:00:00. > :00:16.This programme contains some strong language and flashing images.
:00:17. > :00:18.It's Glastonbury 2016, we've got Philip Glass's Heroes Symphony
:00:19. > :00:23.coming up for you later this evening from the Park Stage.
:00:24. > :00:31.We will contemplate the life of David Bowie. But until then, we're
:00:32. > :00:42.having a party, at The Other Stage tonight, transformed for the
:00:43. > :02:09.electronics blend of new order. -- electronics blend of New Order.
:02:10. > :08:45.CHEERING AND APPLAUSE Thank you!
:08:46. > :08:48.Can you give me a bit old vocal, and maybe a bit of guitar down, Danny,
:08:49. > :09:51.please? # I don't know what to say
:09:52. > :10:23.you don't care anyway # I'm a man in a rage
:10:24. > :10:31.with a girl I betrayed # You can't buy it
:10:32. > :11:58.with money # Keep it coming
:11:59. > :12:02.# I don't know what to say you don't care anyway
:12:03. > :12:11.# I'm a man in a rage with a girl I betrayed
:12:12. > :13:52.# Keep it coming, Keep it coming
:13:53. > :13:59.# Keep it coming, Keep it coming
:14:00. > :14:10.# I don't know what to say you don't care anyway
:14:11. > :14:21.# I'm a man in a rage with a girl I betrayed
:14:22. > :17:37.# You've got me where it hurts But I don't really care
:17:38. > :17:40.# Cos I know I'm OK Whenever you are there
:17:41. > :17:43.# You take me to a place I always wanna go
:17:44. > :17:48.# You always make me high Whenever I feel low
:17:49. > :17:52.# I'm paper in your hand I'm under your command
:17:53. > :19:15.# And sometimes I just can't go on I feel like I'm a setting sun
:19:16. > :19:24.# I know my eyes are burning bright I just need you to make it right
:19:25. > :19:27.# You've got me where it hurts But I don't really care
:19:28. > :19:31.# Cos I know I'm OK Whenever you are there
:19:32. > :19:38.# You take me to a place I always wanna go
:19:39. > :19:55.# You always make me high whenever I feel low
:19:56. > :21:07.# You've got me where it hurts But I don't really care
:21:08. > :21:10.# Cos I know I'm OK Whenever you are there
:21:11. > :21:12.# You take me to a place I always wanna go
:21:13. > :22:20.# You always make me high whenever I feel low
:22:21. > :22:51.Come on, we want to see you dance now. You can't leave it up to us on
:22:52. > :22:56.stage. I know we are getting paid. My traders are extremely white, not
:22:57. > :22:57.money, but we do need help from the audience. Come on, it is
:22:58. > :24:26.Glastonbury. For lock sake! # I feel shot right
:24:27. > :24:31.through with a bolt of blue # Living a life that
:24:32. > :24:36.I can't leave behind # The wisdom of the fool
:24:37. > :24:41.won't set you free # Why can't we be ourselves
:24:42. > :25:51.like we were yesterday # Then I'll never see just
:25:52. > :26:22.what we're meant to be # I won't desert you
:26:23. > :31:49.I don't know what to say # I really hurt you
:31:50. > :32:02.I nearly gave it all the way # I've got it all
:32:03. > :32:10.Cos you were not the one # And I don't know where
:32:11. > :32:12.to turn when you're gone # The wheels are
:32:13. > :32:50.turning all the while # And I don't know where
:32:51. > :33:43.to turn when you're gone # How many times must
:33:44. > :34:07.I lose my way, hey # How many words do
:34:08. > :34:14.I have to say, hey # What can I do
:34:15. > :34:22.just to make you see # That you're so good
:34:23. > :34:31.for a man like CHEERING AND APPLAUSE
:34:32. > :37:42.Cheers, thanks a lot. # This love is poison,
:37:43. > :38:09.but it's like gold # Show me affection,
:38:10. > :38:25.I'll sell you my soul # And if I'm missing,
:38:26. > :39:21.will you miss me? # Feels like thunder,
:39:22. > :39:45.it's getting cold # This love is poison,
:39:46. > :40:06.but it's like gold # One of these days,
:40:07. > :42:51.one of these days # Right when you want me,
:42:52. > :43:00.baby, I'll be gone # Cos you're like plastic,
:43:01. > :43:05.you're artificial # You don't mean nothing,
:43:06. > :43:21.baby, so superficial.# CHEERING AND APPLAUSE
:43:22. > :44:19.Thank you! # This friend of mine
:44:20. > :44:41.would fall apart # I said let's go out
:44:42. > :44:52.and have some fun # I know, you know,
:44:53. > :44:57.you believe in a land of love # I know, you know,
:44:58. > :45:33.we believe in a land of love # Tonight I should
:45:34. > :45:43.have stayed at home, # I said let's go out
:45:44. > :46:03.and have some fun # I know, you know,
:46:04. > :49:44.we believe in a land of love # And I don't care
:49:45. > :52:02.if I'm here tomorrow # Again and again
:52:03. > :52:05.I've taken too much # Of the things that
:52:06. > :52:09.cost you too much # I used to think that
:52:10. > :52:12.the day would never come # I'd see delight in
:52:13. > :52:19.the shade of the morning sun # My morning sun is the drug
:52:20. > :52:22.that brings me near # To the childhood I
:52:23. > :52:27.lost, replaced by fear # I used to think that
:52:28. > :52:30.the day would never come # That my life would
:52:31. > :52:37.depend on the morning sun # Our valued destiny
:52:38. > :53:01.comes to nothing # I guess there was
:53:02. > :53:08.just no way of knowing # I used to think that
:53:09. > :53:16.the day would never come # I'd see my life in
:53:17. > :53:19.the shade of the morning sun # My morning sun is the drug
:53:20. > :53:22.that brings me near # To the childhood I
:53:23. > :53:25.lost, replaced by fear # I used to think that
:53:26. > :53:28.the day would never come # That my life would
:53:29. > :54:57.depend on the morning sun # I used to think that
:54:58. > :55:04.the day would never come # That my life would
:55:05. > :55:08.depend on the morning sun # My morning sun is the drug
:55:09. > :55:10.that brings me near # To the childhood I
:55:11. > :55:14.lost, replaced by fear # I used to think that
:55:15. > :55:18.the day would never come # That my life would
:55:19. > :56:21.depend on the morning sun # When you've laid
:56:22. > :59:03.your hands upon me # But I'm quite sure
:59:04. > :59:44.that you'll tell me # But if it wasn't
:59:45. > :03:54.for your misfortunes CHEERING AND APPLAUSE
:03:55. > :04:01.Thank you! Shia we have even managed to stop the rain! Gerry McCabe leave
:04:02. > :04:09.you me, it will not rain from now on, tomorrow will be dry.
:04:10. > :06:18.# Just like a feeling I need, it's no joke
:06:19. > :06:29.# And though it hurts me to see you this way
:06:30. > :06:34.# Betrayed by words I'd never heard, too hard to say
:06:35. > :07:26.# Each way I turn, I know I'll always try
:07:27. > :07:33.# To break this circle that's been placed around me
:07:34. > :07:41.# From time to time, I find I've lost some need
:07:42. > :07:51.# That was urgent to myself, I do believe
:07:52. > :10:30.# No, I've never met anyone quite like you before
:10:31. > :10:33.# Bolts from above hurt the people down below
:10:34. > :10:37.# People in this world, we have no place to go
:10:38. > :10:41.# Bolts from above hurt the people down below
:10:42. > :10:46.# People in this world, we have no place to go
:10:47. > :10:48.# Bolts from above hurt the people down below
:10:49. > :10:55.# People in this world, we have no place to go
:10:56. > :10:56.# Bolts from above hurt the people down below
:10:57. > :11:00.# People in this world, we have no place to go
:11:01. > :11:32.# Oh no, I've never met anyone quite like you before.#
:11:33. > :13:24.Thank you! That's the end! Beautiful friends, this is the end. CHEERING
:13:25. > :15:00.AND APPLAUSE Well, maybe there is one more.
:15:01. > :15:10.CHEERING. We would play longer if they letters, but they won't. I bet
:15:11. > :15:17.Adele has more time. She sings all those long notes. Anyway, she has a
:15:18. > :15:19.beautiful voice. But what has her boyfriend under her? He must be a
:15:20. > :15:43.right twat. # Love, love will
:15:44. > :16:28.tear us apart again # Love, love will
:16:29. > :17:42.tear us apart again # Love, love will
:17:43. > :19:24.tear us apart again Thank you, Glastonbury. It has been
:19:25. > :19:43.an honour and a pleasure. Thank you so much, good night. CHEERING.
:19:44. > :19:52.New Order performing on the Other Stage. The keen eyed among you might
:19:53. > :19:59.have noticed the ace of spades at the top of the stage which was a
:20:00. > :20:06.tribute to Lemmy who played what turned out to be his last festival
:20:07. > :20:13.performance last year Glastonbury. Prince has been the subject of many
:20:14. > :20:23.tributes on site and Lemmy also and on the park we are in for the most
:20:24. > :20:28.spectacular tribute. David Bowie. Philip Glass's Heroes Symphony will
:20:29. > :20:34.be performed with a special laser show. We will tell you about that in
:20:35. > :20:37.a bit. Before now, we will check out the act on just before. Mercury Rev,
:20:38. > :21:05.at the park. # Well, I got us on a highway,
:21:06. > :21:08.I got us in a car # Got us going faster
:21:09. > :21:11.than we've ever gone before # I got us on a highway,
:21:12. > :21:14.I got us in a car # Got us going faster
:21:15. > :21:19.than we've ever gone before # And I know
:21:20. > :21:30.it ain't gonna last # They explode like
:21:31. > :21:50.two bugs on glass # Far above the ocean,
:21:51. > :21:53.deep under the sea # There's a river running dry
:21:54. > :21:56.'cause of you and me # Far above the ocean,
:21:57. > :22:00.deep under the sea # There's a river running dry
:22:01. > :22:04.'cause of you and me # They explode like
:22:05. > :22:49.two bugs on glass # She's a goddess on a highway,
:22:50. > :22:55.a goddess in a car # Goddess going faster
:22:56. > :22:57.than she's ever gone before # She's a goddess on the highway,
:22:58. > :23:01.a goddess in a car # Goddess going faster
:23:02. > :23:08.than she's ever gone before # They explode like
:23:09. > :23:48.two bugs on glass # And I know
:23:49. > :24:17.# It ain't gonna last, it ain't gonna last #.
:24:18. > :25:01.# It ain't gonna last, it ain't gonna last
:25:02. > :26:00.# I dreamed of you on my farm I dreamed of you in my arms
:26:01. > :26:10.# I never dreamed I'd hurt you I never dreamed I'd lose you
:26:11. > :26:43.# I always dreamed of big crowds Plumes of smoke and high clouds
:26:44. > :27:18.# I have my suspicions When the stars are in position
:27:19. > :27:31.# But I know that until then Unless the stars surrender
:27:32. > :28:49.# And I can hear someone Somewhere in this song
:28:50. > :28:55.# I dreamed that I was walking And the two of us were talking
:28:56. > :29:06.# The words that flow between friends
:29:07. > :29:17.# Winding streams without end I wanted you to see
:29:18. > :29:46.# And now the dark is rising And a brand new moon is born
:29:47. > :29:51.# I always dreamed I'd love you
:29:52. > :33:05.Cheers, thank you! We love you! CHEERING
:33:06. > :33:10.Band-macro at the Part earlier, I remember seeing them for the first
:33:11. > :33:19.time at Glastonbury in 1999, around about the release of their
:33:20. > :33:24.Deserter's Songs album, and it's good to see them still standing as
:33:25. > :33:29.great as ever. Jonathan Donahue's voices like a lullaby, isn't it? A
:33:30. > :33:33.beautiful thing, lulling us into the right frame of mind, the right state
:33:34. > :33:37.of mind for a very special to beat to a man who had a very special
:33:38. > :33:43.relationship with Glastonbury, actually, headlining the festival in
:33:44. > :33:48.1971, a replacement for T Rex who pulled out at the last-minute if I
:33:49. > :33:52.remember rightly, did not get onstage till about 4am, I think he
:33:53. > :33:56.was in a farmhouse printing T, not sure of what variety but he was
:33:57. > :34:07.enjoying himself. David Bowie came back to the festival with Tin
:34:08. > :34:13.machine later in his career. You may have noticed during the sets on the
:34:14. > :34:16.Pyramid stage denied that there is a Aladdan Sane lightning strike
:34:17. > :34:19.painter before but we're going to the ever a special live performance
:34:20. > :34:23.tonight. This is a tribute that has been put together, I think Charles
:34:24. > :34:26.Hazlewood came up with the idea, he lives a couple of fields along in
:34:27. > :34:31.Somerset and he approached Philip Glass to ask if we could put this on
:34:32. > :34:37.and here it is, featuring a sonic laser performance by light artist
:34:38. > :34:53.Chris it is Charles Hazlewood conducting stage-macro and members
:34:54. > :34:59.of school-macro -- conducting Army Of Generals with members of The
:35:00. > :35:01.British Paraorchestra with the Heroes Symphony.