Ed Sheeran & Sam Smith

Download Subtitles

Transcript

:00:29. > :00:32.Glastonbury Festival. Oh, wow! I mean, Ed Sheeran's just absolutely

:00:33. > :00:36.blown my mind behind us on the Mir mid Stage. Day three, I feel like

:00:37. > :00:40.Sunday's the love day, everybody's really got into the groove and

:00:41. > :00:45.everybody's just blissing out. It's been sunny. But where's our partner

:00:46. > :00:49.in crime? I don't know, Greg have you seen Gemma? By the way, can we

:00:50. > :00:55.have a moment to appreciate that dress! It's my ode to Dolly. How

:00:56. > :01:02.many outfits did you bring? Quite a lot. Wearing white was stupid, but

:01:03. > :01:08.it's all good. Here I am hideously underdressed. I'm at my map. Let's

:01:09. > :01:18.start with you, Jen. Other stage, highlight? Lucy Rose. John Peel

:01:19. > :01:25.tent. Royal Blood. We are getting Esra up here for a live session

:01:26. > :01:31.shortly. Arcadia? Weird things there. A band doing Dolly Parton

:01:32. > :01:35.covers, of course. I lost eight hours of my life there on Friday

:01:36. > :01:40.night. Not sure what happened. Disclosure will be on later. You can

:01:41. > :01:46.see the whole thing at 10 tonight. My absolute highlight, apart from Ed

:01:47. > :01:52.who's smashing it here, Dolly Parton earlier today. Everyone needs to be

:01:53. > :01:57.a bit more Dolly! Those are our highlights, but you

:01:58. > :02:04.guys get the chance to have a vote. We are going to be nominated our

:02:05. > :02:49.favourites. Who was yours? Let's have a look at the nominees.

:02:50. > :03:50.So you decide. Don't just shout at your telly, get on your Twitter,

:03:51. > :03:57.open up a laptop and let us know who you want us to play later.

:03:58. > :04:05.It's up to you. Paolo maybe, who knows! All the terms and conditions

:04:06. > :04:12.are at the website. Voting closes around 9. Loads of brilliant stuff

:04:13. > :04:17.to bring you between now and 11. 30, including Ellie Golding, Ed Sheeran,

:04:18. > :04:22.Disclosure and London Grammar. A fantastic rendition of Stay With Me

:04:23. > :04:28.yesterday. This guy is selling albums at by the bucket load. Daisy

:04:29. > :04:30.Lowe was there, Jessie Ware was there. This is the incredible Sam

:04:31. > :05:01.Smith. Enjoy! # When you spit your venom

:05:02. > :05:06.keep it shut I hate it # About your new Messiah

:05:07. > :05:14.cos your theories catch fire # But when you read your speech

:05:15. > :05:26.it's tiring # When your words mean nothing

:05:27. > :05:37.I go, la la la # I'm turning up the volume

:05:38. > :05:40.when you speak # La la na na, la la la la la

:05:41. > :05:51.na na na na na # La la na na, la la la la la

:05:52. > :06:00.na na na na na # If our love is

:06:01. > :06:03.running out of time # I won't count the hours

:06:04. > :06:07.rather be a coward # I'm gonna drown you out

:06:08. > :06:16.before I lose my mind # But when you read your speech

:06:17. > :06:27.it's tiring # When your words mean nothing

:06:28. > :06:54.I go, la la la # I'm turning up the volume

:06:55. > :06:57.when you speak # La la na na, la la la la la

:06:58. > :07:08.na na na na na # La la na na, la la la la la

:07:09. > :07:15.na na na na na # When your words mean nothing

:07:16. > :07:55.I go la la la # I'm turning up the volume

:07:56. > :07:59.when you speak # La la, la la la la la

:08:00. > :08:25.na na na na na Thank you very much. Thank you.

:08:26. > :08:26.Right, Glastonbury, I need you to sing this with me if you know this

:08:27. > :08:58.song. # You say,

:08:59. > :09:29.could you write a song for me? # I say, I'm sorry

:09:30. > :09:33.I won't do that happily # Please, can you

:09:34. > :10:22.make this work for me? # Cos I'm not a puppet

:10:23. > :11:45.I will work against your strings Glastonbury! Can you please give it

:11:46. > :11:54.up for my incredible band and backing singers! Thank you so much

:11:55. > :12:00.for coming to see me. It means the world. Thank you. Now, sing this

:12:01. > :12:19.next song with me. Here we go. As loud as you can.

:12:20. > :12:26.# Right in front of me face # And I just can't control it

:12:27. > :12:32.# Finally it's happened to me # Money on my mind

:12:33. > :12:36.# I do it for the love # I do it for

:12:37. > :12:41.# Do it for the love # Finally it's happened to me

:12:42. > :12:46.# I do it for the love # Finally you come along

:12:47. > :12:51.# I do it for, I do it for # The love... #

:12:52. > :13:11.APPLAUSE Thank you.

:13:12. > :13:24.# You lift my heart up when the rest of me is down (never)

:13:25. > :13:29.# You, you enchant me even when you're not around

:13:30. > :13:36.# If there are boundaries I will try to knock them down

:13:37. > :13:46.# I'm latching on, babe, now I know what I have found

:13:47. > :14:36.# I'm so encaptured, got me wrapped up in your touch (never)

:14:37. > :14:43.# Feel so enamoured, hold me tight within your clutch

:14:44. > :14:55.# How do you do it, you got me losing every breath

:14:56. > :15:01.# What did you give me to make my heart beat out my chest?

:15:02. > :16:32.Thank you. Thank you very much. This is my last song, Glastonbury. I need

:16:33. > :16:39.you to sing this as loud as you can. Let me see your hands together.

:16:40. > :16:49.# Guess it's true, I'm not good at a one-night stand

:16:50. > :16:55.# But I still need love cos I'm just a man

:16:56. > :17:01.# These nights never seem to go to plan

:17:02. > :17:05.# I don't want you to leave will you hold my hand?

:17:06. > :17:40.# No, it's not a good look Gain some self control

:17:41. > :17:45.# And deep down I know this never works

:17:46. > :17:50.# But you can lay with me so it doesn't hurt

:17:51. > :20:02.either stage. How was it, Greg? He smashed it. He said he was nervous

:20:03. > :20:06.because Dolly Parton was on at the same time, but it was packed,

:20:07. > :20:10.brilliant. It's because there's so many blooming people here, everybody

:20:11. > :20:16.wants a different party and we cater for all. Get ready for your eyes to

:20:17. > :20:21.explode. Your ears will. A special acoustic performance from Foxes.

:20:22. > :20:25.# We fell from the sky and started walking

:20:26. > :20:30.# Leavin' our footprints on the ground

:20:31. > :20:36.# It might be a prayer Or maybe a piece of conversation

:20:37. > :21:03.# All that I know, all that I know is we're here tonight

:21:04. > :21:06.# Let love in your life and be shown (turn off the lights)

:21:07. > :21:52.# All that I know, all that I know is we're here tonight

:21:53. > :21:59.# Let love in your life and be shown (turn off the lights)

:22:00. > :22:45.# We fell from the sky and started walking

:22:46. > :22:53.# Leavin' our footprints on the ground

:22:54. > :23:02.# Let love in your life and be strong (turn off the lights)

:23:03. > :23:37.winner in the house. High Foxes, welcome to the tree house. Hello.

:23:38. > :23:41.Are you good? I am, how are you Great. Thank you for taking the time

:23:42. > :23:44.to do a special performance for us. You are a gloss tonnebury regular,

:23:45. > :23:48.you have been coming for anales, right? It's crazy to play here and

:23:49. > :23:55.to be in this kind of bubble looking at all of the people here which is

:23:56. > :24:00.amazing -- for ages. I sort of used to come with my mum when I was

:24:01. > :24:04.really little so I tried to come every single year, so yes it's mad

:24:05. > :24:10.to be playing. Your mum's here? My mum is here. This is mental. I

:24:11. > :24:14.played yesterday and I knew she was in the audience and I was like, mum

:24:15. > :24:17.I know you're there and it took me towards the end of the set to

:24:18. > :24:20.notice. I went to the crowd and they were singing to me and she was right

:24:21. > :24:27.there and I jumped in her arms and she was at the front. That was

:24:28. > :24:30.amazing. So nice, I love a Glasto mum. Ed Sheeran from earlier on

:24:31. > :24:36.today. I chatted with him earlier and he was very, very nervous.

:24:37. > :24:40.Moments before Ed Sheeran takes to the stage, here he is. You are very

:24:41. > :24:44.busy and you have a lot going on. How are you feeling about today?

:24:45. > :24:50.Nervous, yes. I don't ever get nervous and I am. That is a special

:24:51. > :24:54.feel because it's a special place to perform and you must have dreamed

:24:55. > :24:59.about these days? I never imagined it. Glad it's happening, so I've

:25:00. > :25:02.just got to do it. Up until now, what are your memories? What do you

:25:03. > :25:07.feel about this festival and why is it so special? The last time I was

:25:08. > :25:13.here, I did so many gigs so I didn't see or do anything apart from walk

:25:14. > :25:20.through it. This is the first time I've witnessed it properly. I saw

:25:21. > :25:27.1975 and Metallica on TV so yes. Dolly Parton is not a bad supporting

:25:28. > :25:31.act? Yes, I feel as though I'm the one where everyone's sort of like,

:25:32. > :25:39.cool, see you later, we are going to go back home, we enjoyed Dolly but

:25:40. > :25:43.hopefully they stuck around. You haven't bumped into her have you?

:25:44. > :25:48.No, we are not allowed to be around when she is. Your album is the

:25:49. > :25:50.fastest selling of the year, 180,000 copies in the first week.

:25:51. > :25:53.fastest selling of the year, 180,000 copies in the first Relief that the

:25:54. > :25:57.second album was really something that everyone wanted. It must be

:25:58. > :26:02.daunting to go, I've had a massive first album, now what? Yes, the

:26:03. > :26:08.second album can stun your career or extend it, it's extended for a bit

:26:09. > :26:12.longer. As a fan of watching Glastonbury, who are if people that

:26:13. > :26:20.inspired you to do what you are doing now? In terms of Pyramid

:26:21. > :26:26.stage, Springsteen or Coldplay, McCartney, that epicness. But in

:26:27. > :26:32.terms of just inspiration, I was really into Damien Rice, Gary Dunn,

:26:33. > :26:36.a bunch of people that really influenced me to what I'm doing now,

:26:37. > :26:40.I guess. It's a magical place and steeped in history, I'm sure you are

:26:41. > :26:43.going to have an amazing time. Thank you for your time. Thank you. The

:26:44. > :27:00.stage awaits! I'm going to work out how loud you

:27:01. > :28:04.guys can sing for the first song. Here we go. Repeat after me.

:28:05. > :28:07.# I'm out of luck # I'll pick you up when you're

:28:08. > :28:10.getting down # And out of all these things I've

:28:11. > :28:17.done # I think I love you better now.

:28:18. > :28:24.# I'm out of sight, I'm out of mind # Out of all these things I've done

:28:25. > :28:41.# I think I love you better now. # Oh, oh

:28:42. > :28:47.# # Sing it out

:28:48. > :29:00.# I'm gonna paint you by numbers # And colour you in

:29:01. > :29:04.# When things go right # We can frame it

:29:05. > :29:08.# And put you on a wall # And it's so hard to say it but

:29:09. > :29:12.I've never been here before # Now I'll surrender my heart and

:29:13. > :29:17.swap it for yous # I'm out of touch, I'm out of love

:29:18. > :29:20.# I'll pick you up when you're getting down

:29:21. > :29:26.# And out of all those things I've done, I think I love you better now

:29:27. > :29:32.# I'm out of sight, I'm out of mind # I'll do it all for you in time

:29:33. > :29:38.# And owl of all these things I've done, I think I love you better now

:29:39. > :29:41.# Don't hold me down, I think the braces are breaking and it's more

:29:42. > :29:46.than I can take # And it's dark in a cold December,

:29:47. > :29:51.but I've got you to keep me warm # If you're broken, I will mend ya

:29:52. > :29:56.and keep you sheltered from the storm that's raging on, now

:29:57. > :29:58.# I'm out of touch, I'm out of love # I'll pick you up when you're

:29:59. > :30:04.getting down # And out of all these things I've

:30:05. > :30:11.done, I think I love you better now # I'm out of sight, I'm out of mind

:30:12. > :30:16.# I'll do it all for your in time # And out of all these things I've

:30:17. > :30:19.done, I think I love you better now # I'm out of touch

:30:20. > :30:22.# I'm out of love # I'll pick you up when you're

:30:23. > :30:30.getting down # Out of all these things I've done

:30:31. > :31:40.# I will love you better now... # CHEERING AND APPLAUSE

:31:41. > :31:44.# She said "Don't you worry if I disappear"

:31:45. > :31:46.# I told her I'm not really looking for another mistake

:31:47. > :31:49.# Thinking that the trouble would wait

:31:50. > :31:51.# But then I jumped right in a week later returned

:31:52. > :31:54.# I reckon she was only looking for a lover to burn

:31:55. > :31:56.# But I gave her my time for two or three nights

:31:57. > :31:58.# And then I put it on pause until the moment was right

:31:59. > :32:03.# I went away for months until our paths crossed again

:32:04. > :32:05.# She told me I was never lookin' for a friend

:32:06. > :32:08.# Maybe you can swing round my room about ten

:32:09. > :32:10.# Baby, bring the lemon and a bottle of gin

:32:11. > :32:12.# We'll be in between the sheets till the late AM

:32:13. > :32:14.# Baby, if you wanted me you should have just said

:32:15. > :32:38.# And for a couple weeks I only wanna see her

:32:39. > :32:40.# We drink away the days with a take-away pizza

:32:41. > :32:43.# Before a text message was the only way to reach her

:32:44. > :32:45.# Now she staying at my place and loves the way I treat her

:32:46. > :32:48.# Singin' out Aretha all over the track like a feature

:32:49. > :32:50.# And never wants to sleep I guess that I don't want to either

:32:51. > :32:52.# But me and her make money the same way

:32:53. > :32:55.# Four cities, two planes the same day

:32:56. > :32:57.# And those shows have never been what it's about

:32:58. > :33:00.# But maybe we'll go together and just figure it out

:33:01. > :33:01.# I'd rather put on a film with you and sit on the couch

:33:02. > :33:04.# But we should get on a plane or we'll be missing it now

:33:05. > :33:06.# Wish I'd have written it out the way things played out

:33:07. > :33:09.# When she was kissing him how I was confused about

:33:10. > :33:14.# She should figure it out while I'm sat here singin'

:33:15. > :33:37.# On my hotel door I don't even know if she knows what for

:33:38. > :33:40.# She was crying on my shoulder I already told ya

:33:41. > :33:42.# Trust and respect is what we do this for

:33:43. > :33:47.# But you didn't need to take him to bed that's all

:33:48. > :33:52.# Until you disappeared with him to have sex of course

:33:53. > :33:57.# We were staying on the same BLEEPing hotel floor

:33:58. > :33:58.# And I wasn't looking for a promise to commitment

:33:59. > :34:01.# But it was never just fun and I thought you were different

:34:02. > :34:03.# This is not the way you realise what you wanted

:34:04. > :34:06.# It's a bit too much too late if I'm honest

:34:07. > :34:09.# And all this time God knows I'm singin'

:34:10. > :35:00.# These girls aren't loyal # End

:35:01. > :35:07.Thank you very much. That's a new one. Right, this next one's going to

:35:08. > :35:35.be a fun one. Glastonbury, are you up for a bit of

:35:36. > :35:40.singing? Say hell, yeah! This chorus repeats over and over and over! Has

:35:41. > :35:45.anyone heard of Nina Simone? Is anyone a fan of Nina Simone? Don't

:35:46. > :35:52.worry if you don't get it first time around. But we will try it out. It

:35:53. > :36:48.goes like this. # Oh, daddy, love me good.

:36:49. > :37:20.That's the chorus. One more thing I need from you is a clap. It comes at

:37:21. > :37:27.the eighth beat of the bar. One two, three, four, five, six, seven clap!

:37:28. > :37:31.Keep that clap going for the whole song. Everyone, hands in the air. I

:37:32. > :37:35.want to see you with your hands in the air. I hope you enjoy this

:37:36. > :38:01.song. It's by Nina Simone. # Love and honour you

:38:02. > :38:11.for all your life # I will love you the best I can

:38:12. > :39:15.yeah # Stick to the promised man you made

:39:16. > :39:54.me # Outside you

:39:55. > :40:56.there is no place to go # Love me good

:40:57. > :41:04.# Love me good. # Please don't treat me

:41:05. > :41:10.so goddamn mean, yeah # You're the meanest man

:41:11. > :41:13.I have ever seen # You're the meanest man

:41:14. > :41:18.I have ever seen # You're the meanest man

:41:19. > :41:22.I have ever seen # You're the meanest man

:41:23. > :41:26.I have ever seen # You're the meanest man

:41:27. > :41:29.I have ever seen # You're the meanest man

:41:30. > :41:33.I have ever seen # You're the meanest man

:41:34. > :41:37.I have ever seen # You're the meanest man

:41:38. > :41:43.I have ever seen # You're the meanest man

:41:44. > :41:46.I have ever seen Put your hands in the air! Clap with

:41:47. > :41:57.me! # Love and honour you

:41:58. > :42:07.for all your life Forget about singing! Just shout it

:42:08. > :42:37.out! # Cos lately I've been

:42:38. > :43:38.waking up alone # Paint splattered teardrops

:43:39. > :43:45.on my shirt # Give a little time to me,

:43:46. > :44:17.or burn this out # We'll play hide and seek

:44:18. > :44:21.to turn this around # And all I want

:44:22. > :44:26.is the taste that your lips allow # And it's been a while

:44:27. > :45:06.but I still feel the same # After my blood

:45:07. > :45:27.is drowning in alcohol # Give a little time to me, or burn

:45:28. > :45:40.this out # We'll play hide and seek

:45:41. > :45:42.to turn this around # And all I want

:45:43. > :45:45.is the taste that your lips allow # Give a little time to me,

:45:46. > :45:52.or burn this out # We'l play hide and seek

:45:53. > :45:56.to turn this around # And all I want

:45:57. > :47:47.is the taste that your lips allow # Give me love

:47:48. > :48:09.# My, my, my, give me love # My, my, my give me love

:48:10. > :48:36.# Woo! Woo! # Woo! Woo!

:48:37. > :49:54.# Give me love # Now, give me love

:49:55. > :50:15.# Give me laugh # Give me love.

:50:16. > :50:26.# Give Neil -- give me love, now. # Give me love. Glastonbury, are you

:50:27. > :50:30.up for a bit of singing? Yeah? This is how it's going to work. Pandering

:50:31. > :50:37.to split you write down the middle. All along the front right into the

:50:38. > :50:42.middle of this side. I am going to split you right down the middle.

:50:43. > :50:47.What ever I give you to sing, do not stop singing. Just keep singing as

:50:48. > :50:58.loud as you can, yeah? Say hell, yeah! Low harmony comes first. Sing

:50:59. > :51:17.this. # Whoa-whoa-whoa!

:51:18. > :51:30.Keep singing. # Whoa-whoa-whoa-whoa!

:51:31. > :51:39.# My, my, give me love # My, my, give me love

:51:40. > :51:47.# Whoa-whoa-whoa! # Sing it out!

:51:48. > :52:04.# My, my, give me love # My, my, give me love, now

:52:05. > :52:13.# Love, now, give me love now # Love, now. Sing it out.

:52:14. > :52:17.# Give me love now # Love now

:52:18. > :52:20.# Give me love now # Love now

:52:21. > :53:22.# Love now. something. I know it's quite cold

:53:23. > :53:32.but if anyone has anything they are not wearing on them, take it off

:53:33. > :53:35.right now and hold it in the air. Everyone. Now, when you sing what

:53:36. > :53:40.you are meant to sing, I would like you to wave it about like crazy and

:53:41. > :53:47.when you stop, I want you to put it down. That's try it now. It goes

:53:48. > :53:59.like this # Whoa- whoa-whoa-whoa-whoa!

:54:00. > :54:08.And then we stopped and put them down. Give me two seconds. So, when

:54:09. > :54:09.I say seeing, you put it up in the air and sing as

:54:10. > :54:17.I say seeing, you put it up in the air loud as you can, yeah? -- sing.

:54:18. > :54:36.Sing! # Whoa-whoa-whoa-whoa!

:54:37. > :54:45.# If you're getting ahead of the programme

:54:46. > :54:49.# Take another step into the no-man's land

:54:50. > :55:35.# I saw flames from the side of the stage

:55:36. > :55:36.# And the fire brigade comes in a couple of days

:55:37. > :55:37.# Until then, we've got nothing to say

:55:38. > :55:39.# But something to drink and maybe something to smoke

:55:40. > :55:40.# Let it go until our roads are changed

:55:41. > :55:42.# Singing, "We found love in a local rave"

:55:43. > :55:44.# I don't really know what I'm supposed to say

:55:45. > :55:46.# But I can just figure it out and then just hope and pray

:55:47. > :55:48.# I told her my name and said, "It's nice to meet ya"

:55:49. > :55:50.# Then she handed me a bottle of water filled with tequila

:55:51. > :55:54.# Just from this one small act of kindness

:55:55. > :55:56.# I'm in deep BLEEP if anybody finds out

:55:57. > :55:57.# I'm meant to drive home but I've drunk all of it now

:55:58. > :55:59.# Not sobering up we just sit on the couch

:56:00. > :56:50.# All the guys in here don't even wanna dance

:56:51. > :56:53.# All that I can hear is music from the back

:56:54. > :56:58.# So won't you take my hand, darling

:56:59. > :57:37.Glastonbury, thank you so much for having me!

:57:38. > :57:45.Pyramid Stage. Laura Tweets that "my nan likes his hair" and Gareth says,

:57:46. > :57:51."great how he can take ownership. You watch Game of Thrones. Lots

:57:52. > :57:57.saying they saw Amy Williams from that programme. We'll take a short

:57:58. > :57:59.break. Back in a bit for Black Keys and Bicycle Club. Disclosure on BBC

:58:00. > :58:02.Three. Back in a bit. If your friend was taken away...

:58:03. > :58:04.# Not giving in... # I'm afraid

:58:05. > :58:07.there's not much we can do. ..how would you fight

:58:08. > :58:09.to get her back? This is wrong. I'm not going to

:58:10. > :58:14.carry on as if nothing has happened. You think anyone should be allowed

:58:15. > :58:17.to live here?