Saturday Part 3 - including Adele

:00:00. > :00:00.This programme contains some strong language and scenes

:00:00. > :00:14.I liked Chasing Pavements. Home town glory. Take it all. Million years

:00:15. > :00:19.ago. Set fire to the rain. Chasing pavements. When she was really young

:00:20. > :00:29.and innocent. I wish nothing but the best for you... That one before she

:00:30. > :00:33.did before the last one. Hello... The Lionel Richie version, no. Oh,

:00:34. > :00:39.my God, my songs are so sad, aren't they? Everyone's going to be crying

:00:40. > :00:41.to all of it. You know she's doing an album of only fools and horses

:00:42. > :01:04.quotes called Adele boy. Hello. Welcome back to Glastonbury

:01:05. > :01:09.2016, Saturday night and here we are at the Park Stage. The action is in

:01:10. > :01:21.full swing. Floating Points winding up here. It's been a fantastic

:01:22. > :01:24.afternoon of fun, mud, music, Tame Impala have been amazing, some of

:01:25. > :01:28.that set is coming up in this programme as we build up to our

:01:29. > :01:33.headliner tonight. It's a big moment for Adele, 10. 15pm is when she's

:01:34. > :01:41.on. Between now and then there's live music. Here in the tree house,

:01:42. > :01:45.there's special artists playing. St Paul and the Broken Bones, Alabama

:01:46. > :01:49.playing soon and Saturday Night Magic. Ready for that, dynamo is

:01:50. > :01:55.coming to pay us a visit. He was on in the Kidz Field earlier. My kids

:01:56. > :01:58.were enraptured. The man himself almost couldn't get out because so

:01:59. > :02:02.many kids wanted selfies. He was there for hours. If they've all gone

:02:03. > :02:07.to bed, he'll be up to perform some magic for us. Very exciting. So in

:02:08. > :02:10.case you just joined us, let's catch up on the action at Glastonbury 2016

:02:11. > :02:19.so far. This is what's been going on.

:02:20. > :02:24.# Having fun, playing fools # Smashing up the wood work tools

:02:25. > :02:28.# The teachers are in the pub # Passing round the ready rub

:02:29. > :02:31.# Trying to not when the lunch time bell would ring again

:02:32. > :02:35.# Oh, what fun we had # Did it all turn out bad

:02:36. > :02:42.# Oh, what fun we had # But at the time it seemed so bad

:02:43. > :03:35.# MUSIC: Baggy Trousers.

:03:36. > :03:39.CHEERING AND APPLAUSE Yes, it's been quite a couple of

:03:40. > :03:44.days. Lots of action to catch up on, if you feel you've missed anything.

:03:45. > :03:48.Do check the website, bbc.co.uk/Glasto. We're going across

:03:49. > :03:52.all platforms, all media, all we could get our hands on to bring you

:03:53. > :03:55.as much of the action at the festival as possible. Quite a lot to

:03:56. > :04:00.cover. Absolutely. Stay where you are. We've been on 6 Music and Radio

:04:01. > :04:04.1 and Radio 2 at Glastonbury all weekend. This band you're about to

:04:05. > :04:09.see, came and did an acoustic session for Radio 1 today. Then they

:04:10. > :04:10.went and smashed the Other stage. Here are The 1975.

:04:11. > :04:34.Lovely hair. # Hey, now I call it a split 'cause

:04:35. > :04:50.I know that you will # No, we're never gonna quit it, no,

:04:51. > :04:53.we're never gonna quit it, no" # Now run, run away

:04:54. > :04:56.from the boys in the blue, # Hey, now I think about what to do,

:04:57. > :05:03.I think about what to say, # Pause it, play it,

:05:04. > :05:09.pause it, play it, pause it # Oh, we go where nobody

:05:10. > :05:12.knows, we've guns hidden # We're never gonna quit it, no,

:05:13. > :05:17.we're never gonna quit it, no # Yeah, we're dressed

:05:18. > :05:20.in black from head to toe # We've got guns hidden

:05:21. > :05:23.under our petticoats # No, we're never gonna quit it, no,

:05:24. > :05:27.we're never gonna quit it, no # "Now, you're never gonna quit it,

:05:28. > :05:31.now you're never gonna quit it, # If you don't stop smoking it,

:05:32. > :05:51.that's what she said" # Hey, now we're building up speed

:05:52. > :05:54.as we're approaching the hill # Hey, now you say you're gonna quit

:05:55. > :06:02.it but you're never gonna quit it # Go get it, go get it,

:06:03. > :06:05.go get it, go get it, go # Oh, you said we go where nobody

:06:06. > :06:09.knows, we've guns hidden # No, we're never gonna quit it, no,

:06:10. > :06:15.we're never gonna quit it, no # Yeah, we're dressed

:06:16. > :06:17.in black from head to toe, # We've got guns hidden

:06:18. > :06:19.under our petticoats # We're never gonna quit it, no,

:06:20. > :06:23.we're never gonna quit it, no Oh, yeah Glastonbury, now we're

:06:24. > :06:52.getting started. Let's go. # We go where nobody knows, we've

:06:53. > :06:56.guns hidden under our petticoats # No, we're never gonna quit it, no,

:06:57. > :07:01.we're never gonna quit it, no # Yeah, we're dressed

:07:02. > :07:04.in black from head to toe, # We've guns hidden

:07:05. > :07:06.under our petticoats # We're never gonna quit it, no,

:07:07. > :07:12.we're never gonna quit it, no # Well, I know when you're around

:07:13. > :07:56.'cause I know the sound # Well, I know when you're around

:07:57. > :08:03.'cause I know the sound # I can't believe

:08:04. > :08:18.I forgot your name # She said "I've got a problem

:08:19. > :08:23.with your shoes and your tunes # I thought that you were

:08:24. > :08:27.straight, now I'm wondering # What does it matter if I lie

:08:28. > :08:32.to you? # I don't regret it but I'm

:08:33. > :08:35.glad that we're through # So don't you tell me that

:08:36. > :08:38.you 'just don't get it' # Well I know when you're around

:08:39. > :08:43.cause I know the sound # Well I know when you're around

:08:44. > :08:51.cause I know the sound # It's not about reciprocation

:08:52. > :08:59.it's just all about me # A sycophantic, prophetic,

:09:00. > :09:04.Socratic junkie wannabe # I can't see the difference

:09:05. > :09:18.in it either way # And we left things

:09:19. > :09:22.to protect my mental health # But you call me when you're bored

:09:23. > :09:27.and you're playing with yourself # What does it matter if I lie

:09:28. > :09:35.to you? # I don't regret it but I'm

:09:36. > :09:37.glad that we're through # So don't you tell me that

:09:38. > :09:41.you 'just don't get it' # Well I know when you're around

:09:42. > :09:45.cause I know the sound # Well I know when you're around

:09:46. > :09:52.cause I know the sound # Well I know when you're around

:09:53. > :10:00.cause I know the sound # Well I know when you're around

:10:01. > :10:20.cause I know the sound Now everybody, if you're young, if

:10:21. > :10:23.you're old, if you're covered in shit, if you're not, it doesn't

:10:24. > :10:27.matter. Everybody's going to start jumping up and down, moving side to

:10:28. > :11:00.side on the count of four. One... Two... One, two, fucking jump!

:11:01. > :11:06.# Well I know when you're around cause I know the sound

:11:07. > :11:11.# Well I know when you're around cause I know the sound

:11:12. > :11:18.# Well I know when you're around cause I know the sound

:11:19. > :11:26.# Well I know when you're around cause I know the sound

:11:27. > :12:13.# Take your shoes off in the back of my van

:12:14. > :12:27.# When it's just hanging off your back

:12:28. > :12:31.# And she said, "Use your hands and my spare time

:12:32. > :12:34.# We've got one thing in common, it's this tongue of mine"

:12:35. > :12:45.# There's only minutes before I drop you off

:12:46. > :12:48.# All we seem to do is talk about sex

:12:49. > :12:56.# I loved your friend when I saw his film

:12:57. > :13:01.# But I like that 'cause he still looks cool

:13:02. > :13:39.One more time, Glastonbury! Let's have it.

:13:40. > :13:59.One, two, three, four. # And I'm not trying

:14:00. > :14:13.to stop you love # If we're gonna do anything

:14:14. > :14:17.we might as well just fuck # You've got your

:14:18. > :15:13.tongue pierced anyway Glastonbury!

:15:14. > :15:29.CHEERING AND APPLAUSE. Thank you so much. An amazing gig earlier for

:15:30. > :15:34.Manchester's The 1975. I like a tall band. There's been a lot of talk

:15:35. > :15:38.about mud at Glastonbury this year but that's not really the point.

:15:39. > :15:43.This year Glastonbury is all about grime. The scene has been one of the

:15:44. > :15:47.UK's most vibrant for a decade, but in 2016 grime really is having its

:15:48. > :15:53.big moment. It is slap-bang in the middle of the mainstream. It is the

:15:54. > :15:58.music that everyone is talking about. On the Main Stage there's

:15:59. > :16:03.been such a focus here at Glastonbury. The whole of Friday's

:16:04. > :16:12.bill was given over to grime artists, so we went to check it out.

:16:13. > :16:23.I'm live in the flesh here at Glastonbury. Where you know me from,

:16:24. > :16:28.where you know me from? One of the reasons that grime has had this sick

:16:29. > :16:34.rise in the last year or two is there's a thirst and hunger for

:16:35. > :16:43.authenticity in music. Real experiences and energy that hasn't

:16:44. > :16:48.shined for some years. Everyone is looking for it, saying we don't

:16:49. > :16:55.really like what's going on, like. Where's the real one one? Grime is

:16:56. > :17:00.like that, like funk or hip-hop. For a long time grime and UK hip-hop

:17:01. > :17:04.lots its identity. I feel that over the last 18 months ownership has

:17:05. > :17:12.been the main thing for a lot of artists involved in the currency. Go

:17:13. > :17:16.over your head, up load it a bit, and you fellow... Grime is very

:17:17. > :17:24.important to me because it's the UK. It's ours. It's the scene and it is

:17:25. > :17:29.building and getting more powerful. I'm from Birmingham and I did feel a

:17:30. > :17:34.little bit uncomfortable rapping in my accent when I first started. But

:17:35. > :17:44.now I'm so proud that I can be myself on the track. Ten years ago

:17:45. > :17:49.you would never think cue get your foot in the door because you are not

:17:50. > :18:01.from London. But now the whole game's changed. Bugsy Malone is on

:18:02. > :18:05.stage right now. He's got a model where artists outside the M 25

:18:06. > :18:09.finally believe that this is the way of life. It is growing at the

:18:10. > :18:13.moment, fast. I come from quite a difficult background. It is just

:18:14. > :18:16.having a voice. Somebody like me could have easily been sat going

:18:17. > :18:20.through what I was going through with nobody to get it off my chest.

:18:21. > :18:29.This gives young people who might not have so much of a chance, an

:18:30. > :18:35.opportunity to talk. Where I grew up, if you didn't have a lyric you

:18:36. > :18:42.was a moron. Everyone had a bar when I was growing up. A really good

:18:43. > :18:44.lyric with resonates with someone has sonates with someone has to come

:18:45. > :18:47.from somewhere - maybe a past experience or something you want to

:18:48. > :18:53.do. It has to come from who you are, you know what I'm saying? I don't

:18:54. > :18:57.know why we like the postcode... It is called grime. It is truthful. It

:18:58. > :19:01.is raw to the core. It is not watered down for the radio or for T

:19:02. > :19:06.A lot of people like how fresh it sounds and how warm and British it

:19:07. > :19:12.really is. The game's changed a little bit. I always tell young

:19:13. > :19:17.artists, there are no boundaries. Look at myself. Look at all these

:19:18. > :19:24.other sick artists and go that you can be greater. You are a like a

:19:25. > :19:30.King, man. CHEERING Cheer. Just a little bit of

:19:31. > :19:38.the action that was happening here yesterday at Glastonbury. Amazing to

:19:39. > :19:42.see Stormzy. The energy is so infectious. A big moment for grime

:19:43. > :19:47.at Glastonbury. And there was a big focus on it, but we saw earlier

:19:48. > :19:57.today Lady Leisure played on the Park Stage. We took some of that

:19:58. > :20:06.performance on BBC Two. And amazing to see, and Adele shouted out

:20:07. > :20:13.Stormzy in one of her big gigs. Will he come out with Adele later on?

:20:14. > :20:19.We'll see. Now to a Glastonbury performer, Dine mow is here. How are

:20:20. > :20:24.you guys doing? How are you? I had a big one last night. I'm trying to

:20:25. > :20:29.get over it. I'm trying to hold it together for Adele. My kids saw you

:20:30. > :20:33.earlier and you were grabbed for so many selfies with children that you

:20:34. > :20:38.couldn't get out. What happened? I think I did at least a thousand

:20:39. > :20:45.selfies in the kids field today, and I will do more later. I'm a bit of a

:20:46. > :20:52.selfie King now. Move over Kim Kardashian. Dynamo is here. You've

:20:53. > :20:58.been on a huge arena tour. The most popular magician. What are you doing

:20:59. > :21:03.for us tonight? Right now I want to use your imagination. I've got some

:21:04. > :21:09.cards. Even that, that's really cool already. It's already a bit magical.

:21:10. > :21:16.Before I start, I will Give them a shuffle. I will even misthem face up

:21:17. > :21:21.so you can see all the faces, all different. They are face up. He

:21:22. > :21:28.faces, all different. They are face up. -- mix them face up. I will even

:21:29. > :21:31.give them a cut. Huw, cut the cards to a random card. Move them from the

:21:32. > :21:39.top to the bottom. Put them anywhere you lice. From the top to the

:21:40. > :21:45.bottom. Yep. Stop where you like. You've cut to the card that's on the

:21:46. > :21:50.top there. Without letting anyone else see it, not even yourself,

:21:51. > :21:59.slide that card into your back pocket. Shall I stand up? If you

:22:00. > :22:08.need to. That top card... Yeah, done. I will get rid of these ones.

:22:09. > :22:12.Right now you've got a random card in your back pocket. Not even you or

:22:13. > :22:17.anybody else here or watching at home knows what it is. Absolutely.

:22:18. > :22:24.I'm going to come back to you later, Huw. What I want you to do is

:22:25. > :22:28.imagine that there's a table between us, an invisible pack of cards, and

:22:29. > :22:32.I'm reaching over and I'm removing either the red or the black cards.

:22:33. > :22:37.If it was your choice, would you move the red or the black? The red.

:22:38. > :22:42.So I'm moving the red cards, I'm holding them and I'm separating them

:22:43. > :22:46.into hearts and diamonds. I'll drop either the hearts or the diamonds on

:22:47. > :22:53.to the table. What am I dropping back? The diamonds. I'm left with

:22:54. > :22:56.the hearts. I've separated them into picture Kurds and number cards.

:22:57. > :23:00.Picture cards will be like a King or a Queen. I'm going to toss into the

:23:01. > :23:04.air either the picture cards or the number cards. Numbers I'm tossing

:23:05. > :23:07.the number cards into the air and they are floating in front of us.

:23:08. > :23:12.We've got the high number cards and the low number cards. I'm going to

:23:13. > :23:17.scoop out either the high or the low. What am I scooping right now?

:23:18. > :23:24.You are scooping the low numbers. I've got the low numbers here. I've

:23:25. > :23:34.got 2, 3, 4 and 5 of hearts. I'm going to take two of them out of

:23:35. > :23:41.here. What did I just grab? The 2 and and the 5. You've ended one the

:23:42. > :23:45.5 of hearts, which we've crated in your imagination, right? Yes. At the

:23:46. > :23:49.beginning of this you took a card from the pack which you shuffled.

:23:50. > :23:58.You didn't even know what it was. Take a look. Do you want a close up?

:23:59. > :24:07.Here we go. It's the 5 of hearts. Ooh! Look at that! That's beautiful.

:24:08. > :24:12.And off he goes. Can I put this down, or have I got to hold on to

:24:13. > :24:18.this? That was amazing. Thank you so much. In dynamo core coming to say

:24:19. > :24:41.hello. We have some live music now. This is some of Lapsley's set.

:24:42. > :24:53.I came here when I was 17. This was my first gig ever. It's the same to

:24:54. > :24:53.be back. With this many people, it's just insane!

:24:54. > :25:15.CHEERING. Thank you. # Because you took something

:25:16. > :27:36.away from yourself # Come back to this route

:27:37. > :27:45.and take your heart to higher self # Because you took something

:27:46. > :27:53.away from yourself # Come back to this route

:27:54. > :28:00.and take your heart to higher self # Because you took something

:28:01. > :28:09.away from yourself # Come back to this route

:28:10. > :28:45.and take your heart to higher self CHEERING.

:28:46. > :28:50.# Thank you. Such a great voice. That was Lapsley playing on the John

:28:51. > :28:54.Peel Stage earlier. It is interesting to see people's journey

:28:55. > :29:01.developing and growing in pop later. She was on the BBC Introducing stage

:29:02. > :29:08.two or three years ago. We heard her play in Liverpool. The next act you

:29:09. > :29:12.are about to see tonight on BBC Two is from Nottingham. He's got an

:29:13. > :29:27.amazing voice. He has his beautiful band with him. This is Ady Suleiman.

:29:28. > :29:36.# Step inside and flow off into your own world

:29:37. > :29:39.# Where no-one else can be, and no one-else can see

:29:40. > :29:41.# None of your dreams shut down by reality

:29:42. > :29:47.# But that ain't gonna solve the fears that you hold

:29:48. > :29:51.# I hate to be the to burst your bubble.

:29:52. > :29:54.# But I thought that you should know, that even if you go

:29:55. > :29:56.# Shadows have the tendency to follow

:29:57. > :30:10.# Gotta stand up tall and try to take control

:30:11. > :30:12.# So pick your back up from off the wall

:30:13. > :30:15.# And try to make a change, cause yes you are brave

:30:16. > :30:20.# I want to educate that you don't need to run away

:30:21. > :30:23.# So don't you run away, cause you can escape

:30:24. > :30:25.# The ghosts'll haunt your soul when negativity stays

:30:26. > :30:29.# Unless you turn and face, and pick up the courage to say

:30:30. > :30:59.# Stop your runnin' from, and start runnin' to

:31:00. > :31:02.# A destination that is gonna help your life improve

:31:03. > :31:05.# You need to realise that runnin' all the time

:31:06. > :31:07.# Ain't gonna help you check out these things in life

:31:08. > :31:10.# You need to fight and stop a hidin'

:31:11. > :31:15.# Cause in time, sip or two, they'll be doubled

:31:16. > :31:21.# And I assume the runnin' will continue

:31:22. > :31:44.# I don't want to run no more. # No more, no more.

:31:45. > :31:56.# I don't want to run. # You're running away, my love.

:31:57. > :32:32.# You're running away. # Yeah you don't need to run, my

:32:33. > :32:38.love, no more. # I don't want to run.

:32:39. > :32:42.# I don't want to run away, my love. #

:32:43. > :32:50.APPLAUSE thank you for coming to play for us,

:32:51. > :32:53.to the band and to you, nice one. Thank you so much. Ady Suleiman live

:32:54. > :32:58.at Glastonbury tonight. Very impressive. And the box fresh feet,

:32:59. > :33:02.on all of you, excellent work. I don't know what I'm doing wrong, I'm

:33:03. > :33:06.covered in mud. You're pristine. That's impressive too. All right,

:33:07. > :33:11.it's time now to head over and find out what happened when our own Jo

:33:12. > :33:16.Whiley call up with one of this weekend's most talked about artists,

:33:17. > :33:19.it is tonight's headliner Adele. She might be the biggest artist in the

:33:20. > :33:23.world right now, but Glastonbury can still make you a little bit nervous,

:33:24. > :33:28.even if that is the case as Jo found out.

:33:29. > :33:32.I don't think there are many people head lining on the Pyramid Stage to

:33:33. > :33:37.take the time out to have a chat pre-gig, this is quite something

:33:38. > :33:41.that Adele has decided to do this. You're either mad or very brave? I'm

:33:42. > :33:45.a bit mad. I don't know what I'm doing here. Take this as a

:33:46. > :33:48.distraction. Yeah, definitely. Tell me about Glastonbury as a child the

:33:49. > :33:52.very first time? The very first time. I don't remember. I was very,

:33:53. > :33:55.very young. It was muddy, I remember it being one of the worst years. I

:33:56. > :34:00.remember seeing garbage and being like, I want to do that. I remember

:34:01. > :34:04.doing that for sure. Being in the circus, there's a lot of photographs

:34:05. > :34:08.of me during my set, from when I was younger. That's kind of made me want

:34:09. > :34:12.to do it. I grew up at festivals. Glastonbury is a massive part of my

:34:13. > :34:16.life. The first time that you played Glastonbury, the only time you

:34:17. > :34:20.played? I played once, the Guardian tent, to no-one. And then downpour.

:34:21. > :34:25.So everyone rushed in and spoke over me. I think it was 2007. It was in

:34:26. > :34:28.the T tent. I went on just before Florence. Oh, did you, what. It was

:34:29. > :34:34.amazing. Did you do the whole experience? Oh, yeah. You camped?

:34:35. > :34:39.Oh, yeah, lost my mates. My manager was just like moaning about the

:34:40. > :34:44.winnebagos. I used to be in a tent with nowhere to stay, blag a space

:34:45. > :34:52.in the arch way of a tent. Always. I was drunk. So you came last year as

:34:53. > :34:56.well I came last year to semi-scope it out and semi-see Kanye on the

:34:57. > :35:00.Saturday night. I watch today on Emily. I was so frightened just

:35:01. > :35:05.watching his set and at the same time, I said yeah, all right I'll do

:35:06. > :35:10.it. Why did you do it? I think Glastonbury will end up being a big

:35:11. > :35:14.part of my kids' life as well. I want to say, I did that. I want it

:35:15. > :35:21.to be part of his childhood as well. So I want him to see me do it. Your

:35:22. > :35:24.proper debut is head lining on the Pyramid Stage the Saturday night,

:35:25. > :35:30.I'm not saying that to make you sick. I'm as nervous as I was in the

:35:31. > :35:33.Guardian tent. My nerves, I keep bursting into tears and feeling

:35:34. > :35:39.sick. Earlier, I felt like driving home. I could have got home before

:35:40. > :35:43.my set. Now I'm stuck. How did the arena tour, those shows, did they

:35:44. > :35:46.prepare you for doing this? I love arenas. There's so many people to

:35:47. > :35:50.talk to. I don't know if I can pull it off tonight. I want it talk. I

:35:51. > :35:55.don't want to ignore the crowd. Whether there's ten of you or 10,000

:35:56. > :35:59.or a few more than that, as long as they're happy to see my set, I want

:36:00. > :36:03.to talk to them and see what their favourite colour it. It will be

:36:04. > :36:07.interesting to see if it works. I can't not talk to them. If they get

:36:08. > :36:12.wet, I'll get wet. How do you adapt your set? You're not going to have

:36:13. > :36:17.dancers? I can't imagine I'll be dancing! No dancers. I've got my

:36:18. > :36:23.orchestra, that will be nice. I've got my band. Nothing, I haven't got

:36:24. > :36:25.any bells or whistles. Have you got outstanding memories of bands and

:36:26. > :36:32.performances in the past, whether it on television or when you were here,

:36:33. > :36:38.like the great moments for you? Arctic Monkies, last shadow puppets,

:36:39. > :36:42.do you remember That's Momma, African singers, bloody amazing. She

:36:43. > :36:46.was like the first Beyonce. She was in the jazz field years ago. That

:36:47. > :36:52.was amazing. Due watch Beyonce? On TV. I think I was in America then.

:36:53. > :36:56.What due think? She's like my I'd o. -- idol. She aced it. She kept

:36:57. > :37:00.leaving the stage to throw up because she was pregnant. She said

:37:01. > :37:04.that! She kept walking off stage to throw up. That's not exclusive by

:37:05. > :37:09.the way, I saw that on TV one time. Hang on, if you exit the stage

:37:10. > :37:14.you're not pregnant. No! I don't want any more kids. I'm trying to

:37:15. > :37:27.think what my highlight was. I'm going to say Basement Jaxx. Did she

:37:28. > :37:32.stand in for Kylie? Unbelievable. That was my favourite and Coldplay

:37:33. > :37:36.always smash it. Advice, have you had advice from headliners in the

:37:37. > :37:40.past, like Florence or Coldplay? She came to my London show and said it

:37:41. > :37:43.would be great. Chris has been helpful. I spoke to him yesterday

:37:44. > :37:47.and I cried a lot. I'm really emotional about it. He said, well,

:37:48. > :37:50.this is the worst thing that can happen, your sound will probably cut

:37:51. > :37:58.out for you, don't worry about that. It happens for everyone. If it rains

:37:59. > :38:03.you will fall over in front of thousands of people. Somebody will

:38:04. > :38:10.throw something at you, a pat or mud, but it won't be spiteful. It

:38:11. > :38:14.will be friendly. Thanks Chris! Probably don't go to Chris Martin

:38:15. > :38:19.for any kind of pep talk is the takeaway for that interview. Oh,

:38:20. > :38:23.Adele, Britain is rooting for Adele, I feel. She can bring us all

:38:24. > :38:28.together. Can't she? In our mutual love of Adele. She's incredible.

:38:29. > :38:33.Tonight's performance will be a big moment in her musical story as well.

:38:34. > :38:36.About half an hour to go until Adele takes to the Pyramid Stage. We will

:38:37. > :38:41.bring it to you live tonight. Don't go anywhere. Let's head to the Other

:38:42. > :38:42.Stage now, a brilliant band from Scotland playing there. Yes glag

:38:43. > :39:28.indeed. It's the wonderful Chvrches. # I never believe but I see it now

:39:29. > :39:31.# I'm learning the lessons # I'm learning your lessons

:39:32. > :39:57.# They make you feel so clever to do well.

:39:58. > :40:05.# Finally, we agree, no place for promises yeah

:40:06. > :40:08.# You better act so # High, high, I don't want bridges

:40:09. > :40:12.# I will be a gun # And it's you I'll come for

:40:13. > :40:17.# Hide, hide # No, it's not so easy

:40:18. > :40:26.# I will be a gun. # Who are you to tell me how to keep

:40:27. > :40:35.myself afloat # I tread water all the while

:40:36. > :40:38.# You stop and deny you held out my life

:40:39. > :40:47.# Did it make you feel so clever # Did you wear it on your sleeve

:40:48. > :40:58.# Did you see another lifetime # I was not a part so far

:40:59. > :41:05.# There is no other way # Finally, we agree, no place for

:41:06. > :41:10.promises here # You better run so

:41:11. > :41:15.# Hide, hide # I have burned the bridgeser I will

:41:16. > :41:22.be a gun and it's you I'll come for # Hide, hide, now it's all so easy

:41:23. > :41:26.# I will be a gun # There's no other way, never run

:41:27. > :41:30.far # Check a good swing at me and

:41:31. > :41:38.everything is even # Finally, we agree

:41:39. > :41:43.# No place for promises here. # Hide, hide, I am going to be burn

:41:44. > :41:47.the bridges # I will be a gun and it's you I'll

:41:48. > :41:51.come for # Hide, hide, now it's all so easy

:41:52. > :42:03.# I will be a gun # It's you I'll come for.

:42:04. > :42:10.# And it's you I'll come for. # And it's you I'll come for.

:42:11. > :42:13.# And it's you... # I am going to see that you won't

:42:14. > :42:24.go far # And I'm going to see that you

:42:25. > :43:19.won't go far # CHEERING AND APPLAUSE

:43:20. > :43:32.# We can just leave it here # So quick any number

:43:33. > :43:44.# Choose any colour # I could be answered.

:43:45. > :46:28.# And, no, you know you don't need me

:46:29. > :46:38.Wow! Absolutely spectacular set from Chvrches earlier today. What a hero.

:46:39. > :46:44.She should be a cometic book hero. I'm sure someone could draw her. And

:46:45. > :46:53.the sunset playing along as well. It looked beautiful. In anticipation of

:46:54. > :46:57.Adele's headline set, Clara went to see what's going on there 30 minutes

:46:58. > :47:07.before she goes on stage. Yes, here I am in the belly of the beast at

:47:08. > :47:14.the iconic Pyramid Stage waiting for one Misadeal Atkins. Those eyes are

:47:15. > :47:20.arguably the most well applied liquid I liner in pop. I've never

:47:21. > :47:24.seen as many excited people in one space as today. We had in one space

:47:25. > :47:29.as today. We had tame tame, who -- we had Tame Impala who warmed up for

:47:30. > :47:33.her earlier. A beautiful set. Everyone is rooting for Adele. This

:47:34. > :47:37.is a woman who famously said she would never do Glastonbury, too much

:47:38. > :47:42.mud. She couldn't deal with the cloud. Then she let slip she didn't

:47:43. > :47:48.have an opportunity to do it last year, because the record wasn't

:47:49. > :47:54.level. But now 25 is out there. I will never forget that famous day

:47:55. > :48:00.inning October when there was that adbreak and we heard the words,

:48:01. > :48:03.Hello. You may have seen her talking to Jo earlier, expressing how

:48:04. > :48:08.nervous she's feeling tonight. It's understandable. There's a lot of

:48:09. > :48:12.people out to see her. Everybody is truly on her side. Three albums

:48:13. > :48:17.worth of material to get through. We absolutely cannot wait. As we wait

:48:18. > :48:22.for Adele, I want to have a look back at some of her peers, some of

:48:23. > :48:27.the famous faces who have grace that the pyramid stage and truly made it

:48:28. > :48:30.their own. The pyramid at Glastonbury Festival is the most

:48:31. > :48:35.instantly recognisable stage in the world. Whoever you are, however

:48:36. > :48:41.large the star, a headline twig on the Pyramid Stage is always the big

:48:42. > :48:50.one. And after treading its hallowed boards, most artists fall in love

:48:51. > :48:58.with it. I felt like a rock star. This is like the highlight of my

:48:59. > :49:01.career. That was as good as it gets. I love the excitement, the

:49:02. > :49:05.electricity. Perhaps part of its appeal lies in the nature of its

:49:06. > :49:13.unusual design. It's a fantastic shape. A pyramid turned into a

:49:14. > :49:17.stage. Isn't that strange? Another element that adds to its symbolic

:49:18. > :49:22.power is its history. Which goes back to the first real Glastonbury

:49:23. > :49:30.festival, in 1971, the Glastonbury Fair. The pyramid first became a

:49:31. > :49:34.permanent structure in 1981. Made of corrugated steel and Telegraph

:49:35. > :49:40.poles. When not hosting bands it was a cow shed. In 1994, disaster

:49:41. > :49:46.struck, between Pyramid Stage burnt down. And for the rest of the '90s

:49:47. > :49:55.it was replaced by a temporary stage. In 2000 the Pyramid Stage

:49:56. > :50:00.rose from the ashes into the iconic inanation we know and love today.

:50:01. > :50:06.Christened with a gallon of work from Worthy Farm by Michael Eavis

:50:07. > :50:10.and Robert Plant. Here goes the pyramid for the third millennium. It

:50:11. > :50:18.is open! This history and near mythical status is something all

:50:19. > :50:25.artists feed on. The Pyramid Stage is a Stonehenge for British bands.

:50:26. > :50:30.An epic headline set can springboard the hottest new band to greatness

:50:31. > :50:35.and catapult an already great band into the rock stratosphere. It was

:50:36. > :50:39.sheer size of it that blew us away. To top the bill on the Pyramid Stage

:50:40. > :50:43.is an appointment with destiny. It's the stuff rock 'n' roll dreams are

:50:44. > :50:53.made of. It's the equivalent of scoring a goal at Wembley.

:50:54. > :50:58.CHEERING. I interviewed the guy who built the first one, the first

:50:59. > :51:06.Pyramid Stage. Tony, on my show yesterday on BBC 6 Music. Apparently

:51:07. > :51:10.they used recommissioned, decommissioned MOD canvas and

:51:11. > :51:16.Telegraph poles he said, in 1971. It's a beast, that stage. One tenth

:51:17. > :51:22.the size of the pyramid of Giza apparently. We'll be going to it

:51:23. > :51:27.soon. But now something intimate from a band in Birmingham, Alabama.

:51:28. > :51:40.This is St Paul and the broken bones.

:51:41. > :52:13.# But our doctors keep us high (we can't get you low)

:52:14. > :55:09.APPLAUSE. Thank you so much to Paul and the broken bones. A new album

:55:10. > :55:14.for your group this year. Thank you gentlemen. That was a pleasure.

:55:15. > :55:21.Enjoy your first Glastonbury. Some live music now. A big gig for this

:55:22. > :55:27.band from Australia. You met Tame Impala earlier. He didn't come in.

:55:28. > :55:33.He was resting his voice. I thought fair enough. Kevin was going to pop

:55:34. > :55:36.in. I said, have a herbal tea, smash it on the pyramid, and he did. Did.

:55:37. > :55:56.Good job, lad. # In the end it's stronger

:55:57. > :56:02.than I know how to be # And I can't just spend my

:56:03. > :56:10.whole lifetime wondering # I fell in love with the sound

:56:11. > :56:18.of my heels on the wooden floor # I don't want our footsteps

:56:19. > :56:26.to be silent anymore # In the end it's gone

:56:27. > :56:51.and there's nothing left to do # But I'm still not certain

:56:52. > :58:49.just how I'm gonna feel # Ooh, it's getting

:58:50. > :00:42.# Shaking his big grey trunk for the hell of it

:00:43. > :00:44.# He knows that you're dreaming about being loved by him

:00:45. > :00:50.# To get shy when they ask him who is on top

:00:51. > :00:53.# There must be something deep down in the dark down there

:00:54. > :01:01.# He's got friends but they got the fear

:01:02. > :01:06.# Wouldn't care too much if he just disappeared

:01:07. > :01:14.# Oh look see there he is now coming down the stairs

:01:15. > :02:57.# He pulled the mirrors off his Cadillac

:02:58. > :03:00.# Cos he doesn't like it looking like he looks back

:03:01. > :03:08.# He talks like his opinion is a simple fact

:03:09. > :03:15.# Somebody grabbed his collar He cried the whole way home

:03:16. > :03:23.# No one remembered a thing when they saw him again

:03:24. > :03:38.# That's how it is till the end

:03:39. > :03:58.All right. Keep it going, keep it going, Glastonbury.

:03:59. > :04:24.Keep the party going. # Someone said they left together

:04:25. > :04:31.I ran out the door to get her # She was holding hands with Trevor

:04:32. > :04:40.Not the greatest feeling ever # "You should try your

:04:41. > :04:47.luck with Heather" # Then I heard they slept together

:04:48. > :05:01.Oh the less I know the better # Oh my love can't you see

:05:02. > :05:13.yourself by my side? # No surprise when you're

:05:14. > :05:21.on his shoulder like every night # Oh my love can't you see

:05:22. > :05:29.that you're on my mind? # Don't suppose we could convince

:05:30. > :05:37.your lover to change his mind # Oh my love can't you see

:05:38. > :06:27.yourself by my side? # I don't suppose you could convince

:06:28. > :06:36.your lover to change his mind # Till I saw your face

:06:37. > :06:47.now I can't erase # Is this what you want?

:06:48. > :06:53.is this who you are? # Till I saw your eyes

:06:54. > :07:00.turn away from mine # Oh sweet darling

:07:01. > :07:04.where he wants you # Said "Come on Superman

:07:05. > :07:45.say your stupid line".# CHEERING AND APPLAUSE

:07:46. > :07:54.The sun soaked psych of Australian band Tame Impala. Isn't it as dreamy

:07:55. > :08:00.sound! Noted music for tepees, isn't it? I like it. They were on the

:08:01. > :08:04.Pyramid Stage earlier on before tonight's headliner. We saw her

:08:05. > :08:09.interview earlier on. She's played Glastonbury once in a tiny tent just

:08:10. > :08:13.before Florence And The Machine. She camped here years ago. Things have

:08:14. > :08:18.changed so much. Three albums in. 25 was the latest. She's on a mammoth

:08:19. > :08:22.World Tour at the moment. She's on like a proper health kick for it as

:08:23. > :08:26.well. She quit booze for it. She's glowing. She's on fire. We're

:08:27. > :08:30.excited about tonight. Before we bring you Adele on the Pyramid

:08:31. > :08:40.Stage, here's a bit more about your Saturday night headliner at

:08:41. > :08:44.Glastonbury 2016. Second newspaper Glastonbury 2016's

:08:45. > :08:48.hat-trick of home grown headliners is the nation, no, the world's,

:08:49. > :08:53.favourite female star. # I'll set fire to the rain

:08:54. > :08:57.# Let me photograph you in this light...

:08:58. > :09:01.# Send my love to you... # Surprisingly, this is her first

:09:02. > :09:06.official outing at Glastonbury and she's making her way straight to the

:09:07. > :09:15.top, Saturday night on the Pyramid Stage. To the Nan born Adele dreamed

:09:16. > :09:18.of following in the food steps of her heroes, Eta James and the Spice

:09:19. > :09:22.Girls. She began to write her songs at the BRIT School in Croydon. Soon

:09:23. > :09:28.she was on our screens and on the road to glory. We welcome from

:09:29. > :09:37.Brixton, Adele. # You can find him

:09:38. > :09:42.# Sitting on your doorstep # Her song spoke of the life and

:09:43. > :09:47.loves of her generation with a distinctly London accent.

:09:48. > :09:52.# Making up the past and feeling up his girl... Her debut 19, released

:09:53. > :09:57.in January 2008 went straight to number one and gave us the first in

:09:58. > :10:02.a stream of class Iqbal adds. -- classic ballads.

:10:03. > :10:07.# I've been walking in the same way... Zblt hits kept coming.

:10:08. > :10:11.# Should I give up or should I just keep chasing pavements. Please give

:10:12. > :10:16.a good cheer for the gorgeous Adele. Hello! I'm not going to talk for too

:10:17. > :10:21.long because I think speeches are really boring. Next came what some

:10:22. > :10:26.refer to as the tricky second album. # There's a fire starting in my

:10:27. > :10:32.heart... 21 stormed the top of the charts and camped out there for

:10:33. > :10:37.longer than any other album by a female solo artist in history.

:10:38. > :10:42.# We could have had it all# She's currently number one in an

:10:43. > :10:46.astonishing 17 countries. If you've ever had a broken heart, you're

:10:47. > :10:50.about to remember it. # Never mind, I'll find someone like

:10:51. > :11:01.you # I wish nothing but the best for

:11:02. > :11:09.you two. With Someone like You she gave the nation a weepy moment.

:11:10. > :11:17.So by her mid-20s, Adele was fast becoming a national treasure, making

:11:18. > :11:23.her a perfect fit to form the -- to perform the latest Bond theme.

:11:24. > :11:32.# This is the end # Hold your breath and count ten#

:11:33. > :11:37.If that wasn't honour enough, it won a Grammy, a Golden Globe and... Oh,

:11:38. > :11:42.my God. Even an Oscar. # Skyfall, when they crumble#

:11:43. > :11:49.And the fairy-tale continued, when later, in 2013, Adele was invited to

:11:50. > :11:52.the Palace to receive an MBE. After all that, Adele needed a break, in

:11:53. > :11:59.fact, she took some time off to become a mum and reflect on the

:12:00. > :12:07.phenomenon her life has become. But now, she's back. The new album, 25,

:12:08. > :12:13.has become the UK's fastest selling album of all time. She's just signed

:12:14. > :12:15.the most lucrative record deal in history.

:12:16. > :12:20.# Hello from the other side# And the biggest star on the planet

:12:21. > :12:29.is about to storm its greatest stage.

:12:30. > :12:33.What an amazing story it's been for Adele. It continues tonight here

:12:34. > :12:36.live on your tellies at Glastonbury 2016. I think tonight's headline

:12:37. > :12:39.performance, the music's incredible. I love Adele. Everyone loves Adele.

:12:40. > :12:43.Everyone's looking forward to hearing what she's got to say. Very

:12:44. > :12:50.much so. Her banter is second to none. She might turn the air blue,

:12:51. > :12:53.you know, God bless him, God rest him Lemmy last year has nothing on

:12:54. > :12:56.Adele for the swearing. We'll see how that goes. I'm nervous now. I

:12:57. > :12:59.was excited about it as well, watching that build up and how far

:13:00. > :13:05.she's come and knowing how much it means to her, from what she said to

:13:06. > :13:10.Jo, quite nervous. It's a really big deal this. I think we need to let

:13:11. > :13:13.the feels out. It's been an emotional week. There's nobody

:13:14. > :13:19.better to accompany us through a Saturday night than Adele. Coldplay

:13:20. > :13:23.headline tomorrow night with Beck and so many other incredible

:13:24. > :13:27.performers. Coverage continue after Adele with more live highlights from

:13:28. > :13:31.all the stages. There's loads of footage and live footage on the

:13:32. > :13:35.website. Now the time has arrived. So settle down, hope you've got a

:13:36. > :13:41.cup of tea, because you're in for a treat. Yes, we're going to go and

:13:42. > :13:46.see our charra, she is in -- Clara, she's in the bit by the side of the

:13:47. > :13:47.Pyramid Stage, waiting for the first, huge headline slots from

:13:48. > :13:58.Adele. How is it going? It's set to be a

:13:59. > :14:06.truly beautiful Saturday night. Adele everybody. . Rumour has, it

:14:07. > :14:10.was spotted in the Tesco getting her shopping before her performance. I

:14:11. > :14:14.can confirm she's here. Adele says what she thinks. We love her for

:14:15. > :14:17.that. Expect there to be strong language in this performance. Ladies

:14:18. > :14:19.and gentlemen, get ready to laugh and cry and feel it all, here's

:14:20. > :15:26.Adele. # Hello

:15:27. > :15:53.# I was wondering if after all these years you'd like to meet

:15:54. > :15:58.# They say that time's supposed to heal ya

:15:59. > :16:19.# I'm in Glastonbury, dreaming about who we used to be

:16:20. > :16:26.# I've forgotten how it felt before the world fell at our feet

:16:27. > :16:31.# There's such a difference between us

:16:32. > :16:58.# To tell you I'm sorry for everything that I've done

:16:59. > :17:03.# But when I call you never seem to be home

:17:04. > :17:20.# To tell you I'm sorry for breaking your heart

:17:21. > :17:25.# But it don't matter, it clearly doesn't tear you apart

:17:26. > :17:44.# It's so typical of me to talk about myself, I'm sorry

:17:45. > :17:56.# Did you ever make it out of that town where nothing ever happened?

:17:57. > :18:26.# To tell you I'm sorry for everything that I've done

:18:27. > :18:32.# But when I call # You never seem to be home

:18:33. > :18:47.# To tell you I'm sorry for breaking your heart

:18:48. > :19:08.# Anymore, ooooohh # Anymore, ooooohh

:19:09. > :19:49.# Anymore, anymore # To tell you I'm sorry for

:19:50. > :20:04.everything that I've done # But when I call you

:20:05. > :20:11.never seem to be home # To tell you I'm sorry

:20:12. > :20:31.for breaking your heart # But it don't matter, it clearly

:20:32. > :21:08.doesn't tear you apart This is mad. Oh, my fucking... . I

:21:09. > :21:09.think we might just have to go into another one, my darlings. I don't

:21:10. > :21:19.know what to say to you yet. # Ooh, ooh

:21:20. > :21:22.Ooh, ooh # She ain't gonna be

:21:23. > :21:29.able to love yo like I will # You and I have history

:21:30. > :21:37.Or don't you remember? # But, baby, is that

:21:38. > :21:48.really what you want? # Bless your soul

:21:49. > :21:51.you've got your head in the clouds # She made a fool out of you

:21:52. > :21:57.And, boy, she's bringing you down # She made your heart melt

:21:58. > :22:00.But you're cold to the core # Now rumour has it

:22:01. > :22:05.She ain't got your love anymore # Ooh, rumour has it

:22:06. > :22:25.Ooh, rumour has it # But I'm guessing that's

:22:26. > :22:29.the reason that you strayed # You've been telling people

:22:30. > :22:39.things you shouldn't be # When we creep out

:22:40. > :22:43.and she ain't around # Bless your soul, you've

:22:44. > :22:51.got your head in the clouds # You made a fool out of me

:22:52. > :22:55.And, boy, it's bringing me down # You made my heart melt But I'm

:22:56. > :23:00.cold to my core # But rumour has it I'm the one

:23:01. > :23:03.You're leaving her for # Ooh, rumour has it

:23:04. > :23:31.Ooh, rumour has it # A-a-all of these words

:23:32. > :23:40.Whispered in my ear # Tell a story that I cannot bear

:23:41. > :23:44.to hear # Just cos I said it it

:23:45. > :23:50.don't mean that I meant it # Just cos I said it

:23:51. > :24:21.don't mean that I meant it # Ooh, rumour has it

:24:22. > :24:28.Ooh, rumour has it # But I'm guessing that's

:24:29. > :24:40.the reason that you strayed # But rumour has it he's the one I'm

:24:41. > :27:10.leaving you for #. I can show you that I was wrong

:27:11. > :27:13.# I was a child then, but now I'm willing to learn.

:27:14. > :27:17.# We had time against us # And miles between us

:27:18. > :27:24.# The heavens cried # I know I left you speechless

:27:25. > :27:29.# But now the sky has cleared and it's blue

:27:30. > :27:33.# And I see my future in you # I'll be waiting for you

:27:34. > :27:37.# When you're ready to love me again # I put my hands up

:27:38. > :27:40.# I'll do everything different # I'll be better to you

:27:41. > :27:44.# I'll be waiting for you when you're ready to love me again

:27:45. > :27:49.# I put my hands up # I'll be somebody different

:27:50. > :27:53.# I'll be better to you # Time against us

:27:54. > :27:55.# Miles between us # Miles between us

:27:56. > :28:03.# Heavens cried # I know I left you speechless

:28:04. > :28:05.# Time against us # Miles between us

:28:06. > :28:19.# Heavens cried # I know I left you speechless

:28:20. > :28:24.# I left you speechless... # I'll be waiting

:28:25. > :28:32.# I've been waiting for you

:28:33. > :28:34.# When you're ready to love me again #

:28:35. > :28:37.I put my hands up # I'll do everything different

:28:38. > :28:41.# I'll be better to you # I'll be waiting for you when

:28:42. > :28:46.you're ready to love me again # I put my hands up

:28:47. > :28:50.# I'll be somebody different # I'll be better to you...

:28:51. > :29:41.# CHEERING AND APPLAUSE

:29:42. > :29:45.# I grow fonder every day loose myself in time.

:29:46. > :29:47.# Just thinking of your face God only knows

:29:48. > :29:50.# Why it's taking me so long to let my doubts go

:29:51. > :29:54.# I don't know why I'm scared, I've been here before.

:29:55. > :29:56.# Every feeling every word, I've imagined it all,

:29:57. > :29:59.# You never know if you never tried to forgive your past

:30:00. > :30:20.# I dare you to let me be all, the one and only

:30:21. > :30:26.# Promise I'm worthy to hold in your arms

:30:27. > :30:35.# So come on and give me the chance # To prove up I'm the one who can

:30:36. > :31:03.lose yourself in time # At the mention of my

:31:04. > :31:13.name, will I ever love # How it feels to hold you close

:31:14. > :31:22.# And have you tell me which ever road I chose you'll go

:31:23. > :31:26.# I don't know why I'm scared, I've been here before

:31:27. > :31:31.# Every feeling every word, I've imagined it all,

:31:32. > :31:37.# You never know if you never tried to forgive your past

:31:38. > :32:01.# I promise I'm worthy to hold in your arms

:32:02. > :32:11.# So come on and give me the chance # To prove up I'm the one who can

:32:12. > :32:41.# Walk them miles until the end starts

:32:42. > :33:17.# Nobody's perfect, it ain't easy, trust me I've given up your heart

:33:18. > :33:38.# Nobody's perfect, it ain't easy, trust me I've given up your heart

:33:39. > :33:47.# So I dare you to let me be all, the one and only

:33:48. > :33:55.# I promise I'm worthy to hold in your arms

:33:56. > :34:06.# So come on and give me the chance # To prove up I'm the one who can

:34:07. > :34:14.# Walk them miles until the end starts

:34:15. > :34:42.# Walk them miles until the end starts.

:34:43. > :35:00.Oh, my God. Oh, my God. Oh, my God! Hi. Hi. Oh, my God. This is the best

:35:01. > :35:07.fucking moment of my whole life! CHEERING Oh, my God. Look at you.

:35:08. > :35:14.Can you put the lights on more, I want to see everyone - oh, look! Oh,

:35:15. > :35:18.my God! Keep the lights on. I want one of you to come up and say hello

:35:19. > :35:25.to me. You, I see you. Yes, you, my darling

:35:26. > :35:29.in the blue puffer jacket. You my darling, come here. Can you get that

:35:30. > :35:34.lovely little girl. Come up. Where's the staircase? Oh, shit, I've got to

:35:35. > :35:38.lift you up? Oh, here we go. Glastonbury means the world to me.

:35:39. > :35:43.I'm not even lying. I'm not just saying that because I'm here with

:35:44. > :35:48.you lot. I've awes wanted to do this my whole life, I've -- always wanted

:35:49. > :35:53.to do this my whole life. I've just been too scared. I've been coming to

:35:54. > :35:59.Glastonbury since I was your age my darling girl. What's your name?

:36:00. > :36:04.Lyla. Ewe old are you? Ten. Who are you with? My family and friends.

:36:05. > :36:08.What day did you get here? Friday. Who have you seen that you liked?

:36:09. > :36:12.Erm...... Have you seen anyone yet? Bastille. Any of you lot see

:36:13. > :36:18.Bastille? CHEERING

:36:19. > :36:22.Who else? We saw Jess Glynn. Oh, yeah, I like her. What's your

:36:23. > :36:27.favourite colour? Pink. Nice. Mine's green. Let's go over here to get a

:36:28. > :36:31.selfie. I know, because I'm going to get more of you up later. Where have

:36:32. > :36:36.they gone, my darling. Where are you, mum? Do you want to take a

:36:37. > :36:38.picture of us up here? Unless your battery's dead. Where are they? Here

:36:39. > :36:49.we go. ( CHEERING. Yay. Thanks for coming up,

:36:50. > :36:52.my darling. Let me walk you back to the stage. Who are you looking

:36:53. > :36:57.forward to seeing tomorrow? Don't know. I think I'm looking forward to

:36:58. > :37:01.seeing Coldplay. Are you watching Coldplay? Yeah. I saw them recently

:37:02. > :37:05.in bars loanament I don't know how they -- Barcelona. I don't know how

:37:06. > :37:10.they manage to get better and better. Let her back in, there she's

:37:11. > :37:17.obviously been here all day. How are you down the front, are you OK?

:37:18. > :37:24.CHEERING Have any of you had to do a piss, like down the front? Yeah.

:37:25. > :37:29.Have any of you had to do a shit? Someone's pointing - over there, one

:37:30. > :37:33.of you has done a shit. Is that piss in that cup, don't fucking throw

:37:34. > :37:38.that at me. Do you know how rock-and-roll I am, not very. But

:37:39. > :37:42.the BBC had to warn about my potty mouth. I bet Muse didn't get that

:37:43. > :37:46.warning beforehand. Obviously, I'm nervous and scared, hence why I'm

:37:47. > :37:51.talking a millionmph. I would like to thank you all for coming out and

:37:52. > :37:55.watching my show. CHEERING

:37:56. > :37:58.For the last two or three days, I've been like spontaneously bursting

:37:59. > :38:01.into tears. Really excited one minute and then think it's the end

:38:02. > :38:05.of the world. I was literally expecting to come on to like a soggy

:38:06. > :38:10.hay bail blowing in the fucking wind.

:38:11. > :38:14.Thank you. You've made my night and everything, my life, whatever. I'm

:38:15. > :38:18.sure you're aware, I bet you 50 quid I fall over at some point tonight by

:38:19. > :38:23.the way. So I'm sure you're aware that I don't really have many

:38:24. > :38:27.upbeat, happy songs, which why I think a lot of people moaned about

:38:28. > :38:31.me coming tonight, but fuck you, they're obviously not watching,

:38:32. > :38:35.so... Whatever! But I do have a couple. I have a couple of songs

:38:36. > :38:39.that sound happy and sound upbeat. I'm going to give one to you now.

:38:40. > :38:42.After that, it does get miserable. But let's just be miserable together

:38:43. > :38:47.all right. Let's embrace it. I'm here and I

:38:48. > :38:51.ain't going nowhere for like an hour-and-a-half. So, this is Water

:38:52. > :39:10.Under The Bridge. # Then how come I can

:39:11. > :39:20.bring you to your knees? # Why do I hate the

:39:21. > :39:35.idea of being free? # You've gotta stop

:39:36. > :39:41.holding me the way you do # Oh, honey if I'm

:39:42. > :39:44.not the one for you # Why have we been through

:39:45. > :39:46.what we have been through # It's so cold out

:39:47. > :39:58.here in your wilderness # If you're gonna let me

:39:59. > :40:11.down, let me down gently # Don't pretend that

:40:12. > :40:14.you don't want me # Our love ain't water

:40:15. > :40:18.under the bridge # If you're gonna let me

:40:19. > :40:21.down, let me down gently # Don't pretend that

:40:22. > :40:24.you don't want me # Say that our love ain't

:40:25. > :40:39.water under the bridge # You never seem to make

:40:40. > :40:48.it through the door # It ain't no life to live

:40:49. > :40:58.like you're on the run # The only thing that

:40:59. > :41:08.I want is your love # If you're gonna let me

:41:09. > :41:11.down, let me down gently # Don't pretend that

:41:12. > :41:13.you don't want me # Our love ain't water

:41:14. > :41:17.under the bridge # If you're gonna let me

:41:18. > :41:21.down, let me down gently # Don't pretend that

:41:22. > :41:23.you don't want me # Say that our love ain't

:41:24. > :41:37.water under the bridge # If you're gonna let me

:41:38. > :42:01.down, let me down gently # Don't pretend that

:42:02. > :42:04.you don't want me # Our love ain't water

:42:05. > :42:09.under the bridge # If you're gonna let me

:42:10. > :42:11.down, let me down gently # Don't pretend that

:42:12. > :42:15.you don't want me # Our love ain't water

:42:16. > :42:23.under the bridge # Say that our love ain't

:42:24. > :42:33.water under the bridge # Say that our love ain't

:42:34. > :42:59.water under the bridge #. CHEERING AND APPLAUSE

:43:00. > :43:05.You don't mind if I talk lots, do you? No! OK, good. Are you having a

:43:06. > :43:09.good weekend so far. Did lots of you come on Thursday? I didn't stop

:43:10. > :43:15.hearing about a lot of you coming on the Wednesday and causing all that

:43:16. > :43:18.traffic jam, you lot. I have been here a lot of times. I've lost

:43:19. > :43:24.myself a lot of times here, if you know what I mean. Yep. And I'm so

:43:25. > :43:28.honoured and thrilled to be here on the Saturday night, because I've had

:43:29. > :43:32.some of the best times of my life on a Saturday night here at

:43:33. > :43:35.Glastonbury. I really have. Moments in my life that I'll remember

:43:36. > :43:39.forever and obviously this one tops them all. That's why I'm so excited

:43:40. > :43:43.for you, because after this, hopefully you're all drunk and off

:43:44. > :43:47.your face, because it will make my set a bit better. But also, after

:43:48. > :43:50.this, some of you are going to have the most incredible things happen to

:43:51. > :43:55.you. I'm really excited for you. I am! For real, truly. Go and have a

:43:56. > :43:58.little explore. This ain't it. Anyone who ain't ventured outside

:43:59. > :44:03.this bit, oh, my God. It's a right laugh. This next one I'm doing for

:44:04. > :44:10.you, I'm going to do my Bond song for you, Skyfall.

:44:11. > :44:16.Good, I'm glad you're happy about that, thank God, phew! They asked me

:44:17. > :44:19.to do this years ago obviously, I kindly said no the first time

:44:20. > :44:21.because I thought, well, you know things have gone so well on the

:44:22. > :44:26.second album, maybe the world would be like fuck off. And I'm sure a few

:44:27. > :44:29.of you right now are like "fuck off". I said no. Then inside I was

:44:30. > :44:35.dying. They asked again. So I decided to do it. I'm so pleased I

:44:36. > :44:39.did. It was so much fun to read a script and like be under cover

:44:40. > :44:44.because it was top secret. My name was on the script. I felt like James

:44:45. > :44:47.Bond myself. Then I didn't do a video because I was like

:44:48. > :44:55.nine-and-a-half months pregnant and about to drop. I did Halle Berry.

:44:56. > :44:59.Who wants to do a Bond song if you don't look like that. That's the

:45:00. > :45:19.main reason for no video. This is Skyfall.

:45:20. > :45:55.# I've drowned and dreamt this moment

:45:56. > :46:27.# We will stand tall Face it all together

:46:28. > :46:34.# We will stand tall Face it all together

:46:35. > :47:06.# Where worlds collide and days are dark

:47:07. > :47:13.# You may have my number you can take my name

:47:14. > :47:23.# We will stand tall we will stand tall

:47:24. > :47:36.# We will stand tall we will stand tall

:47:37. > :48:03.# Where you go I go What you see I see

:48:04. > :48:08.# I know I'd never be me without the security

:48:09. > :48:14.# Of your loving arms keeping me from harm

:48:15. > :48:17.# Put your hand in my hand and we'll stand

:48:18. > :48:28.# We will stand tall we will stand tall

:48:29. > :48:40.# We will stand tall we will stand tall

:48:41. > :49:18.# Oooh... #

:49:19. > :49:30.I want to go round there. Let me round here. I'll come and have a

:49:31. > :49:32.look. Let me have a look. I can't believe how many of you there are.

:49:33. > :49:53.Truly! I'll come over. Hi. Hi. Hi. Hi, hi! Oh, look, oh, my God I'm on

:49:54. > :50:01.theside screen at Glastonbury. YEAH. Can you keep following me spotlight?

:50:02. > :50:05.Oh, my God. Hi, hi. There's Michael. Thanks for having me, sir. Thank you

:50:06. > :50:10.for having me. I see you all down there and all the way back there.

:50:11. > :50:15.Oh, my God. Oh, my God. I've got so many stories to tell you. Stealing

:50:16. > :50:21.your thunder. So many stories to tell you, but I don't know how tosay

:50:22. > :50:26.anything. Oh, here we go. That is dangerous. How is that saxophone

:50:27. > :50:32.player earlier wandering around. Hi everyone at home. I watched Muse

:50:33. > :50:41.last night at home. Had a Chinese. Did some washing up. Watched Muse.

:50:42. > :50:48.Did you lot watch MUSE. They are insane. I loved it at home much, you

:50:49. > :50:54.lot loved it here, didn't you. Yes. Me too. By chance, is anyone from

:50:55. > :51:01.Tottenham here. Oh, fuck off. Shut the front door, are you really from

:51:02. > :51:06.Tottenham? Are you really. Wherever you're from this song is for you. We

:51:07. > :51:13.wish we could live here, this could be our hometown. Get ready to smile

:51:14. > :51:20.for me at the end because you'll be on the TV. This

:51:21. > :51:25.Homegrown Glory. I was 16 when I wrote this. Never did I think I

:51:26. > :51:33.would be here doing this. # I've been walking

:51:34. > :51:35.in the same way # Missing out the cracks

:51:36. > :51:41.In the pavement # And tutting my heel

:51:42. > :51:43.and strutting my feet # Is there anything

:51:44. > :51:45.I can do for you, dear? # No, and thank you,

:51:46. > :51:54.please, Madam # Round my hometown

:51:55. > :52:04.memories are fresh # Round my hometown

:52:05. > :52:14.Ooh, the people I've met # When the air is

:52:15. > :52:42.so thick and opaque # I love to see everybody in short

:52:43. > :52:49.skirts, shorts and shades # I like it in the city

:52:50. > :52:52.when two worlds collide # You get the people

:52:53. > :52:55.and the government # Shows that we ain't gonna stand

:52:56. > :53:07.shows that we are united # Shows that we ain't gonna stand

:53:08. > :53:18.shows that we are united # Round my hometown

:53:19. > :53:27.memories are fresh # Round my hometown

:53:28. > :53:33.Ooh, the people I've met, yeah # Doo, da da da da da

:53:34. > :53:53.Da da, yeah # Doo dun doo, dun doo

:53:54. > :53:56.Dun doo, ohh-oh # Ohh-oh-oh

:53:57. > :53:58.Oh, yeah # Are the wonders of my world

:53:59. > :54:16.are the wonders of my world # Of my world

:54:17. > :54:29.Of my world # Of my world

:54:30. > :54:56.Of my world Oh, you're beautiful. So I'm going

:54:57. > :55:04.to do a little strip down version of one of my favourite songs off 21.

:55:05. > :55:13.There a country vibe to it. It's by the arrangement we are going to do.

:55:14. > :55:19.There is a singer/songwriter called Alison who had an album, trust me,

:55:20. > :55:24.if you want to listen to itting. This was me and my Alison moment

:55:25. > :55:27.begging and wishing to be her. This is Don't You Remember. Are you lot

:55:28. > :55:44.ready? Yeah. Right, let's do it. # You left with no goodbye

:55:45. > :56:01.Not a single word was said # And I had no idea

:56:02. > :56:16.of the state we were in # I know I have a fickle heart

:56:17. > :56:26.and a bitterness # And a wandering eye

:56:27. > :56:28.and a heaviness in my head # When was the last time that

:56:29. > :57:11.you thought of me? # Or have you completely

:57:12. > :57:19.erased me from your memory? # Cos I often think

:57:20. > :57:31.about where I went wrong # But I know I have a fickle heart

:57:32. > :57:41.and a bitterness # And a wandering eye

:57:42. > :57:47.and a heaviness in my head # Gave you the space

:57:48. > :58:26.so you could breathe # And I kept my distance

:58:27. > :58:30.so you would be free # And hope that you find

:58:31. > :59:45.the missing piece Do any of you have anyone in your

:59:46. > :59:49.life that you would rather be in it? It is impossible that there are only

:59:50. > :59:54.so few of you. You at the back, you must have someone in your life that

:59:55. > :59:59.you wish weren't in it. I know. I've had a lot, hence all my albums that

:00:00. > :00:04.are all quite moody and bitchy. But there was one. It was quite a long

:00:05. > :00:08.time ago because it took me a while to write this album, but it was also

:00:09. > :00:13.because I was being lazy. There was one that kept trying to come into my

:00:14. > :00:18.personal atmosphere, trying to fuck everything up. And I was like, no. I

:00:19. > :00:25.ain't having that. I might as well be married, so why are you trying to

:00:26. > :00:36.come back? To live with your mother. Can't keep up with me. So this is

:00:37. > :00:39.for you, and him. And for any of you and those skanky people that try to

:00:40. > :00:52.do that to us. This is for you and me. This is send my love.

:00:53. > :01:00.# You put your hands on, on my body and told me

:01:01. > :01:12.# I'd be your last love everlasting you and me

:01:13. > :01:35.# We've gotta let go of all of our ghosts

:01:36. > :01:47.# We gotta let go of all of our ghosts

:01:48. > :01:58.# I was too strong you were trembling

:01:59. > :02:04.# You couldn't handle the hot heat rising rising

:02:05. > :02:16.# You couldn't keep up, you were falling down down

:02:17. > :02:39.# We gotta let go of all of our ghosts

:02:40. > :02:51.# We've gotta let go of all of our ghosts

:02:52. > :03:38.# We've gotta let go of all of our ghosts

:03:39. > :03:53.# We both know we ain't kids no more of all of our ghosts

:03:54. > :03:58.# If you're ready, if you're ready Send my love to your new lover

:03:59. > :04:02.# If you're ready, I am ready Treat her better

:04:03. > :04:05.# We've gotta let go of all of our ghosts

:04:06. > :04:13.# If you're ready, I am ready

:04:14. > :04:16.# We've gotta let go of all of our ghosts

:04:17. > :05:07.# We both know we ain't kids no more #.

:05:08. > :05:20.Sorry, I will have to start again. It is all that fucking dancing, I

:05:21. > :05:44.ain't used to it! Right, I am ready. OK, let's go.

:05:45. > :05:55.# but my heart is a valley, it's so shallow. # I'm so scared that if I

:05:56. > :06:01.let you in, you will see that I'm just a fake. # sometimes I feel

:06:02. > :06:10.lonely in the arms of your touch. # but I know that's just me.

:06:11. > :07:01.# when I was a child, I grew up by the River Lee.

:07:02. > :07:13.So I blame it on the River Lea, the River Lea, the River Lea

:07:14. > :07:16.# I should probably tell you now before it's way too late

:07:17. > :07:19.# That I never meant to hurt you or lie straight to your face

:07:20. > :07:22.# Consider this my apology, I know it's years in advance

:07:23. > :07:26.# But I'd rather say it now in case I never get the chance

:07:27. > :07:35.# out of my fingertips but the reeds are growing

:07:36. > :07:42.# I can't go back to the river But it's in my roots, in my veins

:07:43. > :07:53.# It's in my blood and I stain every heart that I use to heal the pain

:07:54. > :07:57.# Oh, it's in my roots, in my veins

:07:58. > :08:00.# It's in my blood and I stain every heart that I use

:08:01. > :08:25.# Yeah, I blame it on the River Lea, the River Lea, the River Lea

:08:26. > :09:12.# River Lea, River Lea River Lea, River Lea

:09:13. > :09:20.Perfect time to fuck at a song at Glastonbury headline set, wouldn't

:09:21. > :09:34.you agree? Perfect time. Hi, I'm coming down. Is that for me? Oh,

:09:35. > :09:46.thank you! Thank you so much. Thank you, darling. Hi! Hi, my darling.

:09:47. > :09:50.Hang on, I've got shoes on. I'm going to have to put my new friend

:09:51. > :10:06.down here, I'm afraid. Front row, though. That's better, I can see

:10:07. > :10:14.you! How are you? Look, the flags! I don't like being that far away from

:10:15. > :10:20.you, I can't see you. Hi. Last night, when I was watching it on TV,

:10:21. > :10:25.you know they shoot it back there. And even when I was watching it, I

:10:26. > :10:29.was like, where am I going to stand? It is so mind blowing that I am up

:10:30. > :10:36.here. And thank you for letting me have this little stage here. Thank

:10:37. > :10:40.you so much, Glastonbury. Right. So, are you ready? It's going to be fun,

:10:41. > :10:44.this one. I will try my best not to fuck it up. Oh, my God, you look

:10:45. > :10:51.like Brian Harvey from the 17! All right, Brian! So, this song kicked

:10:52. > :10:56.off a whole other level in my life. You're nice and muddy, have you

:10:57. > :11:00.fallen over? I want you to sing with me loud. I want us to jump as well

:11:01. > :11:02.because that is the only opportunity I have with this one. This is

:11:03. > :11:10.rolling in the deep, Glastonbury. # There's a fire

:11:11. > :11:15.starting in my heart # There's a fire

:11:16. > :11:42.starting in my heart # Baby, I have no story

:11:43. > :12:32.to be told # And I'm gonna

:12:33. > :14:15.make your head burn Fucking hell! Oh, my God, I want to

:14:16. > :14:19.have a singalong, all right? I'm going to do it, then the girls will

:14:20. > :14:32.do it and then we are all going to do it.

:14:33. > :14:40.# your gonna wish you never had met me.

:14:41. > :14:49.Songs micro tears are done for. Glastonbury!

:14:50. > :14:54.# You're gonna wish you never had met me.

:14:55. > :15:56.CHEERING AND APPLAUSE. Wow! I like your T-shirt, my darling. Fucking

:15:57. > :16:02.hell, that was amazing. Amazing. Oh! I love you, too. Fucking hell, why

:16:03. > :16:07.are you crying? Why are you crying. Sigh saw three flares then. Never in

:16:08. > :16:13.my wildest dream would I see a flare. Someone shot something up in

:16:14. > :16:19.the sky. Oh, my God where's your other willy? You've only got one

:16:20. > :16:25.willy. Where it's gone. It fell off your foot. Don't put her down. Don't

:16:26. > :16:31.put it down. That confetti has gone right in on it. I bet it will get

:16:32. > :16:36.muddy. That was amazing. Don't you pull me off. Where are you from?

:16:37. > :16:41.Where are you from? Stoke-on-Trent. Anyone else from Stoke-on-Trent?

:16:42. > :16:46.Hang on a minute, we are one big happy family here, stop your booing.

:16:47. > :16:54.Where are you from? Eastbourne, Derbyshire. Ash bourne.

:16:55. > :17:06.Where are you from? Coventry. I'll have no fucking booing on my show.

:17:07. > :17:10.After what went on the other day. You want to boo each other. Where

:17:11. > :17:17.are you from? Holloway. Where are you from? Reading. Bristol. Where

:17:18. > :17:19.are you from, the with all the lights on? Yorkshire. He's from

:17:20. > :17:28.Yorkshire. Stop with your booing. We have South

:17:29. > :17:36.Africa over there. You look lovely. You look lovely. So, you look like -

:17:37. > :17:45.I don't like that finger-pointing. I'm going to do a ballad for you.

:17:46. > :17:49.It's Saturday and you might not have your phone charge. When I was here

:17:50. > :17:55.last year there was a building where you could charge your phone. It's

:17:56. > :18:01.weird but I suppose they use it. Can you put your phone on for me if you

:18:02. > :18:05.have a light. Keep going. It will look fucking amazing. Keep going, my

:18:06. > :18:09.darlings. Keep going. Oh! I could actually cry. Right this song,

:18:10. > :18:15.right. It's off of my first album. It's actually a cover. Do we have

:18:16. > :18:19.Bob Dylan fans here? When I first heard this song it, like, broke my

:18:20. > :18:24.heart and fixed it all at the same time much I want to dedicate this to

:18:25. > :18:28.my grandad who, he's dead, obviously. He probably would have

:18:29. > :18:34.died anyway if he'd ever seen me do. This you look amazing. Oh, my God!

:18:35. > :18:38.Oh! I want to sing this for him, but I want to sing it for you and anyone

:18:39. > :18:42.you have loved. It's weird at the moment stuff going for all of us. We

:18:43. > :18:45.need to look after each other. This is Make You Feel My Love. You look

:18:46. > :19:06.amazing. # When the rain is blowing

:19:07. > :19:18.in your face # And the whole world

:19:19. > :19:26.is on your case # I could offer

:19:27. > :19:31.you a warm embrace # When the evening shadows

:19:32. > :19:47.and the stars appear # And there is no-one

:19:48. > :19:59.there to dry your tears # Oh, I could hold

:20:00. > :20:02.you for a million years # I know you haven't

:20:03. > :20:10.made your mind up yet # I've known it from the moment

:20:11. > :20:22.that we met # There's no doubt

:20:23. > :20:29.in my mind where you belong # I'd go hungry

:20:30. > :20:37.I'd go black and blue # And I'd go crawling

:20:38. > :20:45.down the avenu # No, there's nothing

:20:46. > :20:51.that I wouldn't do # To make you feel my love,

:20:52. > :21:06.yeah # The storms are raging

:21:07. > :21:30.on the rolling seas # And on that

:21:31. > :21:37.highway of regret # Though winds of change

:21:38. > :21:43.are blowing wild and free # I could make you happy

:21:44. > :21:57.make your dreams come true # I'd go to the ends

:21:58. > :22:40.of this Earth for you Come here. Come out, come up. Can

:22:41. > :22:45.you help get this lady up please because she's crying her eyes out.

:22:46. > :22:49.Come on, my darling. Do you want to meet me at the bottom of the stairs.

:22:50. > :22:54.Get her to walk round here. Come round here my darling. Come up to

:22:55. > :22:59.the big stage. Do you want your hat back, my darling? Do you want your

:23:00. > :23:04.hat back? I can't see... Come on to this big stage. Let me take you to

:23:05. > :23:10.the big one. Let me give him his hat back. I'll give you a quick selfie.

:23:11. > :23:14.Go on then. Hi, my darling. Come on up. Look. It's like horse shit down

:23:15. > :23:26.here. CHEERING What's your name? Maria. I

:23:27. > :23:31.knew your name was going to be Maria. I fucking knew it was going

:23:32. > :23:37.to be Maria. Who is that man down there? My What is his boyfriend.

:23:38. > :23:42.Name? John. Hi, John why are you so emotional? We're from Brazil. You're

:23:43. > :23:49.from Brazil. Did you come here for the festival? Yep. We planned our

:23:50. > :23:59.whole trip around the world to this moment. Oh, you did. Whereabouts in

:24:00. > :24:06.Brazil are you from? Where abouts? Saos Paulo. Nice. How old are you?

:24:07. > :24:11.I'm 26. When did you get here? When did you and John get to Glastonbury?

:24:12. > :24:20.Wednesday. Nice. What has been your favourite moment that's happened?

:24:21. > :24:24.We've seen... A whole lot of bands. Who has been your favourite though?

:24:25. > :24:32.I'm not trying to egg her on to see me. I want to know. I haven't been

:24:33. > :24:39.here. I'm in a tight spot right now. But I've seen... Can you remember or

:24:40. > :24:43.are you a bit flabbergasted. You should have filmed that. Get a

:24:44. > :24:57.selfie. Do you know how to do it? Here we go. Oh, here we go. Ready?

:24:58. > :25:06.Ready? Do you want me to do it? Here we go. Oh, my God, I've just burped.

:25:07. > :25:10.LAUGHTER. I'll see you later Maria. John make

:25:11. > :25:15.sure she gets her spot back. If you follow Liam, my darling. Here we go.

:25:16. > :25:18.I had a dirty burger before I came on, that's why. Hi. Is it good news

:25:19. > :25:29.or bad news, Richard? OKKing. I need your help, everybody.

:25:30. > :25:38.I'm going to hand you over to Richard. My production manager there

:25:39. > :25:43.is an emergency. Can everybody make a path over there. We need someone

:25:44. > :25:47.who is ill out of the audience. OK. So security is going to ask you to

:25:48. > :25:52.make a path. Can you watch what they are doing and make a path, please.

:25:53. > :25:59.Thank you Richard. Keep moving, you lot. I'm going to come and help. I

:26:00. > :26:03.hope they're OK. They are probably moshing too hard to one of my songs

:26:04. > :26:06.or something. Calm down, calm down, do you know what I mean? Where is

:26:07. > :26:13.the security that is going to help. There we go. Has that started. One

:26:14. > :26:19.time when I did a show in Vegas. Any of you been to Las Vegas. What did

:26:20. > :26:25.you think of it? I can't deal with that heat. Oh, my God, I can't deal

:26:26. > :26:28.with the heat. I did a show. You know in the hotels. Are the crowd

:26:29. > :26:33.moving around, guys? Is it working. Is there a path being made? Yeah or

:26:34. > :26:39.no? Are you lot moving out of the way. You are. Fantastic. I did this

:26:40. > :26:45.show in Vegas, right, old grannies. They do old day drinking sessions in

:26:46. > :26:53.the swimming pool in this heat. This granny, 85, came to my show, front

:26:54. > :27:00.row. Pissed rememberself, security had to carry her out. She pissed

:27:01. > :27:05.remember self-the whole way out. In Belfast who women had a catfight.

:27:06. > :27:10.They get drunk at my shows and feel their emotion and then all hell

:27:11. > :27:15.breaks loose. Let me know when the path is done. I don't want to cause

:27:16. > :27:22.a riot or anything with my next one. Am I good to carry on? Am I good to

:27:23. > :27:26.carry on back there? Yeah. All right, I'm going into it because

:27:27. > :27:28.no-one is saying no. All right. Ladies and gentlemen, this is Set

:27:29. > :27:41.Fire to the Rain. CHEERING. # And as it fell you rose

:27:42. > :27:47.to claim it # Until you kissed my

:27:48. > :27:57.lips and you saved me # Without falling

:27:58. > :28:14.to your feet # But there's a side to you that

:28:15. > :28:26.I never knew, never knew # All the things you'd say

:28:27. > :28:29.they were never true, never true # And the games you play

:28:30. > :28:32.you would always win, always win # Watched it pour

:28:33. > :28:39.as I touched your face # Cos I heard

:28:40. > :28:47.it screaming out your name # Close my eyes feel

:28:48. > :29:05.you here forever # You and me together

:29:06. > :29:07.nothing is better # But there's a side to you that

:29:08. > :29:10.I never knew, never knew # And the games you play

:29:11. > :29:26.you would always win, always win # Watched it pour as

:29:27. > :29:30.I touched your face # Cos I heard it

:29:31. > :29:37.screaming out your name # Cos I knew that

:29:38. > :29:54.that was the last time # That heart you caught must be

:29:55. > :30:05.waiting for you # I can't help myself

:30:06. > :30:14.from looking for you # Watched it pour as

:30:15. > :30:22.I touched your face # Cos I heard it screaming

:30:23. > :30:31.out your name, your name # Cos I knew that

:30:32. > :30:47.that was the last time # Everybody loves the things you do

:30:48. > :35:02.# From the way you talk # But if by chance you're here alone

:35:03. > :35:15.# Can I have a moment # Cos I've been by

:35:16. > :35:26.myself all night long # Hoping you're

:35:27. > :35:33.someone I used to know # Let me photograph

:35:34. > :35:49.you in this light # In case it is the last

:35:50. > :35:54.time that we might # Be exactly like we

:35:55. > :36:01.were before we realized # That's what you said,

:36:02. > :36:38.when you left me # Let me photograph

:36:39. > :36:56.you in this light # In case it is the last

:36:57. > :37:00.time that we might # Be exactly like we

:37:01. > :37:06.were before we realized # Let me photograph

:37:07. > :38:29.you in this light # In case it is the last

:38:30. > :38:33.time that we might # Be exactly like we

:38:34. > :39:18.were before we realized Thank you. Thank you so very much.

:39:19. > :39:24.Everybody, give it up for my amazing band. Thank you all so much. Thank

:39:25. > :39:31.you for being a part of this with me, guys. I've been dying for my

:39:32. > :39:38.cider, oh, my days. I'm going to have a few. Have you enjoyed it? I

:39:39. > :39:41.really hope I've contributed towards your Saturday night at Glastonbury,

:39:42. > :39:47.because it's going to be a good one for you, I promise you. I have never

:39:48. > :39:50.been so moved by anything in my life, and I dreaded ever possibly

:39:51. > :39:54.being asked to do this festival, not that I ever thought I would be asked

:39:55. > :39:57.to do it. I was up there on that platform with Emily Eavis last year

:39:58. > :40:01.watching Kanye West, which I thought was amazing. And I've never been so

:40:02. > :40:07.frightened of the crowd I saw last year. As I was watching it, I was

:40:08. > :40:11.like, all right, I will do it! I have always wanted to do this, and

:40:12. > :40:14.the truth is, my whole childhood and a career I have was inspired when I

:40:15. > :40:20.was about seven and I was up there by one of those nights, that tower,

:40:21. > :40:26.I was there and I saw Garbage playing and I was like, oh, my days,

:40:27. > :40:32.I want to do that. I saw Prodigy, I saw Radiohead. That was when I was

:40:33. > :40:35.like, I want to be making music, not necessarily to be up on this stage,

:40:36. > :40:38.but it's amazing the way music brings people together and that's

:40:39. > :40:43.why I am so grateful you came together for me. And this festival

:40:44. > :40:48.is so amazing and magical because of the people that come. You can feel

:40:49. > :40:52.it in the earth here. I am sure you agree that you lose all your in

:40:53. > :40:55.emissions when you are here. And that is you are the people on the

:40:56. > :40:59.other side of the barriers who make this festival so incredible -- you

:41:00. > :41:04.lose your inhibitions. This is the most incredible moment of my life so

:41:05. > :41:08.far, so thank you so much. You have been amazing. I'm not sure if I will

:41:09. > :41:12.remember it. I can't even expand how I feel, it's the most surreal thing

:41:13. > :41:17.I've ever done. It is bizarre. I didn't want to come and now I don't

:41:18. > :41:20.want to go off. This song changed my life. I wrote it when I was

:41:21. > :41:26.obviously miserable, that's nothing new. We all know that. I wanted a

:41:27. > :41:30.friend in this song. I wanted to feel not so alone. And within a

:41:31. > :41:35.couple of hours of starting to write it, feeling sorry for myself, I had

:41:36. > :41:39.a bad cold, all of that, and it did its job for me. The song helped me

:41:40. > :41:43.fix might have a bit. And when I started playing it to people I know

:41:44. > :41:46.and love, they started reacting to this song very differently to

:41:47. > :41:52.anything else I had written. Then I did it on Jools Holland, and it

:41:53. > :41:57.started getting bigger all stop then I did it at the Brit awards and it

:41:58. > :42:05.completely changed my life. Nothing has been the same ever since. This

:42:06. > :42:08.is a song I feel like if anyone remembers me in years to come, this

:42:09. > :42:13.might be the song they do. I just want you to note that I will never,

:42:14. > :42:18.ever forget this moment tonight. I will never forget it. So thank you.

:42:19. > :42:23.I can't believe I haven't cried yet! And I want you to sing it with me,

:42:24. > :42:27.even if you're happy. I'm happy, I just like to moan. And I want us all

:42:28. > :42:32.to sing it. I want us not to be able to hear what each other is doing

:42:33. > :42:36.because it's so loud. Thank you for having me. I hope you have the best

:42:37. > :42:38.time ever at Glastonbury, I really do. It's amazing here. This is

:42:39. > :42:48.Someone Like You. # I heard that you're settled down

:42:49. > :43:00.rhat you found a girl # I heard that you're settled down

:43:01. > :43:03.that you found a girl # Guess she gave you things

:43:04. > :43:20.I didn't give to you # Ain't like you to hold back

:43:21. > :43:35.or hide from the light # I hate to turn up out

:43:36. > :43:38.of the blue uninvited # But I couldn't stay away

:43:39. > :43:41.I couldn't fight it # I had hoped you'd see my face

:43:42. > :43:44.and that you'd be reminded # Never mind I'll find

:43:45. > :43:55.someone like you # I wish nothing but

:43:56. > :44:04.the best for you too # Don't forget me I beg

:44:05. > :44:11.I remember you said # "Sometimes it lasts in love

:44:12. > :44:20.but sometimes it hurts instead" # Sometimes it lasts in love

:44:21. > :44:23.but sometimes it hurts instead # Only yesterday it was

:44:24. > :44:42.the time of our lives # We were born and raised

:44:43. > :44:50.in a summer haze # Bound by the surprise

:44:51. > :44:56.of our glory days # I hate to turn up out

:44:57. > :45:00.of the blue uninvited # But I couldn't stay away

:45:01. > :45:04.I couldn't fight it And that you'd be reminded that

:45:05. > :45:14.for me it isn't over # Never mind I'll find

:45:15. > :45:25.someone like you # I wish nothing

:45:26. > :45:28.but the best for you too # Don't forget me, I beg

:45:29. > :45:35.I remember you said # Sometimes it lasts in love

:45:36. > :45:42.but sometimes it hurts instead # Nothing compares

:45:43. > :45:50.no worries or cares # Regrets and mistakes

:45:51. > :45:55.and memories made # Who would have known how

:45:56. > :46:05.bittersweet this would taste? Glastonbury, do it one more time for

:46:06. > :46:13.me. Scream it. # Never mind I'll find

:46:14. > :46:15.someone like you # I wish nothing but

:46:16. > :46:17.the best for you too # Don't forget me, I beg

:46:18. > :46:24.I remember you said # Sometimes it lasts in love

:46:25. > :46:32.but sometimes it hurts instead # Never mind I'll

:46:33. > :46:37.find someone like you # I wish nothing

:46:38. > :46:48.but the best for you too # Don't forget me, I beg

:46:49. > :46:55.I remember you said # Sometimes it lasts in love

:46:56. > :47:28.but sometimes it hurts instead CHEERING AND APPLAUSE. I'll see you

:47:29. > :47:33.later. Thank you so much. I did it. I did it. Oh. Look after each other.

:47:34. > :47:44.Sing it for me, let me hear you. CHEERING.

:47:45. > :47:56.See you later. # Never mind I'll find

:47:57. > :47:58.someone like you # I wish nothing but

:47:59. > :48:01.the best for you too # Don't forget me, I beg

:48:02. > :48:05.I remember you said # Sometimes it lasts in love

:48:06. > :49:26.but sometimes it hurts instead CHEERING AND APPLAUSE. There was

:49:27. > :49:30.Adele nailing headlining the Pyramid Stage at Glastonbury Festival. I

:49:31. > :49:33.hope she he cherishes every single second of that performance. Knowing

:49:34. > :49:38.how much it meanted to her from the chat we did before hand. This was

:49:39. > :49:42.her moment. She said that if she did it OK tonight then that would be as

:49:43. > :49:46.good as it ever gets. This is like the pinnacle of her career. If she

:49:47. > :49:50.messed it up it would be devastating. She said tonight was

:49:51. > :49:55.the moment in her career? It's extraordinary. I've never seen a

:49:56. > :50:00.headline act like. That there has never been a greater connection, has

:50:01. > :50:04.there, between the audience and headline audience. I have never seen

:50:05. > :50:07.anything like. She wanted the runway, get out and talk to the

:50:08. > :50:15.audience and do everything on her shows and have that connection.

:50:16. > :50:18.Somewhere as huge as that d and to have that intimacy, incredible

:50:19. > :50:22.glchlt you have a heart of stone did you almost get emotional at any

:50:23. > :50:25.point? There Were real moments. All the torch lights. I liked that. Just

:50:26. > :50:29.the torch lights? No. It was amazing. Never seen anything quite

:50:30. > :50:36.like it. That control and connection with the crowd. Clara is still down

:50:37. > :50:44.there somewhere. Clara. The crowd are still singing along. Adele,

:50:45. > :50:48.headlining the Pyramid Stage at Glastonbury, Saturday 2016. She left

:50:49. > :50:52.a piece of her with us emotionally and physically with these song

:50:53. > :50:57.lyrics she sprayed into the crowd. She took us on a journey from that

:50:58. > :51:00.seven-year-old girl she told us about who came here inspired by

:51:01. > :51:07.Radiohead to a woman fully in control of her career. In control of

:51:08. > :51:11.this crowd. Very happy that I gave you that swearing warning. Like

:51:12. > :51:15.said, with Adele what you see is what you get. She gives all of

:51:16. > :51:20.herself to us. We were truly, I think we were truly blessed tonight.

:51:21. > :51:26.It was really overwhelming to watch her, actually. Coming out I don't

:51:27. > :51:29.think she could believe that many people came to here her. It was

:51:30. > :51:38.evident in what we all just shared now. I'm sorry, back to you, Adele.

:51:39. > :51:44.You have our hearts. Thank you very much. She did say, Adele was like -

:51:45. > :51:48.I'm in and out. I'm coming to do it unless it goes well and then I will

:51:49. > :51:52.have a few drinks. What do you reckon she drinks? We know. She was

:51:53. > :51:57.drinking red wine and Coca-Cola mixed. I'm sure she is probably

:51:58. > :52:00.doing the same thing. Maybe. It was quite extraordinary, wasn't it,

:52:01. > :52:05.really. At one point she said - I wrote this song when I was 16. I

:52:06. > :52:10.never thought I would be on the Main Stage at Glastonbury do it. I wander

:52:11. > :52:18.if it changed the nature of headline acts much we are used to a big rock

:52:19. > :52:22.show and a finishing with a guy on a piano. It was very different.

:52:23. > :52:28.Amazing. Wonderful. OK. We have a lot more for you to enjoy tonight.

:52:29. > :52:32.We have. Acoustic sets. We have different artists performing here.

:52:33. > :53:13.We will go now to another of the headliners this is James Blake.

:53:14. > :53:23.# When I'm speaking my mind # I hope I'm right when I'm speaking

:53:24. > :53:41.my mind

:53:42. > :53:44.# I've been looking for the golden

:53:45. > :53:52.trees # I don't wanna see the killing on

:53:53. > :54:02.those leaves. # Haven't we all

:54:03. > :54:06.# Maybe I'll just press my hands on it

:54:07. > :54:14.# It's a lot for me to take # Where do we

:54:15. > :54:33.# Where do we

:54:34. > :54:48.# I hope I'm right when I'm speaking my mind

:54:49. > :54:50.# I hope I am dump # I hope my life is no sign of the

:54:51. > :55:02.times # I hope my life is no sign of the

:55:03. > :55:05.times #

:55:06. > :55:12.Maybe I'll just press my hand on it # Maybe I'll just press my hands on

:55:13. > :55:22.it #

:55:23. > :55:28.Maybe I'll just press my hands on it # Maybe I'll just press my hands on

:55:29. > :55:35.it # Maybe I'll just press my hands on

:55:36. > :55:42.it # Maybe I'll just press my hands on

:55:43. > :55:52.it # Maybe I'll just press my hands on

:55:53. > :55:56.it # Maybe I'll just press my hands on

:55:57. > :56:11.it # Maybe I'll just press my hands on

:56:12. > :56:19.# # Maybe I'll just press my hands on

:56:20. > :56:28.it # Maybe I'll just press my hands on

:56:29. > :56:47.you # Maybe I'll just press my hands on

:56:48. > :56:51.you # Maybe I'll just press my hands on

:56:52. > :57:14.you # Maybe I'll just press my hands on

:57:15. > :57:25.you # Maybe I'll just press my hands on

:57:26. > :58:16.you # It's a lot for me to take

:58:17. > :00:23.# To burn it like cedar I request another dream

:00:24. > :00:42.# I request another dream I need a forest fire

:00:43. > :00:56.# I request another dream I need a forest fire

:00:57. > :01:08.# I hope you'll stop me before I'll build a world around me

:01:09. > :01:32.# You know that money bought your name

:01:33. > :01:38.# Caution, swelling, can I repay you with some blame?

:01:39. > :01:47.# I request another dream I need a forest fire

:01:48. > :01:56.# To burn it like cedar I request another dream

:01:57. > :02:04.# I need a forest fire To burn it like cedar

:02:05. > :02:11.# To burn it like cedar I request another dream

:02:12. > :02:22.# I need a forest fire To burn it like cedar

:02:23. > :02:35.# Stop Stop before I build a wall around me

:02:36. > :03:28.# Stop before I build a wall around me

:03:29. > :03:48.Justin Vernon. That was James Blake, with Justin

:03:49. > :03:54.Vernon, as he says, who was here last year. On the Pyramid Stage. He

:03:55. > :03:58.was sort of duetting with Kanye West, but Kanye West would not let

:03:59. > :04:03.him stand at the front and pushed into the shadows. You had no idea he

:04:04. > :04:10.was there. James Blake was headlining on the Park Stage. I know

:04:11. > :04:15.you have this heart of stone, did that performance do anything to you?

:04:16. > :04:18.Well, I get all this stick for having a heart of stone. Anyone who

:04:19. > :04:22.knows me knows I am a deeply emotional person. Last night, Jo

:04:23. > :04:28.Whiley said it is freezing, put plenty of layers on. And look at me

:04:29. > :04:35.and look at her! When the songs are on, a load of willing acolytes, and

:04:36. > :04:40.swayed her in cloth is. Adele said to me, won't you freezing last

:04:41. > :04:44.night? Yeah, I was. And all the clothes get whipped off before we

:04:45. > :04:50.come back on, leaving Jo looking diaphanous and me looking like I

:04:51. > :04:56.have come to fix the heating. White, let's go to a band who are freezing

:04:57. > :05:39.because they have been waiting ages. He is fabulous.

:05:40. > :05:54.# a fresh one, I said you need a real one, a strong one. # a fresh

:05:55. > :06:01.one. # Baby, I'm feeling sexual.

:06:02. > :06:10.# if I dance, I'm warning you. # baby, I'm feeling super cool.

:06:11. > :06:23.# you know me baby, I'm feeling brand-new. # I'm feeling brand-new.

:06:24. > :06:31.# I said, what did he do? # tell me, did you so you dreams?

:06:32. > :06:34.# you know what I mean? # I said, what did he do?

:06:35. > :06:39.# I can tell you didn't love you write.

:06:40. > :06:42.# come on, if you want to have fun tonight, you need a real one, a

:06:43. > :06:48.strong one. # a fresh one.

:06:49. > :06:57.# I said you need a real one, a strong one.

:06:58. > :07:05.# no ex-1, so honey, don't look no more.

:07:06. > :07:14.# baby, I'm feeling sexual. # if I dance, I'm wanting you.

:07:15. > :07:20.# baby, I'm feeling super cool. # you know me baby, yeah.

:07:21. > :07:26.# I say, I want to boogie tonight, come on, baby, let's boogie tonight.

:07:27. > :07:33.# I want to boogie tonight, come on, baby, let's boogie tonight.

:07:34. > :07:41.# I want to boogie tonight, come on, baby, let's boogie tonight.

:07:42. > :07:49.# baby, I'm feeling sexual. # if I dance, I'm wanting you.

:07:50. > :07:55.# baby, I'm feeling super cool. # you know me, baby, I'm feeling

:07:56. > :08:04.brand-new. That was great! Moving on Astroturf

:08:05. > :08:10.is not easy. I know! Tiggs Da Author, and that was brand-new. And

:08:11. > :08:16.respect to George on the guitar. Nice work, my friend. Thank you very

:08:17. > :08:23.much. Now we are going to go to M83. I have never been sure how to say

:08:24. > :09:03.their name. We will go to them anyway.

:09:04. > :09:41.# The night city grows Look and see her eyes, they glow

:09:42. > :10:42.# The city is my church (city is my church)

:10:43. > :13:07.That sounded great, euphoric. It did! You look angelic tonight in

:13:08. > :13:10.this diaphanous frock. One of the drivers was ferrying us about, and

:13:11. > :13:15.he has fallen about -- in love with an angel at Gloucester bridge. He

:13:16. > :13:21.said she is the most beautiful girl I have ever seen, and she drives a

:13:22. > :13:27.tractor -- at Glastonbury. I thought it was a man! I thought he said it

:13:28. > :13:31.was a man dressed as an angel. No, he has fallen in love with a

:13:32. > :13:35.beautiful girl who drives a tractor. And in Glastonbury at the moment,

:13:36. > :13:42.with the mud underfoot, that is your dream date, a beautiful girl who has

:13:43. > :13:45.her own tractor. I am still contemplating Adele. Shouldn't cry

:13:46. > :13:49.in the whole of that performance. Just at the end. I think she now has

:13:50. > :13:58.rivers of is not pouring down her face. I am sure she is! Now to

:13:59. > :14:03.another semi unpleasant image, a propensity of bottoms in this next

:14:04. > :14:09.item, so I've been told. We are going to block nine now, beware.

:14:10. > :14:16.I thought we were supposed to be in Somerset. This doesn't look like

:14:17. > :14:23.Somerset. This is the heart of New York City, can't you tell! We took

:14:24. > :14:31.the gays, the transsexuals, the tran vestites and the butcher boys and we

:14:32. > :14:38.are giving a heighted queer experience. There will be a change

:14:39. > :14:42.happening in those dark corners. Will I experience changers? You have

:14:43. > :14:51.to get ready to be torn to pieces. Where are you taking me? The inner

:14:52. > :14:56.sanctum. I can't wait. Let's do it. My word, it's cramped in here now.

:14:57. > :14:59.These are all the dancers. We have been rehearsing for weeks. This

:15:00. > :15:03.isn't something we don't do all the time. It's a weekly thing for all

:15:04. > :15:09.these people. Do any of you have boring offices jobs? I'm an

:15:10. > :15:16.educational recruitful consultant. Boring job. What does it mean Glason

:15:17. > :15:24.burpy is the Oscars for drag artists. We want to make gay culture

:15:25. > :15:32.more mainstream. We want to make the world a better place. World peace

:15:33. > :15:37.everyone. World peace. Wow! There's a lot of meat.

:15:38. > :15:48.Guys, what's good today? The sirloin or prime rib? Probably the beef

:15:49. > :15:55.livers. It sounds like quite a feast. Welcome! It's pumping babe,

:15:56. > :16:13.get in there. This is the kind of place that

:16:14. > :16:17.awakens something inside of everybody who comes here. What does

:16:18. > :16:23.it awaken inside of you, that's the question. It's like nothing I've

:16:24. > :16:28.ever seen before. You can see it again and again and again this

:16:29. > :16:34.weekend at Glastonbury. Why wouldn't you.

:16:35. > :16:41.I've seen a lot of things, a lot of Glastonburies in my time. Nothing

:16:42. > :16:48.quite like what is going on in there. I have made new friends,

:16:49. > :16:52.learnt a lot about gay Glastonbury and maybe a little bit about myself.

:16:53. > :17:01.There was a lot of bottoms going on there. A lot of bottoms. Bottom

:17:02. > :17:08.envy. They were peachy. Pert. Never seen so many in a confined space

:17:09. > :17:14.since I visited the production office with Jools Holland. They were

:17:15. > :17:20.peachy. What did you enbe joyed? Thes the Last Shadow Puppets they

:17:21. > :17:28.did a phenomenal version of Moon Age Day Dream by Bowie. One of my

:17:29. > :17:35.favourite tracks of Ziggy Stardust. That was a ept moment for What

:17:36. > :17:44.about. Me. Bass ill Brush. I watched the performance and met and chatted

:17:45. > :17:55.to him. A career high. Adele Adele and Basil brush. I cons. The Kidz

:17:56. > :18:00.Field seeing how happy they were. Dynamo. It was good going there,

:18:01. > :18:06.seeing another bit of Glastonbury. Next we are going to go to Fat Boy

:18:07. > :19:16.Slim on the John Peel Stage. # Praise you.

:19:17. > :19:25.# I have to praise you like I should # I have to praise you like I should

:19:26. > :20:27.# I have to praise you # I...

:20:28. > :21:00.# I can't get no # I can't get no

:21:01. > :21:17.# What I say measure funk soul brother

:21:18. > :21:22.# Check it out now McFunk soul brother

:21:23. > :21:29.# Check it out now # Funk soul brother

:21:30. > :21:31.# Check it out now # Funk soul brother

:21:32. > :22:07.# Check it out now # Funk soul brother

:22:08. > :22:12.# Check it out now # Funk soul brother

:22:13. > :22:18.# Right about now funk soul brother # Check it out now

:22:19. > :22:22.# Funk soul brother # Make it out now

:22:23. > :22:44.# Funk soul # Right about now

:22:45. > :22:48.# Funk soul brother # Check it out now

:22:49. > :22:50.# Funk soul brother # Right about now

:22:51. > :22:54.# Funk soul brother # Check it out you now

:22:55. > :22:56.# Funk soul brother # Right about now

:22:57. > :23:01.# Funk soul brother # Check it out now

:23:02. > :23:03.# It's funk soul brother # Right about now

:23:04. > :23:08.# Funk soul brother # Check it out now

:23:09. > :23:19.# Funk soul brother # Right about now, now, now, now

:23:20. > :23:22.# About now, about now, about now... APPLAUSE

:23:23. > :23:26.# Right about now # Funk soul brother

:23:27. > :23:29.# Check it out now # Funk soul brother

:23:30. > :23:33.# Right about now # Funk soul brother

:23:34. > :23:36.# Check it out now # Funk soul brother

:23:37. > :23:43.# Right about now # Funk soul brother

:23:44. > :23:46.# Check it out now # Right about now

:23:47. > :23:55.# About now # About now...

:23:56. > :24:05.# Sample, sample, sample, sample # Sample, sample, sample...

:24:06. > :24:06.# APPLAUSE

:24:07. > :24:14.that was perfect for a father and son outing. If I was taking my

:24:15. > :24:19.daughter I would say, let's see Fat Boy Slim. Sweet at the song. That is

:24:20. > :24:25.his 16th year. 16th consecutive year. He loves Glastonbury with a

:24:26. > :24:30.passion. He is a genius, to be sure. He communicates some good cheer and

:24:31. > :24:34.energy and a visual spectacle off one bloke playing records. He is a

:24:35. > :24:47.happy chap. He is. Talking about other things we enjoyed over the

:24:48. > :24:55.day. I saw Impaula. Incredible. Madness. I missed them. Saw weapon

:24:56. > :25:00.squeeze. Bands of an era. Classics. Madness played to the most enormous

:25:01. > :25:02.crowd. It was a huge sing-along. Great Crystal Palaceon burpy

:25:03. > :25:08.moments. They brought their families on at the end. They always do that.

:25:09. > :25:12.Loads happening on this site. Somewhere out there, talking to

:25:13. > :25:18.people and how they prepare for the night ahead is Gemma. One of my most

:25:19. > :25:21.faif riot things about Glastonbury is sometimes you don't know if you

:25:22. > :25:27.are imagining things or not. We were walking down a path on the way to

:25:28. > :25:34.the Glad and found this absolutely incredible little cove of disco ball

:25:35. > :25:38.wonderment. I'm here to find out how to survive glason bury whachl are

:25:39. > :25:43.your tips for late-night Glastonbury? You have to keep going.

:25:44. > :25:49.Keep dancing and listen to the music, feel the vibe. Do you have a

:25:50. > :25:55.curfew? No, when the sun comes up. Wow! What about you guys, any tips

:25:56. > :25:58.to survive last night Glastonbury? Go and do everything that you can.

:25:59. > :26:01.Enjoy it. Don't miss out on anything. Do you have a particular

:26:02. > :26:10.time that you make sure you get to bed? No. They don't go to bed. What

:26:11. > :26:21.about you, guys? Good day. Hello. We are off down the road to Shanghai.

:26:22. > :26:25.Shangri-La. What keeps you going. Is it a one-off experience or do you

:26:26. > :26:30.sometimes flag? Our friend has fallen in the mud. He is in the

:26:31. > :26:34.tent. Power full and think of the experience. You are at Glastonbury,

:26:35. > :26:39.one-off, go for it. The outfits help? Yeah. We never get lost. You

:26:40. > :26:46.are looking fab. You are, too. That is what I need. I need one of these

:26:47. > :26:53.to keep myself going, Gemma has the most fun out of anybody who goes to

:26:54. > :26:58.Glastonbury. Her hair is might mighty fine. If you get the BBC

:26:59. > :27:05.music kapp. We talk about this, it's really good. You can watch lots of

:27:06. > :27:09.performances chose what you enjoy. We go to another band. The Last

:27:10. > :27:19.Shadow Puppets. The Arctic Monkeys We go to another band. The Last

:27:20. > :27:19.head lined last time. He was back this year with his mate Myels and

:27:20. > :28:01.the guys of The Last Shadow Puppets. # Without you baby

:28:02. > :28:08.# It really just the pits without you, baby.

:28:09. > :28:12.# It's like everyone's awithout you baby.

:28:13. > :28:32.# We've now fallen in love. # All my pals will tell me that I'm

:28:33. > :28:42.crazy # You bet I'm loopy alright

:28:43. > :28:51.# # And I just don't recognise this

:28:52. > :29:10.fool # That you have made me

:29:11. > :29:22.# Whoa, I ain't seen him for a while # And sass your shringking figure

:29:23. > :29:38.blows a kiss # I catch and smash it on my lips

:29:39. > :29:52.# Darling I can't seem to quit # Completely falling to bits

:29:53. > :30:05.# I really might be losing it # The idea that you've existed all

:30:06. > :30:19.along's ridiculous # I don't know what to say

:30:20. > :30:27.# Baby we ought to fuck # Seven years of bad luck out the

:30:28. > :30:41.powder room mirror # Could I have made it any clearer

:30:42. > :30:48.# It's love like a tongue in a nostril

:30:49. > :30:59.# Love like an ache in the jaw # You're the first day of spring

:31:00. > :31:10.# With a septum piercing # Little Miss Sweet Dreams...

:31:11. > :31:36.# # About as subtle as

:31:37. > :32:22.an earthquake, I know, # And in the backroom

:32:23. > :32:26.of the bad dream, she came, # And it's as solid as a rock

:32:27. > :32:30.rolling down a hill, # The fact is that it

:32:31. > :32:33.probably will hit something, # And we're just following

:32:34. > :32:37.the flock, Around and in-between, # Before we're smashed

:32:38. > :32:40.to smithereens Like they were, # She couldn't

:32:41. > :32:51.help, but spit them out. # Innocence and arrogance entwined,

:32:52. > :32:58.In the filthiest of minds. # And now a face in

:32:59. > :33:09.the crowd, she's not. # And I suspected now

:33:10. > :33:13.forever the shape # And it's a lot to

:33:14. > :33:23.ask her not to sting. # Around your crooked

:33:24. > :33:44.conscious she will wind. # Before we're smashed

:33:45. > :33:55.to smithereens Like they were, # And it's the fame that

:33:56. > :34:00.put words in her mouth, # She couldn't help but spit them

:34:01. > :34:02.out # Around your crooked

:34:03. > :34:05.conscious she will wind. # And it's a lot to

:34:06. > :35:17.ask her not to sting, Playing quite the rock star roles

:35:18. > :35:21.these days, The Last Shadow Puppets. It is extraordinary, talk about

:35:22. > :35:26.growing up in public. I remember the shy lad who used to front the Arctic

:35:27. > :35:30.Monkeys, and now he is like a bull-fighter, short cutting the

:35:31. > :35:34.ring. We are going next to somebody we are both enormous fans of. I

:35:35. > :35:40.think he was ailing a bit, not feeling well today. He is probably

:35:41. > :36:25.tucked up in bed now watching this. This is John grant.

:36:26. > :36:28.# Back then I often found myself Driving on the road at night,

:36:29. > :36:30.# And the radio was broadcasting the ocean.

:36:31. > :36:33.# Warm late Spring wind whips through my hair.

:36:34. > :36:35.# I am right here, but I wanna be there,

:36:36. > :36:38.# And no one in this world is gonna stop me.

:36:39. > :36:40.# Pale green ghosts at the end of May

:36:41. > :36:43.# Soldiers of this black highway Helping me to know my place.

:36:44. > :36:45.# Pale green ghosts must take great care,

:36:46. > :37:18.# Release themselves into the air Reminding me that I must be aware.

:37:19. > :37:22.# I was getting warm, but now I'm getting colder,

:37:23. > :37:26.# And I stomp my feet, demanding like a child.

:37:27. > :37:29.# I hope you get everything you wanted, boy

:37:30. > :37:32.# I hope you conquer the world and turn it into your toy

:37:33. > :37:36.# But don't come crying when you're forced to learn the truth

:37:37. > :37:41.# Pale green ghosts at the end of May

:37:42. > :37:47.# Soldiers of this black highway Helping me to know my place

:37:48. > :37:50.# Pale green ghosts must take great care

:37:51. > :40:37.# Release themselves into the air Reminding me that I must be aware

:40:38. > :40:40.# Pale green ghosts at the end of May

:40:41. > :40:49.# Pale green ghosts must take great care

:40:50. > :41:15.# Release themselves into the air Reminding me that I must be aware.

:41:16. > :41:28.We all love John Grant. The pale green ghosts in question were a row

:41:29. > :41:33.of trees he used to drive past going home. He makes at interesting music,

:41:34. > :41:37.and yet he is best mates with Elton John now. Elton John, if you're

:41:38. > :41:41.watching, I love that you are mates with John Grant, because we love

:41:42. > :41:47.him. Didn't he perform at the Royal Albert Hall and Kylie came on stage

:41:48. > :41:53.couple of weeks ago? John Grant is fantastic. Now someone who flew in

:41:54. > :42:06.to perform at Glastonbury from Germany, this is Tom Odell.

:42:07. > :42:10.How are you doing today, Gloucester bridge? Thank you so much for coming

:42:11. > :43:50.to see me. My name is Tom Odell. Hanging around with the wrong crowd

:43:51. > :43:58.# I can't help it, I don't know how # I guess I'll always be hanging

:43:59. > :44:10.around with the wrong crowd # Ohhhhh, my boy

:44:11. > :44:36.# Ohhhhh my boy

:44:37. > :44:52.# And my brother is standing behind me

:44:53. > :45:02.# As I'm slowly going out of my head # He says you know those people

:45:03. > :45:10.don't like me # Why do you wanna be one of them

:45:11. > :45:12.# But I can't help it, I don't know how

:45:13. > :45:18.# I guess I'll always be hanging round with the wrong crowd

:45:19. > :45:27.# I can't help it, I don't know how # I guess I'll always be hanging

:45:28. > :45:33.round with the wrong crowd # Ohhhh, I wish I could find

:45:34. > :45:50.somebody # That my mother would like

:45:51. > :45:58.# Oh, I wish I can find somebody # That could treat me right

:45:59. > :46:01.# But I can't help it, I don't know how

:46:02. > :46:08.# I guess I'll always be hanging round with the wrong crowd

:46:09. > :46:11.# I can't help it, I don't know how # I guess I'll always be hanging

:46:12. > :46:15.round with the wrong crowd # But I can't help it, I don't know

:46:16. > :46:19.how # I guess I'll always be hanging

:46:20. > :46:27.round with the wrong crowd # I can't help it, I don't know how

:46:28. > :46:32.# I guess I'll always be hanging round with the wrong crowd

:46:33. > :46:36.# I can't help it, I don't know how # I guess I'll always be hanging

:46:37. > :46:43.round with the wrong crowd # I can't help it, I don't know how

:46:44. > :46:47.# I guess I'll always be hanging round with the wrong crowd

:46:48. > :46:51.# But I can't help it, I don't know how

:46:52. > :46:55.# I guess I'll always be hanging round with the wrong crowd

:46:56. > :47:09.# I can't help it, I don't know how # I guess I'll always be hanging

:47:10. > :47:39.round with the wrong crowd... #

:47:40. > :47:54.INSTRUMENTAL. # Ohhhhh...

:47:55. > :48:05.# Ohhhh # Ohhh

:48:06. > :48:09.# Yeah, yeah, yeah ... #

:48:10. > :48:24.CHEERING AND In case you were thinking what to

:48:25. > :48:39.wear tomorrow? It would be warm at this time of night. That was Tom

:48:40. > :48:45.Odell a big fan of Elton John. He has given him a lot of advice,

:48:46. > :48:57.mentor as in John Grant. We will be back tomorrow at 6. 30pm. Tomorrow

:48:58. > :49:04.is the Legend Spot. ELO. We have an acoustic performance from Cindy

:49:05. > :49:09.Lauper. I hope to God the sun shines when ELO do Mr Blue Sky. We will see

:49:10. > :49:12.you tomorrow. We will leave you with music from The Other Stayed and New

:49:13. > :50:37.Order. Yes. # Every time I think of you

:50:38. > :50:40.# I feel shot right through with a bolt of blue

:50:41. > :50:47.# It's no problem of mine # But it's a problem I find

:50:48. > :50:50.# Living a life that I can't leave behind

:50:51. > :50:54.# But there's no sense in telling me # The wisdom of the fool won't set

:50:55. > :50:59.you free # That's the way that it goes

:51:00. > :51:18.# And it's what nobody knows # Well every day my confusion grows

:51:19. > :51:29.# Every time I see you falling # I get down on my knees and pray

:51:30. > :51:49.# I'm waiting for that final moment # You say the words that I can't say

:51:50. > :51:58.# I feel fine and I feel good # I'm feeling like I never should

:51:59. > :52:04.# Whenever I get this way # I just don't know what to say

:52:05. > :52:08.# Why can't we be ourselves like we were yesterday

:52:09. > :52:13.# I'm not sure what this could mean # I don't think you're what you seem

:52:14. > :52:21.# I do admit to myself # That if I hurt someone else

:52:22. > :52:37.# Then I'll never see just what we're meant to be

:52:38. > :52:53.# Every time I see you falling # I get down on my knees and pray

:52:54. > :52:58.# I'm waiting for that final moment # You say the words that I can't say

:52:59. > :53:03.# Every time I see you falling # I get down on my knees and pray

:53:04. > :53:19.# Waiting for that final moment # You say the words that I can't say

:53:20. > :53:53.... # Every time I see you falling

:53:54. > :54:02.# I get down on my knees and pray # I'm waiting for that final moment

:54:03. > :54:09.# You say the words that I can't say # Every time I see you falling

:54:10. > :54:20.# I get down on my knees and pray # I'm waiting for that final moment

:54:21. > :54:34.# You say the words that I can't say...

:54:35. > :57:36.# # Love will tear us apart again.

:57:37. > :57:44.# You cry out in your sleep # All my failings exposed

:57:45. > :57:49.# And there's a taste in my mouth # As desperation takes hold

:57:50. > :57:52.# Just that something so good # Just can't function no more

:57:53. > :57:58.# But love, love will tear us apart again

:57:59. > :58:05.# Love, love will tear us apart again

:58:06. > :58:13.# Love, love will tear us apart again

:58:14. > :59:01.# Love, love will tear us apart again

:59:02. > :59:03.Thank you Glastonbury! It's been an honour and a pleasure.