:00:12. > :00:18.You. It is nourishing.
:00:19. > :00:24.What does it do to the soul. It is a connection.
:00:25. > :00:28.It warms the cockles. Glastonbury does something to the
:00:29. > :00:33.musical soul for sure. Maybe at 5am, you are talking about
:00:34. > :00:35.things you would not normally. It makes you better.
:00:36. > :00:56.It brings out my inner fox! Hello from Glastonbury Festival! We
:00:57. > :01:08.are here for the second day of our coverage. The music in full swing.
:01:09. > :01:12.We are up at the park. Our Jaguar Australia Indy dance types are up on
:01:13. > :01:17.the stage. It is a little windy. I think this is one of the best days
:01:18. > :01:23.of the weekend. Friday, everybody is keen. Sunday you are get getting a
:01:24. > :01:25.bit, we are going to have to go home soon but Saturday afternoon,
:01:26. > :01:31.blissful. And the calm before the storm, the
:01:32. > :01:36.big Saturday night headliner which this year is Adele on the Pyramid
:01:37. > :01:43.Stage. Loads of stuff everywhere but everyone talking about Adele.
:01:44. > :01:50.And blissed out psyche Delia... Yes, we have some of that warming up for
:01:51. > :01:56.Adele. What could be better. Yes, and tonight, Adele, hello! Leer
:01:57. > :02:07.is the story so far on day two of Glastonbury.
:02:08. > :02:19.-- Here is the story so far. # I've got to have a shot
:02:20. > :02:26.# You're got to make it hot # Give me all your loving
:02:27. > :02:38.# All your hugs and kisses too # Give me all your loving
:02:39. > :02:49.# All your hugs and kisses too # Give me all your loving all your
:02:50. > :02:57.hugs and kisses too... It really has been quite a 24 hours, hasn't it,
:02:58. > :03:01.Mark? Extraordinary scenes. By day two you feel you have been
:03:02. > :03:05.here a week-and-a-half. These days, it takes me an hour, I
:03:06. > :03:11.forget who I am, what day it is, what is going on. When you are doing
:03:12. > :03:16.radio coverage earlier, like I works I am like, what day is it? This
:03:17. > :03:21.morning, I heard the band reare going to hear the band next take to
:03:22. > :03:27.the Pyramid stage live. I think you were on stage with them? I was.
:03:28. > :03:32.Lovely to see Squeeze. And later on a set here from Age of Luna. Looking
:03:33. > :03:37.fresh. So the cleanest people on the site. Age of Lunar and Squeeze.
:03:38. > :03:44.Dapper. Box fresh! Indeed so. So three or
:03:45. > :03:45.four songs from Squeeze. Here they are on the Pyramid stage from
:03:46. > :03:57.earlier on today. # I never thought it would happen #
:03:58. > :04:00.With me and the girl from Clapham # Out on the windy common # That
:04:01. > :04:03.night I ain't forgotten # When she dealt out the rations #
:04:04. > :04:07.With some or other passions # I said "you are a lady" #
:04:08. > :04:11."Perhaps" she said. "I may be" # # We moved
:04:12. > :04:15.in to a basement # With thoughts of our engagement #
:04:16. > :04:24.We stayed in by the telly # Although the room was smelly.
:04:25. > :04:28.# We spent our time just kissing # The weather brass and bitter
:04:29. > :05:04.# I put away a tenner # You've left my ring by the soap,
:05:05. > :06:57.# Now is that love? # You cleaned me out
:06:58. > :07:00.you could say broke, # # You won't get
:07:01. > :07:16.dressed you walk about, # A teasing glance
:07:17. > :07:20.has pushed me out, # The tougher tougher
:07:21. > :07:25.tougher it gets # The more my lips frequent
:07:26. > :07:28.# Now that is love. # Beat me up with your letters,
:07:29. > :07:30.your walk out notes, # Funny how you still find me
:07:31. > :07:34.right here at home. # You've called my
:07:35. > :07:56.bluff I'm not so hot, # My assets froze while
:07:57. > :08:00.yours have dropped, # It's the cupid
:08:01. > :08:04.cupid cupid disguise # That more or less survived
:08:05. > :08:07.# Now that is love. # Beat me up with your letters,
:08:08. > :08:29.your walk out notes, # Funny how you still find me
:08:30. > :08:33.right here at home. # Now is that love,
:08:34. > :08:53.that's making you think. # You've made my bed,
:08:54. > :08:58.the finger points Plays plays.
:08:59. > :09:51.Cheer, loves! # His soul had been replenished .#
:09:52. > :10:46.# He slowly fell to pieces and was only too aware
:10:47. > :11:22.# All of the people. # Family and friends
:11:23. > :11:25.# In this congress Gregation # Open your heart
:11:26. > :11:48.# To this # Standing in the picture
:11:49. > :11:53.with his family all around # She had offered amnesty
:11:54. > :12:06.for a multitude of sins # Through the stained glass
:12:07. > :12:21.window her love shone down on him. # Open your hands
:12:22. > :12:25.# Where once was a steeple # There lived within
:12:26. > :12:34.# All other people # Family and friends
:12:35. > :12:44.# In this congregation # Open your heart
:12:45. > :12:52.# To this celebration # Open your heart...
:12:53. > :12:55.# To all of the people... # Family and friends
:12:56. > :13:18.# Open your heart. Thank you, it's been a long time
:13:19. > :13:26.since we could say this but we have a newish album out and this is the
:13:27. > :13:31.title track from it, From The Cradle To The Grave.
:13:32. > :14:33.# They say time will not stand still
:14:34. > :14:37.# But when I look outside the window
:14:38. > :16:55.Squeeze. In case you were wondering and thought, is that John and --
:16:56. > :17:00.John Lydon, the drummer looks a bit like him. We are moving around to
:17:01. > :17:05.bring you the best of the sunshine. If you are missing anything, there
:17:06. > :17:11.is an act you want to see, you can check out the live stream on the
:17:12. > :17:15.website. We are streaming all six main stages from midday every day
:17:16. > :17:19.and you should not theoretically miss anything. We are now going to
:17:20. > :17:24.find out a little bit about the culture that gave rise to the
:17:25. > :17:30.festival. It did not just grow out off the ground, it comes from the
:17:31. > :17:37.culture of the place, six miles that way, Glastonbury town itself. Today,
:17:38. > :17:41.you mention Glastonbury and you think of the world-famous music
:17:42. > :17:45.festival but Glastonbury Festival takes its name from Glastonbury
:17:46. > :17:54.town, seven miles down the road from Worthy Farm. This is no ordinary
:17:55. > :17:59.Somerset town. For thousands of years it has been a magnet
:18:00. > :18:05.innovators, rebels, and the history of the places the stuff of legend, a
:18:06. > :18:07.weird and wonderful town of nonconformity and creativity without
:18:08. > :18:13.which they would be no festival we know it. My pilgrimage to
:18:14. > :18:19.Glastonbury starts with its newly elected mayor. John, hello. We are
:18:20. > :18:25.in Glastonbury town, why do people come here today? First impressions,
:18:26. > :18:31.it is a market town but you look at the shops, it is witchcraft shop,
:18:32. > :18:40.man, myth and magic. There is something unusual. Like walking into
:18:41. > :18:48.the Wicker Man. To really understand Glastonbury, you have to understand
:18:49. > :18:53.the town's origins. The local tour guide gave me a whistle-stop tour.
:18:54. > :18:59.This is the cloistered gardens. Why have so many been drawn to
:19:00. > :19:07.Glastonbury? It goes back over 2000 years, Druids would meet for the
:19:08. > :19:14.solstice and equinox. Around the time Joseph came with Mary Magdalene
:19:15. > :19:18.and built the first church. Then we have stories of King Arthur being
:19:19. > :19:25.buried here. And the dissolution of the Abbey, which destroyed the site.
:19:26. > :19:34.And then a resurgence in the Victorian age, right to the 70s when
:19:35. > :19:38.the festival was started. A little town with a big story. There you
:19:39. > :19:44.have it, Glastonbury Festival is the latest chapter in this town's big
:19:45. > :19:51.story. But the festival ethos is not just a product of 1970s hippies. In
:19:52. > :19:57.1914 a composer establish the original festival in the assembly
:19:58. > :20:02.rooms. His Glastonbury Festival featured performance and dance and
:20:03. > :20:07.music and literature, attracting people such as Edward Elgar and
:20:08. > :20:13.George Bernard Shaw. What kind of man was he? He was quite a rebel, a
:20:14. > :20:20.nonconformist, unconventional in a lot of ways. Some people found it
:20:21. > :20:26.quite upsetting their work Bohemians wearing corduroy trousers. And
:20:27. > :20:32.knickerbockers. In those days, Edwardian time, that was frowned
:20:33. > :20:36.upon. The myths and history of Glastonbury inspired many of his
:20:37. > :20:41.works and live on in the assembly rooms today and people like Sarah
:20:42. > :20:48.Moody, the town's very own bard. Up we go, up the high street. The
:20:49. > :20:55.bakery. Lovely. I am the 11th bard of Glastonbury. One night I hoped a
:20:56. > :21:02.dream that there were many stories buried deep in Glastonbury Tor. It
:21:03. > :21:07.was my job to get these stories out and retell them. How does
:21:08. > :21:15.Glastonbury inspire you? The culture and heritage is here. It is amazing.
:21:16. > :21:19.An absolute jewel for a storyteller to live here. The musical legacy
:21:20. > :21:24.continues in Glastonbury and here is a local who knows something about
:21:25. > :21:29.that. The lay lines and history and legends of King Arthur, it was
:21:30. > :21:35.thrown into the Glastonbury ideas. It is part of festival culture.
:21:36. > :21:40.Throughout the centuries, Glastonbury has inspired many
:21:41. > :21:45.people, like Rutland, Sarah Mooney and Michael Eavis. It is easy to see
:21:46. > :21:50.why the festivals took their name from a town as magical as this. Do
:21:51. > :21:54.you think a festival might Glastonbury can only come from an
:21:55. > :21:59.area like Glastonbury? It is the only place. It is very
:22:00. > :22:10.antiestablishment, the setup, nowhere else in the country would I
:22:11. > :22:14.have got away with it, seriously! James on the magical qualities of
:22:15. > :22:19.Glastonbury. The first time I came here working for the radio I went up
:22:20. > :22:22.Glastonbury Tor with the archdruid, which was a magical afternoon, and
:22:23. > :22:29.you had a magical afternoon yesterday. I was in the healing
:22:30. > :22:34.fields. The spirit captured by the Bohemians. Sometimes challenging. We
:22:35. > :22:39.were there yesterday afternoon on the radio with a lady who has been
:22:40. > :22:45.running back since the 80s, the place people go to recharge, get
:22:46. > :22:50.their crystals done. Part of the festival, absolutely. We will have
:22:51. > :22:54.more music. He has been here a few times that the first time on the
:22:55. > :22:56.Pyramid Stage, from Somerset to Senegal and back to Somerset. Baaba
:22:57. > :30:27.Maal. Thank you! Thank you very much.
:30:28. > :30:39.How are you feeling today? The sun is out! So, Che, is from London,
:30:40. > :36:18.Kenya, Nigeria... Icon of Senegalese music, Baaba
:36:19. > :36:24.Maal. He runs his own music festival at
:36:25. > :36:30.home in Senegal every year. How cool was the guitarist.
:36:31. > :36:34.Channelling his own Jimi Hendrix. A lot of flavour there. The baby in
:36:35. > :36:40.the ear protectors. The bloke lying out in the mud enjoying himself.
:36:41. > :36:45.All of it. And so great to see so much great African music. It's a big
:36:46. > :36:50.part of the programme. One who have just started, it is on the West
:36:51. > :36:57.Holts Stage. Lots more on both of those acts on
:36:58. > :37:08.BBC Four tonight. Over on the Acoustic Stage later on, amidst
:37:09. > :37:19.Cyndi Lauper is a former established poet, and here, given the events of
:37:20. > :37:26.recent days, is Raffle McTell. # What is it about you
:37:27. > :37:31.# Makes fee meal this way # When I'm leaving you
:37:32. > :37:39.# When I'm coming home # When I'm lost for words to say
:37:40. > :37:41.# And I know your fast and faded # And the travels you've been
:37:42. > :37:45.through # But it's more about what happens
:37:46. > :37:49.now # And what we're coming to
:37:50. > :37:54.# And the echo from the green hills # Runs through the city streets
:37:55. > :37:56.# And the sun when it shines on England
:37:57. > :38:06.# Oh, it lifts a heart in me # What is it about you
:38:07. > :38:11.# That took men into war # A rows and rows of crosses, who
:38:12. > :38:15.remembers, why, what for # In corns of these foreign fields
:38:16. > :38:21.# The dust in them concealed # Out of sight but not out of mind
:38:22. > :38:27.# Don't you know that England feels # And the echo from the green hills
:38:28. > :38:31.# Runs through our city streets # And the rain when it falls on
:38:32. > :38:43.England # Oh, it washes pain from me
:38:44. > :38:51.# England # Oh, England
:38:52. > :39:02.# England # Oh,
:39:03. > :39:08.England # Only the sound the battle hymn
:39:09. > :39:14.# Or a song for Vic # It's just a way to try to say what
:39:15. > :39:17.England means for me # And our accents
:39:18. > :39:23.# And our colours change # From the city to the farmland
:39:24. > :39:25.# From the moorland # To the mountain
:39:26. > :39:29.# From the river # To the sea
:39:30. > :39:34.# And the echo from the green hills # Runs through our city streets
:39:35. > :39:38.# And the wind that blows through England
:39:39. > :39:42.# Breathes its life in you and me # From the rolling road to the
:39:43. > :39:49.winding lane # From the field to the factory
:39:50. > :39:52.# From the summer's haze # To the winter's glaze and the
:39:53. > :39:58.colours in between # It's a stillness in the evening
:39:59. > :40:03.# It's a heartbeat I am feeling # From Cornwall to Northumberland
:40:04. > :40:09.# From the Pennines to the sea # And the echos from the green hills
:40:10. > :40:13.# Runs through our city streets # And the wind when it blows from
:40:14. > :40:20.England # Breathes its life in you and me
:40:21. > :40:32.# England # Oh, England
:40:33. > :40:49.# England, oh, England
:40:50. > :41:02.England. APPLAUSE
:41:03. > :41:08.How are you? Well done for battling the noise
:41:09. > :41:12.from the Park stage. The rhythm section did not quite agree! It has
:41:13. > :41:16.been an interesting couple of days, how did you feel about that song
:41:17. > :41:22.when you wrote it and how about it today? When I wrote the song, I felt
:41:23. > :41:26.we needed one that brought us together, it did not matter the
:41:27. > :41:31.religion, colour, where you come from, anything else, I thought we
:41:32. > :41:36.needed a song that was not warmongering. And probably it is as
:41:37. > :41:41.relevant now, maybe even more so, how things have changed. What about
:41:42. > :41:47.being at the festival, is it right it is your first time here, but that
:41:48. > :41:51.is up for debate? I met Michael Eavis some years ago and he said I
:41:52. > :41:56.was there, and you are not supposed to remember, but I am not sure, I
:41:57. > :42:01.might have been. It was not as big as this. It was wet, I remember
:42:02. > :42:09.that. But you brought some songs. Ralph is on the Acoustic Stage
:42:10. > :42:14.later. Now we can sample some more live
:42:15. > :42:22.music on the John Peel stage. We have Alessia Cara.
:42:23. > :42:36.# She just wants to be beautiful. # She craves attention, she craves
:42:37. > :42:43.it. # She prays to be sculpted by the
:42:44. > :42:57.sculptor. # Light that is shining. She tries
:42:58. > :43:04.to cover out the pain. # Because cover girls don't cry.
:43:05. > :43:09.# There is a hope waiting for you in the dark.
:43:10. > :43:16.# Beautiful just the way you are. You don't have to change a finger.
:43:17. > :43:28.The world can change its heart. # With scars, where beautiful.
:43:29. > :43:47.# You don't have to change a thing. Your beautiful, with scars.
:43:48. > :43:53.We are beautiful. # Starving, cover girls the dumping.
:43:54. > :43:58.She says, beauty is pain and there is beauty in everything, what is a
:43:59. > :44:04.little bit of hunger? # She fades away and she doesn't see
:44:05. > :44:09.how perfect, she does not understand, beauty goes deeper than
:44:10. > :44:17.the surface. # To every girl that is hurting,
:44:18. > :44:22.hope you see a little bit clearer. A light that shines within.
:44:23. > :44:27.# There is hope waiting for you in the dark.
:44:28. > :44:32.# You are beautiful just the way you are. You don't have to change a
:44:33. > :44:35.thing. The world can change its heart.
:44:36. > :44:54.With scars, we are beautiful. # You don't have to to change a
:44:55. > :45:06.thing. # With scars, we are beautiful.
:45:07. > :45:14.# No better life than the life we are living.
:45:15. > :45:21.# You are beautiful. You are beautiful.
:45:22. > :45:24.# There is a hope waiting for you in the dark.
:45:25. > :45:30.# You should know you are beautiful just the way you are.
:45:31. > :45:44.# You don't have to change a thing, the world can change its heart.
:45:45. > :45:54.# With scars, we are beautiful. Oh, oh.
:45:55. > :46:00.# You don't have to change a thing. # With scars, we are beautiful.
:46:01. > :46:13.APPLAUSE. Thank U.
:46:14. > :46:23.# Truly, I ain't got no business here
:46:24. > :46:31.# But really I would rather be at home all by myself
:46:32. > :46:36.# Not in this room with people who don't even care about my wellbeing
:46:37. > :46:40.# I don't dance, don't ask, I don't need a boyfriend
:46:41. > :46:42.# So you can go back, please enjoy your party
:46:43. > :46:50.# Under clouds of marijuana with this boy who's hollerin'
:46:51. > :46:55.# Oh with this music I don't listen to
:46:56. > :47:00.# So tell my friends that I'll be over here
:47:01. > :47:02.# Oh oh oh here Oh oh oh here
:47:03. > :47:07.# Oh oh oh I ask myself what am I doing here
:47:08. > :47:12.# Oh oh oh here Oh oh oh here
:47:13. > :47:15.# And I can't wait till we can break up out of here
:47:16. > :47:18.# Excuse me if I seem a little unimpressed with this
:47:19. > :47:23.# An antisocial pessimist, but usually I don't mess with this
:47:24. > :47:29.# And your intentions aren't to bother me
:47:30. > :47:31.# But honestly I'd rather be somewhere with my people
:47:32. > :47:35.# We can kick it and just listen to some music with a message
:47:36. > :47:41.# How we plan to take over the planet
:47:42. > :47:45.# I hope you'll understand that I'll be here
:47:46. > :47:52.# With the girl who's always gossiping about her friends
:47:53. > :48:00.# Right next to the boy who's throwing up
:48:01. > :48:02.# Cause he can't take what's in his cup no more
:48:03. > :48:07.# Oh oh oh here Oh oh oh here
:48:08. > :48:13.# Oh oh oh I ask myself what am I doing here?
:48:14. > :48:15.# Oh oh oh here Oh oh oh here
:48:16. > :48:19.# And I can't wait till we can break up out of here
:48:20. > :48:21.# Hours later, congregatin' next to the refrigerator
:48:22. > :48:25.# Some girl's talking about a hater, she ain't got none
:48:26. > :48:32.# So holler at me, I'll be in the car when you're done
:48:33. > :48:37.# Don't want what you're offerin' and I'm done talking
:48:38. > :48:44.# So tell my people when they ready that I'm ready
:48:45. > :48:54.# Yo I'll be over here my beanie low
:48:55. > :48:57.# Oh oh oh here Oh oh oh here
:48:58. > :49:00.# Oh oh oh I ask myself what am I doing here
:49:01. > :49:02.# Oh oh oh here Oh oh oh here
:49:03. > :49:07.# I can't wait till we can break up out of here
:49:08. > :49:37.Alessia Cara, you might have caught her recently on radio one's big
:49:38. > :49:41.weekend. A Canadian singer with a big voice and a big future. Nothing
:49:42. > :49:47.that. We are going out and about, I think
:49:48. > :49:51.to the theatre or the circus fields. You lost family over there. My kids,
:49:52. > :49:57.I brought them for the first time this year they basically will not
:49:58. > :50:00.come back to me, I tell them I have an hour off and they do not want to
:50:01. > :50:14.hang out with money, they say they are busy. Before you get to sit on
:50:15. > :50:19.this seat you have to earn your spurs coming out in to the fielder
:50:20. > :50:25.Matt jobs falls to Clara. We are in the circus fields. Weird
:50:26. > :50:29.and wonderful things happen in Glastonbury. We have the big top
:50:30. > :50:35.behind me. We have been checking it out. Right now I will do something I
:50:36. > :50:47.have always wanted to do. I will see you on the other side.
:50:48. > :50:58.The circus big top ring is a wonderful amount of creativity,
:50:59. > :51:06.culture and diversity. I am jade, the stage manager of the circus big
:51:07. > :51:11.top. It is back-to-back circus, 16 hours a day with trapeze, flying
:51:12. > :51:23.trapeze, acrobatics, you name it, we have got it. We are a duo and work
:51:24. > :51:38.together performing tricks in the air and instead of a winch, I have a
:51:39. > :51:42.lovely human called Lyndal. A lot of what Blaze stars, she is spinning
:51:43. > :51:55.very fast and does not have a lot of awareness of where you actually are!
:51:56. > :52:03.The trick is not to try to focus on one, because that is when you get
:52:04. > :52:06.sick. There is a history of circus performance at Glastonbury. People
:52:07. > :52:13.put on an extra bit of effort to come here. I am from Colombia. My
:52:14. > :52:26.name is Tony from France. Their skills in duo straps is
:52:27. > :52:31.phenomenal, making everybody else go weak at the knees when you watch
:52:32. > :52:36.them. People use different qualities. It depends on your body,
:52:37. > :52:47.conditions and energy you have. We explore something in the air. It
:52:48. > :52:58.comes naturally. We are performing one show a day at Glastonbury. We
:52:59. > :53:04.have skating. Silks and juggling and hula hoop and magic tricks. This is
:53:05. > :53:10.definitely the best place. Everybody is sitting around and it is like
:53:11. > :53:14.being in a real circus. It is exciting. When you come on it is
:53:15. > :53:21.nerve-racking but when you get into it it is really fun.
:53:22. > :53:27.I am Nadia, from Kent. At Glastonbury I will be performing
:53:28. > :53:39.break dance. This is a giant metal wheel you spin
:53:40. > :53:41.inside, two metres in diameter, doing spinning that is at right, and
:53:42. > :53:53.less upright! It is score, contemporary,
:53:54. > :54:04.beautiful, but it also has a slight edge. The element of surprise. If
:54:05. > :54:10.you bring a show to Glastonbury, you will be doing your make up in a hut
:54:11. > :54:15.and living in a caravan. We built the tent. We build the kitchen and
:54:16. > :54:19.cook and clean the site, we work together to make the show happen.
:54:20. > :54:23.Everybody pitches in and does what they can and it is wonderful to come
:54:24. > :54:28.back every year, it is like a big family. We feel energy here. That
:54:29. > :54:30.something is happening to you, it is not just coming to perform, it is
:54:31. > :54:48.something else. Last year I was making headdresses
:54:49. > :54:57.out of flowers but this year I am getting on a trapeze. And while I do
:54:58. > :55:43.that you enjoy a performance from earlier this
:55:44. > :57:45.Lady Leshurr, well, she is very game.
:57:46. > :57:49.I had to say, Clara with, circus skills and that Nadia with the hope,
:57:50. > :57:55.is who my five-year-old dumped me for. She is a better woman than me.
:57:56. > :57:59.I acknowledge that. Now, more live music. One of the
:58:00. > :58:01.best live bands out there at the moment, a fantastic talent.
:58:02. > :58:33.It is Wolf Alice. # She needs a lover to escape her
:58:34. > :58:35.father and mother # She hopes for some other way out
:58:36. > :58:38.of the hole # She's over-achieving,
:58:39. > :58:40.chasing her dreams and # Coming down slowly,
:58:41. > :58:42.Yeah, it's out of control # Scrap the blues
:58:43. > :58:45.if the blues don't work # Flash your teeth
:58:46. > :58:47.though the inside hurts # Scrap the blues
:58:48. > :58:52.if the blues don't work # Doesn't make you feel better
:58:53. > :58:55.Just makes others feel worse # All in the books
:58:56. > :58:57.and all in her blood and # Nowhere to run
:58:58. > :59:02.cos it's out of control # You wait for something
:59:03. > :59:05.to undo these feelings # Waiting and waiting
:59:06. > :59:08.but it's out of control # Scrap the blues
:59:09. > :59:20.if the blues don't work # Flash your teeth
:59:21. > :59:22.though the inside hurts # Scrap the blues
:59:23. > :59:25.if the blues don't work # Doesn't make you feel better
:59:26. > :00:44.Just makes others feel worse We have a couple more for you, then
:00:45. > :00:48.we are going to come out and watch some bands.
:00:49. > :00:54.Thank you so much for coming to see us. I didn't think anybody would be
:00:55. > :01:21.here to watch us. This song is called Blush.
:01:22. > :01:35.# It hurts to think that I get stuck on you
:01:36. > :02:01.# Oh, help me now # I am happy
:02:02. > :02:14.now # So walk on, face what you got to
:02:15. > :02:24.do now # Got two hands
:02:25. > :02:26.# But don't take too long # But I'm happy now
:02:27. > :02:42.# Are you happy # Turn me
:02:43. > :02:47.down like I knew I should # Punch drunk, dumb struck,
:02:48. > :02:49.pot luck happy happy # Don't chicken out,
:02:50. > :02:54.it's all good # You're allowed to be what you
:02:55. > :02:56.could # Punch drunk, dumb struck,
:02:57. > :03:19.pot luck happy happy # Turn me
:03:20. > :03:28.down like I knew I should # Don't chicken out,
:03:29. > :03:40.it's all good # You're allowed to be what you
:03:41. > :04:10.could # Curse the things that
:04:11. > :04:43.made me sad for so long # Yeah it hurts to think
:04:44. > :05:17.that they can still go on # Glastonbury, thank you so much for
:05:18. > :06:42.this experience, you have no idea. Who wants to dance?!
:06:43. > :06:47.# Tired of waiting for the bus to nowhere
:06:48. > :06:55.# I don't tell lies no more, you know
:06:56. > :07:12.# I don't know what I'm looking for, you know
:07:13. > :07:17.# I have a tricky love affair, you know
:07:18. > :07:23.# But it knows I'll never leave, you know
:07:24. > :07:30.# I hate to see it despair Oh, don't you do it
:07:31. > :08:13.# When it's hard to give a hard to give a...
:08:14. > :08:17.# It's not the boy giving the funny feels
:08:18. > :08:21.# It's not the P to pay for the wheel
:08:22. > :08:33.# And change, it feels like fear It's all you know
:08:34. > :09:59.Thank you so much. Say "cheese", Glastonbury! Thanks
:10:00. > :10:03.again. There you go, that was Wolf Alice
:10:04. > :10:07.from earlier on. Slightly changeable.
:10:08. > :10:12.It is only spitting. Nothing to it. I think it will pass in a mere
:10:13. > :10:19.moment. But look who is here, Trevor Nelson. How are you?! Look at you
:10:20. > :10:23.two. I'm the Virgin here. You can talk, the Glastonbury
:10:24. > :10:30.Virgin. I mean you in a welly is making my day. Are these especially
:10:31. > :10:33.bought? I must be honest. I have spent my life watching you present
:10:34. > :10:40.this from the comfort of my home, now I am here. I can't believe it.
:10:41. > :10:46.Your first time here? My first time. What do you make of it? Muddy. But,
:10:47. > :10:49.number one, you have to have had experienced it to understand. I
:10:50. > :10:55.walked the whole site. It took five hours. Getting here has been hard
:10:56. > :11:00.but when you get to a stage, you are like, what the... Who thought of
:11:01. > :11:07.this?! You have seen the flame throwing spider? Yes.
:11:08. > :11:14.Shangri-la? Yes. The Pyramid Stage, obviously. The other stage. The
:11:15. > :11:20.tributes to Bowie, Lemi. Yes. There is a lot to take in. No way to
:11:21. > :11:24.do the site, it is impossible. You need a guide to help you with what
:11:25. > :11:28.is going on. But a once in a lifetime for me.
:11:29. > :11:33.You are doing Radio 2? Yes, I am indeed. 9.00pm until midnight.
:11:34. > :11:38.Playing on the main set. But what a great opportunity. From here, you
:11:39. > :11:43.have the best spot in the site. It is great. We will have live music
:11:44. > :11:49.from Age of Lunar. They are brand new. The first time on the telly? An
:11:50. > :11:57.amazing gig, I tell you, they are the talk of the town. They are very
:11:58. > :12:01.young, British. Go back to Fugees with others and put them in a
:12:02. > :12:07.melting pot, they are doing something no other young kids are
:12:08. > :12:11.doing. Can't wait to see them perform live, eauer.
:12:12. > :12:14.Fantastic. We like that. More of it. Indeed so.
:12:15. > :12:19.They are sheltered under there. They are under the lip of our
:12:20. > :12:23.Australianing. So we have been here too.
:12:24. > :12:29.We are polite to the guests. We have to share a BBCle Pound
:12:30. > :12:31.Shopper umbrella. This is what it has come to.
:12:32. > :13:08.This is Age Of Lunar. # That is why I love this feeling. I
:13:09. > :13:22.control my emotions. # Tell me about your sweetness.
:13:23. > :13:25.# A picture of me and you. # The youth and the beauty of a
:13:26. > :13:36.woman. # Baby I can see you.
:13:37. > :13:50.# You have got that essence, baby. # Recollections.
:13:51. > :13:57.# Memory, sour- sweet. So I dream of sweetness.
:13:58. > :14:05.# I don't know what you have been thinking but yes I know myself.
:14:06. > :14:11.# You adore me. # There is something about your
:14:12. > :14:16.sweetness. # You are just something that I need
:14:17. > :14:24.since. # Nobody can do...
:14:25. > :14:27.# My prize possession, I give you all my heaven.
:14:28. > :14:36.# This is more than anything we could have expected.
:14:37. > :14:41.# I was cool on my Jack Jones. # I cherish every moment, every
:14:42. > :14:52.single hour and second. # You have got that essence, baby.
:14:53. > :15:01.# Recollections from a distance. # Memory, sour- sweet.
:15:02. > :15:11.# So I dream of sleep. # Down here where I'm from, we talk
:15:12. > :15:26.slow to the dance flows. # That you, you have got that fire.
:15:27. > :15:37.# And you, you get me higher. # You got that essence, baby.
:15:38. > :15:45.# Recollections from the distance. # Memories, sour sweet. Sweetness.
:15:46. > :15:54.# So I dream of sleep, so I dream of sleep.
:15:55. > :16:02.# Strawberry lips so sweet. # They complemented your kiss. I
:16:03. > :16:10.will not lie, when we tongue tie, I get butterflies.
:16:11. > :16:17.APPLAUSE. Age of Luna, that was fantastic.
:16:18. > :16:22.Thanks. Have you played already? How did it go? Amazing. The best show of
:16:23. > :16:29.our lives so far. There were 1000 people there. Would you say it is
:16:30. > :16:37.the best TV appearance of your lives? Yes! First of many.
:16:38. > :16:39.Great to see you. Excellent hair. I am going to adopt one of those next
:16:40. > :16:45.year! Good luck with that! Thanks. Great
:16:46. > :16:51.to see you and enjoy your Glastonbury. We will have more music
:16:52. > :17:08.from earlier on and this is a Band of Skulls.
:17:09. > :17:17.# I want to see you win the morning. I want to see you when the breaking
:17:18. > :17:22.day is done. # You've got to go, you've got to
:17:23. > :17:26.go, it's all rights. # But I want to see you in the
:17:27. > :17:51.flight... # And when I get the same reaction I
:17:52. > :17:56.know this time it's going to give some satisfaction.
:17:57. > :18:00.# You've got to go. It's all right. # But I want to see you, see you in
:18:01. > :18:27.the flight of # I want to see you. I want to see
:18:28. > :18:27.you when the breaking day is dawning.
:18:28. > :18:38.# You've got to go, it's all right. I wanna see you in the
:18:39. > :21:18.morning # You can speak to me.
:21:19. > :21:23.# Doing all I can to survive. # Don't ask for sympathy, begged to
:21:24. > :21:25.differ. # And as the symmetry, I'm a
:21:26. > :21:47.regular. # I'm your favourite enemy, I'm the
:21:48. > :21:57.leader of the pack. # I've got your heart, got your
:21:58. > :22:06.soul. # It's a killer, killer, killer.
:22:07. > :22:10.# Get out of the way if you can't stand the flak.
:22:11. > :22:18.# Me and my army, we're on the maximum attack.
:22:19. > :22:23.# If this was fantasy, I would condone it.
:22:24. > :22:29.# But he moves so thoughtlessly, I would atone for it.
:22:30. > :22:37.# From under the bleachers, to the windmills of my mind.
:22:38. > :22:43.# Seems you protest too much as of lately.
:22:44. > :22:49.# With all those straws you touch and so strictly.
:22:50. > :23:01.# I'm going to beseech you, you were just a matter of time.
:23:02. > :23:06.# I'm your favourite anime. # IMB leader of the pack.
:23:07. > :23:13.# I got your heart, got your soul, got your back.
:23:14. > :23:16.# I'm your favourite anime, I'm the leader of the pack.
:23:17. > :23:29.# Of got your heart, got your soul, got your back.
:23:30. > :23:34.# It's a killer, killer, killer. # Get out of the way, if you can't
:23:35. > :23:39.stand the flak. # Me and my Army, we're on the
:23:40. > :23:45.maximum attack. # Get out of the way, if you can't
:23:46. > :23:50.stand the flak. # Me and my Army, we are on a
:23:51. > :23:56.maximum attack. # You have got to face up to the
:23:57. > :24:08.fact, this is only mine. # It's a killer, killer, killer.
:24:09. > :24:12.APPLAUSE. Glastonbury! Yes, rocking, Band of Skulls. I would think, if I
:24:13. > :24:16.were a young woman, thinking of being in a band, I would see the
:24:17. > :24:21.bass player in the Band of Skulls and think, I want to do that. Just
:24:22. > :24:25.because you are not a young woman does not mean you cannot go for it,
:24:26. > :24:31.it does not have to be a gender thing. I am already losing your
:24:32. > :24:37.affections to a wicker rabbit. He is lovely, I love him. We have played
:24:38. > :24:42.you a lot of great new music on the programme and where better to
:24:43. > :24:46.discover more than at the BBC Introducing stage, where you will
:24:47. > :24:51.find streaming on the Glastonbury website. We will catch up with a
:24:52. > :25:07.fantastic artist that I have been playing a lot. She is called Frances
:25:08. > :25:17.# I'll fear your fear of EU, I'll cry your tears for you.
:25:18. > :25:23.# Even if I fall down, when you are not around, don't worry about me.
:25:24. > :25:33.# Don't worry about me. # Because if I fall, you will fall.
:25:34. > :25:41.# And if I rise, we will rise together.
:25:42. > :25:46.# When I smile, we will smile. # And don't worry about me.
:25:47. > :26:09.# Don't worry about me. # I'll feel the fear for you
:26:10. > :26:15.# I'll cry your tears for you # I'll do anything I can to make you
:26:16. > :26:22.comfortable # Even if I fall down
:26:23. > :26:30.# When you're not around # Don't worry bout me
:26:31. > :26:35.# Don't worry b arcs t me # I'll climb the hills you face
:26:36. > :26:40.# I'll do this in your place # I'll do anything to go through it
:26:41. > :26:48.instead of you # But even if I fall down
:26:49. > :26:58.# When you're not around # Don't worry bout me
:26:59. > :27:05.# Cos if I fall... # You'll fall
:27:06. > :27:11.# And if I rise... # We rise together
:27:12. > :27:18.# When I smile... # Owl smile
:27:19. > :27:23.# And don't worry bout me # Don't worry bout me
:27:24. > :27:32.# Cos if I fall # Owl fall
:27:33. > :27:38.# And if I rise we rise together # When I smile...
:27:39. > :27:43.# Owl smile # Don't worry bout me
:27:44. > :28:08.# Don't worry bout me If I fall, owl
:28:09. > :28:17.fall # If I rise, we rise together
:28:18. > :28:39.# When I smile... Owl smile # Don't worry bout me. Thank you.
:28:40. > :28:43.Frances. She's been working with the Communion label. It is a Crucible
:28:44. > :28:46.for brilliant British artists. I think she has a bright future ahead
:28:47. > :28:51.of her. That is the BBC introducing stage,
:28:52. > :28:55.one of the many streamed on the BBC Glastonbury websitement
:28:56. > :29:02.We are building up to the headline night. Some have started early. One
:29:03. > :29:08.bloke was wearing a oncie. It is still there. He staggered off
:29:09. > :29:14.somewhere! But we are building up to ael tonight. But to get news the
:29:15. > :29:17.mood let's have a flavour of last night's headliners of Muse and this
:29:18. > :30:02.is Plug In Baby. # Exposed your lies
:30:03. > :30:09.# It's no big surprise # And now it's time for changing
:30:10. > :33:31.APPLAUSE. Making Pyramid Stage history, now
:33:32. > :33:36.the only band ever to have headlined the Pyramid Stage on a Friday night,
:33:37. > :33:39.Saturday night and Sunday night. A lot of Brian may musical DNA in
:33:40. > :33:48.that. Tonight, the headline is Adele, who
:33:49. > :33:57.was spotted in Tesco in Glastonbury. It would be hard to imagine last
:33:58. > :34:02.year Kanye nipping in there. She is a folk hero. We are looking forward
:34:03. > :34:12.to her gracing the stage tonight and this is her journey to Glastonbury.
:34:13. > :34:16.Second up in 2016's hat-trick of home-grown headliners is the nation,
:34:17. > :34:26.note the world's, favourite female staff.
:34:27. > :34:29.# Let me photograph you. Surprisingly, this is her first
:34:30. > :34:33.official outing at Glastonbury and she is making her way straight to
:34:34. > :34:40.the top. Saturday night on the Pyramid Stage. Tottenham born and
:34:41. > :34:48.Brixton bread, Adele dream to following the footsteps of her
:34:49. > :34:57.heroes The Spice Girls and Etta James. She went to the Brit School
:34:58. > :35:03.in Croydon and was sued on the road to glory.
:35:04. > :35:12.# You can find him, sitting on your doorstep. The song spoke of the life
:35:13. > :35:21.and loves of her generation with a distinctly London accent. Her debut,
:35:22. > :35:30.19, released in 2008, went straight to number one and gave us the first
:35:31. > :35:40.in a stream of classic ballads. And the hits kept coming.
:35:41. > :35:45.# Should I give up... ? Please give a big cheer for the gorgeous Adele.
:35:46. > :35:49.I am not going to talk too long because speeches are really boring.
:35:50. > :35:57.Next came what some referred to as the tricky second album. 21 stormed
:35:58. > :36:07.the top of the charts and camped out there longer than any other album by
:36:08. > :36:10.a solo artist in history. She is currently number one in an
:36:11. > :36:20.astonishing 17 countries. If you have ever had a broken heart, you
:36:21. > :36:26.are about to remember it now. # I wish nothing but the best for
:36:27. > :36:34.you. And with someone like you, Adele
:36:35. > :36:39.gave the nation a collective we peed moment. And so, by her mid-twenties,
:36:40. > :36:44.Adele was fast becoming a national treasure, making her a perfect fit
:36:45. > :36:54.to perform the latest James Bond theme.
:36:55. > :37:00.# This is the end. # Hold your breath and count to ten.
:37:01. > :37:10.If that was not on the enough, the song won a Grammy, a Golden Globe,
:37:11. > :37:15.even an Oscar. And the fairy tale continued when
:37:16. > :37:20.later in 2013 Adele was invited to Buckingham Palace to receive the
:37:21. > :37:24.MBE. After that she needed a break and took time off to become a mother
:37:25. > :37:36.and reflect on the phenomena in her life has become. But now, she is
:37:37. > :37:41.back. The new album 25 has become the UK's fastest selling album of
:37:42. > :37:48.all time. She has just signed the most lucrative record deal in
:37:49. > :37:58.history. And the biggest star on the planet is about to storm its
:37:59. > :38:02.greatest stage. Tonight's headliner, Adele, who I
:38:03. > :38:06.met once at the Mercury prize and she came in a radio show with Robert
:38:07. > :38:14.Plant and had a lot of red wine and Coca-Cola. She was a hoot. She is
:38:15. > :38:19.tremendous. I am excited to see what she does tonight and we will bring
:38:20. > :38:25.you that. We have a couple of shows. We are back at 7pm on BBC Four. The
:38:26. > :38:32.first thing you will be able to see is Squeeze and 7:30pm on BBC Two...
:38:33. > :38:38.Madness. And building up to the headline performance from Adele,
:38:39. > :38:42.kicking at around nine o'clock. Tune in to the website. There is plenty
:38:43. > :38:48.to find there and live streaming of those stages. She has a down to
:38:49. > :38:53.earth approach. I think it will be a real moment and real connection with
:38:54. > :38:57.the crowd. Do not miss it, stay with us. Adele will be on live from
:38:58. > :38:58.Glastonbury tonight at 9pm.