:00:00. > :00:13.When can a player Coldplay, no question. When blur reformed and it
:00:14. > :00:19.was lashing down with rain. When can you get Bohemian Rhapsody. Everyone
:00:20. > :00:24.gave him a bit of jib. # Mamma #.
:00:25. > :00:30.Lionel Richie was my favourite televisual moment. It's definitely
:00:31. > :00:35.Dolly Parton. A very sensual woman. When Adele local boundaries and then
:00:36. > :00:39.started walking amongst the audience. I've had the best
:00:40. > :00:56.Glastonbury is watching from home on my sofa.
:00:57. > :01:02.Hello, everybody and welcome to date two of the world's best Festival,
:01:03. > :01:07.Glastonbury Festival, hearing quite glorious Somerset. Look at this
:01:08. > :01:11.weather. Bathed in sunshine, it's beautiful, it's been a great day
:01:12. > :01:15.here, is always running the full musical gamut from Thundercat right
:01:16. > :01:21.through the Craig David who killed it on the Pyramid Stage. Closely
:01:22. > :01:25.followed by Jeremy Corbyn. It's been quite a day and we're going to be
:01:26. > :01:29.bringing you as much of the action as possible. Later on the night
:01:30. > :01:32.you'll see Katy Perry and also the headline is on the Pyramid Stage,
:01:33. > :01:38.Foo Fighters. But now, we have something quite lovely for you. Yes,
:01:39. > :01:41.we do. We are going to check out some action from the Pyramid Stage
:01:42. > :01:46.in a few minutes' time with Jools Holland and his orchestra but before
:01:47. > :01:54.we go there, the story so far off Glastonbury 2017.
:01:55. > :02:24.# I don't care if you're young or old
:02:25. > :02:30.# You oughtta get together and let the good times roll
:02:31. > :02:36.# You got to go out and spend some cash
:02:37. > :02:46.# Well it makes no difference whether you're young or old
:02:47. > :02:48.# All you got to do is get together
:02:49. > :03:21.APPLAUSE That's why it's the best festival in
:03:22. > :03:25.the world. Also, our predictions were right. I think it's going to be
:03:26. > :03:30.a welly free Glastonbury. They two and I've not had sight of a welly
:03:31. > :03:34.near my foot yet. It's been welly free so far, but I feel that's the
:03:35. > :03:38.one area where I am superstitious. You need to bring your waterproofs,
:03:39. > :03:43.just in case. I caught up with Jools Holland earlier today. He hadn't
:03:44. > :03:47.brought any. It was slightly worried. The rain that was starting
:03:48. > :03:51.at the beginning of his set, the clouds parted and it was sunshine
:03:52. > :03:58.all round. This is Jools Holland and his orchestra and Ruby Turner and
:03:59. > :04:20.let the good times roll. Are you ready? Please welcome Ruby Turner.
:04:21. > :04:36.# I don't care if you're young or old
:04:37. > :04:42.# You oughtta get together and let the good times roll
:04:43. > :04:48.# You got to go out and spend some cash
:04:49. > :05:01.# Well it makes no difference whether you're young or old
:05:02. > :05:03.# All you got to do is get together
:05:04. > :06:07.# Well it makes no difference whether you're young or old
:06:08. > :06:08.# All you got to do is get together
:06:09. > :06:20.# I got a dollar and a quarter and I'm just ringing the clock
:06:21. > :06:25.# But don't let no female play me cheap
:06:26. > :06:27.# He's got 50 cents more than I'm gonna keep
:06:28. > :06:32.# I tell y'all I'm gonna let the good times roll now
:06:33. > :06:34.# Well it don't make no difference if you're young or old
:06:35. > :06:40.# All you got to do is get together and let the good times roll
:06:41. > :06:45.# Hey no matter whether, rainy weather
:06:46. > :06:52.# If you want to have a ball you got to get yourself together
:06:53. > :07:18.CHEERING AND APPLAUSE Thank you. I'm going to leave you
:07:19. > :07:23.with this. I hope you have a beautiful Glastonbury, a beautiful
:07:24. > :07:32.place, beautiful time. # When I get tired
:07:33. > :07:59.# But I know # But I long to belong
:08:00. > :08:18.# # The night is as...
:08:19. > :08:33.# No more sadness, no sorrow # No trouble I shall see
:08:34. > :08:42.# There will be peace in the valley for me
:08:43. > :08:46.# Well but there will be gentle # Under walls will be tame
:08:47. > :08:52.# And the Lion shall lay down by the Lamb
:08:53. > :08:56.# And the beasts from the wild # Shall be lit by a child
:08:57. > :08:59.# And I'll be changed, changed from this creature that I am
:09:00. > :09:05.# Oh yes # There will be peace in the valley
:09:06. > :09:11.for me # Sunday
:09:12. > :09:18.# There will be peace in the valley # For me, O Lord, I pray
:09:19. > :09:20.# There will be no sadness, no sorrow
:09:21. > :09:27.# No trouble I shall see # There will be peace in the valley
:09:28. > :09:33.for me. # There will be peace in the valley
:09:34. > :09:48.floor may someday # They'll be peace in the valley for
:09:49. > :09:51.me, O Lord, I pray # There will be no sadness, no
:09:52. > :10:04.trouble icy # There will be peace in the valley
:10:05. > :10:11.for me # There will be peace in the valley
:10:12. > :10:16.for me, someday # There will be no sadness, no
:10:17. > :10:26.sorrow, no trouble icy # There will be peace in the valley
:10:27. > :10:31.for me #. Peace on earth, in the valley, let
:10:32. > :10:34.there be peace in the valley, Lord, let there be peace, let there be
:10:35. > :10:52.peace, let there be peace! Amen.
:10:53. > :10:57.CHEERING AND APPLAUSE I love that. So, so good. I kind of
:10:58. > :11:02.want jewels to play every single year but it's the first time he's
:11:03. > :11:06.been at Glastonbury since 2005. Where have you been? What a storming
:11:07. > :11:10.set, fantastic crowd for them and we have some live music for you right
:11:11. > :11:14.now, in our beautiful verdant cow filled garden. I'm delighted to
:11:15. > :11:26.welcome Glenn Tilbrook and Chris Difford, overdue. -- over to you.
:11:27. > :14:17.Oh... Yes, the Cabu. Houghton Mendis. Love that. Great work. Up
:14:18. > :14:21.the Junction has always been a favourite, but I never knew it was
:14:22. > :14:31.missing and orchestra and it's so obviously is. It was with as and
:14:32. > :14:35.where did these guys come from? They are masters of the kazoo. They were
:14:36. > :14:42.playing on the field, I said, look, would you fancy the end of up the
:14:43. > :14:45.Junction withers and here they are. Amazing, extraordinary. Wonderful
:14:46. > :14:50.stuff. Any plans to record with these guys in the future? We are
:14:51. > :14:54.just finishing an album now. I'm really looking forward to it.
:14:55. > :15:01.I think you have one more show to come. We are playing the acoustic
:15:02. > :15:07.stage element -- any minute now. Are they going with you? Hopefully. It
:15:08. > :15:12.is an acoustic instrument. Totally. We are going to hand over to the
:15:13. > :15:17.Pyramid Stage, where earlier on, sadly without a kazoo, Craig David
:15:18. > :15:21.was performing. It was he was missing, to be fair. -- you might
:15:22. > :16:02.know this. # In front of me stood a beautiful
:16:03. > :16:06.woman with a beautiful body # She asked me for the time
:16:07. > :16:16.# She declined # Was it for real? Dam sure
:16:17. > :16:25.# It felt pretty good # She couldn't wait
:16:26. > :16:51.# She said she loved you #
:16:52. > :17:04.And on Thursday Friday Saturday we chilled on Sunday --
:17:05. > :17:09.Ooh I loved the way she kicked it from the front to back she flipped
:17:10. > :17:23.hope that she'd care cos I'm a man who'll always be there
:17:24. > :17:26.From the first impression girl hmm you don't seem to be like that
:17:27. > :17:29.Cos there's no need to chat for there'll be plenty for that
:17:30. > :17:32.From the subway to my home endless ringing of my phone
:17:33. > :17:34.When you feeling all alone all you gotta do
:17:35. > :17:46.Monday took her for a drink on Tuesday
:17:47. > :17:49.we were making love by Wednesday and on Thursday Friday Saturday
:17:50. > :17:51.we chilled on Sunday I met this girl on Monday
:17:52. > :17:54.took her for a drink on Tuesday we were making love by Wednesday
:17:55. > :18:02.and on Thursday Friday Saturday we chilled on Sunday
:18:03. > :18:13.Since I met this special lady ooh yeah
:18:14. > :18:16.I can't get her of my mind She's one of a kind
:18:17. > :18:33.It's a special kinda thing with you-oh
:18:34. > :18:36.took her for a drink on Tuesday we were making love by Wednesday
:18:37. > :18:38.and on Thursday Friday Saturday we chilled on Sunday
:18:39. > :18:41.I met this girl on Monday took her for a drink on Tuesday
:18:42. > :18:45.we were making love by Wednesday and on Thursday Friday Saturday
:18:46. > :19:06.# Oh, girl, oh, girl # Monday, took her for a drink on
:19:07. > :19:10.Tuesday # We were making love by Wednesday
:19:11. > :19:21.# And on Thursday and Friday, yeah...
:19:22. > :19:40.# Saturday, oh, on Saturday # Yeah, we chilled on Sunday.
:19:41. > :19:49.# Took her for a drink on Tuesday # We were making love by Wednesday
:19:50. > :20:13.# And on Thursday and Friday and Saturday, we chilled on Sunday
:20:14. > :20:52.So I went in Then we sat down start kissing
:20:53. > :20:54.Caressing Told me about Jacuzzi Sounded interesting
:20:55. > :20:57.So we jumped right in All calls diverted to answer phone
:20:58. > :21:01.Please leave a message after the tone
:21:02. > :21:04.I mean me and her Her Parents were kinda cool
:21:05. > :21:08.But they were the fine line between me and you
:21:09. > :21:11.We were just doing things young people in love do
:21:12. > :21:14.Parents trying to find out what we were up to
:21:15. > :21:25.Saying parents trying to find out what we were up to, ooh yeah
:21:26. > :21:28.# Saying why were you creeping around late last night
:21:29. > :21:39.# Why did I see two shadows moving in your bedroom light
:21:40. > :22:07.# Saying why were you creeping around late last night
:22:08. > :22:11.I been doing this since I was 16 Been a few years let's call it 16
:22:12. > :22:14.A brand new flow for 2016 Seen it's like I'm living a dream
:22:15. > :22:16.1999 when I first came on the scene Skinny young breh
:22:17. > :22:19.from out of Southampton With a bunch of melodies for days,
:22:20. > :22:22.Lean and mean, embodied the whole scene
:22:23. > :22:23.Packing on muscle like bars of protein
:22:24. > :22:25.Crushing every microphone that I be holding
:22:26. > :22:30.'Cos you know I be training dirty but same time keeping it clean
:22:31. > :22:35.# Glastonbury, can I break it down? # Let me break this down
:22:36. > :22:41.# Can I break it on down? # Whenever the coast was clear
:22:42. > :22:45.and she'd ask me to come out # I'd say, "Hey, girl,
:22:46. > :22:47.come on right around" # I was standing with the keys
:22:48. > :22:52.in my hand to the 4x4 # Jumped in my ride,
:22:53. > :22:54.checkin' that nobody saw # We got down bounced
:22:55. > :22:57.bounced to the rhythm # So I gave you my
:22:58. > :23:03.jacket for you to hold # Told you to wear it
:23:04. > :23:05.'cause you felt cold # I mean me and her didn't
:23:06. > :23:08.mean to break the rules # I weren't trying to play your
:23:09. > :23:11.mum and dad for fools # We were just doing things
:23:12. > :23:14.young people in love do # Parents tryna find
:23:15. > :23:16.out what we were up to # Saying why can't you keep
:23:17. > :23:35.your promises no more # Why were you creeping round?
:23:36. > :23:40.# Can you fill me in? # Why were you creeping, why were
:23:41. > :23:42.you creeping round? # Ken Duke fill me in?
:23:43. > :24:34.# Why, why were you creeping round? Craig David, and the Craig Davies
:24:35. > :24:38.renaissance absolutely killing it on the pyramid stage to the biggest
:24:39. > :24:45.crowd of the day. -- Craig David renaissance. Maybe even more than
:24:46. > :24:54.Radiohead last night? Who knows. Smokers whos. You can't have
:24:55. > :24:55.everything. -- but no Cazorlas. Next, a magical mystery tour of the
:24:56. > :25:07.Glastonbury site. Two days before the gates open, we
:25:08. > :25:11.have a number of tours going round the site that Michael Foster and I
:25:12. > :25:16.help out for some of the more senior members of the community, so this
:25:17. > :25:22.morning we've got the Happy Circle from Pilton. I've been in the
:25:23. > :25:32.village for over 150 years, my family, so we are local people. We
:25:33. > :25:36.were here in the first place. My name is Rodney. I've lived in the
:25:37. > :25:42.village for over 40 years. I've been here since it started, but driving
:25:43. > :25:51.the coach, I expect 22 years. Part of the scenery, really. It's almost
:25:52. > :25:56.two and a half miles east to west and a mile north to south, but I
:25:57. > :26:01.think what fascinates them is the scale of the organisation. I know
:26:02. > :26:02.all of these people. That's good, isn't it?
:26:03. > :26:11.LAUGHTER Oh, here we are again. Right-hand
:26:12. > :26:17.side, campsites as far as you can see. The John Peel tent. It's all
:26:18. > :26:24.trendy, and I'm not that trendy any more. Well, that is a matter of
:26:25. > :26:29.opinion, I suppose! Driving down towards the main arena. Ed Sheeran,
:26:30. > :26:37.the world number one star at the moment. Such history to all of this.
:26:38. > :26:48.We don't see much of you any more, Phyllis. Are you all there? Are you
:26:49. > :26:53.losing your brain? No, I'm not! Can I take your hand? Yes, but you need
:26:54. > :27:05.to catch me. Are you all right, Cathy? Yes, see you later. Well
:27:06. > :27:09.done, John. Hello, Frida. Hello! I don't know who you are, but...
:27:10. > :27:17.LAUGHTER We had cupcakes. Ice cream.
:27:18. > :27:24.Chocolate bars. Tea, coffee or a cold drink. It started with just a
:27:25. > :27:27.minibus to get the villagers to see what it was like down here, and now
:27:28. > :27:32.we've got 57 seats and every year it's getting more. They like to come
:27:33. > :27:42.and have a look. They can't get about too often.
:27:43. > :27:51.This is one field where nothing happens. People come and sit on the
:27:52. > :27:55.grass. There was a tall, skinny, stark naked man hugging one of those
:27:56. > :28:05.stones. You don't see that all of the time! We are thankful to Michael
:28:06. > :28:09.for taking us on a trip today. Thank you, Michael. This is Michael's
:28:10. > :28:16.family, home and village, and these are his friends. That's why it
:28:17. > :28:21.started. Please join me in giving a big round of applause and a big
:28:22. > :28:33.thank you. Lovely to see you all and to still be able to do it.
:28:34. > :28:39.Oh, lovely Michael Eavis, giving those guys a tour of the site
:28:40. > :28:43.earlier in the week, before the madness began. It all started with
:28:44. > :28:49.tea and cakes and calmness, but I was out with quite a lot of them
:28:50. > :28:51.last night in a lot of them are still at block nine. Absolutely
:28:52. > :28:55.hard-core, you've got to respect that. We are going to head to the
:28:56. > :28:59.west hold stage and the wonderful jazz odyssey that Thundercat was
:29:00. > :29:13.bringing to the stage earlier. # Nobody move, there's
:29:14. > :29:38.blood on the floor # So please give it back,
:29:39. > :29:55.'cause it's not yours to take! # It must've fell
:29:56. > :30:00.when I lost my mind # Deep in the cut,
:30:01. > :30:05.drowning in a pain # Somebody help 'cause
:30:06. > :30:33.I can't find my way Put your hands up, Glastonbury!
:30:34. > :30:39.Yeah! Keep your hands up! Here we go!
:30:40. > :30:43.# Somebody tell me how I'm supposed to feel
:30:44. > :30:48.# When I'm sitting here knowing this ain't real
:30:49. > :30:53.# Why in the world would I give my heart to you?
:30:54. > :30:59.# Just to watch you throw it in the trash
:31:00. > :31:03.# I've been traveling so long, I don't think I can hold on
:31:04. > :31:09.# Where were you when I needed you the most?
:31:10. > :31:14.# Now I'm sitting here with a black hole in my chest
:31:15. > :33:05.# So please give it back, 'cause it's not yours to take!
:33:06. > :33:11.# It must've fell when I lost my mind
:33:12. > :33:15.# Deep in the cut, drowning in a pain
:33:16. > :33:21.# Somebody help 'cause I can't find my way
:33:22. > :33:44.Thundercat up at the stage earlier today. You can catch up on
:33:45. > :33:50.performances on the iPlayer. The easiest way to do it as check out
:33:51. > :33:54.the website. Bbc.co.uk/ Glastonbury, whether you want to look at the live
:33:55. > :33:58.streams, or sets that have already been on. I've got to check it out, I
:33:59. > :34:06.love that guy. Right now we're going to catch up with Yasser, who's been
:34:07. > :34:10.experiencing some poetry here at Glastonbury. I'm here at the poetry
:34:11. > :34:15.and word stage, a stage that started off other small yurt and now it's a
:34:16. > :34:21.massive stage. Helen, one of the organisers, is here. This is cool,
:34:22. > :34:25.isn't it? It's awesome. You've got poetry, world renowned poets coming
:34:26. > :34:31.down? We have an international line-up. We've had poets from New
:34:32. > :34:36.Zealand, Botswana, America, everyone from Carolann Duffy the Kate
:34:37. > :34:42.Tempest. Incredible. One of your poets and residences here. Hello,
:34:43. > :34:48.Dominic. Hello. Poet in residence is a cool title. It's great, I love it.
:34:49. > :34:52.Can you give is a little something? Yes.
:34:53. > :35:06.I can't change that and I've been dealt, it's limp as watercress. I
:35:07. > :35:13.hate being Eddisbury, anything but that, and so Mike Weir desires --
:35:14. > :35:19.might queer desires I keep under lettuce wraps. But like any iceberg
:35:20. > :35:23.most of me is still concealed. Prefer asparagus too real. The only
:35:24. > :35:28.blood I suck is from Orange. It sends me to Nirvana. In my bedroom,
:35:29. > :35:35.under quilt, I'm peeling my... Banana. It's time to pop my cherry.
:35:36. > :35:48.It's time to dance and shout. Yes, I am a beacon! And I am coming out! --
:35:49. > :35:52.I am at vegan. I am coming out. Glastonbury is probably the most
:35:53. > :35:58.vegan friendly place on the honest. I've had 47 De La Souls since I've
:35:59. > :36:04.been here. A poet about being a vegan is very much Glastonbury. I --
:36:05. > :36:08.its spitting. I said don't wear wellies, you will need one. It's
:36:09. > :36:13.spitting, it's spitting. It's all over. OK, we are going to experience
:36:14. > :36:14.some more music now. We are heading over to the Other Stage and catch up
:36:15. > :36:46.with the Kaiser Chiefs. # Do you wish you hadn't
:36:47. > :36:48.stayed all night? # Do you wish you hadn't
:36:49. > :36:49.gotten so high? # Do you wish
:36:50. > :36:56.it wasn't half past gone? # Do you wish
:36:57. > :36:59.you didn't last that long? # And we're dancing
:37:00. > :37:58.on the finest line # Between the chance of
:37:59. > :38:00.the time of our lives # And we're choosing not to
:38:01. > :38:08.make that choice # But we have a lot of fun on the
:38:09. > :38:16.way # So I'm standing beside you,
:38:17. > :38:30.standing beside you # Then it all
:38:31. > :39:20.comes flooding back to me # Like a forgotten melody
:39:21. > :39:24.from a dream # Then it all comes
:39:25. > :39:26.flooding back to me # Like a forgotten melody
:39:27. > :39:29.from a dream # Then it all
:39:30. > :39:33.comes flooding back to me # Walking through town
:39:34. > :41:39.is quite scary # He looked the wrong way
:41:40. > :41:48.at a policeman # Would never have happened
:41:49. > :41:51.to Smeaton # Ah-ah-ah
:41:52. > :42:06.la la la-la-la la # I predict a riot
:42:07. > :42:20.I predict a riot # Girls run around
:42:21. > :42:34.with no clothes on # If it wasn't for chip fat they'd b
:42:35. > :42:45.frozen, they're not very sensible # I predict a riot
:42:46. > :43:08.I predict a riot # And if there's anybody left
:43:09. > :43:10.in here # Walking through town
:43:11. > :43:53.is quite scary # I predict a riot
:43:54. > :44:29.I predict a riot # And if there's anybody
:44:30. > :44:32.left in here # I predict a riot
:44:33. > :45:03.I predict a riot. # The Kaiser Chiefs battling the
:45:04. > :45:07.elements on the other stage earlier, and absolutely bossing it. Normally
:45:08. > :45:12.I make it a point of principle not to encourage coloured leather but on
:45:13. > :45:19.this occasion... For Glastonbury we can bend the rules. We can do that a
:45:20. > :45:23.bit. They did a great job. Now a highlight from yesterday, so many
:45:24. > :45:26.people saying this was one of the highlights of the opening day. It
:45:27. > :45:29.does contain flashing lights, so be careful when watching. This is the
:45:30. > :45:37.awesome Lorde from yesterday. # Don't you think that it's boring
:45:38. > :45:40.how people talk? # Making smart with their words
:45:41. > :45:49.again, well, I'm bored # Because I'm doing this
:45:50. > :45:52.for the thrill of it, killin' it # Never not chasing a million things
:45:53. > :45:59.I want # And I am only as young
:46:00. > :46:02.as the minute is, full of it # Getting pumped up from
:46:03. > :46:08.the little bright things I bought # But I know they'll never own me
:46:09. > :46:11.Yeah # Baby, be the class clown,
:46:12. > :46:17.I'll be the beauty queen in tears # It's a new art form showing people
:46:18. > :46:21.how little we care Yeah # We're so happy, even when
:46:22. > :46:27.we're smilin' out of fear # Let's go down to the tennis court,
:46:28. > :46:33.and talk it up like yeah Yeah # Pretty soon,
:46:34. > :46:43.I'll be getting on my first plane # I'll see the veins of my city
:46:44. > :46:53.like they do in space # But my head's filling up fast with
:46:54. > :46:59.the wicked games, up in flames # How can I with the fun again,
:47:00. > :47:04.when I'm known? # And my boys trip me up with their
:47:05. > :47:07.heads again, loving them # Everything's cool when we're all
:47:08. > :47:12.in line, for the throne # Baby, be the class clown,
:47:13. > :47:21.I'll be the beauty queen in tears # It's a new art form showing people
:47:22. > :47:25.how little we care Yeah # We're so happy,
:47:26. > :47:31.even when we're smilin' out of fear # Let's go down to the tennis court,
:47:32. > :47:39.and talk it up like yeah Yeah # It looked all right
:47:40. > :47:44.in the pictures # Getting caught's half of the trip
:47:45. > :47:50.though, isn't it? # Baby, be the class clown,
:47:51. > :48:09.I'll be the beauty queen in tears # It's a new art form showing people
:48:10. > :48:13.how little we care Yeah # We're so happy, even when
:48:14. > :48:19.we're smilin' out of fear # And talk it up like Yeah
:48:20. > :48:30.# And talk it up like Yeah # Let's go down to the tennis court,
:48:31. > :48:35.and talk it up like Yeah # And talk it up like Yeah
:48:36. > :48:41.# And talk it up like Yeah # Let's go down to the tennis court,
:48:42. > :49:06.and talk it up like Yeah, yeah There we go, so many people talking
:49:07. > :49:14.about that performance, and rightly so. She has grown into a proper pop
:49:15. > :49:18.performer. She came in for session to see us on six music macro a few
:49:19. > :49:24.years ago and she knew exactly what she wanted, really self-possessed.
:49:25. > :49:29.And that is why her show looks like that. More wonderful music for you
:49:30. > :49:30.now, a live performance from an artist who will be performing later
:49:31. > :49:42.today. It is Ray Blk. # Sometimes I wear my
:49:43. > :49:44.hair down to my back # Or I cut a bob and do
:49:45. > :49:47.it into single plaits # And if it's the summertime
:49:48. > :49:49.maybe do a weave # Always change my style
:49:50. > :49:52.depending where my head is at # Sometimes I wear my V-neck
:49:53. > :49:55.real low # If I'm feeling sexy then
:49:56. > :49:57.expect some skin will show # Maybe wear a turtle
:49:58. > :50:00.neck if I'm feeling cold # My dressing is expression so don't
:50:01. > :50:04.judge me by my clothes # Some days I roll up
:50:05. > :50:06.in the hood and a trackie # Turning up your nose cause
:50:07. > :50:09.you think I look tacky # I go to a Michelin
:50:10. > :50:12.meal in my Reeboks # Ain't gotta wear my
:50:13. > :50:15.wares and be flashy # A short skirt doesn't
:50:16. > :50:17.mean that I want it # My appearance doesn't
:50:18. > :50:20.represent my wallet # This is for the ignorant
:50:21. > :50:23.ones with opinions # Keep your two cents
:50:24. > :50:26.inside your pocket # That's what you should do do do do
:50:27. > :50:49.show ya, show ya # I see you following submission
:50:50. > :50:51.I know you're wishing # That you could let you hair
:50:52. > :50:54.down a mirror, my emission # So why you worrying
:50:55. > :50:57.about being an outcast # Don't you know to do yourself
:50:58. > :51:00.and never ask permission # My short shorts
:51:01. > :51:03.accentuate my bumper # I hear the girls whisper
:51:04. > :51:05.whenever I walk past # What she wearing?
:51:06. > :51:08.But I paid them no attention # To satisfy them is never my
:51:09. > :51:12.intention # Some days I roll up
:51:13. > :51:15.in the hood and a trackie # Turning up your nose cause
:51:16. > :51:18.you think I look tacky # I go to a Michelin
:51:19. > :51:20.meal in my Reeboks # Ain't gotta wear my
:51:21. > :51:23.wares and be flashy # A short skirt doesn't
:51:24. > :51:26.mean that I want it # My appearance doesn't
:51:27. > :51:29.represent my wallet # This is for the ignorant
:51:30. > :51:32.ones with opinions # Keep your two cents
:51:33. > :51:37.inside your pocket # I'd rather do me so you can do you
:51:38. > :52:01.show ya, show ya # You're following the crowd,
:52:02. > :52:03.I'd rather break rules # You're copying trends
:52:04. > :52:06.I'd rather invent # I've got nothing to
:52:07. > :52:09.prove but neither do you # Said I'd rather do
:52:10. > :52:12.me so you can do you # You're following the crowd,
:52:13. > :52:15.I'd rather break rules # And you're copying
:52:16. > :52:17.trends I'd rather invent # I've got nothing to
:52:18. > :52:23.prove but neither do you # I'm gonna show ya,
:52:24. > :53:21.show ya, show ya APPLAUSE
:53:22. > :53:28.Wonderful stuff. The awesome Ray Blk and Doing Me. That was great. You've
:53:29. > :53:31.got to love a track you can get down to and get dressed too. Being
:53:32. > :53:37.advised sartorially and for the mind. Here is another worry -- very
:53:38. > :54:24.well-dressed from earlier. The Amazons.
:54:25. > :54:32.# No, you can't reach me on my phone # I can't carry on
:54:33. > :55:19.# What's going on? # It's not a question of what's
:55:20. > :55:21.wrong It's not a question, girl I # I've led you on
:55:22. > :55:30.If I'm afraid to be alone # When indecision comes to call,
:55:31. > :55:36.I know we're done # Baby, in my mind
:55:37. > :55:41.I've begun to realise # Baby, in my mind
:55:42. > :55:47.You're not the one I need # Baby, in my mind
:55:48. > :55:54.But you're everything I see # You've got me crawlin' back
:55:55. > :56:25.forever baby # Baby, in my mind
:56:26. > :56:30.I've begun to realise # Baby, in my mind
:56:31. > :56:36.You're not the one I need # Baby, in my mind
:56:37. > :56:57.But you're everything I see # You've got me crawlin' back
:56:58. > :57:40.forever baby The Amazons. We've heard plenty of
:57:41. > :57:43.sounds and we have seen a few sites and we have also had some smells,
:57:44. > :57:49.but we are trying to give you the full experience. What a bad taste?
:57:50. > :57:56.We are great to out. Glastonbury is the best bands but also the best
:57:57. > :58:00.snacks. What has been your highlight? A Cornish woman gave me a
:58:01. > :58:08.protein ball and, I must say, it kept me going. I enjoyed a cheese
:58:09. > :58:13.toasty last night. A bit of pesto and a bit of ham. Here is James
:58:14. > :58:20.finding out more about the food on offer. There is nothing quite like
:58:21. > :58:22.getting your boogie on to work up an appetite but leading 200,000
:58:23. > :58:26.festivalgoers is massive, and the heart of it is behind this secret
:58:27. > :58:36.gate. -- feeding 200,000 festivalgoers. Where are we?
:58:37. > :58:43.Wholesale, where we supply all the traders and keep people happy. Shall
:58:44. > :58:48.we have a look? Yeah. How is that courgette? It is firm. Feel the
:58:49. > :58:55.weight on that! And a good girth. Flat leaf parsley. I have heard
:58:56. > :59:01.there are a lot of herbs at Glastonbury. The range of produce is
:59:02. > :59:04.incredible. You can have everything from across the world 24/7. It's a
:59:05. > :59:11.city the size of Swindon and everybody needs to eat. Family
:59:12. > :59:19.traders are on site? 514 food traders. What tips would you give?
:59:20. > :59:21.We are looking for a nice product that is colourful and eye-catching
:59:22. > :59:28.in keeping with the festival at a good price. What is the most unusual
:59:29. > :59:34.application you've had from a trader? This year we've got vegan
:59:35. > :59:39.jackfruit and the Mexican Brito stall. They also do a spin on fish
:59:40. > :59:45.made from Hoffman. That is to spend thousands of people on site. It is a
:59:46. > :59:51.side of the operation people maybe don't say. All of the food gets
:59:52. > :00:01.eaten out here. Let's see what culinary delights Glastonbury has to
:00:02. > :00:12.offer. Home fried tortilla chips with barbecue pulled jackfruit. A
:00:13. > :00:19.big amount of jackfruit. It's good. This is the toadfish taco, tofu with
:00:20. > :00:36.seaweed on it. This will blow your mind. It was called fresh this
:00:37. > :00:41.morning! -- it was caught. Curries, stir-fries, salads. Not bad. In
:00:42. > :00:47.English stir-fry with barley. It's meant to be a healthy dish. I've
:00:48. > :00:53.been here 31 years. People know if they come to sell food they've got
:00:54. > :00:56.to try and do something a bit different, or at least well,
:00:57. > :00:57.home-made, locally produced. Those things are brownie points if you
:00:58. > :01:10.want to get on at Glastonbury. Nice to meet you. What's happening
:01:11. > :01:18.here, what are you making? Have you made this type of bread? As a first
:01:19. > :01:23.time for everything. Do you use a lot of stuff from the wholesale
:01:24. > :01:27.market? I every order everything in bulk. You need that back-up because
:01:28. > :01:32.there's so much going on. So an operation like this can only really
:01:33. > :01:38.happen at a festival like Glastonbury? Yes. Lets get our buns
:01:39. > :01:43.in the oven. Look at those beauties, all sizzling. How organic does not
:01:44. > :01:51.look? And all made in a field in Glastonbury. All made in a field,
:01:52. > :01:56.good, honest food. I've had food that tastes like meat, a great
:01:57. > :02:00.British stir-fry, and a bun in the oven. I still fancy a bit of desert.
:02:01. > :02:12.An ice cream! Forget that. You know when you watch the Great
:02:13. > :02:17.British Bake Off and you're like, I need a cake now. You bobbin
:02:18. > :02:21.famished! I'm starving, I've never eaten food before. After watching
:02:22. > :02:28.that, I need all of that right now, please. You are desperate for some
:02:29. > :02:32.of that fish. Just gagging for it. Can we get some? While we do that
:02:33. > :02:37.we're going to play use the music. This is British Sea Power earlier
:02:38. > :02:42.today. A warning, this contains a filthy polar bear.
:02:43. > :03:09.# If you must act like a beast of the field
:03:10. > :03:15.# There's a hole in the atmosphere
:03:16. > :03:23.# All your prayers your prayers, your prayers
:03:24. > :03:34.# Your life lessons lessons, lessons
:03:35. > :03:44.# Keep on trying, keep on trying, keep on trying will you
:03:45. > :03:55.# Keep on trying, keep on trying keep on trying will you
:03:56. > :04:20.# When the hawks of the city fall
:04:21. > :04:28.# All your questions, questions, questions are on hold again
:04:29. > :04:32.# Just keep on trying keep on trying
:04:33. > :04:40.# Just keep on trying, keep on trying
:04:41. > :05:07.# Just keep on trying, keep on trying, keep on trying, Rudy
:05:08. > :05:33.# Can't we stay, can't we stay.
:05:34. > :05:34.# 'Cause you're a product of your own dimensions now
:05:35. > :05:37.# So keep on trying, keep on trying
:05:38. > :06:07.# Just keep on trying, keep on trying
:06:08. > :06:15.# Just keep on trying, keep on trying
:06:16. > :06:22.# Just keep on trying, keep on trying
:06:23. > :07:09.British Sea Power on the Other Stage with a very dirty polar bear. I do
:07:10. > :07:14.think it's ever going to look natural. I don't think there's a
:07:15. > :07:22.casual way to lean on it. We're going to throw thrillingly live, to
:07:23. > :07:25.Yasser, experiencing some Glastonbury magic. We are here in
:07:26. > :07:29.the theatre and circus feel. It's pretty manic at the moment. We have
:07:30. > :07:34.pelicans, some other animals I've never seen before. We've also got
:07:35. > :07:38.some butterflies. It's quite magical, I'm telling you that. I've
:07:39. > :07:45.got Mr Magic Singh with me. Show with -- show me some magic, brother.
:07:46. > :07:49.Let me try this. That's better, isn't it. Let's try something else,
:07:50. > :07:53.really quickly. I've only got a few of these national lottery tickets.
:07:54. > :07:56.These are the slightly older ones. These are not winning once. They are
:07:57. > :08:01.tattered. I've found an amazing thing to do with these bits of
:08:02. > :08:06.paper. One, two, you can change that into cash. Oh, my gosh! Can you do
:08:07. > :08:12.that to my bank card and get rid of my overdraft? Place your hands up
:08:13. > :08:18.for me nice and flat. Are you left or right handed? Make a fist. I'm
:08:19. > :08:23.going to draw across. Nothing silly, just a simple cross. Everyone at
:08:24. > :08:30.home can see that. It's not going to come off. Watch. We are going to
:08:31. > :08:34.take this off. Oh, you are not, are you serious? !
:08:35. > :08:38.APPLAUSE What's going on? That's really
:08:39. > :08:46.weird. That's really strange. Back to you guys, in the studio.
:08:47. > :08:54.Yasser, quite literally in the field. Magic, magic. We are going to
:08:55. > :08:58.check out another bit of magic, vocal magic, from Sigrid, who is
:08:59. > :09:04.super talented. She is 19 years old and comes from that place that
:09:05. > :09:06.cannot stop making great pop stars, Sweden. Here she is, performing on
:09:07. > :09:14.the Park stage. # You shut me down,
:09:15. > :09:16.you like the control # You speak to me
:09:17. > :09:21.like I'm a child # Try to hold it down,
:09:22. > :09:26.I know the answer # I can't shake it off
:09:27. > :09:32.and you feel threatened by me # Don't kill my vibe
:09:33. > :09:42.Oh-oh-oh, ooh, ooh # You think you're so
:09:43. > :09:50.important to me, don't you? # But I wanted you to know
:09:51. > :09:53.that you don't belong here # You think you're so important
:09:54. > :09:55.to me, don't you? # You love to tear me down,
:09:56. > :10:05.you pick me apart # Then build me up
:10:06. > :10:11.like I depend on you # But I throw myself from heights
:10:12. > :10:17.that used to scare me # I'm the puzzle
:10:18. > :10:23.you can't figure out # Oh-oh-oh, ooh, ooh
:10:24. > :10:30.Don't kill my vibe # Oh-oh-oh, ooh, ooh
:10:31. > :10:38.Don't break my stride # You think you're so
:10:39. > :10:41.important to me, don't you? # But I wanted you to know
:10:42. > :10:44.that you don't belong here # You think you're so
:10:45. > :10:46.important to me, don't you? # And oh-oh-oh-oh
:10:47. > :11:04.I won't quit, no, no, no, ho # You're acting like you hurt me
:11:05. > :11:07.but I'm not even listening # You're acting like you hurt me
:11:08. > :11:13.but I'm not even listening # Don't kill
:11:14. > :11:29.Don't kill my vibe # Don't kill my vibe
:11:30. > :11:38.Oh-oh-oh, ooh, ooh # Don't break my stride
:11:39. > :11:42.(I tried to play it nice but) # You think you're so
:11:43. > :11:45.important to me, don't you? # But I wanted you to know
:11:46. > :11:48.that you don't belong here # You think you're so
:11:49. > :12:06.important to me, don't you? CHEERING AND APPLAUSE
:12:07. > :12:09.Thank you so much, thank you. Wonderful Sigrid, performing on the
:12:10. > :12:16.Park stage, which is just there, Lauren, look. Right behind us. I
:12:17. > :12:19.like her a lot, she is a new one on me. Lots of breakthrough talent who
:12:20. > :12:24.are really earning their stripes at this year's festival. Here's an
:12:25. > :12:27.artist who I think could be a future headliner. Absolutely incredible
:12:28. > :12:54.performance on the Park stage earlier today, from Nadia Rose.
:12:55. > :13:02.# hey you, girl, in a a tight skirt Long-macro tight skirt, tight up
:13:03. > :13:16.skirt # In a tight skirt, in a tight skirt
:13:17. > :13:26.# Sitting up tight skirt # I can see your tight skirt
:13:27. > :13:37.# Hey you girl in a tight skirt # Hey you girl in a tight skirt
:13:38. > :13:54.# Hey you girl, in a tight up skirt # Tight up skirt
:13:55. > :14:15.Hey you girl inna di tight up skirt Tight up skirt, tight-tight up skirt
:14:16. > :14:23.# Call the police and the marshals # Next one just reach in the parcel.
:14:24. > :14:29.Hey you girl inna di tight up skirt Tight up skirt, tight-tight up skirt
:14:30. > :14:54.Hey you girl inna di tight up skirt Tight up, tight up, tight up
:14:55. > :14:56.Oh, Jesus, someone call the seamstress
:14:57. > :14:57.My skirt is too tight, I can't be all right
:14:58. > :14:59.How am I still breathing? Oh, I can't believe this, the way
:15:00. > :15:00.that it's squeezin' I enter the room, I don't say a
:15:01. > :15:40.Hey you girl inna di tight up skirt Tight up skirt, tight-tight up skirt
:15:41. > :15:54.We are big fans. Nadia Rose. I saw her last year at the Glastonbury
:15:55. > :16:02.pop. She was so good and even better this year. Next year, pyramid stage,
:16:03. > :16:13.or the year after. It's got to be done. Now, some music from Marly. A
:16:14. > :16:18.long history with Glastonbury. -- from the country of Mali. This year
:16:19. > :16:21.is no exception, with an acoustic performance from the guitarist known
:16:22. > :17:06.as the Hendrix of the Sahara, Vieux Farka Toure.
:17:07. > :19:27.Vieux Farka Toure. Currently here at Glastonbury, supporting his new
:19:28. > :19:30.album, samba, a brilliant blend of influences, including traditional
:19:31. > :19:37.Mali and rhythms. Still to come tonight, we will bring you Katy
:19:38. > :19:40.Perry and the headliners on the pyramid stage tonight, the Foo
:19:41. > :19:42.Fighters. Right now, we are going to go and check out the other stage
:19:43. > :20:08.earlier on. This was wild beasts. # I'm learning, I'm learning
:20:09. > :20:34.# Alpha female #
:20:35. > :20:36.I would not hold you back I would not hold you back
:20:37. > :20:37.Simple as that, yeah Simple as that, oh
:20:38. > :20:39.I would not hold you back I would not hold you back
:20:40. > :20:47.Matter of fact, yeah Matter of fact, oh
:20:48. > :20:53.Alpha female, I'll be right behind you
:20:54. > :21:23.# I would not hold you back I would not hold you back
:21:24. > :21:26.# Simple as that, yeah Simple as that, oh
:21:27. > :21:29.# I would not hold you back I would not hold you back
:21:30. > :21:35.# Matter of fact, yeah Matter of fact, oh
:21:36. > :21:47.# Alpha female, I'll be right behind you
:21:48. > :22:04.# Alpha female of the worlds inside you
:22:05. > :22:27.# I would not hold you back I would not hold you back
:22:28. > :22:46.# Simple as that, yeah Promise you that, oh
:22:47. > :22:58.# Alpha female, I'll be right behind you
:22:59. > :23:16.# Alpha female of the worlds inside you
:23:17. > :23:44.It is Glastonbury 2017 and I enjoyed backstage before the deadline the
:23:45. > :23:52.pyramid stage, Nate, Dave and Rufus, the Foo Fighters. How are you? Not
:23:53. > :23:56.bad. Did you enjoy Katy Perry? I saw a couple of songs and it was pretty
:23:57. > :24:01.awesome. Adolphe -- a diverse line-up with a lot of energy.
:24:02. > :24:07.Driving through the crowd, you spot people you know. We saw Liam
:24:08. > :24:15.Gallagher's last song. The last ten 's organs. What do you remember from
:24:16. > :24:19.Glastonbury 1998? I think we went on as some sort of Euro cup final.
:24:20. > :24:23.Right before that, I looked at the audience and thought, this will be
:24:24. > :24:26.amazing, and then we went out for a drink and came back and nobody was
:24:27. > :24:33.in front of the stage. Spacious. But what I remember is that it was kind
:24:34. > :24:39.of training and may be cold, so the body heat created that weird sweat
:24:40. > :24:43.above the audience. The atmosphere here is always incredible. You were
:24:44. > :24:51.meant to headline two years ago and the leg happened. I'm sorry. But you
:24:52. > :24:54.are here now. That's the main thing. We were excited to play and we
:24:55. > :24:59.couldn't and we knew we'd come back at some point. When we found out we
:25:00. > :25:05.were coming back for this one, we were excited. And Florence and the
:25:06. > :25:08.machine stepped in. I was high on painkillers watching Florence to
:25:09. > :25:15.headline the set and she did one of our songs and was in a wheelchair
:25:16. > :25:21.crying. We owe her one. Of course. Have a brilliant time. Are you
:25:22. > :25:27.looking forward to it? Absolutely, so much. Is going to be a good one,
:25:28. > :25:31.I can feel it! When I walked out, Jeremy Corbyn was on stage and there
:25:32. > :25:36.were 10 billion people out there and I was like, I would like this place
:25:37. > :25:42.up. We can't wait for your set tonight at the Remit.
:25:43. > :25:48.There is more festival, right? Yes, but we are now going to watch Run
:25:49. > :26:05.The Jewels from earlier. Thank you, the Foo Fighters. Thank you.
:26:06. > :26:09.We've got to go. We've got one more record. I'd like to dedicate this to
:26:10. > :26:18.my mother, Denise. One time for the freedom of speeches
:26:19. > :26:54.(speeches) two time for the right to hold
:26:55. > :26:55.heaters (heaters) Just skip to the fifth if the cops
:26:56. > :26:57.in your house Close your mouth and pray to your
:26:58. > :27:13.Jesus My my, y'all
:27:14. > :27:14.I coulda died, y'all A couple times I took my eyes off
:27:15. > :27:17.the prize, y'all I know a few people pray for my
:27:18. > :27:21.demise, y'all But like cream, I had to rise, I had
:27:22. > :27:37.to rise, y'all Or maybe listen to the man that
:27:38. > :27:42.barely dodged his own lobotomy Pop the tape in, baby, we got sort
:27:43. > :27:44.we wrote for you (for you) Came from feeling what a pure
:27:45. > :27:45.absence of hope can do Only to leap through flaming rings
:27:46. > :27:48.and break the nose of crews Still in their wings'll be them
:27:49. > :27:51.darlings, hope they've broken you Yeah, they better hope that
:27:52. > :27:56.I'm a full force and a cold fact See the cold floor where I licked
:27:57. > :27:57.dirt When the dough dried and the pride
:27:58. > :27:59.died Had a dumb max, had to shop right
:28:00. > :28:01.Gimme two meals and the lights on I'ma do right, get a new crew
:28:02. > :28:07.Make a new life, never boo hoo Never lose sight, I'm a voodoo
:28:08. > :28:09.With a burst heart from an old soul Better stop, drop when the squad's
:28:10. > :28:12.hot, we don't stop a lot We don't talk a lot about it, we
:28:13. > :28:14.just pop it off a lot Scream our noggins off
:28:15. > :28:31.I promise y'all Who am I, y'all
:28:32. > :28:32.I coulda died, y'all A couple times, I took my eyes off
:28:33. > :28:36.the prize, y'all I know a couple people pray for my
:28:37. > :28:39.demise, y'all But even birds with broken wings
:28:40. > :28:48.want to fly, y'all Brexit means Brexit.
:28:49. > :29:22.We did it! To pretend that it's going to be
:29:23. > :29:25.plain sailing is such knuckle-headed lunacy.
:29:26. > :29:28.Happy days are here. They have said one thing one day,
:29:29. > :29:30.another thing the next day. think during the year
:29:31. > :29:35.that changed British politics?