hangin' 'round
:48:14. > :48:22.# You'll need me one day, need me one day
:48:23. > :48:27.# Taking nova baby to the dollar machine
:48:28. > :48:36.# You'll need me one day, need me one day soon
:48:37. > :49:14.# Elevator ladies in the parking lots
:49:15. > :49:22.# The dream you told me, dream you told me
:49:23. > :49:37.# Of the dream you sold me, dream you sold me, oh
:49:38. > :52:17.# Well now I must admit I can't explain
:52:18. > :52:31.# Any of these thoughts Racing through my brain
:52:32. > :52:44.# There's something wrong With this plot
:52:45. > :53:24.# Mocking bird Can't you see?
:53:25. > :55:23.# Da da da da Da da da da
:55:24. > :55:29.enjoyed The Black Keys. Sammy says they are simply the best abandoned
:55:30. > :55:40.planet. This one says the consequences of jumping around is a
:55:41. > :55:46.sprained ankle. Still to come, Emily Goulding, Disclosure at 10 o'clock.
:55:47. > :55:55.What are you doing now? I'm running off to Disclosure live on the West
:55:56. > :56:01.Holts Stage. George Ezra came in. He'll be singing Budapest for us
:56:02. > :56:03.live on BBC Three in a second after this break.