:00:09. > :00:14.This programmes contains strong language and repetivive strobing.
:00:15. > :00:23.Wear, strong, comfortable shoes. When rap remembers at Glastonbury,
:00:24. > :00:30.they look for fresh, plastic bags to put over their white trainers. It is
:00:31. > :00:37.England. It is going to be wet. Find out who your neighbours are. Find
:00:38. > :00:43.out where your tent is. Get a pop-up tent. Have a Zambuca. Take a deep
:00:44. > :01:00.breath. Soak up the energy. That's what you should do.
:01:01. > :01:06.Hello and welcome back to BBC Two and the Glastonbury coverage here at
:01:07. > :01:11.the festival. There is so much for you to enjoy, in your beds, between
:01:12. > :01:17.now and 2.00am. However, coming up next. Yes, we are heading back it
:01:18. > :01:22.the Pyramid Stage for your Friday night headliners, here at
:01:23. > :01:28.Glastonbury 2016. I have always wanted to say this, so here we go...
:01:29. > :02:01.Have we got more Muse for you. We have, enjoy.
:02:02. > :02:05.# I wanna break this spell that you've created
:02:06. > :02:07.# You're something beautiful a contradiction
:02:08. > :02:09.# I wanna play the game I want the friction
:02:10. > :02:12.# You will be the death of me You will be the death of me
:02:13. > :02:28.# I won't let you murder it our time is running out
:02:29. > :02:37.# You can't push it underground You can't stop it screaming out
:02:38. > :02:54.# I wanted freedom bound and restricted
:02:55. > :02:58.# I tried to give you up but I'm addicted
:02:59. > :03:02.# Now that you know I'm trapped sense of elation
:03:03. > :03:08.# You'd never dream of breaking this fixation
:03:09. > :03:17.# You will squeeze the life out of me, bury it
:03:18. > :03:21.# I won't let you bury it I won't let you smother it
:03:22. > :03:32.# I won't let you murder it our time is running out
:03:33. > :03:38.# Our time is running out You can't push it underground
:03:39. > :04:29.# You will suck the life out of me
:04:30. > :04:42.# I won't let you smother it I won't let you murder it
:04:43. > :05:02.# You can't push it underground You can't stop it screaming out
:05:03. > :06:54.# And she had a name
:06:55. > :07:06.# Let your anger rise
:07:07. > :07:47.# This is the last time I'll abandon you
:07:48. > :07:56.# And this is the last time I'll forget you
:07:57. > :08:52.# This is the last time I'll abandonyou
:08:53. > :08:57.# This is the last time I'll abandon you
:08:58. > :09:11.# And this is the last time I'll forget you
:09:12. > :10:13.# This is the last time I'll abandon you
:10:14. > :10:23.# And this is the last time I'll forget you
:10:24. > :23:56.# It's gone, you know it's gone for good
:23:57. > :24:14.# Lost in space and time for ever more
:24:15. > :28:19.# They'll try to push drugs that keep us all dumbed down
:28:20. > :28:21.# And hope that we will never see the truth around
:28:22. > :28:30.# Another packaged lie to keep us trapped in greed
:28:31. > :28:34.# And all the green belts wrapped around our minds
:28:35. > :28:58.# And endless red tape to keep the truth confined
:28:59. > :29:36.# Come let the revolution take its toll
:29:37. > :29:38.# If you could flick the switch and open your third eye
:29:39. > :29:41.# You'd see that we should never be afraid to die
:29:42. > :29:47.# It's time the fat cats had a heart attack
:29:48. > :29:49.# You know that their time's coming to an end
:29:50. > :29:53.# We have to unify and watch our flag ascend
:29:54. > :33:47.# I've fallen on the inside
:33:48. > :34:03.# Save me from the ghosts and shadows
:34:04. > :34:40.# Running from the ghosts and shadows
:34:41. > :34:56.# The world just disavows
:34:57. > :38:21.How are you doing? CHEERS
:38:22. > :42:23.# No one's gonna take me alive
:42:24. > :42:29.# The time has come to make things right
:42:30. > :42:35.# You and I must fight for our rights
:42:36. > :42:58.# The time has come to make things right
:42:59. > :43:04.# You and I must fight for our rights
:43:05. > :43:51.# The time has come to make things right
:43:52. > :43:59.# You and I must fight for our rights
:44:00. > :46:38.CHEERING AND APPLAUSE
:46:39. > :46:46.Thank you Glastonbury. You guys are fucking amazing. It is great to be
:46:47. > :47:28.back. Have a good weekend. Cheers. Job done. They have made an awful
:47:29. > :47:33.lot of people extraordinarily happy and they must be extremely happy
:47:34. > :47:39.too. That was Muse, headlining on the Pyramid Stage. We'll bring you
:47:40. > :47:46.other headliners around the stages in Glastonbury. We'll have Richard
:47:47. > :47:53.Hawley and Disclosure on The Other Stage and we'll head over to the
:47:54. > :48:02.John Peel Stage for Sigur Ros and we have special guests and a few people
:48:03. > :48:05.from the Sir Cows Field. I would be so disappointed if somebody wasn't
:48:06. > :48:09.contorting themselves live. First, we'll go to the first of our
:48:10. > :48:13.performances this evening. This woman has the most incredible voice.
:48:14. > :48:15.She can really let rip. If you are ready, we'll go over to the
:48:16. > :48:24.wonderful Grace. # Feels good when I
:48:25. > :48:29.wake in the morning # Feeling good when
:48:30. > :48:38.I look in the mirror # Slept all night for
:48:39. > :48:48.the first time, in month # Shoulda done it
:48:49. > :49:50.when you had the chance # I know you didn't think It
:49:51. > :51:47.comes back around, oh Very nice. It is absolutely
:51:48. > :51:50.freezing, can I do this? Well done, Grace. What do you make of
:51:51. > :52:02.Glastonbury, is it your first time here? Oh, have two mics. It was
:52:03. > :52:07.amazing. We did our show at 7.00pm. I got to hang out. I saw a couple of
:52:08. > :52:17.people. It is crazy. I can't believe how big it is and the energy is
:52:18. > :52:22.insane, it is sic. You are mates with Stormzy. I hope to do something
:52:23. > :52:26.with him in the future Trying to place your accent. I was born in
:52:27. > :52:30.Australia, but my dad is British. And I have been in the States for
:52:31. > :52:36.three years. Your album is out this Friday, is that right? It is. Is it
:52:37. > :52:44.this Friday? Wow. I didn't know it was that close but it comes out this
:52:45. > :52:48.Friday. And it is called? It is called FMA - Forgive My Attitude.
:52:49. > :52:52.Thank you for being so patient and so good. Tell you what, we will go
:52:53. > :52:57.over to the Park Stage. As we mentioned. Richard Hawley has been
:52:58. > :53:01.playing, a headline set. It is that wonderful time when everything else
:53:02. > :53:03.stops and all of a sudden he was casting a spell around the park
:53:04. > :54:18.area. This # Oh yeah
:54:19. > :54:28.# Those people thb they got nothing in their souls. Thb they make our
:54:29. > :54:35.TVs bind us # From our vision and our goals
:54:36. > :54:46.# All the time it tricks you # Did you know that tonight
:54:47. > :54:56.# The streets our ours # The streets are ours
:54:57. > :54:59.# These lights in our hearts # They tell no lies
:55:00. > :55:10.# And no-one else can see # the way you dream of me
:55:11. > :55:22.# I need to know # I couldn't be without you
:55:23. > :55:24.# The light it shines around you # Nothing ever mattered more
:55:25. > :56:08.# Tonight the streets are ours # There is so much of the past
:56:09. > :56:09.# But did you know that tonight, the streets are ours
:56:10. > :56:25.# tonight, the streets are ours # These lights in our street are
:56:26. > :56:32.ours # Tonight the streets are ours
:56:33. > :56:38.# These lights in our hearts they tell no lies
:56:39. > :57:24.# APPLAUSE
:57:25. > :57:30.# He killed his wife # The hungry little children
:57:31. > :57:34.# He took their lives # This was the act of a desperate
:57:35. > :57:38.man. # With only love in his eyes for no
:57:39. > :57:53.evil hand # He was standing at the star's edge
:57:54. > :57:55.# And out there who knows what he's looking
:57:56. > :57:56.# He was sliding down the razor's edge
:57:57. > :58:23.# inwatched his life slowly sinking Mary was a troubled girl
:58:24. > :58:30.# She stole to eat # She had to sell her body to put
:58:31. > :58:39.shoes on her feet # Stole a car and tried to get away
:58:40. > :58:43.# Now all she hears is the rain on the roof
:58:44. > :58:54.# At sky's edge jail # She was standing at the sky's edge
:58:55. > :58:56.# And out there who knows what she is athinking
:58:57. > :59:04.# She was sliding down the razor's edge
:59:05. > :59:09.# And watched her life slowly sinking
:59:10. > :59:45.# Away # Away
:59:46. > :59:51.# They were standing at the sky's edge
:59:52. > :59:57.# And out there who knows what they're thinking
:59:58. > :00:03.# They were sliding down the razor's edge
:00:04. > :00:09.# And watched their lives slowly sinking
:00:10. > :00:15.# Away # Away
:00:16. > :00:22.# Away # Jacob was misguided,
:00:23. > :01:50.he carried a blade, # So much fear in the city
:01:51. > :01:52.it carried him away. # Young men were fighting
:01:53. > :01:54.and loosing their lives # At night as the screech
:01:55. > :01:58.howls in the trees watch # They were standing
:01:59. > :02:02.at the sky's edge, # And out there who knows
:02:03. > :02:05.what they're thinking. # They were sliding
:02:06. > :02:08.down the razor's edge, # And watched their
:02:09. > :02:14.lives slowly sinking, # They were standing
:02:15. > :02:21.at the sky's edge, # And out there there's
:02:22. > :02:27.dangerous thinking, # They were standing
:02:28. > :02:34.at the mirror's edge, # And watched their
:02:35. > :03:54.lives slowly sinking, He is so great. That was Richard
:03:55. > :04:00.Hawley on the Park Stage. A lovely stage. Are you a fan? I am. I think
:04:01. > :04:06.the last album was brilliant. I like the Welcome to Sheffield sign. A
:04:07. > :04:11.little bit of Sheffield in Pilton. We have not seen Gemma for a while.
:04:12. > :04:14.I believe she is at the Common and surrounded by people from The Day Of
:04:15. > :04:27.the Dead. Oh my giddy aunt. This is absolutely
:04:28. > :04:33.surreal as ever. OK. So I'm in the Common area of Glastonbury, one of
:04:34. > :04:42.the newest late-night venues, in, specifically this new tented. It is
:04:43. > :04:47.an experience of performist artists themed on Mexicanna and Day of the
:04:48. > :04:53.Dead. I'm getting my make-up done in a coffin. Only for you guys. Finish
:04:54. > :04:59.me up, babies. Oh my goodness. This is absolutely
:05:00. > :05:09.bananas. I want to speak to Katie. She is the mother of the theatre
:05:10. > :05:12.company. What is going on here? We are inspired by looking at the
:05:13. > :05:20.difference of Hallowe'en. It was all about gore. You know, zombies. I was
:05:21. > :05:26.interested in what really was behind that before and it was the festival
:05:27. > :05:30.of the dead, very like the Mexican festival of dead, where they really
:05:31. > :05:34.honour their dead and honour and remembrance and treat death very
:05:35. > :05:39.differently. So I felt very passionate about changing that. What
:05:40. > :05:43.time can people come here to? What time do you close? Can people come
:05:44. > :05:48.and get a cocktail and dance with skeletons? We are all from 11-3am
:05:49. > :05:54.with all the characters around and big things to join into and then
:05:55. > :05:58.there is a bar from about 3am to 6am every night for the next three
:05:59. > :06:02.nights. Well, it absolutely has blown my mind. It is a very
:06:03. > :06:08.different experience here. All I can say, is I think it is time for me to
:06:09. > :06:10.sign off. I am in the depths of late-night Glastonbury and I'm in
:06:11. > :06:19.coffin. So weird. Good night. I kind of getting the feeling she
:06:20. > :06:25.might not come back. I hope she does and we'll see her a bit later. The
:06:26. > :06:30.last fancy dress party we had at home. I went from a character from
:06:31. > :06:34.Day of the Dead. If you want an idea for fancy dress at a party. It is so
:06:35. > :06:38.good. Might do that, come Hallowe'en. Not belong to go,
:06:39. > :06:43.something to look forward to. What are we going to hear next? We are
:06:44. > :06:47.going tow go to Savages. I went to see them before I came on air. I
:06:48. > :06:51.thought you were going to ask me something deep and personal. Well,
:06:52. > :06:55.what do you want to know I'm excited to see them. They were brilliant
:06:56. > :07:02.earlier, here is at bit of their set.
:07:03. > :07:18.This song is called, This Is What You Get.
:07:19. > :07:24.Thb what you get when you mess with love
:07:25. > :07:27.# This is what you get when you mess with love
:07:28. > :07:41.# This is what you get when you mess with love.
:07:42. > :07:46.# This is what you get if you mess with love
:07:47. > :07:49.# This is what you get if you mess with love
:07:50. > :08:16.# This is what you get if you mess with... Love
:08:17. > :08:23.# You mess with love when you gop out tonight.
:08:24. > :08:26.# Doesn't matter who's wrong or right
:08:27. > :08:30.# All you want is that feeling again # When someone is catching in your
:08:31. > :08:32.head # Look right, look left, what
:08:33. > :08:38.distress # I saw a no become a yes
:08:39. > :08:41.# This is what you get when you mess with love
:08:42. > :08:42.# This is what you get when you mess with love
:08:43. > :08:46.# I mess with love # I mess with love
:08:47. > :08:49.# You mess with love # I mess with love
:08:50. > :09:12.# You mess with love # I mess with love
:09:13. > :09:46.# This is what you get when you mess with will have
:09:47. > :09:49.# This is what you get when you mess with love
:09:50. > :09:55.# This is what you get when you mess with love
:09:56. > :10:01.# Love # Love
:10:02. > :10:09.# Mess with love # Mess with love love
:10:10. > :10:20.# APPLAUSE
:10:21. > :10:27.That of Savages playing on the Park Stage only about an hour ago before
:10:28. > :10:35.Richard Hawley. It looked like there was a Sir cull pit going on. She is
:10:36. > :10:41.an amaze front woman. Second album sounding superb. Great to see them.
:10:42. > :10:48.I kind of feel like I'm doing the Chelsea Flower Show. There are some
:10:49. > :10:51.shows you can only do with a had the water bottle. I find Glastonbury,
:10:52. > :10:55.late night, you need T this is my accessory for the rest of the
:10:56. > :10:58.evening. We will go to the John Peel Stage, earlier on the headliners
:10:59. > :11:05.were the wonderful, fabulous, Sigur Ros.
:11:06. > :17:05.What have you done with the hot water bottle? I deep thinking what
:17:06. > :17:10.about Bear Grylls recommend? ? That was Sigur Ros. Unique and singing in
:17:11. > :17:17.their own language. Sounding incredible. We will go to band who n
:17:18. > :17:21.2014 were playing on a different stage. Tonight they were heading on
:17:22. > :17:23.The Other Stage. This is Disclosure. How are we feeling out there,
:17:24. > :17:27.Glastonbury? All right. We are going to slow
:17:28. > :17:40.things down, just for one minute. # Don't say you want me,
:17:41. > :18:05.don't say you need me # Willing and able,
:18:06. > :18:09.cards on the table # And I believe
:18:10. > :18:12.in what we've found # There'll be no looking back,
:18:13. > :18:17.no looking back, no # If there's enough,
:18:18. > :18:19.in stuff we touch # There'll be no looking back,
:18:20. > :18:21.no looking back, no # If we're falling in love,
:18:22. > :18:23.we're falling in love # And I won't give you up,
:18:24. > :18:42.no I won't give you up # If we're falling in love,
:18:43. > :18:53.we're falling in love # And I won't give you up,
:18:54. > :19:04.no I won't give you up # If you don't feel it,
:19:05. > :19:13.the same as me # If you don't see it,
:19:14. > :19:22.the way I see # There'll be no looking back,
:19:23. > :19:37.no looking back, no # If there's enough,
:19:38. > :19:43.in stuff we touch # There'll be no looking back,
:19:44. > :19:46.no looking back, no # If we're falling in love,
:19:47. > :19:50.we're falling in love # And I won't give you up,
:19:51. > :19:58.no I won't give you up # If we're falling in love,
:19:59. > :20:09.we're falling in love # And I won't give you up,
:20:10. > :20:18.no I won't give you up # If I'm gonna fall in,
:20:19. > :21:51.I'm gonna fall my all in make some noise for Kwabs,
:21:52. > :21:57.Glastonbury. CHEERING AND
:21:58. > :22:34.APPLAUSE You know, I usually have to hit that
:22:35. > :22:40.like, three or four times, you guys, you just win, you win.
:22:41. > :22:44.But, I'm still going to start the song. So, Glastonbury, are you with
:22:45. > :23:10.us for this one? Every person left to right, front to
:23:11. > :24:00.back are going to sing this with us? # You lift my heart up
:24:01. > :24:03.# When the rest of me is down # You, you enchant me even when
:24:04. > :24:15.you're not around # if there are boundaries
:24:16. > :24:17.# I will try to knock them down # I'm latching on babe, now I know
:24:18. > :24:42.# I'm latching on, babe, now I know what I have found
:24:43. > :25:39.# Feel so enamored, hold me tight within your clutch
:25:40. > :25:46.# How do you do it, you got me losing every breath
:25:47. > :26:09.# What did you give me to make my heart bleed out my chest?
:26:10. > :26:29.Glastonbury, show me your biggest smile!
:26:30. > :26:51.Let's do this for peae and love, come on!
:26:52. > :29:00.We've been Disclosure. We've been amazing.
:29:01. > :29:12.Thank you so much, guys. We love you. Have a great weekend. We will
:29:13. > :29:16.see you out there. He joy, good night. -- enjoy.
:29:17. > :29:24.I mazing. You can believe it as well. You can see the brothers,
:29:25. > :29:27.Howards running around over a massive set on The Other Stage. They
:29:28. > :29:31.seemed genuinely overwhelmed. Didn't they? The crowd so, so happy. We
:29:32. > :29:36.were saying the dance scene is massive here, compared to how it
:29:37. > :29:42.used to be. Yes. It gets bigger every year. I can imagine, years ago
:29:43. > :29:47.it was ZZ Top from Friday morning to Sunday night. Thank God for
:29:48. > :29:50.electronic music. Thank God they are still here. Things never changes. We
:29:51. > :29:56.were chat being what we were looking forward to. We'll discuss that after
:29:57. > :30:01.we have watched the next VT. We will go to Aluna George next, who played
:30:02. > :30:03.John Peel earlier on. I have one question for you. Who's
:30:04. > :30:22.in control? # Who's in control?
:30:23. > :30:23.# I'm in control # Who's in control?
:30:24. > :31:09.# I'm in control # I like crashing waves
:31:10. > :31:13.# But I want to see them at first light
:31:14. > :31:19.# After a long night # And see the sky take shape
:31:20. > :31:26.# But I want to see the stars burn # After I've had my turn
:31:27. > :31:30.# And ooh, ooh, # You're working so hard
:31:31. > :31:38.# You played your card # So what's the payoff?
:31:39. > :31:42.# And, ooh, ooh, # Big talk is cheap
:31:43. > :31:46.# You gotta go deeper than deep # To get me off
:31:47. > :31:49.# If you're picking up my call # Come and tell your boss you know
:31:50. > :31:53.that I'm in control # I'm in control
:31:54. > :31:56.# Don't you know I want it all # Put your hands against the wall
:31:57. > :32:30.# I'm in control # I'm in control
:32:31. > :32:43.# We got rainbow colours # I know you're undercover oh, oh,
:32:44. > :32:48.working so hard # You played your hard
:32:49. > :32:53.# So what's the payoff? # And oh, oh, big talk is cheap
:32:54. > :33:03.# Because you're deeper than deep # To get me off
:33:04. > :33:06.# If you're picking up my call # Come and tell your boss you know
:33:07. > :33:09.that I'm in control # Don't you know I want it all
:33:10. > :33:25.# Put your hands against the wall # I'm in control
:33:26. > :33:57.# All night me a give you love # I'm in control
:33:58. > :34:03.# If you're picking up my call # Come and tell your boss you know
:34:04. > :34:09.# That I'm in control # Don't you know I want it all
:34:10. > :34:13.# Put your hands against the wall # Cause she's in control of me love
:34:14. > :34:25.# I'm in control#
:34:26. > :34:29.Brilliant, Aluna George and Disclosure playing, and what is
:34:30. > :34:34.Brailleant it started as bedroom projects. Good dancing as well.
:34:35. > :34:39.Absolutely. Really good. The day started here on the Pyramid Stage
:34:40. > :34:47.with the Sir skap Syrian Nags a Orchestra. Damon Albarn worked with
:34:48. > :34:53.him in 2008 and they performed with him on the Gori I will las album. It
:34:54. > :35:02.was poignant when they foamed. So picture at the beginning of the day,
:35:03. > :35:16.the Syrian National Orchestra with Damon Albarn. Welcome.
:35:17. > :35:23.I'm so pleased to be here. It is something unusual to be here. It is
:35:24. > :35:27.maybe be once in a life to be in Glastonbury. We have somehow managed
:35:28. > :35:30.to gather some extraordinary musicians from the pan Arabic world.
:35:31. > :35:43.They have travelled all the way here. From a very different reality.
:35:44. > :35:48.It was so exciting for Syria and all the people here are so excited for
:35:49. > :35:59.that. We love Syria. We are here to show people that
:36:00. > :36:13.there is a lot of talented people in Syria. There is the mukic in Syria.
:36:14. > :36:17.Very warm, sunny music. It has melancholy in t sunshine, blue
:36:18. > :36:21.skies, mountains, ancient history, a massive, diverse set of people,
:36:22. > :36:29.different religions. Different ethnicity. You know, it also has bad
:36:30. > :36:33.weather and it is moment it is experiencing really bad weather but
:36:34. > :36:37.that applies to everywhere really. Damon Albarn takes you to his world.
:36:38. > :37:05.Like we are following him and we are building the music together.
:37:06. > :37:12.# Huff been so busy lately # You haven't found the time.
:37:13. > :37:19.You can express your feelings and fly with the audience.
:37:20. > :37:27.? # Out of time. It was the perfect
:37:28. > :37:32.start to Glastonbury. It was amazing. Really beautiful. Thank
:37:33. > :42:36.you. Thank you, thank you, I love you.
:42:37. > :42:41.The Syrian National Orchestra with Damon Albarn. How beautiful was that
:42:42. > :42:46.little clip. Now early days, you could see early door it was about
:42:47. > :42:51.the waterproof poncho. I think our boots tell the tale of what the
:42:52. > :42:56.weather was like early. That's the only reference to mud we will have
:42:57. > :43:01.on this show today. I bought these with mud already on. This is old
:43:02. > :43:07.school mud, from three years ago. We'll head over to the BBC's
:43:08. > :43:13.introducing stage. We played introducing artists on Radio 2, six
:43:14. > :43:17.music, 1 Xtra. The stage is a big part of it and as well as new
:43:18. > :43:21.friends, old friends come back to play. And this is what happened
:43:22. > :43:23.earlier on today when Catfish and the Bottlemen from North Wales came
:43:24. > :44:02.it play for us. # All for none
:44:03. > :45:36.# And still I become # I just always seem to call out
:45:37. > :45:48.# When I need you # I'm sorry
:45:49. > :46:31.# See I # Struggle to speak some time
:46:32. > :46:35.# But that's why she never lets me # See I
:46:36. > :46:36.# That's why nobody gets me see I # Struggle to please sometime
:46:37. > :47:03.# But it's why I don't... APPLAUSE Thank you. That was Catfish
:47:04. > :47:08.and the Bottlemen sounding great on the BBC introducing stage earlier.
:47:09. > :47:12.The videos from pretty much all the performances and so many of the
:47:13. > :47:18.other stages are up online. They will be up for weeks to come. They
:47:19. > :47:26.will be back on Sunday afternoon on The Other Stage. You will get to see
:47:27. > :47:29.them again. We'll go and have another wonderful acoustic
:47:30. > :47:35.performance. This land come from Atalanta. They do about 250 gigs a
:47:36. > :47:55.year, every year. This is Blackberry Smoke.
:47:56. > :48:02.# In the tiny town I come from # You grew up doing what your daddy
:48:03. > :48:11.done # And you don't ask questions you do
:48:12. > :48:14.it just because # You don't climb too high or drink
:48:15. > :48:20.too much # With a whole lot of work and a
:48:21. > :48:27.little bit of luck # You can wind up right where your
:48:28. > :48:35.daddy was # This little biddy town
:48:36. > :48:46.# it ain't nothing new # We all stick around
:48:47. > :48:53.# Cos they all tell us to # So swallow your pride
:48:54. > :49:03.# Just to make your family proud # If I didn't think that that it
:49:04. > :49:11.would shut the whole place down # I'd ride my pony right out of this
:49:12. > :49:23.one horse town # Yeah, this one horse town
:49:24. > :49:31.# I'm an old married man at age 23. Got two little boys
:49:32. > :49:41.# And that might be their only ticket out
:49:42. > :49:44.# All they got is a warn out name # And a daddy who could have' gone
:49:45. > :49:53.all the way # But I hung my saddle up and I
:49:54. > :49:58.settled down # This little biddy town
:49:59. > :50:10.# Oh, yeah, it ain't nothing new # We all stick around
:50:11. > :50:21.# Cos they all tell us to # Swallow this pride
:50:22. > :50:30.# Just to make your family proud # If I didn't drink it with shut the
:50:31. > :50:37.whole place down - if I didn't think it would shut the whole place down
:50:38. > :50:38.# I'd ride my pony out of this one horse town
:50:39. > :51:04.# Yes this one horse town # This little biddy town
:51:05. > :51:17.# Oh, yeah, it ain't nothing new # We all stick around
:51:18. > :51:20.# Because they all tell us to # Swallow your pride
:51:21. > :51:35.# # If I didn't think it would shut
:51:36. > :51:39.the whole thing down I'd saddle that one horse and ride him right out of
:51:40. > :51:44.this town #
:51:45. > :51:53.APPLAUSE That was brilliant. Beautiful.
:51:54. > :51:57.Coming to Glastonbury and imagine upstaging ZZ Top with the beards as
:51:58. > :52:02.well. Thank you so much for playing. That was beautiful. You have
:52:03. > :52:08.supported them in the past and more recently Zac, so it makes perfect
:52:09. > :52:17.sense. It was great. More live music for you now at Glastonbury. Do we
:52:18. > :52:21.know from who? It is Skepta on the Pyramid Stage. A big moment for
:52:22. > :52:51.Skepta and the crowd. This is what happened earlier on.
:52:52. > :52:58.# Don't know your songs but they know mine
:52:59. > :53:01.# That's why I got gigs just like Joe Grind
:53:02. > :53:03.# After the show I'll be rolling mine
:53:04. > :53:05.# Don't care about the no smoking sign
:53:06. > :53:10.# They try to steal my vision # This and the a culture, it's my
:53:11. > :53:13.religion, # God knows I don't wanna go to
:53:14. > :53:19.prison # But if a man wanna try me
:53:20. > :53:22.# Trust me, listen me and my G's ain't scared for the police wb doe
:53:23. > :53:55.don't listen to no policeman you tryna show me your Fendi
:53:56. > :54:01.# I told you before this don't impress me
:54:02. > :54:12.# shut down went to show, sitting in the front row, shut down
:54:13. > :54:18.# in the black track suit and it's shutdown
:54:19. > :54:23.# Touch the road and it's shutdown. A bmpl of young men all dressed in
:54:24. > :54:27.black, dancing extremely aggressively on stage, it made me
:54:28. > :54:31.feel so intimidated and it's not just whey expect to see on prime
:54:32. > :54:37.time TV. # I'm a different class
:54:38. > :54:45.# When I get through I'm bring my dogs, 2 by 2, man a walk in a arc
:54:46. > :54:52.# Sittin at the front # It's like rRosaParks.
:54:53. > :54:57.# Trust me you don't wanna see me get dark
:54:58. > :55:02.# Shut down, thbs a he in the me and it's shut down be ring ring pussy
:55:03. > :55:06.it's shutdown, Fashion Week and it's shutdown, went to the show sitting
:55:07. > :55:10.in the front row, in the backtrack suit and it's shutdown touch the
:55:11. > :55:16.road and it's shutdown, boy better know when it's shutdown.
:55:17. > :55:19.# Boy better know when it's shutdown. Link up daddy.
:55:20. > :55:27.# So much incredible. . Grime MC is
:55:28. > :55:32.playing at Glastonbury and it doesn't get much better than that.
:55:33. > :55:37.That was the only and only Skepta shutdown. We were talking earlier
:55:38. > :55:40.about who we were looking to seeing, we were discussing the headliners,
:55:41. > :55:46.you saw Adele when she played in Dublin. Amazing. I think tomorrow
:55:47. > :55:50.night will be special. We need Adele at glass tonne bri. She doesn't play
:55:51. > :55:54.fest values. She wouldn't commit to doing something like this if she
:55:55. > :56:01.couldn't pull it off. She will be great. Coldplay on Sunday night and
:56:02. > :56:06.Barry Gibb from the Bee Gees is come on stage. Is that happening? Yes.
:56:07. > :56:12.They called him. He said OK. He is doing tracks. Back to the days of
:56:13. > :56:20.scoot night Fever Beck is before them. Really exciting. Yes, we'll go
:56:21. > :58:08.to the Park Stage now where Unknown Mortal Orchestra earlier on today.
:58:09. > :58:28.# I can't keep checking my phone, no # I can't keep checking my phone, no
:58:29. > :58:52.# I can't keep checking my phone, no # We read the universe might be
:58:53. > :58:57.holographic # Traffic lights might reverse my
:58:58. > :59:01.love # Go ahead and traverse the winter
:59:02. > :59:13.force # Yeah
:59:14. > :59:15.# We eat crickets # In the future
:59:16. > :59:23.# Just tastes like # Far from home
:59:24. > :59:32.# Drink Chicha in the jungle # That sounds great
:59:33. > :59:48.# I'm kinda busy # I can't keep checking my, no
:59:49. > :01:43.The joy and euphoria in that field. Great. And just over there in the
:01:44. > :01:50.Park Stage and we are going to head to the Pyramid Stage now and Jesse
:01:51. > :01:55.Glyn has had an amazing year. Released a debut album. It started
:01:56. > :02:02.with that collaboration a couple of years ago. She stormed it earlier on
:02:03. > :02:10.today. So here is Jesse Glyn on the Pyramid Stage. OK, Glastonbury, we
:02:11. > :02:24.are all right here together. Can you believe the sun is shining?
:02:25. > :02:29.# I didn't think this life was gonna be for me
:02:30. > :02:31.# A love you gave me to discover was right here
:02:32. > :02:34.# But now I'm caught up in a dream don't wanna leave!
:02:35. > :02:37.# See I ain't been one for wishing not at all
:02:38. > :02:39.# When you least expect it's creepin' up on you
:02:40. > :02:41.# No confiding or abiding to no rules
:02:42. > :02:46.# And now I'm content knowing that I'm here with you
:02:47. > :02:49.# Right here, you got me where you want me
:02:50. > :02:53.# Now I'm right here waiting for your calling
:02:54. > :02:56.# Now I'm right here you got me where you want me
:02:57. > :03:22.# Infatuation took a hold of my mind
:03:23. > :03:26.# I wouldn't change it for the world, now that you're mine
:03:27. > :03:30.# You played me hard to get for a while
:03:31. > :03:34.# Still cut me deeper every day with your smile
:03:35. > :03:36.# See I ain't been one for wishing Not at all
:03:37. > :03:40.# When you least expect it's creepin' up on you
:03:41. > :03:43.# No confiding or abiding to no rules
:03:44. > :03:50.# And now I'm content knowing that I'm here with you
:03:51. > :03:52.# Right here, you got me where you want me
:03:53. > :03:56.# Now I'm right here waiting for your calling
:03:57. > :04:00.# Now I'm right here, you got me where you want me
:04:01. > :04:42.# Right here, you got me where you want me
:04:43. > :04:56.# Right here, you got me where you want me
:04:57. > :05:00.# Now I'm right here waiting for your calling
:05:01. > :05:05.# Now I'm right here You got me where you want me
:05:06. > :05:12.# Right here, you got me where you want me
:05:13. > :05:17.# Now I'm right here Waiting for your calling
:05:18. > :05:19.# Now I'm right here, you got me where you want me
:05:20. > :06:04.OK, Glastonbury. I want every single person here to get down. Are you
:06:05. > :06:28.ready? # Standing in a crowded room
:06:29. > :06:37.and I can't see your face # Put your arms around me
:06:38. > :06:41.Tell me everything's OK # In my mind, I'm running round
:06:42. > :06:48.a cold and empty space # Just put your arms around me
:06:49. > :06:57.Tell me everything's OK # Break my bones
:06:58. > :07:04.but you won't see me fall, oh # The rising tide
:07:05. > :07:10.will rise against them all, oh # Cos I don't wanna walk
:07:11. > :07:21.on my own any more # I'm ready for this
:07:22. > :07:30.There's no denying # I'm ready for this
:07:31. > :07:32.You stop me falling # I'm ready for this
:07:33. > :07:35.I need you all in # I'm ready for this
:07:36. > :07:44.So darling, hold my hand # Soul is like a melting pot
:07:45. > :07:47.when you're not next to me # Tell me that you've got me
:07:48. > :07:53.and you're never gonna leave # Tryna find a moment
:07:54. > :08:00.where I can find release # Please tell me that you've got me
:08:01. > :08:07.and you're never gonna leave # Cos I don't wanna walk
:08:08. > :08:39.on my own any more # I'm ready for this
:08:40. > :08:49.There's no denying # I'm ready for this
:08:50. > :08:54.You stop me falling # I'm ready for this
:08:55. > :08:57.I need you all in # I'm ready for this
:08:58. > :09:08.So darling, hold my hand # So please don't make me wait
:09:09. > :09:16.cos I don't wanna break # That you don't make me wait
:09:17. > :09:33.and never let me break # Cos I don't wanna walk
:09:34. > :09:49.on my own any more # Cos I don't wanna walk
:09:50. > :10:09.on my own any more # I'm ready for this
:10:10. > :10:15.There's no denying # I'm ready for this
:10:16. > :10:16.You stop me falling # I'm ready for this
:10:17. > :10:19.I need you all in # I'm ready for this
:10:20. > :10:25.So darling, hold my hand # I'm ready for this
:10:26. > :10:31.There's no denying # I'm ready for this
:10:32. > :10:33.You stop me falling # I'm ready for this
:10:34. > :10:36.I need you all in # I'm ready for this
:10:37. > :10:56.So darling, hold my hand Jesse, Glyn who was playing earlier.
:10:57. > :11:05.So nice it see the kids there. And talking about kids. Bsail is Brush.
:11:06. > :11:12.And I saw Dom from Dick and Dom earlier jumping up and down. If you
:11:13. > :11:15.are a big fan of the stuff we are putting out, look at thaep. You can
:11:16. > :11:21.see all the different performances there. If you could just be my
:11:22. > :11:25.assistant. You can watch Jack Garrett and all the different
:11:26. > :11:29.performances are there for you to check out whenever you want to,
:11:30. > :11:37.wherever you are. Whenever the need takes you, the BBC Music app is what
:11:38. > :11:45.you should get and follow our BBC Galasto. But the app is beautiful So
:11:46. > :11:50.much great music. We are heading now to hear a Ukrainian band played
:11:51. > :15:00.earlier. They are called Dakhabbrakha.
:15:01. > :15:06.That looked mazing. That was Dakhabbrakha from Ukraine.
:15:07. > :15:10.You love saying that. It is very satisfying. Try it at home.
:15:11. > :15:17.Dakhabbrakha. I'm obsessed with the app. It is so good. We have this
:15:18. > :15:21.tippee where we are filming acoustic performances. You can see those.
:15:22. > :15:26.Half Moon Run. They were on. They were good. We'll have loads of
:15:27. > :15:35.performances in in the tippee all weaning. Ourn Radio 2. Yes, 4-7pm
:15:36. > :15:39.with Dermot O'Leary, including an exclusive interview with Basil
:15:40. > :15:45.Brush. Boom, boom. We'll go today, to the highlight of Mark Radcliffe's
:15:46. > :15:49.day, interviewing ZZ Top. Making your debut at Glastonbury, back
:15:50. > :15:55.stage with Billy gibbons, a long time getting you here. How a was it?
:15:56. > :15:58.Awesome. Quite the event. We have been knowing about Glastonbury over
:15:59. > :16:02.in the States for so long. We finally made the scene. What a great
:16:03. > :16:06.scene it is. It was really interesting. I was on the side of
:16:07. > :16:10.the stage watching you and you guys, because you have been together so
:16:11. > :16:17.long, you don't even need to look at each other to know what you are
:16:18. > :16:22.going to do. I mean you are kind of three heads on the same body in a
:16:23. > :16:25.way. Yes, we have kind of got into this mind-reading thing. What keeps
:16:26. > :16:29.it exciting is we never know who is going to make the first mistake. As
:16:30. > :16:33.long as we are going straight, if somebody takes a left turn, it is
:16:34. > :16:37.always about getting back it square one, which we have done One of the
:16:38. > :16:41.things which interested me on stage, I couldn't see any set lists and I
:16:42. > :16:45.couldn't see any drinks. Well... We had both Did you? OK, I didn't see.
:16:46. > :16:48.No pieces of paper on the floor. I thought you MEPPorised all the songs
:16:49. > :16:53.you were playing. Well, what was down there, was it a whiskey bottle
:16:54. > :16:58.or set list first? I can't remember... How do you know how to
:16:59. > :17:02.do the steps? Steps? Do you sort of think with Dusty, this will be a
:17:03. > :17:09.good time to be a duck walk or something. You must rehearse those.
:17:10. > :17:13.Well, we had a great teach ter, Paula Abdul before she became a
:17:14. > :17:18.singer, she was a choreographer and taught us everything we know You
:17:19. > :17:25.take that stuff seriously. She gave up on us. She said - you guys work
:17:26. > :17:32.it out Billy Gi about, about, ons, was once named by Jimmy Hendricks as
:17:33. > :17:37.his favourite guitarists. You played some Hendricks today, you must
:17:38. > :17:41.Phelan an affinity with him. Without question. Doing things with the
:17:42. > :17:45.Fender that the designers had no clue that could even be done. Of
:17:46. > :17:51.course, he did it and kept on doing it and did it well. So what keeps ZZ
:17:52. > :17:56.Top going. You obviously still get great joy, I mean it still looks
:17:57. > :18:01.like fun? It is. We get to do what we get to do. This is important to
:18:02. > :18:06.us. We take it quite seriously. It may not appear to be that way, but
:18:07. > :18:10.it is what we like doing the most. Someone asked - what would we be
:18:11. > :18:20.doing if we weren't doing this? Pharmacist. I don't know. Have you
:18:21. > :18:26.always stayed friends? Oh, yeah. There's always a story and they keep
:18:27. > :18:29.coming up and every day there is some convenient. We travel in
:18:30. > :18:34.different coaches and by the time we are arriving at the next town,
:18:35. > :18:40.something of interest will ignite. That keeps it rolling. So you travel
:18:41. > :18:45.in different coaches, so you don't kind of overburden the friendship,
:18:46. > :18:50.so you are pleased to see oaf other when you get out there. It is always
:18:51. > :18:54.a race it see who can get to the catering table first. So what about
:18:55. > :18:57.Glastonbury, what else are you going to do? Someone told me you might be
:18:58. > :19:02.doing a guest spot with somebody else. Ronnie Spector is on the bill.
:19:03. > :19:08.I grew up listening to that great song of her Be My Baby. Is that what
:19:09. > :19:13.you are going to play today? I think so. Yes. Have you had a chance to
:19:14. > :19:17.look around or will you look around when you see Ronnie? We arrived in
:19:18. > :19:22.the middle of the night. The moon was full and clouds were parted. We
:19:23. > :19:25.saw humanity in every direction going up over every hillside and
:19:26. > :19:28.down into valleys. It was really something to see. This is a
:19:29. > :19:33.spectacular gathering. This is really kind. It has been great to
:19:34. > :19:37.see you. Thanks for coming. If you had one word to sum up your
:19:38. > :20:38.Glastonbury experience, what do you think it would be? Choice.
:20:39. > :20:41.# She's got legs, she knows how to use them
:20:42. > :20:56.# She never begs, she knows how to choose them
:20:57. > :21:07.# She's kinda jet set, try undo her panties.
:21:08. > :21:14.# Everytime she's dancin' she knows what to do.
:21:15. > :21:23.# Everybody wants to see if she can use it.
:21:24. > :22:17.# She's so fine, she's all mine, girl, you got it right.
:22:18. > :22:23.# She's got legs, she knows how to use them.
:22:24. > :22:34.# She never begs, she knows how to choose them.
:22:35. > :22:44.# She's got a dime all of the time, stays out at night
:22:45. > :22:55.# Oh, I want her, said, I got to have her,
:22:56. > :23:08.# The girl is alright, she's alright.
:23:09. > :24:36.That was ZZ Top. I have never seen Mark look so enAmored when
:24:37. > :24:41.interviewing somebody before. That's pretty much it. Tomorrow we are back
:24:42. > :24:46.on the radio and TV coverage starts at 4 owe clockpm with Lauren and
:24:47. > :24:50.Mark. They will be here bringing you lots of goodies. If you want to
:24:51. > :25:02.Adele headlining grass tonne bricks 9 owe clockpm tomorrow night on BBC
:25:03. > :25:08.Two. It all starts at 7. .30pm. -- headlining Glastonbury at 8.00pm.
:25:09. > :25:13.-- 9.00pm. Web out and about tomorrow bringing you everything we
:25:14. > :25:19.can. You can follow us on twitter and get the music app and choose
:25:20. > :25:24.whatever Giggs you want to watch with at your leisure. We'll end
:25:25. > :25:40.tonight with this. This is Ronnie Spector.
:25:41. > :25:47.# The best part of breaking up # Is when we're making up.
:25:48. > :26:05.# But after breaking up # Be sure you're making up with me
:26:06. > :26:10.anybody wanna know # Tell me why
:26:11. > :26:16.# is it so # That the best part of making up
:26:17. > :26:24.# -- breaking up # It is when we're making up
:26:25. > :26:35.# but after breaking up # Be sure you're making up with me
:26:36. > :26:42.# Come on baby # It come on baby
:26:43. > :26:48.# well, I say maybe it makes no difference who was wrong
:26:49. > :26:53.# Just along as I'll be with you # Baby I'll be Loney till you're
:26:54. > :26:57.back where you should be # But baby I belong to you and you
:26:58. > :26:59.belong to May # Tell me why
:27:00. > :27:05.# I want to know # Tell me why is it so#
:27:06. > :27:08.Come on everybody # That the best part of breaking up
:27:09. > :27:14.is when you're # The best part of breaking up
:27:15. > :27:21.# Is when you're making up # But after breaking up #
:27:22. > :27:27.# Be sure you're making up with # Best part of breaking up
:27:28. > :27:34.# Is when you know that you're making up with
:27:35. > :27:45.me# come on now
:27:46. > :27:49.# Come on baby # Don't say maybe
:27:50. > :27:53.# Best part # Come on baby
:27:54. > :28:01.# Rock 'n' roll # Rock 'n' roll baby
:28:02. > :28:11.# Come on baby # Oh, yeah baby come on baby rock
:28:12. > :28:22.'n' roll, rock 'n' roll baby # Come on baby yeah
:28:23. > :28:24.force# - # Yeah
:28:25. > :28:28.# Sleet is back. With a new
:28:29. > :28:32.round of celebrity rookies... Let's go solve a crime.
:28:33. > :28:36...showing them how it's done. Uh-oh, you just let my client go!
:28:37. > :28:42.You look like a superhero, Sleet.