:00:46. > :00:51.Glastonbury. We are here, Sunday afternoon, day 3. We very much saved
:00:52. > :00:56.the best to last. There is a certain lady in white in the Pyramid Stage.
:00:57. > :01:01.Dolly Parton is tearing it up. The crowd for her is huge. We will bring
:01:02. > :01:05.you her set in its entirety on this programme. She is coming up in a
:01:06. > :01:13.short while. We have lots to keep you entertained. Paul Heaton and
:01:14. > :01:17.Jacqui Abbott are here singing their new single and a duet in tribute to
:01:18. > :01:29.Dolly par ton. I wonder what it could be? And the ever-affable and
:01:30. > :01:36.joyful sheerian is here. He has sent a message to my children. -- Ed
:01:37. > :01:40.Sheeran. Glastonbury 2014. Let's look at the
:01:41. > :01:46.story so far. # I have never dreamed it
:01:47. > :01:49.# Have you ever dreamed a night like this
:01:50. > :01:56.# I cannot believe it # I may never see a night like this
:01:57. > :01:59.# Yeah # When everything you think is
:02:00. > :02:05.incomplete # cheek-to-cheek
:02:06. > :02:09.# Could you ever dream it # I have never dreamed a dream like
:02:10. > :02:16.this # I have never dreamed it
:02:17. > :02:47.# Have you ever dreamed it # A night like this #
:02:48. > :02:51.The story so far at Glastonbury 2014. Lovely day here today. What a
:02:52. > :02:56.lovely day. What has been your highlight so far today? I don't want
:02:57. > :03:02.to show off but I met Dolly Parton, it was amazing. I found an ice-cream
:03:03. > :03:06.van for cheese. You can get fondue fries and I found a castle that
:03:07. > :03:11.serves garlic bread. A garlic bread castle. That was remarkable rather
:03:12. > :03:15.than exceptional. I'm pleased for you as a friend. It is your
:03:16. > :03:21.birthday. I want you to have a good time I went to see Three Daft
:03:22. > :03:24.Monkeys on the Avalon stage. But an ice-cream van for cheese. It is
:03:25. > :03:28.something I have been waiting Forestieri many years. We should
:03:29. > :03:38.hook up with Dolly and take her to it. That white catsuit, idol to go
:03:39. > :03:44.council mud-splattered walk-ways. Should we get to some music? The
:03:45. > :03:49.festivities opened this morning with English National Ballet and it was
:03:50. > :04:16.joyous sound and music from Caro Emerald leading up to Dolly day.
:04:17. > :04:21.# I took the perfect avenue, down the road to both of you
:04:22. > :04:30.# With all the money in the world # You could never buy this girl
:04:31. > :04:40.# If romancing me with neons is something you should do
:04:41. > :04:45.# May the letters write in luminous, in-lou
:04:46. > :04:51.# You could be breaking up, making up
:04:52. > :05:15.# With all this tragedy, don?t get me tangled up
:05:16. > :05:18.# To me you?re acting like you?re twins
:05:19. > :05:38.# I want to see emotions colouring the sky
:05:39. > :05:42.# To the point it will make me wanna cry
:05:43. > :05:50.# You could be breaking up, making up
:05:51. > :06:15.# With all this tragedy don't get me tangled up
:06:16. > :06:26.# Treating girls like a yo-yo is a no no of monumental kind
:06:27. > :06:30.# If playing with your string had lanced to be your thing
:06:31. > :06:33.# It's easy to say to both oh never mind
:06:34. > :06:42.# You could be breaking up, making up
:06:43. > :06:48.# You can't be faking it # Making it from my love
:06:49. > :07:01.# With all this tragedy, don?t get me tangled up
:07:02. > :07:02.# You could be breaking up, making up
:07:03. > :07:07.# You can't be faking it # Making it from my love
:07:08. > :07:14.# With all this tragedy, don't get me tangled up
:07:15. > :07:52.groove. I like it. Contemporary smooth. That was after the ballet. I
:07:53. > :07:57.wasn't here in time for the ballet. You saw that. We played it out on
:07:58. > :08:02.the early show, the lunchtime show here on BBC Two. I almost burst into
:08:03. > :08:05.tears. I had to stopwatching. It was really affecting. Apparently the
:08:06. > :08:09.dancers were not sure anybody would turn up. The crowd was huge.
:08:10. > :08:14.Transfixed and then went crazy afterwards. It was amazing. A proper
:08:15. > :08:18.moment. A precedent was set when we had the opera to kick off the Sunday
:08:19. > :08:22.morning a couple of years ago. We will show you some of the ballet
:08:23. > :08:26.later. We are building up to Dolly. We have Paul and Jacqui coming to
:08:27. > :08:31.ginning for us live and what a joy, someone who is hot-footing it from
:08:32. > :08:36.our encampment back over to the Pyramid Stage to perform live but he
:08:37. > :08:38.is here to give us an exclusive acoustic preview. It is only Ed
:08:39. > :08:47.Sheeran. # When your legs don't work
:08:48. > :08:54.like they used to before your
:08:55. > :08:56.cheeks # People fall in love in mysterious
:08:57. > :09:20.ways # Kiss me under the light of a
:09:21. > :09:49.thousand stars # Place your head on my beating
:09:50. > :09:53.heart strings
:09:54. > :10:17.the same way # I know you will still love me the
:10:18. > :10:21.same # People fall in love in mysterious
:10:22. > :10:47.ways # Kiss me under the light of a
:10:48. > :11:16.thousand stars # Place your head on my beating
:11:17. > :11:20.heart # Kiss me under the light of a
:11:21. > :12:01.thousand stars # Place your head on my beating
:12:02. > :12:06.heart # Thinking out loud
:12:07. > :12:19.# Baby we found love right where we # Babe we found love right where we
:12:20. > :12:38.are. # CHEERING AND APPLAUSE How are you
:12:39. > :12:42.feeling about the gig? I mean I have to follow Dolly. Not adeal, but it
:12:43. > :12:46.will be fun. Fingers crossed. Good luck. If it is any consolation, we
:12:47. > :12:50.heard that we think your album is number one, and definitely the
:12:51. > :12:56.biggest-selling Album of the Year, this year, so you have sold more
:12:57. > :12:59.records than she has. This week. Congratulations. Thank you so much.
:13:00. > :13:04.Thank you very much. Ed Sheeran everybody. Thank you to
:13:05. > :13:08.Ed for joining us before he goes on stage on the Pyramid Stage. We will
:13:09. > :13:17.catch up with our lovely Gemma now. She is out and about in the field.
:13:18. > :13:21.Aw, how lovely. A rare moment of solace in the fields of Avalon
:13:22. > :13:32.chilling out on Dolly Parton Sunday. Family vibe. A place for some real
:13:33. > :13:38.peace and quiet. Unless you are accompanied by a Mariachis band that
:13:39. > :14:12.is. Oh, she's irrepressible. What is she
:14:13. > :14:17.like? I like that Mariachis music. I went to see them. That's one of my
:14:18. > :14:21.favourite areas on the site. The Avalon. We have a timber-framed
:14:22. > :14:28.double-decker pub and a lovely cafe in the Avalon stage and I saw Three
:14:29. > :14:32.Daft Monkeys. The Mariachis were on but I had to come here and rehearse
:14:33. > :14:36.although it doesn't appear to have made much difference. Oh, well, we
:14:37. > :14:42.are free-wheeling towards Dolly. It doesn't matter what we do. We have
:14:43. > :14:45.Dolly, live music coming up. Paul and Jacqui will be here after this
:14:46. > :14:49.next thing. This is the band who had a good slot. The weather was great
:14:50. > :14:53.today. They were in the slot before Dolly Parton on the Pyramid Stage.
:14:54. > :15:12.It worked out nicely for them. These are the 1975.
:15:13. > :15:17.# Hey now call it a split 'cause you know that you will
:15:18. > :15:21.# Oh you bite your friends like chocolate
:15:22. > :15:23.# You say, we'll go where nobody knows, with
:15:24. > :15:33.# no we're never gunna' quit it no # Now we run run away from the boys
:15:34. > :15:40.# in the blue, and my car smells like chocolate
:15:41. > :15:52.# Hey now think about what you do, think about what they say
:15:53. > :15:53.# You say, we'll go where nobody knows, with
:15:54. > :16:03.# no we're never gonna' quit it no # Now we run run away from the boys
:16:04. > :16:05.# Yeah we're dressed in black from head to toe, we've got guns
:16:06. > :16:14.hidden under our petticoats # No we're never gunna' quit it.
:16:15. > :16:18.no we're never gonna' quit it no # Now you're never gonna' quit it,
:16:19. > :16:20.# If you don't start smoking it, that's what she said
:16:21. > :16:23.# She said we're dressed in black, head to toe, with guns hidden under
:16:24. > :16:34.# No we're never gunna' quit it,
:16:35. > :17:02.# Oh my hair smells like chocolate
:17:03. > :17:04.no we're never gunna' quit it no # Yeah we're dressed in black,
:17:05. > :17:11.from head to toe, we've got guns hidden under our petticoats
:17:12. > :17:12.# Well I think we better go, seriously better go
:17:13. > :17:14.# Said the feds are here you know # Seriously better go, oh oh,
:17:15. > :17:23.well I think we better go # Said the feds are here you know
:17:24. > :17:43.# Said we better know # Seriously better go
:17:44. > :17:48.# Yeah we're dressed in black, head to toe, with guns hidden under
:17:49. > :18:02.# No we're never gonna' quit it, no we're never gonna' quit it no
:18:03. > :18:04.# Well I think we better go, seriously better go
:18:05. > :18:30.# Said the feds are here you know # Seriously better go, oh oh,
:18:31. > :18:37.at school at Wilmslow High with my eldest daughter. Really? Yes. We are
:18:38. > :18:41.going to bring you some of that moving performance we were talking
:18:42. > :18:46.about the English National Ballet. They came to Glastonbury with a
:18:47. > :18:51.piece specially commissioned to mark the fact that 100 years yesterday
:18:52. > :18:54.that arch Duke Franz Ferdinand was assassinated and resulting in the
:18:55. > :18:59.fist world war. This is a rather moving piece. We have a film to tell
:19:00. > :19:07.you more about what the ENB were doing at Glastonbury this year.
:19:08. > :19:11.The reason I started dancing was because of music. You know, Michael
:19:12. > :19:15.Jackson. You would put a record on and I started dancing. That's why
:19:16. > :19:20.Glastonbury is so special. It is fantastic music everyone can listen
:19:21. > :19:24.to. Of course I knew about Glastonbury, always, but I never
:19:25. > :19:29.thought I would get to perform on that stage. All of us, as dancers,
:19:30. > :19:34.are, of course, huge music fans. We wouldn't be dancing if it weren't
:19:35. > :19:39.for music. We are all excited. Off the Richter scale excited. As an
:19:40. > :19:45.English girl, growing up, I see it year after year, it is such an
:19:46. > :19:48.exciting thing to be a part of. The English National Ballet are
:19:49. > :19:52.performing a piece called Dust, based on the First World War to show
:19:53. > :19:56.the strength of the women during that time. This was the fist time
:19:57. > :20:01.they got to go to the factories every day and prove that they could
:20:02. > :20:05.do what the men were doing. A lot of people, it will be their first time
:20:06. > :20:09.seeing ballet, which is really exciting. We are here to see what it
:20:10. > :20:13.is like. We have never seen a ballet, have we? It is going to be
:20:14. > :20:14.great to see culture. You never know, I might become a ballet fan
:20:15. > :21:37.after. APPLAUSE
:21:38. > :21:42.It was just very emotional. I got really emotional. It almost got me
:21:43. > :21:46.teary. We were both about to cry. We were crying before, after. We knew
:21:47. > :21:52.it was going to be incredible. But perhaps not quite so powerfully,
:21:53. > :21:55.breathtaking as it was. I will never forget that. There are certainp
:21:56. > :21:58.points in your career that are highlighted. This will be one. One
:21:59. > :22:04.of the best things I have seen at Glastonbury this week. It really was
:22:05. > :22:09.such a powerful performance, especially when you knew the two
:22:10. > :22:13.main dancers from that piece were husband and wife and have never
:22:14. > :22:17.danced together in a major production publicly. Is that right.
:22:18. > :22:20.It was beautiful and a fantastic audience. Wrapped attention. It
:22:21. > :22:24.really worked. A few months ago I organised a charity do up in
:22:25. > :22:28.Cheshire. Paul Heaton very kindly said he would come and sing a couple
:22:29. > :22:33.of songs. He phoned me a couple of weeks later said - I'm hooking with
:22:34. > :22:39.up Jacqui aboted do you -- Abbott. Do you mind if I bring her? People
:22:40. > :22:42.were delighted. They now have hit records. Sellout tours. Another
:22:43. > :22:47.tour. People are thrilled to hear them sing together again. Here they
:22:48. > :23:24.are for us, up at the park for Glastonbury 2014.
:23:25. > :23:32.# The mum and dad were telling you # The way you're dressed ain't cool
:23:33. > :23:38.# There ain't no fashion tips thb well, that is he the moulding of a
:23:39. > :23:45.fool # As soon as you can see
:23:46. > :23:51.# The pushchair that they strapped you in
:23:52. > :23:56.# Should let you find your feet # The way you look it be the
:23:57. > :24:01.cheapist shirt # The tightest top
:24:02. > :24:09.# Revolution want be televised # And neither will your dad
:24:10. > :24:21.# Revolution won't be televised # And neither will your dad
:24:22. > :24:32.# The very first drop of alcohol # The taste and touch so cruel
:24:33. > :24:39.# Turns our dreams to Plasticine # A decent folks to fools
:24:40. > :24:44.# The microscope, the telescope # The sunny
:24:45. > :24:58.# It is the cutting of the... # The mould approximating of a fool
:24:59. > :25:04.# A hiccup of a cough # And the news
:25:05. > :25:08.# When television is off # The way you look
:25:09. > :25:12.# Depends who you must be # The cheapest shirt
:25:13. > :25:19.# The tightest top # Revolution won't be televised and
:25:20. > :25:26.neither will be your... # Revolution won't be televised and
:25:27. > :25:49.neither will your dad # #
:25:50. > :25:58.Stay within the yellow line # Don't wear stripe with check
:25:59. > :26:02.# The way you look # That's who you must be
:26:03. > :26:10.# The quhaepist shirt # The tightest top
:26:11. > :26:12.# Turn the music off # And think that acting proud and
:26:13. > :26:24.rich will stand us from the crowd # How lovely. So great to hear you
:26:25. > :26:28.guys together again. Thank you very much. Are you sticking around to do
:26:29. > :26:34.a bit of a duet for us, aren't you? OK. What a mystery, we are wondering
:26:35. > :26:38.what that could possibly be? A Dolly par ton duet, I can't think. We'll
:26:39. > :26:42.have to hang out and wait for it. Time it check out some more action
:26:43. > :26:48.from around the festival site now. This is what has been going on on
:26:49. > :27:14.The Other Stage. A little bit of Sam Smith for you.
:27:15. > :27:55.# You I don't have money on my mind # No money on my mind a see the
:27:56. > :27:59.numbers # I wanna see heaven
:28:00. > :28:02.# You say could you write a song for me
:28:03. > :28:04.# I say I'm sorry I won't do that happily
:28:05. > :28:07.# When I go home # I tend to close the door
:28:08. > :28:11.# I never wanted more # So sing with me
:28:12. > :28:16.# Can't you see # I don't have money on my mind
:28:17. > :28:21.# Money on my mind # I do it for the love
:28:22. > :28:26.# I don't have # Money on my mind
:28:27. > :28:37.# I do it for # I do it for the love
:28:38. > :28:42.# Please don't get me wrong wrong # I wanna keep it moving
:28:43. > :28:47.# I know what that requires # I'm in the foolish
:28:48. > :28:49.# Please can you make this work for me
:28:50. > :28:53.# Because I'm not a puppet, I will work against your string
:28:54. > :28:58.# When I go home, I tend to close the door
:28:59. > :29:01.# I never wanted more # So sing with me
:29:02. > :29:03.# Can't you see # I don't have
:29:04. > :29:07.# Money on my mind # Money on my mind
:29:08. > :29:12.# I do it for # I do it for the love
:29:13. > :29:17.# I don't have # Money on my mind
:29:18. > :29:26.# I do it for the love # I do it for the love force #
:29:27. > :29:28.Help me sing this # When the sun will set
:29:29. > :29:33.# Don't you fret # No, I have no money on my mind
:29:34. > :29:41.# No money on my mind # No money on my mind
:29:42. > :29:47.# No, I have no money on my mind # Your turn
:29:48. > :29:51.# When the sun will set # Don't you fret knob no I have no
:29:52. > :30:01.money on my nibbed # No money on my mind... #
:30:02. > :30:06.Sam Smith performing on The Other Stage.
:30:07. > :30:12.I was up in the Stone Circle earlier. It was lovely. I bumped
:30:13. > :30:16.into a a family with an 11-month-old baby in a troll quie. She was from
:30:17. > :30:21.the Wirral he was from Leeds. They said "Are you having a great
:30:22. > :30:27.birthday ""She said to him "Give him one of your cans of lager." He said
:30:28. > :30:32."No I have rationed them out." They were spending last night watching
:30:33. > :30:36.mow tallia with people who signed a petition to stop mow tallia playing.
:30:37. > :30:40.It sounds like they were experiencing everything they wanted
:30:41. > :30:52.to experience -- Metalica. #12k3w4r! -- Here what was on the
:30:53. > :30:58.John Peel Stage earlier today. # Oh, you Jack of all trades
:30:59. > :31:25.# You're the master of none # Oh, the race has begun
:31:26. > :31:30.# I was born a champion # And I'm
:31:31. > :32:15.counting every link # And I guess you think that's
:32:16. > :32:20.fine # You can try and run
:32:21. > :33:54.and hide CHEERING AND APPLAUSE He seems to
:33:55. > :33:57.have become one of the voices and faces of the festival. Doesn't he
:33:58. > :34:01.just? You get that each year when someone comes and steps up about
:34:02. > :34:06.three divisions. It happens that way. It is funny, the ebb and flow
:34:07. > :34:12.of the festival. The slot Dolly is playing, the 5.00pm slot is kind of
:34:13. > :34:16.the unofficial headline shot. We'll bring you that shortly. You will get
:34:17. > :34:20.all your Dolly Parton needs in this show. Hang out for that. But before
:34:21. > :34:24.we get there, we will check out the building really behind another real
:34:25. > :34:29.icon. A feature of the Glastonbury skyline. The giant spider. These
:34:30. > :34:31.days. Have alike at how this is put together over in the Arcadia area.
:34:32. > :34:45.-- have a look. Arcadia is an idea of taking things
:34:46. > :34:52.that nobody else wants any more and making them into a massive giant
:34:53. > :34:57.playground. The components of Arcadia are sculpture, recycling,
:34:58. > :35:02.music, special effects, circus per performance. Our job is to marry up
:35:03. > :35:06.all those elements and bring them together and make some interesting
:35:07. > :35:10.things happen. Glastonbury is the first show of the year for us,
:35:11. > :35:14.usually. The spider has been in hibernation for the winter. We have
:35:15. > :35:20.to get it out, dust it off and give it its summer coat or do any repairs
:35:21. > :35:23.necessary. We tend to use a lot of aviation equipment. We like jet
:35:24. > :35:28.engines because they are nice and they look lick they have come from
:35:29. > :35:33.outer space. -- they look like. This is the floor of the dft J booth in
:35:34. > :35:37.the centre of the spider. This is the spider's eyes, one of the eye
:35:38. > :35:44.sockets. We don't really have an idea and find a bit. It is kind of
:35:45. > :35:48.we find a bit and the idea is inspired by that and the bits get
:35:49. > :35:52.knocked around. And sometimes within a minute of entering a scrap yard we
:35:53. > :35:57.find a bit and it takes things in another direction. These are the top
:35:58. > :36:02.muscles from the spider they are made from Gazale helicopter tails.
:36:03. > :36:08.This big slowing one of the three legs of the spider. It weighs about
:36:09. > :36:09.ten tons, it is a monster, it is part of a Customs and Excise
:36:10. > :36:23.scanning machine. The convoy rolls in and the first
:36:24. > :36:29.thing that comes n the very first thing is 100 tonnes crane which we
:36:30. > :36:33.have put into position. We have already dug trenches and free pads
:36:34. > :36:38.for the spider feet. We reverse the trailers in one at a time, take the
:36:39. > :36:42.legs off. They get laid down with a central hub and using chains, slowly
:36:43. > :36:45.the whole structure is lifted up # A space station might look
:36:46. > :36:49.something like this... # When all the dressing goes on and
:36:50. > :36:54.the eyes go on and the characteristics of the spider really
:36:55. > :36:57.start to come on then. There is definitely danger involved with it
:36:58. > :37:02.working in the way that we do. It is kind of what makes it exciting but
:37:03. > :37:08.also what makes it what it is. We do dangerous things, safely. Henry and
:37:09. > :37:11.his team from Germany are the guys that pioneered the method and
:37:12. > :37:17.technology that we use to get the size of the flames that we do on the
:37:18. > :37:23.top of the spider. They want big flames and many flames in a short
:37:24. > :37:28.time. You have the biggest flames, 25m. If you had a long enough stick
:37:29. > :37:32.and were in the crowd, you could probably toast yourself a crumpet
:37:33. > :37:38.and stick butter on it. When we let that off for the first time, people
:37:39. > :37:45.really stand like and are like... Wow!
:37:46. > :37:50.It goes from something you have just built and is just a big load of
:37:51. > :37:59.scrap that then comes alive. It is amazing. Once the people are there
:38:00. > :38:01.and it switches on, it is a real magic. It is a privilege to be part
:38:02. > :38:08.of it. It is just amazing. That makes me
:38:09. > :38:17.want to go out, though. Lovely Henry Hot. He is like the Giorgio match
:38:18. > :38:20.the aurader of the pyrotechnics world.
:38:21. > :38:24.It is a vivid sight. The first time you see that, it blows your mind. At
:38:25. > :38:30.night it really comes alive. Listen, we are getting very, very close to
:38:31. > :38:34.Dolly tame, aren't we? Dolly time -- Dolly time.
:38:35. > :38:38.Paul Heaton and Jacqui Abbott are no-one's support act but what better
:38:39. > :38:40.way of getting in the mood for Dolly, should you need any extra
:38:41. > :38:49.inducement, than this. # Baby, when I met you
:38:50. > :38:53.there was peace unknown # I set out to get you
:38:54. > :38:57.with a fine tooth comb # I was soft inside,
:38:58. > :39:07.there was somethin' going on # You do something to me
:39:08. > :39:11.that I can't explain # Every beat of my heart,
:39:12. > :39:27.we got somethin' goin on # Tender love is blind,
:39:28. > :39:29.it requires a dedication # All this love we feel,
:39:30. > :39:33.needs no conversation # Islands in the stream,
:39:34. > :39:45.that is what we are # No one in between,
:39:46. > :39:49.how can we be wrong? # I can't live without you
:39:50. > :40:11.if the love was gone # Everything is nothin'
:40:12. > :40:17.if you got no one # Slowly losin' sight
:40:18. > :40:30.of the real thing # But that won't happen to us
:40:31. > :40:31.and we got no doubt # Too deep in love
:40:32. > :40:32.and we got no way out # This could be the year
:40:33. > :40:40.for the real thing # No more will you cry, baby,
:40:41. > :40:46.I will hurt you never # We start and end as one,
:40:47. > :40:49.in love forever # Islands in the stream,
:40:50. > :41:01.that is what we are # No one in between,
:41:02. > :41:05.how can we be wrong? # Islands in the stream,
:41:06. > :41:40.that is what we are # No one in between,
:41:41. > :41:42.how can we be wrong? # Islands in the stream,
:41:43. > :41:59.that is what we are # No one in between,
:42:00. > :42:35.how can we be wrong? CHEERING AND APPLAUSE Fantastic.
:42:36. > :42:42.That set the scene wonderfully. Thank you very much guys. Paul
:42:43. > :42:48.Heaton, Jacqui Abbott and friends. Islands In the Stream. The time has
:42:49. > :42:50.arrived. She has sold 100 million records. Today she came to
:42:51. > :43:00.Glastonbury. It's time for Dolly. She is certainly the Queen of
:43:01. > :43:09.country music and also carries the title of the best chest in the
:43:10. > :43:15.world. Hailing from Tennessee, she is a singer, songwriter, actress and
:43:16. > :43:20.theme park owner. She has sold over 100 million records. Released 75
:43:21. > :43:23.albums. Cropped up eight Grammy Awards and is one of the hardest
:43:24. > :43:28.working women in showbiz # Working nine to five #
:43:29. > :43:32.This weekend she makes her Glastonbury debut in the Sunday
:43:33. > :43:37.legend singalong slot People have asked me, have you played there,
:43:38. > :43:45.when are you going to? Sure enough it has worked out great. I'm looking
:43:46. > :43:53.forward to T She came a firm favourite in 1967 when she appeared
:43:54. > :43:59.on a TV show. Porter Wagner and her together were one of country music
:44:00. > :44:04.most dynamic duos. Then she had the first sole yes number one in the
:44:05. > :44:06.country charts followed by the autobiographical Coat of Many
:44:07. > :44:11.Colours. # My coat of many colours that my
:44:12. > :44:16.mamma made for me # Made only from rags, but I wore it
:44:17. > :44:21.so proudly... # Enjoying solo success, she said
:44:22. > :44:25.goodbye to Porter but not before penning him a song that was to
:44:26. > :44:28.become one of the greatest hits of all time
:44:29. > :44:38.# And I # Will always love you #
:44:39. > :44:48.The pint-sized platinum blonde crashed into the UK charts in 1976
:44:49. > :44:55.with a song but a Scarlet # Joe lean I'm begging, please don't
:44:56. > :44:58.take my man # And she duetted with Kenny Rodgers
:44:59. > :45:01.in a pop smash # Islands in the stream
:45:02. > :45:06.# That is what we are # How can we be wrong #
:45:07. > :45:11.I give her full credit for that. I'll take the money but she had can
:45:12. > :45:13.the credit. In 1992, one of her favourite songs became the
:45:14. > :45:18.biggest-selling song of the year. This time she wasn't singing T
:45:19. > :45:22.Whitney Houston made sure we would always love this song by keeping it
:45:23. > :45:25.top of the charts for ten, long weeks.
:45:26. > :45:31.Still working nine to five, Dolly continued to make music, films and
:45:32. > :45:35.more throughout the 00s, picking up a Lifetime Achievement award at the
:45:36. > :45:41.Grammys. With year with a new album and a world tour under her tiny belt
:45:42. > :45:45.she is back on British soil and ready to get down on worthy farm. I
:45:46. > :45:50.have heard it is a farm and they have lots of rain and mud. I'm
:45:51. > :45:55.hoping we are not up to our waste in mud but if we are, we are going to
:45:56. > :45:59.do it just the same gl. Get your Rhine stone welly boots ready. The
:46:00. > :46:00.Queen of country is bringing, Dollywood glamour to the Pyramid
:46:01. > :46:19.Stage. # Baby I'm burning out of control
:46:20. > :46:33.# Baby I'm burning body and soul # Hot as a pistol of flaming
:46:34. > :46:34.desire # Your eyes reflect love
:46:35. > :46:45.and desire # It looks like the fourth of July
:46:46. > :47:01.# There's no use in fighting # Just
:47:02. > :47:05.stand back and watch the sparks fly # Baby I'm burning out of control
:47:06. > :47:10.# Baby I'm burning body and soul # Hot as a pistol of flaming
:47:11. > :47:13.desire # Can't you feel
:47:14. > :48:05.the fire keeps burning. # Can't you feel
:48:06. > :48:41.the fire keeps burning. You are rowdy
:48:42. > :49:27.and you are looking good, too. # Why'd you come in here
:49:28. > :49:36.lookin' like that? # In your cowboy boots
:49:37. > :49:38.and your painted-on jeans # All decked out
:49:39. > :49:39.like a cowgirl's dream # Why'd you come in here
:49:40. > :49:40.looking like that? # He's got a wanderin' eye
:49:41. > :49:54.and a travelin' mind # Out with a different woman
:49:55. > :50:00.every night # Why'd you come in here
:50:01. > :50:07.lookin' like that? # In your high heeled boots
:50:08. > :50:10.and your painted-on jeans # All decked out
:50:11. > :50:13.like a cowgirl's dream # Why'd you come in here
:50:14. > :50:18.lookin' like that? # When you could stop traffic
:50:19. > :50:21.in a gunney sack # Why you're almost
:50:22. > :50:23.givin' me a heart attack # When you waltz right in here
:50:24. > :50:30.lookin' like that # I'm a softhearted woman,
:50:31. > :50:44.he's a hardheaded man # And he's gonna make me feel
:50:45. > :50:47.just as bad as he can # He's got himself a mean streak
:50:48. > :50:50.a half a mile wide # But now he's dancing
:50:51. > :50:54.on this heart of mine # Why'd you come in here
:50:55. > :50:57.lookin' like that? # In your high heeled boots
:50:58. > :51:00.and your painted-on jeans # All decked out
:51:01. > :51:03.like a cowgirl's dream # Why'd you come in here
:51:04. > :51:19.lookin' like that? # In your high heeled boots
:51:20. > :51:22.and your painted-on jeans # All decked out
:51:23. > :51:25.like a cowgirl's dream # Why'd you come in here
:51:26. > :51:30.lookin' like that? # When you could stop traffic
:51:31. > :51:33.in a gunney sack # Why you're almost
:51:34. > :51:36.givin' me a heart attack # When you waltz right
:51:37. > :51:39.in here lookin' like that # Why'd you come in here
:51:40. > :52:11.lookin' like that? # Well, it is such an honour
:52:12. > :52:22.and such a thrill to be here I have been waiting a lifetime
:52:23. > :52:30.for this. And of course, we want all of you
:52:31. > :52:37.to have the best time possible. We just really enjoy just looking
:52:38. > :52:40.around at all of the sites and all And I know you are here to see
:52:41. > :52:50.a whole lot of artists through the festival, and we are just glad
:52:51. > :52:52.that you came to see me. Now, I bet some of you probably
:52:53. > :52:59.follow my music, don't you? Well,
:53:00. > :53:06.we will be doing a few favourites. Let me get out my guitar, and we
:53:07. > :53:10.will do one for you right now. This is a real thrill
:53:11. > :53:22.and a real treat. Now, how many of you go
:53:23. > :53:25.so far back that you would remember # I'm begging of you
:53:26. > :53:44.please don't take my man # Please don't take him
:53:45. > :53:57.just because you can # With ivory skin
:53:58. > :54:06.and eyes of emerald green # Your smile is like
:54:07. > :54:10.a breath of spring # Your voice is soft
:54:11. > :54:12.like summer rain # And I cannot compete with you,
:54:13. > :54:19.Jolene # From crying
:54:20. > :54:30.when he calls your name, Jolene # But you don't know
:54:31. > :54:42.what he means to me, Jolene # I'm begging of you
:54:43. > :54:54.please don't take my man # Please don't take him
:54:55. > :55:30.just because you can # And whatever you decide to do,
:55:31. > :55:42.# I'm begging of you please don't take my man
:55:43. > :55:57.# Please don't take him even though you can
:55:58. > :56:32.Now, some of you may or may not know that that song was loosely based
:56:33. > :56:43.I wrote that years ago, when my husband,
:56:44. > :56:46.when we first got married, he was spending a bit more time with Jolene
:56:47. > :56:54.I want you to know, I got rid of that redheaded woman in a hurry!
:56:55. > :56:56.I want you folks to know that something good can come
:56:57. > :57:00.Had it not been for that other woman,
:57:01. > :57:05.And I would not have made all that money, so thank you, Jolie in.
:57:06. > :57:21.I looked at him sleeping over their in his lazy chair, snoring, hair
:57:22. > :57:24.turning grey in the temples, and I wonder if Jolene is still around.
:57:25. > :57:27.Maybe I could call her and say, you come and get him now!
:57:28. > :57:29.But anyway, thank you for remembering that one and thank
:57:30. > :57:36.I told you we would be doing some of your old favourites.
:57:37. > :57:40.But as usual, we are out on a tour, so we are promoting something new.
:57:41. > :57:50.And of course, that is what we are calling our world tour.
:57:51. > :57:53.And we are excited about that, so I thought if you did not mind, I
:57:54. > :58:05.After it goes by a time or two, you will know it
:58:06. > :58:15.I like all of your flights out there.
:58:16. > :58:16.# Blue smoke climbin' up the mountain
:58:17. > :58:17.# Blue smoke windin' round the bend
:58:18. > :58:19.# Blue smoke is the name of the heartbreak train
:58:20. > :58:24.# I left a note I wrote I'm leaving # And I won't be coming back
:58:25. > :58:29.# Blue smoke rolling, rolling, rolling
:58:30. > :58:32.# Rolling, rolling down the track
:58:33. > :58:34.# Oh, click-ad-ee, click-ad-ee, click-ad-ee clack
:58:35. > :58:51.# And I wonder if you're even gonna notice that I'm gone
:58:52. > :59:01.# But it hurts me even worse to know you never even tried
:59:02. > :59:03.# I packed my suitcase full of heartaches
:59:04. > :59:08.# And I bought a one-way ticket
:59:09. > :59:12.# Left the station straight-up midnight
:59:13. > :59:17.# In a trail of blue smoke with my heart broke
:59:18. > :59:21.# Blue smoke climbin' up the mountain
:59:22. > :59:24.# Blue smoke windin' round the bend
:59:25. > :59:27.# Blue smoke is the name of the heartbreak train
:59:28. > :59:33.# I left a note I wrote I'm leaving # And I won't be coming back
:59:34. > :59:43.# Rolling, rolling down the track
:59:44. > :59:44.# Oh, click-ad-ee, click-ad-ee, click-ad-ee clack
:59:45. > :00:14.# Blue smoke climbin' up the mountain
:00:15. > :00:14.# Blue smoke windin' round the bend
:00:15. > :00:16.# Blue smoke is the name of the heartbreak train
:00:17. > :00:19.# I left a note I wrote I'm leaving # And I won't be coming back
:00:20. > :00:21.# Blue smoke rolling, rolling, rolling
:00:22. > :00:34.# Rolling, rolling down the track
:00:35. > :00:35.# Blue smoke climbin' up the mountain
:00:36. > :00:37.# Blue smoke windin' round the bend
:00:38. > :00:40.# Blue smoke is the name of the heartbreak train
:00:41. > :00:47.# I left a note I wrote I'm leaving # And I won't be coming back
:00:48. > :00:50.# Blue smoke rolling, rolling, rolling
:00:51. > :00:54.# Rolling, rolling down the track
:00:55. > :00:55.# Blue smoke climbin' up the mountain
:00:56. > :00:57.# Blue smoke windin' round the bend
:00:58. > :01:02.# Blue smoke is the name of the heartbreak train
:01:03. > :01:02.# Blue smoke rolling, rolling, rolling
:01:03. > :01:16.# Rolling, rolling down the track
:01:17. > :01:43.You were singing that like you knew it.
:01:44. > :01:51.My songs are pretty simple, and I write a lot of them.
:01:52. > :01:57.As I mentioned before, I am sure a lot of you are familiar with me.
:01:58. > :01:59.You know I grew up in the great Smoky Mountains of
:02:00. > :02:08.And like Michael Eavis, that owns this big old farm,
:02:09. > :02:16.And I grew up in the country, so this mode ain't nothing new to me.
:02:17. > :02:19.And it is nothing new to you either, is it?
:02:20. > :02:25.Anyway, I grew up in a family of 12 children.
:02:26. > :02:27.There were six boys and six girls in our family.
:02:28. > :02:32.We were just a bunch of horny hillbillies up there
:02:33. > :02:41.I don't mean any disrespect by that, because my folks loved each other.
:02:42. > :02:44.My daddy was a hard-working farmer, raised to have kids.
:02:45. > :02:54.He kept food on our table, even if it was not exactly what we wanted.
:02:55. > :02:57.And we always had a bed to sleep in, so that was always good.
:02:58. > :03:04.My mother was one of those people that could tell you
:03:05. > :03:09.And she could cook anything, make it taste good.
:03:10. > :03:14.And she could so anything, make it look really good.
:03:15. > :03:20.You know where I am heading with this, do you?
:03:21. > :03:24.Well, she made a little coat for me, and I wrote a song about it.
:03:25. > :03:36.I always like to dedicate it to all the good mothers we have.
:03:37. > :03:39.So hopefully, it will go out of your mother, wherever she may be,
:03:40. > :03:45.Of late, you will enjoy hearing my little true story of the coat
:03:46. > :03:59.# Back to the seasons of my youth
:04:00. > :04:04.# I recall a box of rags that someone gave us
:04:05. > :04:10.# And how my momma put the rags to use
:04:11. > :04:12.# There were rags of many colours
:04:13. > :04:25.# Momma sewed the rags together # Sewin' every piece with love
:04:26. > :04:28.# She made my coat of many colours
:04:29. > :04:37.# As she sewed, she told a story # From the Bible, she had read
:04:38. > :04:43.# About a coat of many colours # Joseph wore and then she said
:04:44. > :04:46.# Perhaps this coat will bring you
:04:47. > :04:51.# And I just couldn't wait to wear it
:04:52. > :04:55.# And momma blessed it with a kiss
:04:56. > :05:09.# But I wore it so proudly # Although we had no money
:05:10. > :05:57.# My momma sewed in every stitch # And I told 'em all the story
:05:58. > :06:07.# Was worth more than all their clothes
:06:08. > :06:13.# But they didn't understand it # And I tried to make them see
:06:14. > :06:31.# But I was rich as I could be
:06:32. > :06:33.# My momma made for me
:06:34. > :06:58.Of course, you could not live in the mountains and not have a banjo.
:06:59. > :07:03.I remember a lot of things, growing up in the Smoky Mountains is.
:07:04. > :07:06.All the people that touched my life and the folks that helped
:07:07. > :07:17.My grandpa was a Pentecostal preacher.
:07:18. > :07:19.And of course, I went to a little church called
:07:20. > :07:22.the house of prayer, and it was there where I learnt to love the
:07:23. > :07:25.Lord and to believe that through God, all things are possible.
:07:26. > :07:27.Of course, I was kind of a disappointment to
:07:28. > :07:29.my grandpa, because you can look at me and imagine me being
:07:30. > :07:41.He worried a bit about me, because, you see, I had a pattern.
:07:42. > :07:44.There was this loose woman that used to walk around downtown and I
:07:45. > :07:46.thought she was the prettiest thing I had ever seen.
:07:47. > :07:55.I was just a country kid, always wanted to be pretty.
:07:56. > :07:58.So my grandpa worried a bit about me, but as the years went on,
:07:59. > :08:01.he finally gave up and decided I had a good -- as good a chance of
:08:02. > :08:04.Anyhow, I really think about all the different people,
:08:05. > :08:07.and when I did start to grow up and started wearing make-up,
:08:08. > :08:11.Well, it was hard to find one up there in the mountains,
:08:12. > :08:37.# Well, I wish that I was on old Rocky Top
:08:38. > :08:42.# Cos there ain't no smog, no smoke on Rocky Top
:08:43. > :08:48.# Now but once I had me a man on Rocky Top
:08:49. > :09:56.I know you can play fiddle, but I got a pretty affordable than that.
:09:57. > :10:31.Being as how I was at the festival and all.
:10:32. > :10:33.I thought I wanted to do something to impress you are
:10:34. > :11:07.You remember the Benny Hill show, don't you?
:11:08. > :11:09.That was when I learned to play that.
:11:10. > :11:17.I think I could play this backwards if I wanted to.
:11:18. > :11:23.You don't think I could lay it backwards?
:11:24. > :12:05.Well, after sax, you usually have a cigarette.
:12:06. > :12:51.I know that was corny, but it was fun.
:12:52. > :13:08.Before we got here, they told us that you were famous for the mud.
:13:09. > :13:19.Well, we got in this morning, about five o'clock.
:13:20. > :13:21.And I was sitting in the front of the bus,
:13:22. > :13:24.and I looked out and I saw all these workers and all these folks.
:13:25. > :13:27.And they were in mud up to their knees.
:13:28. > :13:29.And I thought, well, I think I will write a song.
:13:30. > :13:58.Mud, mud, mud. # Mud, mud be mud
:13:59. > :14:01.# Up to our bones in all this crud # Still we can't get enough of the
:14:02. > :14:06.# # Mud
:14:07. > :14:12.# Here is mud in your face # Here is mud in your eye
:14:13. > :14:15.# It won't stick in your face # But that's all right
:14:16. > :14:20.# We won't let it ruin our lie # We'll embrace the mud
:14:21. > :14:24.# # Mud
:14:25. > :14:29.#Ed in Rain, rain go away. If the sun won't shine you can't make hay
:14:30. > :14:32.but we won't let it ruin our day # We'll just make more mud
:14:33. > :14:43.# Mud # Mud OK mud, mud, mud, mud up to
:14:44. > :14:45.our bones in all this Crud, still we can't just get enough of the music
:14:46. > :15:00.and the mud # The music and the mud
:15:01. > :15:08.# This Glastonbury mud # # Mud, mud, mud Well, see that, we
:15:09. > :15:14.got us a song. And you did good. You know, I want to introduce this nice
:15:15. > :15:19.bunch of folks up on stage. I'm sure you are going to get a crush on
:15:20. > :15:29.somebody. You are going to want to know who it is. How about a nice
:15:30. > :15:39.hand for Paul and Tom. We have Jennifer. And Vicky Hampton. And
:15:40. > :15:51.Richard Dennison. And Jimmy. #r We have Gary Love. And
:15:52. > :15:57.Dee Turner back there. And our fearless leader Mr Kent Will. How
:15:58. > :16:02.about a nice hand. And that good-looking guy coming in and out
:16:03. > :16:05.with my instruments that's Dean. Thank you for that. I think we
:16:06. > :16:10.should put them to work, though, don't you? Make them sing something
:16:11. > :16:17.with me. Here is another song in the new CD. It's an old song. One of the
:16:18. > :16:20.great old songs that they brought over from the old world as they came
:16:21. > :16:56.over to America. I love this particular song. Hopefully you will
:16:57. > :17:03.too. It goes like this. # He said
:17:04. > :17:12.# I asked my love to take a walk # Just to walk a little way
:17:13. > :17:24.# and as we walked # Then we could talk
:17:25. > :17:27.# About our future wedding day # But when she said she could never
:17:28. > :17:48.be mine # Well I held a knife against
:17:49. > :17:52.# He cried "my love, don't you murder me
:17:53. > :18:03.# I'm not prepared for eternity" # Then only say that you'll be mine
:18:04. > :18:33.# I started home 'tween twelve and one
:18:34. > :18:36.# I cried, "My God, what have I done?"
:18:37. > :19:52.Well, we have a bunch of songs that you have asked for
:19:53. > :19:54.by request, because we wanted to know songs that you want to hear.
:19:55. > :19:58.So we are going to do a medley of some of those songs for you now.
:19:59. > :20:00.Any time you feel like singing along, it's your show.
:20:01. > :20:31.# No-one can light up the night like you do
:20:32. > :20:41.# Burning embores of love # -- Embers
:20:42. > :20:55.# I've known one or two # Old flame
:20:56. > :21:00.# Can't hold a candle to you # Downtown tonight
:21:01. > :21:16.# I saw an old friend someone who # I used to take comfort from
:21:17. > :21:26.# Long before I met you # And I caught a spark in his eyes
:21:27. > :21:30.of forgotten desire to # And with words or a touch
:21:31. > :21:38.# Well I could have rekindled that fire
:21:39. > :21:53.# Old flame # Can't hold a candle to you
:21:54. > :22:06.# No-one can light up the night like you do
:22:07. > :22:12.# Flickering emberes of love # I've known one or two
:22:13. > :22:26.# Old flames # Can't hold a candle to you
:22:27. > :22:40.# Old flames can't hold a candle to you #
:22:41. > :22:48.Maybe you remember this one of the # When the morning sun streaks
:22:49. > :22:58.across my room and I'm waking up # From another dream of you but when
:22:59. > :23:02.I'm onned road # Once again it seems
:23:03. > :23:05.# And all that's left behind is a chain of broken dreams
:23:06. > :23:09.# But you know I love you # You know that I love you oh how I
:23:10. > :23:17.love you # You know I love you
:23:18. > :23:23.# You know that I love you # Oh how I love you
:23:24. > :23:33.# Don't you know that I love you # You know that I love, love you
:23:34. > :23:42.# Oh, oh, oh # You stay close, I'm going to need
:23:43. > :23:45.you for Kenny's part. # They say that it's a matter of
:23:46. > :23:56.trusting # Before love has a chance to begin
:23:57. > :24:04.# And it it's never simple # Only a strong love survives
:24:05. > :24:10.# I know they say that it is a fine line
:24:11. > :24:16.# Between giving up and giving in # Oh and once your heart's in it,
:24:17. > :24:19.you can't just forget it # It's like nothing you felt in your
:24:20. > :24:24.life # We We've got real love
:24:25. > :24:28.# Not infatation # Real love
:24:29. > :24:33.# Our heart's celebration # I love you
:24:34. > :24:37.# You know I love you, too # Real love
:24:38. > :24:44.# Not an imitation # real love
:24:45. > :24:48.# Your my destination # Baby, you and me
:24:49. > :24:57.# We've got everything we need # Real love #
:24:58. > :25:03.Here is something I want to you give a little thought to.
:25:04. > :25:08.# Bhen When you think about love # Think about me
:25:09. > :25:13.# I can give you more than you'll ever need
:25:14. > :25:16.# Sooner or later we'll be in company
:25:17. > :25:20.# When you think about love, think about me
:25:21. > :25:23.# When you think about love, think about me
:25:24. > :25:29.# I can give you more than you'll ever need
:25:30. > :25:32.# Sooner or later every heart needs company
:25:33. > :25:36.# When you think about love # Think about me
:25:37. > :25:51.# When you think about love # Think about me #
:25:52. > :25:58.At least think about it! Thank you. Well, here's one that was my first
:25:59. > :26:00.main selling record and I bet you know every word to it. Singalong
:26:01. > :26:11.with me. # Just when I've begun to get myself
:26:12. > :26:16.together. # And wrap my heart round
:26:17. > :26:19.your little finger # Just when I'm about to
:26:20. > :26:27.make it work without you You just want to rock 'n' roll,
:26:28. > :28:55.do you? # They're laughing and drinkin'
:28:56. > :29:04.and having a party # Crying my heart out,
:29:05. > :29:09.feelin' sorry while # They're having a party
:29:10. > :29:12.two doors down # I think I'll dry
:29:13. > :29:15.these useless tears # They're laughing and drinkin'
:29:16. > :29:35.and having a party # They're having
:29:36. > :29:54.a party just two doors down # They're laughing and drinkin'
:29:55. > :30:16.and having a party # We're having our own party
:30:17. > :30:50.two doors down Everybody,
:30:51. > :31:00.singalong and clap your hands. # Islands in the stream,
:31:01. > :31:02.that is what we are # No one in between,
:31:03. > :31:03.how can we be wrong? # Baby, when I met you
:31:04. > :31:25.there was peace unknown # I set out to get you
:31:26. > :31:30.with a fine tooth comb # I was soft inside,
:31:31. > :31:39.there was somethin' going on # You do something to me
:31:40. > :31:45.that I can't explain # Every beat of my heart,
:31:46. > :31:58.we got somethin' goin on # Tender love is blind,
:31:59. > :32:04.it requires a dedication # All this love we feel,
:32:05. > :32:08.needs no conversation # Islands in the stream,
:32:09. > :32:21.that is what we are # No one in between,
:32:22. > :32:26.how can we be wrong? # I can't live without you
:32:27. > :32:48.if the love was gone # Everything is nothin'
:32:49. > :32:52.if you got no one # Slowly losin' sight
:32:53. > :33:02.of the real thing # But that won't happen to us
:33:03. > :33:06.and we got no doubt # Too deep in love
:33:07. > :33:11.and we got no way out # This could be the year
:33:12. > :33:20.for the real thing # No more will you cry, baby,
:33:21. > :33:25.I will hurt you never # We start and end as one,
:33:26. > :33:29.in love forever # Islands in the stream,
:33:30. > :33:43.that is what we are # No one in between,
:33:44. > :33:48.how can we be wrong? # The
:33:49. > :35:00.folks like me on the job from 9 to 5 # It's enough to drive you crazy
:35:01. > :35:18.if you let it # You would think that I
:35:19. > :35:27.would deserve a fat promotion # I swear sometimes that man
:35:28. > :35:42.is out to get me # On the boss-man's ladder
:35:43. > :35:47.# But you got dreams # Waitin'
:35:48. > :35:54.for the day your ship'll come in # And it's all gonna roll
:35:55. > :35:59.your way # It's all takin' and no givin'
:36:00. > :36:10.# They just use your mind Thank you so much
:36:11. > :37:15.for being such a great audience. I can't believe you knew
:37:16. > :38:14.that song that well! # It's enough to drive you crazy
:38:15. > :38:36.if you let it I tell you what, I wish I had
:38:37. > :38:39.the time and the money. I would get some more tour buses
:38:40. > :38:47.and take you on the road with me. Well, that is
:38:48. > :38:49.a big thrill to hear you singing It was almost my dream to be out
:38:50. > :38:58.on stage, travelling all over the world,
:38:59. > :39:03.singing to people exactly like you. But I didn't know you were going to
:39:04. > :39:06.know all the words to my songs. And again, I want to thank you
:39:07. > :39:12.for being such a great audience. You know,
:39:13. > :39:36.when I was looking out there, this And yes, I was alive and well
:39:37. > :39:46.in the 60s, with all this love and peace, everybody wishing we
:39:47. > :39:48.could all get along. Wouldn't it be great
:39:49. > :39:50.if we could all just live It must come
:39:51. > :40:01.from my up being with my grandpa, but every time I hear the sound
:40:02. > :40:04.of an old church organ, it makes me That's for sure, but like most
:40:05. > :40:13.of you, I would like to be But sometimes, I get to thinking I'm
:40:14. > :40:19.caught somewhere in the middle. I'm just a little too bad to be
:40:20. > :40:21.really good, and If you folks can relate to that,
:40:22. > :40:27.let me a you say amen. It's like I've always got any
:40:28. > :40:36.angel on my right shoulder. Oh, yes, always telling me all
:40:37. > :40:45.the right things to do. And the devil wants to hop
:40:46. > :40:48.on my other shoulder and tear down If you can relate to that,
:40:49. > :40:52.let me a you say amen. But one I am at my worst,
:40:53. > :40:59.when I'm sad, mad, lonely, lost I just looked up and I said, he,
:41:00. > :41:04.Lord, And you know me better than anybody,
:41:05. > :41:12.so why don't you just reached down Well, a few years ago,
:41:13. > :41:21.I'm sure you folks know, Jon Bon Jovi and a wonderful song they had
:41:22. > :41:24.called lay your hands on me. I said, guys,
:41:25. > :41:37.I'm fixing to do a new record. Could you just change that song
:41:38. > :41:40.around for me a little bit, make it into a gospel tunes,
:41:41. > :41:42.just a conversation And guess who I saw coming
:41:43. > :41:51.in here a while ago? And I asked him if he would come
:41:52. > :41:55.and play on this. He was not trying to kiss me,
:41:56. > :42:06.I don't think. Thanks for writing it,
:42:07. > :42:21.and thanks for gracing us today with Get up there
:42:22. > :42:26.and talking to your microphone. # If you're ready,
:42:27. > :43:17.I'm willing and able # Help me lay my cards out
:43:18. > :43:56.on the table # What you get ain't
:43:57. > :44:00.always what you see # Lay your hands on knee
:44:01. > :44:12.# Lay your hands on me # Lay your hands on me
:44:13. > :44:15.# I'm a sinner # I'm a loser
:44:16. > :44:18.# I'm a seeker # I need to learn to live, Lord,
:44:19. > :44:23.you're the teacher # Show me how to get my feet up off
:44:24. > :44:28.the ground # # Teach me how to fly and never come
:44:29. > :44:35.back down # Everything you are is all I need
:44:36. > :44:39.# I've go the what you need # And your satisfaction is
:44:40. > :44:42.guaranteed # You sacrificed it all to set me
:44:43. > :44:46.free # So, if you want me
:44:47. > :44:59.# Lay your hands on me # Lay your hands on me Anybody
:45:00. > :45:03.anywhere you want to, baby # Lay your hands on me
:45:04. > :45:33.# Lay your hands on me Lord, if you want me to prove my
:45:34. > :45:42.love to you # Lay your hands on me
:45:43. > :45:49.# Lay four hands on me # Come on Glastonbury, singalong with
:45:50. > :45:52.us, clap along with us. -- lay your hands on me
:45:53. > :46:03.# Lay your hands on me # Lay your hands on me Snr
:46:04. > :46:20.# Lord I'm ready # Lay your hands on me
:46:21. > :46:29.# Keep me out of trouble # Help me
:46:30. > :46:35.# Lay your hands on me # Lay your hands on me
:46:36. > :46:44.# Lay your hands on me Thank you so much. Thank you so much
:46:45. > :48:08.Ricky. Well, what a thrill. Thank you so
:48:09. > :48:16.much. Thank you so much for gracing us with your presence, appreciated.
:48:17. > :48:24.Thank you so much. Well, that was a thrill, huh? Give her a big hand
:48:25. > :48:29.right now, come on. What an honour, what a thrill this
:48:30. > :48:36.has been today. Thank you so much for being so kind to us. Now, I
:48:37. > :48:41.wrote a song a few years back. It's going to make it the perfect song
:48:42. > :48:45.for me to dedicate to you personally today because I want it to know I
:48:46. > :48:50.appreciate every ticket you ever bought to come to my shows, I
:48:51. > :48:55.appreciate every record you evering bought, every movie that you ever
:48:56. > :49:00.went to that I was in. So this was always my dream, to be doing this.
:49:01. > :49:05.So I thank God and I thank you every day. I just want you to know that
:49:06. > :49:09.this has been a thrill and a joy today and I also want you to know
:49:10. > :49:23.that I will always love you. So this is for you.
:49:24. > :49:50.# That I'll think of you each step of my way
:49:51. > :50:25.# That's all I have, and all I'm taking with me
:50:26. > :51:07.# And I hope life will treat you kind
:51:08. > :51:57.# I will always love you # I will always love you
:51:58. > :54:37.Oh my goodness. Look at that huge crowd. Wow. When you get to Dolly
:54:38. > :54:41.Parton's stage of the game. Five decades making music, 100 million
:54:42. > :54:44.records sold. There aren't many firsts left. It is really special to
:54:45. > :54:49.see another first for her. Wonderful. Dolly Parton playing
:54:50. > :54:55.Glastonbury for the first time I don't think you can do much more
:54:56. > :54:59.than that. How do you top that? Ed Sheeran is going to have to try.
:55:00. > :55:04.That was great. All the fantastic hits. What a show and also the theme
:55:05. > :55:10.tune to the Benny Hill show which doesn't help. An a be-Jewelled
:55:11. > :55:14.saxophone. : Well that was Dolly Parton, first time as Glastonbury.
:55:15. > :55:18.It seems to have been a bit of a triumph. I wonder how she felt about
:55:19. > :55:23.it. As she came off stage, Joe wiley managed to grab a word with her.
:55:24. > :55:28.Lovely to meet you. I'm still out of breath. Listen to them, they are
:55:29. > :55:31.going out there. Queen Queen of Glastonbury, official. How was that
:55:32. > :55:36.for you? Exciting. The fact they are still going, I didn't know. It is
:55:37. > :55:41.fun. It is everything everybody said it was going to be and I didn't get
:55:42. > :55:45.mud on me. It is compare and contrast. Look at that. What was
:55:46. > :55:50.that like? I have never seen a crowd that vast before. How did it feel
:55:51. > :55:54.for you? There was a lot of people there. I was trying to pretend they
:55:55. > :55:57.were all one special person, that's kind of how it felt of. It was
:55:58. > :56:01.exciting, fun, everything everybody said it was going to be. Did it take
:56:02. > :56:05.your breath away? Overwhelming. They were quiet when we did the quiet
:56:06. > :56:09.songs. I didn't know if they would be too rowdy. They were respectful
:56:10. > :56:13.and rowdy when we needed them to be. Have you played a festival before?
:56:14. > :56:18.None this big. Many fest values. Kenny Rodgers was here this time
:56:19. > :56:22.last year. Did you speak to him? He told me it was a great crowd, he
:56:23. > :56:26.said I was going to enjoy myself. He was right. Your favourite bit. ?
:56:27. > :56:29.What did you enjoy? I loved it all. The excitement and electricity of
:56:30. > :56:32.them being out there taking part in every song and singing along with
:56:33. > :56:36.me, a big thrill. Singing nine to five with those voices, that was
:56:37. > :56:39.probably the biggest thrill of the night. What is the strangest sight
:56:40. > :56:44.you have seen? Many people were dressed up as you. I know. There are
:56:45. > :56:49.a lot of drag queens out there. I always said it was a good thing I
:56:50. > :56:52.was a girl because I would have definitely been a drag queen. Did
:56:53. > :56:56.you see the security guards doing the Dolly mob thing? They were doing
:56:57. > :56:59.their number. It was a big thrill. Will you sum-up your Glastonbury
:57:00. > :57:04.experience, how it was for you? It was a wonderful thing. More than
:57:05. > :57:09.they said it was going to be. I was a little nervous, I didn't know what
:57:10. > :57:16.to expect. They were very sweet. Everything I hoped it wouldbe. And
:57:17. > :57:21.no mud. Thank you. Congratulations. I just want to talk about it
:57:22. > :57:24.forever. I want to talk about the trousers/shorts/whatever they are,
:57:25. > :57:29.forever. Amazing, if you want more Dolly there is a documentary about
:57:30. > :57:33.to start on BBC4 called Platinum Blonde. Don't miss it. Shoofrnlts's
:57:34. > :57:38.force of nature. It was like Lars last night. When you are an act on
:57:39. > :57:43.that scale what are the last things to do, conquering Glastonbury, you
:57:44. > :57:47.get impressions, the word goes around, The final frontier. Our
:57:48. > :57:52.friend who was here earlier, Ed Sheeran is on BBC3 at 7.00pm. And
:57:53. > :57:56.don't forget you can catch up with all the performances on the website
:57:57. > :58:04.and on the iPlayer as well. We are back with kas andian at 10.00pm. I
:58:05. > :58:08.can Kasabian I can hardly believe the weekend is slipping away. Even
:58:09. > :58:12.on the first day you feel you have been here a day-and-a-half. Now it
:58:13. > :58:21.is nearly done but kas andian tonight at 10.00pm -- Kasabian. Make
:58:22. > :58:23.sure you join us for that, for the final show from Glastonbury 2014.