:00:09. > :00:17.This programme contains strong language and flashing images.
:00:18. > :00:22.The missing cows. They go into their beds. Toi, a spa. They do serve
:00:23. > :00:24.hamburgers here right? They're very comfortable. They're being dead lazy
:00:25. > :00:49.somewhere. Hello there. Here we are, to do it
:00:50. > :00:52.all one last time. It's the final night of Glastonbury 2014. Our
:00:53. > :00:55.headliners must be pretty excited right now. They've played the
:00:56. > :00:59.festival four times before, but their fifth is going to be the first
:01:00. > :01:02.time headlining the Pyramid Stage. Kasabian have said after this show
:01:03. > :01:06.they will be able to die happy. It's literally a dream come true. Before
:01:07. > :01:10.we see them playing live on that there stage, let's find out a little
:01:11. > :01:20.bit about the journey it too them to get here.
:01:21. > :01:26.Leicester City 1997 an 18-year-old wannabe rock star falls to his knees
:01:27. > :01:32.and yells... That was Glastonbury. Tom. The front man of the mighty
:01:33. > :01:37.Kasabian, arguably one of the best live acts around. Tonight, they
:01:38. > :01:46.headline the Pyramid Stage. Performing together with SergePisono
:01:47. > :01:52.the band performed under the short-lived name of Syracuse. They
:01:53. > :01:56.renamed themselves Kasabian they took on great British rock and too
:01:57. > :02:04.took it into the millennium with a swagger all their own.
:02:05. > :02:10.And the release of their 2004 debut album gave them an instant fan base.
:02:11. > :02:14.After an 11am booking at Glastonbury in 2004, they were promoted to an
:02:15. > :02:18.evening slot on the other stage the following year. It was the first
:02:19. > :02:21.realisation we had connected with people. It was these people wanted
:02:22. > :02:29.to see our band play. You realise that's all that matters. In 2006,
:02:30. > :02:35.their album Empire sold over a million copies and stormed to number
:02:36. > :02:44.one, bringing a steady release of anthems that defined their same. In
:02:45. > :02:49.2009, the catchily named West Rider Lunatic Asylum reached number one.
:02:50. > :02:52.It gave us lock locks from Tom, the classic Fire and brought them one
:02:53. > :03:01.step closer to being Pyramid headliners. In 2009 we played fire,
:03:02. > :03:06.because it was delayed at the back, there was a weird sea of jumping and
:03:07. > :03:13.Tom's strawberry jacket... And the long hair. It's unparalleled. Two
:03:14. > :03:17.years later and another number one album, Kasabian cemented their
:03:18. > :03:22.reputation as being one of the must-see live acts of their
:03:23. > :03:26.generationment A decade on from the release of
:03:27. > :03:38.their first record they find themselves at the top again. Finally
:03:39. > :03:42.their dream of headlining the Pyramid Stage is here. The nerves
:03:43. > :03:47.are kicking in. This has made it worse. Can't be scared of it. Have
:03:48. > :03:49.you to embrace a moment. If you get it right, you can go to places you
:03:50. > :04:02.never thought possible. # Get them a message,
:04:03. > :06:09.a message from me # I'm caught up in love
:06:10. > :06:15.and I'm in ecstasy # What can I do now
:06:16. > :06:20.when nothing's the same # And all that I know
:06:21. > :06:26.I wanna do it again # Well tell me now
:06:27. > :06:38.Life is so simple # Cos when we're together
:06:39. > :06:58.# I'm in ecstasy I'm in ecstasy
:06:59. > :07:05.# All you pretty things Get on board this mothership
:07:06. > :07:19.# I said all you got to be Is ready for action, baby
:07:20. > :07:25.# Don't think I'm twisted, as a matter of fact
:07:26. > :07:35.# Where I fight off robots and the men in the suits
:07:36. > :07:39.# Wear out the soles of your monkey boots
:07:40. > :07:47.# Can't get enough of the sunshine Can't get enough of the moonlight
:07:48. > :07:50.# And all the colours that are coming on strong
:07:51. > :07:52.# Trying to hold on, trying to hold on
:07:53. > :07:57.# Can't get enough of the oceans Can't get enough of the mantra
:07:58. > :08:08.# We're in ecstasy We're in ecstasy
:08:09. > :08:28.# All you pretty things Get on board this mothership
:08:29. > :08:34.# I said all you got to be Is ready for action, baby
:08:35. > :08:51.# Can't get enough of the sunshine Can't get enough of the moonlight
:08:52. > :08:54.# And all the colours that are coming on strong
:08:55. > :08:57.# Trying to hold on, trying to hold on
:08:58. > :09:02.# Can't get enough of the oceans Can't get enough of the mantra
:09:03. > :09:13.# We're in ecstasy We're in ecstasy
:09:14. > :09:33.# All you pretty things Get on board this mothership
:09:34. > :09:39.# I said all you got to be Is ready for action, baby
:09:40. > :09:50.# Ready for action, baby Ready for action, baby
:09:51. > :10:52.# Shoot the runner, shoot shoot the runner
:10:53. > :10:56.# Shoot the runner, shoot shoot the runner
:10:57. > :11:18.# Shoot the runner, Shoot shoot the runner
:11:19. > :11:21.# I'm a king and she's my queen, bitch
:11:22. > :11:57.# Shoot the runner, shoot shoot the runner
:11:58. > :12:05.# Shoot the runner, shoot shoot the runner
:12:06. > :13:16.# I'm a King and she's my Queen, bitch
:13:17. > :13:20.# Kings, kings may come and then go, By this sword you must know
:13:21. > :13:28.# That all things come and then pass Live your days like the last
:13:29. > :14:58.# Aahh, and you're my queen, that's it
:14:59. > :15:00.# Kill me if you dare Hold my head up everywhere
:15:01. > :15:08.# Keep myself right on this train I'm the underdog
:15:09. > :15:30.# Keep myself riding on this train Keep myself riding on this train
:15:31. > :15:39.# I got my cloak and dagger In a bar room brawl
:15:40. > :15:45.# See the local loves a fighter Loves a winner to fall
:15:46. > :15:54.# Feels like I'm lost in a moment I'm always losing to win
:15:55. > :16:10.# Can't get away from the moment Seems like it's time to begin
:16:11. > :16:15.# Kill me if you dare Hold my head up everywhere
:16:16. > :16:20.# Keep myself right on this train I'm the underdog
:16:21. > :16:35.# Keep myself riding on this train Keep myself riding on this train
:16:36. > :17:10.# Can't get away from the moment Seems like it's time to begin
:17:11. > :18:52.# Kill me if you dare, Hold my head up everywhere
:18:53. > :18:56.# Keep myself right on this train I'm the underdog,
:18:57. > :19:10.# Tell me if you're down Throw your weapons to the ground
:19:11. > :19:19.# Paper on the wire Sold your soul for another one
:19:20. > :19:35.# Keep myself riding on this train Keep myself riding on this train
:19:36. > :20:09.Thank you so much Glastonbury! Thank you. You look beautiful from where I
:20:10. > :20:13.am. You look gorgeous, gorgeous. Any way, this next song is called
:20:14. > :20:57.Fast Fuse. # Oh, baby,
:20:58. > :21:02.I was born with a fast fuse # I got no time to love
:21:03. > :21:08.Just a city to abuse # Ahh, come get me with your files
:21:09. > :21:11.Don't arrest me # Oh, baby,
:21:12. > :21:13.I was born with a fast fuse # I got no time to love
:21:14. > :21:20.Just a city to abuse # Ahh, come get me with your files
:21:21. > :21:24.Don't arrest me # I'm Lucifer's child, wild,
:21:25. > :21:28.acids done # Black sunglasses
:21:29. > :21:30.shade the morning sun # So come get me
:21:31. > :21:35.All you fuckers can't touch me # I'm the hooligan choir, sire,
:21:36. > :21:39.so sit don't scatter # It don't matter
:21:40. > :21:43.Get me one, two, three # Oh, baby,
:21:44. > :21:57.I was born with a fast fuse # I got no time to love
:21:58. > :22:03.Just a city to abuse # Oh, baby,
:22:04. > :22:08.I was born with a fast fuse # I got no time to love
:22:09. > :22:37.Just a city to abuse # Ahh, how dare you
:22:38. > :22:57.Now it's time to address you # I'm the reason you came, shame,
:22:58. > :22:59.stroke my mane # It's getting hotter
:23:00. > :23:08.Now I'm spitting out lava # I'm the Spaniard in the works,
:23:09. > :23:11.jerks, genuine stock # Hear that bomb
:23:12. > :23:14.Going tick tick tock # Oh, baby,
:23:15. > :23:30.I was born with a fast fuse # Oh, baby,
:23:31. > :23:40.I was born with a fast fuse # I got no time to love
:23:41. > :23:48.Just a city to abuse # In the middle of the night
:23:49. > :23:51.When they come for you # What you gonna do?
:23:52. > :23:59.Who you going to be? # Heaven may come and heaven
:24:00. > :24:09.may call but I won't be there. # # Heaven may come and heaven
:24:10. > :24:22.may call but I won't be there. # # Ah ah ah ah ah ah
:24:23. > :25:02.Ah ah ah ah ah ah # Hey son I'm looking forward
:25:03. > :25:04.You're leaning backwards # Have you had enough?
:25:05. > :25:11.Are you feeling rough? # Does your skull hurt?
:25:12. > :25:17.Well if it's warm # Cos I am taking back what's mine
:25:18. > :25:21.I am taking back the time # You may call it suicide
:25:22. > :25:26.But I'm being born again # I'm waiting, Ah
:25:27. > :25:34.I'm waiting (ah ah ah ah ah) # Right here now, I'm waiting
:25:35. > :25:41.For someone or something # To take me
:25:42. > :25:44.To take me over # Days, days are forgotten
:25:45. > :25:56.Now it's all over # Simply forgotten
:25:57. > :26:03.How to disappear # Home bred, I've got blood lust
:26:04. > :26:08.Feeding you bread crust # You say I'm old hat
:26:09. > :26:15.A fucking dirty rat # Call me a cliche
:26:16. > :26:20.How right you are # Cos I am flipping bag of bones
:26:21. > :26:25.I am righting all your wrongs # You may call it suicide
:26:26. > :26:37.But I'm being born again # I'm waiting, ah
:26:38. > :26:39.I'm waiting, ah ah ah ah ah # For someone
:26:40. > :26:48.Or something # To take me
:26:49. > :26:51.To take me over # Days, days are forgotten
:26:52. > :27:00.Now it's all over # Simply forgotten
:27:01. > :27:11.How to disappear # I saw something
:27:12. > :27:14.I get on the dark # You was at home
:27:15. > :27:21.Chewing a monkey brain # I am out here
:27:22. > :27:25.I'm just a silhouette # You will never
:27:26. > :27:30.Ever ever forget # Now it's all over
:27:31. > :27:46.Simply forgotten # How to disappear
:27:47. > :27:56.Days, days are forgotten # Now it's all over
:27:57. > :28:03.Simply forgotten # How to disappear
:28:04. > :28:15.I saw something # You was at home
:28:16. > :28:42.Chewing a monkey brain Glastonbury, 2014 - raise your hands
:28:43. > :28:54.to the fucking heavens - come on! Glastonbury, easy! Easy! Easy! Easy,
:28:55. > :29:39.easy, easy, easy... # Eez-eh, I'll make you mad
:29:40. > :29:43.'least I ain't sleazy # I'm just trying
:29:44. > :29:46.to put the world to rights # And if you want to,
:29:47. > :29:51.I'll take you high # Gonna keep you up all
:29:52. > :30:05.Gonna keep you up all, night! # Tired of taking orders
:30:06. > :30:09.Choking with disorders # The wrong men have the power
:30:10. > :30:12.It's turning my milk sour # We're tired of taking orders
:30:13. > :30:16.Coping with disorders # It's turning my milk sour
:30:17. > :30:26.It's turning my milk sour # Eez-eh, I'll make you mad
:30:27. > :30:30.'least I ain't sleazy # I'm just trying
:30:31. > :30:33.to put the world to rights # And if you want to,
:30:34. > :30:37.I'll take you high # Cos I got the feeling that I'm
:30:38. > :30:42.Gonna keep you up all night! # Eez-eh, I ain't that mad
:30:43. > :30:46.No rhyme or reason # I'm just trying to set the world
:30:47. > :30:48.alight # You got problems,
:30:49. > :30:57.and so have I # An' I got the feeling that I'm
:30:58. > :31:01.gonna keep you up all # Gonna keep you up all
:31:02. > :31:16.Gonna keep you up all, night! # There's cobras in the mosh pit
:31:17. > :31:20.Finally we lost it # Everyday is brutal
:31:21. > :31:23.Now we're being watched by Google # Gotta keep it simple
:31:24. > :31:27.Sending out a signal # Everyday is brutal
:31:28. > :31:31.Now we're being watched by Google # Being watched by Google
:31:32. > :31:40.Being watched by Google # I ain't eez-eh, I'll make you mad
:31:41. > :31:43.'least I ain't sleazy # I'm just trying to put the world
:31:44. > :31:47.to rights # And if you want to,
:31:48. > :31:50.I'll take you out # Cos I got the feeling that I'm
:31:51. > :31:55.Gonna keep you up all night! # Eez-eh, I ain't that mad
:31:56. > :31:57.No rhyme or reason # I'm just trying to set the world
:31:58. > :31:59.alight # You got problems,
:32:00. > :32:06.and so have I # An' I got the feeling that I'm
:32:07. > :32:10.gonna keep you up all # Gonna keep you up all
:32:11. > :32:17.Gonna keep you up all # Gonna keep you up all
:32:18. > :32:52.Gonna keep you up all Easy, easy, easy... Easy, easy,
:32:53. > :33:45.easy. # I ran from the tide
:33:46. > :33:49.# I drop beats from this processed meat
:33:50. > :33:54.# For a conversation, a meditation
:33:55. > :33:58.# And I cut waves like some unborn sage
:33:59. > :34:03.# Just like terrorists on a day of rest, singing
:34:04. > :34:12.# Won't let you hide Won't let you hide
:34:13. > :34:16.# I break bones stealing mobile phones
:34:17. > :34:25.# Making idle threats using Chinese burns
:34:26. > :34:30.# As you load my head with the Grateful Dead, singing
:34:31. > :34:38.# Won't let you hide Won't let you hide
:34:39. > :35:03.# Won't let you hide Won't let you hide
:35:04. > :35:33.# Won't let you hide Won't let you hide
:35:34. > :35:59.# Won't let you hide Won't let you hide
:36:00. > :36:28.# I drop beats from this processed meat
:36:29. > :37:06.Thank you for being here. Thank you fuck soing much, you know. This song
:37:07. > :37:26.is off the new record. # Stevie,
:37:27. > :38:10.Where you going with that gun? # Who you wanna shoot down?
:38:11. > :38:19.Who you trying to kid? # You've been watching too much TV
:38:20. > :38:28.It's playing with your memories # It's trying to break your heart
:38:29. > :38:35.Just calm down # Take your medication
:38:36. > :38:44.It numbs you to the world # Not my world
:38:45. > :38:53.And all the kids, they say # Live to fight another day
:38:54. > :39:03.Live to fight again # And all the kids, they say
:39:04. > :39:12.Live to fight another day # Live to fight again
:39:13. > :39:32.Again, again, again # It's no life, underneath your
:39:33. > :39:41.finger I dreamed a little bigger # I'm sick and tired of this
:39:42. > :39:52.If you show us what we can't have # What do you expect when
:39:53. > :40:01.We take it back from you? # Cos it's no joke, no joke
:40:02. > :40:05.I wanna open up your eyes wide, # Eyes wide, I feel it coming,
:40:06. > :40:10.but you can't hide, can't hide # And all the kids, they say
:40:11. > :40:24.Live to fight another day # Live to fight again
:40:25. > :40:35.And all the kids, they say # Live to fight another day
:40:36. > :40:42.Live to fight again # Again, again, again
:40:43. > :40:50.And the ordinary people # Living ordinary lives
:40:51. > :40:54.There's more than just excuses # I see the fire in your eyes
:40:55. > :41:04.You knew this all already # It comes as no surprise
:41:05. > :41:09.It's time to push things forward # Cos there's no way back
:41:10. > :41:15.There's no way back now # Live to fight another day
:41:16. > :41:50.Live to fight again # No one else is here
:41:51. > :44:20.And I can't get, since I'm nothing # No one else gets high and
:44:21. > :44:32.I can't sleep cos I got nothing # Feeling I am lost
:44:33. > :45:16.Control to a higher force # Music is my, my love
:45:17. > :45:34.# No one else comes clean and I can't sleep, cos I got nothing
:45:35. > :46:06.# Control to a higher force Music is my, my love
:46:07. > :46:40.# Music is my, music is my, music is my
:46:41. > :47:39.Glastonbury! I always wanted to do that. How's your weekend been? Good?
:47:40. > :47:42.It's an honour for us to close tonight. Thank you for having us.
:47:43. > :47:46.Thank you for sticking around as well. I know it's Sunday. You've
:47:47. > :48:46.probably had a fucking hard week. Enjoy the show.
:48:47. > :48:53.# Remember trout, without a care # Out of touch
:48:54. > :48:58.# It wasn't because I didn't know enough
:48:59. > :49:03.# Just knew too much # Does that make me craze why? --
:49:04. > :49:24.crazy? # Does that make me crazy?
:49:25. > :49:32.# Probably. # And I hope that you're having the
:49:33. > :49:44.time of your life # But think twice, that's my only
:49:45. > :49:50.advice # Come on now, would do you, who do
:49:51. > :49:59.you, who do you, who do you think you are?
:50:00. > :50:07.# H a, ha, ha, bless your soul # You really think glur control
:50:08. > :50:15.# Come on, well, I think you're crazy
:50:16. > :50:25.# I think you're crazy # I think you're crazy
:50:26. > :50:32.# just like me # I can't hear you, come on
:50:33. > :50:46.# I think you're crazy # I think you're crazy
:50:47. > :52:25.# Just like me # # Held off, called on by truncheons
:52:26. > :52:33.Rattling keys to the dungeons # Can you see me in the way now
:52:34. > :53:03.# Oh take aim now! Gotta get us out of here
:53:04. > :53:12.# Don't take me over I bid you all farewell
:53:13. > :53:27.# I've got to leave Tears on my shovel
:53:28. > :54:04.# Can you see me in the way now Oh take aim now!
:54:05. > :54:12.# Oh take aim now! Gotta get us out of here
:54:13. > :54:23.# Can you see me in the way now Oh take aim now!
:54:24. > :54:52.# Oh take aim now! Gotta get us out of here
:54:53. > :55:01.# Don't take me over I bid you all farewell
:55:02. > :56:30.Posh pit, posh pit, mosh pit, mosh pit...
:56:31. > :56:38.# One, take control of me? You're messing with the enemy
:56:39. > :56:41.# Said it's two, it's another trick Messin' with my mind, I wake up
:56:42. > :56:44.# Chase down an empty street Blindly snap the broken beats
:56:45. > :56:46.# Said it's gone with the dirty trick
:56:47. > :56:51.# It's taken all these days to find ya
:56:52. > :57:00.# I tell you I want you I tell you I need you
:57:01. > :57:04.# Friends, take control of me Stalking cross' the gallery
:57:05. > :57:08.# All these pills got to operate The color quits and all invade us
:57:09. > :57:12.# There it goes again Take me to the edge again
:57:13. > :57:19.# All I got is a dirty trick I'm chasin' down walls to save ya
:57:20. > :57:31.# I tell you I want you I'll tell you I need you
:57:32. > :57:57.# Just wanted you near me I tell you I want you
:57:58. > :00:54.# I feel like the time has come A fearless rescue from everyone
:00:55. > :00:56.# Who made you the master? The lady caster
:00:57. > :00:59.# I found you looking for a good time
:01:00. > :01:04.# I was out in exile perfecting my style
:01:05. > :01:18.# Hit me! Harder!
:01:19. > :01:25.# I flip the switch that makes you feel electric
:01:26. > :01:29.# Even! Faster! Than before...
:01:30. > :01:43.# I'm gonna light 'em up with you I'm gonna light 'em up with you
:01:44. > :01:59.# Try to keep up, you scatter brain She will enter through your vein
:02:00. > :02:08.# The one who made you, the flame I need to heat the silver
:02:09. > :02:13.# You'd bring Gods to their knees pick out the bad seeds
:02:14. > :02:17.# Relieve the generals of theirs duties
:02:18. > :02:18.# Hit me! Harder!
:02:19. > :02:24.# I flip the switch that make you feel electric
:02:25. > :02:26.# Even! Faster!
:02:27. > :02:33.# Than before I'm gonna light 'em up with you
:02:34. > :03:15.# I found you looking for a good time
:03:16. > :03:20.# Now this blood and glitter, it tastes so bitter
:03:21. > :03:26.# Hit me! Harder!
:03:27. > :03:33.# I flip the switch that make you feel electric
:03:34. > :03:35.# Even! Faster!
:03:36. > :03:54.# I'm gonna light 'em up with you I'm gonna light 'em up with you
:03:55. > :05:07.Thank you Glastonbury! Thank you! You all right?
:05:08. > :05:25.CHEERING This is called Treat.
:05:26. > :05:28.# Everybody knows I work it Work it like a treat
:05:29. > :05:35.# Everybody knows I work it Work it like a treat
:05:36. > :05:39.# Everybody knows I work it Work it like a treat
:05:40. > :05:51.# Everybody knows I work it Work it like a treat
:05:52. > :05:56.# What is this instance before me It's shaking in a mirror gleam
:05:57. > :06:01.# Come on, evil twin You got me jumping out my skin
:06:02. > :06:05.# Excuse me, where's my manners? Please allow my introduction
:06:06. > :06:10.# Cos I am gonna get you hit I am gonna get you hit
:06:11. > :06:13.# Reach out and touch me Cos I got to
:06:14. > :06:24.# Everybody knows I work it Work it like a treat
:06:25. > :06:28.# Everybody knows I work it Work it like a treat
:06:29. > :06:32.# Everybody knows I work it Work it like a treat
:06:33. > :06:36.# Everybody knows I work it Work it like a treat
:06:37. > :06:56.# Work it like a treat Everybody!
:06:57. > :07:11.# I'm stood here naked with a junkie sinking margheritas
:07:12. > :07:19.# Well, where we left off Seperated deep in Leicester
:07:20. > :07:25.# How could you ditch me in the state I'm in?
:07:26. > :07:28.# And if you want to witness what goes on behind the curtain
:07:29. > :07:33.# He is just as cracked as you So be careful if you do
:07:34. > :07:37.# Reach out and touch me Cos I got to
:07:38. > :07:46.# Everybody knows I work it Work it like a treat
:07:47. > :07:51.# Everybody knows I work it Work it like a treat
:07:52. > :07:54.# I said now Everybody knows I work it
:07:55. > :08:02.# Everybody knows I work it Work it like a treat
:08:03. > :08:06.# Everybody knows I work it Work it like a treat
:08:07. > :08:09.# Everybody knows I work it Work it like a treat
:08:10. > :08:17.# Everybody knows I work it Work it like a treat
:08:18. > :08:22.# Everybody! Work it like a treat
:08:23. > :10:51.# Everybody knows I work it Work it like a treat
:10:52. > :10:56.# Everybody knows I work it Work it like a treat
:10:57. > :11:00.# Everybody knows I work it Work it like a treat
:11:01. > :11:05.# Everybody knows I work it Work it like a treat
:11:06. > :11:08.# I work it I work it
:11:09. > :13:13.# Too much information Well I said you're good for nothing
:13:14. > :13:17.# Come on to the back I said your needles count for something
:13:18. > :13:21.# Guess I'd better sell you now Guess I'd be around
:13:22. > :13:24.# Singing for your questions But you've stolen all of my answers
:13:25. > :13:28.# Too much entertainment drove And that's not all the colour
:13:29. > :13:33.# Tell me that you've seen a ghost I'll tell you what to fear the most
:13:34. > :13:43.# I said it's happening again! We're all wasting away!
:13:44. > :14:07.# We're all wasting away! Too much information
:14:08. > :14:12.# I said you're good for nothing Stitch your part of counterfeit
:14:13. > :14:18.# I said your far out here Taking at the roads
:14:19. > :14:20.# Where you're taken for the simple codes
:14:21. > :14:23.# Swimming with the fishes While the serpent waves his tongue
:14:24. > :14:27.# With a belly full of splinters Now you see that I'm the one
:14:28. > :14:31.# Tell me that you've seen a ghost I'll tell you what to fear the most
:14:32. > :14:37.# Stop! I said it's happening again!
:14:38. > :15:09.# We're all wasting away! We're all wasting away!
:15:10. > :15:53.# Stop! I said it's happening again!
:15:54. > :16:19.# We're all wasting away! We're all wasting away!
:16:20. > :16:25.# Stop! I said it's happening again!
:16:26. > :16:43.# We're all wasting away! We're all wasting away!
:16:44. > :16:51.Glastonbury, you are fucking empire. Ladies and gentleman, it's someone's
:16:52. > :16:57.birthday today, Rick Graham come to the stage. Come here. Come here. No,
:16:58. > :17:02.come on. This guy has been with us for fucking ten years, God bless
:17:03. > :17:10.him. He's only fucking 30 years old, innit? Shall we sing happy birthday
:17:11. > :17:15.to Rick? He's given his life to rock-and-roll. Owe him that.
:17:16. > :17:27.# Happy birthday to you # Happy birthday to you
:17:28. > :17:38.# Happy birthday dear Rick # Happy birthday to you #
:17:39. > :17:39.CHEERING AND APPLAUSE That's fucking rock-and-roll really,
:17:40. > :18:08.isn't it? # Shake me into the night
:18:09. > :18:11.And I'm an easy lover # Take me into the fight
:18:12. > :18:24.And I'm uneasy brother # And I'm on fire
:18:25. > :18:30.# I'm a road runner Spill my guts on a wheel
:18:31. > :18:45.# And I'm on fire And I'm on fire
:18:46. > :18:56.# I'm on fire Wire me up to machines
:18:57. > :19:14.# I'm on fire I'm on fire
:19:15. > :19:28.# I'll be your prisoner Find it hard to believe
:19:29. > :19:41.# You are my murderer I'm on fire behind you
:19:42. > :19:53.# I'm on fire I'm on fire
:19:54. > :21:08.# Shake me into the night And I'm an easy lover
:21:09. > :23:27.# Switchblade smiles They go on for miles
:23:28. > :23:31.# And will be forever Now we stand together
:23:32. > :23:45.# Much too soon For the wooden spoon
:23:46. > :23:49.# Can you hear the knocking Now your feet are stomping
:23:50. > :25:06.# Switchblade smiles They go on for miles
:25:07. > :25:08.# And will be forever Now we stand together
:25:09. > :25:20.# Much too soon For the wooden spoon
:25:21. > :25:24.# Can you hear the knocking Now your feet are stomping
:25:25. > :27:37.People of Glastonbury, you have been warned many times. . The times of
:27:38. > :27:40.warning are passed. It's like a nail bomb inside a small dog. You will
:27:41. > :28:12.feel the power! # Face check I walk this beach
:28:13. > :28:15.I'm frying in the heat # In the cauldron stir me
:28:16. > :28:20.Chomp down my diamond teeth # I ain't got
:28:21. > :28:26.The simple things in life # I feel like
:28:27. > :28:30.You have got to witness # This is your last retreat
:28:31. > :28:40.My last repeat # All my friends
:28:41. > :28:43.are as sharp as razors # Cut you down
:28:44. > :28:48.if you touch the faders # High class elevators
:28:49. > :29:04.Now we have got the floor # You can't miss me
:29:05. > :29:22.I'm still alive # Snake skin shoes
:29:23. > :29:26.I'm pleading homicide # Come on and feel this
:29:27. > :29:32.I'm still alive # We need to raise the dead
:29:33. > :29:51.we need to raise the people # It is true the simple things in
:29:52. > :29:59.life have been lost # You have got to witness
:30:00. > :30:07.We are the last beatniks # All my friends
:30:08. > :30:16.are as sharp as razors # Cut you down
:30:17. > :30:19.if you touch the faders # Now we have got the floor
:30:20. > :30:55.Now we have got the floor field jump as high as they have ever
:30:56. > :31:23.jumped. # You can't miss me
:31:24. > :31:46.I'm still alive # Snake skin shoes
:31:47. > :31:48.I'm pleading homicide # Come on and feel this
:31:49. > :32:00.I'm still alive # Bobby Womack, see you
:32:01. > :33:16.on the other side lolly pops. Glastonbury, let's hear
:33:17. > :33:21.it for Noel Fielding. By the way, you will be hearing from the the
:33:22. > :33:25.string players, they have been amazing and the backing singers. Do
:33:26. > :33:29.you know what, can I just say something before it gets too
:33:30. > :33:35.emotional, right. Ten years ago, we opened on The Other Stage, I was 23
:33:36. > :33:38.years old. Been up all night. But thank you for this. Thank you so
:33:39. > :33:40.much Glastonbury. So much respect. thank you for this. Thank you so
:33:41. > :34:02.much Glastonbury. So much Thank you, all of you. That's rock 'n' roll.
:34:03. > :34:05.# We've come a long long way together
:34:06. > :34:09.# Through the hard times and the good
:34:10. > :34:31.# I have to praise you like I should
:34:32. > :34:32.# We've come a long long way together
:34:33. > :34:36.# Through the hard times and the good
:34:37. > :34:46.# I have to praise you like I should
:34:47. > :34:59.# We've come a long long way together
:35:00. > :35:04.# Through the hard times and the good
:35:05. > :35:42.# I have to praise you like I should
:35:43. > :35:46.# I'm much deeper, a sleeper Waiting for the final trip
:35:47. > :35:50.# Come on it, get on it I'm carving through a letterbomb
:35:51. > :35:55.# I need it, loud potions These drugs are just an hour away
:35:56. > :35:59.# Come on it, electronic A polyphonic prostitute, the motors,
:36:00. > :36:15.# On fire Messiah for the animals
:36:16. > :36:22.# Ah, oh come on! We got our backs to the wall!
:36:23. > :36:24.# Ah! Get on!
:36:25. > :36:47.# And watch out! Sayin', "Yer gonna kill us all!"
:36:48. > :36:50.# Ah, I'm on it, get on it The troops are on fire!
:36:51. > :36:53.# You know I need it, much closer I'm trading just a little more
:36:54. > :36:56.# Step on it, electronic The troops are on fire!
:36:57. > :37:10.# I'm much deeper, a sleeper Messiah for the animals
:37:11. > :37:22.# Ah, oh come on! We got our backs to the wall!
:37:23. > :37:23.# Ah! Get on!
:37:24. > :37:31.# And watch out! Sayin', "Yer gonna kill us all!"
:37:32. > :37:39.# Ah, oh come on! We got our backs to the wall!
:37:40. > :37:41.# Get on! And watch out!
:37:42. > :42:06.Glastonbury 2014. God bless you, thank you.
:42:07. > :42:23.CROWD: La, la, la, la, la, la, la, la force
:42:24. > :42:34.# La, la, la # La, la, la, la, la, la, Llalana
:42:35. > :43:03.# La, la, la, la, la # La, la, la La, la, la, la, la
:43:04. > :43:09.# La, la, la # La, la, la, la, la, la
:43:10. > :43:26.# La, la, la # La, la, la, la, la, la, la
:43:27. > :43:33.Emotional scenes. Emotional scenes from the Pyramid Stage where
:43:34. > :43:37.Kasabian have just exited finally. Tom not being able to resist getting
:43:38. > :43:41.the crowd one more time. You can see how much that meant to that band ten
:43:42. > :43:46.years ago. That was utter headline. I know the flags, they are annoying
:43:47. > :43:51.but on television, they look amazing. The whole stage t looked so
:43:52. > :43:56.clean, the black and white. They worked hard. So thank you for
:43:57. > :44:00.pulling off a great headline set. They stayed on longer than
:44:01. > :44:06.Metallica. They did not want it to be over. The new thing - headliners
:44:07. > :44:09.don't want to leave the stage. Kasabian will be chatting to Gemma
:44:10. > :44:13.and Huw. We have loads of highlights this
:44:14. > :44:18.evening. Loads. Lots for you to enjoy. We will hear from London
:44:19. > :44:23.Grammar, headlining on John Peel Stage. Also James Blake. We have St
:44:24. > :44:27.Vincent and The Black Keys who were on just before Kasabian. And we have
:44:28. > :44:31.our acoustic performances. This is a Lord we play a lot on Six Music.
:44:32. > :44:37.This is a great performance. We have seen them rehearsing. It is top
:44:38. > :44:44.stuff. It is Lizzo with her excellent album. They are going to
:44:45. > :45:19.do Batches and cookies. Featuring Sophia Ellis.
:45:20. > :48:14.APPLAUSE I loved that. Fantastic. That's
:48:15. > :48:17.Lizzo. Lizzo and the girls were watching Kasabian and saying who is
:48:18. > :48:21.this and what is their history. I told them they started on the small
:48:22. > :48:27.stage. The girls played on the Pussy Parlour stage. The Pyramid Stage
:48:28. > :48:34.beckons. She has her eyes on the Pyramid Stage. Behind the cameras,
:48:35. > :48:37.you have never seen so many enraptured, happy people, trying to
:48:38. > :48:43.grind. You know you were. Have you had a good day? Really good. It has
:48:44. > :48:47.not rained once. We built up to Dolly. Everybody was in a fantastic
:48:48. > :48:52.mood. I can't believe it is kind of nearly over already. Of It has gone
:48:53. > :48:57.so quickly. It whizzed by. Metallica was dominating the mood of the place
:48:58. > :49:03.and also the weather yesterday but today the sun has shone and Dolly
:49:04. > :49:05.was here but we'll go to the band who headlined on the John Peel
:49:06. > :49:28.Stage, this is London Grammar. # And I?m so down caught in the
:49:29. > :49:47.middle # And a lion, a lion roars would you
:49:48. > :49:51.not listen # If a child, a child cries
:49:52. > :50:02.would you not forgive them # With a stare
:50:03. > :50:39.caught right in the middle # If a lion, a lion roars
:50:40. > :51:05.Would you not listen? # If a child, a child cries
:51:06. > :51:19.Would you not forgive them? # And I'm so down caught in the
:51:20. > :54:51.middle # From the search to the hurt, I
:54:52. > :54:56.believed I could take you on # We would drink, we would dance
:54:57. > :55:02.# You would watch me whenever you want.
:55:03. > :55:06.# And can you give me everything # Everything, everything
:55:07. > :55:59.# I can't give you anything. # You told me to put them in order.
:56:00. > :56:11.# You trade to take me on # From the bed to the room #
:56:12. > :56:23.Can you give me everything, everything, everything #
:56:24. > :56:34.I can't give you everything # And I'm giving you everything
:56:35. > :57:13.#... We will meet again #
:57:14. > :57:33.Thank you so, so much. We have one more song for you. We're never going
:57:34. > :58:09.to forget this gig. Thank you for being here. We have one more song.
:58:10. > :58:22.# Though it starts with love and lust
:58:23. > :59:33.# Stay awake to the middle of the night
:59:34. > :59:38.# Stay awake to the middle of the night
:59:39. > :59:42.# Stay awake to the middle of the night
:59:43. > :59:48.# Stay awake to the middle of the night
:59:49. > :59:52.# Stay awake to the middle of the night
:59:53. > :00:04.# Stay awake to the middle of the night
:00:05. > :02:09.Thank you, have a good night.. I thought that was wonderful. You fell
:02:10. > :02:14.in love, properly. Her voice is extraordinary. You were saying she
:02:15. > :02:20.had some problems and didn't sing yesterday. To save herself. Yes to
:02:21. > :02:26.save herself for the headline shot Whoever shot that. The close-ups of
:02:27. > :02:30.her at the piano it was compelling a inthe strings. They were headlining.
:02:31. > :02:37.At the Park stage tonight, James Blake was on. We will hear from him
:02:38. > :02:42.later. A contrast from Kasabian. We'll hear from them now. They were
:02:43. > :02:51.quite excited when they came off stage, as you'll probably see here.
:02:52. > :02:58.Can you Bloomin' believe it, they have run, hopped skipped, jumped.
:02:59. > :03:11.# La, la, la. # La, la, la, la, la, la Wow, wow.
:03:12. > :03:20.It's kas andian everyone. The first thing Tom said when he got here was,
:03:21. > :03:24."How was that?" Suffice to say, huge congratulations. Can you do your
:03:25. > :03:32.interview when I'm doing this? No, sit down, we want to hear from you.
:03:33. > :03:36.The time of my life mate. It looks like the Pyramid Stage. They are
:03:37. > :03:42.still singing. Ten years ago you started your band practice with a,
:03:43. > :03:47."Hello Glastonbury." What was it like, headlining the Pyramid?
:03:48. > :04:00.Emotional, as well. Me and Sergio, we started the band in 1997. Fucking
:04:01. > :04:06.three years old. That's what happens, you know, we destroyed it,
:04:07. > :04:13.mate, you must be joking. What makes Glastonbury so special. We do. Why
:04:14. > :04:18.is this the ONE. On the way here before we played, I saw a geeser in
:04:19. > :04:24.a pair of pants and fake boots. He was definitely an accountant. Fake
:04:25. > :04:30.titties. In his ordinary life he is an accountant. For these three or
:04:31. > :04:35.four days, he can be anybody he wants to be. That's what is mazing.
:04:36. > :04:40.We were watching from here for the second half of the set. It was
:04:41. > :04:44.beautiful. The crowd swaying, the flags, everything. What was your
:04:45. > :04:49.view like from the Pyramid. It was a wonderful moment. We have been
:04:50. > :04:54.together me and Serge. Fought our way to the top, since we were
:04:55. > :04:58.babies. We sat in a bedroom playing acoustic guitar when they were 17.
:04:59. > :05:06.Listen, the thing is - we are gay, we are homosexuals. An exclusive The
:05:07. > :05:14.women are over now! Have you ever watched the snooker, that bit at the
:05:15. > :05:21.back. But why? It is a rock show. Listen, I went to bed last night
:05:22. > :05:31.about 11.30pm. Liar. Well, listen - I have anxiety
:05:32. > :05:37.anyway. Ifs born with it. You can't - yeah, what what do you want me to
:05:38. > :05:42.say and feel? The bowtie says it all. James Bond. Is it bigger than a
:05:43. > :05:48.wedding day? No, weddings are rubbish. Forget weddings. I can't be
:05:49. > :05:53.asked getting married. That's a wedding right there. You can get
:05:54. > :05:57.married in Shangri-la later. What happens now, ten years on, you have
:05:58. > :06:02.headlined Glastonbury? No-one is going to see us again. The last
:06:03. > :06:02.interview. Exclusive. We are done, see you later.
:06:03. > :06:07.interview. Exclusive. We are done, see you Lovely to know you all. See
:06:08. > :06:12.you later. Happy to quit. I'm going to hide in a hobbit hole. Sergio is
:06:13. > :06:19.going to disappear it Italy. I will walk in that field, you will never
:06:20. > :06:23.see me again. I'm done. As you can tell, they are literally having the
:06:24. > :06:30.time of their lives. It is so much to get some of that energy. I feel T
:06:31. > :06:36.I'm ready to party. Energy, energy? I can feel it roadiating from you.
:06:37. > :06:43.Forget lightning an, man. Why is that down the side of the TV? Who
:06:44. > :06:53.knows. Is that your dildo? Thank you very much, kas andian! -- Kasabian.
:06:54. > :06:58.I love doing those interviews when bands come off stage. I'm happy we
:06:59. > :07:02.are here. Poor Huw and Gemma. That's how to do one of those. Dolly Parton
:07:03. > :07:07.was similar when you chatted to her when she came off. It is a joyous
:07:08. > :07:11.reaction, isn't it? That's how anybody would feel headlining at
:07:12. > :07:16.Glastonbury. I interviewed him a week or so ago for my radio show. He
:07:17. > :07:19.said all over the years I have watched the bands, saw them do the
:07:20. > :07:23.interviews, sometimes they are not excited. We are going to be super
:07:24. > :07:27.excited. He absolutely was. I love the fact he has watched it and it
:07:28. > :07:32.meant that would Will much to him. It would -- it meant that much to
:07:33. > :07:35.him. We are up here on The Park stage. When we got here there was a
:07:36. > :07:38.different vibe, atmospheric. Headlining on The Park tonight,
:07:39. > :07:45.James Blake. # You're on your own,
:07:46. > :09:29.in a world you've grown # I'll wait, so show me
:09:30. > :09:52.why you're strong # I'll wait, so show me
:09:53. > :10:05.why you're strong # I'll wait, so show me
:10:06. > :10:55.why you're strong # I'll wait
:10:56. > :18:37.way to headline at Glastonbury. Possibly the tallest man. Wynn from
:18:38. > :18:41.Arcade Fire. Also on the way up, we bumped into Ed O'Brien from
:18:42. > :18:47.Radiohead. He hasn't seen any bands. He has been hanging out in
:18:48. > :18:56.Shangri-la. Goog them them for us and tell us who is taller. Tweet it
:18:57. > :19:02.to us. Now another artist, captivating as you are about to see.
:19:03. > :19:32.This, at Glastonbury festival is St VIPPent. -- St Vincent.
:19:33. > :19:50.# Only looks like be a window # Even turn the TV on, it looks like
:19:51. > :20:05.a window. # Digital witnesses what's the point
:20:06. > :20:13.of even sleeping, if I can't show you if you can can't see me
:20:14. > :20:25.# What's the point of doing anything # This is no time for confessing
:20:26. > :20:33.# I want all of your mind # People turn on the TV on it looks
:20:34. > :20:38.just like a window yeah # People turn the TV on it looks
:20:39. > :20:46.just like a window # Yeah
:20:47. > :20:54.# Digital witnesses # What's the point of even sleeping
:20:55. > :21:01.# If I can't show it # If you can't see me
:21:02. > :21:01.# Watch me jump right off the London Bridge
:21:02. > :21:22.# This is no time for confessing # People turn the TV on and throw it
:21:23. > :21:32.out the window # Yeah fors force
:21:33. > :21:39.# Yeah # Get back to your stare
:21:40. > :21:48.# I care but I don't care # Oh, oh, I want all of your mind
:21:49. > :21:58.# Gimme all of your mind # I want all of your mind
:21:59. > :22:05.# Gimme all of it # Digital witnesses
:22:06. > :22:11.# What's the point of even sleeping # If I can't show it
:22:12. > :22:18.# If you you can't see me # What's the point of doing anything
:22:19. > :22:24.# What's the point of even sleeping # So I stopped sleeping
:22:25. > :22:32.# Yeah, I stopped sleeping # Won't somebody sell me become to
:22:33. > :22:38.me # -- back to me. Really good stuff
:22:39. > :22:41.from St Vincent who has done an excellent collaboration with David
:22:42. > :22:45.Byrne which is well worth hearing. We were enjoying that but during
:22:46. > :22:49.that we were scurrying around trying to find out who is the tallest
:22:50. > :22:55.headliner. We are still going for James Blake. I think it is possibly
:22:56. > :22:59.him. I think he is 6'5". Does the nation know it is your birthday
:23:00. > :23:03.today? It is finished. Now we will have a live performance this. Man
:23:04. > :23:07.has been waiting patiently to perform for you. He is very
:23:08. > :23:30.talented. The most beautiful voice. His name is quaubs. -- Kwabs.
:23:31. > :23:54.# That you're always gonna tread the wrong road
:23:55. > :24:05.# Cos there's something that I need to let you know
:24:06. > :24:07.# If you're looking for a place to hide
:24:08. > :24:14.# I will always try and look the other way
:24:15. > :24:17.# And if you're ever caught between the lines
:24:18. > :24:26.# We are one and I will always keep you safe
:24:27. > :24:54.# From the memories you tried to leave behind
:24:55. > :25:06.# So I'm reaching out and here's the reason why
:25:07. > :25:08.# If you're looking for a place to hide
:25:09. > :25:15.# I will always try and look the other way
:25:16. > :25:17.# And if you're ever caught between the lines
:25:18. > :25:31.# We are one and I will always keep you safe #
:25:32. > :25:39.# And if you're ever caught between the lines
:25:40. > :26:03.# And if you're ever caught between the lines
:26:04. > :26:10.# If you're looking for a place to hide
:26:11. > :26:15.# I will always try and look the other way
:26:16. > :26:18.# And if you're ever caught between the lines
:26:19. > :26:32.# We are one and I will always keep you safe
:26:33. > :27:09.Glastonbury debut. You will be hearing more I dare say. Seconds
:27:10. > :27:13.before he came on stage to do that performance, he was snuggled up with
:27:14. > :27:21.a duvet, he has been waiting so long. The guitar-player had a
:27:22. > :27:27.giraffe onesie on. We liked it. All over the weekend we have been giving
:27:28. > :27:31.you insights into the various people and their various tales of
:27:32. > :27:36.Glastonbury, we have worked here a long time. To see what life they
:27:37. > :27:42.lead. This is the guy working on the Glastonbury radio station. This is
:27:43. > :27:49.the Reggae DJ himself. The station rules the nation.
:27:50. > :27:59.I'm Danny Teacher, the Reggae present er at Worthy FM. We started
:28:00. > :28:04.19 fest values ago in a one-man caravan. -- festivals ago. We
:28:05. > :28:10.broadcast for the week, from the Monday. My show is a Reggae show. I
:28:11. > :28:15.play a lot of ska, rock steady, a little bit for everyone. We also
:28:16. > :28:20.deal with the human side. I mean from the very first time they come
:28:21. > :28:24.on site, people can listen to the roo. We deal with what the weather
:28:25. > :28:28.is going to be like. Where are the best places to camp. What about the
:28:29. > :28:33.rain? Don't worry about the rain at all. Make sure you have all your
:28:34. > :28:41.gear and not next to the tent walls, OK. My whole family are musicians.
:28:42. > :28:47.My grandfather was a fiddle player in Jamaica. My father was a
:28:48. > :28:52.saxophonist. He wouldn't read a music of music but they played mag
:28:53. > :28:57.no I have sently. My job is a singing. I tour the world singing.
:28:58. > :29:01.When I come back here, it is back to my own little community and family.
:29:02. > :29:06.-- magnificently. The equipment might not be as up-to-date as if you
:29:07. > :29:10.find in radio studios nowadays but this is' part of being in
:29:11. > :29:15.Glastonbury and doing it in a field. How long will it carry on? I think
:29:16. > :29:25.we'll carry on as long as Michael Eavis carries on Glastonbury.
:29:26. > :29:32.That's our final Glastonbury tale. A tale of Worthy FM. The great DJ
:29:33. > :29:35.there. It is interesting being here tonight and doing the final show.
:29:36. > :29:38.Normally things are getting deconstructed and everyone is
:29:39. > :29:43.clearing the place. Tonights is-upping. There are loads of people
:29:44. > :29:47.still here. -- tonight it's-upping. I think people arrive on Wednesday
:29:48. > :29:52.and go home about Tuesday. Last year when we were doing this, people were
:29:53. > :29:58.dismantling the studio around us. He was gone by this time. He was. More
:29:59. > :30:04.music from the pir mid-stage. The band that -- from the Pyramid Stage.
:30:05. > :30:08.The band that came on before Kasabian. These are the Black quays.
:30:09. > :30:37.-- the Black Keys. # Now if the cold pale light
:30:38. > :33:01.in your eyes # Now if the cold pale light
:33:02. > :33:15.in your eyes # Oh whoa-o-oh, I got a love
:33:16. > :35:19.that keeps me waitin' # Oh-whoa-o-oh, I got a love that
:35:20. > :35:26.keeps me waitin' # Oh whoa-o-oh, I got a love
:35:27. > :35:48.that keeps me waitin' # Oh-whoa-o-oh, I got a love
:35:49. > :36:20.that keeps me waitin' # Oh whoa-o-oh, I got a love that
:36:21. > :36:35.keeps me waitin' # Oh whoa-o-oh, I got a love
:36:36. > :36:59.that keeps me waitin' # Oh whoa-o-oh, I got a love that
:37:00. > :37:47.keeps me waitin' have been doing a tall upbeat. Wynn
:37:48. > :37:54.from Arcade Fire is 6'4" and three-quarters.
:37:55. > :38:03.Ed from Radiohead, 6'5". We remembered the guy from kas andian.
:38:04. > :38:13.We looked him up, 6'5"-and-a-half -- Kasabian.
:38:14. > :38:57.The Horrors. And he is tall. How tall is he?
:38:58. > :39:06.# I never meant for you to get hurt # And how I try oh how I try
:39:07. > :39:33.# I could never give you just what you deserve
:39:34. > :39:38.# Another man would surely learn # I know these words may only serve
:39:39. > :39:46.to twist the knife # But I'll strive to make them heard
:39:47. > :39:55.# Maybe it's better now I've gone away
:39:56. > :40:04.# Maybe it's not, oh who can say # And though it's hard for me to say
:40:05. > :40:19.# Maybe I'm better off this way # And when I told her I didn't love
:40:20. > :40:23.her any more # She cried
:40:24. > :40:27.# And when I told her, her kisses were not like before
:40:28. > :40:33.# She cried # And when I told her another girl
:40:34. > :40:38.had caught my eye # She cried
:40:39. > :40:52.# And then I kissed her with a kiss that can only mean goodbye
:40:53. > :41:12.# And though it's hard for me to say # Maybe you're better off this way
:41:13. > :41:20.# And it's hard for me to say -- and though it's hard for me to say
:41:21. > :41:34.# I know you're better off this way # Get away and away #
:41:35. > :41:40.Thank you. Very nice. That was the horors. In
:41:41. > :41:46.our occasional feature we are doing, who is the tallest headliner. It is
:41:47. > :41:50.not that occasional. Once a year. Every link this show. So far we've
:41:51. > :41:56.established, Rodrigo y Gabriela - who is the tallest? Ser g fre,
:41:57. > :42:03.Kasabian. We have researched the guy from the horrors, how tall is he?
:42:04. > :42:08.Pretty tall. 6'6". He hasn't headlined. It seems odd seeing them
:42:09. > :42:14.in daylightment they are a dark, dinghy club sort of band. We will go
:42:15. > :42:32.over to the West Holt stage now and enjoy The Wailers.
:42:33. > :42:44.# Could you be loved # Could you be loved
:42:45. > :43:02.# And be loved # Don't let them fool you
:43:03. > :43:13.# Oh, no # Or even try to school ya
:43:14. > :43:20.# Oh, no we've got a mind of our own so go to hell if what you're think
:43:21. > :43:28.something not right love would never leave us alone and in the darkness
:43:29. > :43:43.there must come out to light # Could you be loved and be loved
:43:44. > :44:09.# Could you be loved wo-now # And be loved
:44:10. > :44:15.income # Could you be loved
:44:16. > :44:28.# Could you be # Could you be loved
:44:29. > :44:46.# Don't let them change you # Or even re-arrange you
:44:47. > :44:55.# We've got a life to live they say # Only
:44:56. > :45:02.# only the it test of the fittest shall survive -- only the fittest of
:45:03. > :45:09.the fittest shall survive stay alive # Could you be loved
:45:10. > :45:23.# And be loved # Could you be loved woah yeah
:45:24. > :45:27.# And be loved never miss your water until your well runs tray
:45:28. > :45:31.# No matter how you treat him # The man will never be satisfied
:45:32. > :45:34.# Could be be # Could you be
:45:35. > :45:42.# Could be you loved # Could you be loved come on, you've
:45:43. > :45:49.got to say something # Come on you've got to say
:45:50. > :45:59.something come on you've got to say something come on you gotta say
:46:00. > :46:03.something # Could you be loved
:46:04. > :46:10.# Reggae # Reggae. Rockers, rockers.
:46:11. > :46:15.# Say something # Could you be loved
:46:16. > :46:18.# Reggae, Reggae # Say something
:46:19. > :46:22.# Rockers, rockers. # Say something
:46:23. > :46:26.# Could you be loved # Could you be loved
:46:27. > :46:30.# Say something # Rockers rockers all my people just
:46:31. > :46:38.say something # Could you be loved #
:46:39. > :46:43.That was The Wailers. Just, I think really showing the breadth of music
:46:44. > :46:46.and the genre and the variety you get here at Glastonbury that was on
:46:47. > :46:51.the West Holt stage earlier today Time is running out for us. We have
:46:52. > :46:56.time for our final acoustic performance here in our special
:46:57. > :46:59.studio at this year's grass tonbury. Someone born in Beirut but now based
:47:00. > :50:48.in Paris. This is Yasmine Hamdam. That was Yasmine Hamdam. That's the
:50:49. > :50:53.final of our live performances had here at Glastonbury. Nearly gone.
:50:54. > :50:57.Every year there is someone who really surprises you. Someone you
:50:58. > :51:02.were aware of but you have not realised how on the cusp of
:51:03. > :51:07.greatness. Who is it from you? The time just fitted as I was walking
:51:08. > :51:09.past. It was Ellie Goulding. To be honest, she blew me away and here is
:51:10. > :51:39.why. # You look at me,
:51:40. > :51:47.it's like you hit me with lightning # Like paper planes
:51:48. > :52:24.and playground games # You look at me,
:52:25. > :54:52.it's like you hit me with lightning smashed it. She very much did. That
:54:53. > :54:56.was Ellie Goulding on The Other Stage. For me, I tell you someone I
:54:57. > :54:59.was impressed with, Ed Sheeran. Everyone knows he is massively
:55:00. > :55:04.successful at the moment. He went on stage after Dolly Parton. Obviously
:55:05. > :55:09.she had the biggest crowd I have ever seen And a big band. He walks
:55:10. > :55:13.out on stage and it is just him but he held on to the audience. They
:55:14. > :55:19.were singing along with every word. He is very clever. He sent a video
:55:20. > :55:24.message to Mike Hibbs. What a gent. The highlights for you, then? Well,
:55:25. > :55:29.I remember the thunderstorm on Friday afternoon and Fisherman's
:55:30. > :55:34.Friend singing acousticically in the acoustic tent. It has gone so
:55:35. > :55:39.quickly. It doesn't seem five minutes sin I saw Blondie first band
:55:40. > :55:44.on the The Other Stage on Friday. Dolly was a massive moment. There
:55:45. > :55:47.haven't been many moments but Sam Smith was great. Bombay Bicycle
:55:48. > :55:51.Club, you could see them growing into the set they had. They played
:55:52. > :55:56.on The Other Stage. They were great. It has been rocky. A year of rock
:55:57. > :56:01.here. We should tell you about a if you things. If you go to the BBC
:56:02. > :56:06.iPlayer, you can see highlights. And the website has things. There is a
:56:07. > :56:11.high lites programme on Friday, 4th July at 11.00pm. These are
:56:12. > :56:17.Glastonbury's best bits. We will see you next year. We have done quite a
:56:18. > :56:22.few of these together. . Veterans, I think it is what they call it. I
:56:23. > :56:26.hope you enjoyed it, see you next year.
:56:27. > :56:32.# Here you come again # Just when I'd begun to get myself
:56:33. > :56:35.together # You waltzed right in the door
:56:36. > :56:40.# Just like you did before # And you wrapped my heart around
:56:41. > :56:47.your little finger # Here you come again job just when
:56:48. > :56:55.I'm about to make it work without you
:56:56. > :56:59.# You look into my eyes # And I pretty soon I'm wondering
:57:00. > :57:06.how I came to doubt you # All you've got to do is smile that
:57:07. > :57:10.smile and there go all my defences # Just leave it up to you
:57:11. > :57:15.# And in a little while # You are messing up my mind
:57:16. > :57:24.# Filling up my senses # Here you come again
:57:25. > :57:26.# Oh looking better than a body has a right to
:57:27. > :57:31.# And shaking me up so # That all I really know
:57:32. > :57:51.# Is here you come again # And here I go
:57:52. > :57:58.# Awful' got to do is smile that smile
:57:59. > :58:03.# And there go all my defences # Just leave it up to you
:58:04. > :58:10.# And in a little while # You're messing up my mind
:58:11. > :58:14.# Better than my senses -- filling up my senses
:58:15. > :58:18.# Here you come again # Looking better than a body has the
:58:19. > :58:24.right to # And shaking me up so, that all I
:58:25. > :58:41.really know, is here you come again. # And here I go
:58:42. > :58:45.# Here I go. # Here you come again
:58:46. > :58:57.# Darling here you come again # Here you come again
:58:58. > :59:02.# And here you come again # Here I go #