:00:16. > :00:25.More than a woman. Why would I be without my woman? I can go without.
:00:26. > :00:34.It has got to be how deep is your Love? Crewe how can you choose? That
:00:35. > :00:35.Massachusetts on. Early Bee Gees are mega, they are up there with the
:00:36. > :00:56.Beatles. Hello and welcome back to glorious
:00:57. > :01:00.Glastonbury, day three, and as you can see, the sun is shining on site.
:01:01. > :01:05.It is looking as beautiful as it sounds right here on Worthy farm.
:01:06. > :01:10.Lovely to be back with you, I hope you are ready for some fantastic
:01:11. > :01:14.music, we have plenty of it. We certainly have, a marvellous
:01:15. > :01:17.afternoon, the sun has shone on the legends. As you know, Sunday
:01:18. > :01:22.afternoon, Sunday tea-time is the legend slot. This year, Barry Gibb,
:01:23. > :01:30.that art guests have just been mentioning. They did not mention
:01:31. > :01:34.Tragedy. Trafalgar, what a gem. We have two legends in the show,
:01:35. > :01:38.back-to-back. If you haven't slept your disco pants on yet, please do,
:01:39. > :01:44.you will need them today, it is Barry Gibb followed by Chic, I
:01:45. > :01:50.repeat, Barry Gibb followed by Chic on the programme. Later on you will
:01:51. > :01:55.be able to check out Pyramid Stage headliner, Ed Sheeran, but we are
:01:56. > :01:57.going to be dancing. It has been a dry Glastonbury, which is always a
:01:58. > :03:09.joy, here is the story so far. CHEERING and APPLAUSE there you go,
:03:10. > :03:13.a flavour of what has been going on, it has been dry, we haven't needed
:03:14. > :03:19.our wellies. I have talked to a couple people who say, do you know
:03:20. > :03:22.what, I sort of miss the mud. You massive idiots, it has been
:03:23. > :03:25.brilliant to walk around the site and enjoy it all. People get
:03:26. > :03:31.superstitious about the weather, they say we just want a bit of
:03:32. > :03:35.spitting, just to get the dust down. No, none of that, sunshine all the
:03:36. > :03:41.way, please. Don't forget, BBC Four is also covering the action here at
:03:42. > :03:46.Glastonbury Festival, you can check out Rag N Bone Man and Shaggy. I
:03:47. > :03:52.think we are going to have Rag N Bone Man now. Let's have a little
:03:53. > :04:17.taste of his set which you can catch later in full on BBC Four.
:04:18. > :04:19.# Maybe I'm foolish, maybe I'm blind
:04:20. > :04:21.# Thinking I can see through this and see what's behind
:04:22. > :04:23.# Got no way to prove it so maybe I'm blind
:04:24. > :04:33.# But I'm only human after all, I'm only human after all
:04:34. > :04:45.# Take a look in the mirror and what do you see
:04:46. > :04:50.# Do you see it clearer or are you deceived
:04:51. > :04:59.# Cos I'm only human after all, you're only human after all
:05:00. > :05:11.# Some people got the real problems
:05:12. > :05:19.# Some people think I can solve them
:05:20. > :05:27.# I'm only human after all, I'm only human after all
:05:28. > :05:39.# Don't ask my opinion, don't ask me to lie
:05:40. > :05:48.# For making you cry, making you cry
:05:49. > :05:52.# Cos I'm only human after all, I'm only human after all
:05:53. > :06:03.# Don't put your blame on me, don't put the blame on me
:06:04. > :06:06.# Some people got the real problems
:06:07. > :06:12.# Some people think I can solve them
:06:13. > :06:21.# I'm only human after all, I'm only human after all.
:06:22. > :06:38.# That's all it takes to put the blame on me
:06:39. > :07:05.# Should go looking somewhere higher
:07:06. > :07:15.# I'm only human after all, I'm only human after all
:07:16. > :07:22.# Don't put the blame on me, don't put the blame on me
:07:23. > :07:28.# I'm just a man, I do what I can
:07:29. > :07:57.Thank you so much for your love, Glastonbury.
:07:58. > :08:03.That's Rag N Bone Man come you don't see many of them nowadays. It is so
:08:04. > :08:08.much more soulful, not what I was expecting when I first heard him,
:08:09. > :08:14.but now a stall of the pop charts. When I was growing up in Bolton, I
:08:15. > :08:21.am sure it was the same to you, Rag N Bone Man. And here he is, having
:08:22. > :08:26.brought his horse and cart to Glastonbury. Steptoe and son, he is
:08:27. > :08:31.about the most famous one. Time for some music, and who better to give
:08:32. > :08:34.that to stand this year's emerging talent winner. Glastonbury Festival
:08:35. > :08:38.every year holds a competition to find the hottest new act around and
:08:39. > :08:41.we have this year's when a committee has been working very hard on site
:08:42. > :08:44.doing lots of different shows, but delighted he has found time to
:08:45. > :08:47.perform here, please welcome, Josh Barry.
:08:48. > :09:08.# People running, always running, where they go, scared of stopping
:09:09. > :09:22.# Can't even escape my mind, I'm just trying to stabilise, oh no, no.
:09:23. > :09:24.# Nothing left to take away, all my faith.
:09:25. > :09:36.# When I'm grown, maybe I will understand a little more.
:09:37. > :09:51.# When I'm old, will you tell me when my judgment's going to come?
:09:52. > :09:58.# Bruising, burning, ever earning, I shall learn.
:09:59. > :10:09.# Never listen, in my prison, why's it so?
:10:10. > :10:14.Erik everything that I've been hearing slowly is disappearing.
:10:15. > :10:21.# When I'm grown, maybe I will understand a little more.
:10:22. > :10:28.# When I'm old, won't you tell me when my judgment's going to come?
:10:29. > :10:31.# When I'm grown, maybe I will understand.
:10:32. > :10:52.# When I'm old, won't you tell me when my judgment's going to come?
:10:53. > :11:13.# Nothing at all, nothing at all, no, no.
:11:14. > :11:40.# Always wishing, something missing #
:11:41. > :11:53.CHEERING and APPLAUSE. There you go, that is Josh Barry, how has it been
:11:54. > :11:58.going, how has your Glastonbury bean? Very busy, show number seven.
:11:59. > :12:03.Amazing though, thank you for having me. Had you been before a queue
:12:04. > :12:11.times? Yes, I did it with Corgan city two years back, that was just
:12:12. > :12:16.one show. A bit easier. Was the final in Filton working men 's club?
:12:17. > :12:21.Yes, that is an interesting place. So going from there to playing seven
:12:22. > :12:26.shows at last a break incredible. Yes, the manic, my manager and
:12:27. > :12:30.everyone around me, these guys especially, seven shows is a lot.
:12:31. > :12:39.You need a lot of sleep, put it that way. Catch up next week. We will see
:12:40. > :12:43.you in the charts in the next few days. Thank you.
:12:44. > :12:50.So here we go, perhaps one day in the legend spot will be Josh Barry,
:12:51. > :12:55.aged 60 or 70, it is possible. Anything is possible, absolutely.
:12:56. > :12:58.And we have another Barry in the legend spot this year, it is all
:12:59. > :13:02.about Barry Gibb on the Pyramid Stage this afternoon. It has been a
:13:03. > :13:05.fantastic set, and we bring it to you right now.
:13:06. > :13:17.His match domain, glimmering smile and strides are synonymous with 70s
:13:18. > :13:21.six appeal. But Barry Gibb is not just a master of high-pitched
:13:22. > :13:24.perfection. One third of band of brothers, the Bee Gees, he is also
:13:25. > :13:32.one of the great songwriters in history. You couldn't stay out of
:13:33. > :13:35.the studio, and we didn't know whether what we were doing was going
:13:36. > :13:40.to be successful or not, but we have to keep doing it. The brothers Gibb
:13:41. > :13:49.had a marked resemblance to the Fab four when they made their top 20
:13:50. > :13:51.debut in 1967. And later that year, they scored their first UK number
:13:52. > :13:57.one with Massachusetts. # Analytes all went out in
:13:58. > :14:08.Massachusetts... The 70s got off to a slow start for
:14:09. > :14:14.the ban. But as disco dawned, the trio were back on form, with an
:14:15. > :14:16.endless flow of funky floor fillers. Their songs for the film Saturday
:14:17. > :14:34.Night Fever soundtrack the late 70s. And in four years, the Bee Gees
:14:35. > :14:40.racked up eight US number ones. As the disco era faded, Barry and the
:14:41. > :14:48.boys turned to penning hits for the likes of Diana Ross, Dionne Warwick
:14:49. > :14:56.and Kenny Rogers. They staged a smooth synth comeback in the 80s.
:14:57. > :15:00.And 60s single, to love somebody, became one of the most covered songs
:15:01. > :15:15.of all time. Losing brother Morris in 2003 and
:15:16. > :15:20.Robin in 2012, Barry is the last surviving BG. I had very vivid
:15:21. > :15:24.dreams of my brother. You see your brother and he is talking to the way
:15:25. > :15:33.he always is, you want to go on stage, I was up for it and that was
:15:34. > :15:39.the dream. Barry made a brief appearance last year at Worthy Farm
:15:40. > :15:46.with Chris Martin and chums. But today he's back for a full Sunday
:15:47. > :15:49.afternoon singalong. You don't consider doing the legend spot, they
:15:50. > :15:54.ask you to do it, and if they ask you to do it, that is too much of an
:15:55. > :15:58.honour, you cannot not do it. So pull out your flares, dust off that
:15:59. > :16:04.medallion and show me some chest hair. Bee Gees's Barry Gibb on the
:16:05. > :16:28.Pyramid Stage. I have got a couple of songs I am thinking of doing.
:16:29. > :25:04.Thank you all very, very much, and good afternoon,
:25:05. > :25:10.You don't know how beautiful you all look from here.
:25:11. > :25:13.And it's a pleasure to be here, and an honour to be here
:25:14. > :25:25.The last time was with Chris Martin and Coldplay,
:25:26. > :25:29.and that was just a glimpse, for me, but a great honour,
:25:30. > :25:37.OK, let's get it to the time, what do we call it, time
:25:38. > :26:06.# Good morning Mr Sunshine, you brighten up my day
:26:07. > :26:30.# I see you every morning, outside the restaurants
:26:31. > :28:04.# Good morning Mr Sunshine, you brighten up my day
:28:05. > :30:44.Let us do something nice and romantic.
:30:45. > :30:47.# I can think of younger days when living for my life
:30:48. > :30:49.# Was everything a man could want to do
:30:50. > :31:01.# But I was never told about the sorrows
:31:02. > :31:13.# How can you stop the rain from falling down?
:31:14. > :31:22.# How can you stop the sun from shining?
:31:23. > :31:55.# Please help me mend my broken heart and let me live again
:31:56. > :32:01.# I can still feel the breeze that rustles through the trees
:32:02. > :32:23.# No-one said a word about the sorrow
:32:24. > :32:28.# And how can you mend a broken heart?
:32:29. > :32:36.# How can you stop the rain from falling down?
:32:37. > :32:42.# How can you stop the sun from shining?
:32:43. > :32:54.# And how can you mend this broken man?
:32:55. > :33:15.# Please help me mend my broken heart and let me live again
:33:16. > :33:39.# Please help me mend my broken heart and let me live again
:33:40. > :34:51.# I want my life to be lived with you
:34:52. > :35:30.# You don't know what it's like, baby
:35:31. > :36:28.# And I'm blind, so so sorrily blind
:36:29. > :37:01.# You don't know what it's like, baby
:37:02. > :38:55.It's been a good few months since I've heard an audience at all,
:38:56. > :38:59.that's remarkable, thank you very, very much.
:39:00. > :39:02.So I don't know if you're aware of it or not, but this
:39:03. > :39:06.is the 40th anniversary of a certain movie.
:39:07. > :39:22.And we sort of have to perform some of that stuff, and this song
:39:23. > :39:30.is probably the most remembered, because it became some kind
:39:31. > :39:32.of an anthem for CPR, and it's just maybe about the tempo,
:39:33. > :39:49.I've got a couple of Sgt Pepper jackets, OK, but that's about it.
:39:50. > :40:09.OK, let's get on with this, hope you enjoy it.
:40:10. > :44:19.OK, I'd like to bring my eldest son to the stage now,
:44:20. > :44:35.OK, I'd like to bring my eldest son to the stage now,
:44:36. > :44:41.this is my eldest son over here, Stephen.
:44:42. > :44:44.And we're going to do a song that my brother, Robin,
:44:45. > :44:54.but we always enjoy playing it, it's called I've Gotta
:44:55. > :45:14.# The preacher talked with me and he smiled,
:45:15. > :45:20.# Said, "Come and walk with me, come and walk one more mile.
:45:21. > :45:26.# Now for once in your life you're alone,
:45:27. > :45:32.# But you ain't got a dime, there's no time for the phone."
:45:33. > :45:43.# I've just got to get a message to you, hold on, hold on.
:45:44. > :45:59.# One more hour and my life will be through, hold on, hold on.
:46:00. > :46:10.# But if I broke her heart, won't you tell her I'm sorry.
:46:11. > :46:17.# And for once in my life I'm alone,
:46:18. > :46:22.# And I've got to let her know just in time before I go.
:46:23. > :46:33.# I've just go to get a message to you, hold on, hold on.
:46:34. > :46:48.# One more hour and my life will be through, hold on, hold on.
:46:49. > :46:54.# Well, I laughed but that didn't hurt,
:46:55. > :47:00.# And it's only her love that keeps me wearing this dirt.
:47:01. > :47:06.# Now I'm crying but deep down inside,
:47:07. > :47:12.# Well I did it to him, now it's my turn to die.
:47:13. > :47:23.# I've just got to get a message to you, hold on, hold on.
:47:24. > :47:44.# One more hour and my life will be through, hold on, hold on.
:47:45. > :47:48.OK, time to go back to that film again.
:47:49. > :48:05.OK, time to go back to that film again.
:48:06. > :48:08.By the way, it was called Saturday Night Fever,
:48:09. > :48:17.OK, this is my favourite song from that film.
:48:18. > :48:45.# I know your eyes in the morning sun
:48:46. > :48:50.# I feel you touch me in the pouring rain
:48:51. > :48:55.# And the moment that you wander far from me
:48:56. > :49:04.# And you come to me on a summer breeze
:49:05. > :49:09.# Keep me warm in your love then you softly leave
:49:10. > :49:27.# 'Cause we're living in a world of fools
:49:28. > :49:51.# You're the light in my deepest darkest hour
:49:52. > :50:22.# 'Cause we're living in a world of fools
:50:23. > :50:52.# Da, da, da, da, da, da, da, da, da, da, da, da, da, da, da
:50:53. > :50:57.# And you come to me on a summer breeze
:50:58. > :51:01.# Keep me warm in your love then you softly leave
:51:02. > :51:19.# 'Cause we're living in a world of fools
:51:20. > :51:49.# 'Cause we're living in a world of fools
:51:50. > :52:38.This is the song, this was the first song that we ever heard
:52:39. > :52:43.Not so sure you're familiar with it, but I certainly am,
:52:44. > :52:47.so let's give it a shot, it's called Spicks and Specks.
:52:48. > :56:19.And I want to bring Beth to the stage, so we can pay tribute
:56:20. > :56:23.to a couple of wonderful female artists that I've had
:56:24. > :56:25.the opportunity of working with, and there's nobody better than Beth
:56:26. > :56:32.Hang on a minute, I always have trouble pulling these things out.
:56:33. > :57:09.# Shadows falling, baby, we stand alone
:57:10. > :57:14.# Out on the street, anybody you meet got
:57:15. > :57:22.# Make it a crime to be lonely or sad
:57:23. > :57:32.# You battle on with the love you're living on
:57:33. > :57:54.# Our love will climb any mountain near or far
:57:55. > :58:18.# Eyes can see that we got a highway to the sky
:58:19. > :58:36.# I don't want to hear your goodbye.
:58:37. > :58:45.# Little by little we meet in the middle
:58:46. > :58:54.# Make it a crime to be out in the cold
:58:55. > :59:05.# You battle on with the love you're building on
:59:06. > :59:52.# Eyes can see that we got a highway to the sky
:59:53. > :00:45.# Eyes can see that we got a highway to the sky
:00:46. > :01:27.OK, here's a song that Kenny sang on his own a couple of years back,
:01:28. > :01:31.and I don't think Dolly sang it, but I know that Kenny did.
:01:32. > :01:43.# Baby, when I met you there was peace unknown
:01:44. > :01:48.# I set out to get you with a fine tooth comb
:01:49. > :01:59.# I was soft inside, there was somethin' going on
:02:00. > :02:03.# You do something to me that I can't explain
:02:04. > :02:34.# Makin' love with each other, ah-ah
:02:35. > :02:48.# Sail away with me to another world
:02:49. > :03:06.# I can't live without you if the love was gone
:03:07. > :03:11.# Everything is nothin' if you got no one
:03:12. > :03:19.# Slowly losing sight of the real thing
:03:20. > :03:23.# But that won't happen to us and we got no doubt
:03:24. > :03:26.# Too deep in love and we got no way out
:03:27. > :03:35.# This could be the year for the real thing
:03:36. > :03:44.# We start and end as one, in love forever
:03:45. > :03:55.# Makin' love with each other, ah-ah
:03:56. > :04:06.# Sail away with me to another world
:04:07. > :04:49.# Sail away with me to another world
:04:50. > :06:07.Here's a couple you will never remember, OK?
:06:08. > :06:16.# There is something goin' down And I can feel it
:06:17. > :06:45.# Gimme that night fever Night fever
:06:46. > :07:20.# Gimme that night fever Night fever
:07:21. > :08:14.# We can take forever just a minute at a time
:08:15. > :08:17.# Do do do do More than a woman
:08:18. > :08:39.# More than a woman More than a woman
:08:40. > :08:59.# Do do do do More than a woman
:09:00. > :10:15.# Here we are in the room full of strangers
:10:16. > :10:25.# Standing in the dark where your eyes couldn't see me
:10:26. > :10:49.# Blaming it all on the nights on Broadway
:10:50. > :10:55.# Singin' them straight to the heart songs
:10:56. > :10:59.# Blamin' it all on the nights on Broadway
:11:00. > :11:25.# How long will they stand between us?
:11:26. > :11:46.# Blaming it all on the nights on Broadway
:11:47. > :11:57.# Singin' them straight to the heart songs
:11:58. > :11:59.# Blamin' it all on the nights on Broadway
:12:00. > :13:04.# Even if it takes a life time, takes a life time
:13:05. > :13:09.# Blaming it all on the nights on Broadway
:13:10. > :13:13.# Singin' them straight to the heart songs
:13:14. > :13:20.# Blamin' it all on the nights on Broadway
:13:21. > :13:32.# Blaming it all on the nights on Broadway
:13:33. > :13:35.# Singin' them straight to the heart songs
:13:36. > :13:37.# Blamin' it all on the nights on Broadway
:13:38. > :14:12.Let me introduce you to my guys, my gang.
:14:13. > :14:33.Our three ladies, Charlotte, Lisa and Beth.
:14:34. > :14:49.That's my gang, John Merchant, thank you so much.
:14:50. > :14:53.And my daughter, Ali, who's actually on the videos,
:14:54. > :14:58.gives me little cues, here and there.
:14:59. > :15:01.She is wonderful and I love her, and I love them all, my family.
:15:02. > :15:27.OK, shall I take this thing off?
:15:28. > :15:36.I hope you've enjoyed all of this as much as we have playing it,
:15:37. > :15:53.This song, I'd like to dedicate, always, to my wife, Linda.
:15:54. > :16:05.But also I'd like to dedicate this to the people of Manchester,
:16:06. > :16:09.the people of London, and just, you know, this
:16:10. > :16:45.# 'Cause that would bring a tear to me
:16:46. > :16:59.# Now, my love, right now there'll be
:17:00. > :17:54.# It's only words, and words are all
:17:55. > :18:33.# And you think that I don't even mean
:18:34. > :18:46.# It's only words, and words are all I have
:18:47. > :18:53.# It's only words, and words are all I have
:18:54. > :19:10.# It's only words, and words are all I have
:19:11. > :19:35.# It's only words, and words are all I have
:19:36. > :19:46.Thank you, thank you for the life experience, just amazing.
:19:47. > :20:33.CHANTING: "BARRY, WEAR THE JACKET, LA LA LA LA!"
:20:34. > :20:43.Someone give it to me, it'd be a pleasure to put it on.
:20:44. > :22:32.# In a world of tears I slowly drown
:22:33. > :22:53.# When the feeling's gone and you can't go on
:22:54. > :23:00.# When the morning cries and you don't know why
:23:01. > :23:10.# When you lose control and you got no soul
:23:11. > :23:13.# When the morning cries and you don't know why
:23:14. > :23:56.# There's a burning down inside of me
:23:57. > :24:04.# With a yearning that won't let me be
:24:05. > :24:09.# And I just can't take it all alone
:24:10. > :24:27.# When the feeling's gone and you can't go on
:24:28. > :24:31.# When the morning cries and you don't know why
:24:32. > :24:43.# When you lose control and you got no soul
:24:44. > :24:46.# When the morning cries and you don't know why
:24:47. > :25:23.# When the morning cries and you don't know why
:25:24. > :25:36.# When you lose control and you got no soul
:25:37. > :25:39.# When the morning cries and you don't know why
:25:40. > :26:27.You guys have been the best, thank you
:26:28. > :26:31.for the experience of a lifetime, and I hope to see you again soon.
:26:32. > :27:10.Amazing. Magical. You can't ask for much more than that. Beautiful
:27:11. > :27:16.weather, a quality band, a song book, almost beyond, you know equal
:27:17. > :27:21.and a lovely personality, I mean genuinely moved by being here. The
:27:22. > :27:29.lads in the audience handing the jacket up and him putting it on.
:27:30. > :27:33.What a touch, it was magical. Fantastic set and Jo Whiley got to
:27:34. > :27:38.catch up with him. And everybody gets involved and like the security
:27:39. > :27:41.guards in the pit doing that dance. I saw them rehearsing that round the
:27:42. > :27:44.side of the Pyramid Stage, I saw them doing the Tragedy dance. I
:27:45. > :27:48.thought this is going to be excellent. And it was just a
:27:49. > :27:51.wonderful atmosphere, genuinely it was, I saw the Jacksons last night
:27:52. > :27:56.with a quality song book and this today, we still have Chic to come.
:27:57. > :28:00.Jo has been catching up with him as he came off stage.
:28:01. > :28:04.Barry Gibb, you have played on the Pyramid Stage, and that was a
:28:05. > :28:09.triumph, a triumph. Thank you. How was it for you? Shocking, because
:28:10. > :28:13.they were completely in the spirit of it, and you know, watching young
:28:14. > :28:20.kids singing those songs after all these year, that is a great feeling
:28:21. > :28:23.too. OK, I remember interviewing Lionel Richie when he came off, he
:28:24. > :28:27.was almost speechless and couldn't believe the size of the crowd. Same
:28:28. > :28:31.thing, it has been about three or four Mondays since I have had the
:28:32. > :28:36.opportunity to go on stage, you know, so, so the band is wonderful,
:28:37. > :28:42.and, we are looking to do another gig. How does it compare going out
:28:43. > :28:46.on your own? Do you get nervous? Of course, every show is a terrifying
:28:47. > :28:51.experience until that first song. And when you know that first song,
:28:52. > :28:55.it is working, and the crowd is smiling, and you just know, so it is
:28:56. > :29:01.like, you know, we have been doing this, or I have for 50 year, you
:29:02. > :29:05.know, so, yeah, I look round and I don't see my brothers and you have
:29:06. > :29:08.to deal with all of that. But I have done, and you can't live on that,
:29:09. > :29:11.you know. But I never stop thinking they are standing next to me, that
:29:12. > :29:17.is always there. Particularly on a day like today, which is a very
:29:18. > :29:21.emotional day. It is a mixture of feelings, bitter-sweet, you know.
:29:22. > :29:26.Great moments, I think of the times when we wrote those songs, the
:29:27. > :29:31.collaboration, the conflict, of coming up with lyric, those moments
:29:32. > :29:34.never go away. They would have loved it. Of course they would. It is
:29:35. > :29:41.something they would have dreamed of doing too. How you feeling? Ready.
:29:42. > :29:45.But I don't know what for. Ready for a sit down, a drink. Ready for
:29:46. > :29:51.something. Did you hear from Chris Martin this morn something No. I
:29:52. > :29:55.wondered whether he had made conxxxx contact. We haven't spoken since
:29:56. > :30:00.that night. This is the never ending tour. But I look forward to speaking
:30:01. > :30:03.to him at some point. Maybe you will get a call, a gig review after. I
:30:04. > :30:09.don't know. I don't know, I think they are very busy. It is all about
:30:10. > :30:13.you. Yes, but I am a fan, so it's all right. Congratulations, well
:30:14. > :30:20.done, it was wonderful today, great sight. Thank you. Thank you so much.
:30:21. > :30:24.So touching, how poignant is that. It will be interesting to see, what
:30:25. > :30:29.happens in the chart, because often after the legends slot, you see
:30:30. > :30:34.people's back catalogue rocketing, lie Nel Richie hat his first number
:30:35. > :30:40.one in 25 careers in Britain after his performance, after that, today,
:30:41. > :30:44.who knows. Just memories of his brothers, and you were saying after
:30:45. > :30:48.the festival. Not only is he nice but everybody who came with him is
:30:49. > :30:53.amazing. That is what I heard from the team. He is one of the loveliest
:30:54. > :30:57.artists to work with. And big on family, clearly. While we are
:30:58. > :31:02.talking about family, can I say hello to my grandchildren, who have
:31:03. > :31:07.been watching, sent us a photo of watching grandad on the telly. We
:31:08. > :31:08.will head up to the west holds stage and check out Shaggy. It was
:31:09. > :31:34.definitely him. # Honey came in and she caught me
:31:35. > :31:37.red-handed # Picture this we were both
:31:38. > :31:42.butt-naked # How could I forget
:31:43. > :31:46.that I had given her an extra key? # All this time she was standing
:31:47. > :31:48.there she never took her eyes off me # How you can grant the woman access
:31:49. > :31:50.to your villa? # Trespasser and a witness
:31:51. > :31:52.while you cling on your pillow # You better watch your back before
:31:53. > :31:54.she turn into a killer # Best for you and the situation not
:31:55. > :31:56.to call the beaner # To be a true player
:31:57. > :31:58.you have to know how to play # If she say you're not,
:31:59. > :32:00.convince her, say you're gay # Makes a claim and you tell her,
:32:01. > :32:03.baby, no way # Heard the screams getting louder
:32:04. > :32:20.It wasn't me # Honey came in
:32:21. > :32:26.and she caught me red-handed # Picture this we were both
:32:27. > :32:30.butt-naked # I had tried to keep her from
:32:31. > :32:38.what she was about to see # Why should she believe me
:32:39. > :32:43.when I told her it wasn't me? # Make she know say that she really
:32:44. > :32:45.know no right prefix # Whenever you should see her make
:32:46. > :32:48.da gigolo flex # As funny as it be by you
:32:49. > :32:50.it not that complex # Seein' is believin' so you better
:32:51. > :32:54.change your specs # You know she not gonna be worrying
:32:55. > :32:55.about things from the past # Hardly recollecting and then
:32:56. > :33:00.she'll go to noontime mass # But if she pack a gun
:33:01. > :33:04.you know you better run fast # Heard the screams getting louder
:33:05. > :33:22.It wasn't me # Honey came in and she caught me
:33:23. > :33:26.red-handed # Picture this we were
:33:27. > :33:32.both butt-naked # How could I forget
:33:33. > :33:42.that I had given her an extra key? # All this time she was standing
:33:43. > :33:56.there she never took her eyes off me Glastonbury. If you get caught
:33:57. > :34:08.red-handed, you should look her in the eye and you say, you say... You
:34:09. > :34:20.say Crowd chants: It wasn't me. It wasn't me. What you say? It wasn't
:34:21. > :34:26.me. Never fear. And if you do that and your ass gets kicked out and you
:34:27. > :34:38.are sleeping on the couch, don't blame it on me, it wasn't me. You go
:34:39. > :34:41.on your knee and you look her in the eye and you beg. You look her in the
:34:42. > :35:18.eye and you say something like - # Honey came in and she caught me
:35:19. > :35:20.red-handed # Picture this we were both
:35:21. > :35:23.butt-naked # How could I forget
:35:24. > :35:27.that I had given her an extra key? # All this time she was standing
:35:28. > :35:45.there she never took her eyes off me # It wasn't me force It wasn't me It
:35:46. > :35:49.wasn't me # It wasn't me,
:35:50. > :35:55.# It wasn't me #
:35:56. > :36:00.Glastonbury. Shaggy, sounding sensational in the
:36:01. > :36:04.sunshine up on the West Holts stage who've had the most fantastic
:36:05. > :36:10.line-up. I think if I had to pick one stage I would stick at, it
:36:11. > :36:14.would've been West Holts for me this year. If you want to check out
:36:15. > :36:17.anything you might have missed, there are over 100 performances you
:36:18. > :36:21.can watch online at bbc.co.uk/Glastonbury. I was there
:36:22. > :36:29.last night and watched the Jacksons. Another classic song catalogue.
:36:30. > :36:33.Another legends slot. And we had English National Opera opening up
:36:34. > :36:37.the other year And we had ear Ache but how about a bit of brass band
:36:38. > :37:01.music? LAND OF HOPE AND GLORY PLAYS Welcome
:37:02. > :37:08.to Queensberry the home of the Black Dyke Band. This has been the home of
:37:09. > :37:11.the band since 1855. It was here in the North that blahs bands began in
:37:12. > :37:14.the early 19th century. The mill owners and pit bosses realise the
:37:15. > :37:24.that workers' morale was boosted by music after a hard day's work. Into
:37:25. > :37:25.these are all amateurs. We are all amateur musicians.
:37:26. > :37:30.these are all amateurs. We are all amateur musicians. We have normal
:37:31. > :37:35.jobs. We are amateurs but like Olympicians. Because these are the
:37:36. > :37:42.very best. We've had many association was famous people over
:37:43. > :37:58.the years. Perhaps the most famous was Paul McCartney when he was with
:37:59. > :38:02.The Beatles. We recorded Yellow Sub marine and Thingy Me Bob. The band
:38:03. > :38:07.have typical concerts throughout the year. Glastonbury is fantastic for
:38:08. > :38:15.us. Something unique. We have not done a festival such as this. I'm
:38:16. > :38:19.looking forward to waking up all the hungover people from the night
:38:20. > :38:22.before with brass banding. Maybe that no-one has heard before and
:38:23. > :38:26.probably think is boring and we're going to show them it is not as
:38:27. > :38:30.boring as they think, it is quite exciting. Just to play on the stage
:38:31. > :38:34.will be phenomenal. Can't wait. We are a brass band, we're from
:38:35. > :38:45.Yorkshire, it is one of the things that Yorkshire does best. Morning.
:38:46. > :38:57.We'll get warmed up and psyched up and go on stage and smash it.
:38:58. > :39:06.When we walk on stage with our uniforms, golden lapels bow ties, I
:39:07. > :39:59.think there will be a few eyebrows raised. Good morning Glastonbury.
:40:00. > :40:39.APPLAUSE That was awesome, amazing I couldn't
:40:40. > :40:45.believe how the day went. They got me more excited. We'll probably have
:40:46. > :40:49.a well-deserved beer A great festival for music and performing a
:40:50. > :40:57.arts everywhere. We'll just go out and soak it all up.
:40:58. > :41:06.Just something about that sound that makes me want to join in. Whether it
:41:07. > :41:10.is a brass band or New Orleans Hot Air who were with us. It is like
:41:11. > :41:16.everybody, something is happening, join in and march. If I hear a brass
:41:17. > :41:22.band I have to walk in time. I liked she said - we're going to smash T
:41:23. > :41:27.why wouldn't they say it? Like any band on the Introducing Stage. We're
:41:28. > :41:31.going to have an acoustic. This was someone singing up a storm in
:41:32. > :41:37.rehearsal. Astonishing stuff. The most recent album is My Wild West.
:41:38. > :41:47.Originally from Illinois, this is Lissie.
:41:48. > :41:54.# I've got a feeling like I'm almost there
:41:55. > :42:04.# And I think I might belong somewhere
:42:05. > :42:15.# I've been disbelieving in my own heart
:42:16. > :42:22.# And the deceiving is the hardest part
:42:23. > :42:29.# And I feel the knowing that I must be going
:42:30. > :42:40.# Ojai, I don't wanna leave you behind
:42:41. > :42:46.# But you know that I made up my mind
:42:47. > :42:56.# So goodbye, I know I'm gonna see you again
:42:57. > :43:07.# And I'll be thinking of you until then, Ojai
:43:08. > :43:16.# I miss the seasons, I miss the land
:43:17. > :43:18.# I miss them for reasons I don't understand
:43:19. > :43:40.# Ojai, I don't wanna leave you behind
:43:41. > :43:45.# But you know that I made up my mind
:43:46. > :43:58.# So goodbye; I know I'm gonna see you again
:43:59. > :44:08.# And I'll be thinking of you until then, Ojai
:44:09. > :44:31.# Ojai, I don't wanna leave you behind
:44:32. > :44:37.# Ojai, I don't wanna leave you behind
:44:38. > :44:43.# But you know that I made up my mind
:44:44. > :44:58.# So goodbye, I know I'm gonna see you again
:44:59. > :45:03.# And I'll be thinking of you until then, Ojai #
:45:04. > :45:13.APPLAUSE Fantastic stuff from Lissie. How has
:45:14. > :45:19.your Glastonbury been? Awesome, short. I just got here yesterday but
:45:20. > :45:26.so much fun, magical. You live in Iowa? I bought a farm there noshgts
:45:27. > :45:32.eastern, it is great to be back on auto farm. You were in California?
:45:33. > :45:37.Yes and the move prompted me to write my Wild West. It is all about
:45:38. > :45:43.leaving California to go back to the Midwest where I'm from? You are
:45:44. > :45:46.happy there? Yes, close to family, learning about bee-keeping and
:45:47. > :45:53.gardening a lot. And learning more about the land and all that stuff
:45:54. > :46:02.so... Good, lovely to see you. Enjoy the rest of your week. Sensational,
:46:03. > :46:05.the pipes and the background there. We are minutes away, ladies and
:46:06. > :46:11.gentlemen, from Chic Chic who are coming up, but first, today's secret
:46:12. > :46:20.guests. Jo Whiley is with them in the Dome, back stage.
:46:21. > :46:30.How was it for you? It was a ruckus, it was good. We have good memories
:46:31. > :46:34.of that tent. So it was a bit nostalgic but it felt fresh. I feel
:46:35. > :46:39.good about it. Tell us about the memories? The first time we played
:46:40. > :46:44.there was about 13 years ago, and we, some kind of switch had been
:46:45. > :46:49.flipped we weren't aware of. When we came out the crowd was different and
:46:50. > :46:53.it has never been the same, it has always been that way since. Before
:46:54. > :46:58.then we we are earning it. Earning it, and now we are just spoiled I
:46:59. > :47:03.guess. In 2007 you said it would be the last time you would come to
:47:04. > :47:07.Glastonbury. I did not say that. You might have done. We had issues with
:47:08. > :47:12.the sound, it wasn't our fault. You chose that. We will be back next
:47:13. > :47:16.year. Headlining? I don't know. Playing the tent again. How does it
:47:17. > :47:22.feel to be together again, last time I saw you it was solo stuff and now
:47:23. > :47:28.all together? It feels good. Reading -- riding a bike. It feels natural
:47:29. > :47:34.As natural as slot machines in the laundry. If that makes any sense. It
:47:35. > :47:38.makes no sense. Have you ever done a festival and gone out in disguise. I
:47:39. > :47:46.have seen people who wear the bucket hats. You weren't Lord bucket head.
:47:47. > :47:50.I don't mind taking couple of hundred selfies. It probably makes
:47:51. > :47:56.you happy. We don't mind it. You used to talk a lot, you know. You
:47:57. > :48:02.have changed. I'm tired. I am on two hours sleep. Sum up what it was like
:48:03. > :48:08.today. Well, it was, it was daunting to walk out to what we walked out
:48:09. > :48:14.to. It was an impressive thing. It felt great. We have played Mr Bright
:48:15. > :48:19.side probably 1500 time, live, and I think that was the craziest it has
:48:20. > :48:23.ever been. It is... It must have been emotional. There is a thing
:48:24. > :48:26.that happens when you walk out on a stage like that, where, you are not
:48:27. > :48:30.in control of your own body, you feel yourself hitting things but you
:48:31. > :48:35.are not sure if you are the one doing it. It was that kind of...
:48:36. > :48:42.Experience. Well done on keeping it a secret. I don't think it was a
:48:43. > :48:45.secret. Car 1900. Here they are. These are the killers on John Peel
:48:46. > :48:49.and flashing images here, just to warn you.
:48:50. > :49:28.We're the killers. # Now I'm falling asleep
:49:29. > :49:32.And she's calling a cab # While he's having a smoke
:49:33. > :49:34.And she's taking a drag # And she's taking a drag
:49:35. > :50:51.And I've been doing just fine # Now they're going to bed
:50:52. > :52:54.And my stomach is sick CHEERING AND APPLAUSE
:52:55. > :53:02.Lad alive, it has been all the hits today and if you want More Killers
:53:03. > :53:06.8pm BBC Four in full on your telly. But, do you really want do that is
:53:07. > :53:09.this we have the party started with Barry Gibb, and some disco classics
:53:10. > :53:16.and ballads to put you in the mood. But we can take you to the party to
:53:17. > :53:22.a hiring level, can't we. I have my disco pans on, let's do it. Nile
:53:23. > :55:09.Roger, Chic. What can you say. Put your hands together, everybody.
:55:10. > :55:15.Come on. # Everybody dance
:55:16. > :55:40.# Everybody dance
:55:41. > :56:25.# Bop-shoo-wa, bop-shoo-wa, bop-shoo-wa
:56:26. > :57:03.# Come on everybody, get on your feet
:57:04. > :57:53.# Everybody dance # Everybody dance
:57:54. > :59:35.thank you. I Want Your Love. Come on, everybody sing it with us.
:59:36. > :59:58.# To try my love and see how well it fits?
:59:59. > :00:01.# Baby, can't you see, when you look at me
:00:02. > :00:04.# I can't kick this feelin' when it hits
:00:05. > :00:14.# I grab my pillow and squeeze it tight
:00:15. > :00:18.# I think of you and I dream of you all the time
:00:19. > :00:42.# Sometime, don't you feel like you I want your love
:00:43. > :00:46.# Never really had a love that's real?
:00:47. > :00:54.# A better love you won't find today?
:00:55. > :00:58.# Just one chance and I will show you love
:00:59. > :01:12.# I want your lovin', please don't make me beg
:01:13. > :02:05.# I want your love, I want your love
:02:06. > :02:20.# Your lovely need #
:02:21. > :02:47.Woo # Yeah, yeah, yeah
:02:48. > :02:47.# You know what, it's time to get funky
:02:48. > :04:32.# It's time to get funky, yeah # I want your love,
:04:33. > :04:37.I want your love Yeah
:04:38. > :05:42.# I want your love# # Right now
:05:43. > :06:13.# Oh, yeah, yeah Give it up for the trumpet player
:06:14. > :06:19.and Miss Kimberly Davis on vocals. So, before we go on, I just got to
:06:20. > :06:25.say a little something. I've been here in London, in England for about
:06:26. > :06:29.ten days now and I got to be honest with you, it's been the most
:06:30. > :06:38.inspirational period of my life. I got here, I arrived the day after
:06:39. > :06:43.the horrible fire. A friend of mine called me up and he told me to come
:06:44. > :06:48.down andville tier. I have to be honest with you, I never saw such
:06:49. > :06:53.spirit as the spirit I saw with those volunteers. It was unreal,
:06:54. > :06:56.man. It was unreal. We packed clothing, we shipped clothing. I
:06:57. > :07:01.mean people's spirit, instead of what I was seeing on the television
:07:02. > :07:04.when I was flying over, seeing a bunch of people being angry and
:07:05. > :07:13.stuff, I saw a bunch of people who were full of love. They were filled
:07:14. > :07:21.with hope and I got to be honest with you, the pay that they treated
:07:22. > :07:28.me, I walked into the centre and the woman said to me - now Roger, I'm
:07:29. > :07:34.happy you are here, here's a pair of gloves, do some work! It was
:07:35. > :07:37.unbelievable. She had me packing clothing, doing clothing all sorts
:07:38. > :07:42.of things. I've got to be honest with you, her spir and the all of
:07:43. > :07:47.those volunteers d her spirit and all of those volunteers, brought a
:07:48. > :07:53.tear to my eye. It was like we were here last time, you guys made us all
:07:54. > :08:00.feel so welcome. I just want to thank you. You are a great country,
:08:01. > :08:06.great people, thank you so much. So, I don't want to be corny and bring
:08:07. > :08:11.you down, so I just want to say that I feel like a really, really happy
:08:12. > :08:17.man because I have, like the best job in the world. I get to write and
:08:18. > :08:24.produce songs for lots of really big stars and every now and then, some
:08:25. > :08:41.of those records go number one. Now I'm going ego trip and just play my
:08:42. > :08:49.number one records. I'm going to start off, we'll do a medley of some
:08:50. > :08:54.of my number ones. This is a song I did for Diana Ross. It's called I'm
:08:55. > :09:03.Coming Out. Here is the deal. When we get to the chore chorus, you guys
:09:04. > :09:10.have to sing with us. The lyrics are simple. "I'm coming out." You got
:09:11. > :09:12.it. Here we go you all, let's do this. One, two, one, two, three,
:09:13. > :09:19.and... # I'm coming out, I want
:09:20. > :09:48.the world to know # I'm coming out, I want
:09:49. > :10:09.the world to know # I'm coming out, I want
:10:10. > :10:16.the world to know # I got to let it
:10:17. > :10:22.show # There's a new me coming out,
:10:23. > :10:25.I just have to live # And I wanna give, I'm
:10:26. > :10:32.completely positive # I think this time around, I am
:10:33. > :10:36.gonna do it # The time has come for me
:10:37. > :10:46.to break out of the shell # I have to shout, "I am coming
:10:47. > :10:48.out" I'm coming out, # I want the world to know I got
:10:49. > :10:54.to let it show # I'm coming out, I want
:10:55. > :10:59.the world to know # I'm coming out, I want
:11:00. > :11:02.the world to know # I've got to show the world
:11:03. > :11:11.all that I wanna be # And all my abillities,
:11:12. > :11:13.there's so much more to me # Somehow, I have to make
:11:14. > :11:15.them just understand # I've got it well in hand and,
:11:16. > :11:17.oh, how I've planned # I'm spreading love,
:11:18. > :11:22.there is no need to fear # And I just feel so good
:11:23. > :11:26.every time I hear # I'm coming out, I want
:11:27. > :11:30.the world to know # I'm coming out, I want
:11:31. > :11:41.the world to know # Around and round
:11:42. > :12:51.you're turning me # Respectfully I see to thee I'm
:12:52. > :13:28.aware that you're cheating # When no one makes
:13:29. > :13:29.me feel like you do # As long as the sun
:13:30. > :13:54.continues to shine # There's a place in my heart
:13:55. > :13:56.for you that's the bottom line # Nah, nah, nah, nah, nah, nah
:13:57. > :14:51.# Nah, nah, nah, nah, nah # One night in a disco
:14:52. > :15:06.on the outskirts of Frisco # I was cruisin'
:15:07. > :15:10.with my favourite gang # The place was so borin',
:15:11. > :15:14.filled with out-of-towners tourin' # I really wasn't carin'
:15:15. > :15:21.but I felt my eyes starin' # At a guy who stuck out
:15:22. > :15:26.in the crowd # He had the kind of body
:15:27. > :15:31.that would shame Adonis # And a face
:15:32. > :15:35.that would make any man proud # He's the greatest
:15:36. > :15:48.dancer # The champion of dance,
:15:49. > :15:56.his moves would put you in a trance # And he never leaves
:15:57. > :16:00.the disco alone # Arrogance but not conceit
:16:01. > :16:04.as a man he is complete # My creme de la creme,
:16:05. > :16:08.please take me home # He wears the finest clothes,
:16:09. > :16:12.the best designers, heaven knows # Ooo, from his head down
:16:13. > :16:16.to his toes # Hey, and we flock just
:16:17. > :17:51.like birds of a feather # All of the people
:17:52. > :17:59.around us they say # We're giving love
:18:00. > :18:05.in a family dose # I got all my sisters
:18:06. > :18:17.with me # Living life is fun
:18:18. > :18:41.and we've just begun # To get our share of
:18:42. > :18:47.the world's delights # Cause here's what we
:18:48. > :19:03.call our golden rule # Have faith in you
:19:04. > :20:10.and the things you do # Hey, hey we fry together
:20:11. > :20:18.# Like Birds of a Feather # Hey
:20:19. > :21:10.# Oh yeah # Hey
:21:11. > :21:24.Glastonbury make some noise. I said make some noise! Noise!
:21:25. > :21:58.CHEERING Kimberley...
:21:59. > :22:26.# Hey, yeah # Whoa...
:22:27. > :22:32.# Oh yeah # Oh yeah
:22:33. > :22:39.# We are family # We are family
:22:40. > :22:46.# Yes # We are family
:22:47. > :22:55.# Yes we are family # We are family
:22:56. > :23:05.# Oh yeah. # Thank you! Kimberley Davis, give it
:23:06. > :23:11.up for her y'all. We want do a song that we never ever
:23:12. > :23:16.get a chance to play, but the last time we were here you guys were so
:23:17. > :23:23.awesome it feels like we just do any old song we wan. This is a song from
:23:24. > :23:27.our third album. It's called My Feet Keep Dancing. I said it's called My
:23:28. > :23:29.Feet Keep Dancing. Dancing. CHEERING AND APPLAUSE
:23:30. > :23:56.Let's do it. # My feet keep dancing,
:23:57. > :24:07.dancing, dancing # I need some help,
:24:08. > :24:09.I get beside myself # And I got so many
:24:10. > :24:16.things in life to do # Like, reach for a star or maybe
:24:17. > :24:19.shoot ten under par # I'd like to do it
:24:20. > :24:23.all before I'm through # Fly into space or maybe
:24:24. > :24:25.save the human race # All these things
:24:26. > :24:31.seem so appealing # But I'll never get the chance,
:24:32. > :24:37.'cause all I do is dance # My mama said my
:24:38. > :24:48.brains are in my feet # My feet keep dancing,
:24:49. > :25:03.dancing, dancing # Papa told me, every night
:25:04. > :25:04.when he would scold me # He knew I'd never
:25:05. > :25:07.make him very proud # So I ran away from
:25:08. > :25:09.home to live all alone # And make myself
:25:10. > :25:14.a standout in the crowd # Then it hit, my
:25:15. > :25:22.ideas began to fit # I had to be what I
:25:23. > :25:24.was meant to be # Now my name is up in lights
:25:25. > :25:27.and I hoof here every night # They were right my
:25:28. > :25:57.brains are in my feet # My feet keep dancing,
:25:58. > :26:06.dancing, dancing # My feet keep dancing,
:26:07. > :26:51.dancing, dancing # Dancing, dancing
:26:52. > :27:15.dancing, dancing CHEERING AND APPLAUSE
:27:16. > :27:22.Thank you. So, the last time we played here, was about four years
:27:23. > :27:28.ago. And at that time, I didn't share this with you, but a couple of
:27:29. > :27:32.years before that, my doctors had told me that I was suffering from
:27:33. > :27:40.extremely aggressive cancer, and that I needed to go home and get my
:27:41. > :27:44.affairs in order. So, I went home and I did a little thinking and I
:27:45. > :27:48.thought to myself, well I'm a musician, if I'm going to get my
:27:49. > :27:58.affairs in order what would that mean to me? Well, I happened to get
:27:59. > :28:03.a phone call from two French guys called Daft Punk and a gentleman
:28:04. > :28:11.named Pharrell Williams. And we got together, and we wrote
:28:12. > :28:15.this song called Get Lucky. And I feel like the luckiest man in the
:28:16. > :28:22.world tonight, because six years after that doctor told me to go home
:28:23. > :28:34.and get my affairs in order, today, six years later, I am cancer free!
:28:35. > :28:39.CHEERING So, as I said to you a little
:28:40. > :28:44.earlier, I got the best job in the world, because I get to write and
:28:45. > :28:49.produce songs for a lot of really big stars. So I did this song with
:28:50. > :28:56.Daft Punk and Farrell William, but you know Chic we are a disco band,
:28:57. > :29:00.we are an R B band, a funk band so every time we do a song we have to
:29:01. > :29:07.put a little bit of extra soul into it.
:29:08. > :29:23.Because that is who we are. So... I want to show you the way I
:29:24. > :29:28.feel today. Kimberley. # Ooh
:29:29. > :34:17.# Yeah All right. You want it take this
:34:18. > :34:21.party to a whole another level? I said do you want to take this part
:34:22. > :34:28.to a whole another level? So I'm going to turn it over to my man on
:34:29. > :34:42.drums, the crazy Ralph. A funk party getting ready to go down. OK.
:34:43. > :34:53.Glastonbury. Glastonbury. Glastonbury.
:34:54. > :35:00.I don't know, I don't know, Glastonbury. That's a little better.
:35:01. > :35:08.One more time I'm saying, Glastonbury. CHEERS
:35:09. > :35:18.I tell you one thing for sure, there's a party in the house
:35:19. > :35:24.tonight. And man you guys are on fire right now. This is so great.
:35:25. > :35:30.You are all 100%. You are 100 proof. You'll all have to bane done ship.
:35:31. > :35:34.As we say in the States - for right now this band you are seeing right
:35:35. > :35:39.here has been on tour, for three years, just having a good time and
:35:40. > :35:43.the band is tight and the band is tight and we're about to show you
:35:44. > :35:48.how tight and right the band is tonight. Are you all right for this?
:35:49. > :36:02.Are you all right for this? I said, ladies, are you all ready for this?
:36:03. > :36:08.Aha. Ladies in the audience, are you already for this? Aha. Ladies in the
:36:09. > :36:22.audience. Yeah. Are you all ready for this? Fella, whoo, whoo, whoo.
:36:23. > :36:29.OK, OK, five or six Chihuahuas. I want the big dogs and only the big
:36:30. > :36:33.dogs. Come on, let me hear, whoo, whoo, whoo.
:36:34. > :36:56.Let me hear you say, one, One. Two. Two. One, two, one two, three...
:36:57. > :37:06.Glastonbury, let me hear you say yeah. Say yeah. Somebody, please.
:37:07. > :37:11.# Put on your red shoes and dance the blues
:37:12. > :37:20.# To the song they're playing on the radio
:37:21. > :37:50.# Sway through the crowd to an empty space
:37:51. > :38:03.# Because my love for you would break my heart in two
:38:04. > :38:29.# For fear your grace should fall
:38:30. > :38:49.# Let's sway you could look into my eyes
:38:50. > :39:03.# Under the moonlight this serious moonlight
:39:04. > :39:06.# And if you say run, I'll run with you
:39:07. > :39:12.# And if you say hide, we'll hide
:39:13. > :39:20.# Because my love for you would break my heart in two
:39:21. > :39:42.I want everybody, everybody at the side, everybody at the back,
:39:43. > :39:48.everybody that can hear me, put your hands in the air right now, let me
:39:49. > :39:54.see, you, jump, jump, come on, jump, jump, come on, everybody, jump,
:39:55. > :40:01.jump, jump, come on, jump, jump, now somebody sing force
:40:02. > :40:06.# Put on your red shoes and dance the blues
:40:07. > :40:19.# To the song they're playing on the radio
:40:20. > :40:48.One for time Glastonbury, put your hands in the air, come on, come on,
:40:49. > :40:51.jump, jump, jump, jump, jump. Come on.
:40:52. > :41:07.# Let's dance. Oh, oh. # Let's dance.
:41:08. > :41:09.# Now somebody scream... # Dance#
:41:10. > :41:38.Thank you. Are you ready to freak out? I said -
:41:39. > :41:56.are you ready to freak out? CROWD CHEERS
:41:57. > :42:33.# Have you heard about the new dance craze?
:42:34. > :42:35.# Listen to us, I'm sure you'll be amazed
:42:36. > :42:47.# Young and old are doing it, I'm told
:42:48. > :42:49.# Just one try, and you too will be sold
:42:50. > :43:47.# Come on along and have a real good time
:43:48. > :43:50.# Like the days of stomping at the Savoy
:43:51. > :45:55.# Come on along and have a real good time
:45:56. > :46:03.# Like the days of stomping at the Savoy
:46:04. > :46:11.# Find a spot out on the floor
:46:12. > :46:51.Everybody one time. Freak out. Thank you, thank you. Before we get out of
:46:52. > :46:57.here tonight I want to take a couple of minutes to introduce you to the
:46:58. > :47:03.members of the band. Over on keyboards and vocals, Mr Richard
:47:04. > :47:18.Hilton give it up for him. And on trumpet, Mr Curt Grant. you can
:47:19. > :47:27.co-better than that, Curt Grant on trumpet. On saxophone Mr Dan
:47:28. > :47:38.Moretti, and on drums, the one and only Ralph Roe. On funky funky bass
:47:39. > :47:45.Mr Gerry Bonds, the newest member of the Chic organisation on vocals Mr
:47:46. > :47:55.Russell Gramm and on vocals stage left if one and only Felamy. On
:47:56. > :48:01.stage right Kimberley Davis. Give us up for this man right here, this man
:48:02. > :48:07.has sold over 400 million records round the world. That man right
:48:08. > :48:12.there. He has three Grammy Awards, he has a Brit music award, a
:48:13. > :48:18.Canadian music award, he was GQ Man of the Year twice, because he is
:48:19. > :48:23.just that cool. That man right there. There. 2 the Captain of cool
:48:24. > :48:35.Mr Nile Rodgers. CHEERING AND APPLAUSE
:48:36. > :48:41.Captain cool. That is what we call him. Captain Cool how you doing? I'm
:48:42. > :48:47.all right Ralph. So we have one more song we want to do for you, now
:48:48. > :48:54.somehow every time we play this song, a disco party magically breaks
:48:55. > :49:45.out on the stage. This song is called Good Times this is what Chic
:49:46. > :49:51.# Good times, these are the good times
:49:52. > :50:09.# Good times, these are the good times
:50:10. > :50:30.# The time is right for makin' friends
:50:31. > :50:37.# Let's get together, how 'bout a quarter to ten
:50:38. > :50:37.# Come tomorrow, let's all do it again
:50:38. > :50:39.# Boys will be boys, better let them have their toys
:50:40. > :50:45.# Girls will be girls, cute pony tails and curls
:50:46. > :50:48.# Must put an end to this stress and strife
:50:49. > :50:55.# I think I want to live the sporting life
:50:56. > :51:28.# Our new state of mind, these are the good times
:51:29. > :51:31.# A rumour has it that it's getting late
:51:32. > :51:40.# The clock keeps turning, why hesitate
:51:41. > :51:44.# You silly fool, you can't change your fate
:51:45. > :51:49.# Let's cut the rug, little jive and jitterbug
:51:50. > :51:53.# We want the best, we won't settle for less
:51:54. > :52:01.# Clams on the half shell and roller skates, roller skates
:52:02. > :52:11.# Leave your cares behind, these are the good times
:52:12. > :52:32.# Our new state of mind, these are the good times
:52:33. > :52:48.All right Glastonbury. Are you ready to have an old school funk party?
:52:49. > :53:43.Yeah. I feel it. Come on, come on. # Ooh yeah
:53:44. > :53:54.# Yeah # Ooh
:53:55. > :54:05.# Yeah # Oh yeah
:54:06. > :54:34.# Whoa. # Oh, oh, oh... Gerry, Gerry, Gerry,
:54:35. > :54:46.let's go, let's go. Go. ? He want to take you back to the old school.
:54:47. > :54:54.Everybody say Ho. Hoho. Now scream. Say Woo, Woo. Say Woo, Woo. Say Woo,
:54:55. > :55:05.Woo. Say Woo, Woo. Say Woo, Woo. Say Woo,
:55:06. > :55:20.Woo. Check it out. This is a hip-hop, hip, hop we don't stop.
:55:21. > :55:29.# We would like to say hello for to the black, to white, to the red and
:55:30. > :55:32.the brown, the purple # I got bang, bang
:55:33. > :55:36.# Boogie to the bang, bang, we don't stop
:55:37. > :55:44.# Rock the rhythm that makes your body rock
:55:45. > :55:47.# What you going to do today? # Everybody go hotel, motel Holiday
:55:48. > :55:52.Inn # Said if your girl starts acting up
:55:53. > :55:55.# Then you take her friend # Lift all your hands high in the
:55:56. > :55:58.air # And party high like you don't care
:55:59. > :56:09.# This # A rumour has it
:56:10. > :56:34.that it's getting late # The clock keeps
:56:35. > :56:42.turning, why hesitate # You silly fool, you
:56:43. > :56:47.can't change your fate # Let's cut the rug,
:56:48. > :56:50.little jive and jitterbug # We want the best,
:56:51. > :56:56.we won't settle for less # Clams on the half shell and roller
:56:57. > :57:07.skates, roller skates # Leave your cares behind,
:57:08. > :57:14.these are the good times # Our new state of mind,
:57:15. > :57:47.these are the good times everybody throw your hands up and
:57:48. > :58:00.say Chic-Chic. Come on Chic-Chic. Chic-Chic. Chic-Chic, come on.
:58:01. > :58:12.Chic-Chic. Chic-Chic. Chic-Chic. Chic-Chic. Chic-Chic. Chic-Chic.
:58:13. > :58:59.Chic-Chic. # Good times. #
:59:00. > :59:29.CHEERING AND APPLAUSE Woo!
:59:30. > :59:36.I mean what? What? Mine honestly, I would have bought a ticket to
:59:37. > :59:40.Glastonbury just the see that guy play the bass. Unbelievable.
:59:41. > :59:44.Extraordinary scenes on the pyramid stage from Chic, not just the
:59:45. > :59:49.greatest dancers but the greatest song writers. Have we ever had a
:59:50. > :59:56.better afternoon at Glastonbury. I don't think we have. Jo and Huw are
:59:57. > :59:59.back shortly with music from Emeli Sande and Ed Sheeran. For now, that
:00:00. > :00:04.is us, Laverne and Radcliffe out. MUSIC: Fight For Your Right
:00:05. > :00:06.by Beastie Boys I want to, like, hang out with
:00:07. > :00:10.you guys. You put on a show. MUSIC: Let's Get This Party Started
:00:11. > :00:12.by Pink