:00:00. > :00:00.This programme may contain strong language
:00:00. > :00:22.Hello and welcome back the Glastonbury 2017, live on BBC Two. I
:00:23. > :00:27.have dreaded Nick Grimshaw in for a younger, better looking model. Who
:00:28. > :00:32.can blame you? You're only human. You have been on air for most of
:00:33. > :00:36.your adult life. Pretty much, and it feels good. So we have loads of
:00:37. > :00:43.great stuff to bring you. The excitement gathers towards the
:00:44. > :00:47.headline act here. Foo Fighters. Del Amitri yeah. So we are going to find
:00:48. > :00:51.out what is happening and get the atmosphere first-hand from our
:00:52. > :00:56.lovely woman on the ground, Jo Whiley, who has been sent into the
:00:57. > :01:02.mosh pit, which will not be a mosh pit because there was heavy
:01:03. > :01:08.security. It will be controlled mosh pit. Let's hand over to our chum Jo,
:01:09. > :01:12.who is scenting the atmosphere. Massive anticipation for the arrival
:01:13. > :01:17.of the Foo Fighters. Absolutely. If I could, I would be in that mosh
:01:18. > :01:21.pit. But you can sense the anticipation. The state is being
:01:22. > :01:24.set, the music is being ramped up and the flags are flying. Palpable
:01:25. > :01:31.excitement from Foo Fighters fans. The band will be on stage and I will
:01:32. > :01:39.bring them to you at 9.40 fight. Back to you. Thanks, Jo! We ran over
:01:40. > :01:46.there to hear what Jo was saying. She looked very colourful. Good to
:01:47. > :01:50.be noticed in that crowd. So we ran over there and they said to get back
:01:51. > :01:55.here. You have had about 30 seconds off since four o'clock this
:01:56. > :01:59.afternoon. But I can't complain, because Glastonbury has been
:02:00. > :02:03.spectacular. And we still haven't needed wellies. It is great, because
:02:04. > :02:08.you can walk around the outer areas. I have been up to the Healing Field
:02:09. > :02:12.and the stone circle, the places you can't be bothered going because it
:02:13. > :02:17.is usually too much effort. A couple got married here at the Park Stage,
:02:18. > :02:23.so congratulations. We wish you a long and happy life. Let's celebrate
:02:24. > :02:47.with music from Mali by Songhoy Blues on the Park Stage, just here.
:02:48. > :06:35.From earlier today just behind us on the Park Stage, Songhoy Blues. Now,
:06:36. > :06:42.let's talk about Liam Gallagher because there is a lot to say. There
:06:43. > :06:46.is. It sounds like he is launching his solo career. Journalists always
:06:47. > :06:52.say, we have to watch Liam Gallagher in case that is the one time when
:06:53. > :06:57.Noel comes on. This isn't it, but he is doing great things. He has
:06:58. > :06:59.famously done stuff with Adele and has come back with a big sound. Some
:07:00. > :07:36.new stuff now and maybe a classic. # When you're chained to the mirror
:07:37. > :07:40.and the razor blade # Today's the day
:07:41. > :07:42.that all the world will see # Walking to the sound of
:07:43. > :07:50.my favorite tune # Tomorrow never knows
:07:51. > :07:57.what it doesn't know too soon # Need a little time
:07:58. > :08:09.to wake up, wake up # Need a little time
:08:10. > :08:13.to rest your mind # You know you should
:08:14. > :08:19.so I guess you might as well # You need a little time
:08:20. > :08:27.to wake up, wake up # Need a little time
:08:28. > :09:08.to wake up, wake up # When you're chained to the mirror
:09:09. > :09:15.and the razor blade # Today's the day that all the world
:09:16. > :09:21.will see # Walking to the sound of
:09:22. > :09:28.my favorite tune # Tomorrow never knows
:09:29. > :09:35.what it doesn't know too soon # Need a little time
:09:36. > :09:42.to wake up, wake up # Need a little time
:09:43. > :09:48.to rest your mind # You know you should
:09:49. > :09:55.so I guess you might as well # You need a little time
:09:56. > :10:05.to wake up, wake up # Need a little time
:10:06. > :11:03.to wake up, wake up Thank you. Now we've got your
:11:04. > :11:26.attention, we are going to get stuck into some new songs.
:11:27. > :11:32.# You've been keeping paraphernalia, oh
:11:33. > :11:42.# Anyone can see right through your eyes
:11:43. > :12:04.# One day you'll shatter like a wall of glass
:12:05. > :12:34.# One day you'll shatter like a wall of glass
:12:35. > :13:13.# One day you'll shatter like a wall of glass
:13:14. > :13:55.# One day you'll shatter like a wall of glass
:13:56. > :14:15.# One day you'll shatter like a wall of glass
:14:16. > :14:41.# One day you'll shatter like a wall of glass
:14:42. > :14:52.CHEERING AND APPLAUSE Wall of Glass, new from Liam
:14:53. > :14:56.Gallacher. A massive crowd wherever he goes. He still has a brooding
:14:57. > :15:01.charisma. The man has still got it. My brother and I went to see him a
:15:02. > :15:05.couple of weeks ago. It was just a worship fest. To see it times ten on
:15:06. > :15:10.that stage, impressive. We're here for it, Liam. He played in
:15:11. > :15:15.Manchester recently, it was like the return of a hero, such an exciting
:15:16. > :15:20.night. Glad to have you back. We're going to catch up with Jo who had a
:15:21. > :15:24.chat with him fresh off the stage. Welcome to our garden and to Liam,
:15:25. > :15:29.who joins me now. How are you? Good, very good. You've come off the
:15:30. > :15:33.stage. Bit spaced out. It's not a bad thing maybe. Why spaced out?
:15:34. > :15:37.Just because you've been like held up in that room all day, so trying
:15:38. > :15:41.to get into the zone and then you go out, loads of people there and
:15:42. > :15:48.singing songs. It's pretty emotional thing. An extraordinary experience.
:15:49. > :15:51.Yeah. It is extraordinary. I'll be right, I'll be back to my usual mad
:15:52. > :16:00.self in half an hour. At the moment you're just a bit processing it.
:16:01. > :16:07.Just locking spaced out and that jazz sheet isn helping. The stories
:16:08. > :16:13.I've heard of people trying to come to see you, so many people trying to
:16:14. > :16:17.see you. Dave from Foo Fighters couldn't get there. I like Dave man,
:16:18. > :16:20.better luck next time. The fact that you were doing the gig and so many
:16:21. > :16:24.people there, what was it like looking out to the audience?
:16:25. > :16:28.Amazing, always nice to do. I'm made for big gigs, I'm made for small
:16:29. > :16:32.ones as well, but the bigger the better. They don't scare me. Does
:16:33. > :16:37.anything scare you? No. Losing my voice scares me. You know, you spend
:16:38. > :16:40.your whole day sitting around thinking, is it going to be there
:16:41. > :16:45.when you walk out. You think it's there. But it was there tonight, I
:16:46. > :16:49.think. You know what I mean? That's the only thing I'm nervous about.
:16:50. > :16:56.How did you prepare for this show? Lots of honey and apple cider
:16:57. > :17:00.vinegar, just stuff like that. I'm behaving myself these days. You know
:17:01. > :17:05.what I mean, as you get older, you just want to like, just - it's the
:17:06. > :17:09.best thing ever being able to sing to loads of people. Got to behave a
:17:10. > :17:13.bit now. It's time to take it seriously? Not too seriously. But
:17:14. > :17:18.you've got to prepare like footballers do. But soon as the
:17:19. > :17:23.gig's over, it's back to like being a scally wag. I imagine it was
:17:24. > :17:27.exciting on stage and looking out and hearing people singing along.
:17:28. > :17:34.What was the last song you did? Don't Look Back in Anger. I've never
:17:35. > :17:37.done that before. Yeah, because like everyone's like that's their song
:17:38. > :17:41.for the moment, with the shit that's going down in the world. I thought
:17:42. > :17:45.if our kid's not going to do it for them, I'll do it for them. I did all
:17:46. > :17:50.right. What are you doing after this, staying around? Yeah, I'm down
:17:51. > :17:56.with the grime boys. Proper grime fan. I met wiley h, a chat about a
:17:57. > :18:00.-- had a chat about a fight coming up. Met Stormzy. Heard about that
:18:01. > :18:05.it's the new punk. I'm going to check it out. Then I'll pop over and
:18:06. > :18:09.see the Foo Fighters. You reckon you can do this and be left alone, will
:18:10. > :18:12.you be in disguise? No, not in disguise. Nice to be back playing
:18:13. > :18:14.tunes to the beautiful people. Congratulations, well done Thank
:18:15. > :18:21.you. Wow. He was on great form. He was.
:18:22. > :18:25.Finger on the pulse. Down with the grime boys. He looks so well. Clean
:18:26. > :18:29.shaven, good hair cut, really chatty. Drinking vinegar. Taking
:18:30. > :18:34.care of himself these days. We like that, Liam. So from one wiley to
:18:35. > :18:39.another, we go to the Godfather of grime. He tweeted earlier on how
:18:40. > :18:44.overjoyed he was to be on the farm. Here he is from the Other Stage,
:18:45. > :19:15.this is wiley. OK, let's go.
:19:16. > :21:45.It quote the good man himself, he well and truly united the raver.
:21:46. > :21:50.Wiley there. We were talking about a wedding which happened here. Can I
:21:51. > :21:54.just say, hello to Janette and friends of jolly Joch, they got
:21:55. > :21:58.married here. There's a plaque up in green fields. Jolly Joch is no
:21:59. > :22:02.longer with us. Hi to you guys. Lots of love. We're getting into the live
:22:03. > :22:09.music now. I've heard these guys rehearsing. They are brilliant.
:22:10. > :22:11.Usually when they say The Fedz are here, it's not a good thing, but
:22:12. > :22:30.this is. Enjoy, this is The Fedz. Hello people. Welcome to the sound
:22:31. > :22:30.of The Fedz. # It's driving me wild,
:22:31. > :22:36.our stars are in sync # So you know the smiles that
:22:37. > :22:40.are coming your way # I'm reading the signs
:22:41. > :22:48.and they're pointing my way # I tremble inside,
:22:49. > :23:35.so I walk in the rain # Because you're making me shy even
:23:36. > :23:42.when you're not here # Just bask in the sun
:23:43. > :23:50.is the tenth minute # Your love's got me jumping
:23:51. > :24:43.around, now I'm spinning around # Actions speak louder than words.
:24:44. > :24:47.We should be close # Want to go close to when my pen
:24:48. > :24:51.would write the sweet notes # The pen prize away
:24:52. > :24:55.# It feels sad because my blue skies are grey
:24:56. > :24:56.# Now my heart's full up # I thought that things would look
:24:57. > :25:00.up # I said it so dad, what can I say
:25:01. > :25:53.# You're the best I ever had. APPLAUSE
:25:54. > :25:57.Thank you. Lovely stuff from The Fedz there. Thanks very much guys.
:25:58. > :26:04.Brilliant. I wish we could join them you know? I think we'd fit in. Yeah.
:26:05. > :26:08.Seamlessly. I might be just what they're missing off the frontline. I
:26:09. > :26:11.think you more so than I. I think. So don't beat yourself up about it.
:26:12. > :26:16.Thank you very much. That was amazing. Now all kinds of music at
:26:17. > :26:20.Glastonbury, that's one of the joys of it. There's a variety. One thing
:26:21. > :26:25.that people say is underrepresented over the years is metal and perhaps
:26:26. > :26:27.extreme metal, denning metal and -- death metal and things like that.
:26:28. > :26:41.They put that right on Thursday night. A label of that kind of music
:26:42. > :26:46.brought it here. Let's see what happened here for Ear ache.
:26:47. > :26:51.2017 a seminal moment for Glastonbury. The festival is
:26:52. > :27:00.throwing open the fields for extreme metal. First up the band that
:27:01. > :27:12.started it all. It's a bit loud! This is napalm
:27:13. > :27:30.death. These are the daddies. These guys created the genre. Hey man, are
:27:31. > :27:34.you all right, you just played Glastonbury myself. You are so wet.
:27:35. > :27:40.Yeah. How do you think the crowd took, it man? Surprisingly,
:27:41. > :27:45.actually. It's a para-Dom. Because whilst we don't deliberately set out
:27:46. > :27:50.to shock people, needless to say the music's sonically violent. What
:27:51. > :27:55.underpins it is peace, tolerance, equality, non-violence. We still get
:27:56. > :27:58.a perverse kick out of like wrecking people's heads. You'll be pleased to
:27:59. > :28:06.know that I'm basically deaf at the moment. Metallica may have headlined
:28:07. > :28:11.the Pyramid Stage in 2014, but never before has metal at Glastonbury been
:28:12. > :28:17.so extreme. As night fell Lucy took me to a whole new area dedicated to
:28:18. > :28:26.metal's outer edges. Where are we? At the ear ache express in Shangri
:28:27. > :28:31.La. A massive shindig with loads of bands to celebrate extreme metal.
:28:32. > :28:39.Glastonbury has never had anything of this calibre. This is from the
:28:40. > :28:44.death metal scene. It's a tribal uniform for the death metal crowd.
:28:45. > :28:49.Is this a big thing in metal, looking scary? There's a
:28:50. > :28:52.misconception that the metal community are really scary. Most
:28:53. > :28:57.people have normal jobs, normal nine to five. It doesn't matter what walk
:28:58. > :29:03.of life you're from, how old you are, what gender you are, so long as
:29:04. > :29:08.you are happy in a mosh pit. We've got a band playing tonight
:29:09. > :29:13.called Worm Rot. They're brutal. They've come all the way from
:29:14. > :29:33.Singapore and they're Muslim. You look metal!
:29:34. > :29:39.Extreme metal has finally made its way to Glastonbury after 30 years.
:29:40. > :29:51.It's loud, and it's awesome! Long may it continue! Arghhh! I want to
:29:52. > :29:54.hang out with him. Nice one. I think James Ballardie has gone native.
:29:55. > :29:58.That's the beautiful thing about it, you leave real life at the gate.
:29:59. > :30:01.Absolutely. Check into fairy land and take it where you like.
:30:02. > :30:09.Inhibitions are left at the gate. Good man, James. We will catch up
:30:10. > :30:13.with Yasser now who has been hanging out at cinema-geddon. I'm interested
:30:14. > :30:16.to see this. I'm told it's like a drive-in cinema. Yeah a
:30:17. > :30:20.drive-through of sorts, like the old days. Couples put their arms round
:30:21. > :30:26.each other and enjoy the view. Here's Yasser.
:30:27. > :30:30.Hi guys, yes, I'm here, Joe is with me, one of the artists. What's the
:30:31. > :30:35.concept? The idea is it's like a mutated drive-in cinema. We've
:30:36. > :30:41.parked all these cars out here and people come and sit there and put
:30:42. > :30:45.the head phones on and watch the screen. That is the biggest screen
:30:46. > :30:49.I've ever seen in my life. I didn't know they make them this big. It's
:30:50. > :30:52.huge. What I love about this place, every car has its own
:30:53. > :31:00.characteristics. Talk to us about that. This is the rolls rust. You
:31:01. > :31:08.don't often see a rusty one. This is the royal car, which we drove Prince
:31:09. > :31:09.Edward into the Olympic Stadium at the closing ceremony. That's the
:31:10. > :31:25.glitter bug. The Messerschmitt over here. And
:31:26. > :31:35.this is one of my favourites. This is just a car in a hole. Settled
:31:36. > :31:40.down here, get your headphones. , As does the seats? Adjust them, turn on
:31:41. > :31:44.the air conditioning. This is one of my favourite places in the whole of
:31:45. > :31:46.Glastonbury. We are going to carry on and watch this film. Over to you
:31:47. > :31:59.guys back in the studio. That was Yasser at the
:32:00. > :32:06.Cineramageddon. Talking about having a choice of viewing, I spoke to my
:32:07. > :32:11.family today. My wife said, we haven't seen it so far. We sat and
:32:12. > :32:16.watched it last month, but the kid said, shall we watch love Island
:32:17. > :32:21.instead? So thanks, that is where I am in the pecking order. Well, we
:32:22. > :32:25.are here at Glastonbury and having a wonderful time. Well going to enjoy
:32:26. > :32:29.some music now a guy who it is safe to say the whole of the scene is
:32:30. > :32:33.rooting for and you will hear why. And with a heads up for some strong
:32:34. > :32:39.language and strobe lighting, this is the incredible Stormzy.
:32:40. > :32:43.Glastonbury, this is the upper stage. My name is Stormzy. You lot
:32:44. > :32:58.have been fucking legendary. Let's go, man! Energy. I need way more
:32:59. > :33:20.energy. I said Glastonbury, energy! One, two, one, two, three!
:33:21. > :33:21.# Energy crew # Energy crew.
:33:22. > :33:22.# You're getting way too big for your boots
:33:23. > :33:24.# I've got the big size twelves on my feet
:33:25. > :33:30.# Dem boy dere tried twist up the truth
:33:31. > :33:31.# How dare you twist up the truth, look
:33:32. > :33:32.# You're getting way too big for your boots
:33:33. > :33:34.# I've got the big size twelves on my feet
:33:35. > :33:38.# Dem boy dere tried twist up the truth
:33:39. > :33:40.# Wanna come round here like a badboy?
:33:41. > :33:43.# Bun all the talking, go on then, do it
:33:44. > :33:44.# Running through the party, bottle of Bacardi
:33:45. > :33:45.# Bro's in my ear saying "Stormz, don't do it"
:33:46. > :33:46.# Devil on my shoulder, I don't lack
:33:47. > :33:47.# Hit 'em with a crowbar, I don't scrap
:33:48. > :33:48.# Even when I'm sober, I'm so gassed
:33:49. > :33:49.# Say you ride but there's no car and no mash (what
:33:50. > :33:52.# Never had a MAC-10 or a trey pound
:33:53. > :33:54.# You were never bad then, you ain't bad now
:33:55. > :33:55.# Never had the MAC then, little..., back down
:33:56. > :33:56.# Wait, I saw bare kicks, saw bare clothes
:33:57. > :33:58.# I don't like them, they're not my ting
:33:59. > :33:59.# They went silent, they're all weirdos
:34:00. > :34:02.# Mandem are calm, but you see my don there?
:34:03. > :34:04.# Don't care who you know from my block
:34:05. > :34:05.# You're not Al Capone, you'll get boxed
:34:06. > :34:07.# I'll still do the road in my socks
:34:08. > :34:15.# You're by yourself, go and group up
:34:16. > :34:17.# And when Krept went States for the BETs
:34:18. > :34:20.# I was covering Krept like a bootcut
:34:21. > :34:21.# It's mad, that's a family ting, straight family ting
:34:22. > :34:28.# Telling me to come round hers on a Valerie ting
:34:29. > :34:38.# You're getting way too big for your boots
:34:39. > :34:40.# I've got the big size twelves on my feet
:34:41. > :34:46.# Dem boy dere tried twist up the truth
:34:47. > :34:53.# How dare you twist up the truth, look
:34:54. > :34:57.# I'm the man of the house and my shows sold out
:34:58. > :34:58.# Like the brudda from the Boondocks
:34:59. > :35:00.# Still steal meat from the stew pot
:35:01. > :35:02.# Little man, that's a Hublot, not a Hublot
:35:03. > :35:07.# I go mad, yeah, I'm down to die for this
:35:08. > :35:09.# I don't care, bro, I'm down to pipe your chick
:35:10. > :35:11.# Mad stressed so I'm bound to light my spliffs
:35:12. > :35:15.# Man, I've got no time to write a diss
:35:16. > :35:16.# I never left my 9 to 5 for this Wasteman ting
:35:17. > :35:19.# I came here to relax but if it gets mad
:35:20. > :36:20.Good news from Glastonbury. We can go back there and bring you Stormzy.
:36:21. > :36:23.# Dem boy dere tried twist up the truth
:36:24. > :36:29.# How dare you twist up the truth, look
:36:30. > :38:21.Glastonbury, energy! Glasto, don't let me down, please, man.
:38:22. > :38:38.# Duh, all of you MCs sound so bitter
:38:39. > :38:39.# Shut down Wireless, shut down Twitter
:38:40. > :38:51.# Anyone else wanna pay their dues? me, shame on you
:38:52. > :38:53.# Imposters wanna take my tunes, check it
:38:54. > :38:54.# Stiff Chocolate, yeah, my face so smooth
:38:55. > :38:56.# Don't even talk too much, you're a talker
:38:57. > :38:58.# Dem man still go halves on a quarter
:38:59. > :39:00.# See me turn from a prince to a pauper
:39:01. > :39:03.# Two cigarettes and a bottle of water
:39:04. > :39:04.# Told the bouncers get the bottles in order
:39:05. > :39:05.# Man in the kitchen putting in orders
:39:06. > :39:07.# Stiff Chocolate, skin clear like water
:39:08. > :39:26.# Smooth on this ting, start locking up daughters
:39:27. > :40:03.The peoples champ, that was Stormzy on BBC Two. Apologies if you lost us
:40:04. > :40:07.for a second. We are very much alive. Had a technical issue but
:40:08. > :40:11.it's all good now. So the satellite went down during Stormzy, but we got
:40:12. > :40:16.an engineer out equipped with a monkey wrench. That was a song by
:40:17. > :40:20.someone, wasn't it? Was it the Foo Fighters? This is a well constructed
:40:21. > :40:22.link that throws us to Jo Whiley in the pit. Let's see how the mood is
:40:23. > :40:43.fermenting down there. The mood is ridiculous down here at
:40:44. > :40:45.the moment. There is a lot of chanting and singing going along.
:40:46. > :40:48.People are desperate for the band to come on stage. And they are very
:40:49. > :40:50.excited. Let's hear the story of the Foo Fighters. It's been almost 20
:40:51. > :40:55.years since the Foo Fighters took to the stage at Worthy Farm. The last
:40:56. > :40:59.Glastonbury appearance was way back in 1998. We are on the Main Stage,
:41:00. > :41:04.but there was some Euro cup final soccer thing happening, so we played
:41:05. > :41:09.in the pouring rain to not a lot of people. To each other. But over the
:41:10. > :41:16.last two decades, the band have established themselves as the
:41:17. > :41:21.princes of alternative rock. The Foos began life as Nirvana drummer
:41:22. > :41:25.Dave Grohl's solo project of self penned songs. Stepping out from
:41:26. > :41:35.behind the skin 's comedy played every instrument on their celebrated
:41:36. > :41:42.self titled debut. # Tricky second album the colour and
:41:43. > :41:51.shape spawned a rock outs... And singalong stadium anthems. Donatella
:41:52. > :41:59.Hawkins was installed as the New Statesman. Taylor, the new drummer,
:42:00. > :42:04.has given everything a new spot. And the Foos continued their journey to
:42:05. > :42:13.sky-high stardom. They topped the UK charts in 2002 with fourth album one
:42:14. > :42:26.by one. The band have bagged 11 Grammys. They have clocked up eight
:42:27. > :42:34.studio albums. And have sold out stadiums across the globe. In 2015,
:42:35. > :42:40.they were all set to headline the Pyramid Stage. But at a gig in
:42:41. > :42:46.Sweden, Dave's online sat-nav had a blip, resulting in a lower limb
:42:47. > :42:52.disaster. I think I just broke my leg. Nonetheless, he rocks on and
:42:53. > :42:55.finished the show. We were looking forward to playing Glastonbury, and
:42:56. > :43:01.I guess it was just a few days before that I broke my leg. So they
:43:02. > :43:09.moved Florence to the headliner. And they did a version of times like
:43:10. > :43:17.these. I remember I was in my wheelchair with my leg up, and I
:43:18. > :43:21.heard it online and went, she is singing! Florence And The Machine
:43:22. > :43:29.wowed the Somerset crowd, but the Foos promised to return. That the
:43:30. > :43:34.festival. That's the one. Sa tonight, the stars have aligned and
:43:35. > :43:44.finally, the Foo Fighters are rocking the Pyramid Stage. What it
:43:45. > :43:48.meant to be? Of course it was. I think it's safe to say the Foos are
:43:49. > :43:52.going to make a lot of people very happy tonight. It's kind of
:43:53. > :43:59.emotional for him to get here finally. So here we go. Here is Jo
:44:00. > :44:03.to set it all in motion. They are quite a rowdy bunch. The people down
:44:04. > :44:07.here are waiting for Foo Fighters. But they are behaving themselves now
:44:08. > :44:12.because they know Foo Fighters will be here imminently. Dave Grohl has
:44:13. > :44:16.said this gig tonight has immense meaning. He said this one has more
:44:17. > :44:19.meaning than any gig Foo Fighters have done before, that this is more
:44:20. > :44:23.than a gig, this is personal. He said he was moved to tears when he
:44:24. > :44:26.watched Florence And The Machine perform times like these when he had
:44:27. > :44:32.a broken leg and could not be here to play on the Pyramid Stage. So he
:44:33. > :44:36.has waited for two years to get back on two feat to be able to walk out
:44:37. > :44:41.on this date and be able to perform and give Glastonbury the kind of
:44:42. > :44:45.show they want. Of course, the band have been saying they have a lot of
:44:46. > :44:49.friends, so we are excited to see what will be happening on stage.
:44:50. > :44:53.There might be some colourful fireworks in the sky towards the end
:44:54. > :44:57.of the set. And there will certainly be hit after hit. You have probably
:44:58. > :45:00.heard that everybody here is in fine voice, so they will be singing along
:45:01. > :45:06.to every song they know. The band are about to walk out on stage, so,
:45:07. > :45:08.Saturday night, Glastonbury Festival, your Pyramid Stage
:45:09. > :45:13.headliners. There might be some swearing. Of course there will be.
:45:14. > :45:22.It is the Foo Fighters! They will be walking out now. Enjoy the whole set
:45:23. > :45:24.and sing along wherever you are at home. This is going to be a lot of
:45:25. > :46:24.fun. I'm about two years late tonight...
:46:25. > :46:27.I'm sorry. CHEERING
:46:28. > :46:41.Traffic was a bitch. Let me tell you something, for all
:46:42. > :46:54.of you that were here in 2015... CHEERING
:46:55. > :47:00.... I'm sorry I missed you. But I watched that show on my laptop, as I
:47:01. > :47:05.was sitting in a wheelchair with a broken leg and it looked beautiful.
:47:06. > :47:11.And my friend, Florence... CHEERING
:47:12. > :47:20.... Got to headline that year, and I'm very happy that happened because
:47:21. > :47:32.you know what, I thought she should have been headlining any way.
:47:33. > :47:42.As I was sitting in my wheelchair, watching this show on TV, all of a
:47:43. > :47:51.sudden she played a fucking Foo Fighters' song, man. Way better than
:47:52. > :48:00.we've ever played a Foo Fighters' song, let me tell you! So I thought
:48:01. > :48:06.I'd come out here and start the show tonight... Singing that song back to
:48:07. > :48:16.Florence tonight. That's what I want to do.
:48:17. > :49:10.# It's times like these you learn to live again
:49:11. > :49:16.# It's times like these you give and give again
:49:17. > :49:22.# It's times like these you learn to love again
:49:23. > :49:36.# It's times like these, time and time again
:49:37. > :49:46.# I'm a brand new sky to hang the stars upon tonight
:49:47. > :50:07.# Do I stay or run away and leave it all behind?
:50:08. > :50:18.# It's times like these you learn to live again
:50:19. > :50:24.# It's times like these you give and give again
:50:25. > :50:31.# It's times like these you learn to love again
:50:32. > :51:23.# It's times like these, time and time again
:51:24. > :51:39.# It's times like these you learn to live again
:51:40. > :51:42.# It's times like these you give and give again
:51:43. > :51:47.# It's times like these you learn to love again
:51:48. > :51:52.# It's times like these, time and time again
:51:53. > :51:56.# It's times like these you learn to live again
:51:57. > :52:02.# It's times like these you give and give again
:52:03. > :52:06.# It's times like these you learn to love again
:52:07. > :52:47.# It's times like these, time and time again
:52:48. > :55:41.Light them up. I want to see everybody! You ready? You ready?
:55:42. > :02:10.It's going to be a long night, you know that! I think tonight we should
:02:11. > :02:12.just play until they kick us off the stage. What do you think?
:02:13. > :02:19.CHEERING We can do it! You know we can do it.
:02:20. > :02:27.So now we're going to play some old songs. Songs from the first record.
:02:28. > :02:33.CHEERING Songs from the second record.
:02:34. > :02:35.CHEERING Songs from the third record. I like
:02:36. > :02:38.that one. CHEERING
:02:39. > :02:44.And the fourth record. CHEERING
:02:45. > :02:45.How about the fifth one? CHEERING
:02:46. > :02:48.How about the sixth one? CHEERING
:02:49. > :02:53.What about the seventh one? CHEERING
:02:54. > :02:57.Maybe we'll do something from the eighth one.
:02:58. > :03:02.CHEERING Maybe we'll do something from the
:03:03. > :03:06.ninth one, but you've not even fucking heard it yet. Let's shut it
:03:07. > :03:18.up. # Oh, sweet ignition
:03:19. > :04:37.be my fuse # You have no
:04:38. > :04:39.choice you have to choose # You have no choice,
:04:40. > :05:15.you have to choose # These rattled bones
:05:16. > :05:35.and rubber bands # Looking for a dime
:05:36. > :05:41.and found a quarter # But you can't
:05:42. > :05:43.make me change my name # You'll never make
:05:44. > :05:45.me change my name # Pay no mind now
:05:46. > :05:48.ain't that something # You'll never make
:05:49. > :07:18.me change my name # Pay no mind now
:07:19. > :10:56.ain't that something You like rock and roll?
:10:57. > :11:06.CHEERING You like rock and roll?
:11:07. > :11:10.LOUD CHEERING. Me, too. Let's play some rock and
:11:11. > :11:17.roll. Let's play some real rock and roll. Let's play some rock and roll
:11:18. > :11:22.you can dance to. You want to dance with me? Come on and dance! I can
:11:23. > :13:51.walk now! We can dance. I was just checking to make sure you
:13:52. > :13:59.like to rock and roll. If you want to fucking Singh, you want to sing
:14:00. > :14:03.with me, do both hands. We can do that. Who's got the backbeat?
:14:04. > :16:29.Listen. CHEERING AND APPLAUSE
:16:30. > :16:37.Hey! Hey! Hey! Hi. Ladies and gentlemen, I am going to say oh
:16:38. > :16:47.yeah. I can see you. I have a question. How you doing, you doing
:16:48. > :16:59.all right, all right? How many people seen the Foo Fighters play
:17:00. > :17:03.before? Let me see. Not bad. It's more than Lithuania. How many people
:17:04. > :17:11.have never seen the Foo Fighters play before? Let me see you, come
:17:12. > :17:15.on. That's a lot of people. Let me introduce you to to Foo Fighters.
:17:16. > :17:37.That is Chris on lead guitar, that guy right there.
:17:38. > :17:44.I don't think Ted Nugent is very popular here, you, I know he is
:17:45. > :18:13.popular in your heart, but give them something real. Give them like a...
:18:14. > :18:29.Fucking show off! On the bass is Mr NateSt Mendell. A handsome man. You
:18:30. > :18:36.going to give them something Nate? He's going to give you some of that.
:18:37. > :19:11.He put the fun income the trunk. That is Nate right there. You can
:19:12. > :19:19.feel it in your bones. That is Rami on keyboards right there.
:19:20. > :19:21.It's a difficult solo to take, I have to be honest.
:19:22. > :20:04.Unless... Oh, shit, come on.
:20:05. > :20:10.You can see why he is in this band! Look at that, Pat Smear. You know
:20:11. > :20:20.Pat. Pat. That's fucking Glastonbury right there, look at those people.
:20:21. > :20:47.That is Glastonbury. They love ya. Pat doesn't do solos.
:20:48. > :21:01.OK that's all he gets. That is all he's going to get. There's more
:21:02. > :21:12.coming, don't worry. Last but not fucking least...
:21:13. > :21:26.I know, he hates the attention, he's so modest and shy. That's Taylor
:21:27. > :21:35.Hawkins on the drums right there. Howdy. How you all doing? This place
:21:36. > :21:42.is fucking insane. That's a big show. That's a big one. Warm them up
:21:43. > :22:03.Hawkin, give it to them right now, hit them hard. Ay-oh! Day-oh. That's
:22:04. > :22:07.two Queen things already. We obviously love Queen. I mean, you
:22:08. > :22:13.know, why not? The great thing about Taylor Hawkins is he has a really
:22:14. > :22:15.tanned chest and he sings a song called Day in the Sun. You have to
:22:16. > :23:08.hear that right now. # You just might
:23:09. > :23:11.wear your welcome out # There's nothing
:23:12. > :23:13.that you couldn't say # I think it's time
:23:14. > :23:15.you walked this lonely road # You get so lost inside
:23:16. > :23:23.your head # Are you looking
:23:24. > :23:25.for someone to blame? # Looks like your bleeding
:23:26. > :23:44.heart has already won # You're so afraid that
:23:45. > :23:50.you are the only one # Don't be afraid cos
:23:51. > :24:07.you're not the only one # Looks like your bleeding
:24:08. > :24:49.heart has already won # Looks like your bleeding
:24:50. > :25:31.heart has already won Taylor Hawkins on the drums.
:25:32. > :26:10.CHEERING AND APPLAUSE # The day he heard
:26:11. > :26:13.the lighting in the field # That night the Tallahatchie
:26:14. > :26:31.took the wheel # And they're singing
:26:32. > :27:11.like a bluebird in the round # That are tangled deep beneath
:27:12. > :27:27.this southern ground # And you need blind
:27:28. > :29:12.faith # Open your eyes,
:29:13. > :29:56.step into the light # Can't you see
:29:57. > :31:54.I've waited long enough # Can't you see
:31:55. > :32:54.I've waited long enough # But still inside
:32:55. > :33:25.a whisper to a liar # To sacrifice
:33:26. > :33:28.but knowing to survive # The first to find
:33:29. > :33:32.another state of mind # I'm on my knees
:33:33. > :33:35.I'm waiting for a sign # Can't you see
:33:36. > :34:51.I've waited long enough # Can't you see
:34:52. > :36:03.I've waited long enough? I'd like to dedicate that last song
:36:04. > :36:17.to my surgeon. CHEERING
:36:18. > :36:26.Plastic surgeon. His name's James. I went to him and I said, I know I
:36:27. > :36:38.have a broken leg, but could you make me look older? Voila!
:36:39. > :36:48.This one's for you, James, and the last one. It's called These Days.
:36:49. > :37:00.# The ground will drop out from beneath your feet
:37:01. > :37:23.# Your heart will stop and play its final beat
:37:24. > :37:37.# The clocks will stop and time won't mean a thing
:37:38. > :38:31.# I'll bet, I'll bet I'll bet, I'll bet
:38:32. > :38:52.# Your eyes will close and pray you'll disappear
:38:53. > :39:07.# You will forget to hope and learn to fear
:39:08. > :39:45.# I'll bet, I'll bet I'll bet, I'll bet
:39:46. > :40:50.# Your heart will stop and play its final beat
:40:51. > :42:14.CLACKING OF INCREASING VOLUME. Leave it to Glastonbury to have a
:42:15. > :42:26.singalong in a place that never had a fucking singalong before! That's
:42:27. > :42:28.not the next part. The next part... Is a bit like this.
:42:29. > :42:53.# I'll bet, I'll bet I'll bet, I'll bet
:42:54. > :44:11.It's time to get going. This 1's for the naked guy.
:44:12. > :44:13.# Take those pictures down and shake it out
:44:14. > :44:51.# Don't the best of them bleed it out
:44:52. > :48:03.Do it for Emily. Let's hear it fucking loud.
:48:04. > :50:08.CHEERING AND APPLAUSE All right.
:50:09. > :50:24.I might change things up a little bit.
:50:25. > :50:32.Let's hear my guitar. Hold on. You know you're at a Foo Fighters show
:50:33. > :50:39.when it sounds like that. That's very good. OK. Ladies and
:50:40. > :50:48.gentlemen, Dan, line them up, I have to see the people, you know I like
:50:49. > :50:59.see the people. You guys doing all right? You doing
:51:00. > :51:12.all right? We got lucky, man. That's a beautiful night. It's not so bad.
:51:13. > :51:21.You know we like to work this like a roller coaster. We've got to hit you
:51:22. > :51:30.hard for a little bit, then we got to bring you back, because if you
:51:31. > :51:33.want, we could play all fucking night, I don't know.
:51:34. > :51:46.CHEERING . What's the curfew? What is it? 12?
:51:47. > :51:55.I don't know what it is. I'm not really asking permission for
:51:56. > :52:05.anything right now. How about this? You all can stay and dance and have
:52:06. > :52:12.a good time. We'll keep playing. You all can take a break. Come back, we
:52:13. > :52:18.might still be playing. If you want one of those parties,
:52:19. > :52:20.because... Ain't no party like a Foo Fighters party, that's the way I
:52:21. > :52:36.like look at it. For the last month, everyone's been
:52:37. > :52:39.asking, how's it feel? You going to headline Glastonbury, how's that
:52:40. > :52:43.feel? This is it, you're going to headline Glastonbury, how does that
:52:44. > :52:47.feel, you're going to do it. It's going to to be the big one, it's the
:52:48. > :52:59.big one. This is it! And we got here tonight,
:53:00. > :53:04.I walked in, walked in the side of the stage, I looked out at the
:53:05. > :53:06.Glastonbury, how's that feel? This is it, you're going to headline
:53:07. > :53:10.Glastonbury, how does that feel, you're going to do it. It's going to
:53:11. > :53:13.to be the big one, it's the big one. This is it! And we got here tonight,
:53:14. > :53:15.I walked in, walked in the side of the stage, I looked out at the
:53:16. > :53:18.audience, Glastonbury, how's that feel? This is it, you're going to
:53:19. > :53:21.headline Glastonbury, how does that feel, you're going to do it. It's
:53:22. > :53:23.going to to be the big one, it's the big one.
:53:24. > :53:26.This is it! And we got here tonight, I walked in, walked in the side of
:53:27. > :53:28.the stage, I looked out at the audience, and I said, "We're going
:53:29. > :53:31.to light that mother fucker up tonight." And, it look like a party
:53:32. > :53:34.to me, right? So this is the slow dance. This is a couple's dance.
:53:35. > :53:38.It's an old song we don't play very often. Because no-one likes it.
:53:39. > :53:45.We'll see what happens. A song called wheels.
:53:46. > :54:46.# Well I wanted something better, man
:54:47. > :57:14.# Well you wanted something beautiful
:57:15. > :58:19.Let me sing this one. I'm going to sing this one just with you. Are you
:58:20. > :59:53.ready? Singalong. CHEERING
:59:54. > :59:58.Ladies and gentlemen, we have a new record that nobody's fucking heard
:59:59. > :00:08.yet. But we do have a song that maybe you heard. Want to play that
:00:09. > :00:10.song, Chris? Let's do it. It's a new song. It's called Run. It sounds
:00:11. > :00:22.like this. # Seems that all they ever wanted
:00:23. > :05:52.was a brother # Even all the ever wanting
:05:53. > :06:04.had a problem # Seems that all they ever wanted
:06:05. > :06:26.was a marking # This is a call
:06:27. > :06:44.to all my past resignations # Seems that all the cysts and
:06:45. > :07:25.molluscs tend to barter # Even all the ones
:07:26. > :07:32.who watered down the daughter # Seems that all they ever wanted
:07:33. > :08:38.was a marking # This is a call
:08:39. > :08:55.to all my past resignations # Ain't that the way
:08:56. > :10:43.it always starts # Hey don't go
:10:44. > :11:03.and turn the other way # Don't say there's
:11:04. > :11:08.nothin more to say # You used to say
:11:09. > :11:21.I couldn't save you enough # So I've been savin it up
:11:22. > :11:25.I started savin it up # And when you said
:11:26. > :11:28.I couldn't give you enough # I started given you up
:11:29. > :11:34.I started given you up # You and what army
:11:35. > :12:01.Arlandria, Arlandria? # Don't you remember
:12:02. > :12:13.it was raining down you # Fame, fame, go away
:12:14. > :12:33.come again so other day # You used to say
:12:34. > :12:36.I couldn't save you enough # So I've been savin it up
:12:37. > :12:41.I started savin it up # And when I said
:12:42. > :12:44.I couldn't give you enough # I started given you up
:12:45. > :12:49.I started given you up # You and what army
:12:50. > :13:04.Arlandria, Arlandria? # My sweet Virginia
:13:05. > :14:42.I'm the same as I was in your world # Fame, fame, go away,
:14:43. > :15:17.come again some other day # You used to say
:15:18. > :15:18.I couldn't save you enough # So I've been savin it up
:15:19. > :15:22.I started savin it up # And when you said
:15:23. > :15:25.I couldn't give you enough # I started giving you up
:15:26. > :15:30.I started giving you up # You are not me
:15:31. > :16:19.Arlandria, Arlandria CHEERING AND APPLAUSE
:16:20. > :16:24.OK. I have a question, hold on, there's the peoples.
:16:25. > :16:30.You guys need a break or you want to fucking keep it up? You want to keep
:16:31. > :16:35.it up? You want to keep it up. I see you. You people want to keep it up
:16:36. > :16:41.over there, right? You people want to keep it up over there right? Give
:16:42. > :16:49.me one of those Ds. I need a D guitar. So here's what happens at
:16:50. > :16:54.our show, we usually after an hour or two, we start looking at you, to
:16:55. > :17:04.see what you want, so you want to keep it up? You want to keep it up.
:17:05. > :17:17.Taylor, you want to keep it up? Rami you want to keep it up? Oh. Another
:17:18. > :17:23.fucking chant. All right. Let's keep it up. This sausage's called Monkey
:17:24. > :17:35.Wrench. # Don't want to be your monkey
:17:36. > :18:09.wrench # Don't want to be your monkey
:18:10. > :22:55.wrench Ong's called Monkey Wrench.
:22:56. > :23:04.Let's bring that shit down. Take it down. Dan, turn out the fucking
:23:05. > :23:09.lights. Don't like these lights. Let me see what you got. Give me
:23:10. > :23:21.your lights. Come on, let me see it. Bring it on.
:23:22. > :23:31.Fucking Emerson lake and Palmer over there, a green Laser.
:23:32. > :23:47.I think I like it. All right. Let's do it like that. Do it like that?
:23:48. > :24:26.Shake 'em. I want to see them. Shake them up. Shake it up.
:24:27. > :24:31.Shake them. Come on. On. Let me see them.
:24:32. > :24:33.Show them to me. Come on. All the way at back. Let me see them. Shake
:24:34. > :24:35.them. Come on.
:24:36. > :25:06.Woo. Keep going. Keep it going. Keep it
:25:07. > :25:14.going. Come on, keep it going. Do it. Don't stop. Do it. You got
:25:15. > :25:39.it. Yeah. Come on. I like it.
:25:40. > :25:47.Don't turn those lights on, Dan. Here goes.
:25:48. > :26:20.# Don't want to be your monkey wrench
:26:21. > :27:32.# Don't want to be your monkey wrench
:27:33. > :28:02.That was nice... You got a couple more songs, you want, you got a
:28:03. > :28:10.couple more songs in you, I know you do. Let them out, I want to see you.
:28:11. > :28:21.All right. You got one more, you got one more
:28:22. > :28:30.in you, right? That's it? You fucking lightweights. One more
:28:31. > :28:37.fucking song. You got two more fucking songs in you? You got three
:28:38. > :28:50.more songs? I don't know. What you got?
:28:51. > :28:59.Do we have ten more songs? All right. You know what, we will do it
:29:00. > :29:11.if you fucking want us to do it, we'll do it.
:29:12. > :29:19.Ten more songs? OK, ready. Happy Beth day to you... There's one.
:29:20. > :29:38.-- birthday. OK, let's start here. How about
:29:39. > :29:44.this? We'll see if we get ten. That's a long one. What have we got?
:29:45. > :29:53.OK. How about this? I'm just going to play until they tell us to
:29:54. > :29:59.fucking stop. How about that? Any of you ever Foo Fighters show? You know
:30:00. > :30:13.that this shit could go on for a long fucking time. I understand that
:30:14. > :30:19.the fucking EDM tent is going to be full by the time you get there. It's
:30:20. > :30:32.OK. But right now, it's all about this and you and this and us. Let's
:30:33. > :30:39.do and us think. How about we do something together? You want to
:30:40. > :30:41.that? Let's do and thing. Remember that time we sang a song together?
:30:42. > :30:49.You fucking will later. # I've got another
:30:50. > :30:50.confession to make # Everyone's got their chains
:30:51. > :30:53.to break # The best, the best
:30:54. > :31:10.the best of you? # The best, the best
:31:11. > :31:20.the best of you? # You gave me something
:31:21. > :31:37.that I didn't have # Is someone getting the best
:31:38. > :32:25.the best, the best, the best of you? # Is someone getting the best
:32:26. > :33:10.the best, the best, the best of you? # The life, the love
:33:11. > :33:18.you'd die to heal # The hope that starts
:33:19. > :33:21.the broken hearts # Is someone getting the best
:33:22. > :33:34.the best, the best, the best of you? # The best, the best
:33:35. > :37:45.the best of you? OK. Guess what? This is exactly what
:37:46. > :37:54.I fucking hoped would happen. Daniel, line them up. -- like them
:37:55. > :38:02.up. Hey, Glastonbury. Thank you so much, you guys. It's been a
:38:03. > :38:12.beautiful evening. Everybody tried to make us feel like this is the
:38:13. > :38:20.most nerve-racking, biggest night of our entire lives. I'm not saying
:38:21. > :38:38.goodbye, mother fucker, just so you know. Oh, shit. Never going to get
:38:39. > :38:52.out of here! CROWD SINGING ALONG AGAIN.
:38:53. > :39:23.If you guys seem that much, ten more songs will take three more hours.
:39:24. > :39:34.You know that shit, right? All right.
:39:35. > :39:41.CROWD CHANTING: Three more hours! Three more hours!
:39:42. > :39:54.I mean, we can fucking do it? Get me that Yegor Meister, large. Can we at
:39:55. > :40:13.least finish this fucking song, please? Jesus fucking come on!
:40:14. > :40:25.# Well, I've got another confession my friend
:40:26. > :40:33.# I'm getting tired of starting again
:40:34. > :40:44.# Were you born to resist or be abused?
:40:45. > :41:07.# Is someone getting the best the best, the best, the best of you?
:41:08. > :41:11.# Has someone taken your faith? It's real, the pain you feel
:41:12. > :41:43.# Is someone getting the best the best, the best, the best of you?
:41:44. > :42:15.CROWD CONTINUES TO SING ALONG TO LAST SONG.
:42:16. > :42:26.All right, all right, all right! Let's break this shit down for a
:42:27. > :42:32.minute. Let me tell you, you are all crazy!
:42:33. > :42:37.CHEERING You want to do a little dance with
:42:38. > :42:46.me? Just, you know, check it out a little. -- shake it out a little.
:42:47. > :42:52.Don't start counting, you fucking Foo Fighters people! Oh, and let me
:42:53. > :42:57.tell you something. Yesterday, the day before yesterday, we were doing
:42:58. > :43:07.an interview and someone said, you know you're not supposed to swear.
:43:08. > :43:13.There is no swearing on Glastonbury. I was like, what the fuck is that
:43:14. > :43:20.supposed to fucking mean? ! And then, I guess, Adele holds the
:43:21. > :43:32.record for the most fucks in a Glastonbury. Now, I love Adele. But,
:43:33. > :43:43.guess what. Fuck, fuck, fuck, fuck, fuck, fuck...
:43:44. > :43:51.# Fuck, fuck, fuck, fuck, fuck, fuck # Fuck, fuck, fuck... OK, I think we
:43:52. > :44:15.broke a record. I think it was 33. Fuck, shut -- dude, shut the fuck
:44:16. > :44:25.up! This one is for the Foo Fighters bands. It's called Skin And Bones.
:44:26. > :44:44.# Wind me up and watch me spin
:44:45. > :45:35.# All worn out and nothing fits
:45:36. > :51:07.Hey! I got a clock, I know the time. I'm fucking counting. Shut up! No
:51:08. > :51:14.thank you. LAUGHTER
:51:15. > :51:20.Taylor? Yes, do you want to sing a song? Sure. You want to sing a song
:51:21. > :51:27.out from. Yes, come back here. I'm going to go back there, he's going
:51:28. > :51:30.to come out here P We're going to lay down, we did this once before at
:51:31. > :51:54.a nightclub, with 50 people there. How about some more Queen? We
:51:55. > :52:02.obviously love Queen, you know that. I don't know how this mic works.
:52:03. > :52:07.We're going do a song called under pressure.
:52:08. > :52:23.When was the last time you saw Dave Grohl play the drums.
:52:24. > :52:31.# Pressure, # Pressing down on me
:52:32. > :52:33.# ming down on S you # Under pressure
:52:34. > :52:52.# To bring the feeling down # Terror of knowing
:52:53. > :52:54.# What this world is about # Watching your good friend
:52:55. > :52:59.screaming # Let me out
:53:00. > :53:17.# Tomorrow,
:53:18. > :53:32.# Go Dave # These are the days
:53:33. > :53:38.# People on the streets # People on the streets
:53:39. > :53:43.# It's the terror of knowing what this world is about
:53:44. > :53:46.# Watching some good friends scream let me out
:53:47. > :53:59.# Tomorrow,
:54:00. > :54:04.# One, two three # Turneded away from it all like a
:54:05. > :54:10.blind man # Sat on a fence but it don't work
:54:11. > :54:23.had been keep coming up with love # But it's so slashed and torn
:54:24. > :54:35.# Oh, no #
:54:36. > :54:40.Love, #
:54:41. > :54:54.Give love one more chance, why don't you give love, give love give love
:54:55. > :54:57.# Give love # Cause love's such an old fashioned
:54:58. > :55:00.word # And lover dares you to care for
:55:01. > :55:08.the people # On the edge of the night
:55:09. > :55:11.# And love dares you to change our way
:55:12. > :55:20.# Of caring about ourselves # This is our last dance
:55:21. > :55:39.# This is our ourself
:55:40. > :55:58.# Under pressure # Pressure. #
:55:59. > :56:10.That's for your kids Rog. Yeah, yeah, yes.
:56:11. > :56:30.I mean... Taylor. Yes. We got all these people we got all this time.
:56:31. > :56:44.How about this? I know how much time we have. You know the Foo Fighters,
:56:45. > :56:57.we always come back. You know that, right? Let me say, that tonight
:56:58. > :57:04.everybody said this is the big one man, this is it. And I'm like, no,
:57:05. > :57:09.that's not the big one. And I feel loose, I feel good and I feel like
:57:10. > :57:19.this is the fucking big one, man, I'm into it. I feel like it's just
:57:20. > :57:34.the way it should be. Are you telling me to stop? No, no, no.
:57:35. > :57:41.What? I got one, right. I'd like to dedicate this song to someone named
:57:42. > :57:46.Laura, who couldn't be here tonight. But we should all dance this one for
:57:47. > :57:52.her, that's what I think. Thank you all for sticking round with our band
:57:53. > :57:55.for 22 years. People that seen us play before, it's very nice of you,
:57:56. > :58:00.thank you. And for all the people that have
:58:01. > :58:08.never seen us play before, I hope you see us for the next 22 years
:58:09. > :58:12.because we might be coming back. But this country has always been so good
:58:13. > :58:16.to us this is where we cut our teeth, this is where we became a
:58:17. > :58:21.band and if it weren't for you people in this place, we wouldn't be
:58:22. > :58:30.here right now, so, thank you, all of our love to you, thank you so
:58:31. > :58:39.much. It really is the best fucking job in the world. I worked in
:58:40. > :58:41.Shaky's pizza, you don't want to do that. So we never really say
:58:42. > :59:14.goodbye, we just say think. # I'm over my head
:59:15. > :00:10.Out of her head she sang # If everything could ever feel
:00:11. > :00:24.this real forever # If anything could ever be
:00:25. > :00:30.this good again # The only thing
:00:31. > :00:33.I'll ever ask of you # You've got to promise not to stop
:00:34. > :00:50.when I say when, she sang... # Out of your head
:00:51. > :01:15.Out of my head, I sang... # And I wonder
:01:16. > :01:23.When I sing along with you # If everything could ever feel
:01:24. > :01:29.this real forever # If anything could ever be
:01:30. > :01:35.this good again # The only thing
:01:36. > :01:37.I'll ever ask of you # You've got to promise not to stop
:01:38. > :01:51.when I say when, she sang... # # If everything could ever feel
:01:52. > :02:25.this real forever # If anything could ever be
:02:26. > :02:31.this good again # The only thing
:02:32. > :02:34.I'll ever ask of you # You've got to promise not to stop
:02:35. > :02:57.when I say when, she sang... # Thank you so much! That was a
:02:58. > :05:00.fucking beautiful night! Thank you! FEEDBACK FROM GUITAR AMPLIFIERS.
:05:01. > :05:31.CROWD SING ALONG TO EARLIER SONG. Well, my word, the Pyramid Stage
:05:32. > :05:35.falling silent after an epic set from the Foo Fighters. You can't say
:05:36. > :05:39.they didn't give it their all. A long road to get here, but they had
:05:40. > :05:46.everything there, even an accordion solo. Who was expecting that? The
:05:47. > :05:52.full kit. Dave Grohl having the time of his life. What a bandes after the
:05:53. > :05:55.disappointment two years ago when Florence stepped in, I'm sure they
:05:56. > :06:01.were delighted with that, and a lovely tribute to Florence at the
:06:02. > :06:06.start. Dedicating the first tractor was a nice touch. Be online for a
:06:07. > :06:10.little while so, if you want to relive the set and the fireworks for
:06:11. > :06:16.a little while, beautiful things from the Foo Fighters. Now we're
:06:17. > :06:20.going over to the Other Stage, where Alt-J were headlining tonight, and
:06:21. > :06:24.who would have thought that the understated sound of Alt-J would
:06:25. > :06:27.headline the Other Stage at Glastonbury? Absolutely, but here
:06:28. > :06:34.they are, bringing it to the Other Stage. We are Alt-J.
:06:35. > :06:41.# Pool, summer, summer, pool, pool summer
:06:42. > :06:53.# Hair the way the sun really wants it to be
:06:54. > :06:56.# Whiskey soda, please, your G is empty
:06:57. > :07:00.# Chairs, inflatables have sunk to the bottom
:07:01. > :07:03.# Pool, summer, summer, pool, pool summer
:07:04. > :07:32.# To the pool's bottom where we belong
:07:33. > :07:39.# Callie, we're sinking like a bleeding stone
:07:40. > :07:45.# All above crowd around so very loud
:07:46. > :08:04.# My pool summer, summer, pool, summer vibes killed
:08:05. > :08:15.# Lifeless back slaps the surface of the pool
:08:16. > :08:19.# Pool killer, killer, pool, pool killer
:08:20. > :08:45.# My pool summer, summer, pool, summer vibes killed
:08:46. > :10:08.# She may contain the urge to run away
:10:09. > :10:09.# But hold her down with soggy clothes and breezeblocks
:10:10. > :10:11.# Cetirizine your fever?s gripped me again
:10:12. > :10:13.# Never kisses all you ever send are full stops La la la la
:10:14. > :10:14.# Do you know where the wild things go?
:10:15. > :10:17.# They go along to take your honey La la la la
:10:18. > :10:23.# Break down now, weep Build up breakfast now
:10:24. > :10:25.# Let's eat, my love my Love love love La la la la
:10:26. > :10:30.# The fear has gripped me but here I go
:10:31. > :10:37.# Your hand grips hand as my eyes shut
:10:38. > :10:50.# Ahhh ahhh ahhh ah ah Ahhh ahhh ahhh ah ah
:10:51. > :10:52.# Do you know where the wild things go?
:10:53. > :10:56.# They go along to take your honey La la la la
:10:57. > :11:01.# Break down now, sleep Build up breakfast now
:11:02. > :11:03.# Let's eat my love my Love love love La la la la
:11:04. > :11:05.# She bruises coughs She splutters pistol shots
:11:06. > :11:10.# But hold her down with soggy clothes and breezeblocks
:11:11. > :11:15.My love, my love Love, love, la la la la
:11:16. > :11:21.# The fear has gripped me but here I go
:11:22. > :11:28.# Your hand grips hand as my eyes shut
:11:29. > :11:55.# Ahhh ahhh ahhh ah ah Ahhh ahhh ahhh ah ah
:11:56. > :11:57.# She may contain the urge to run away
:11:58. > :12:01.# But hold her down with soggy clothes and breezeblocks
:12:02. > :12:07.# Germolene disinfect the scene My love, my love, love, love
:12:08. > :12:18.# Please don't go, I love you so My lovely
:12:19. > :12:47.# Please don't go I'll eat you whole
:12:48. > :12:50.# I love you so, I love you so I love you so
:12:51. > :12:53.# Please don't go I'll eat you whole
:12:54. > :12:57.# I love you so, I love you so I love you so, I love you so
:12:58. > :12:59.# Please don't go I'll eat you whole
:13:00. > :13:03.# I love you so, I love you so I love you so
:13:04. > :13:06.# Please don't go I'll eat you whole
:13:07. > :13:10.# I love you so, I love you so I love you so, I love you so
:13:11. > :13:13.# Please don't go I'll eat you whole
:13:14. > :13:15.# I love you so, I love you so I love you so
:13:16. > :13:18.# Please don't go I'll eat you whole
:13:19. > :13:22.# I love you so, I love you so I love you so, I love you so
:13:23. > :13:25.# Please don't go I'll eat you whole
:13:26. > :13:28.# I love you so, I love you so I love you so
:13:29. > :13:32.# Please don't go I'll eat you whole
:13:33. > :13:41.# I love you so, I love you so I love you so, I love you so. #
:13:42. > :14:04.The adorably nerdy Alt-J, doing a brilliant job headlining the Other
:14:05. > :14:11.Stage. I know what you mean, not every band can have a binary solo in
:14:12. > :14:15.one of their recent songs, which they do, and also bust out a
:14:16. > :14:19.glockenspiel in the middle of the set and do it confidently as a
:14:20. > :14:25.headliner but why not. Add up against Foo Fighters as well. A
:14:26. > :14:30.tough gig. Some live music now from Manchester. He bought a ticket for
:14:31. > :14:34.Glastonbury, he is therefore a lovely time and he's been booked for
:14:35. > :14:52.a couple of gigs, including one right now. This is Tom Walker.
:14:53. > :15:02.# I'm going out tonight # You could come to mine,
:15:03. > :15:08.# Probably get enough for the bus, # By what a time to be alive
:15:09. > :15:14.# Four bottles down my neck, I'm feeling them fine
:15:15. > :15:20.# Let's hear it for the good times # Been counting down
:15:21. > :15:25.# Don't take us too long # Because our lives ain't like a
:15:26. > :15:29.movie, # Of a song
:15:30. > :15:37.# Counting our blessings # Because we got friends to lean on
:15:38. > :15:45.# Got no money in our pockets # We're too busy getting drunk
:15:46. > :15:47.# We just counting our blessings #
:15:48. > :16:02.Just counting our blessings
:16:03. > :16:14.# I'm busy playing five the,
:16:15. > :16:17.# What a time to be alive # Fat Freddie's on the drop on
:16:18. > :16:19.Spotify # So let's hear it for the good
:16:20. > :16:25.times # Let's hear it for the good times
:16:26. > :16:30.# And counting our blessings, # But I don't take us too long
:16:31. > :16:33.# Because our lives ain't like a movie
:16:34. > :16:40.# Of a Katy Perry song # And counting our blessings
:16:41. > :16:44.# Because we got friend to lean on #
:16:45. > :16:48.Got no money in our pockets # We're too busy getting drunk had
:16:49. > :16:54.been we're counting our # And when the night is over
:16:55. > :17:04.# Lay your head on purr shoulders # Glad I'm coming down with you
:17:05. > :17:08.# Because nothing really matters # As long adds you're right here
:17:09. > :17:15.here # Been counting our blessings
:17:16. > :17:18.# Our lives ain't like a movie # Of a Katy Perry song
:17:19. > :17:22.# Counting our blessings # Cause we got friends to lean on
:17:23. > :17:32.# Got to Michelle Obama in our pockets
:17:33. > :17:37.# We're too busy getting drunk # Just counting our blessings
:17:38. > :17:43.# Just counting our, we're counting our blessings
:17:44. > :17:50.# We're counting our blessings # Just counting our blessings
:17:51. > :17:59.# Counting our, counting our blessings
:18:00. > :18:06.# We're counting our blessings. # APPLAUSE
:18:07. > :18:10.Thank you very much Tom for coming to play for us, Blessings, he is a
:18:11. > :18:15.number one Foo Fighters fan. A massive Foo Fighters fan but you
:18:16. > :18:20.have to watch a bit of it with us, thank you for coming. Really
:18:21. > :18:25.appreciate it. We are up here at the park. You can see the ribbon tower,
:18:26. > :18:29.this is a special part, this area was created by Emily ten years ago,
:18:30. > :18:33.it is ten years old this year and this is a really cool part of the
:18:34. > :18:37.site. All sorts of interesting stuff going on and we will check out the
:18:38. > :18:40.headliners from the park stage, just behind us here, right now. This is
:18:41. > :19:49.war paint headlining at the park tonight.
:19:50. > :19:54.# Why you want to blame me for your troubles
:19:55. > :20:00.# You better learn your lesson yourself
:20:01. > :20:11.# Nobody ever has to find what's in my mind
:20:12. > :20:19.tonight # Let tonight pass us by
:20:20. > :20:21.# Do you really want to be the one to fight?
:20:22. > :20:22.# # You better learn your lesson
:20:23. > :20:24.yourself # Nobody ever has to find what's in
:20:25. > :20:27.my mind tonight # Let tonight pass us by
:20:28. > :20:30.# Do you really want to be the one to fight?
:20:31. > :20:32.# And I said "You're better not to light that fire
:20:33. > :20:34.# It will take you to the darkest part of the weather"
:20:35. > :20:38.# What's matter # You hurt yourself?
:20:39. > :20:44.# Open your eyes and there was someone else?
:20:45. > :20:55.# No I've got you in the undertow # Now I've got you in the undertow
:20:56. > :20:57.# Why you want to blame me for your troubles?
:20:58. > :21:02.# You better learn your lesson yourself
:21:03. > :21:08.# Nobody ever has to find out what's in my mind tonight
:21:09. > :21:17.# Nobody ever has to find out
:21:18. > :21:31.# What's in my mind tonight # Nobody in my mind
:21:32. > :22:01.# I feel it in my heart tonight
:22:02. > :22:07.# I lay on the floor # Pressing in my eyes
:22:08. > :22:10.# Seeing little lights # Please light these decisions that
:22:11. > :22:19.only one could make # I wanted to stay home but I went
:22:20. > :22:33.# Running running running running from the troubles
:22:34. > :22:49.# Running, running running from the troubles
:22:50. > :22:55.# What's the matter? You hurt yourself?
:22:56. > :23:01.# Opened your eyes and there was someone else?
:23:02. > :23:08.# No I've got you in the undertow # No I've got you so
:23:09. > :23:14.# Why you want to blame me for your troubles?
:23:15. > :23:18.# Ah, ah, you better learn your lesson yourself had been nobody ever
:23:19. > :23:47.has to find out what's in my mind tonight
:23:48. > :23:50.# I went running running running from
:23:51. > :23:55.the troubles # Running running running from the
:23:56. > :23:59.troubles # Running running running from the
:24:00. > :24:04.troubles # Running running running running
:24:05. > :24:06.running running # Running running running
:24:07. > :25:33.# Running running running... CHEERING AND APPLAUSE
:25:34. > :25:38.Tonight's Parkhead liners war paint, playing here earlier this 've neck,
:25:39. > :25:42.if you are unfamiliar with the Glastonbury experience, just behind
:25:43. > :25:46.us you see flame, don't by a alarmed for those of you who haven't watched
:25:47. > :25:52.before, that is the spider in Arcadia, it is just a giant scrap
:25:53. > :25:56.metal arachnid that be strides the festival and belches flames into the
:25:57. > :26:02.sky. I like that, a belch of flame. I like that. Who doesn't. We are
:26:03. > :26:05.going to head over to the John Peel Stage, the headliners are the
:26:06. > :26:08.wonderful Phoenix from France that, I have just released their new
:26:09. > :26:51.album, and this is what they looked and sounded like tonight.
:26:52. > :26:55.# Why you keep pretending that you wanna let go?
:26:56. > :27:07.# Loud volume turn to low low low low low low
:27:08. > :27:14.# What you want and what you do to me
:27:15. > :27:17.# I'll take the trouble that you have in mind
:27:18. > :28:26.# Once upon a time would take too long, long, long, long, long, long
:28:27. > :28:32.# What you want and what you do to me
:28:33. > :28:38.# I'll take the trouble let you have my mind
:28:39. > :30:27.CHEERING French pop heroes Phoenix headlining
:30:28. > :30:30.the John Peel tent tonight. Brilliant line up there actually.
:30:31. > :30:36.You can check out anything you missed on the website. That's the
:30:37. > :30:40.best place to go and catch up with anything that you might have missed.
:30:41. > :30:46.If you are looking at us and wondering, why is there a beautiful
:30:47. > :30:51.bearded gentleman betwixt you? Thanks, Lauren! There are now two.
:30:52. > :30:56.Also, a pile of broken glass in front of you. Well, it will be clear
:30:57. > :31:01.that we have reached the upsetting point of the evening when cabaret is
:31:02. > :31:07.about to happen. People are visibly blanching around the studio at what
:31:08. > :31:14.is about to occur. It is Mr Logan from Belfast. Where are you based?
:31:15. > :31:24.Circus and theatre tents. What is happening next, Logi? I'm going to
:31:25. > :31:29.show you a trick using the glass. Are you sure? I've seen this done
:31:30. > :31:38.before. ... Right. OK, it's Glastonbury, it's fine. You know
:31:39. > :31:41.what you're doing, right? We are ready, Logi, if you are. We are
:31:42. > :31:50.going to do a single trip and need a volunteer. I'm up for it. First, the
:31:51. > :31:53.glass. One of the things about the glass is you have to be very careful
:31:54. > :32:02.on it. You can't just jump about or walk in and around. To start, you
:32:03. > :32:09.want to be nice and slow. Evenly spreading your weight. If you start
:32:10. > :32:12.jumping up and down and things like that, it can really damage your
:32:13. > :32:18.feet, so nice and gentle. The trick with going to try and show off is
:32:19. > :32:27.where I'm going to lie down on the glass and you're going to stand on
:32:28. > :32:35.top of me. Are you sure? Yes. I am really upset. I am really upset
:32:36. > :32:40.right now. And this is proper glass. This is all the glass that was
:32:41. > :32:44.confiscated on the way in. At least it's gone to some good use.
:32:45. > :32:49.Recycling, part of the Glastonbury ethos. Yes, you preserve your
:32:50. > :33:00.modesty! He's all right. Be very careful in that whole area.
:33:01. > :33:09.Oh, my goodness. I dislike this. What I'm going to get you to do,
:33:10. > :33:15.you're going to stand up... Can I hold your beard? We can't hear you
:33:16. > :33:25.with your beard there. I was saying...
:33:26. > :33:32.UNCLEAR SPEECH. Are you sure you want me to stand on you? I'm a big
:33:33. > :33:42.boy. Will you hold me, Lauren? Can I hold your hand? It's quite springy,
:33:43. > :33:56.isn't it? Oh, that's nice. Perfect. You sure? Yeah. Oh! You all right?
:33:57. > :34:03.I'm good. I don't like it! You are really wobbly, weirdly! Can we go to
:34:04. > :34:13.storm the edge Stormzy? I think we should. OK, I'm going to come down
:34:14. > :34:14.now, Logi. All right, let's go and check out Stormzy. He was on the
:34:15. > :34:37.Other Stage earlier. I'm upset. In the way more energy. One, two,
:34:38. > :34:46.three. # I've got the big size
:34:47. > :34:47.twelves on my feet # Dem boy dere tried
:34:48. > :34:52.twist up the truth # How dare you twist
:34:53. > :34:53.up the truth, look # You're getting way
:34:54. > :34:55.too big for your boots # I've got the big size
:34:56. > :35:02.twelves on my feet # Dem boy dere tried
:35:03. > :35:05.# Wanna come round here like a badboy?
:35:06. > :35:07.# Bun all the talking, go on then, do it
:35:08. > :35:08.# Running through the party, bottle of Bacardi
:35:09. > :35:10.# Bro's in my ear saying "Stormz, don't do it"
:35:11. > :35:11.# Devil on my shoulder, I don't lack
:35:12. > :35:13.# Hit 'em with a crowbar, I don't scrap
:35:14. > :35:14.# Even when I'm sober, I'm so gassed
:35:15. > :35:15.# Say you ride but there's no car and no mash (what
:35:16. > :35:19.# Never had a MAC-10 or a trey pound
:35:20. > :35:20.# You were never bad then, you ain't bad now
:35:21. > :35:22.# Never had the MAC then, little nigga, back down
:35:23. > :35:24.# Wait, I saw bare kicks, saw bare clothes
:35:25. > :35:27.# I don't like them, they're not my ting
:35:28. > :35:29.# They went silent, they're all weirdos
:35:30. > :35:34.# Mandem are calm, but you see my don there?
:35:35. > :35:37.# Don't care who you know from my block
:35:38. > :35:39.# You're not Al Capone, you'll get boxed
:35:40. > :35:43.# I'll still do the road in my socks
:35:44. > :35:52.# You're by yourself, go and group up
:35:53. > :35:54.# And when Krept went States for the BETs
:35:55. > :35:56.# I was covering Krept like a bootcut
:35:57. > :35:58.# Ith mad, that's a family ting, straight family ting
:35:59. > :36:03.# Telling me to come round hers on a Valerie ting
:36:04. > :36:11.# Dem boy dere wanna chat about bars
:36:12. > :36:12.# Wanna chat about crud but, but, but
:36:13. > :36:14.# You're getting way too big for your boots
:36:15. > :36:16.# I've got the big size twelves on my feet
:36:17. > :36:22.# Dem boy dere tried twist up the truth
:36:23. > :36:24.# How dare you twist up the truth, look
:36:25. > :36:30.# You're getting way too big for your boots
:36:31. > :36:36.# I'm the man of the house and my shows sold out
:36:37. > :36:37.# Like the brudda from the Boondocks
:36:38. > :36:39.# Still steal meat from the stew pot
:36:40. > :36:41.# Little man, that's a Hublot, not a Hublot
:36:42. > :36:45.# I go mad, yeah, I'm down to die for this
:36:46. > :36:47.# I don't care, bro, I'm down to pipe your chick
:36:48. > :36:48.# Mad stressed so I'm bound to light my spliffs
:36:49. > :36:52.# Man, I've got no time to write a diss
:36:53. > :36:54.# I never left my 9 to 5 for this Wasteman ting
:36:55. > :36:57.# I came here to relax but if it gets mad
:36:58. > :36:59.# Try tell me I'm way too big to rebel?
:37:00. > :37:01.# Nah, man, you're never too big to rebel
:37:02. > :37:02.# I was in the O2 singing my lungs out
:37:03. > :37:05.# Rudeboy, you're never too big for Adele
:37:06. > :37:07.# Leave my yard, blow a kiss to my girl
:37:08. > :37:10.# Gotta keep trophies down at my mum's bit
:37:11. > :37:11.# Man, I'm getting way too big for my shelf
:37:12. > :37:13.# Man, I see bare MCs wanna sideline
:37:14. > :37:15.# But I still got a couple bangers in the pipeline
:37:16. > :37:17.# Man, I've got grown men @ing me bullshit
:37:18. > :37:19.# You're getting way too old for the timeline
:37:20. > :37:20.# You're getting way too old for a diss
:37:21. > :37:23.# Get out the booth, go home to your son
:37:24. > :37:27.# It's like man love put my name in a bar
:37:28. > :37:29.# Random flight, get a plane to Qatar
:37:30. > :37:31.# This year, I learnt how to take care of business
:37:32. > :37:33.# Next year, I'll learn how to play the guitar
:37:34. > :37:35.# You're getting way too big for your boots
:37:36. > :37:37.# I've got the big size twelves on my feet
:37:38. > :37:44.# Dem boy dere tried twist up the truth
:37:45. > :37:47.# How dare you twist up the truth, look
:37:48. > :37:48.# You're getting way too big for your boots
:37:49. > :37:51.# I've got the big size twelves on my feet
:37:52. > :37:58.# Dem boy dere tried twist up the truth
:37:59. > :38:26.Have we all still got energy though, Glastonbury?
:38:27. > :38:33.It was such a brilliant set. I was lucky enough to sneak out and watch
:38:34. > :38:37.it from the front, Stormzy on the Other Stage earlier. If you're
:38:38. > :38:41.watching earlier, there was a lot of talk on Twitter about how he broke
:38:42. > :38:46.BBC Two with some technical difficulties, so we were reassuring
:38:47. > :38:51.part of the set. Just a reminder that you can catch up with
:38:52. > :38:56.everything on the website. Look, Logi is there and his back is
:38:57. > :39:03.remarkably intact, but I just found a shard. We are glad you are OK.
:39:04. > :39:08.Don't try this at home, because Logi is a professional, aren't you? Yes.
:39:09. > :39:11.As professional as you can be when it comes to lying on glass so, if
:39:12. > :39:17.you haven't done the training, don't do it. More music now, I think, and
:39:18. > :39:22.it's actually music and an interesting part of the festival.
:39:23. > :39:28.This is the fairground. Yasser is there filming kind of nocturnal
:39:29. > :39:32.spectacular for us, which will be on TV for you tomorrow, but he popped
:39:33. > :39:43.down earlier to check it out before the action kicks off. We are at the
:39:44. > :39:48.un-fairground. What's going on? What is this? It began about eight years
:39:49. > :39:55.ago, I suppose. Essentially, it's imagination. You can't deny the
:39:56. > :40:00.liberty of imagination. You make it, build it and do it and nobody can
:40:01. > :40:03.say anything about it. Every year, there is a different take on the
:40:04. > :40:12.creative direction. What was it this year? This year we have Inky from
:40:13. > :40:17.Bristol, a friend of ours. And they can do what they want on a large
:40:18. > :40:22.scale. ... Coming here in the daytime, I've got to say that some
:40:23. > :40:29.of these are quite creepy. My imagination can only guess what it's
:40:30. > :40:36.like. Children love it! But what happens at night? This is like this
:40:37. > :40:41.in the daytime. I think that lying bastards will be something to look
:40:42. > :40:49.at. Drag the hippies out of the crowd and send them to heaven. --
:40:50. > :41:00.the flying busts will be something to look at. Thank you to Yasser,
:41:01. > :41:05.having a lovely time while we are here. Eat out and about seeing what
:41:06. > :41:10.is going on and we will hear from him later in the show. And more from
:41:11. > :41:12.the un-fairground tomorrow. Time now for music from an artist making her
:41:13. > :45:01.debut at Glastonbury. APPLAUSE
:45:02. > :45:07.The fabulous sound there, her new album is out now. You play her or
:45:08. > :45:10.your radio show? I haven't. It's a brand-new discovery I should have
:45:11. > :45:18.caught her on later. Thank you for coming to play. We will head over to
:45:19. > :45:23.the West Holt stage. A dumb of years ago her sister Beyonce headlined
:45:24. > :46:22.Glastonbury but today it was about Solange.
:46:23. > :46:35.# We used to kiss all night but now
:46:36. > :46:39.it's just no use #
:46:40. > :46:47.I'm # Tell me the truth boy
:46:48. > :46:51.# Am I losing you for good #
:46:52. > :46:54.I knew you waiting for the rest # That you can't J Paul Getty Museum
:46:55. > :46:58.from me # Just treat me good and baby had
:46:59. > :47:03.been I'll give you the rest of me # I'm not the one that you should be
:47:04. > :47:07.be # Making your enemy.
:47:08. > :47:13.# Tell me the truth boy # Am I losing you for good
:47:14. > :47:22.# We used to kiss all night # But now it's just no use
:47:23. > :47:28.# I don't know why I fight it
:47:29. > :47:38.# Clearly we are through # Tell me the truth boy
:47:39. > :47:40.# Am I losing you for good #
:47:41. > :47:43.There's something and I know you taking it away from me
:47:44. > :47:45.# I gave you everything # And now there's nothing left for
:47:46. > :47:49.me # I'm not the one that
:47:50. > :47:55.# You should be making your enemy # I'm not the one that you should be
:47:56. > :48:02.# Be making your enemy push tell me the truth boy
:48:03. > :48:10.# Am I losing you for good # We used to kiss all night
:48:11. > :48:15.# But now it's just no use # I don't know why I fight it
:48:16. > :48:19.# Clearly we are through # Tell me the truth boy
:48:20. > :48:27.# Am I losing you for good # All right Glastonbury. I want to
:48:28. > :48:32.see every able body with the drops. Everybody fucking dance.
:48:33. > :48:39.# Tell me the truth boy # Am I lose you for good
:48:40. > :48:45.# We used to kiss all night
:48:46. > :48:52.# But now it's just no use # I don't know why I fight it
:48:53. > :48:55.# Clearly we are through # Tell me the truth boy
:48:56. > :49:19.# Am I Good #
:49:20. > :49:22.We used to kiss all night # But now it's just no use
:49:23. > :49:36.# I don't know why I fight it # Clearly we are
:49:37. > :49:48.Thank you! Absolutely amazing, at the West Holt stage, such a
:49:49. > :49:51.fantastic line up there, if I had to pick one stage to hang out at it
:49:52. > :49:56.would be that one, don't forget anything you have missed you can
:49:57. > :50:03.catch up with on the iPlayer and the website. And Foo Fighters did a
:50:04. > :50:08.brilliant job tonight. Tomorrow it is about Ed Sheeran and Barry Gibb
:50:09. > :50:12.son. We are back 6pm on BBC Two, tomorrow with Barry Gibb and a lot
:50:13. > :50:43.of Chic. See you then. Let's get the party started. Come
:50:44. > :50:45.# I said you wanna be startin' somethin'
:50:46. > :50:49.# I said you wanna be startin' somethin'
:50:50. > :50:52.# It's too high to get over Yeah-yeah
:50:53. > :50:54.# It's too low to get under Yeah-yeah
:50:55. > :50:57.# You're stuck in the middle Yeah-yeah
:50:58. > :51:00.# It's too high to get over Yeah-yeah
:51:01. > :51:01.# It's too low to get under Yeah-yeah
:51:02. > :51:04.# You're stuck in the middle Yeah-yeah
:51:05. > :51:18.# Someone's always trying to start my baby crying
:51:19. > :51:21.# Saying you just wanna be startin' somethin'
:51:22. > :51:23.# I said you wanna be startin' somethin'
:51:24. > :51:27.# I said you wanna be startin' somethin'
:51:28. > :51:31.# It's too high to get over Yeah-yeah
:51:32. > :51:33.# It's too low to get under Yeah-yeah
:51:34. > :51:35.# You're stuck in the middle Yeah-yeah
:51:36. > :51:39.# It's too high to get over Yeah-yeah
:51:40. > :51:40.# It's too low to get under Yeah-yeah
:51:41. > :51:42.# You're stuck in the middle Yeah-yeah
:51:43. > :52:50.# You love to pretend that you're good
:52:51. > :52:50.# Someone's always trying to keep my baby crying
:52:51. > :52:54.# I said you wanna be startin' somethin'
:52:55. > :52:58.# I said you wanna be startin' somethin'
:52:59. > :54:52.# I don't know what's going to happen to you, baby
:54:53. > :54:57.# You walk around this town with your head all up in the sky
:54:58. > :55:17.# You walk around this town with your head all up in the sky
:55:18. > :56:22.# Chic your body down # You're the spark that lit
:56:23. > :56:24.the fire inside of me # I need to do just something
:56:25. > :56:57.to get closer to your soul # Down, down, down
:56:58. > :57:02.# Way down # Shake it down
:57:03. > :58:14.say yeah. Say yeah. I want everybody, and I mean everybody, to
:58:15. > :58:21.put one hand like this, come on, come on. Everybody. Everybody. Like
:58:22. > :58:27.this. Yeah, everybody. Let's do it like this. Come on. Come on. Come
:58:28. > :58:58.on. Move your arms. Come on. # Shake your body
:58:59. > :59:20.# Shake your body # Shake your body
:59:21. > :59:26.# Your lovely body # Shake your body
:59:27. > :59:40.# Your lovely body. # Shake your booty, your lovely
:59:41. > :59:42.booty CHEERING AND APPLAUSE